Posted on 25 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Tsuki ga Kirei again manages something I thought was difficult to achieve: it surpasses itself once more time. I was afraid that after the Kawagoe festival, there isn’t much left drama for the lovebirds now that Takumi and Chinatsu are all out of the picture; turn out that not only this episode enhances their relationship through their cute Christmas date, they showcase attentively Kotarou’s efforts for the exam and address beautifully on how much parents can sacrifice to support their child, even most of the time those kids don’t care about it. There’s only one episode left but at this point I can safely say that Tsuki ga Kirei has been a consistent ride, and I come to genuinely care about Kotarou and Akane more than I need to. Tsuki ga Kirei scratches the itch I don’t know I have.

This whole episode details Katarou’s utmost efforts to study for the upcoming exam. His grades are low, thanks mostly to his writing and the Hayashi practice, so he must study hard, night after night, to get a good enough standard score to apply for Koumei school. The results are not that rewarding though, for getting better grades is a long process, not a quick shortcut. He also feels that he needs to try harder to prove his parents that he made up his mind. I admit that I feel a bit irritated of the way Kotarou communicate with his parents about his school’s choice because I did the exact same things when I was his age. It hits a bit too close to home for comfort. Now that I’m more than double his age, I can clearly see how stupid and miscommunicated his actions just to show his little rebellion: hunger strike (when he clearly needs food to survive), avoid talking to the parents and didn’t inform them the school he picked. I totally understand his points of view, but that’s why I wanted him to be more open. Talk to them what you really want instead of this silent treatment, kid, your parents deserve better than this. At long last, upon knowing how his parents support him for his decision, he finally says something that he should’ve done to his mother long ago: Arigatou.

One of this episode’s best moments, however, come from Kotarou’s Mom as we witness how much she, like most of our parents, really, care for their own child. We have the impression before that she’s the type who want her son focusing on a good career path, and every step to that goal needed to be well-planed and perfect. Imagine her shock then that not only her son decided to pick school against her knowledge, it’s 2 hours away because of some girl he likes attending to that school. Must be a blow for her but one thing I really appreciate about her, it’s that she’s not a control freak. She gives Kotarou a necessary space for his own, and upon seeing how hard Kotarou is currently trying; she asks his homeroom teacher to give him a chance. The whole sequence when she talks to the homeroom teacher gives me a great impact from its show-don’t-tell approach, as we are only allowed to witness them exchanging gestures through the window. Subtle has always been a definitive style of Tsuki ga Kirei, but here it adds extra context: her action is supposed to be restraint, quiet, out of spotlight; just like how she makes him rice balls in the middle of the night for him to study, just like how she’s despite against the idea, still supports him because it is what he wanted; just like all the things that parents do for their kids and they just take them for granted.

And Kotarou and Akane’s love still progresses solidly. As they don’t have much time for each other during this study period, they LINE-ing each other and go out during Christmas. Akane makes him a handmade scarf and I swear her messy scarf is worth ten thousand times better than she was to buy one. Her sister makes a really good point of the burden the two gonna face if that love dies down (and from previous experience, I’m talking about her accurate thoughts on Chinatsu, I say you should listen to your sister, Akane, and listen well). Their time spending together, doing various activities alone just like a normal date would be, feel so warm and intimate. Whatever future (and the final episode) comes, I come to feel certain that the kids going to be happy together for a long time. This Tsuki ga Kirei’s ride has been a real treat, I swear. I will be sad to see it finally concludes.

Posted on 19 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Kotarou and Akane have reached a stage where they need to think hard about the long term of their relationship. Akane is about to move town, so how they going to keep up their relationship? Usually for a teenager’s romance it means the end. Full stop. LINE and texting can keep them for a while but with two separate lives it’s hard to consider each other important anymore. Tsuki ga Kirei again succeeds at displaying their relationship at a deeper stage, where negative feeling starts to bust in the way and whether or not they really are serious about their dating. This episode had me at the edge of my chair till the end, just to show how adept Tsuki ga Kirei is at their pacing and natural progression. Really, I have no complain about this show. They’re as mundane, true to life and as intimate as ever.

Finally, the Kawagoe festival – where Kotarou is about to do the Hayashi dance – has arrived. As expected from this show, the festival itself breathes life with various festival activities. Akane, in particular, has a chance to hang out with her club friends for what possibly their last time, watching Kotarou do the Hayashi moves from afar, and eating imokoi with her mouth full. In order words, enjoying her time. Takumi, on the other hand, has an ulterior motive, believing this festival is a good chance to confess his love for Akane. Through various silly unfortunate chain of events (they both lost on rock, paper, scissor huh?). Takumi did, and Akane flat out rejects him. I don’t know if it’s a good idea, since he knows full well who Akane dating. Sure, Takumi just wants a chance to let it all out, even he understands completely that Akane will reject him. It feels like a victory for Akane, as she gives him a straightforward rejection. It feels like a defeat for Kotarou though, when you imagine that this kid comes all the way to see his girlfriend after a hard performance, just to see her alone (again) with another guy.

Kotarou’s frustrated, and true to his first love inexperience and his introvert nature, he holds his feeling all in and can’t let it out. I actually feel a bit taken back when it’s reveal Kotarou was watching those two talking. I mean, misunderstanding is the most stupid, well-worn trope in any romance and at first glance Tsuki ga Kirei seems to be falling into that trap. But it’s not really about misunderstanding in this context, Kotarou’s mad because she spent time alone with Takumi, which she did. This silent treatment doesn’t do any of them any good, Kotarou gets even more frustrated and it hurts Akane. Now, imagine it from her point of view, she just rejected Takumi because she knows she’s in love with Kotarou, she’s rushing in to meet him so they can have some time together and then THIS. She doesn’t deserve that. Seeing her crying in that festival, where she’s supposed to have fun, make my heart swell. That drift makes both of them suffered. They want to reach to each other but are unable to, so they’re retreating in their bed, embracing that pain. This dark moment fits right in any Makoto Shinkai’s moments (without all the sentimental of course) I tell you, but it’s a necessary step for the two to experience the low of their relationship.

Their main concern, however, remains the fact that Akane’s moving away soon. Trying to spend little time left together won’t solve the problem, thus Kotarou researches for the high school that Akane’s applying – Koumei private High School. I tip my hat for Tsuki ga Kirei how they handle the ending moment here, everything is perfect. Showing the reveal of Kotarou applying for her school through Akane’s point of view is a good touch, as she takes a more active role in this sequence (Although, I actually came to believe it’s that potato pushie that made up Kotarou’s mind. Long live the pushie). While Kotarou has been the one who’s more active in this love, this is the time where we can see how much Kotarou means to Akane and how his decision really makes her happy. She reaches out and kisses him for crying out loud. Kotarou’s willing to study in the same school with her, despite the fact it’s two hours away, might affect negatively to his writing and his parents aren’t even informed about that. But that’s the SACRIFCE he needs to make to be together, and he’s game for that. Well, that somehow resolves their conflicts (it actually doesn’t), so I hope that they can learn from their mistake and be open to each other more. The last couple episodes they have been closer and much more natural with each other, now it’s the time for them to become a permanent part in each other’s lives.

Posted on 10 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

A little bit of note that Tsuki ga Kirei was delayed a fair bit this week. Apparently, the Japan broadcast was still on schedule but Crunchyroll experienced a bit of extra time subbing it, which my guess is that the production cut a bit too close this time prior to airing, which also mean we might have a rushed, unpolished production just like last week. My worrying thought didn’t come out true, thankfully, because Tsuki ga Kirei again excels this week, producing one of their most solid episode. There are plenty of moments to love this week, ranged from their well-earned LINE messages (gosh, made me realized that we hardly see any real conversations through messaging device in other anime, even in films), their uncertainty about which school to choose, to Akane’s last competitive track to Takumi and Chinatsu’s mutual moments. Tsuki ga Kirei is simply at its top form this week.

The time for graduation is getting near and our kids have to pick their future high schools. Both Kotarou and Akane have little idea where they end up with, Kotarou largely due to whether or not he’d pursue his writing. The publisher few episodes back suggested him to try writing light novels, but he’s unfamiliar and even uncomfortable with light novel format, thus he asks his senpai about the medium and tries to read some. His parents both care about his future choice, but each of them have different idea on how to push him on the “right” track. His mother increasingly concerns about him getting in good school with good grade (typically Asian mom). His father, in his very timid fatherly way, suggests him to do whatever he likes to do (I love the way he even doesn’t look straight to his eyes when he discusses with Kotarou – Again, a very Asian style of communicating between Dad and son – you know, we don’t really fond of expressing our thoughts to each other). I could sense his wise advice coming from a guy who regret not following what he loved when he was his son’s age, and now he doesn’t want his son to follow his footstep.

Akane’s issue is more apparent, though. Her father might relocate again with his new position, it’s the biggest, most obvious obstacle they could’ve have in their age: won’t be able to meet each other due to long distance. Akane doesn’t like moving away from Kotarou and the environment she has grown accustomed with. But first, she has other things she needs to focus on: her last track competition. After last week when the two of them spend almost all the time together, this week they spend most of their time doing their own things (which is good) and keep in touch through LINE. Those LINE exchanges are adorable and I really appreciate the show for not only showing their reactions when receiving and texting, but the detail of their conversations as well. She has a big day coming up, but she doesn’t wish Kotarou to come because she would get embarrassed and distracted from it, as a result Kotarou still comes… in secret. It’s a charming action since the reason he comes isn’t about getting her attention, but because he just wanted to see her running. While she succeeds in her last race, beating her personal record and coming first in a race, we can’t help but feel sadness. The way she looks at the track one last time (she might not do running again in her high school), and her last bento with sincere clubmates who were together for 3 years- are powerful and intimate. Once again Tsuki ga Kirei shows us that the show isn’t strictly about romance, but about the coming of age tales from those kids.

Takumi and Chinatsu have some time to shine in this episode too. Takumi (now I just realized that he was the same age with Akane and Chinatsu, despite his more mature look) realizes that Akane might move to other city, so he works up the courage to ask the track girls to the coming festival. Chinatsu, once again despite her carefree appearance, is way more observant than the rest of the cast, noticing that Kotarou sneaked up to the competition to watch Akane, and Takumi’s deeper thoughts. They, in a very “Scum Wish” way, share the same sadness feeling of seeing the one they like be happy with other people; in other words, they share empathy. Takumi might try to express his feeling to Akane, since he “hasn’t even taken a shot yet”. Chinatsu also remark that they can’t change how they feel – but girl, remember that the feeling can indeed change as time goes by. As she grows older that melancholy feeling might become something that she’d be fond of when looking back.

Posted on 4 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Boy, the production has a nosedive in quality this week. It doesn’t hurt the show much though: the confident pacing and rock-solid chemistry between Akane and Kotarou are still there, but this episode shows how the time-rush and low-budget have finally caught up with the quality of Tsuki ga Kirei: many off-model characters, jerky animation where the characters move like in Flash, most notably (and painfully) in the sequence that featured Kotarou, his sensei and the old man in the hayashi music practice. I might be in the minority here but I would have much preferred even if the show takes more weeks off for polishing the final product. I don’t mind waiting, but I do mind the rushed, poor quality that could have benefited much better if they have more time and resources.

In term of this week’s content though, we have another winner episode in our hands. The young birds, after last week’s declaration of love, now have to deal with the pressure that the whole school know and talk about their relationship. The couple keeps it low-key of course, never talk to each other in class, but sharing bento together in the library and walk home together. When being confronted by her group of friends the things she likes about Kotarou, she can’t describe it clearly, she just does. Later down in the end of the episode, she can be able to express it much better. On Kotarou’s side, Roman and Daichi rightfully suggest him to wait for Akane in the form of “club activity”, something that our Kotarou never thought of. Friends’ supports are important as this stage of their relationship and I’m glad that their friends are fairly positive about them dating: to be able to share their feeling about the relationship, listen to others’ experience, and receive some neat advices from your friends.

But this episode is all about the two of them sharing some quality times together: both as a part of the other’s life, and as a date when there are just the two of them. It’s the way they express their love for each other in their own ways making this love so relatable. It’s cute to see Akane comes with Kotarou for his hayashi practice (thank God he didn’t mess up), oh and how Kotarou blushed just by saying her name out loud in the library, and her wearing some perfume before meeting him. When she realizes that she had missed his birthday, she determines to find him a birthday present. The present turns out to be another identical plushie that she has, but the way Akane manages to find her courage to give him a present making all the efforts worthwhile. And he band-aided her injured foot (you should’ve realized it sooner, Kotarou) is one of my favorite moment in this lovely episode.

The two of them have a wind-chimes festival together, where Akane wearing an adorable dress, shopping together, eating together, sharing a (real) kiss, and writing their romance wishes in a wind chimes. Hmm, it might look cute (and it is) that the two of them writing the exact same thing in wind chimes (a great touch of visual telling there), but when you two going together and write their wishes down together, what they want to say is rather obvious. But there’s no denying that their relationship is in a more intimate stage than ever before.

The shorts this week are in overall solid this week. I don’t pretty much like sensei and Roman’s segments, but the rest is hilarious and charming. My favorite two are Sakura segment (man, she’s becoming one of my favorite now) – detailing quite on point the insecure-ness of the a teenage girl: wanted attractions from the boys, yet still sensible enough to know that her fantasy is way off-mark. So cute – and Kotarou’s parents one – how the two of them seem to serious about NOT to read his writings, but of course they DO read them (parents, right?) and have very opposing opinions about his writings (and the way men and women differ in their way of thinking too), haha. We’re talking about the male’s gaze, and that segment speaks some truths on that too. I mean, even in real life, most male directors and writers don’t really understand the way woman thinking either. David Lynch, Akira Kurosawa, two of the greatest directors of all time, treat their women’s characters quite insensitively. Dazai – Kotarou’s idol, on the other hand, was quite adept of writing female’s psyche (his work Schoolgirl is a great example), so there’s hope that our Kotarou can learn from his inspiration.

Posted on 26 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

With this episode Tsuki ga Kirei marches on its impressive run. If there is one thing that I’m still impressed about Tsuki ga Kirei, it’s that despite its slow-pacing, the story never stands still. Each episode is a steady step-forward, clearly mark-out stage from its main couple’s relationship. I wasn’t at all expecting that much tension from this week, just to show how I am personally invested in its characters and their situation. Again, I totally feel for the total defeat of Chinatsu in this episode, but lest we forget that she was the one who planned to disrupt this couple with all her might. Originally, she staged for only 4 free passes to the amusement park with the intention of using Takumi to hook up with Akane and she has some free time with our main. Kotarou and Akane’s classmates though, are all in for an opportunity to go out for a date so the trip ends up with 9 people, leaving Roman an odd one out. You could argue Chinatsu crossed many lines of actively hurting Akane’s feeling and using Takumi for her own gain, which I totally can’t defend her, but I still read her action as purely self-centric behavior. She just doesn’t think her actions would cause those consequences that far ahead and while it’s dangerous, you can’t really blame her for things she doesn’t aware either. Okay, now I’m defending her, but I believe when Kotarou roars like a lion in front of Takumi declaring what is rightfully his, it blows much harder to Chinatsu than he outright rejects her.

And what a natural progression of this first love has come to be. After last few episodes about how to behave when you’re actually in a relationship, the next step is to acknowledge your relationship to others. And this episode is all about opening your relationship’s status to your friends without feeling reserved about it. Like Chinatsu few episodes back, Roman is the guy who can read between the lines so he caught on with Kotarou – Akane relationship. Special shout out to Roman as the buddy who got his friend’s back and do whatever necessary to support his friend. Unlike Roman, others don’t have a clue about this relationship and for once, Takumi also finds this trip a good opportunity to spend some time with Akane. When Kotarou catches up with the two of them walking together, for a moment I thought he would be silent and walk away without calling them back – and indeed, most of other shows will fall for that route, but we’re talking about Tsuki ga Kirei for Peter’s sake, so Kotarou instead steps up and declares in front of Takumi that they’re in relationship. Yes, what important is to acknowledge your love. Boy, what a truly great moment. Takumi, surprised, but take that news really well too. The subtle body languages in those scenes certainly enhance the character’s emotions, as you can read the reactions of both the four main casts. Tsuki ga Kirei’s visual storytelling is truly magnificent.

The rest of the time afterward, Kotarou and Akane have their first real date, alone together, in this amusement park. There are some truly intimate and sweet moments out there, certainly helped by contrasting them with Chinatsu and Takumi’s sadness. They eat together for a first time, playing together and kissing each other in a firework backdrop. Well, they aren’t technically kissing though but it feels much more intimate than any other actual kissing out there. At least, Chinatsu apologizes to Takumi and even texts Akane about not being able to confess her love. There’s nothing you need to say sorry about, Akane, because when it comes to deciding between your and Chinatsu’s own feeling, it’s a clear answer. The couple goes a long way since they’re first dated, and I’m not even hard-pressed to say this, considered that this is a story about first love from some middle-school kids, but this is a real depiction of how two individuals falling in love, along with what a true growing up would be like, and those alone make Tsuki ga Kirei stands above the rest of your average anime offerings.

On last note, those shorts this week are still pretty on par, although they run a bit longer than I would’ve preferred (because, geez, it means the actual story is cutting short). Those shorts are pretty much a part of Tsuki ga Kirei’s identity right now, and so far they’re all gorgeous. And I couldn’t say this last week because of the recap, but the new OP is solid as well, make me wonder if the overall production (especially the CG extras) could have been improved if they have some more extra time for correction?

Posted on 13 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

This week our duo Akane and Kotarou experience their first taste of hardship, also known as the hard truth about their dreams. Both determine to do their best after the pinky promise (which give me chill every time because it reminds me of an episode of xxxHolic about a girl who always breaks promise – an example of how a single quirk from anime can affect your real-life perception), Kotarou had to meet the publisher and Akane for her track competition on the same sunny Sunday. And they both failed, in their own ways. Fortunately enough, their hardships comes from their own struggling to reach their dreams, not from their relationship itself. They spend some quality this week in the corner of the library, when they mostly share their own progress to the other. Those quiet scenes are excellent all around. The duo keeps having a space between them but you can feel the warm atmosphere hanging around. Two sequences of them in the library, the first filled with hope and quietly excitement, the second is saturated by disappointment, both connected by the pinky promise. Such intimate and affecting moments for the two lovebirds. Also, the shorts this week from Tsuki ga Kirei are solid too, now I’m a fan of Miu and Inaba couple because they’re soooo relatable. And cute. While I’m not much a fan of Roman and sensei gags, this one goes reasonably smooth enough. But Sakura’s fantasies short is my favorite short this week.

For Kotarou, the publisher flat out comments that Kotarou isn’t suitable for serious writing, instead he persuades him to try his hands on Light Novel. Looking by his effortless and calm manner when talking these things to Kotarou, he must have done it from time to time: crushing other young aspiring writers’ dreams into pieces. But hear me out, before everyone gets mad at him for being a senseless a**hole, I approve with what he did here. In fact, I’d feel much more angry if the guy keeps selling other’s dreams when he knows they couldn’t make it far. It would be very painful to see a person who isn’t talented enough just keep pushing their head against thick wall. His Mom, as well, clearly disapproves him of becoming a writer. That doesn’t mean he can’t become a writer, it’s just that he has to try harder than before. Likewise, Akane’s situation doesn’t improve at all. I’m glad that she has a courage to tell her best friend that they’re dating, but when Chinatsu confirmed that she knew all along, it confuses Akane to the point of losing her concentration for the competition. Or maybe her sister was right when she said that dating, studying, and running at the same time might be too much for her that she ends up failing every single one of them. Worst of all, she loses the race to Chinatsu, and Takumi is clearly let down by her under-performed records. I love the reactions of Akane’s parents when hearing their sweet daughter is dating (especially Papa – his girls are slowly taken away from him by annoying brats that he knows nothing about. Of course he’s worried), and Akane’s reactions when her sister “exposed” her secrets are really endearing.

Now, Chinatsu. Frankly, it’s hard to read her motivations since we don’t know much what she been thinking, but let’s try to break her actions down a little. Apart from seeing Akane as her best friend, Chinatsu also regards Akane as a worthy rival, both from running track to that love interest. In running, she’s determined to give more efforts and in the guy she likes, she basically declares a “warning note” to Akane (I notice the word “notice” she was using here). As a friend level, her actions could potentially damage the friendship she and Akane have, and I think most of us will say that her pushing for confession to Kotarou to “have a proper closure” is way over the line. You don’t mess romantically with person who already in the relationship, missy. That’s a rule. But saying that, I know Chinatsu is a type of person that when receiving a proper rejection, she’d just smile and move on. On top of that she would never betrays her own feeling, doesn’t matter how others will react to that. In short, Chinatsu confessing her love to Kotarou is just purely Chinatsu being herself, and I certainly don’t blame her for that; I just wish she’d come to understand that she’s being unfair to Akane and most of the time when that happen they become too hard to be friend again. I guess we will have a proper resolution next week. For one thing that Tsuki ga Kirei does absolutely right so far, the conflict never drags out for too long, usually an episode or two in length. Tsuki ga Kirei maintains its beat throughout this episode, fleshing out our characters not by their romance, but by their own struggles with the adult world. And that’s swell because we need to root for them as well-formed individuals before cheering for them as a couple. Keep them going Tsuki ga Kirei.

Posted on 5 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

This show is so unfair.

Like, after spending 5 episodes of cutely awkwardly topsy turvy Akane – Kotarou first love, how can we even root for poor Chinatsu? Even the show itself seems to know that too, as when Kotarou confessed to Akane few episodes back, we had beautiful full moon in bloom right in front of them (Tsuki ga Kirei!!). Poor Chinatsu, on the other hand, just “deserves” a reflection of a moon, lurking from afar from her and Kotarou. In addition, why add her as the most charming character of the show, whose have such a great, easy chemistry to everyone around her? I actually didn’t think she would fall for Kotarou considering she helps the two out last week, at least not yet. Our couple will have a bit of hardship now as Akane clearly feels insecure whenever Chinatsu’s around Kotarou (her voice changes!), simply because she can make a natural conversation with Kotarou in public while Akane can’t. To top all that Chinatsu and Kotarou will have plenty of time to be together, now that she’s going to the same cram school with him. Takumi, another external threat, is going to make his moves soon since he doesn’t have much time to be running alongside Akane. Not only those potential threats but the couple themselves don’t do too well too, Kotarou is slipping at his grades and Akane performs poorly at practice. There will be trials and tribulations for our duo’s romance but hey, what is love without pain.

Akane and Kotarou now officially become a couple, and this episode details exactly how two young people in their first stage of love would be like. This show never ceases to amaze me how sensitive and relatable they portrait their characters in those situations. They’re dating but they still can’t find a courage to talk to each other at school, so they seek advice from their most reliable sources, first of course, the internet (ask Mr. Google) and then the adults that closed to them. Again, the show excels on emphasizing visual cues from little gestures, facial expressions and their speech patterns instead of relying on obvious expositions. When you know a character enough you can tell his personalities just by the way he moves, and Tsuki ga Kirei is a masterclass regarding that. Kotarou is much more lively and relatable when he performing a traditional dance or exercising his excitement with sit-up and boxing in his room than any monologue could mutters. Akane’s subtle reactions while staying near Kotarou really inform us what she really feels. The show’s awareness for physical space is a highlight as well, just look at the last scene about the positions of the two where Akane seems to be further away from Kotarou. Great stuff.

And then they’re holding hands. Boy, never in my experience (even my own) that such a simple holding-hands moment fills me with so much joy and excitement. I really like the way they tried out the library but failed (again, Chinatsu) and how the bookshop-owner sensei helps the two lovebirds out: give them some time alone together; ya know, just the two of us (what kind of book shop that have no customer by the way? Usually they would fill with patronize who read books free for hours). For the amount of time they been thinking about each other, it’s rather surprising to notice that they have very little real conversations to each other (boy do I look forward for more), and when they do talk, it’s sparkling. But that is so Tsuki ga Kirei: slow, mundane in twenty minutes and then hits you in the gut for the last few minutes. As this episode further demonstrates, sometimes you don’t need too many big plot twists and tear-jerking situations to win over the viewers, you just need one good resolution that hits hard.

ps: Want to mention it but can’t fit it anywhere in the post, but I do really enjoy the shorts this week. The shorts explore the teen-romance in much lighter tone and each story adds something hilarious to the table. Those shorts are not mere extras by any mean, but they help enriching the romance theme of the show. Tsuki ga Kirei, as boring as it might sound, is still going strong.

Posted on 28 April 2017 with categories: Currently Watching:, Tsuki ga Kirei

I’m totally impressed with Tsuki ga Kirei thus far. This show has its own voice and after this episode I’m confident that we will have the constant quality in display for the rest of its run. Nothing can beat consistency, I assure you. This week, the kids go to another city for a school trip and it’s…wait a minute…Kyoto. Within the first few shots of the city I could easily recognize that favorite town of mine (if you ask me how much I love Kyoto, let just say it’s THE city that I wanna live in. And I might). I’m digging it how the show handles the aftermath of the confession last week: take it slow and give it some more thoughts. Her delayed response really is the most natural decision come from Akane and it might be her best decision, at that stage when she isn’t sure if she’s romantically interested to Kotarou (whether she has a crush on Kotarou, yes, but how many crushes you have back in school life? Once every few months right?). Remember that she doesn’t deny when her friends ask her if the boy she’s interested in was Takumi. Chinatsu, on the other hand, plays off her role as a romantic rivalry, though there was never any romance to begin with, and actively assists the duo. I love that behind her cheerful and out-there personality, she reads the situation so spot-on; and she handles the situation effortlessly. Minor issues that both Kotarou and Akane would find to awkwardly to address, she brushes it off with ease. Such a good characterization for a character who doesn’t have much screen-time. Bravo!

While the romance aspect is this episode’s main focus, the slice of life part really brings the calm, grounded and bright atmosphere to Tsuki ga Kirei. The school trip plays out exactly like any regular school trips, with great details to the settings, and to the small activities of the students. There’s this group of girls taking selfie, the other group playing cards, most of them would skip early bedtime for playing around and talking romantic stuffs. In this world, all the surrounding characters feels breathable (for the lack of better word) in the environments around them. Both Kotarou’s friends and Akane’s friends are highlighted not by their distinctive traits, nor by their development, but by their everyday interactions with the world around them and their own self-position towards that world. Hands up for Aira (one of Akane’s friend) for giving her some space that most of the kids that age ain’t sensitive enough to realize. Again, this show’s characterization is top-notch.

The episode also highlights the anxiety of our Kotarou and Akane towards their newfound relationship (or the lack thereof) and it’s as honest and awkward as it might get. They’re afraid to talk to each other, but always aware of other’s whereabouts (man, so true!). Kotarou’s nervousness of texting the girl and then has his phone taken by the teacher in the process are nicely played out before the climax. And when the climax kicks in, the tone, the pacing and the whole execution were incredible. He’s late to meet her, he doesn’t respond her phone, he shows up in poor, soaked state: all the conditions that could make any girl mad, although we’re in his shoes so we know he deserved better. I understand both the frustration of Akane and the helplessness of Kotarou. He even doesn’t try to justify himself, which make me hold him in higher regard. Akane’s response later perfectly leads the show into the right direction and closes the episode on a high note. She just wants to talk to him more. Usually other romantic anime speed up this process (and to be fair, even in real life), but unless she knows more about him, unless she spends some more time with him, she wouldn’t know if she really likes him.

I was initially considering about the combo of Tsuki ga Kirei – Scum’s Wish for portraying both spectrum of teenager’s romance, but now I’m leaning towards this one – Flowers of Evil double series for addressing contrasted sides of growing up. They’re both set in adolescent phase, when most of them are still unsure about themselves. While Flowers of Evil leans on its dark side that tackle on obsessions, youth-frustration and identity; Tsuki ga Kirei is pure white that focus on the brightest side of first crush and self-grown, and friendship. That not to say this one isn’t complex, far from it, because Tsuki ga Kirei tackles such seemingly simple premise with keen eye for details and a deep understanding of growing up process. It’s simple, true, but it’s the kind of “simple” that isn’t easily obtained.

Posted on 22 April 2017 with categories: Currently Watching:, Tsuki ga Kirei

Tsuki ga Kirei sure understands about the life of 14-year-old kids would be like. I’m sure we all have different experience about that pre-teen stage of our life, but the life portrayed here is so vivid and true to life that it brings out our fond memories as well. Personally, while not much really happen between each episode, this show is weirdly the show that I’m eagerly anticipating the most each passing week. So far, the simple visual style and its focus on characters’ little exchanges make it an unusually appropriate and grounded production values. But in terms of plot where progression is the key, the show still manages to surprise me with its confession right at the end of this third episode. I guess the bookworm Kotarou has balls after all.

This episode follows Kotarou as he’s hoping for his first writing piece to get published, the anticipation occupied his mind that he couldn’t concentrate on his exams. I’m still a fan on the way this show focuses more on the anxiety of Kotarou than the outcomes. The same approach can be said with Akane and her track competition. We follow her as she engages in the competition (the bit where Chinatsu chanting her name is great), not the result of whether or not she suprasses her track record. We also have a fairly mundane dinner scene of Akane’s family and I’m quite amused that we have a dinner scene as it is, where parents have a presence (unlike other anime where they disappear in the background) in her life. Tsuki ga Kirei still excels of its show-don’t-tell approach, even later when Kitarou unfortunately falls into the usual trap of saying out loud what he thinks, I still give it a pass since he’s anxious about whether or not he should text the girl, and we can’t fault the lovestruck Romeo for being too excited. Many tidy details that the show doesn’t outright state but it’s golden once we pick up those details: we can see Kotarou is fond of boxing, not only box around his light chord in excitement, but the poster of Mohamed Ali is up there in his room. Or in Akane case we pick up that the sisters live in a same room, whereas more oftern than not the kids in other anime will have their own rooms doesn’t matter the finalcial situation of the parents. Or how we aren’t sure what his Sunday practice might be, but looking at it (the group and him practising various instruments in a local shrine), we have a good idea about the details.

I actually misses the shorts that came out last week (boy do I wish it regular features), but we do have a brief callback to one of those shorts, this time in Kotarou’s awkward point of views. LINE is the biggest winner here (I use it in real life too), being the communication platform for our two leads where they’re too shy and cautious to talk to each other in real life. The romance so far is understated but again so true to life and Akane returns his encouragement last week with another heartwarming response “You’re perfectly fine the way you are”. The two other casts don’t have much attention this time, Chinatsu being busy with her track competition but I love how effortless whenever she’s around Kotarou. Takumi, on the other hand, has a slight chance to confess his love for Akane, but decides to back down. I don’t really think Akane has a romantic feeling for him (more of respectation) but I would like to see him making a move to Akane. I also adore the way Kotarou really wanted to ask Akane how she been doing, but won’t be able to. The way his thoughts and his focus are entirely to the phone rather than the practice is something I’m sure we all been through; and for once dead phone actually gives a positive outcomes since Akane decides to go to the shrine to see him. As they’re sitting there and looking at the moon. She remarks the moon is beautiful, Kotarou takes this as a clue to ask her out (remember I said last week that “The moon is beautiful” is a poetic way to say “I love you” in Japan). Part of me want Akane to reject it, as first love is only pure and shine the brightest when we never reach it in full, unlike the moon itself.

Posted on 14 April 2017 with categories: Currently Watching:, Tsuki ga Kirei

Tsuki ga Kirei, or “as the moon, so beautiful.” as English title (a famous Japanese way to say “I Love You”), is your very definition of a slice-of-life romance show. Tsuki ga Kirei pays exclusive attention to the atmosphere, the small moments and characters’ reactions, while main plot and dramatic tension taken a back seat. It’s adorable, yes, not in the way cute girls doing cute things behave, but in its realistic approach to that innocent, awkward stage of our life – when, you know, it still matters a whole lot when you receive a text from the person you like, or getting nervous before the match in a sports festival. This week, the show spends an entire episode detailing a day of our characters participating in a said sports festival. We get to know more about the supporting casts and we also follow Kotaro in his house before and after the festival, and we have more cute moments for our duo Kotaro and Akane. This is a solid Tsuki ga Kirei episode so far.

As typically a bookish type person, Kotaro also loves to write. He’s a bit shy and defensive though, never let anyone to read his works, or in his everyday life, doesn’t let his mom to come for the festival. It would be embarrassed to fail, after all. This whole sports event where both our duo would get really clumsy and embarrassing, one fell hard while running, the other dropped the baton that lead to the loss of the team. But the show does a great job to not overplay those embarrassing moments and present them like normal situations. Because they are. Other shows tend to make a big deal out of character’s issues, to the point those moments can really affect the mood of the festival. Not here. The main emphasis, after all, is entirely fixated on characters’ passing feeling than any conflict, like how the show concentrates on Akane’s insecureness towards losing her potato plushy (is that really a POTATO?), instead of how she’s messing up because of that. I also like how sometimes the show would focus on Kotaro looking at body parts (either by accident or by his friends’ suggestion) of the girls without any sexual tension, in an awkward innocent not pervertly way.

This episode introduces us to the other two members of the cast, Chinatsu and Takumi. Although I enjoy the easy-going antics of Chinatsu and her moment with Korato in a medical room, especially her lousy treatment to Kotaro really speaks to that carefree side of her, the guy Takumi just tries so hard to impress Akane. From the look of it, those two are set up to be romantic rivalries to our main couple and if that’s the case then I ain’t particularly fond with it. I like to see them as real people, not the obstacles the leads have to pass to be with each other so I hope the show understands that. Tone down the romance, play up the slice-of-life aspect. I also enjoy Roman and his straightforward crush for sensei, kudos the show for make it subtly by showing it rather than screaming it aloud for the world to hear like other shows. Speaking of Roman’s crush, the shorts about various romance after the credit were a nice touch, both fleshing out a bit of our side characters, and taking more edgy side to this so far bright, pure-white world. But it’s real as well, at this stage of their life many starts to behave more grown-up, while others still act like a kid, this show really understands that.

And in the end, it’s so warm seeing the two helping each other out, texting to each other and Korato grows up a bit in the process (he’s still embarrassed to show his writing to others, but decided to show it because he’s passionate about writing). This show is adorable, but the “adorable” part is what I’m worrying about. So far, its adorableness comes from the show’s realistic portrayal of first love, and the sweet, light moments of preteen life. If they play up the cuteness, the show will become nothing more than another “cute characters show” and it will lose its sparks immediately. Two episodes in, Tsuki ga Kirei proves to be one of the most true-to-life representation of what 14-years-old kid life is about. This show is standing strong.

CHANGE USERNAME
KT
Thus Little Witch Academia comes to an end. I will miss it. Despite the mistake IMHO of the Croix Arc, this was a good series, and the last episode went back to the very elements that made me love it at the start. It was a happy series, and gave me a warm fuzzy feeling in some hard times. I thank it for it. It could had been exceptional, but I guess they wanted to try something more.Ah well.
AidanAK47
Really glad they used that Scarborough fair song one last time before the finale. I really love that song.
Anonymous1215349
SukaSuka's finale was beautiful, a great way to end a great anime.
Kaiser-Eoghan
@Aidan: I guess the big question I have is, do the character interactions coupled with what assume will be some kind of tragedy element work together well enough to make the viewer care and invest in the characters?
AidanAK47
So that's the end of SukaSuka. Better than I thought it would be. Honestly didn't give it enough of a chance in my preview. As far as light novel adaptions go it's above average. Though it does still suffer from it's cliches. Nothing outstanding but a worthwhile watch nontheless.
Anonymous1214845
Have you seen Shonen Jump is making an international manga contest? https://medibang.com/jumpplus/entry/
SuperMario
@Lenlo: you know it when you see it. At first I didn't believe they jumped the shark, but based on the events after that twist, yep it has settled for something much cheaper imo.
Lenlo
For Bahamut, im still enjoying it and we have another cour to go. I think it, and the first Bahamut, are good shows. For Kado, im only on ep 4 so im very curious what shark gets jumped
Kaiser-Eoghan
I think given the pace I'll watch 1-2 or 2-3 episodes of re creators instead of once a week.
Kaiser-Eoghan
In the end Bahamut suffered the same fate as the first one, I could never call it a bad show, I just never ended up feeling it.
Kaiser-Eoghan
I've given my thoughts on tsuki ga kirei before on here but I'll add by saying that I never expected it and uchouten 2 (despite the weak wrap up I liked the lead up) to be my favourite of the season.
Kaiser-Eoghan
About five years ago or so could have seen myself really having been in the mood for LWA.
Kaiser-Eoghan
I wasn't as impressed with Uchoutens finale as Mario was,I found myself more annoyed by how clumsily done it all was.
Kaiser-Eoghan
For me kado jumped the shark with its latest direction and Aidans review along with flicking through this weeks episode kind of confirms I'm done with the show. A show I was initially unsure of but thought might become something.
AidanAK47
@Anon, Yeah....at least LWA's finale was pretty good and I think there's a possibility of a second season. With the Criox/Chariot plot line out of the way I say they could really bank on it's potential. Even if they don't, this series was still quite enjoyable.
Anonymous1211365
Man I couldn't agree more with Aidan about LWA and Kado. I still like and enjoy Kado but damn it could have been so much more.
Kaiser-Eoghan
Ntr trap appears to be a non-seinen/shounen yuri manga given its publication magazine.
Vonter
Not all people work as fast, but that's what companies expect nowadays. Which is why CGI is preferred over practical effects. Or even why anime has used more 3D that painted backgrounds, cars or other props that take time and work to be drawn.
Vonter
No. I get deadlines are tough. Companies and customers want everything made as fast as humanly possible, yet reality is that making things good takes time and money. I wouldn't be surprised that's why Berserk comes out every 6 months, the art is too detailed and the story is slow paced. Yet the anime was planned to be made in a year or two so it's evident either way, crunch is expected.
Lenlo
I think you misunderstood what he meant when he said the industry was a mess. Mangaka routinely work themselves into a hospital because of the demanding schedule
Vonter
Then there's the franchise appeal. Which inherently gains something because of persistence, awareness and name. It is hard when great visual effort is mainly put in things that are guaranteed to be a hit, because original stuff tend to make mistakes to find their own identity. Which in itself makes them very risky affairs.
Vonter
It's also a heavy flaw of the internet, having mainly binary opinions of good or bad. Which makes it hard to tell if you'll like something in the 7s like Nier or Alien 3 (might not be a 7 but opinions make it sound like it is). Divisive products that may or not may suit one's tastes.
Vonter
Personally I think the issue has become what suits your tastes, what are you willing to give a chance and what hits beyond the medium it is presented.
Vonter
@AidanAK47 "Manga in general is great but Jesus Christ the industry is a mess". - I mean, movies, games, and other entertainment have the same issue, since everyone has a big slice of the pie, yet there are like a million things competing for one's attention.
SuperMario
On that note, apart from the 3 shows I'n currently covering (Eccentric Family, Tsuki ga Kirei and ID-0), I will give a full review on Grimoire of Zero, a show that I feel rather difficult to pinpoint exactly on its quality.
SuperMario
Can't believe we approaching the final week of this current season. Gonna be a busy week of blogging with the usual weekly posts plus the final impressions.
SuperMario
@Anon1206174: I agree with you on both counts. And Sakura Quest has never been bad, but it could have been deeper and less messy. If you plan to watch ID-0 (I suggest you do), don't get your expectation too high because it works much better when you expect nothing of it. Like each episode I was genuinely surprised how good ID-0 actually is.
Kaiser-Eoghan
I remember one of Aidan's visual novel posts where he said theres potentially hundreds of VNs un-translated and LNs too, makes me wonder just how much un-translated manga we are missing out on.
Anonymous1206174
The ID-o posts sound pretty interesting, I am really thinking of dropping Sakura and watching this instead. Really loved the beginnign of Sakura and that abandoned town atmosphere it had, but I am not feeling it anymore. The recent episode about Shiori was great again though..
Kaiser-Eoghan
*looking
Then again he's an extremely forgetable person.
Kaiser-Eoghan
Oh Godammit, looing back over my comments I meant to say Souta not Setsuna, I suck at remembering non-English names.
Anonymous1205999
Meh - I really like this season but I already have my first cases of 'good-show-disappointing-ending/second half'
Anonymous1206022
KT Here:RE:Creators , we need to know more about the rules for Altair to see if that works. It might, and it might not. With what they know they have a good plan. But I was thinking why not just do a Super Smash Bros type game with the characters? I am sure that would generate enough stuff in order to lock her.
SuperMario
On Re:Creators, I find a better solution instead of going all cross-media like the show suggests. Someone could just make some fan-fiction on Altair that purposely show her weakness (like get busted when expose to the sun, or the magic word that render her skills useless). Less efforts, more effective
SuperMario
Man, I agree wholeheartedly with what KT said here: mass media actually sells, so it keeps the industry to a more stable position; then the art-house/more adult oriented anime can have some freedom to do what they like.
Kaiser-Eoghan
I think its more that I have to read it all at the same time as expecting action to come , it might change my mind if I watched it in English.
Anonymous1205580
KT here: I accept the mass media because it raises the funds for the less mainstream stuff I like. That is how I make my peace.

On RE:Creators. I get what you guys say. But for some reason I do not find the exposition heavy in this series. Every person has his own limit I guess
Alonaria
@Kaiser: Yep, that sounds about right, lol. I take my Sheldon in concentrated doses. I might give the Young Sheldon spin off an episode or two because it's highly exaggerated but still somewhat relatable to me.
Kaiser-Eoghan
I feel big bang theory is a show for people who know nothing about nerds/nerd culture to find funny.
Kaiser-Eoghan
And then theres this thing about Sheldon being some kind of autism spectrum thing , which is kind of annoying to hear when I am on the spectrum myself and never really found the character all that amusing.
Kaiser-Eoghan
Probably not the strongest reason to go off a show but, it was people around me going on and on about big bang theory that eventually put me off it.
Kaiser-Eoghan
lol is it any surprise Miura and the hunter x hunter guy take so many breaks =P
Alonaria
*Sheldon
Alonaria
I pick and choose Big Bang episodes that I enjoy. Shelden in the ball pit never ceases to amuse me. Still, it's definitely overrated haha.
Lenlo
IT Crowd > Modern Big Bang. Early Big Bang was good.

And yes, the work conditions in the Manga Industry are terrible. Oda, One Piece Mangaka, works stupid hours. He requests his assistances be "Willing to die for One Piece" because of the amount of work.
Kaiser-Eoghan
And hell yeah"! someone else thats hates on big bang theory.
IT crowd > big bang.
Kaiser-Eoghan
*more safer
Kaiser-Eoghan
And yet now here I am at same time, I think it might be kind of a shame that I can't see the value and fun anymore in some less safer offerings.
Kaiser-Eoghan
I thinking I might go insane if I looked up comments defending the visuals in occultic; nine.
Kaiser-Eoghan
Hate to say it but sometimes opinions, mainstream ones are actually wrong. Its a fact that superhero films have bad action scenes and cinematography and Hardboiled, a chinese action film is better filmed in terms of choreography.
Kaiser-Eoghan
As dickish as this is to say, I really do recoil when ssomeone says something like the Notebook or fifty shades is the best film of all time/their favourite.
Kaiser-Eoghan
See theres also factoring in the people whos favourite film or anime of all is the most recent they finished.
Kaiser-Eoghan
I remember mentioning recently that I was re-watching the twilight zone, the response I got was "I thought that you were talking about twilight"
Kaiser-Eoghan
See thats whats so great about being able to talk about more niche stuff online, theres an easier to find common ground.
AidanAK47
In general when it comes to mass popular opinion it's the tried and true safe stuff that ends up selling. The highest selling Mario games are the New Super Mario ones. The same generic Light novel and harems keep selling. There are plenty of examples but majority opinion tends to gravitate to the safe and familiar.
Kaiser-Eoghan
See, most (offline) people (and or teenagers)who aren't really all that interested in film or don't look into it that much will turn out for things like fifty shades, transformers or twilight, thats why those are popular. Most people aren't going to watch something made more than a few years ago or subtitled.
Kaiser-Eoghan
Oh...lol fuck thats a blunder...yes I meant Re:creators.
Kaiser-Eoghan
But by all means, people are fully entitled to like what they like. But there is a reason why so much rubbish gets popular.
AidanAK47
@Kaiser, Re:Creators.
Kaiser-Eoghan
As someone who would actually consider themselves creative and interested in things being imaginative I really do hate the whole anti-creativity /anti-art, anti-intelligence movement and way of thinking that allows un-deservedly popular things like what Aidan mentioned to fester.
Kaiser-Eoghan
Yes Re:zero's poor pacing and leaden dialogue is becoming too dominant and there should be more action, its good Setsuna opened up, but I still don't particularly like him.
Kaiser-Eoghan
I imagine the magazines/editors probably consider themselves the writers sometimes.
Kaiser-Eoghan
Pretty sure I only read nisekoi because I was keeping up with conversations about it, then dropped it before the Chitoge doublie showed up, just stopped reading.
AidanAK47
On the matter of Re:Creators, I feel the same as the Anon said. I find the exposition to just drone on far too much.
AidanAK47
On the matter of the manga industry being shit...it is. Manga in general is great but Jesus Christ the industry is a mess. Work conditions are utterly abhorrent and it's even worse that most series live or die based on a magazine popularity poll.
Because just because something is popular, does not mean it is quality. Example: Transformers, Twilight, Fifty shades, Sword Art Online, Big Bang theory
AidanAK47
@Anon, Still not getting your logic here. I mean if I have a problem with it after trying it then why am I not allowed to complain about it? Anyway it is only popular for the pandering. Even those who like Nisekoi admit that it's a mediocre harem and they mainly enjoy the waifu wars on the internet.
SuperMario
and now we will resort to illegal streaming sites for this one. "Piracy is almost always a service problem and not a pricing problem", this f*cking true
SuperMario
Huh? Welcome to the Ballroom Anime Gets Amazon Prime-Only Streaming Inside and Outside Japan. Now that just unbearable
SuperMario
Don't know about this new Re:Creators episode since I haven't watched it, but I don't really mind Meteora. Her dialogues scream "exposition" but she still fits well to the story. The fights are good, I agree, but why didn't they go all the way with the world's collapse last episode?
Anonymous1202407
Whether Nisekoi is pandering or not, it is not enough proof for you to suggest that manga industry is shit. If u want good mainstream then its not that hard to find. Also for every success like Nisekoi which u claim to be pandering, there are dozen like it that failed to be popular. Why? Because it clearly is popular for a reason other than just simple pandering.
SuperMario
Ha, Ping Pong. I need that kind of show again in my life.
Lenlo
Also, Ping Pong is amazing.
Lenlo
Theres a difference between pandering to a large audience, and an anime/manga with a quality story that everyone ends up liking. Ive always found moe shows and things like Nisekoi to be the former.
Anonymous1202407
If you have a problem with it after trying it just dont read it. Its that simple. Also what a surprise that a show like nisekoi that appeals to a large demographic is popular. U want the mangaka to apologize it's not some art house story like Ping Pong?
Lenlo
Meteora is pretty hit or miss with her dialogue imo. Sometimes its great, othertimes its not. I can say though I enjoy most of the fights.
Anonymous1202113
I really want to like Re:Creators. To be honest though, I'm getting tired of the dialogue. It has its high points, but it sometimes just seems to drone on and on, especially with all of Meteora's "hypotheses."
KT
Both Bahamut and RE:Creators had great episodes. But I was indeed mentally screaming Super Smash Bros at RE:Creators. You will get the point when you watch the episode.
AidanAK47
Taken on it's own, Nisekoi is harmless. But it is undeniably proof that you need not be creative or innovative to succeed in the industry. In fact declaring creative bankruptcy could turn more fruitful than genuine effort.
AidanAK47
And I said how can you decide you don't like something if you haven't read it?
Of course you are likely mean that if you don't like something then give up on reading it further which of course does not mean that someone cannot complain about it regardless.
Anonymous1198985
No, Im said if you dont like nisekoi dont read it
AidanAK47
@Anon, How do you know you don't like it if you don't read it?
Anonymous1196967
Don't like it don't read it.
AidanAK47
I went and read Double Arts. This really was a great manga with tons of potentail and truly didn't deserve the axe. It's so depressing that this was cut off so soon and the author went on to make the most generic Harem ever Nisekoi, and that got over 200 chapters.
Lenlo
All of the important dance scenes for Yuri were fantastic, its just some minor one off characters and some reused ones that were an issue, so no they are better than the CGI
Anonymous1190387
Is it worse than those CGI dance scenes in some anime?
AidanAK47
@Puran, It is pretty surprising how well that story turns out. I say IG might do the job even if there animation isn't the most consistent. The one thing I am worried about is those necks though. In the PV those things were ridiculously long.
Puran
Fair enough, recycling the animation was bad, agreed. But the animation itself was really good.
Lenlo
See, I found the repeated dances in Yuri one of the worse parts. Alot of it was recycled animation and certain characters were obviously rushed/not done. Some were amazing, cause they took their time, but others looked terrible.
Puran
I kinda wish Mappa was doing the anime though. Yuri on Ice had really nicely animated dances (and was more or less the only actually good quality of that show :P )
Puran
Reading the Ballroom e Youkoso manga has made me really excited about the Anime.
Kaiser_Eoghan
@Aidan: I'm particularly turned off by bully/bullying cliches these days. I've only read the first two volumes to see how awful she was but I ended up simply losing track of the series and stopped reading.
Kaiser_Eoghan
@Mario: Actually that has changed, I had to pick a different day to see it given changes in schedule, I've booked it for NEXT Wednesday now. I've watched Akira about four times.
AidanAK47
Oh, Rising of the Shield Hero is getting an anime adaption. Hmmm...honestly after finishing the series and looking over it as a whole I am not sure I even want that. Plus seeing Bitch Animated...would fill me with rage.
SuperMario
I intend to re-watch Akira soon, probably this weekend. It has been almost 10 years since my first watch and now I don't remember much about that one. Thought it was intriguing and complex but not as acclaimed as people hyped it to be (I'll pick Ghost in the Shell anytime). Wonder how I'd feel now after re-watching it.
SuperMario
@Kaiser: I remember you mentioned that you were going to watch In this Corner of the World today right? How was the movie Kaiser?
Lenlo
Oh cool, food wars is getting a 3rd season
Kaiser-Eoghan
Ballroom youkoso appears to be leading the polls.
Kaiser-Eoghan
@Mario: Fumiko is a female mangaka yes. Also I found bokura no hentai worth reading.
SuperMario
yep, I finished that manga too and I have conflicted feeling about it. Yuri(!) part and fanservice are to blatant but they have a purpose. This mangaka (not sure but I think she's a girl) has some unique voice.
AidanAK47
....well I skimmed that manga. And it was weird
SuperMario
By all appearances,Sakura is normal,albeit sheltered junior high school girl who enjoy talking about love and walking home from school together.However,they also happen to inhabit a strange and supernatural world populated by mysterious,gigantic beings and unusual plant and animal life.Amid their peaceful lives,Sakura becomes very interested in something only alluded to exist in old books: dicks
SuperMario
Here's a synopsis of other manga from the same author, I think you'll have a better idea of his theme -
Sakura no Sono
AidanAK47
Pretty much what Masky said. I am not really praising it. Anyway I plan to read one or two more chapters to see where it's going. But if it's going in the direction I think it's going then I am dropping this one fast.
Kaiser_Eoghan
There is of course the underlying concern that it will go a very ugly route with that development or it could become edgy/horribly minipulative, but for now it is as mario said, a hook.
SuperMario
Well. overall I don't dislike what I read there. It has good hook and I'm intrigued to know more what the hell will happen. Good set-up for me. I'm in
SuperMario
@Masky: it's fine Masky, since I will chec itk out any way and see it for myself ^^
Masky
So since you guys started being interested, I checked it out and uh.. Yeah, not reading. I think ye guys misunderstood Aidans warnings since that was just fucked up and not in the interesting way.
Lenlo
@Aidan: Berserk will never again go more than 3-4 months without a hiatus.
SuperMario
Hmmm, that manga Cutie Mutie sounds good to me. I might check it out later today
Kaiser-Eoghan
@Aidan: But had you not alluded to that scene, I may have seen the cover of that manga and skipped over it.
Kaiser-Eoghan
@Aidan: I had a feeling, sort of, sad, I am intrigued to read more.
AidanAK47
Hyping and warning are not the same thing.
Kaiser-Eoghan
Well with Aidan hyping up the horrors of cutie mutie I may as well glance at it to see what he' on about.
Kaiser-Eoghan
There are three manga with the name rec.
Kaiser-Eoghan
I am familiar with the artist for cutie mutie, she did that manga about the three kids dealing with gender/orientation issues.
AidanAK47
Oh look Berserk is on Haitus again....
.....the sad thing is that it comes as expected now.
AidanAK47
For reference the two I read were Cutie Mutie and Rec. Be warned, the first one goes to a rather uncomfortable level.
AidanAK47
@Masky, Read two manga. One started lighthearted and then went to really dark territory. The other one looks like it's about a really dark subject but turned out to be something more lighthearted.
AidanAK47
@Mario, Alright. Tested it now so it such be fixed. Try again.
Masky
@Aidan: Huh? What you read that turned dark/didn't turn dark? .-.
SuperMario
"too many answers selected for question 1! only 3 answers allowed!"
SuperMario
@Aidan: I still have the same issues. Weird
AidanAK47
@Mario, Wasn't my intent. Try it now and you should be able to pick as many as you want.
SuperMario
@Aidan: I'm not allowed to vote more than 3 votes. Is it your intention Aidan?
AidanAK47
Well that was weird. I read something that looked innocent but turned out to be really dark. Then something that looked really dark only to become innocent.
Masky
Yeah, nothing that interests me I see :D Like my strongest reaction to season preview was "Someone made isekai with smartphone? Really? REALLY? Thats best idea you had"
Masky
Ah Knighs and Magic, found that manga. It was boring enough for me to forget its name. Also besides being boring, I kinda find MC unlikeable since their only personality is that they like mechas and were a programmer before renicarnating as short bishie kid
Masky
Woo, time to vote stuff
SuperMario
@Kaiser: that movie In this Corner just getting more and more acclaimed huh? Thou I think it'a a type of movie that if you have high expectation for it you will likely be disappointed. It works best as a sleeper hit
SuperMario
As for cute monster girls, most of the time I don't find them cute at all. I know I'm being racist, but...
SuperMario
@Lenlo: I'm guilty with that cute girls genre, as i enjoyed K-On tremedously for example. Or If I have more time I'd follow Hinako Note this season ^^
Kaiser-Eoghan
They don't always adapt all that well or work as well outside of manga format, especially 4-komas.
Kaiser-Eoghan
*three
Kaiser-Eoghan
The only two of any interest were hidamari sketch, azumanga daioh and yuru yuri and that was largely down to being in the mood for them a few years ago.
Lenlo
@Mario: Personally, I have 0 interest in this Monster girls doing cute things subgenre, just like I have very little interest in the cute girls doing cute things major genre.
Kaiser-Eoghan
@Mario: As it turns out I DID read in this corner of the world. I'll also be seeing it next thursday.
SuperMario
@Kaiser: at this moment I'm very skeptical with the whole Monster girls doing cute girl subgenre, so I'm approachig Centaur with a caution. Of course, it all depends on how I feel after the first episode
SuperMario
@Kaiser: Happy End isn't as bleak aa his other works. But it's certainly Hanake's films, as it explores many of his favorite themes: the voyeurist of camera in his Benny's video, the detachment to the world and the underlying violence. Not his best thou but it's still very good
Kaiser-Eoghan
I think I'd be up for watching jigoku shojo, its been a long time since I watched the original two seasons and this one won't be as long, so it won't get as repetitive.
Kaiser-Eoghan
I voted centaur no nanami on the poll, think Mario could cover it.
Kaiser-Eoghan
@Mario: How did did you get on with Happy end? I heard its like a mix of his best works. Is it as dark and depressing?
Kaiser-Eoghan
I have vague memories of in the corner of the worlds manga, unless I'm mixing it up with something else.
SuperMario
Some news, Lu Over the Wall won the best prize at this year's Annecy (the 1st anime won the award since 1995's Pom Poko), with In the Corner of the World took the Jury Prize. Quite a good showing for anime this year.
AidanAK47
@Anon, Hello.
SuperMario
Really, still no vote for Kakegurui?? I thought it would take the top poll for sure
SuperMario
That 18if, even the poster doesn't make much sense, but it looks dazzling ^^
Lenlo
go-go licensed products!
SuperMario
@Lenlo: and Madhouse is the studio behind that Marvel rip-off. Are they really going that low for profits?
Total users: 30

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