Posted on 4 November 2015 with categories: Currently Watching:, Young Blackjack

With Blackjack and the others captured last episode, it’s only natural that the next step would be torture. Still I expected something much worse than what was presented. All things considered, I think Blackjack and the crew got off easy. They didn’t even get a “Tiger Cage.” Of course the big threat here was that the patient Blackjack treated isn’t out of the woods yet and the conditions of the imprisonment isn’t helping. Having the wound infested with maggots isn’t exactly ideal, even if it worked out for the best. Still I pity the poor souls that had to resort to Maggot therapy, the feeling must be unbearable. In relation we learn more about Blackjacks past and how he came to get his scars. The exploded bomb explanation could use more elaboration though at least we know that Blackjack didn’t simply just walk out of a hospital like nothing happened.

I actually found an article about this episode which complained that Blackjacks Torture scene was sexualized and really that statement has me confused. While watching the scene I wasn’t under the impression that it was intended to be sexual and I think this really is a matter of the eye of the beholder. That said that scene between Yabu and Blackjack was most definitely suggestive. With that blur and the look of compassion between the two you wouldn’t be surprised if the suddenly engaged in a passionate embrace. But let’s leave such fantasies to the fujoshi’s.

Though the main part of this episode was to introduce the American Medic whose methods are borderline insane. Parachuting into war territory with a full host of surgical equipment is something I figured would get any man dead long ago. Naturally he scoffs when he encounters Blackjack and it’s fairly predictable how this turns out. Both dislike each other at first but then see each others skills. Then they share a drink with mutual respect. I can’t say I am sold on this new character yet but I am intrigued to see what he can bring to the show and  whether he will play the role of mentor or rival.

Posted on 31 October 2015 with categories: Currently Watching:, Subete ga F ni Naru

The plot thickens as we are given a little more insight into Dr Magatas room. In this episode we learn quite a few things. That in Magata’s room she has a robot called Michiru which seems to be built with the sole purpose of imitating Magatas voice and to lock the door, and that Dr Magata suffered from DID.(Dissociative Identity Disorder) However I find myself wondering if her case of multiple personalities is genuine as she seems to be far too much in control of it. If anything it looks more like she invented her other personalities as a means of dealing with loneliness. This episode makes clear that none of Magatas other personalities were involved with her parents murder and states that the only one who could kill them was her core personality. However she claims that a doll killed her parents which according to the main characters could suggest that Magata did kill her parents but was forced to by someone else. Other interesting facts was Magatas messages on her computer which suggest that she knew that she was going to die. In murder mystery, usually everything introduced is in someway related to the murder and this one certainly makes it hard to connect the dots. But allow me to speculate a little. There is heavy focus on the director’s relationship with Dr Magata so it’s clear that is related to all this.

The easy explanation would be that the director killed Magata and that would clear up some issues. After all the director has the most access to the facility and from Magata knowing she was going to be killed, she would be more willing to accept it if it was someone she loved that was ending her life. Her interview with Moe would also factor into this as maybe she felt a connection to someone who was also in love with an older man. But if the Director killed Magata, then who killed the Director? Again, a easy assumption but it could have been his wife. Having learned about there relationship she might not have taken to kindly to it and killed the Director. There is a certain disconnect between the two murders. The first was clearly very calculated, and yet the second looked more like a impulse murder with a simple stabbing. But the directors wife lacks the screen time to consider her major factor. But another question is on my mind, is Magata truly dead? The show itself seems reluctant to have the characters examine her body as Moe was interrupted by Souhei before she could get a close look. The first to pronounce her dead, the doctor, did it rather suddenly. He was strangely not put off by the situation and straight away when to check her Pulse. It’s potentially possible that he was told to lie. Who knows, maybe Dr Magata is actually hiding inside the Robot, pretending to be an AI? Well alright, that’s rather ridiculous.

I rather liked Moe’s reaction to the dead bodies. Often in murder mystery the actual effect of death on people is played down so as to not let the drama effect the puzzle of the murder. Still here we have Moe attempting to brush off her shaken up nature and attempt to play detective. Yet her feelings are clear to everyone present. I still find the lack of character development on the others to be detrimental as I want to start pointing fingers but can’t really do that if the side characters have no characterization as of yet. There is also a issue with the shows rather bland presentation as while trying to find screenshots for this episode I found it difficult. While the shows substance is excellent and intriguing, I find that there doesn’t seem to be an effort to make it visually interesting. Counters to that claim would be that dream sequence at the end of this episode or some of the other more surreal moments. But other than these moments it just feels very…static. Though to the animators credit, there is only so much one can do with a story that has characters primarily talking in a room and not much else. But perhaps use of more visual metaphor could make things more dramatic though that runs the risk of ruining the mood of the scene. I may complain about that but I must admit to loving this series, nothing quite gets my brain working on all cylinders like a good murder mystery. Come up with a theory, watch it get shot down, come up with another one. That’s what makes these kinds of stories special.

Posted on 28 October 2015 with categories: Currently Watching:, One Punch Man

I feel there are certain anime that upon watching the first episodes, you know that it will be something you are going to remember. This may be far too soon to say but the first two episodes of One Punch Man give me that exact feeling. The whole way through this episode I had a dumb smile on my face and eyes glued to the screen. Saitama using all his godlike power to try and swat a mosquito had me laughing very hard and the action scenes are simply beautiful. I am not the only one with high expectations of One Punch Man as many are hyping it up and claiming it will be the next western breakout hit like Attack on Titan. I acknowledge that could be possible seeing the superhero movie boom is still going strong and One Punch Man is a very western styled show. Of course the cynic within me is still holding back my excitement as I have long seen many anime fall from grace at the halfway point but the source material is strong as well as the studio so the chances of them messing up is quite slim.

One particularly interesting aspect is this show’s tendency to use high profile voice actors for one time roles. The very first villain, Vaccine man, was voiced by the voice actor known for playing Frieza from Dragonball Z and the mosquito girl in this episode was voiced by Miyuki Sawashiro, another great voice actor. The animation seems to be going for fluidity over artistic consistently which does mean that the art gets worst during fights but there is a lot more dynamic movement to make up for it. There are still shortcuts such as Saitama’s punches thrown at the lion king but for once we may have a anime where the best animated action isn’t in the anime opening. As for comedy we have a interesting factor going on. Jokes in the manga that were not that funny work brilliantly in the anime, yet jokes that were hilarious in the manga are lesser in the anime. One particular example is with the mantus enemy, in the manga this guy jumps through the wall and before he can finish introducing himself gets instantly destroyed by Saitama. However in the anime, right before he’s punched they added this “Huh?” and a delay before he’s killed which makes the punchline less funny. It’s small and doesn’t ruin the joke but the change does affect the humor. This extending of jokes is in other examples as well but quite honestly it’s nitpicking.

There is the question of whether Madhouse can keep up the high level of animation from the shows entire run as episode 4 does show signs of the quality slipping. That said it could just be a matter of that episode being given less attention is it is the weakest by far out of the four. Out of criticisms of the show so far the main complaint is that it’s rather formulaic. True at the moment it does seem to be following a monster of the week format but having read the manga I can say this evolves more into an ongoing plot before it gets tiresome. The next episode looks to adapt one of the highlight fights of the series so Madhouse better pull out all the stops.

Posted on with categories: Currently Watching:, Subete ga F ni Naru

Subete certainly isn’t rushing anywhere and that’s alright. The first two episodes looked to be setting up the closed circle and the third a closed room murder. What I like is that we are being clued in on the facts while the characters are so there aren’t any aspects like with Ranpo or Sako were the detective suddenly breaks the Knox commandments and presents evidence that was withheld from the viewer. We already have good ingredients here to ponder. We have two bodies, Dr Magata who had her legs and arms Amputated and was placed on a robot torolly. And the director who was murdered with a knife in the helicopter. Dr Magata was murdered in room that has only one entrance and exit. In the day she was murdered, no one entered or exited her room besides her corpse and The teacher confirmed that only the corpse exited the room and no one else slipped out during the confusion. The system had been programmed to mess up at that exact moment and that system was programmed by Dr Magata herself. Dr Magata herself was also in an adult relationship with the director despite being underage. On top of that there is a clear connection to the murder of Magatas parents 14 years ago which resulted in her getting detained here and this current murder. The pieces are fragmented but allow for speculation, this ladies and gents is true murder mystery. The difference between this and the quick fire no thought required mysteries of other shows is in just how much intelligent writing and misdirection is required to make it work. Because if at any point the author provides too much and gives away the payoff then the story is ruined. It requires a steady stream of information, never revealing the full hand. The big minus of these kind of stories however  is in how they can really only be experienced once as on a rewatch you know all the answers. Still as a great mystery writer Ryoukishi wrote “Tales can be enjoyed twice. First you love them. Then you tear out their guts.”

At the moment my issue with this show is that we haven’t been given much of an introduction to the side characters. Our mains have been given plenty of attention but without much detail on the others on the island it’s difficult to draw up suspects to the murders. I would like the next episodes to flesh out the motives and personalities of the others on the island. Particularly Dr Magatas sister who I currently think is integral to this entire mystery. Our main duo continues to have great chemistry and play off each other wonderfully. What I particularly like is how both of them are on the same level. There is no Watson in these two, both act as blacksmith’s tempering each other’s blades. Whenever one goes along the wrong line of thought the other counters and shows them how they are wrong. It’s a far more interesting power dynamic than having a Watson for Sherlock to explain his thoughts and show how brilliant a detective he is. The method in this show shows what the detectives are thinking while developing their characters and most importantly, showing that they are not all knowing gods of logic. What we have here is two very smart individuals trying to put together a fragmented puzzle and that’s just the way I like it. What is needed for the next episodes is clear, more information, more murders and more character development. Build on the foundation and at the right moment let it all come together in a giant payoff. The factor which will ultimately decide the final quality of Subete ga F ni Naru.

Posted on with categories: Currently Watching:, Young Blackjack

Sorry for the lack of updates but I was hit with a sudden nasty case of Kidney stones which left me in hospital for a few days. I had a Keyhole surgery which left me not in the best shape for a week so I can’t say I was in the right mood to blog. Details of said operation would likely make you cringe and cross your legs if you happen to be a guy. Needless to say I was glad to be knocked out for the procedure. So now it’s time to play catch up.

Blackjack continues to be a solid show. The show does lack subtlety however as characters tend to act in over exaggerated manners and everything is placed in your face. That said it might not need it. The stories themselves are interesting in their own right and the over the top nature tends to lighten up some otherwise deathly serious situations. But what I find to be its most interesting aspect is the moral dilemmas Blackjack faces. Episode 3 in particular is a perfect example of how just because a person is technically doing the right thing, does not mean they are not a terrible person. It really begs the question that if the right thing is being done for the wrong reasons, is it is a good deed? The characters themselves seemed a bit too much of a strawman but I liked the dilemma they placed on Blackjack. Both seemed unwilling to put there own neck in a noose to save a life but when it came to Blackjack they were essentially morally blackmailing him. They forcibly got him involved and placed him in a situation where he must put his profession at stake, all the while demonizing him as if he doesn’t help this deserter then the man would most certainly die. The female student is a perfect example of someone using the moral high ground to inflate their own self worth and ego. A kind of person seen all too often in the planes of the internet.

Placing it during the Vietnam war was also master move as it puts Blackjack in one of the most perilous situations for a doctor to be in. I am honestly surprised with how the series is handling the drug addict doctor’s character. Most of the time this kind of character is a walking moral life lesson to not do drugs, yet he’s actually one of the more morally upstanding characters in the show. Using his experiences with past mistakes to help keep Blackjack on the right path. He also acts as a good trigger to place Blackjack in the hotspot of the Vietnam war with his attempt at redemption. There are the moments of old school such as the old “Oh my god, look at him being so amazing” inner monologues but I really like where this is going and so far Blackjack is delivering on a fairly unique experience.

Posted on 4 October 2015 with categories: Anime Reviews, Currently Watching:, Gangsta

Gangsta is an anime with a lot of things going for it. A mature cast, gritty themes, a interesting setting and a trio of main characters who can carry the show. However due to a number of factors it never quite reached its potential. The main trio of characters are unconventional and quite interesting with them being a Prostitute, deaf man and a gigolo. The best moments of the show often come from the quiet times between the characters as their relationship and history make for some pretty engaging conversations. Gangsta really shines in the episodes where characters are reminiscing about the past or just talking to each other but these moments are often pushed to the side as the new super powered psycho shows up for our heroes to fight. Through the main trio are fairly decently fleshed out, the rest of the cast are not quite as developed and viewers can’t really gain an attachment to them due to brevity of their screen time. Which is a major problem as the last few episodes deal with too many side characters to bring a decent conclusion to the story.

One of the biggest issues of the show is the inclusion of superpowered humans known as Twilight’s whom turn the fights of this series into over the top Shounen bouts that contrast the overall more grounded aspects of the rest of the show. It’s an alien element which hijacks the show away from it’s more interesting aspects to focus on ridiculous fight scenes which throw all laws of gravity out the window. The plot was lacking a main goal and instead acted as a setup of characters and setting that lead to no payoff because the series ends unceremoniously at the beginning of a story arc. With little chance of a sequel at this time(Especially now that Mangalobe has gone out of business), this makes the series feel unfinished and nothing more than a poor advertisement to read the manga. Art and animation fluctuate between visually stylish to bad as fights are later hindered with still shots and facial features in certain shots, mostly regarding Alex, are positioned incorrectly.

Ultimately Gangsta is a show that attempted to present style over substance but failed due to lacking animation, a unfocused plot and over the top fight scenes. It’s a show I can’t really recommend due to its unfinished nature and good points being too few in number. As the last TV anime Mangalobe made it’s not too bad a way to go out but there is a sense that this story could have been presented better if picked up by those with a more stable company. In the end Mangalobe went out adapting the hard sell and paid for it. That’s commendable but in the end if you reach for high ambitions without taking into account your limits all that’s gained is a bad product. If Mangalobe is ever revived, I recommend you take this lesson to heart and work within your limits to present the best product you can. A polished, focused anime beats a unfinished ambitious idea every time.

Posted on with categories: Currently Watching:, Gangsta

Normally one expects a final episode to be well…final. Right from the start you could tell Gangsta wasn’t going to make an effort to form some kind of ending with it wasting far too much time on things that don’t really matter at this point. By episode’s end I was actually questioning whether this truly was the last episode as nothing at all signified an end. That is because Gangsta didn’t end at all, it simply stopped. Imagine watching a movie and at the halfway point you accidently pressed the stop button on the remote. That’s the basic feeling of the last episode of Gangsta, the only difference here is that you can’t ever go back and watch the rest of the movie. And what a way to end, Connies still being held hostage, Alex is sitting depressed waiting for the boys to come back, Nicholas is falling to the ground while his last lines potentially imply he’s committing suicide, the evil twilights are still going around indiscriminately killing and Worick is busy dying on the grass of Marcos Mansion. Happy times all around. Well there also something about the guy with white hair seeing his sister but let’s be frank, do we care?

It’s difficult to express an opinion on this episode as the end makes the large majority of it pointless but I will say if this wasn’t the final episode then it would have been one of the stronger ones. The standouts would be the grannies fury with Marco over Connie getting kidnapped and Woricks battle against a twilight. It was interesting seeing Worick try to take the twilight down by making use of his knowledge gained from being Nicholas friend. Throwing off his sense of smell to catch him unaware was quite a smart move. It just would have been better if he actually succeeded. Humans in this series are far too under powered when compared to the Twilights so it would be nice to show that the super powered demigods were still susceptible to plain human ingenuity. Though how Worick managed to hang upside down from a two story window is beyond me. It was a rare moment of compassion for Nicolous to listen to the Grannies request and take off to find Connie. It’s such a pity we will never actually see him accomplish that, adding an old granny in the rain with no hope to the list of unintentionally tragic outcomes.

Posted on 30 September 2015 with categories: Anime Reviews, Currently Watching:, Gakkou Gurashi

Gakkou is one with a good facade as promotional material would have you believe it was some dime a dozen moe slice of life. I was one who wasn’t fooled by the cute cuddly exterior but I was truly surprised with just how good this anime ended up being. Gakkou is one of those rare examples of an adaption which improves its source material by making use of the animated medium. With visual subtext and better presentation this adaptation took something that could have ended up a mere gimmick of a show and made it so much more. The direction is simply marvellous with little details hidden throughout to reward those who pay close attention. Be it in the slight changes in the opening from episode to episode or the minor details hidden in the background.

The characters are likable though not particularly deep and I fear that shallowness might be a turnoff for some. In a twelve episode series building deep characterization is a challenge that even the often praised Madoka didn’t manage. But Madoka managed to keep the plot in center focus and didn’t wander between it’s two moods. Some of the plot developments are foreshadowed too heavily leaving little surprise when they are finally revealed, though the reveal is often great to see for execution alone. Music can provide the necessary mood though for the large part it’s fairly unnoticeable. Art and animation are adequate with the real effect of scenes being mostly on the presentation of certain scenes.

There are flaws with this odd combination of genres of course and Gakkou still makes use of a lot of the fluff present in moe slice of life, even if it has a purpose now. There are a two or three episodes dedicated to random hijinks that act more to delay the plot. But when the plot takes a dark turn it’s often very effective with some excellent scenes that make use of music and camera shots to the best effect. Ultimately I wish there was more darkness in this show and the manga does have scenes which could have remedied that problem. But alas they were not made use of and I blame the largely unnecessary pool episode for that. The ending is another issue as it does make use of far fetched plot contrivances to provide an ending which could leave viewers cheated or disappointed.

Gakkou remained a consistently good watch throughout it’s run and it is a series which would benefit greatly from a second season. Fans of Mahou Shoujo Madoka Magica who are looking for a similar show might scratch that itch with this series, for others however the mix of Moe and horror elements might be too off putting or schizophrenic to enjoy. But to me the juxtaposition of the two sides of the show are what make it the most effective. If either element was played alone this show wouldn’t be quite as interesting but with the two placed together it makes you appreciate both all the more. Or to put it in other terms, Despair is at it’s peak beside the greatest hope

Posted on with categories: Currently Watching:, Gakkou Gurashi

The ending to Gakkou leaves me with a feeling similar to that I felt after watching Madoka’s final two episodes. The ending isn’t inherently bad but I can’t help but feel like I have been cheated. When you tease darkness and provide instead light its hard to appreciate. Contract to popular belief, not everyone loves a happy ending. There lies my problem with this ending, its far too happy. The grim situation is defused far too fast with Yuki making use of the zombies lingering memory to get them to abandon the school. It’s a bit far fetched of a solution but still feasible so I will leave it be. But the speech was rather cringeworthy. I understand the need for finality and the parallel to the first episodes words is a neat link but the cheese was far too much.

At least the show knew there had to be some grim turn in this last episode and here we have it. Just when I was about to roll my eyes at not just Kurumi, but Taromaru coming out of this alright as well, Taromaru dies in Miki’s arms. Well when you trip that many death flags its unlikely you would come out unscathed. It was a really well done scene and pretty effective. Being a man whose heart has been tempered into apathetic cold steel, I was surprised to feel tears almost well in my eyes over Taromaru’s last look at Miki being him saying thank you. Curse you for making me feel feelings again, you manipulative puppy plot device.

Other than that we have graduation which is less death and more the girls moving away from the school now that the self sustaining machines are broken. The Graduation tried to tug at my heartstrings but it felt rather hollow and overly dramatic. So with episodes end I decided to check out the manga to see how things went there and its very different from its anime counterpart. For one it wasn’t Zombies that took down the school in the manga, but a crashed Helicopter which started a fire and destroyed it. Kurumi’s infection and Megumi’s death by shovel where solved before this pretty fast. Overall the anime handled the story better but there were small things in the manga that I wish made the transition. Like Miki arriving with the medicine only to find Yuuri poised, ready to kill Kurumi with the knife or how Yuki’s snap to reality was handled in the manga. Overall the ending does leave it open for a potential second season which I would be most interested to watch.

Posted on 27 September 2015 with categories: Currently Watching:, Gangsta

Gangsta has a serious problem on its hands. So far the past 11 episodes have been building up something and it’s clear that this buildup will not be utilised in the remaining episode. We got a setting, characters(though aside from the main trio a number of them need development) and an antagonist but we don’t have a plot. The last two episodes look to be setting one up but by now in the series it’s far too late and will not have a satisfactory conclusion. A second season seems highly unlikely what with there not being enough material for one. If Gangsta is to end here then the result of this anime would be a alright but an overall unsatisfactory experience, ultimately a anime that would feel half finished. After all it’s the second last episode and the series is still introducing new characters. I already stated that I don’t appreciate the action sequences and while the character moments can be great, it’s only the main Trio that truly carry the show. When looking at it from this perspective the previous episodes are like fueling up a car that’s going to get thrown into a car compactor. No matter how much fuel that car has it won’t matter if it isn’t going anywhere.

So that’s why Doug was suddenly so much more psychologically stable, so we can feel sorry for him when he dies. Nice try but no dice. Much like many of the other side characters, Doug didn’t really have enough screen time to form an emotional attachment to. We also learn why we were informed about Marco and Connie’s relationship, so Connie can play damsel and get kidnapped by Marcos old acquaintances. I find the kidnaping to be a weak development as for the love of god girl, you run a gun shop in one of the most dangerous places in the world. Might be good to be a little suspicious of the strange lady acting creepy in front of your shop. The anime could have at least shown her cocking a gun as she was getting the cigarettes to show she had her guard up. As for our evil Twilight gang, I find they are just trying a little too hard to be cartoonishly evil. Miss Lollipop chainsaw is a primary offender with the suggestive lollipop licking and a manner of speaking that truly couldn’t be any more condescending. In other important news, Miss Balalaika is a Lesbian with her lover being the red haired glasses girl. Sexual diversity is always a welcome addition to have especially when it isn’t there primarily for fan service or cheap jokes. It does explain why the redhead was particularly vicious when someone threatens Miss Balalaika. So as the events of Ergastulum come to a close I find myself with less reason to care about its conclusion


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  • AidanAK47
    (Wednesday, Nov 25. 2015 06:51 PM)
    Hype kills anything. In regards to the kind of emotional manipulation Clannad and maybe Undertale uses, it’s like a drug. The more you are subjected to it, the less of an effect it has.
    Still there are examples of something which comes close to expectation. People say Muv Luv Alternative gives you PTSD and in a kinda does. Though it’s helped by the connection you build with the characters though the first two games.
  • AidanAK47
    (Wednesday, Nov 25. 2015 06:47 PM)
    @Kaiser,I haven’t updated the old entries of my MAL in quite a while. Pretty sure Code Geass is sitting at a 10 on it and I am sure if I give that a rewatch that rating is going to fall harshly.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 08:59 AM)
    I say this because people often like to hype up the genre or those elements. I bring this up/think about it now because I played a game called undertale lately on my brothers recommendation and he was all like it emotionally destroyed him but I never ended up crying, I mean don’t get me wrong its a good game, there were laughs to be had and there was sentiment but it wasn’t THAT sad/funny.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 08:44 AM)
    Given how many people cry at some drama, clannad included.
    That reminds me…
    I can’t actually remember the last time in my life where I cried, I draw a blank.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 07:58 AM)
    @Aidan: Something always feels off to me when you criticize clannad, I mean I’m critical enough of key these days too but it seems odd that you rank it as an 8 on MAL when you’ve always made it sound its more of a high 6 or a 7.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 03:45 AM)
    But I’m no fan of gung-ho soldier games/most fps games so I am glad clannad, a visual novel outsold call of duty.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 03:44 AM)
    I said it once I’ll say it again. I preferred the clannad movie over the tv series, had more style, a more mature feel to it and cut out all the superfluous arcs/comedy for the better. It also concludes better than the series. The emotional involvement in the kyoani version doesn’t work for me anymore, doesn’t hold up. However the film remains emotionally engaging after revisiting it.
  • AidanAK47
    (Wednesday, Nov 25. 2015 03:19 AM)
    Holy hell Clannad is selling like hotcakes on Steam. Even beat Call of Duty in sales at one point.
    Kinda happy to see a VN get recognised and it would help open up the market for more titles to come over. But..well..Clannad really isn’t all that great.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 02:29 AM)
    I can remember when I first got into anime when I was a whole lot younger I always said I would watch lodoss war, El Hazard and slayers, yet I never ended up doing so…
  • Kaiser Eoghan
    (Tuesday, Nov 24. 2015 05:34 AM)
    Ha, the child in me would love to see a film like that I’d imagine, when I was young I was pretty crazy about Egyptian supernatural stuff.

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I wonder when it was that a film being childish became a flaw. As a medium grows it takes steps to aim to mature itself and seek a more intellectual level of presenting entertainment. Animation did it as Anime aimed to explore terrontry that cartoons refuse to explore and video games only recently broke away […]

Fate/Stay Night Unlimited Bladeworks Review – 85/100

For a long time now this adaption has been the dreams of many a Fate fan with many believing it would never come to pass, but now that it is here is it everything that we dreamed? Short answer to this is no, long answer is nearly. I feel this show will have many divided […]

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]


Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]


Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]


Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]


Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]