Posted on 25 March 2013 with categories: Anime Reviews, Robotics;Notes



After the complete disaster that was Guilty Crown last year, Production IG had to make up for something. They did so with Psycho Pass, that really was one hell of a ride. As for their other 2-cour Noitamina-series this half year, Robotics;Notes… it’s a bit more difficult. And don’t get me wrong: this is in no way as bad as Guilty Crown. It’s much better, but also very difficult to judge. This series is really ambitious… it just doesn’t work.

I actually liked Robotics;Notes in its first half. It had this ambition, yet at the same time it spent a lot of time fleshing out its characters and focusing on believability. It might sound weird to see this from a series that has a large robot on its promotional material, but that’s the point: one of the subplots in this series offers a bit of a deconstruction of Giant Robot building as it takes a look some of the issues of teenagers piloting these things that most other series tend to ignore.

Then there is a subplot about solar storms, a subplot about miniature robot fighting, a subplot about an evil conspiracy, and that list goes on and on. This is what I mean by the ambition: in the first half this show balances all of these subplots together that at first sight don’t seem to have anything to do with each other. This build-up for me was the best part of this series, and it’s always a question of what this show will focus on next… in its first half.

And then its second half comes, and it’s supposed to weave all of these subplots together… and it kinda fails. A lot. In many ways. There are some things that you’d think are related to each other, which actually totally aren’t, and the ones that are related to each other are brought together in such a shoehorned way that it breaks all suspense of disbelief that it has previously built up.

The show basically tries to run through a checklist of all stories that it needs to wrap up, without any care of making them flow into each other. Because of this entire subplots are conveniently forgotten until they are relevant again without much reason. But granted, the stories that it try to tell have some good concepts and ideas behind them. the character-development also works well enough and it has still enough to make it worth watching. And then the finale comes. I have no idea what happened, but things totally go wrong. All of the build-up just gets thrown out of the window and the show turns into a cheesy mess of plot devices. Talk about a let-down.

So yeah, solid show. Bad ending. That makes it really hard for me to recommend this series, because this series doesn’t just have a bad ending, it’s got a bad ending that invalidates much of the earlier build-up. Watch this if you want a different take on Super Robots. But then again, there are enough shows that also do that.
One-Sentence Review: Robotics;Notes is a very ambitious series that juggles around all sorts of stuff, which works well in terms of build-up, but not in terms of pay-off.
Suggestions:
Bokura no
Birdy the Mighty Decode
Dennou Coil

Posted on 24 March 2013 with categories: Robotics;Notes

Well, there you have it. The ending of Robotics;Notes. Did they seriously just do that?

I really dislike these types of endings. I was hoping that they would at least put the focus on the robot battles and all, but that just came second place. No, at the first place in this episodes were the attempts to talk the big evil monster to death. This is exactly why I dislike brainwashing: you take away all free will, and it’s just vague enough to conveniently stop working at right the exact moment. After all that build-up, this sure was a big let-down.

What did the creators really want to show with this series? What was all of the build-up with the realistic looking robots good for? Why did Kimishima Kou really want to wipe out the entire earth and what kind of point would that have made for the story? I think that airing this series aside Psycho Pass was also a bad idea, because of how well that series wrapped itself up. Here we have a solid build-up that eventually just ignores everything and goes to end with a cheesy robot battle… yeah. I did not like this at all.

Judging this one is going to be hard, because by far the worst part of this series is its finale. But yeah, I keep saying that endings are really important for a reason. Perhaps not in the sense of storytelling, but they are the last thing you remember when you think back to a series. Now, when I think back to Robotics;Notes, I will think back to that cheesy ending more than the other parts. It hurts even more that in the end, it never really used its best parts to their full potential (the mecha deconstruction and all).
Rating: 2.5/8 (Lacking)

Posted on 21 March 2013 with categories: Robotics;Notes

Robotics;Notes’ penultimate episode. Its main point was a romantic confession. Why?

I think that that symbolizes my big problem with this series. And don’t get me wrong, I like its ambition. You can really see that this series set out with a mission. It wanted to do so many things, and for that, I give it credit. It just didn’t really work out. I personally really like series in which everything comes together. The more ambitious the better. Robotics;Notes started out with a ton of different side plots and topics. But I see no link between most of them. They all just feel hacked together without much glue, as if they’re about to fall apart at any minute. The confession in this episode: what was the point? Why did it have to take up such an important part right near the end? It established nothing for the rest of the series. The main characters are a couple now, but how much did that change, really?

Also, with this it’s established that the final episode will be a big robot battle. It’s here where some subplots do come together, but if I have to be honest… it does feel rather flimsy here. Like, the creators tried way too hard to set everything up like that. Everything is build up and all, but it feels like some things were done only to get to this particular conclusion. The problem is that it’s not really an interesting one: it just screams been there done that. Was it really worth that build-up? Compare this to Steins;Gate, which meticulously set up ever single one of its plot twists as it went along.

That’s the key of storytelling: balance. There is not one formula to determine what works. You can do things right and wrong, but in the end it all depends on the harmony between all its different elements, and the soft spot is different for everyone. Robotics;Notes got a lot of points for its ambition and realism, but really lost a lot of them in the plot of its second half.
Rating: 3.5/8 (Mediocre)

Posted on 14 March 2013 with categories: Robotics;Notes

So, Robotics;Notes. I really appreciated it when you claimed to try and be as realistic as possible. The fruits of that were really visible in this episode’s best parts. However… don’t pull stupid stuff like what you did in other parts of this episode. Those parts didn’t really work.

The worst one was where the life of a young child was saved by… a parrot. Seriously, I could buy the robots perfectly. It’s part of your setting. But don’t randomly introduce superbirds. That just… makes no sense whatsoever without build-up. Beyond that, there were a few plot twists that didn’t sit right with me. This more has to do with personal taste, though:

– First of all, why did Kimijima Kou find it necessary to tell everyone about his evil plans? What point does it make? He could just kill everyone and have things over with. But then again, nobody could anticipate that damned bird…
– Second of all, brainwashing. I do not like the usage of this as a plot device for having characters do things they wouldn’t do on their own. It takes away all of their free will. It’s like saying “screw our differences, I was just brainwashed and I totally agree with you!”
– Third of all: why did you have to wreck a plane for that?
– Fourth of all, why the robot? The villain here is a bit of data. The focus should be on Frau and Kaito as they use some sort of Killballad H4x0rz to get rid of him or something. Why are the robots useful?
Rating: 4.5/8 (Good)

Posted on 5 March 2013 with categories: Robotics;Notes

Whoa, plot twists! With this episode the creators managed to turn the entire plot around. So did it work?

It did, but for some reason I did expect something more out of this series if I have to be really honest. I still can’t really grasp why, but Misa as the main villain still feels flimsy. We know hardly anything about her and why she changed, so when this episode revealed that she was the main villain along with Kimijima Kou… it just felt like something was missing. Just as how Kai blindly accepted what that guy who was obviously the villain was saying.

Still, it’s great to see everything tied together. However, I do have to wonder: why is Subaru in this series? And why is Junna in this series? And most importantly: why did they get so much airtime? When you compare their stories with the rest of the series, they feel… out of place, to the point where the main players here did not get the time they deserved to get fleshed out.
Rating: 4,5/8 (Good)

Posted on 25 February 2013 with categories: Robotics;Notes

And with this we have turned to the final arc of this series, in which we finally take a look at Aki and her sister. It brought in a sudden hint of romance as well now that Aki is in the main picture again (again, this could have been better balanced to take out the harem element because I don’t think it really contributes to much here apart from making Kai a less interesting character. That’s the downside of having a series with so many different plot threads, yet still wanting the main character to poke his nose in everything.

Still, Misa’s part in this episode is something I really liked. Kai really feels shocked by what happened to Mizuka and the creators used that well, only to move over to Misa herself, who seems to have betrayed her job or something…? The answer to that is probably something we’ll get in the next episodes. I really liked the cliff-hanger of this episode and how this showed the tension between Aki and her sister.

Lots of drama seems to have been created around Gunvarrel. This part did not work as well for me today, probably because it’s a part that has been a bit abandoned: how regular people think of Gunvarrel. It just felt too one-sided and forced at this point. I know that it has been stated before that Gunvarrel has had negative publicity, but for me it was a bit too much when everyone just walked away or when people started throwing with cans…
Rating: 4.5/8 (Good)

Posted on 20 February 2013 with categories: Robotics;Notes

At the end of the previous episode, there was a bit of speculation about Subaru. I mean, there is the golden rule of anime: a character isn’t dead unless this is confirmed. It looked like this was another one of those cases. What happened in the end was even better, though: consequences.

Usually when a character gets hurt majorly, he takes a bit to heal up and within no time at all he’s completely fine again, as if nothing happened. Subaru indeed survives, but it’s at the cost of him losing the ability in his legs. He will feel this for the rest of his life. I keep hoping for characters to die in anime, not for the sake of them dying, but for the sake of consequences: taking risks is risky, yet characters get away with them surprisingly easy. Having risks like these built up well does amazing things for the suspense of disbelief. In any case it does for me.

This episode was a really good aftermath. The show suddenly got really dark after the previous episode, and this episode really let this sink in, and shows how easy it can be to screw up if you’re thoughtless. The characters all have their own ways of dealing with that and I really liked that. I mean, those warnings at the beginning of the episode, about the realism and stuff. They might seem superficial, but in the long run they do add up to the believability of this series.

Now, let’s talk about Noitamina for a bit. By far the biggest disappointment of the upcoming Spring Season is what will be used to fill the timeslot that has for years stood for showcasing anime to an older audience. In case you haven’t heard it yet: it’s going to have a re-run of Katanagatari. I guess that that was the price that had to be paid for having two two-cours series at the same time. But with this, I now have a much better idea of the strengths of the timeslot. Let’s have a bit of a re-cap:

– 2005 saw the start of the timeslot, and it defined itself as a mature programming block with Honey and Clover and Paradise Kiss, two series about college students.
– 2006 saw it continuing this trend, along with it branching out to other genres, most particularly horror with Ayakashi – Japanese Classic Horror.
– 2007 saw the timeslot continue to grow and establish itself as a force to be reckoned with with Nodame Cantabile, Mononoke and Moyashimon, three really strong series that really pushed boundaries all around.
– 2008 was the height of Noitamina in terms of TV-ratings, with Hakaba Kitarou and Nodame Cantabile’s second season racking up massive ratings. The formula here still was very typical for the timeslot: there was a college series, a series about working life, an adventure seris and an avant-garde series with bizarre visuals.
– 2009 saw the results of two fantastic years, and the producers were able to experiment much more, leading to some of the most unique series out there that really stand on their own. In terms of originality it was a fantastic year, but especially Eden of the East and Tokyo Magnitude stand out here. Both really well produced and transforming the timeslot into a showcase for producers to deliver things with ambition without regard for the mainstream.
– 2010 was the best year for Noitamina ever. This influence of 2009 was really noticeable here as the series got the most freedom that they’ve ever had, even allowing it to expand to two series at the same time. Sarai-ya Goyou, Yojou-han and Shiki: all three were just fantastic and would not have been possible so close within each other without it.
– Then 2011 came, and it showed that such quality could not be kept up. Fractale and Guilty Crown were… disappointing. However, what was so interesting about the timeslot is that it had a whopping eight different series. The fun there was keeping track of all of them: awaiting what series they would come up with, and how they’d fare. Sure, it didn’t always go well, but it was definitely interesting beyond belief.
– 2012 saw more experimentation after that year, making this even more exciting. It returned to its roots again with Natsuyuki Rendezvous and Moyashimon, it tried out 2 full-cour series and it even went with something as Thermae Romae to fill up an empty month. It’s because of this excitement of keeping up with everything that I managed to finish nearly every Noitamina-series to date (the only exception being Nodame Cantabile’s final season).

Based on this, I think I now have a good idea of what would be the ideal format for the timeslot: mostly easy to produce yet ambitious 11-episode series, combined with your occasional 2-cour series here and there. This keeps the timeslot fresh with every season something new to look forward to, plus it’s good for variety. The past two seasons were great in showing that the timeslot can deliver two really good two-cour series at the same time, but its price: not being able to look forward to a new noitamina-series for two seasons long, it does hurt. And I think that the tactic of using reruns, will make it lose some viewers. Silver Spoon to the rescue!
Rating: 5.5/8 (Excellent)

Posted on 10 February 2013 with categories: Robotics;Notes

And with this, the focus on the robot building suddenly returns. This is what I meant by the previous episodes feeling a bit like acheckist, because I nearly forgot that that was also going on, even though it wsa the main focus of the series. They could have shown a bit more about the progress of the construction while they were doing the stories of the other characters.

Having said that though, the supercandy robot launch really was worth the wait and I really liked the moment in which the thing actually moved properly. And either way, the atmosphere of this episode was really, realyl good. Probably the best this show has been so far. The sense of impending doom worked really well for the largest part of this episode. And then “it” happened…

Just holy crap. I did not see that coming. Both of it. I did not expect this series to be such a deconstruction that it would actually tackle what would happen if such a giant robot would fall over. It also did not come to my mind that the robots going out of control also would mean that Kai’s legs would start to act funny. The ending of this episode was just amazing.

That’s the power of the build-up of this show’s first half, in which it tried to be realistic and believable without much of the drama. Because of that we now know the characters, which makes it all the more disturbing what happened. And to make things even worse there was that point in which Kai’s legs actually forced her to stand up again, hurting her spine in the process. I did not expect such a detail whatsoever in a show that so far had no blood or gore whatsoever. The impact of that single thing was much larger than, say, a show that consistently has people hurting each other.

Robotics;Notes, I applaud you.
Rating: 6/8 (Awesome)

Posted on 7 February 2013 with categories: Robotics;Notes

Last episode: Frau. This episode: Airi. It’s quite surprising what this episode all showed us, because from out of nowhere it delviers Airi’s entire backstory. Or at least the parts that don’t involve the deeper mysteries behind Kimishima Kou. We did get to see his face, though.

It wasn’t a big surprise that Airi existed in the real world. She was just too real for that. The really interesting part is why Kimishima Kou did what he did. Did he freeze Airi just because he felt sorry for her, or was there some deeper reason behind it? Also, why two Airis? What was the reason behind that? And why did Airi malfunction the way that she did here?

I do have a bit of a complaint about the past three episodes standalone, and that is that they feel a bit too much like a checklist: “okay, we’ve got one girl, now the next one’s up, and after that the next one”. It feels a bit too… scripted, for a series that aims to be so believable. But it’s not like the creators didn’t try to mix this up. I really appreciated how every episode also showed hints and answers for the other lingering plot threads in this series. When put next to each other these three episodes are a bit cheesy but they work as build-up really well.
Rating: 5/8 (Great)

Posted on 29 January 2013 with categories: Robotics;Notes

With this episode, it’s time to address the premise of this series: gamers saving the world. With gamers for some strange reason becoming more and more celebrities, it had it coming that there would be more series that would cater to them, resulting in creators finding more and more alaborate ways to somehow put these people in the spotlights. It’s not as bad as the typical loser, but yeah… you probably get what I mean.

Attempts so far failed for me. Kirito from Sword Art Online was just giant wish fulfillment. Accel World, from what I watched of it, looked the same. Btooom was better, but still gave the male lead way too much plot armour. With this, Robotics;Notes has given me the first gamer male lead that I actually like, and I feel is done well.

Either way this was so much better than the examples mentioned above. For one, the entire series doesn’t just revolve around Killballad, but the game is just a small part of the whole conspiracy that’s going on in this series. That means that the series doesn’t automatically revolve around the male lead, but it has to offer more than just him being good at this game. Second of all, it allowed the creators tocreate this weird mish-mash of subplots that somehow managed to link a robots, solar flares, an evil organization, an anime and brainwashing together, and actually get away with it pretty nicely. Sakurasou also has this variety of not just being based on one thing, which really helps for the diversity.

This episode had a climax for the gaming subplot. The robots can only be stopped if you manage to beat a game. It’s a completely crazy security system, but if you take into account that it was made by someone who was mentally screwed while also brainwashed… it’s still silly. And yet they pulled it off by using Kaito’s time slowing powers, which were previously established to be really intense. On top of that, some very convincing romance between him and Frau.

I usually hate love triangles for being pointless, so please: Akiho. Move on. Just… get over your crush. I know that this is unheard of in anime and all, but people can get over love. This series has intelligent writing, so make use of that.
Rating: 5.5/8 (Excellent)

CHANGE USERNAME
AidanAK47
It really does feel like this show is aiming to be something akin to Fate/Zero as that too did have a exposition heavy beginning. Difference here is that series had Urobuchi writting and while the man my be more famous for his murderous treatment of characters, he is a master of presenting exposition.
AidanAK47
I hope that's the majority of the exposition done for Re:creators. We established the stakes, rules and factions. So now would be good to focus on the creator and creation interactions plus badass battles.
Honestly I really regret Meteora coming into the story when she's being pretty much a massive exposition device.
Konstantinos Travlos
Hmm the "The Man who Knew 75 Languages" reminds me of the game "The Last Express". Great game. Definitely interested.
Anonymous1056824
moster keaton
Anonymous1056607
ditective conan
AidanAK47
@Anon, Pretty sure you are just trying to pick a fight more than defend the show but a decent show to me would be one that is deeply flawed but enjoyable to some degree. Sagrada reset is not this. It goes out of it's way to be unenjoyable. To me it's a 3/4 out of 10 show. Interesting concept but with a presentation so alien that the viewer can't empathise with anything on screen.
Lenlo
I mean, decent warrants about a 5-6. That, in theory, should be an "Average" show.
Anonymous1055365
It's a decent show. You're being overly critical.
SuperMario
In the Out of Competition slot (you think that I'm finished?), 2 films in particular that catch my interest are the Korean Lost in the Moonlight which looks like a fun and lightheart adventure, and the Norway-Poland co-production adult-oriented The Man who Knew 75 Languagues about the star-crossed love between the Queen of Romania and a titular man, I guess
SuperMario
Rounding up the Main Competition are Animal Crackers, a 3G American family film which I don't have good feeling about; Big Fish and Begonia - a Chinese indie film that divided the critics, but gathered skyhigh commercial success in its mainland China; and finally Zombillenium which sounds like an enjoyable European children film
SuperMario
From other countries, most notable films are the Loving Vincent - the first feature length hand painting; the Chinese black comedy Have a Nice Day that premiered in Berlin earlier this year; Ethel and Ernest which already gained a strong reviews from the UK; Tehran Taboo- a German production about the lives of 3 women in Iranian community, which sound exactly like my kinda of film.
SuperMario
Alright, I'm here to bring you news about the selection of this coming Annecy AKA one of the best animation festival out there. 3 of anime features: A Slient Voice, In the Corner of the World and Masaaki Yuasa's Lu over the Wall will compete for the main competition.
SuperMario
I'm a fan of thought-provoking anime (see Lain, Boogiepop Phantom) but I need to care about the story and characters first before I make an effort to dig deeper to the theme. Sagrada Reset failed on that fronts.
SuperMario
It's not really about being smart/dumb here. As a creator, they already have an advantage to know how the story and plot will play out. I don't mind this advantage because otherwise the plot will become a hot mess. But don't use that advantage as a way to widen the gap between them and the audience.
AidanAK47
Ugh...Ray Gigant was pretty much mediocre up until this point but now it;s utterly asinine. Whoever decided on this endgame needs to be fired. When you are ready to end a game, no player want a ten floor dungion with a boss on each floor coupled with a goddamn boss rush halfway. Just...fuck.
Kaiser-Eoghan
It must be worse than oremo.
Kaiser-Eoghan
I saw some pages of the eromanga sensei manga and my reaction was that I was sad that it actually existed and stated "why would you even" after looking at it.
Kaiser-Eoghan
As an anime example, sekaisuru kado has lots of dialogue but it seems like it could actually be engaging.
Kaiser-Eoghan
So basically no I don't think we're dumb for not liking sagrada reset, given that myself and Mario are capable of watching genuinely smart wordy things and getting them.
Kaiser-Eoghan
@Mario: I can imagine watching Sagrada reset and thinking I'd rather be watching a Bergman film instead , something also with lots of dialogue and themes but actually engaging/clever and NOT pretentious or obnoxious about it.
Anonymous1054942
is it possible that you are all just dumb?
Anonymous1054269
@Mario: I like how you described it as giving a middle finger to the viewers. It's so true. Like, it tries to be intelligent and make the viewer feel stupid, but it just comes off as obnoxious/pretentious.
Lenlo
CGI remains the worst part of it, but we are getting more and more 2D art which I actually enjoy the style of
Lenlo
Its an improvement. The art is better, and maybe its because I prefer this arc, but the pacing is better as well. I gave last season a 3, but this one is more deserving of a 4 and if they can nail certain scenes coming up I may bump it to a 5.
SuperMario
@Lenlo: How's Berserk doing so far? Haven't picked up last week and this week's episodes.
Lenlo
Ground*. I hate it when I fat finger something.
Lenlo
Thats always the worst, when a story starts off promising and then someone runs it into the grouhnd
AidanAK47
@Mario, so it's still at it. To me it's like someone was given an interesting story and made it his mission to ruin it as much as possible.
SuperMario
@Aidan: it's still the same crap. I have a feeling that Sagrada Reset gives a middle finger to us viewers. The plot with development and characters that we have no way to figure out ourselves. The characters who change motive and even personality after each timeline. The main lead girl who act like a robot. I gave this show too many chance so I won't bother to spend more time watching it.
Anonymous1052767
Eromanga sensei
AidanAK47
@Mario, Oh ho, what was the dealbreaker? Just that it didn't change or did something really stupid happen?
SuperMario
Sagrada Reset (long sigh) (scratching my head) (eyes rolling). Dropped
AidanAK47
Hey you.
Konstantinos
Yeah, at this point, this season looks good.
SuperMario
Quite happy with ID-0 and Zero in particular. Zero charms me to no end that I'm still debating whether I should blog it. The trio Re:Creators, Kado, Atom still doing pretty well and the sequels MHA and Bahamut are enjoyable as expected. We have a wide range of anime offerings this season.
SuperMario
Sagrada Reset & SukaSuka I will give it another episode, at least until this current arcs over. They both have potential but Sagrada Reset tries so hard to sound smart, and SukaSuka still falls into its LN tropes which bugged the show down.
SuperMario
*no real urge
SuperMario
I've finally catch up with all other series I wanna follow this season. Alice & Zorouku will be off my list for now, Zorouko is a great character but everything else falls flat so far. I have real urge to continue Attack on Titan and Berserk so I'll wait until they're finished.
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
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