Posted on 5 July 2017 with categories: Anime Reviews, Tsuki ga Kirei

It’s hard for me not to go overboard on Tsuki ga Kirei: out of all the show I’ve followed this season, I resonated the most to this one; but even when I’m judging this show objectively, Tsuki ga Kirei is one of the most perfect one, in a way that it achieved exactly what it set out to do, and achieve it flawlessly most of the time. The story that they tell – detailing the first love relationship of our young Kotarou and Akane – is decidedly simple, mundane but honest that it feels more like a love story taken from young best mates. It has that “sincere” quality, something that the anime medium often cranks it up to the max with “moe” and exaggeration everywhere. Not here. Tsuki ga Kirei has great flair of visual storytelling (something that benefited from being an original show, they don’t tie up to your usual LN and manga visual cliché), using show-don’t-tell approach that often focus on small moments and little gestures than big emotional melodramatic scenes. The characters never play off their roles, they’re the most natural group of kids that feel exactly kids their age: naïve, inexperience and pure. This show ends up at top of its genre as I consider it the most effective romance anime out there. In short, I freaking love almost everything about this show.

What Tsuki ga Kirei will be remembered the most for lie in real depiction of first love relationship. The more you watch romance anime, the more you surprise at how simple, yet distinctive achingly honest this show aim for. Ordinary romance anime would spend its entire time on how boy gets girl, throw in some other love interests that make them realize how much they mean for each other, and if we’re lucky we might actually see they confess to each other in the end. Tsuki ga Kirei is an entirely different beast, we got the confession right at the end of episode 3, and from there we follow every stage of that relationship and see their love progressing. Moments like Kotarou had to search the internet on what people do when they’re dating, finding a way to spend time alone together, or thinking how to continue their love after graduation – all feels so real and progresses so naturally that I suspect anyone who have been in relationship will find a thing or two from this show that speak directly to their experience.

Moreover, they understand that in order to make this relationship work, we have to relate to Akane and Kotarou and they did a damn fine job at that. Both have their own lives and their own troubles to deal with, so we can see them as characters who have distinctive personality, with well-defined goals and struggles. In one of the episode, they both reach a new low in their personal dreams, as Akane underperformed her track competition and Kotarou got a call from a real publisher just to receive an advice that he had no talent in serious writing. Then in small moments when those characters act without much thinking, it’s a treat to see how their personality plays out: I love how every time Kotarou get excited he will punch the light’s chord in his room, or Akane whenever she gets nervous she will press that pushie hard. Their circle of friends also adds to the naturalism of the story and although they aren’t developed much, they clearly belong to this universe.

The visual storytelling is another great strength of the show. As both Kotarou and Akane are introverts and tend to keep their feelings inside without saying out loud, it’s showing their subtle gestures, their glances that we get to know a lot about them. As a result, this show is decidedly quiet, there’s not much monologue going on but that is the reason why this show feels just like in real life. The designs are simple, again emphasizing on subtle over excessive details. Great shot compositions everywhere. This is one of the rare show where I can argue that the visual components play as an important part of the show and they achieved it almost exactly what they’re aiming for.

Another factor that feel like a character itself that I feel the need to acknowledge, it’s LINE. Just like kids their age, Kotarou and Akane’s main communication is through LINE and we witness a huge chunk of amount that they exchanged through LINE, as they are, no shortcut. It’s just like how real kiads would do and to achieve this effortlessly is no small feat at all, so congrats to Tsuki ga Kirei for its respectful use of social chatting. The shorts in the end also a part of this show’s identity, as they depict the love relationships from Kotarou and Akane’s friends with more bawdy and comedic tones, which in turn made that world so inviting to watch.

Although the show succeeds most of the time in term of production values, I can still see some production troubles from the show and the delay in airing in later half further reflected that. Tsuki ga Kirei does suffer from that as in one of the episode the production values just fall apart. But I’m genuinely surprised that after that disaster episode they managed to keep up a consistent quality and the more I know about their trouble backstage, the more I’m in awe about their efforts. It’s obviously a product of many sleepless nights from the production team so I thank studio Feel for their outstanding performance.

And all of what I was written above was just how I access the show objectively and that kinda demerit one of Tsuki ga Kirei’s most appealing factor: it’s right down charming that touch the hearts of viewers with its bright and delightful portrayal of pure love – I don’t deny I fall under its spell, actively care for the couple and goddamnit I just want them to be happy together. Tsuki ga Kirei is breathtakingly intimate in narrative scope and I know I will remember the show and its characters very fondly. Arigatou.

Posted on 1 July 2017 with categories: Currently Watching:, Tsuki ga Kirei

There sure is a lot of crying going on in this finale (mine included, MANY TIMES), and that was one significant factor Tsuki ga Kirei pulled off in their last episode – they go for big emotions here – for better or for worse. The “worse” part, this emotional outburst goes completely against the show’s quiet tones presented in earlier episodes, and those scenes unfortunately bring Tsuki ga Kirei into an ordinary romance anime territory with all their usual cliché – “boy gets girl, boy loses girl” stuff. The “better” part then, after following their relationship for 12 episodes, Kotarou and Akane more than earned the emotional impact they presented here. The stakes are much higher now, as they have issues both from external threats and internal fallouts. Having Kotarou screaming “I Love You” to a running train, or Akane crying whenever she has a chance feel rightfully resonate with us viewers. Just like hidden waves just keep bubbling up under the surface to transform into massive tsunami, this is a stage where those two need to be actively acknowledge how much they are meant to each other. So in the end, not the best ending I could have hope for, but still an emotionally satisfying one.

I love how Tsuki ga Kirei wasted no time telling us the main conflict, as Kotarou receives a “rejected letter” seconds into the episode. Thus, the two will have to do with long-distance relationship, but will they survive? Akane is insecure about their status: her sister feels it’s better for both of them if they break up, her best friend Chinatsu tells her AGAIN that she confessed to her man, and Kotarou doesn’t address that issue, or any issues at all, instead taking the load all by himself. Now about Chinatsu, I know many of you would absolutely hate her by now, what’s up with all the confession again and again that she knows would hurt Akane and break their friendship? I just say it’s how extrovert works, they have to let it all out and no hard feeling after all said and done. They move on. Akane understands that trait of her friend so she can take it well.

But she won’t take it as well when it comes to Kotarou, because he doesn’t tell her any of that. Indeed, he doesn’t tell her lots of things, one of them is his ongoing online novel – about their relationship (poor Akane just aware of its existence by Chinatsu, again – just to show you how attentive Chinatsu is with the world around her). His novel, I take it as the literary version of this series, takes a lot of viewers’ hearts for its true and honest depiction of first love. But the true question remains, raised by a random user named Akane “What happens next?”. That’s for you to know and for me to find out, kids – It’s an ongoing question that both Kotarou and Akane need to search for themselves, and in that extend all the lovers out there. I think this question hits home hard, so that I remain a bit baffled by the ending credits. Cute and heart-warming, yes, but we don’t really need to know the outcomes. We’re here to witness their first love in a very first stage, and whether they gonna be together for the rest of their lives or not isn’t our main concern. In fact, I believe this story is stronger if the two can’t make it till the end (yes, I’m cynical). This end credits make me again want to pair up Tsuki ga Kirei with Flowers of Evil as a companion double-edge piece: one depicts the light, the brightness of first love relationship, and the other details how such relationship can go horribly dark and twisted.

As a whole, Tsuki ga Kirei has been a wonderful ride. I won’t say much here as I will save my thoughts for the final review. Just let me say I really respect the efforts studio Feel put in for this little gem. I know they were having productions issues in the latter half of its run, judging by the constant delay in their broadcast. But knowing all that made me even more impressed with the final products, as save for one episode they were exceptional. Also, I’m very happy you made it till the end, Kotarou and Akane-chan. Bravos.

Posted on 25 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Tsuki ga Kirei again manages something I thought was difficult to achieve: it surpasses itself once more time. I was afraid that after the Kawagoe festival, there isn’t much left drama for the lovebirds now that Takumi and Chinatsu are all out of the picture; turn out that not only this episode enhances their relationship through their cute Christmas date, they showcase attentively Kotarou’s efforts for the exam and address beautifully on how much parents can sacrifice to support their child, even most of the time those kids don’t care about it. There’s only one episode left but at this point I can safely say that Tsuki ga Kirei has been a consistent ride, and I come to genuinely care about Kotarou and Akane more than I need to. Tsuki ga Kirei scratches the itch I don’t know I have.

This whole episode details Katarou’s utmost efforts to study for the upcoming exam. His grades are low, thanks mostly to his writing and the Hayashi practice, so he must study hard, night after night, to get a good enough standard score to apply for Koumei school. The results are not that rewarding though, for getting better grades is a long process, not a quick shortcut. He also feels that he needs to try harder to prove his parents that he made up his mind. I admit that I feel a bit irritated of the way Kotarou communicate with his parents about his school’s choice because I did the exact same things when I was his age. It hits a bit too close to home for comfort. Now that I’m more than double his age, I can clearly see how stupid and miscommunicated his actions just to show his little rebellion: hunger strike (when he clearly needs food to survive), avoid talking to the parents and didn’t inform them the school he picked. I totally understand his points of view, but that’s why I wanted him to be more open. Talk to them what you really want instead of this silent treatment, kid, your parents deserve better than this. At long last, upon knowing how his parents support him for his decision, he finally says something that he should’ve done to his mother long ago: Arigatou.

One of this episode’s best moments, however, come from Kotarou’s Mom as we witness how much she, like most of our parents, really, care for their own child. We have the impression before that she’s the type who want her son focusing on a good career path, and every step to that goal needed to be well-planed and perfect. Imagine her shock then that not only her son decided to pick school against her knowledge, it’s 2 hours away because of some girl he likes attending to that school. Must be a blow for her but one thing I really appreciate about her, it’s that she’s not a control freak. She gives Kotarou a necessary space for his own, and upon seeing how hard Kotarou is currently trying; she asks his homeroom teacher to give him a chance. The whole sequence when she talks to the homeroom teacher gives me a great impact from its show-don’t-tell approach, as we are only allowed to witness them exchanging gestures through the window. Subtle has always been a definitive style of Tsuki ga Kirei, but here it adds extra context: her action is supposed to be restraint, quiet, out of spotlight; just like how she makes him rice balls in the middle of the night for him to study, just like how she’s despite against the idea, still supports him because it is what he wanted; just like all the things that parents do for their kids and they just take them for granted.

And Kotarou and Akane’s love still progresses solidly. As they don’t have much time for each other during this study period, they LINE-ing each other and go out during Christmas. Akane makes him a handmade scarf and I swear her messy scarf is worth ten thousand times better than she was to buy one. Her sister makes a really good point of the burden the two gonna face if that love dies down (and from previous experience, I’m talking about her accurate thoughts on Chinatsu, I say you should listen to your sister, Akane, and listen well). Their time spending together, doing various activities alone just like a normal date would be, feel so warm and intimate. Whatever future (and the final episode) comes, I come to feel certain that the kids going to be happy together for a long time. This Tsuki ga Kirei’s ride has been a real treat, I swear. I will be sad to see it finally concludes.

Posted on 19 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Kotarou and Akane have reached a stage where they need to think hard about the long term of their relationship. Akane is about to move town, so how they going to keep up their relationship? Usually for a teenager’s romance it means the end. Full stop. LINE and texting can keep them for a while but with two separate lives it’s hard to consider each other important anymore. Tsuki ga Kirei again succeeds at displaying their relationship at a deeper stage, where negative feeling starts to bust in the way and whether or not they really are serious about their dating. This episode had me at the edge of my chair till the end, just to show how adept Tsuki ga Kirei is at their pacing and natural progression. Really, I have no complain about this show. They’re as mundane, true to life and as intimate as ever.

Finally, the Kawagoe festival – where Kotarou is about to do the Hayashi dance – has arrived. As expected from this show, the festival itself breathes life with various festival activities. Akane, in particular, has a chance to hang out with her club friends for what possibly their last time, watching Kotarou do the Hayashi moves from afar, and eating imokoi with her mouth full. In order words, enjoying her time. Takumi, on the other hand, has an ulterior motive, believing this festival is a good chance to confess his love for Akane. Through various silly unfortunate chain of events (they both lost on rock, paper, scissor huh?). Takumi did, and Akane flat out rejects him. I don’t know if it’s a good idea, since he knows full well who Akane dating. Sure, Takumi just wants a chance to let it all out, even he understands completely that Akane will reject him. It feels like a victory for Akane, as she gives him a straightforward rejection. It feels like a defeat for Kotarou though, when you imagine that this kid comes all the way to see his girlfriend after a hard performance, just to see her alone (again) with another guy.

Kotarou’s frustrated, and true to his first love inexperience and his introvert nature, he holds his feeling all in and can’t let it out. I actually feel a bit taken back when it’s reveal Kotarou was watching those two talking. I mean, misunderstanding is the most stupid, well-worn trope in any romance and at first glance Tsuki ga Kirei seems to be falling into that trap. But it’s not really about misunderstanding in this context, Kotarou’s mad because she spent time alone with Takumi, which she did. This silent treatment doesn’t do any of them any good, Kotarou gets even more frustrated and it hurts Akane. Now, imagine it from her point of view, she just rejected Takumi because she knows she’s in love with Kotarou, she’s rushing in to meet him so they can have some time together and then THIS. She doesn’t deserve that. Seeing her crying in that festival, where she’s supposed to have fun, make my heart swell. That drift makes both of them suffered. They want to reach to each other but are unable to, so they’re retreating in their bed, embracing that pain. This dark moment fits right in any Makoto Shinkai’s moments (without all the sentimental of course) I tell you, but it’s a necessary step for the two to experience the low of their relationship.

Their main concern, however, remains the fact that Akane’s moving away soon. Trying to spend little time left together won’t solve the problem, thus Kotarou researches for the high school that Akane’s applying – Koumei private High School. I tip my hat for Tsuki ga Kirei how they handle the ending moment here, everything is perfect. Showing the reveal of Kotarou applying for her school through Akane’s point of view is a good touch, as she takes a more active role in this sequence (Although, I actually came to believe it’s that potato pushie that made up Kotarou’s mind. Long live the pushie). While Kotarou has been the one who’s more active in this love, this is the time where we can see how much Kotarou means to Akane and how his decision really makes her happy. She reaches out and kisses him for crying out loud. Kotarou’s willing to study in the same school with her, despite the fact it’s two hours away, might affect negatively to his writing and his parents aren’t even informed about that. But that’s the SACRIFCE he needs to make to be together, and he’s game for that. Well, that somehow resolves their conflicts (it actually doesn’t), so I hope that they can learn from their mistake and be open to each other more. The last couple episodes they have been closer and much more natural with each other, now it’s the time for them to become a permanent part in each other’s lives.

Posted on 10 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

A little bit of note that Tsuki ga Kirei was delayed a fair bit this week. Apparently, the Japan broadcast was still on schedule but Crunchyroll experienced a bit of extra time subbing it, which my guess is that the production cut a bit too close this time prior to airing, which also mean we might have a rushed, unpolished production just like last week. My worrying thought didn’t come out true, thankfully, because Tsuki ga Kirei again excels this week, producing one of their most solid episode. There are plenty of moments to love this week, ranged from their well-earned LINE messages (gosh, made me realized that we hardly see any real conversations through messaging device in other anime, even in films), their uncertainty about which school to choose, to Akane’s last competitive track to Takumi and Chinatsu’s mutual moments. Tsuki ga Kirei is simply at its top form this week.

The time for graduation is getting near and our kids have to pick their future high schools. Both Kotarou and Akane have little idea where they end up with, Kotarou largely due to whether or not he’d pursue his writing. The publisher few episodes back suggested him to try writing light novels, but he’s unfamiliar and even uncomfortable with light novel format, thus he asks his senpai about the medium and tries to read some. His parents both care about his future choice, but each of them have different idea on how to push him on the “right” track. His mother increasingly concerns about him getting in good school with good grade (typically Asian mom). His father, in his very timid fatherly way, suggests him to do whatever he likes to do (I love the way he even doesn’t look straight to his eyes when he discusses with Kotarou – Again, a very Asian style of communicating between Dad and son – you know, we don’t really fond of expressing our thoughts to each other). I could sense his wise advice coming from a guy who regret not following what he loved when he was his son’s age, and now he doesn’t want his son to follow his footstep.

Akane’s issue is more apparent, though. Her father might relocate again with his new position, it’s the biggest, most obvious obstacle they could’ve have in their age: won’t be able to meet each other due to long distance. Akane doesn’t like moving away from Kotarou and the environment she has grown accustomed with. But first, she has other things she needs to focus on: her last track competition. After last week when the two of them spend almost all the time together, this week they spend most of their time doing their own things (which is good) and keep in touch through LINE. Those LINE exchanges are adorable and I really appreciate the show for not only showing their reactions when receiving and texting, but the detail of their conversations as well. She has a big day coming up, but she doesn’t wish Kotarou to come because she would get embarrassed and distracted from it, as a result Kotarou still comes… in secret. It’s a charming action since the reason he comes isn’t about getting her attention, but because he just wanted to see her running. While she succeeds in her last race, beating her personal record and coming first in a race, we can’t help but feel sadness. The way she looks at the track one last time (she might not do running again in her high school), and her last bento with sincere clubmates who were together for 3 years- are powerful and intimate. Once again Tsuki ga Kirei shows us that the show isn’t strictly about romance, but about the coming of age tales from those kids.

Takumi and Chinatsu have some time to shine in this episode too. Takumi (now I just realized that he was the same age with Akane and Chinatsu, despite his more mature look) realizes that Akane might move to other city, so he works up the courage to ask the track girls to the coming festival. Chinatsu, once again despite her carefree appearance, is way more observant than the rest of the cast, noticing that Kotarou sneaked up to the competition to watch Akane, and Takumi’s deeper thoughts. They, in a very “Scum Wish” way, share the same sadness feeling of seeing the one they like be happy with other people; in other words, they share empathy. Takumi might try to express his feeling to Akane, since he “hasn’t even taken a shot yet”. Chinatsu also remark that they can’t change how they feel – but girl, remember that the feeling can indeed change as time goes by. As she grows older that melancholy feeling might become something that she’d be fond of when looking back.

Posted on 4 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Boy, the production has a nosedive in quality this week. It doesn’t hurt the show much though: the confident pacing and rock-solid chemistry between Akane and Kotarou are still there, but this episode shows how the time-rush and low-budget have finally caught up with the quality of Tsuki ga Kirei: many off-model characters, jerky animation where the characters move like in Flash, most notably (and painfully) in the sequence that featured Kotarou, his sensei and the old man in the hayashi music practice. I might be in the minority here but I would have much preferred even if the show takes more weeks off for polishing the final product. I don’t mind waiting, but I do mind the rushed, poor quality that could have benefited much better if they have more time and resources.

In term of this week’s content though, we have another winner episode in our hands. The young birds, after last week’s declaration of love, now have to deal with the pressure that the whole school know and talk about their relationship. The couple keeps it low-key of course, never talk to each other in class, but sharing bento together in the library and walk home together. When being confronted by her group of friends the things she likes about Kotarou, she can’t describe it clearly, she just does. Later down in the end of the episode, she can be able to express it much better. On Kotarou’s side, Roman and Daichi rightfully suggest him to wait for Akane in the form of “club activity”, something that our Kotarou never thought of. Friends’ supports are important as this stage of their relationship and I’m glad that their friends are fairly positive about them dating: to be able to share their feeling about the relationship, listen to others’ experience, and receive some neat advices from your friends.

But this episode is all about the two of them sharing some quality times together: both as a part of the other’s life, and as a date when there are just the two of them. It’s the way they express their love for each other in their own ways making this love so relatable. It’s cute to see Akane comes with Kotarou for his hayashi practice (thank God he didn’t mess up), oh and how Kotarou blushed just by saying her name out loud in the library, and her wearing some perfume before meeting him. When she realizes that she had missed his birthday, she determines to find him a birthday present. The present turns out to be another identical plushie that she has, but the way Akane manages to find her courage to give him a present making all the efforts worthwhile. And he band-aided her injured foot (you should’ve realized it sooner, Kotarou) is one of my favorite moment in this lovely episode.

The two of them have a wind-chimes festival together, where Akane wearing an adorable dress, shopping together, eating together, sharing a (real) kiss, and writing their romance wishes in a wind chimes. Hmm, it might look cute (and it is) that the two of them writing the exact same thing in wind chimes (a great touch of visual telling there), but when you two going together and write their wishes down together, what they want to say is rather obvious. But there’s no denying that their relationship is in a more intimate stage than ever before.

The shorts this week are in overall solid this week. I don’t pretty much like sensei and Roman’s segments, but the rest is hilarious and charming. My favorite two are Sakura segment (man, she’s becoming one of my favorite now) – detailing quite on point the insecure-ness of the a teenage girl: wanted attractions from the boys, yet still sensible enough to know that her fantasy is way off-mark. So cute – and Kotarou’s parents one – how the two of them seem to serious about NOT to read his writings, but of course they DO read them (parents, right?) and have very opposing opinions about his writings (and the way men and women differ in their way of thinking too), haha. We’re talking about the male’s gaze, and that segment speaks some truths on that too. I mean, even in real life, most male directors and writers don’t really understand the way woman thinking either. David Lynch, Akira Kurosawa, two of the greatest directors of all time, treat their women’s characters quite insensitively. Dazai – Kotarou’s idol, on the other hand, was quite adept of writing female’s psyche (his work Schoolgirl is a great example), so there’s hope that our Kotarou can learn from his inspiration.

Posted on 26 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

With this episode Tsuki ga Kirei marches on its impressive run. If there is one thing that I’m still impressed about Tsuki ga Kirei, it’s that despite its slow-pacing, the story never stands still. Each episode is a steady step-forward, clearly mark-out stage from its main couple’s relationship. I wasn’t at all expecting that much tension from this week, just to show how I am personally invested in its characters and their situation. Again, I totally feel for the total defeat of Chinatsu in this episode, but lest we forget that she was the one who planned to disrupt this couple with all her might. Originally, she staged for only 4 free passes to the amusement park with the intention of using Takumi to hook up with Akane and she has some free time with our main. Kotarou and Akane’s classmates though, are all in for an opportunity to go out for a date so the trip ends up with 9 people, leaving Roman an odd one out. You could argue Chinatsu crossed many lines of actively hurting Akane’s feeling and using Takumi for her own gain, which I totally can’t defend her, but I still read her action as purely self-centric behavior. She just doesn’t think her actions would cause those consequences that far ahead and while it’s dangerous, you can’t really blame her for things she doesn’t aware either. Okay, now I’m defending her, but I believe when Kotarou roars like a lion in front of Takumi declaring what is rightfully his, it blows much harder to Chinatsu than he outright rejects her.

And what a natural progression of this first love has come to be. After last few episodes about how to behave when you’re actually in a relationship, the next step is to acknowledge your relationship to others. And this episode is all about opening your relationship’s status to your friends without feeling reserved about it. Like Chinatsu few episodes back, Roman is the guy who can read between the lines so he caught on with Kotarou – Akane relationship. Special shout out to Roman as the buddy who got his friend’s back and do whatever necessary to support his friend. Unlike Roman, others don’t have a clue about this relationship and for once, Takumi also finds this trip a good opportunity to spend some time with Akane. When Kotarou catches up with the two of them walking together, for a moment I thought he would be silent and walk away without calling them back – and indeed, most of other shows will fall for that route, but we’re talking about Tsuki ga Kirei for Peter’s sake, so Kotarou instead steps up and declares in front of Takumi that they’re in relationship. Yes, what important is to acknowledge your love. Boy, what a truly great moment. Takumi, surprised, but take that news really well too. The subtle body languages in those scenes certainly enhance the character’s emotions, as you can read the reactions of both the four main casts. Tsuki ga Kirei’s visual storytelling is truly magnificent.

The rest of the time afterward, Kotarou and Akane have their first real date, alone together, in this amusement park. There are some truly intimate and sweet moments out there, certainly helped by contrasting them with Chinatsu and Takumi’s sadness. They eat together for a first time, playing together and kissing each other in a firework backdrop. Well, they aren’t technically kissing though but it feels much more intimate than any other actual kissing out there. At least, Chinatsu apologizes to Takumi and even texts Akane about not being able to confess her love. There’s nothing you need to say sorry about, Akane, because when it comes to deciding between your and Chinatsu’s own feeling, it’s a clear answer. The couple goes a long way since they’re first dated, and I’m not even hard-pressed to say this, considered that this is a story about first love from some middle-school kids, but this is a real depiction of how two individuals falling in love, along with what a true growing up would be like, and those alone make Tsuki ga Kirei stands above the rest of your average anime offerings.

On last note, those shorts this week are still pretty on par, although they run a bit longer than I would’ve preferred (because, geez, it means the actual story is cutting short). Those shorts are pretty much a part of Tsuki ga Kirei’s identity right now, and so far they’re all gorgeous. And I couldn’t say this last week because of the recap, but the new OP is solid as well, make me wonder if the overall production (especially the CG extras) could have been improved if they have some more extra time for correction?

Posted on 13 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

This week our duo Akane and Kotarou experience their first taste of hardship, also known as the hard truth about their dreams. Both determine to do their best after the pinky promise (which give me chill every time because it reminds me of an episode of xxxHolic about a girl who always breaks promise – an example of how a single quirk from anime can affect your real-life perception), Kotarou had to meet the publisher and Akane for her track competition on the same sunny Sunday. And they both failed, in their own ways. Fortunately enough, their hardships comes from their own struggling to reach their dreams, not from their relationship itself. They spend some quality this week in the corner of the library, when they mostly share their own progress to the other. Those quiet scenes are excellent all around. The duo keeps having a space between them but you can feel the warm atmosphere hanging around. Two sequences of them in the library, the first filled with hope and quietly excitement, the second is saturated by disappointment, both connected by the pinky promise. Such intimate and affecting moments for the two lovebirds. Also, the shorts this week from Tsuki ga Kirei are solid too, now I’m a fan of Miu and Inaba couple because they’re soooo relatable. And cute. While I’m not much a fan of Roman and sensei gags, this one goes reasonably smooth enough. But Sakura’s fantasies short is my favorite short this week.

For Kotarou, the publisher flat out comments that Kotarou isn’t suitable for serious writing, instead he persuades him to try his hands on Light Novel. Looking by his effortless and calm manner when talking these things to Kotarou, he must have done it from time to time: crushing other young aspiring writers’ dreams into pieces. But hear me out, before everyone gets mad at him for being a senseless a**hole, I approve with what he did here. In fact, I’d feel much more angry if the guy keeps selling other’s dreams when he knows they couldn’t make it far. It would be very painful to see a person who isn’t talented enough just keep pushing their head against thick wall. His Mom, as well, clearly disapproves him of becoming a writer. That doesn’t mean he can’t become a writer, it’s just that he has to try harder than before. Likewise, Akane’s situation doesn’t improve at all. I’m glad that she has a courage to tell her best friend that they’re dating, but when Chinatsu confirmed that she knew all along, it confuses Akane to the point of losing her concentration for the competition. Or maybe her sister was right when she said that dating, studying, and running at the same time might be too much for her that she ends up failing every single one of them. Worst of all, she loses the race to Chinatsu, and Takumi is clearly let down by her under-performed records. I love the reactions of Akane’s parents when hearing their sweet daughter is dating (especially Papa – his girls are slowly taken away from him by annoying brats that he knows nothing about. Of course he’s worried), and Akane’s reactions when her sister “exposed” her secrets are really endearing.

Now, Chinatsu. Frankly, it’s hard to read her motivations since we don’t know much what she been thinking, but let’s try to break her actions down a little. Apart from seeing Akane as her best friend, Chinatsu also regards Akane as a worthy rival, both from running track to that love interest. In running, she’s determined to give more efforts and in the guy she likes, she basically declares a “warning note” to Akane (I notice the word “notice” she was using here). As a friend level, her actions could potentially damage the friendship she and Akane have, and I think most of us will say that her pushing for confession to Kotarou to “have a proper closure” is way over the line. You don’t mess romantically with person who already in the relationship, missy. That’s a rule. But saying that, I know Chinatsu is a type of person that when receiving a proper rejection, she’d just smile and move on. On top of that she would never betrays her own feeling, doesn’t matter how others will react to that. In short, Chinatsu confessing her love to Kotarou is just purely Chinatsu being herself, and I certainly don’t blame her for that; I just wish she’d come to understand that she’s being unfair to Akane and most of the time when that happen they become too hard to be friend again. I guess we will have a proper resolution next week. For one thing that Tsuki ga Kirei does absolutely right so far, the conflict never drags out for too long, usually an episode or two in length. Tsuki ga Kirei maintains its beat throughout this episode, fleshing out our characters not by their romance, but by their own struggles with the adult world. And that’s swell because we need to root for them as well-formed individuals before cheering for them as a couple. Keep them going Tsuki ga Kirei.

Posted on 5 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

This show is so unfair.

Like, after spending 5 episodes of cutely awkwardly topsy turvy Akane – Kotarou first love, how can we even root for poor Chinatsu? Even the show itself seems to know that too, as when Kotarou confessed to Akane few episodes back, we had beautiful full moon in bloom right in front of them (Tsuki ga Kirei!!). Poor Chinatsu, on the other hand, just “deserves” a reflection of a moon, lurking from afar from her and Kotarou. In addition, why add her as the most charming character of the show, whose have such a great, easy chemistry to everyone around her? I actually didn’t think she would fall for Kotarou considering she helps the two out last week, at least not yet. Our couple will have a bit of hardship now as Akane clearly feels insecure whenever Chinatsu’s around Kotarou (her voice changes!), simply because she can make a natural conversation with Kotarou in public while Akane can’t. To top all that Chinatsu and Kotarou will have plenty of time to be together, now that she’s going to the same cram school with him. Takumi, another external threat, is going to make his moves soon since he doesn’t have much time to be running alongside Akane. Not only those potential threats but the couple themselves don’t do too well too, Kotarou is slipping at his grades and Akane performs poorly at practice. There will be trials and tribulations for our duo’s romance but hey, what is love without pain.

Akane and Kotarou now officially become a couple, and this episode details exactly how two young people in their first stage of love would be like. This show never ceases to amaze me how sensitive and relatable they portrait their characters in those situations. They’re dating but they still can’t find a courage to talk to each other at school, so they seek advice from their most reliable sources, first of course, the internet (ask Mr. Google) and then the adults that closed to them. Again, the show excels on emphasizing visual cues from little gestures, facial expressions and their speech patterns instead of relying on obvious expositions. When you know a character enough you can tell his personalities just by the way he moves, and Tsuki ga Kirei is a masterclass regarding that. Kotarou is much more lively and relatable when he performing a traditional dance or exercising his excitement with sit-up and boxing in his room than any monologue could mutters. Akane’s subtle reactions while staying near Kotarou really inform us what she really feels. The show’s awareness for physical space is a highlight as well, just look at the last scene about the positions of the two where Akane seems to be further away from Kotarou. Great stuff.

And then they’re holding hands. Boy, never in my experience (even my own) that such a simple holding-hands moment fills me with so much joy and excitement. I really like the way they tried out the library but failed (again, Chinatsu) and how the bookshop-owner sensei helps the two lovebirds out: give them some time alone together; ya know, just the two of us (what kind of book shop that have no customer by the way? Usually they would fill with patronize who read books free for hours). For the amount of time they been thinking about each other, it’s rather surprising to notice that they have very little real conversations to each other (boy do I look forward for more), and when they do talk, it’s sparkling. But that is so Tsuki ga Kirei: slow, mundane in twenty minutes and then hits you in the gut for the last few minutes. As this episode further demonstrates, sometimes you don’t need too many big plot twists and tear-jerking situations to win over the viewers, you just need one good resolution that hits hard.

ps: Want to mention it but can’t fit it anywhere in the post, but I do really enjoy the shorts this week. The shorts explore the teen-romance in much lighter tone and each story adds something hilarious to the table. Those shorts are not mere extras by any mean, but they help enriching the romance theme of the show. Tsuki ga Kirei, as boring as it might sound, is still going strong.

Posted on 28 April 2017 with categories: Currently Watching:, Tsuki ga Kirei

I’m totally impressed with Tsuki ga Kirei thus far. This show has its own voice and after this episode I’m confident that we will have the constant quality in display for the rest of its run. Nothing can beat consistency, I assure you. This week, the kids go to another city for a school trip and it’s…wait a minute…Kyoto. Within the first few shots of the city I could easily recognize that favorite town of mine (if you ask me how much I love Kyoto, let just say it’s THE city that I wanna live in. And I might). I’m digging it how the show handles the aftermath of the confession last week: take it slow and give it some more thoughts. Her delayed response really is the most natural decision come from Akane and it might be her best decision, at that stage when she isn’t sure if she’s romantically interested to Kotarou (whether she has a crush on Kotarou, yes, but how many crushes you have back in school life? Once every few months right?). Remember that she doesn’t deny when her friends ask her if the boy she’s interested in was Takumi. Chinatsu, on the other hand, plays off her role as a romantic rivalry, though there was never any romance to begin with, and actively assists the duo. I love that behind her cheerful and out-there personality, she reads the situation so spot-on; and she handles the situation effortlessly. Minor issues that both Kotarou and Akane would find to awkwardly to address, she brushes it off with ease. Such a good characterization for a character who doesn’t have much screen-time. Bravo!

While the romance aspect is this episode’s main focus, the slice of life part really brings the calm, grounded and bright atmosphere to Tsuki ga Kirei. The school trip plays out exactly like any regular school trips, with great details to the settings, and to the small activities of the students. There’s this group of girls taking selfie, the other group playing cards, most of them would skip early bedtime for playing around and talking romantic stuffs. In this world, all the surrounding characters feels breathable (for the lack of better word) in the environments around them. Both Kotarou’s friends and Akane’s friends are highlighted not by their distinctive traits, nor by their development, but by their everyday interactions with the world around them and their own self-position towards that world. Hands up for Aira (one of Akane’s friend) for giving her some space that most of the kids that age ain’t sensitive enough to realize. Again, this show’s characterization is top-notch.

The episode also highlights the anxiety of our Kotarou and Akane towards their newfound relationship (or the lack thereof) and it’s as honest and awkward as it might get. They’re afraid to talk to each other, but always aware of other’s whereabouts (man, so true!). Kotarou’s nervousness of texting the girl and then has his phone taken by the teacher in the process are nicely played out before the climax. And when the climax kicks in, the tone, the pacing and the whole execution were incredible. He’s late to meet her, he doesn’t respond her phone, he shows up in poor, soaked state: all the conditions that could make any girl mad, although we’re in his shoes so we know he deserved better. I understand both the frustration of Akane and the helplessness of Kotarou. He even doesn’t try to justify himself, which make me hold him in higher regard. Akane’s response later perfectly leads the show into the right direction and closes the episode on a high note. She just wants to talk to him more. Usually other romantic anime speed up this process (and to be fair, even in real life), but unless she knows more about him, unless she spends some more time with him, she wouldn’t know if she really likes him.

I was initially considering about the combo of Tsuki ga Kirei – Scum’s Wish for portraying both spectrum of teenager’s romance, but now I’m leaning towards this one – Flowers of Evil double series for addressing contrasted sides of growing up. They’re both set in adolescent phase, when most of them are still unsure about themselves. While Flowers of Evil leans on its dark side that tackle on obsessions, youth-frustration and identity; Tsuki ga Kirei is pure white that focus on the brightest side of first crush and self-grown, and friendship. That not to say this one isn’t complex, far from it, because Tsuki ga Kirei tackles such seemingly simple premise with keen eye for details and a deep understanding of growing up process. It’s simple, true, but it’s the kind of “simple” that isn’t easily obtained.

CHANGE USERNAME
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
SuperMario
So it's best to wait for another 2 years to watch Heaven's Feel? Hell NOT
AidanAK47
When all the movies come out though you can basically barrel through it like a TV series.
SuperMario
Dangit, it's me Mario
Anonymous2115918
I still don't know if I like this trilogy trend. We've had a fair bun h of those in recent years (Berserk Golden Age, Madoka, even Kizumonogatari). I guess doing it that way, they'd make much more profits, and we have higher production values, but the wait is way too long and I don't think it works as movie-format
Kaiser-Eoghan
One of the very rare times where self-awareness works.
Kaiser-Eoghan
I can be nice and say of course Ryan Reynolds+ violence, comic was funnier.
Kaiser-Eoghan
@Aidan: But I'm sure if you think it over, the first deadpool was trapped in origin story mode, as an advantage, the sequel, is probably free of that.
Kaiser-Eoghan
@Aidan: Deadpool 2 had John Wicks director, which at the least means something in terms of action direction.
Kaiser-Eoghan
@Aidan: There was a whole run of deadpool issues called Cable and deadpool, which I suppose that pairing together gets the best out of the character.
AidanAK47
Seen Deadpool 2 tonight and I have difficultly deciding if it's better or worse than Deadpool 1. Still it's quite fun and I enjoyed it.
AidanAK47
@Anon, I feel somewhat similar in regards to Franxx. When this series finishes I won't be singing high praises for it. Yet I do feel that it's worth watching.
AidanAK47
@Lenlo, Now I get ya. Yeah I understand that. I might even feel the same if I didn't already know the story from the VN.
AidanAK47
@Amagi, The second film seems to be in cinema this year but we won't get it until it hits blu-ray.
Kaiser-Eoghan
@Travlos: As I expected, I am disappointed that they have held back . And you might just be right about Castrollop/Caligula/Nero, when I originally attempted to watch the show years ago, that was the episode I stopped on.
KTravlos
Yang really is stealing the show this time. But I wanted the "Alcohol is mankind's oldest friend" rant. I need it.
KTravlos
my expectation is that they will take this to the Battle of Armistar, and then the films will cover the dual civil wars etc.
KTravlos
...CASTROP REBELLION! Why the hell sacrifice an episode to the most useless and bad part of the original! I hated that episode. Well let us see if they can give it a better twist this time around.
KTravlos
The Iserlohn arc at LGOGH:NT was ok. I liked how they presented the preparations. I like the new Murai face. The music was quite good. But they did tone the violence. I expected Walter to stab the imperial officer in the neck. They have toned down the violence a lot. And I missed Seeckts "Long live the Empire" death. That said it was not bad, and I think in general it was good adaption. But....
Anonymous2115268
for example, I think Darling in the franxx is pretty average, but that's not because i think it doesn't have cool shit in it or things that make it appealing; I just find that what the show tries to achieve is not that stupendous or worth lauding with praise. As a result, the flaws stick out that much more to me
Anonymous2115268
@Lenlo and that's pretty much how i felt. Everything is subject to criticism; hell i criticize my most favorite things in the world because i know they're not perfect. I evaluate art and media on whether what it achieves overshadows the flaws and to what degree. Which i think is the best way to approach criticism
Lenlo
I want to repeat though, Heavens Feel wasn't bad. I know some people take any criticism to mean I hated it, but I actually quite enjoyed it. I just think ill appreciate/enjoy it more once the other 2 movies are also out.
Lenlo
@Anon, you nailed it. I couldnt describe it, but what you said /feels/ right.

And Aidan, I loved Lindsay Ellis's videos on the whole Hobbit debacle. A shame, cause the original Lord of the Rings is a landmark in film for me.
Amagi
@Aidan: Do we know if the next HF movie will be finished this year?
Amagi
I love how and how often they say "Fujimi no Sugimoto" in Golden Kamuy. It's pretty hype for some reason, especially when it's said by his enemies.
Anonymous2114206
yea. heaven's feel is nothing like the situation with peter jackson's hobbit; this story needs this many movies and that large runtime. The thing with these heavens feel films that is probably bothering lenlo is that they feel like very long episodes and that particularly the first film felt like a giant prologue rather than a film with a beginning, middle, and end
AidanAK47
And just to make it clear, Heavens Feel needs at least three movies to cover the entire story. It's too big for one movie.
AidanAK47
@Lenlo, I ain't unhappy about it though. Sucks that I need to wait so long for each movie but there is higher production values as a result. Though in regards to the Hobbit I recommend watching Lindseys Eillis videos on it. As it not only talks about how it screwed the Hobbit but also how the movies screwed New Zealand.
Kaiser-Eoghan
I could never immerse myself in Tolkienistic world building.
Kaiser-Eoghan
Man, the hobbit, lord of the rings and that shit king kong film, he sold out so much , this was the man who gave me Heavenly creatures , Braindead and Feebles.
Lenlo
It is very beautiful indeed. And Aidan, that Hobbit metaphor made me weep for you. I hated what happened to the Hobbit
Anonymous2112805
other than that; HF is a very beautiful looking film; ufotable has improved with their digital compositions...holy crap
Anonymous2112805
heaven's feel seems to be embracing its more horrific elements. Aside from that, watching this film made me realize how much i prefer rin over the rest of the girls; kinda wish we got to spend a bit more time understanding Sakura's psyche in the film
Kaiser-Eoghan
@Mario: This was part of some film fest thing, ended up missing big fish Begonia though, that Chinese animated thing =<
Kaiser-Eoghan
@Mario: they'd invited him to introduce the flick.
Kaiser-Eoghan
@Mario: Had this really unexpected run in, in my nearest arthouse cinema, seeing some film about the Soviet space program , I bump into this eastern European guy, assume he's an audience member, awkwardly say something in Russian to him, turns out he's the Russian federation ambassador to Ireland.
AidanAK47
It's sort of the hobbit situation where they chopped one book into three. Expect here we aren't getting extra fluff to pad things out. Well there are extra scenes but they are actually relevant.
Point is that in it's orignal form there are no stopping points here were you need to wait a year to continue. It was a straight story from start to finish.
AidanAK47
Well Fate is essentially the tutorial section that introduces most of the concepts and whatnot. But even then some of the things here are explained later in Heaven's Feel. Cause yeah, not only is the Fate/Stay Night VN not supposed to be split up into three seperate things, the routes aren't supposed to be split into movies either.
Lenlo
Im only familiar with the UBW route, cause Ufotable
Lenlo
I see.
AidanAK47
@Lenlo, In a way there is. Heaven's Feel was originally meant to be experience after the Fate and UBW routes of the VN. That the thing Fate/Stay Night has struggled with. It's not meant to be split up into three like this. It's originally supposed to be three parts of a whole. Each route complementing another.
Nayrael
And so am I
Kaiser-Eoghan
@Lenlo: Its like....sometimes I actually want to be able to like something I end up not liking, knowing I am the problem and not the show.
Anonymous2110797
Spoiler alaert: anime is trash
Lenlo
I can understand that. I cant stand Clannad, so everytime I ask for a decent romance and it gets recommended I die alittle inside.
Kaiser-Eoghan
While thats very true that not everyone agreeing does make things more interesting, at the same time theres some sense of feeling left out when not understanding the appeal of something extremely well loved.
Lenlo
Also @Maskey +1. If everyone agreed with each other, it would be boring. I love hearing what other people think on stuff.
Lenlo
Also, @Kaiser, give Ippo a try. It is one of the longest running and best sports anime/manga ever made. I sincerely believe this. That said, Megalo Box isnt bad. I still enjoy it. Ive just seen boxing done better.
Lenlo
It wasnt a bad movie. It just felt like it had a lot going on. Like Gil had a 30 sec clip, I don't really understand what the ribbon monster is but I suspect its the grail, and the new Assassin pulling an Alien, while cool, came out of left field. Like, once I just accepted it and moved on it was a fun movie. It just felt like there was a base of knowledge I needed but didnt have.
Masky
Eh, its okay to not like something that someone else likes. I disagree rather often with blog writers' opinions here but I still enjoy reading their opinions
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