Posted on 24 September 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

It makes sense that after 10 episodes of dueling and auditioning, this week takes time to focus on the central pair Karen and Hikari. As soon as she “betrays” Karen in the cliffhanger last week, it soon reveals that the reason she does it is to not steal anyone’s else brilliance (especially Karen’s), even at the cost of herself. Admittedly, while I myself was expecting a bit more, this episode does have some emotional impact with some powerful scenes. By taking Hikari out of the equation (I swear if I ever come across with any document that has giraffe logo on it, I would dump it to the rubbish bin immediately), it takes a toll to Karen and effectively kills her joy to perform. Or as my sub says it, she loses her brillance. Which makes it all the more tragic because Hikari sacrifices herself in order to save Karen and the rest from it. As far as the narrative goes, I don’t think anyone of us is surprised at all these developments. Revue Starlight has been foreshadowing about this star-crossed love for quite some time and how Karen-Hikari relationship parallels with the Starlight story.

So it’s inevitable that we learn there is some more chapters in the Starlight book and it’s Karen the one who is willing to translate the whole book, with the help of every other member of the cast (poor Mahiru, always plays the housewife role). It’s the way for Karen to get back to the root, not only finding her own inspiration again after Hikari gone, but also finds Hikari through there. I also feel it’s more than appropriate that Karen’s walk to Hikari’s castle is accompanied by the whole case with their decor settings. We’re reaching the end of the stage production now, it’s perfect that these scenes play out like a play. Characters sing, characters function within their role (and their allocated spot) and leave Karen so that she can face her own issues by herself.

These stage-like quality, unfortunately, reduces our supporting characters into “roles”, so this episode we don’t feel them like real characters. There was one little moment that breaks that trend, however, which hit me harder than it should. It’s the moment when Tendou Maya implies, through her flashback, that when she sees Hikari’s eyes in one of their practices, she can sense that her eyes are empty. Hikari had been fighting and dueling even though her “brilliance” is forever gone, just barely make it back by the promise of Karen, and decides to win so that she can be an ultimate sacrifice. I already love the surrealist background of her palace, which vast desert and here she is, bare naked and all alone. That single image speaks more strongly than thousand words and I hope that, really hope that Revue Starlight can sweep me away again with its final episode.

Posted on 17 September 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

The narrative beat of Revue Starlight has reached its new tempo with the end of the audition. All the things that Revue Starlight has been building up to begin to payoff this week. I must say though, it comes out a bit too predictable this week. We have the last stage audition with literally the supporting cast was put on the audience sits, the duet duel that decides the ultimate pair. But before that we have both Karen – Hikari pair and Tendou – Claudine reaffirm their roles and their relationship again. And then the ending which parallels exactly with what going on in the Starlight play. Mind you, there are still two episodes left so it’s possible (there’s a high chance it will happen eventually) that Karen and Hikari will rewrite the Starlight’s written fate. That can’t hide the fact that Revue Starlight this week lacks a factor to truly wow us.

“The central pair” emerges as the main theme of this week. Revue Starlight cast functions in pairs (poor Mahiru) and in this instance the final test is to decide the ultimate pair. Last year’s Tendou and Claudine against our Karen and Hikari. Before that final audition, we have a glimpse to Karen and Hikari’s time together, which sadly plays out as an extended episode 4. We don’t learn much of new thing regarding their relationship, and that’s the main thing that makes the final scene where Hikari “betrays” Karen doesn’t feel earned. You don’t see much of Hikari’s motive and I suppose she does it because she’d be the one who sacrifice. It makes more sense in that context so I just want to learn the true ending of Starlight play. Is that one girl fall of the cliff while the other one reaches for the star the true ending after all?

We also learn more about Tendou Maya – Claudine relationship and for me it fares better. They can’t hide the fact that they’re rivalry, but they also have deep respect for each other’s talent. It’s like they’re your typical fated rivalry where both try to improve themselves to surpass the other. Claudine and Tendou lose, with Claudine crying in French can be a little cheesy for my taste, but I love how Tendou accepts it quickly. She (and Claudine) have tried their best, so there shouldn’t be any regret, right?

It’s this episode where we also get the real sense of “supporting cast”. Personally, I would prefer to have develop every member of the cast more, in this episode they’re only there as your typical side-characters. It feels as if the climax (or the closing act, depend on how you view it) has no place to flesh them out more, which for me is a wasted opportunity. Maybe it’s me who was fond of the Banana-arc so that now when they address the main arc I don’t feel it as exciting. Hopefully Revue Starlight stays away from the soap opera and still manages to catch us off guard again, like what it did in the first episode and the Banana arc.

Posted on 11 September 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

The last three episodes when Revue Starlight focuses on Banana’s arc brush off my own reservation for the show. This episode, for me, is almost perfect in its storytelling department. First, it builds up Banana’s conflict and then resolves them in an insightful manner. It puts Karen back again as the main protagonist (and the one who changed the fate, figuratively), and it introduces the Starlight play, in which serves as a foreshadowing to our pairs. Last week, I criticized the episode for abruptly put Banana against Hikari without us to learn about how she feels now. Turns out that the last episode only raises the stakes for Banana’s broken dream this week. First, she sees how everyone in her class moves on to the 100th Starlight play with enthusiasm, leave her completely behind (with the old script). Second, she comes to a realization that it wasn’t Hikari who changed the fate, it was Karen who crashed the stage in the first episode that cause the audition to have 9 members instead of 8. Finally, Revue Starlight raises her situation into desperate level, where she knows that losing mean that her hope to revive the 99th Starlight will be gone.

That raises the stake to this week’s duel (Duel of Bonding) where you can see Nana’s increasingly frustration through her heavy blow and her eyes. I especially like how Revue Starlight conveys her emotion visually. The sword she draws hiding her eyes, indicate that she rather turns her eyes away from the present. As she draws the 99th Starlight show poster on the stage, and Karen refuses to be a part of it anymore, it’s almost heartbreaking. Nana lose is written very clear in the first moment, not necessary because Karen is a better opponent, but it’s more because Nana loses the fight mentally. We also learn that the last audition will happen next week, which I think is appropriate. After all, the overarching climax is about Karen and Hikari so there has to be more beyond the audition part.

I’m also glad that we learn about the Starlight play in full context. It’s rather clear (too clear in fact) on how the Starlight act parallels to Hikari and Karen’s relationship. The two mains of the play: Claire and Flora is your ultimate star-crossed lovers. They go through their promise (tick), one of them lose memory (tick), but they meet again and both reaching for (Hikari’s hairpins) the stars (tick), just so that the other fallen off the cliff. It foreshadows clearly enough that Karen will go through some sort of sacrifice for Hakari, although in all fairness Karen is always the one who breaks the rule so we will have to see on which route Revue Starlight will ultimately take.

But the calm moment after the duel is what seals the deal for me. It’s true that with this episode, Nana won’t be an ultimate villain but it does the job to close her arc off with a rewarding development. Junna has a great moment of comforting her friend. I love the way Nana rather curious reaction to see Junna breaks out of her strict personality for her friend. It’s that, even if things never be the same again for Nana, they will keep making new memories, go through the stage light again in a brand new experience. And again, this new “side” of Junna, or “Bananice” can only happen in this timeline.

Posted on 4 September 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

Last week, with the earth-shattering revelation of Banana’s secret, I expected Revue Starlight addresses 2 developments. First, Nana and Hikari’s chemistry in the present now that we see the true reason why Nana is so fixated to Hikari and Second, why does Hikari crashes this timeline which she doesn’t in previous loops. As it turns out, we learn most about the Second part this week (and next to nothing on the First part) given this episode plays out through Hikari’s perspective. One important detail in this world-building this episode manages to spill out is that the Revue Audition doesn’t strictly happen at Karen’s school. The extra-dimensional duels occur in London where Hikara studies as well. It becomes quite clear to me that these auditions are a manifestation of all these Takarazuka Revue trainee girls’ drive and competitiveness to be a Top Star and that talking Giraffe is like a guard of that world (but why Hikari? Torture him more! I want to hear him speaking English more).

While this episode isn’t as crucial in term of changing the plot into another direction like last week’s, it’s still a perfectly fine episode that moves the narrative forward. We see again how important Karen and Hikari’s childhood promise that guide them to basically give their all. I was struck at first how Hikari was too energetic earlier compared to her stoic current self, so imagine my satisfaction to learn the reason behind her lack of enthusiasm. She literally has her ‘drive’, or ‘radiance’ (depend on which subs you watched) taken away from her. It’s a high price to pay for the auditions, given that Hikari wasn’t aware to all that. Through her big slump of why she’s doing all that in a first place, the only thing she can hold onto is that promise. So she makes a deal with the devil almighty giraffe, thus appear in Karen’s world and single-handed destroy Banana’s perfect world.

But then, when we learn about the ultimate cost the losers will have to pay, isn’t that what Nana been doing all along is to protect these smiles? Keeping the status quo so that no one can lose their power. What can be more noble than that? Hikari and Nana’s fight isn’t simply a clash between past vs present, it also a conflict of self-ambition vs team mentality. In addition, I particularly enjoy the contrasting in weapons’ choice this week: Hikari with her dagger and Nana with double swords. The duel has a nice dynamic, and the stunning compositions with strong dark red color and shadows motif certainly give a strong impression. Revue Starlight also set itself up for a melodramatic climax, with Karen and Hikari have to fight one another in the end. While we have strong development from one of our main lead, I still feel the way this episode cuts from Hikari’s backstory to their duel a bit abruptive. Hikari and Nana’s clash is certainly interesting in theory, but the lack of their on-screen time together means that we can’t get behind them as much as I like. I also want to see more of Karen – Claudine duel. With 4 episode left I guess it’s time for Claudine to be in the spotlight very soon.

Posted on 27 August 2018 with categories: Shoujo☆Kageki Revue Starlight

Like this week’s Chio-chan, Revue Starlight reminds me a great deal to the its premiere as it marks some dramatic shift in direction that we all wish we see it coming before (I honestly doubt anyone can see this coming). Like its first episode, the piece at first plays out like some typical idol show. I literally thought that Revue Starlight had succumbed to Idol route with Idol’s concern until again, it pulls the rug out of our feet. This week is about Daiba Nana, AKA Banana, the mother figure of all the girls. Everyone could recall a moment in their lives that they consider perfect. Maybe it’s “perfect” not because of everything runs exactly the way one plan, but to borrow “Inside Out” image, it’s because the moments were so relatable and powerful they stick out to your mind. For Nana, it’s her first Starlight performance with the first-year class.

Now, while the narrative of Nana still leaves a lot to be desired (which I will get to that later), the visual cue you in to her mindset magnificently. All Nana does is to preserve her happy moments: record what they do, take pictures with the cast. Unlike previous episodes when Revue Starlight resolve the cast’s friendship issues through pairings, Nana doesn’t really have “a partner”. She walks from one place to another by herself (the images of her walking in opposite directions each time), there’s always a phone or camera that distant her from the rest (the camera’s images also signal Nana’s “chosen” perspective – that she would rather prefer looking through this lense instead of reality). I also enjoy how other characters tend to move away from the center (look at one of the screenshot), as if they extract themselves from the central force: Nana herself.

In addition, unlike other characters who want to fight to become Top Stars, Nana lacks the ambition to become one, yet she’s the most talented girl out there. That’s why her actions tick Maya off. What’s use of a talent if she doesn’t want to advance herself? Turn out Nana’s answer is: she uses her talent to relive the past. That reveal turns the show into a completely new perspective, but everything adds up because it builds from everything that came before it and gives many characters more significant roles than what they appear before. The yellow-bathed stage where Nana meets the Giraffe, for example, never feels this sinister. Basically it’s Madoka twist all over again, although I would say it’s more appropriate to compare this twist to Yuno’s in Future Dairies. She relives the past year all over again because for her, it’s the perfect moments where everyone she loves participating the Stage together. There hasn’t any girl who dropped out yet. If I have some criticism over this episode, it’s that I still feel her “this moment is perfect” kind of vague. I still don’t really know how much this timeline means to her so that she would trade anything to relive it all over. One thing is clear though, while her intention is selfish, it isn’t without its reason. Who wouldn’t want to relive their best moments over and over.

It would’ve been perfect for Nana if Hikari doesn’t come in the picture. Hikari is an abnormality in Nana’s perfect world, and suddenly both Hikari and Nana’s roles change significantly after this episode. Hikari is the one who will disrupt Nana’s perfect world, and that leads to two interesting factors. First, we learnt from previous episodes that Nana decides to step down in order to assist the stage, but what is her real deal here? Will she plan to duel against Hikari? And second, why is it that Hikari appears in this timeline and not previous loops? We know for sure that with her appearance, the loops are basically gone, but is there more into it than meet the eye? I’m personally feel that Nana won’t be the “ultimate villain” and that her arc could very well be resolved next week (since we have more characters down the line here). As it stands, Revue Starlight opens for more intriguing questions and proves once again it has more ambitious thematic reach (along with great visual storytelling) than most of the anime offering out there. This episode is a pleasant surprise for me, and easily amongst my favorite Revue Starlight episode.

Posted on 20 August 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

With this episode, it becomes clear that Revue Starlight is less about Karen and more about the development of the entire cast. This week we get into the insights of Kaoruko and Futaba through the former perspective. Although spoiled, bratty and not-at-all serious about the Revue audition, I very much welcome her as a person who offers a different perspective to Revue Starlight. Previous characters have showed us time and again how much effort they work on to be the chosen ones, especially the girl with glasses Junna who compensates her lack for talent with tremendous amount of practice. That leaves Kaoruko as the one left behind since she’s clearly too laid back to put all her effort into improving herself. And like how a spoiled kid acts she behaves selfishly, making decisions just for the sake of making certain people (Futaba) feel bad, and in the end one could argue that she doesn’t really earn it – her character arc and her Starlight audition. While these claims are not incorrectly, for me it’s more about Kaoruko learns to change and be more serious in the process.

Needless to say, Kaoruko and Futaba’s dynamic isn’t Revue Starlight greatest moments. We have seen these kind of friendship breakdown and reconcile before in Revue Starlight, with better success (Karen & Hikari, Karen & Mahiru), add to the fact that 1) they’re side characters with predictable development and 2) this relationship is unbalanced somehow. As for 1), the moments Kaoruko announces she’s going back to Kyoto, we all know for sure that Futaba will run after her and that she’d never leave. It taps on all the similar beats and makes me think why don’t shake thing up a little? For 2), I can totally see that Futaba can be better off without Kaoruko. Futaba has been following the girl’s step in every decision, and this episode is meant to be a trial for Kaoruko to realize and appreciate how much Futaba has done for her. At the end, while she does acknowledge that, things pretty get back to status quo.

In fact, I’m more interested with the other angle Revue Starlight focus on: the parallel between Karaoku and Tendou Maya. This show has been consistently bring up the point between natural talent vs hard work. Take Tendou and Claudine for example, for all the efforts Claudine make, she’s still one step behind Tendou because Tendou has the talent plus the heavy effort. Karaoku is one of the natural talent. She’s the prized kid where her parent is an expert at Japanese dance. But without the will to be on top she starts to fallen behind to Futaba, who practices day in, day out. Because of that Tendou somehow seen through Karaoku. There’s a line that Tendou said to her (it’s pretty vague by the way) that reminds her that she needs to try harder for those who support her and “the feeling that you have a duty to be the best you can be”. The duel, unfortunately, isn’t that exciting compared to previous duels. For the show that consistently surprises us with its smart visual storytelling, this episode is also unremarkable in that regard. Karen is sidelined into a loud, one-dimensional character and I didn’t appreciate that much. Not really Revue’ Starlight’s high point, but it’s still solid enough to make it a damn good time.

Posted on 14 August 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

Revue Starlight is back to business this week with its bizarrely entertaining duel. In a way, this duel is a long way coming as this is one of the development I expected to happen sooner or later. What I didn’t expect, however, is the overall light-hearted tone with cartoonish paper cut-out design and Mahiru -Karen fight literally stage-crashing other duels at the same time. I guess it’s because Mahiru is a kind-hearted person so we see her point of view in a rose-tinted glass with almost too naive outlook. Overall, while I have some nitpicks over the episode, it’s a delightful one from start to finish. My only beef with this week is that, for an episode that is about jealousy, we get little to no exposition of that theme. We see Mahiru feeling left out by the appearance of Hikari, but it plays out mostly for laugh (good one at that though). Moreover, Revue Starlight frames her conflict more as her own insecure with the rest of the cast, with all the country pumpkin imply and “sparkle” stuffs. Which again, isn’t necessarily a bad thing. It’s just that “jealousy” isn’t really much there to begin with.

But what this episode of Revue Starlight does extremely well, it’s how they manage the comedic beat. There are recurring gags about whenever Mahiru doing something “perverted”, Hikari appears with that deadpan expression and walks away. The visual cues sum up very well Mahiru’s situation than many words can tell (it’s show, don’t tell). We have Mahiru’s affection to Karen and we also sense how she feels Hikari invading Karen and her own space. Another notch for great visual gags come later in the duel, where other various auditioning girls get distracted by the duo’s crashing their stage. As for Mahiru, working with all the greatest faces also make she feels unconfident about herself, that she can’t shine like others. It’s her frustration triggers the audition so that she’d have to fight Karen (why not Hikari?) at the revue stage.

The revue duel this week is a total delight with catchy song, humorous, original (even to this show’s standard) and again brimming with many symbolisms that might or might not have a meaning. I mean, I can’t still get my head around the significance of baseball and she hits Karen off. Or even the fact that Revue Starlight animal-codes her as a white kitty cat. As for the duel, well… it’s purposely different from the rest of the duel we’ve encountered so far and I enjoyed every minute of it. With this duel done, however, I hope Mahiru still stay relevant. She’s the odd one out of the 9 members cast and it would be a let down if she remains the least developed character out of this mix. As the final note, two things I can takeaway from this duel: 1) there are simultaneously other auditions happening around at the same time in some extra-dimensional space and 2) I have the most single bizzare image of the week, not from the weird duel, but from our giraffe gets his head down to drink water in the lake with silver coins, while talking no less. Thumbs up for originality!

Posted on 6 August 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

I bet most of us coming out of this episode feeling a little underwhelming. Where’s all these revue duel? Where is the talking giraffe? To its defense though, this week builds the central dynamic of our main Karen and Hikari, and giving the rest of the cast the whole “we are together” vibe. While one could argue these members looking out for each other plot thread goes against the competitive duels to pick out a “Top Star” Revue Starlight has accomplished for the last few episodes, I think it’s rather appropriate development. These 9 girls, as competitive as they are, still need to work together as a team for the Starlight production. So in fact they’re not unlike idol girls who work together for the group’s benefit. That doesn’t mean I’m selling short these girls’ dynamic towards looking out for Karen and Hikari as they’re well over their curfew, these are charming moments, especially the way Claudine speaks nonsense French and Futaba and Kaoruko have to tiptoe around the hallway to cover these girls. I like what we see so far and I guess I would become more dramatic when these girls who obviously enjoy their time together have to fight on a surreal audition later on.

So this week Revue Starlight focuses on our main duo Karen and Hikari. I enjoy the way the show highlights the girls’ lack of emotional bond by the showing the physical distance. Karen leaves out of campus and Karen goes out her way to look for her. I also enjoy the way their communication getting better as the day progresses. At first we have blurry pictures that prompt Karen to pick a totally wrong location (the miscommunication?), to Keren figuring out of aquarium but ends up in the wrong aquarium, then they have phone conversation together which is actually their first heart-to-heart conversation since Hikari moves back to Japan and finally, they meet up face to face at their destined place, the Tokyo Underground. For whatever the aquariums might represent in terms of their relationship or Hikari’s psyche I have no idea, but them meeting at the Tokyo Tower feels like a long-awaited fated encounter. From this point on I’m certain that they’d work together as the duel.

What they exchange over the phone is also important. They recall on the past they shared together, about the initial inspiration and their promises that basically shape their lives the way they are now. Hikari might be angry with Karen for losing, but it turns out she doesn’t know more about Revue audition compared to Karen. As a result, while this episode is indeed the Revue Starlight’s breather episode, it’s still an important one to establish all the bright sparks that these relationships bring (notice that the cast goes for usual pairs this week, I don’t suppose it remains like that as the story kicks into gear), also develop our main Karen – Hilari so we have reasons to care for their goals, so that when it’s time for these girls to “destroy” each other, it adds up in context. I still feel the confidence from the production breathing through in every detail of this episode.

Posted on 30 July 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

Well, we have a slower week of Revue Starlight compared to the first two episodes, mainly because the first half is more about setting up the girls’ dynamic than introduction. It’s not a complaint, either, since this week we see the girls go for different pairing, as a result they create a more complex web of relationship now. The audition duel this week is a classic “two steps forward – one step back” for our main Karen, as she fight the Top Star and realizes how much of a gap between her and Maya Tendou. If I have one issue during the episode, it seems so random that Karen fights with Maya because there’s no proper setting up prior to the underground audition. Other things stay ambiguous without any actual explanation and so far I pretty enjoy those. There’s apparently another duel happening simultaneously with Karen’s fight, for example, but for whatever purpose and even what those fights even mean remain a mystery.

But in this episode 3, we learn a lot about other cast members of the Starlight team, so let dig it up. First, we have Banana who steps down of the acting role in pursuit for production design. I suppose we learn more about this development once we get into her episode. For now though, it feels like a set-up to get every piece into place. On other notes, we get a better look at the duo Kaoruko and Futaba, but amusingly when they’re separate. Futaba, the most boyish character of the group, is the only member who aware of Claudine’s struggles to surpass Maya, as we see last week she lost to the fight against Maya. That, however, doesn’t explain why they battle at the end of the episode (another note: Futaba uses an axe as her weapon, an interesting choice). At the same time, Kaoruko proves to be more than her sleepy, spoiled appearance, as the way she talks signify that she’s a calculated, and maybe a bit manipulative character. The character that receives the least treatment so far is Hikari. We don’t pretty know much about her apart from her tsundere act which kinda get on my nerve in the beginning of the second arc.

I also noticed there’s a theme for each audition’s sword fight. Last week, it was “Revue of Desire”, this week, it’s a “Revue of Pride”. Now whether it’s mean those are the themes of the week, or about the personality from a character Karen has to fight is up in the air, but I’m leaning more about the latter. Maya is full of pride, and the main conflict between her and Karen is mostly about the idea of every woman for herself (Maya) vs I fight for me and my partner (Karen). The visual motif of the fight shows how out of depth Karen is compared to her opponent. Maya is always stationed at a higher place, and everytime Karen tries to climb up the ladder, she immediately fails. This fight also serves as the reality check for Karen, that in order to achieve her dream, she has to put more efforts. In addition, Hakari isn’t pleased at all the way Karen put everything down the line for her sake. It means nothing for Hikari if Karen is the sole person who work for the goal. Despite it’s a less dense episode compared to what we had seen so far, it’s still a pretty good week for Revue Starlight, all things considered.

Posted on 24 July 2018 with categories: Currently Watching:, Shoujo☆Kageki Revue Starlight

Please check out the Starlight theme to get in the stage-dueling mood.

This show climbs up to be my favorite show of this season. It has all these elements that personally are my cup of tea: many layers of symbolism, a surrealism sense and a stage duel set piece that is even more impressive than an actual action show.

Disguised itself as an idol show with Love Live-esque character designs, the first half of the first two episodes could fool viewers thinking it’s a harmless idol girls, until the surreal part comes in and sweeps everything out of its way. In retrospect, I couldn’t think any better way to turn the Idol genre inside out than this. In the genre, girls with different personality working together for the same goals, and they regard each other like a family members. Revue Starlight put them against each other instead, making it a whole lot more complex in character motivation and interaction.

But that was just an on-the-surface part of this show, so let’s dig a little deeper. What I love the most about Revue Starlight so far, is its sense of surrealism and its heavy use of symbolism. The way the show uses symmetric images and put Karen right there in the middle, for example, suggest that she’s the one in the central (ground zero), the place where the lead role usually occupy, and signifies that she’s the one who brings the cast altogether. Many have said that Revue Starlight taks an inspiration if Takarazuka theatre, and at the same times criticize some traditional aspect of it. Karen (or BaKaren), is a stark contrast to what the Takarazuka build around, and to a larger degree what this Starlight audition is for. The audition is about exclusion to pick out the top star, yet she wants to include everyone together. In Starlight, the girls fight for themselves, yet Karen fights for the shared dream of her and Hikari. The talking giraffe asks her to leave when she entered the audition ground for the first time, yet she basically gate-crashing the audition. She has a great role so far that compatible to Utena’s role in her series. And that isn’t a far off comparison either since the ballet duel reminds me strongly of Utena duel, for good reasons.

I also like the theme of individualism in the focus of unity. Like the way Revue Starlight shows their costumes are mass-produced or the use of mannequin. To become a star, they need to stand out from the rest. And the girl Junna really shines throughout this two episodes. She’s in the position where she’d devote every effort to become a main star, yet she knows doesn’t matter how hard she tries, she can’t close the gap to the top stars. I reckon that her arc is basically done now that she accepts “her lose”, but knowing this show I know she won’t get sidelined in the service of the plot. We have a total of 9 girls in this series but judge from the way this show treats Junna, I have a good faith that Revue Starlight will develop them thoroughly.

In addition, the stage duel is simply stunning. It’s bizarre, yet gorgeous to look at and it has so much personality on its own. Now, it’s when the surrealism really kicks in. Many of its images: like talking giraffe, Karen get pushed down the Tokyo tower, might or might not be real. But it makes sense. You could take the stage duel as a battle to survive, as an audition,as a performance all you like and it still works. As a final notes, there’s some hints that we’ll have yuri undertone and for that I say: Bring it right on.

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
Total users: 33

Star Crossed Anime Blog

7 User(s) Online Join Server

Featured Posts

Dororo – 2 [The Story of Bandai]

Hello and welcome to show number two for me of the new season! Dororo is an interesting one, based on a 1960’s manga, with this being its second adaptation. This week we meet another demon, learn our leads name and that not all spirits are bad. Let’s dive in! Visually, Dororo is sort of a […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Mob Psycho 100 Season 2 – 2 [Urban Legends ~Encountering Rumors~]

Hello and welcome to the first outright perfect episode of anime of 2019! Mob Psycho 100 knocked it out of the park this week in every respect, so let’s just jump right in! Right off the bat, Bones is out in full force animation wise. Everything about this episode, visually, was fantastic. Even in drab, […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

Boogiepop wa Warawanai (2019) – 02/03 (Boogiepop Does Not Laugh 2/3)

Welcome to Boogiepop, one of the hallmark franchise in the history of this medium. The Light Novels itself dated back in 1995 and is still considered as one of the earliest Light Novels ever released and is often credited as starter of the Light novem trend in Japan. The anime adaptation in 2000 remains one […]

Zombieland Saga – 10-12[NO ZOMBIE NO IDOL SAGA/A One-of-a-Kind SAGA/Good Morning Again SAGA]

And so Zombieland ends…or more that it just decided to drop off for a bit. The last few episodes decided to focus on Sakura with the first being her overzealous preparation for a big concert and Kotaro’s efforts to just get her to chill out and relax, the second being the return of her memories […]

Kaze ga Tsuyoku Fuiteiru – 12 [Summer Prank]

Ah, the break is over, the New Year is here and Kaze Fui has returned once more! This week a few more of our boys get qualifying times, Kurahara loves his team and everyone goes camping! Lets dive in! Starting off, I have to make it known how happy I am for our boys in […]

Mob Psycho 100 II – 1 [Ripped Apart ~Someone Is Watching~]

Winter 2019 hype! The new season has begun, First Impressions are going up, and me? I’m writing about the second season of Mob Psycho 100, one of my favorite series of 2016. So everyone, lets dive in! Mob Mob Mob! Right off the bat let me say I loved this premier. It hit a little […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai – 09-13[Sister Panic/Complex Congratulations/The Kaede Quest/Life is a Never-Ending Dream/The Dawn After an Endless Night]

It’s hard to believe that I so easily forgot that this series was written by the same person who wrote the The Pet Girl of Sakurasou but these last few episodes really gave me a solemn reminder of that. The Sakurasou series had a pendant for serious melodramatic antics and while I did appreciate the […]

Latest Reviews

Planetes Anime Review – 89/100 – Throwback Thursday

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]

Castlevania Season 2 Review – 73/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]