Posted on 4 April 2017 with categories: Anime Reviews, Currently Watching:, Shouwa Genroku Rakugo Shinjuu

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo is a time of performance art that involves a man sitting on stage and telling a story. Sometimes a funny story, other times a heartwarming story or sometimes even a horror story. The man is given no props and much convey each actor and event in the story with his voice and mannerisms alone. Rakugo is the art of the storyteller and Shouwa Genroku Rakugo Shinjuu is a story about those storytellers. Truthfully it’s difficult for me to explain exactly why this series is so great. It could be considered a landmark in character drama and a true mature anime for those tired of superpowered teenagers fighting monsters. Rakugo is a story about tragedy, about the harshness of time, about the stories that lie within stories. It follows the tale of a young boy entering the art to his final days performing in old age. In a way this story isn’t about Rakugo but instead how it affects those involved with it and their passion to perform.

Admittedly though this isn’t the show for everyone. For one a large amount of the show is dedicated to Rakugo performances. While you can admire the skill of the voice actors emoting and the general outline of the story, it’s clear that a lot is lost on ears that cannot understand Japanese. This is a character driven story and the characters are driven by Rakugo so if the Rakugo itself doesn’t quite appeal to you then admittedly that’s a large chuck of the show you won’t enjoy. Even for those that do enjoy it there is the issue that while the first season is near perfect, the second drags out it’s conclusion which can be a detriment if it isn’t tugging your heartstrings as much as it wants to. Through if Rakugo hits that sweet spot for you then it will likely be a series you hold close to your heart. The characters are great with Yakumo being center stage for most of the story. We see him go from an insecure young man to a confident performer to an old tired professional in the span of a single season. Sukeroku is the lovable mooch whose passion for what he does is unmatched. Likewise you have Yotaro who is a man that’s loud and straightforward, but delightfully genuine. With Konatsu being the snarky girl with a heart of gold. What truly makes these characters special is that they lack the common anime tropes which seem to invest each anime character nowadays. The characters of Rakugo are genuine in personality and that’s what makes the drama so strong.

Animation and art wise the series is relatively subdued and a lot of the effort goes into the emotions during  Rakugo performance. This series isn’t a visual tour de force but frankly that’s not the point. Music again is suitable but not really all that memorable. If you happen to have an interest in Japanese culture and feel worn out by the modern cliches of anime then Rakugo is a breath of fresh air for you. It will take you on a ride with twists and turns before ending with a conclusion that leaves no loose ends. By its very nature I think Rakugo will be a niche gem of the anime medium. Through however niche, it will truly beloved. Much like the art of Rakugo itself.

Posted on 29 March 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Thus Rakugo draws to it’s final conclusion and it is rather refreshing to see a genuine conclusive ending in anime, This is a lot rarer than it should be as most anime leave you hanging for another season that may never come or just wrap up things haphazardly leaving it with a unsatisfying conclusion. However the end of Rakugo may have taken it’s sweet time but it’s nonetheless a great close to a great series. In a way the last episode was an emotional epilogue and this was an epilogue for the future of Rakugo. I am a little miffed that all the problems Rakugo faced are all resolved offscreen after a time skip. I would have liked more of a focus on how they helped rebuild the art after the burning down of the theatre. Looking over the series I find that while Rakugo was at the forefront of developments, it was more character drama that the story specifically focused on. While it brought up concerns of Rakugo becoming outdated in modern times I find that the series tended to only give vague indications of what was happening with the medium as a whole. Regardless it’s hard to deny that his is one of the finest character drama’s in anime.

That’s that then, Rakugo had a beautiful ending and there’s really not much else to say…unless of course we bring up that surprising detail revealed in this episode. I do find it amusing that Rakugo, a show so very close to perfectly executed would happen to throw something like this in at the last minute. Like a painter making a beautiful portrait and then slapping a small bit of mud on it. When the words were spoken I literally paused the video, let out a huge sigh and said out loud “They cannot possibly be doing this.” But indeed they did. For you see the father of Konastu’s first child….is Yakumo. Oh god this is Batman the Killing Joke animation all over again. Now from what I see a large amount of people are assuming that the writer was wrong in his accusation and that Konatsu was just humoring him. Of course, as no one wants to have a story twist like this. Sadly the fact that Shin looks strikingly like a young Yakumo and Matsuda being the one to clue the writer in speak that this is the truth. You could still claim otherwise but the final nail in the coffin is that apparently the writer himself confirmed it in side material. Look I get what is being done here, the blood of Yakumo and Sukeroku coming together in a new age of Rakugo but isn’t that just against the nature of succession in Rakugo itself? In Rakugo you don’t have to be related to your teacher to carry his name and his spirit. Having Yakumo spiritually live on through how he influenced Shin is a much more powerful representation of the ties of the art. A genetic tie only succeeds in allowing Yakumo’s bloodline to continue but in turn comes at the cost of respect we had for him.

I just cannot for the life of me fathom how these two could possibly engage in intercourse. Konatsu hated Yakumo and fully believes him to be the cause of her parents death. Yakumo was torturing himself over the deaths of the two so the very idea of him adding yet another sin to the bundle is just asinine. Taking this as fact this makes Konatsu a serious hypocritic and Yakumo someone who angsted over the death of his friends but still thought that getting his best friends daughter pregnant was fair game. The afterlife episode makes even less sense now. Maybe Sukeroku could get over it but Miyokichi? Like hell. The more I think about this the more it just darkens my view of Yakumo and Konatsu. When he collapses and said “My beloved” to Konastu, was he literally talking to Konatsu? Was he using her as a substitute for MIyokichi? Or against previous conceptions is he just a horny old fart? Is Konatsu really shallow enough to put aside personal vendetta’s for the chance to bang a suave older man? Because I don’t buy that “Wanting to carry his legacy” bullshit at all. Now I am really mad that we spent the last few episodes sending the Yakumo off like he was a saint.  Ladies and gentlemen, this is a situation where I believe we should invoke death of the author. In my mind the Yakusa leader is the father of Konatsu’s child. That’s my head canon because the story is the better for it and or god’s sake it makes much more sense. I suggest you do the same.

Somehow I knew that the majority of this post would be dedicated to that twist when I seen it. But let me move away from that. It’s nice to see that Konatsu has become the first female Rakugo performer(There does seem to be records of female Rakugo performers before her though) but it is a shame the final episode didn’t spare some time to show her performance. What we did get however was Yotaro performing Shinigami and I got to say I didn’t think he could pull off such a dark story considering his usual optimistic nature. Yakumo popping in for the afterlife to pitch in only made the performance all the more intense. The writer always makes assertions to make the audience think but it’s often Yotaro who happens to throw out the real words of wisdom. Ending the series with his final line that “Something this good could never go away” is a somewhat poetic end to this series. After all he is right in that regard. Even if something is old, outdated or niche, as long as it can touch the hearts of people there will be those who ensue it will never die out. That is as true for Rakugo as it is with anything in the world.

Posted on 23 March 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

When I started this season of Rakugo I was under the impression that this would be Konatsu’s and Yotaro’s story seeing as Yakumo’s had reached it’s end. However to my dismay it appeared that halfway through the season Yakumo has hijacked the series. I previously stated that the story of Rakugo has already ended with the last episode and nowhere is this more apparent than this episode. In a rather odd supernatural twist this episode took place entirely in the afterlife with Yakumo meeting Sukeroku and Miyokichi. Overall this episode confirmed one thing, that Yakumo is 100% dead and unfortunately after the previous fake out’s I don’t have any real strong feelings about that. I love the guy for sure but him dying has essentially been the only story going for the last couple of episodes. I don’t think removing this episode would have a major impact on the series and in some cases it would be a good thing seeing as this episode makes it out that the ghost apparitions Yakumo was seeing were indeed real. This show has always been fairly grounded in reality so it’s odd that I now know everything about the afterlife of this world. Of course you could write it off as some sort of fever dream before Yakumo died but in that case it would make this episode a rather sad delusion of his subconscious absolving him of guilt.

From what I see this episode hit a lot of people hard as it certainly was pushing for the so called “feels”. Being the heartless monster I am, I found myself rather unmoved. I will admit to having a soft fuzzy feeling when Yakumo and Sukeroku did a pinky promise on the river zanza but I think this episode was trying a little too hard to that effect. Having Masuda show up as Yakumo’s boatman was an outright sign for “Cry now please” I can’t say I hated this episode but I also can’t deny what it is. Pointless. None of this was really needed and I actually really hate that they tried to explain away Sukeroku’s stabbing as a joke that turned into a horrible accident. Oh she used to wave around a knife and just so happened to trip…bullshit. Where the hell did the knife come from in that hotel room? In a way it sort of cheapens the whole tragedy by showing the two in the afterlife as it makes their death have far less gravitas. Looking back at the first season there won’t be any real emotion in that scene anymore because here they are laughing it up in the afterlife.

That just really bugs me. I am somewhat reminded of the ending of Infinite Regius which attempted to turn the horrible experience the children went through into some fondly loved adventure. It paints the suffering the characters went through as something minor and insignificant. Yakumo gets his emotional sendoff but none of the emotional drama over death has any real meaning anymore. Makes Yakumo’s suicidal thoughts seem almost comical with him getting all worked up over death when it was his big afterlife surprise party I must reiterate that I didn’t hate this episode and still enjoyed it but this show truly has run out of steam. I honestly think it would have been better off giving Rakugo a ten episode run and giving the remaining episodes over to KonoSuba which could have made much more out of them. Next episode has us seeing Yotaro’s and Konatsu’s children grown up and I find myself not really caring all that much. The extended epilogue continues when the majority of the cast has left the stage.

Posted on 16 March 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

The extended epilogue continues as Yakumo returns home after the theatre burns down. Some are signifying the burning down of the theatre as the death of Rakugo while others are speaking of it as a new beginning. After all Rakugo can be performed anywhere as long as someone is willing to listen. The members of the theatre seem well aware that Yakumo was the one to start the fire but considering that the theatre was due for renovation regardless and that they owe Yakumo for keeping the place in business, are willing to write it off as an unfortunate accident. Konatsu tells Yotaro that she is pregnant when has me almost as happy as he is. Though I think I missed the point where Yotaro and Konatsu got more romantically intimate. I certainly saw them getting more cosy with each other but I guess I am just annoyed that I didn’t get to see the big kiss moment between the two of them. It’s silly, I know but one thing that bugs me to no end about Clannad is that not once in the two seasons of the shows runtime are Tomoya and Nagisa shown kissing. A kiss almost seems like a final confirmation of a relationship in fiction and to not have it is somewhat unsatisfying.

With the way this episode was conducted I was beginning to think that Rakugo was only going to have a ten episode run as everything in this episode screamed final. Yotaro in a strange twist of fate looks to be carrying on Yakumo’s legacy instead of promoting the writers new works and from the sound of things Yotaro instead wants him to write Rakugo that Konatsu could perform. With Konatsu asking Yakumo to let her be his apprentice it looks like she will be the one to bring change to Rakugo. The final moments with Konatsu finally forgiving Yakumo for what happened to her parents and thanking him for raising her was truly a beautiful moment. In a way Yotaro is to thanked for this as he broke down her walls so well that she can finally be honest with him.

Then when all this fluffy emotion which could just as well serve as a great final episode to cap off the series, we once again see Yakumo’s death being insinuated. Look, it’s the third time already. Fool me once, shame on you. Fool me twice, shame on me. Fool me three times, then go to hell. After having this happen two times already I just won’t accept it until Yakumo is in that coffin. It wouldn’t be all that bad for him to die here when all his grievances have been resolved and Konatsu has reconciled with him. It’s somewhat cruel for Konatsu after he agreed to take her on as an apprentice but if they pull a bait and switch with Yakumo’s death yet again then I will really start getting annoyed. For it seems whenever this show is ready to end we once again foreshadow Yakumo’s death to extend it. Look at this episode, shows over. There is literally nothing left to resolve. Unless we are doing some sort of flash forward I don’t really see the point in continuing. We have two more episodes left and there is nothing to fill them with. This is of course a great show but there comes a time when all things must end. Dragging out the final closing of the curtains only degrades the performance.

Posted on 7 March 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Now I really do feel like Rakugo is dragging it’s feet as we have an episode focused on Yakumo which by all accounts feels like a retread of the last episode. But I admit that I am rather irritated more with how the episode ended rather than how the episode was. For you see dear readers, I hate fake deaths. It is one storytelling device which I utterly despise for its artificiality and how it renders drama worthless. A death in a show is a game changer, it can change the very nature of a show. A single character death can affect the characters and push the show in new directions. It takes a lot to build the personality of a character over a show’s runtime and decide that they shall never more feature in the tale.

I respect that even if it means my favorite character will be no more and nothing is greater than them getting the end that paid respect to the legacy of that character. This episode did that for Yakumo, it set up his death in a manner that was downright perfect. The passing of the fan to Yotaro, the last performance at the prison and finally performing his signature Shinigami in an empty theatre. There was no better way for the Rakugo master to die than that, it was beautifully poetic and it just infuriates me to no end that it was all a fake out.

This is why fake deaths are such a pain, why it spits in the face of the viewer. For having saved Yakumo’s life, that build up to his death means absolutely nothing. A fake death is akin to deciding to go bungee jumping and once you have the rope around you and you are ready to jump, you just decide to go home instead. All that build up for an anti-climax. After that there is no longer any tension for if you try to build up for a death once again it won’t have the same tension. Because we have been through this same song and dance before. This is why I came to hate Key works, for they want all the drama that comes with foreshadowing death but don’t have the guts to actually go through with the consequences.

So what did this episode accomplish? Well Yakumo attempted to kill himself again, only to be stopped yet again. Am I supposed to be believe that he had a change of heart? I thought he had a change of heart last episode but he switched right back to suicide watch. Who’s to say he won’t try again? And when he does die it won’t ever match this. I feel like I watched a Romeo and Juliet play that ended with the two coming back from the death and getting married. It’s just so..so very annoying. Otherwise I don’t have much to add, up until the last minute or so I was ready to call this a great episode but now more than ever it seems that Rakugo doesn’t have enough story left to fill the remainder of it’s runtime.

Posted on 28 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Allow me to be honest for a moment, my dear readers. Recently, I’m having a hard time sitting down to watching Rakugo. This is not due to a lack of enjoyment and I found myself to have this strange apprehension to starting to watch it. Youjo Senki and Little Witch Academia are shows that I can’t wait to watch and usually do so at the first chance I get. Rakugo, however, I find myself putting off for reasons I can’t quite fathom. Perhaps, it’s due to not having a lot to say about it in my blog posts as the slow pace of revelations leaves little room for interpretation or opinion. Another reason could be that a large amount of the series is already tied up. Yotaro has gotten over his problems as a performer, Konatsu and him now have a rather loving relationship, and Yakumo’s past has been laid out to bare. Really, there isn’t much left to this story and the plot now focuses on Yakumo getting back into Rakugo after his health taking a nosedive. Truthfully, I find everyone’s attempts to force him back on the stage to be rather cruel. He’s past his prime and the accident took away his ability to perform well, so if there was a point to retire, this would be certainly it.

I can understand what Yotaro is trying to achieve in performing Sukeroku Rakugo in front of Yakumo as it ss made clear that he wants his master to have fun performing again. In a way, it’s similar to how Yakumo pushed Sukeroku back into performing before his death. Though, the big reason to get Yakumo to perform is to make the yakuza boss happy as he and Yakumo have some shared history that I don’t believe was explored in the anime. Actually, on that note, there has been a disconnect between episodes in regards to time. Each time I start up an episode it feels like a significant amount of time has passed but not many clear indicators of it having done so. Maybe there is a date shown at the beginning of the episode but it’s mentally taxing for me to keep track of the timeline week after week. Either way, Yakumo’s problem looks to be wrapping up if it wasn’t for the police to have picked the worst timing to arrest the Yakuza leader. From the next episode preview, it looks like

Yakumo will be giving him that performance in prison is what’s in the future for this series. The only thing left isn’t essentially saving the art of Rakugo but how that is going to happen is a mystery. We have the writer working on new Rakugo stories and preserving the art but other than that, there hasn’t been much effort to shake up the art. I do still like this show but I admit my interest is waning a bit. In truth, Rakugo was never usually my kind of show as I tend to not go for series set within reality. I often prefer to escape the mundanity of real life, which makes slice of life such a bore for me. Rakugo to me looks to have reached a premature conclusion and now needs to bring up a new struggle to deal with in its final episodes.

Posted on 21 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Looking over my old review of episode 12, I find that I didn’t really cover the episode decently. I gave a brief summery but I don’t think I really articulated my feelings on the episode as well as I could. I do remember finding it to be a big heel turn when it came to Sukeroku’s and Miyokichi’s final moments but I was willing to give it a pass. Now this episode comes along and reveals that was all a fabrication. Thinking on it, I believe Yakumo incorporated part of the last Rakugo story Sukeroku told into his version of the events as it detailed a story involving a deadbeat husband changing his ways. However now so many things make sense. Konastu’s hatred for Yakumo and why she calls him a murderer and why Yakumo is so beaten down in his old age. All this time her lied to protect Konatsu from the horrible truth. The truth that she was inadvertently caused the death of her parents.

While I do find this version of events quite interesting, it does hold a level of contrivance like the last version. It makes sense for Konatsu to lash out at her mother after she stabbed her father but I find her pushing her mother back into the balcony and the balcony collapsing at that exact moment to be too calculated. Konatsu and her mother were fairly far from the balcony so Konatsu pushing her that far seems a little unrealistic. Still the thematic implications are strong and it certainly is heartbreaking to have Yotaru embrace Konatsu while crying. All the while Konatsu being ignorant of the fact that those tears were for her. So the question is, will Konatsu ever learn of this truth before season’s end or will Yotaru and Yakumo take it to the grave. After all these years learning the truth would break Konatsu, it would utterly destroy her.

Other than that we have Yotaru watching the old videos of Yakumo and Sukeroku and remarking at the difference. Yakumo in particular did seem much more cheerful in the past when doing Rakugo, a point Yotaru notices easily. Seeing Sukeroku after all this time was oddly nostalgic and I felt a connection with Matsuda in that it really felt like the return of an old friend. In other events the writer looks to have had a crush on Miyokichi which does explain the level of antagonism he has for Yakumo. Though in turn that seems to be the origin of his love for Rakugo. On top of all that Yakumo says he’s done with Rakugo, this may be why his vision when he fell unconscious features Sukeroku strangling him. To Yakumo, Sukeroku took his voice and without Rakugo he only has to wait for the reaper. The rest of the cast is reluctant to let him leave the Rakugo world but perhaps this truly is the end of his carreer.

Posted on 15 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

The Rakugo breakthroughs in this show always come from unexpected places. Yakumo had his breakthrough while crossdressing as a woman for a play. A second breakthrough with his shinigami story after the death of his dear friends. Meanwhile Yotaro has his breakthrough due to his Master collapsing and having to perform under pressure. Strangely this was the perfect way for Yotaro to work his Rakugo as he previously mentioned about wanting the characters of the stories to come alive instead of placing himself within the characters. Thus comes the moment when Yotaro literally cannot put himself into the performance. For Yotaro at this point in time is a complete nervous wreck over Yakumo’s condition. So against all odds, Yotaro not only manages to perform Inokori but does it magnificently. I like that he left out the introduction as you could tell he wanted to get through this performance so he could check on Yakumo. So he jumped right into it without pause. I was originally worried that Yotaro was going to tank this due to his mental state but it became clear as he continued that he was getting in the zone. Afterwards he even lamented that his master couldn’t see him give one of his best performances since becoming a storyteller.

With Yakumo unconscious for a week, Yotaro finds himself filling in for all his gigs and performing quite admirably. He proclaims that Yakumo will be back on his feet but truthfully this is a big wake up call to just how fragile he really is. Rakugo is in a dire state and already a gaping hole is left with Yakumo out of the picture temporarily. The future of an art could very well live or die and it rests in the hands of someone far past his due date. It’s clear what must happen, Rakugo must change and evolve with the times. But as the theatre owner laments how he must rebuild the theatre to meet new building standards for withstanding earthquakes, he does point out something important. Even if the theatre was flawed in many ways, it still holds a history that will disappear when it’s rebuild. This seems to mirror the very state of Rakugo, for to change Rakugo is to challenge that history and potentially replace it. Unlike a Theatre however, replacing Rakugo is no simple task. The rakugo world needs a Yakumo, it needs a Yotaro, it even needs a Sokuroku. None of these men can carry the art by themselves so we need new blood and their lies the paradox. To make Rakugo relevant again it needs new blood but to get new blood Rakugo needs to be relevant again. Perhaps this is the tragedy alluded to in the title Shouwa Genroku Rakugo Shinjuu.

Posted on 8 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

The opening of this episode starts us off with an ominous note as Sukuroka’s eyes are shown with a deep blood red. Perhaps it is a sign that the reaper has come for Yakumo, but I think it’s too early for that yet. On Yotaro’s side of things, something I previously suspected was brought up as Yotaro still hasn’t found his Rakugo and I think that until the writer gives him some new material, he won’t. One thing he did realize was that s and his and Yakumo’s approach to Rakugo are different. Yakumo tends to push his style as a performer onto all the characters he portrays while Yotaro wishes to become the characters themselves. It’s an important step for Yotaro as it means that he is moving away from simply copying his master to developing his own style. Considering the events at the end of the episode, I hope he doesn’t regress back from this step forward. It was indeed a very unfortunate timing for Yotaro to have this revelation.

The final scene reminds me of a moment during the first season, when Miyokichi claimed that she would haunt Yakumo in episode 9. In a way she has done just that, so perhaps it gives her joy in the afterlife. Is this truly the ghost of Miyokichi come back to torment Yakumo or simply a hallucination due to his failing health? It really is up to the viewer, but it is rather interesting that Yakumo was telling a story about a man meeting his loved one by lighting incense and making the story more dynamic by having Konatsu light the incense. For the ghost of Miyokichi to appear from incense lit by her daughter, who just so happens to still hold a grudge against Yakumo is rather intriguing. As I stated in the title, I don’t think this is the end for Yakumo. Things may look grim but he still hasn’t hit the apex of this character arc yet. He is essentially the main opposition for Yotaro and for the writer to kill him off now would leave a gaping hole in the narrative. I think this near death experience should give him some perspective though. One thing that really caught my eye was in how Yakumo reacted to Yotaro calling Rakugo fun. Once upon a time Yakumo found Rakugo fun, but it seems after Sukoroku died, that event killed Yakumo’s enthusiasm for it. Rakugo is just a job for Yakumo now and I think this marks a turning point for him to regain that love he once had.

One thing that threw me through a loop this episode was before Yakumo collapsed, he looked at Konatsu and repeated “My Beloved, My beloved.” I personally saw the relationship between Yakumo and Miyokichi to be one sided. Unless that flashback was Yakumo playing unreliable narrator I don’t think Yakumo truly loved Miyokichi. He may have cared for her but often his more intimate moments with her felt like he was just indulging her. Of course time is a fickle beast and it’s possible that looking back over his past that Yakumo’s affection for Miyokichi could have grown into love. It was a long time ago and she was clearly the woman who made the greatest impact on his life. But perhaps there is something more to this. Perhaps Yakumo was hiding something that he didn’t tell Yotaro and Konatsu. What that could be is anyone’s guess. As a nice bit of symmetry this episode is the fifth episode of the second season which could potentially be Yakumo’s end as a Rakugo performer. The fifth episode of the first season was where Yakumo crossdressed for a play and discovered his talent with could be considered his beginning in Rakugo. In that regard this could be the beginning of great change.

Posted on 1 February 2017 with categories: Currently Watching:, Shouwa Genroku Rakugo Shinjuu

Another time skip? That caught me off guard but it does seem like Yotaro has not quite gotten over the problem of not being able to find his own Rakugo but has gotten popular enough to be featured on TV and expand his fandom. As a fan put it, it’s not so much that Yotaro being consistently good but having moments of brilliance. So in that regard, I am glad Yotaro didn’t solve his problems offscreen. Konastu’s son, Shin, has grown up a bit and knows how to use his cuteness to his advantage. He gains a love of Rakugo just like his parents and even Yakumo can’t help but fawn over the kid. This was more or less Konatsu’s episode, and the biggest smile came across my face upon seeing her reaction to Shin performing Rakugo. Yotaro still hasn’t pushed their relationship further from what I can tell but the two have gotten more lax around each other. They understand each other so well and despite not really lusting after each other I would honestly vote them as couple of the year.

Konatsu’s Rakugo for the children really warmed my heart in just how much she enjoyed it. This seems to suggest that Kontasu would be entering the profession of Rakugo and Yotaro wholeheartedly wants her to do it. I somewhat agree with Konatsu’s assessment that she would be rattling the cage so to speak. Rakugo is something mired in tradition and any change, be it for better or worse, will be met with hostility and I even think that Yotaru creating new Rakugo is bound to stir up some anger. Throwing Konatsu on a stage just seems like a bad idea no matter how you see it and could be devastating for her as a performer.  If she really wants to become a Rakugo performer then it would be better to start with smaller gigs and then slowly gain a fanbase. Of course, before any of this can happen, she would need Yakumo to remove the ban on female performers so that she can become accredited and considering the character of Yakumo, it would be a monumental task indeed. He’s already getting crabby about people having fun in the green room so getting him to agree to this will take some far more convincing. Assuming that Konatsu wishes to go through with it. Which I honestly think she should, she would really light up the stage when performing Rakugo.

It’s nice to see that Yakumo isn’t cold to Shin but he’s certainly cold to the writer and his attempts to write new Rakugo. These two seem in direct opposition as the writer sees Yakumo his enemy in regards to keeping Rakugo alive. It’s possible that he holds a grudge over him rejecting him as an apprentice in the past. Or how he considers Yakumo one the of the main reasons for the decline of the art. Personally I see it as Yakumo keeping to his promise to Sukeroku. As Sukeroku said in the previous seasonj, it would be Yakumo’s job to keep old traditional Rakugo from dying out and Sukuroku’s job to reinvent Rakugo for the new age. This I believe is Yakumo’s main reason for tearing up the writers Rakugo stories. Yakumo is not the one to ask when it comes to developing Rakugo for the modern era. That job should be left to the man who inherited Sukeroku’s title. I admit however that this really could just be Yakumo being difficult and stubborn. However I find it hard to see Yakumo being purposefully spiteful as it’s more likely just his awkwardness with interacting with people. Which is something he never truly got rid off throughout his life.

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KT
Thus Little Witch Academia comes to an end. I will miss it. Despite the mistake IMHO of the Croix Arc, this was a good series, and the last episode went back to the very elements that made me love it at the start. It was a happy series, and gave me a warm fuzzy feeling in some hard times. I thank it for it. It could had been exceptional, but I guess they wanted to try something more.Ah well.
AidanAK47
Really glad they used that Scarborough fair song one last time before the finale. I really love that song.
Anonymous1215349
SukaSuka's finale was beautiful, a great way to end a great anime.
Kaiser-Eoghan
@Aidan: I guess the big question I have is, do the character interactions coupled with what assume will be some kind of tragedy element work together well enough to make the viewer care and invest in the characters?
AidanAK47
So that's the end of SukaSuka. Better than I thought it would be. Honestly didn't give it enough of a chance in my preview. As far as light novel adaptions go it's above average. Though it does still suffer from it's cliches. Nothing outstanding but a worthwhile watch nontheless.
Anonymous1214845
Have you seen Shonen Jump is making an international manga contest? https://medibang.com/jumpplus/entry/
SuperMario
@Lenlo: you know it when you see it. At first I didn't believe they jumped the shark, but based on the events after that twist, yep it has settled for something much cheaper imo.
Lenlo
For Bahamut, im still enjoying it and we have another cour to go. I think it, and the first Bahamut, are good shows. For Kado, im only on ep 4 so im very curious what shark gets jumped
Kaiser-Eoghan
I think given the pace I'll watch 1-2 or 2-3 episodes of re creators instead of once a week.
Kaiser-Eoghan
In the end Bahamut suffered the same fate as the first one, I could never call it a bad show, I just never ended up feeling it.
Kaiser-Eoghan
I've given my thoughts on tsuki ga kirei before on here but I'll add by saying that I never expected it and uchouten 2 (despite the weak wrap up I liked the lead up) to be my favourite of the season.
Kaiser-Eoghan
About five years ago or so could have seen myself really having been in the mood for LWA.
Kaiser-Eoghan
I wasn't as impressed with Uchoutens finale as Mario was,I found myself more annoyed by how clumsily done it all was.
Kaiser-Eoghan
For me kado jumped the shark with its latest direction and Aidans review along with flicking through this weeks episode kind of confirms I'm done with the show. A show I was initially unsure of but thought might become something.
AidanAK47
@Anon, Yeah....at least LWA's finale was pretty good and I think there's a possibility of a second season. With the Criox/Chariot plot line out of the way I say they could really bank on it's potential. Even if they don't, this series was still quite enjoyable.
Anonymous1211365
Man I couldn't agree more with Aidan about LWA and Kado. I still like and enjoy Kado but damn it could have been so much more.
Kaiser-Eoghan
Ntr trap appears to be a non-seinen/shounen yuri manga given its publication magazine.
Vonter
Not all people work as fast, but that's what companies expect nowadays. Which is why CGI is preferred over practical effects. Or even why anime has used more 3D that painted backgrounds, cars or other props that take time and work to be drawn.
Vonter
No. I get deadlines are tough. Companies and customers want everything made as fast as humanly possible, yet reality is that making things good takes time and money. I wouldn't be surprised that's why Berserk comes out every 6 months, the art is too detailed and the story is slow paced. Yet the anime was planned to be made in a year or two so it's evident either way, crunch is expected.
Lenlo
I think you misunderstood what he meant when he said the industry was a mess. Mangaka routinely work themselves into a hospital because of the demanding schedule
Vonter
Then there's the franchise appeal. Which inherently gains something because of persistence, awareness and name. It is hard when great visual effort is mainly put in things that are guaranteed to be a hit, because original stuff tend to make mistakes to find their own identity. Which in itself makes them very risky affairs.
Vonter
It's also a heavy flaw of the internet, having mainly binary opinions of good or bad. Which makes it hard to tell if you'll like something in the 7s like Nier or Alien 3 (might not be a 7 but opinions make it sound like it is). Divisive products that may or not may suit one's tastes.
Vonter
Personally I think the issue has become what suits your tastes, what are you willing to give a chance and what hits beyond the medium it is presented.
Vonter
@AidanAK47 "Manga in general is great but Jesus Christ the industry is a mess". - I mean, movies, games, and other entertainment have the same issue, since everyone has a big slice of the pie, yet there are like a million things competing for one's attention.
SuperMario
On that note, apart from the 3 shows I'n currently covering (Eccentric Family, Tsuki ga Kirei and ID-0), I will give a full review on Grimoire of Zero, a show that I feel rather difficult to pinpoint exactly on its quality.
SuperMario
Can't believe we approaching the final week of this current season. Gonna be a busy week of blogging with the usual weekly posts plus the final impressions.
SuperMario
@Anon1206174: I agree with you on both counts. And Sakura Quest has never been bad, but it could have been deeper and less messy. If you plan to watch ID-0 (I suggest you do), don't get your expectation too high because it works much better when you expect nothing of it. Like each episode I was genuinely surprised how good ID-0 actually is.
Kaiser-Eoghan
I remember one of Aidan's visual novel posts where he said theres potentially hundreds of VNs un-translated and LNs too, makes me wonder just how much un-translated manga we are missing out on.
Anonymous1206174
The ID-o posts sound pretty interesting, I am really thinking of dropping Sakura and watching this instead. Really loved the beginnign of Sakura and that abandoned town atmosphere it had, but I am not feeling it anymore. The recent episode about Shiori was great again though..
Kaiser-Eoghan
*looking
Then again he's an extremely forgetable person.
Kaiser-Eoghan
Oh Godammit, looing back over my comments I meant to say Souta not Setsuna, I suck at remembering non-English names.
Anonymous1205999
Meh - I really like this season but I already have my first cases of 'good-show-disappointing-ending/second half'
Anonymous1206022
KT Here:RE:Creators , we need to know more about the rules for Altair to see if that works. It might, and it might not. With what they know they have a good plan. But I was thinking why not just do a Super Smash Bros type game with the characters? I am sure that would generate enough stuff in order to lock her.
SuperMario
On Re:Creators, I find a better solution instead of going all cross-media like the show suggests. Someone could just make some fan-fiction on Altair that purposely show her weakness (like get busted when expose to the sun, or the magic word that render her skills useless). Less efforts, more effective
SuperMario
Man, I agree wholeheartedly with what KT said here: mass media actually sells, so it keeps the industry to a more stable position; then the art-house/more adult oriented anime can have some freedom to do what they like.
Kaiser-Eoghan
I think its more that I have to read it all at the same time as expecting action to come , it might change my mind if I watched it in English.
Anonymous1205580
KT here: I accept the mass media because it raises the funds for the less mainstream stuff I like. That is how I make my peace.

On RE:Creators. I get what you guys say. But for some reason I do not find the exposition heavy in this series. Every person has his own limit I guess
Alonaria
@Kaiser: Yep, that sounds about right, lol. I take my Sheldon in concentrated doses. I might give the Young Sheldon spin off an episode or two because it's highly exaggerated but still somewhat relatable to me.
Kaiser-Eoghan
I feel big bang theory is a show for people who know nothing about nerds/nerd culture to find funny.
Kaiser-Eoghan
And then theres this thing about Sheldon being some kind of autism spectrum thing , which is kind of annoying to hear when I am on the spectrum myself and never really found the character all that amusing.
Kaiser-Eoghan
Probably not the strongest reason to go off a show but, it was people around me going on and on about big bang theory that eventually put me off it.
Kaiser-Eoghan
lol is it any surprise Miura and the hunter x hunter guy take so many breaks =P
Alonaria
*Sheldon
Alonaria
I pick and choose Big Bang episodes that I enjoy. Shelden in the ball pit never ceases to amuse me. Still, it's definitely overrated haha.
Lenlo
IT Crowd > Modern Big Bang. Early Big Bang was good.

And yes, the work conditions in the Manga Industry are terrible. Oda, One Piece Mangaka, works stupid hours. He requests his assistances be "Willing to die for One Piece" because of the amount of work.
Kaiser-Eoghan
And hell yeah"! someone else thats hates on big bang theory.
IT crowd > big bang.
Kaiser-Eoghan
*more safer
Kaiser-Eoghan
And yet now here I am at same time, I think it might be kind of a shame that I can't see the value and fun anymore in some less safer offerings.
Kaiser-Eoghan
I thinking I might go insane if I looked up comments defending the visuals in occultic; nine.
Kaiser-Eoghan
Hate to say it but sometimes opinions, mainstream ones are actually wrong. Its a fact that superhero films have bad action scenes and cinematography and Hardboiled, a chinese action film is better filmed in terms of choreography.
Kaiser-Eoghan
As dickish as this is to say, I really do recoil when ssomeone says something like the Notebook or fifty shades is the best film of all time/their favourite.
Kaiser-Eoghan
See theres also factoring in the people whos favourite film or anime of all is the most recent they finished.
Kaiser-Eoghan
I remember mentioning recently that I was re-watching the twilight zone, the response I got was "I thought that you were talking about twilight"
Kaiser-Eoghan
See thats whats so great about being able to talk about more niche stuff online, theres an easier to find common ground.
AidanAK47
In general when it comes to mass popular opinion it's the tried and true safe stuff that ends up selling. The highest selling Mario games are the New Super Mario ones. The same generic Light novel and harems keep selling. There are plenty of examples but majority opinion tends to gravitate to the safe and familiar.
Kaiser-Eoghan
See, most (offline) people (and or teenagers)who aren't really all that interested in film or don't look into it that much will turn out for things like fifty shades, transformers or twilight, thats why those are popular. Most people aren't going to watch something made more than a few years ago or subtitled.
Kaiser-Eoghan
Oh...lol fuck thats a blunder...yes I meant Re:creators.
Kaiser-Eoghan
But by all means, people are fully entitled to like what they like. But there is a reason why so much rubbish gets popular.
AidanAK47
@Kaiser, Re:Creators.
Kaiser-Eoghan
As someone who would actually consider themselves creative and interested in things being imaginative I really do hate the whole anti-creativity /anti-art, anti-intelligence movement and way of thinking that allows un-deservedly popular things like what Aidan mentioned to fester.
Kaiser-Eoghan
Yes Re:zero's poor pacing and leaden dialogue is becoming too dominant and there should be more action, its good Setsuna opened up, but I still don't particularly like him.
Kaiser-Eoghan
I imagine the magazines/editors probably consider themselves the writers sometimes.
Kaiser-Eoghan
Pretty sure I only read nisekoi because I was keeping up with conversations about it, then dropped it before the Chitoge doublie showed up, just stopped reading.
AidanAK47
On the matter of Re:Creators, I feel the same as the Anon said. I find the exposition to just drone on far too much.
AidanAK47
On the matter of the manga industry being shit...it is. Manga in general is great but Jesus Christ the industry is a mess. Work conditions are utterly abhorrent and it's even worse that most series live or die based on a magazine popularity poll.
Because just because something is popular, does not mean it is quality. Example: Transformers, Twilight, Fifty shades, Sword Art Online, Big Bang theory
AidanAK47
@Anon, Still not getting your logic here. I mean if I have a problem with it after trying it then why am I not allowed to complain about it? Anyway it is only popular for the pandering. Even those who like Nisekoi admit that it's a mediocre harem and they mainly enjoy the waifu wars on the internet.
SuperMario
and now we will resort to illegal streaming sites for this one. "Piracy is almost always a service problem and not a pricing problem", this f*cking true
SuperMario
Huh? Welcome to the Ballroom Anime Gets Amazon Prime-Only Streaming Inside and Outside Japan. Now that just unbearable
SuperMario
Don't know about this new Re:Creators episode since I haven't watched it, but I don't really mind Meteora. Her dialogues scream "exposition" but she still fits well to the story. The fights are good, I agree, but why didn't they go all the way with the world's collapse last episode?
Anonymous1202407
Whether Nisekoi is pandering or not, it is not enough proof for you to suggest that manga industry is shit. If u want good mainstream then its not that hard to find. Also for every success like Nisekoi which u claim to be pandering, there are dozen like it that failed to be popular. Why? Because it clearly is popular for a reason other than just simple pandering.
SuperMario
Ha, Ping Pong. I need that kind of show again in my life.
Lenlo
Also, Ping Pong is amazing.
Lenlo
Theres a difference between pandering to a large audience, and an anime/manga with a quality story that everyone ends up liking. Ive always found moe shows and things like Nisekoi to be the former.
Anonymous1202407
If you have a problem with it after trying it just dont read it. Its that simple. Also what a surprise that a show like nisekoi that appeals to a large demographic is popular. U want the mangaka to apologize it's not some art house story like Ping Pong?
Lenlo
Meteora is pretty hit or miss with her dialogue imo. Sometimes its great, othertimes its not. I can say though I enjoy most of the fights.
Anonymous1202113
I really want to like Re:Creators. To be honest though, I'm getting tired of the dialogue. It has its high points, but it sometimes just seems to drone on and on, especially with all of Meteora's "hypotheses."
KT
Both Bahamut and RE:Creators had great episodes. But I was indeed mentally screaming Super Smash Bros at RE:Creators. You will get the point when you watch the episode.
AidanAK47
Taken on it's own, Nisekoi is harmless. But it is undeniably proof that you need not be creative or innovative to succeed in the industry. In fact declaring creative bankruptcy could turn more fruitful than genuine effort.
AidanAK47
And I said how can you decide you don't like something if you haven't read it?
Of course you are likely mean that if you don't like something then give up on reading it further which of course does not mean that someone cannot complain about it regardless.
Anonymous1198985
No, Im said if you dont like nisekoi dont read it
AidanAK47
@Anon, How do you know you don't like it if you don't read it?
Anonymous1196967
Don't like it don't read it.
AidanAK47
I went and read Double Arts. This really was a great manga with tons of potentail and truly didn't deserve the axe. It's so depressing that this was cut off so soon and the author went on to make the most generic Harem ever Nisekoi, and that got over 200 chapters.
Lenlo
All of the important dance scenes for Yuri were fantastic, its just some minor one off characters and some reused ones that were an issue, so no they are better than the CGI
Anonymous1190387
Is it worse than those CGI dance scenes in some anime?
AidanAK47
@Puran, It is pretty surprising how well that story turns out. I say IG might do the job even if there animation isn't the most consistent. The one thing I am worried about is those necks though. In the PV those things were ridiculously long.
Puran
Fair enough, recycling the animation was bad, agreed. But the animation itself was really good.
Lenlo
See, I found the repeated dances in Yuri one of the worse parts. Alot of it was recycled animation and certain characters were obviously rushed/not done. Some were amazing, cause they took their time, but others looked terrible.
Puran
I kinda wish Mappa was doing the anime though. Yuri on Ice had really nicely animated dances (and was more or less the only actually good quality of that show :P )
Puran
Reading the Ballroom e Youkoso manga has made me really excited about the Anime.
Kaiser_Eoghan
@Aidan: I'm particularly turned off by bully/bullying cliches these days. I've only read the first two volumes to see how awful she was but I ended up simply losing track of the series and stopped reading.
Kaiser_Eoghan
@Mario: Actually that has changed, I had to pick a different day to see it given changes in schedule, I've booked it for NEXT Wednesday now. I've watched Akira about four times.
AidanAK47
Oh, Rising of the Shield Hero is getting an anime adaption. Hmmm...honestly after finishing the series and looking over it as a whole I am not sure I even want that. Plus seeing Bitch Animated...would fill me with rage.
SuperMario
I intend to re-watch Akira soon, probably this weekend. It has been almost 10 years since my first watch and now I don't remember much about that one. Thought it was intriguing and complex but not as acclaimed as people hyped it to be (I'll pick Ghost in the Shell anytime). Wonder how I'd feel now after re-watching it.
SuperMario
@Kaiser: I remember you mentioned that you were going to watch In this Corner of the World today right? How was the movie Kaiser?
Lenlo
Oh cool, food wars is getting a 3rd season
Kaiser-Eoghan
Ballroom youkoso appears to be leading the polls.
Kaiser-Eoghan
@Mario: Fumiko is a female mangaka yes. Also I found bokura no hentai worth reading.
SuperMario
yep, I finished that manga too and I have conflicted feeling about it. Yuri(!) part and fanservice are to blatant but they have a purpose. This mangaka (not sure but I think she's a girl) has some unique voice.
AidanAK47
....well I skimmed that manga. And it was weird
SuperMario
By all appearances,Sakura is normal,albeit sheltered junior high school girl who enjoy talking about love and walking home from school together.However,they also happen to inhabit a strange and supernatural world populated by mysterious,gigantic beings and unusual plant and animal life.Amid their peaceful lives,Sakura becomes very interested in something only alluded to exist in old books: dicks
SuperMario
Here's a synopsis of other manga from the same author, I think you'll have a better idea of his theme -
Sakura no Sono
AidanAK47
Pretty much what Masky said. I am not really praising it. Anyway I plan to read one or two more chapters to see where it's going. But if it's going in the direction I think it's going then I am dropping this one fast.
Kaiser_Eoghan
There is of course the underlying concern that it will go a very ugly route with that development or it could become edgy/horribly minipulative, but for now it is as mario said, a hook.
SuperMario
Well. overall I don't dislike what I read there. It has good hook and I'm intrigued to know more what the hell will happen. Good set-up for me. I'm in
SuperMario
@Masky: it's fine Masky, since I will chec itk out any way and see it for myself ^^
Masky
So since you guys started being interested, I checked it out and uh.. Yeah, not reading. I think ye guys misunderstood Aidans warnings since that was just fucked up and not in the interesting way.
Lenlo
@Aidan: Berserk will never again go more than 3-4 months without a hiatus.
SuperMario
Hmmm, that manga Cutie Mutie sounds good to me. I might check it out later today
Kaiser-Eoghan
@Aidan: But had you not alluded to that scene, I may have seen the cover of that manga and skipped over it.
Kaiser-Eoghan
@Aidan: I had a feeling, sort of, sad, I am intrigued to read more.
AidanAK47
Hyping and warning are not the same thing.
Kaiser-Eoghan
Well with Aidan hyping up the horrors of cutie mutie I may as well glance at it to see what he' on about.
Kaiser-Eoghan
There are three manga with the name rec.
Kaiser-Eoghan
I am familiar with the artist for cutie mutie, she did that manga about the three kids dealing with gender/orientation issues.
AidanAK47
Oh look Berserk is on Haitus again....
.....the sad thing is that it comes as expected now.
AidanAK47
For reference the two I read were Cutie Mutie and Rec. Be warned, the first one goes to a rather uncomfortable level.
AidanAK47
@Masky, Read two manga. One started lighthearted and then went to really dark territory. The other one looks like it's about a really dark subject but turned out to be something more lighthearted.
AidanAK47
@Mario, Alright. Tested it now so it such be fixed. Try again.
Masky
@Aidan: Huh? What you read that turned dark/didn't turn dark? .-.
SuperMario
"too many answers selected for question 1! only 3 answers allowed!"
SuperMario
@Aidan: I still have the same issues. Weird
AidanAK47
@Mario, Wasn't my intent. Try it now and you should be able to pick as many as you want.
SuperMario
@Aidan: I'm not allowed to vote more than 3 votes. Is it your intention Aidan?
AidanAK47
Well that was weird. I read something that looked innocent but turned out to be really dark. Then something that looked really dark only to become innocent.
Masky
Yeah, nothing that interests me I see :D Like my strongest reaction to season preview was "Someone made isekai with smartphone? Really? REALLY? Thats best idea you had"
Masky
Ah Knighs and Magic, found that manga. It was boring enough for me to forget its name. Also besides being boring, I kinda find MC unlikeable since their only personality is that they like mechas and were a programmer before renicarnating as short bishie kid
Masky
Woo, time to vote stuff
SuperMario
@Kaiser: that movie In this Corner just getting more and more acclaimed huh? Thou I think it'a a type of movie that if you have high expectation for it you will likely be disappointed. It works best as a sleeper hit
SuperMario
As for cute monster girls, most of the time I don't find them cute at all. I know I'm being racist, but...
SuperMario
@Lenlo: I'm guilty with that cute girls genre, as i enjoyed K-On tremedously for example. Or If I have more time I'd follow Hinako Note this season ^^
Kaiser-Eoghan
They don't always adapt all that well or work as well outside of manga format, especially 4-komas.
Kaiser-Eoghan
*three
Kaiser-Eoghan
The only two of any interest were hidamari sketch, azumanga daioh and yuru yuri and that was largely down to being in the mood for them a few years ago.
Lenlo
@Mario: Personally, I have 0 interest in this Monster girls doing cute things subgenre, just like I have very little interest in the cute girls doing cute things major genre.
Kaiser-Eoghan
@Mario: As it turns out I DID read in this corner of the world. I'll also be seeing it next thursday.
SuperMario
@Kaiser: at this moment I'm very skeptical with the whole Monster girls doing cute girl subgenre, so I'm approachig Centaur with a caution. Of course, it all depends on how I feel after the first episode
SuperMario
@Kaiser: Happy End isn't as bleak aa his other works. But it's certainly Hanake's films, as it explores many of his favorite themes: the voyeurist of camera in his Benny's video, the detachment to the world and the underlying violence. Not his best thou but it's still very good
Kaiser-Eoghan
I think I'd be up for watching jigoku shojo, its been a long time since I watched the original two seasons and this one won't be as long, so it won't get as repetitive.
Kaiser-Eoghan
I voted centaur no nanami on the poll, think Mario could cover it.
Kaiser-Eoghan
@Mario: How did did you get on with Happy end? I heard its like a mix of his best works. Is it as dark and depressing?
Kaiser-Eoghan
I have vague memories of in the corner of the worlds manga, unless I'm mixing it up with something else.
SuperMario
Some news, Lu Over the Wall won the best prize at this year's Annecy (the 1st anime won the award since 1995's Pom Poko), with In the Corner of the World took the Jury Prize. Quite a good showing for anime this year.
AidanAK47
@Anon, Hello.
SuperMario
Really, still no vote for Kakegurui?? I thought it would take the top poll for sure
SuperMario
That 18if, even the poster doesn't make much sense, but it looks dazzling ^^
Lenlo
go-go licensed products!
SuperMario
@Lenlo: and Madhouse is the studio behind that Marvel rip-off. Are they really going that low for profits?
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Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls […]

Seiren (Winter 2017) Review – 51/100

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m […]

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]