Posted on 5 July 2017 with categories: Anime Reviews, Tsuki ga Kirei

It’s hard for me not to go overboard on Tsuki ga Kirei: out of all the show I’ve followed this season, I resonated the most to this one; but even when I’m judging this show objectively, Tsuki ga Kirei is one of the most perfect one, in a way that it achieved exactly what it set out to do, and achieve it flawlessly most of the time. The story that they tell – detailing the first love relationship of our young Kotarou and Akane – is decidedly simple, mundane but honest that it feels more like a love story taken from young best mates. It has that “sincere” quality, something that the anime medium often cranks it up to the max with “moe” and exaggeration everywhere. Not here. Tsuki ga Kirei has great flair of visual storytelling (something that benefited from being an original show, they don’t tie up to your usual LN and manga visual cliché), using show-don’t-tell approach that often focus on small moments and little gestures than big emotional melodramatic scenes. The characters never play off their roles, they’re the most natural group of kids that feel exactly kids their age: naïve, inexperience and pure. This show ends up at top of its genre as I consider it the most effective romance anime out there. In short, I freaking love almost everything about this show.

What Tsuki ga Kirei will be remembered the most for lie in real depiction of first love relationship. The more you watch romance anime, the more you surprise at how simple, yet distinctive achingly honest this show aim for. Ordinary romance anime would spend its entire time on how boy gets girl, throw in some other love interests that make them realize how much they mean for each other, and if we’re lucky we might actually see they confess to each other in the end. Tsuki ga Kirei is an entirely different beast, we got the confession right at the end of episode 3, and from there we follow every stage of that relationship and see their love progressing. Moments like Kotarou had to search the internet on what people do when they’re dating, finding a way to spend time alone together, or thinking how to continue their love after graduation – all feels so real and progresses so naturally that I suspect anyone who have been in relationship will find a thing or two from this show that speak directly to their experience.

Moreover, they understand that in order to make this relationship work, we have to relate to Akane and Kotarou and they did a damn fine job at that. Both have their own lives and their own troubles to deal with, so we can see them as characters who have distinctive personality, with well-defined goals and struggles. In one of the episode, they both reach a new low in their personal dreams, as Akane underperformed her track competition and Kotarou got a call from a real publisher just to receive an advice that he had no talent in serious writing. Then in small moments when those characters act without much thinking, it’s a treat to see how their personality plays out: I love how every time Kotarou get excited he will punch the light’s chord in his room, or Akane whenever she gets nervous she will press that pushie hard. Their circle of friends also adds to the naturalism of the story and although they aren’t developed much, they clearly belong to this universe.

The visual storytelling is another great strength of the show. As both Kotarou and Akane are introverts and tend to keep their feelings inside without saying out loud, it’s showing their subtle gestures, their glances that we get to know a lot about them. As a result, this show is decidedly quiet, there’s not much monologue going on but that is the reason why this show feels just like in real life. The designs are simple, again emphasizing on subtle over excessive details. Great shot compositions everywhere. This is one of the rare show where I can argue that the visual components play as an important part of the show and they achieved it almost exactly what they’re aiming for.

Another factor that feel like a character itself that I feel the need to acknowledge, it’s LINE. Just like kids their age, Kotarou and Akane’s main communication is through LINE and we witness a huge chunk of amount that they exchanged through LINE, as they are, no shortcut. It’s just like how real kiads would do and to achieve this effortlessly is no small feat at all, so congrats to Tsuki ga Kirei for its respectful use of social chatting. The shorts in the end also a part of this show’s identity, as they depict the love relationships from Kotarou and Akane’s friends with more bawdy and comedic tones, which in turn made that world so inviting to watch.

Although the show succeeds most of the time in term of production values, I can still see some production troubles from the show and the delay in airing in later half further reflected that. Tsuki ga Kirei does suffer from that as in one of the episode the production values just fall apart. But I’m genuinely surprised that after that disaster episode they managed to keep up a consistent quality and the more I know about their trouble backstage, the more I’m in awe about their efforts. It’s obviously a product of many sleepless nights from the production team so I thank studio Feel for their outstanding performance.

And all of what I was written above was just how I access the show objectively and that kinda demerit one of Tsuki ga Kirei’s most appealing factor: it’s right down charming that touch the hearts of viewers with its bright and delightful portrayal of pure love – I don’t deny I fall under its spell, actively care for the couple and goddamnit I just want them to be happy together. Tsuki ga Kirei is breathtakingly intimate in narrative scope and I know I will remember the show and its characters very fondly. Arigatou.

Posted on 1 July 2017 with categories: Currently Watching:, Tsuki ga Kirei

There sure is a lot of crying going on in this finale (mine included, MANY TIMES), and that was one significant factor Tsuki ga Kirei pulled off in their last episode – they go for big emotions here – for better or for worse. The “worse” part, this emotional outburst goes completely against the show’s quiet tones presented in earlier episodes, and those scenes unfortunately bring Tsuki ga Kirei into an ordinary romance anime territory with all their usual cliché – “boy gets girl, boy loses girl” stuff. The “better” part then, after following their relationship for 12 episodes, Kotarou and Akane more than earned the emotional impact they presented here. The stakes are much higher now, as they have issues both from external threats and internal fallouts. Having Kotarou screaming “I Love You” to a running train, or Akane crying whenever she has a chance feel rightfully resonate with us viewers. Just like hidden waves just keep bubbling up under the surface to transform into massive tsunami, this is a stage where those two need to be actively acknowledge how much they are meant to each other. So in the end, not the best ending I could have hope for, but still an emotionally satisfying one.

I love how Tsuki ga Kirei wasted no time telling us the main conflict, as Kotarou receives a “rejected letter” seconds into the episode. Thus, the two will have to do with long-distance relationship, but will they survive? Akane is insecure about their status: her sister feels it’s better for both of them if they break up, her best friend Chinatsu tells her AGAIN that she confessed to her man, and Kotarou doesn’t address that issue, or any issues at all, instead taking the load all by himself. Now about Chinatsu, I know many of you would absolutely hate her by now, what’s up with all the confession again and again that she knows would hurt Akane and break their friendship? I just say it’s how extrovert works, they have to let it all out and no hard feeling after all said and done. They move on. Akane understands that trait of her friend so she can take it well.

But she won’t take it as well when it comes to Kotarou, because he doesn’t tell her any of that. Indeed, he doesn’t tell her lots of things, one of them is his ongoing online novel – about their relationship (poor Akane just aware of its existence by Chinatsu, again – just to show you how attentive Chinatsu is with the world around her). His novel, I take it as the literary version of this series, takes a lot of viewers’ hearts for its true and honest depiction of first love. But the true question remains, raised by a random user named Akane “What happens next?”. That’s for you to know and for me to find out, kids – It’s an ongoing question that both Kotarou and Akane need to search for themselves, and in that extend all the lovers out there. I think this question hits home hard, so that I remain a bit baffled by the ending credits. Cute and heart-warming, yes, but we don’t really need to know the outcomes. We’re here to witness their first love in a very first stage, and whether they gonna be together for the rest of their lives or not isn’t our main concern. In fact, I believe this story is stronger if the two can’t make it till the end (yes, I’m cynical). This end credits make me again want to pair up Tsuki ga Kirei with Flowers of Evil as a companion double-edge piece: one depicts the light, the brightness of first love relationship, and the other details how such relationship can go horribly dark and twisted.

As a whole, Tsuki ga Kirei has been a wonderful ride. I won’t say much here as I will save my thoughts for the final review. Just let me say I really respect the efforts studio Feel put in for this little gem. I know they were having productions issues in the latter half of its run, judging by the constant delay in their broadcast. But knowing all that made me even more impressed with the final products, as save for one episode they were exceptional. Also, I’m very happy you made it till the end, Kotarou and Akane-chan. Bravos.

Posted on 25 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Tsuki ga Kirei again manages something I thought was difficult to achieve: it surpasses itself once more time. I was afraid that after the Kawagoe festival, there isn’t much left drama for the lovebirds now that Takumi and Chinatsu are all out of the picture; turn out that not only this episode enhances their relationship through their cute Christmas date, they showcase attentively Kotarou’s efforts for the exam and address beautifully on how much parents can sacrifice to support their child, even most of the time those kids don’t care about it. There’s only one episode left but at this point I can safely say that Tsuki ga Kirei has been a consistent ride, and I come to genuinely care about Kotarou and Akane more than I need to. Tsuki ga Kirei scratches the itch I don’t know I have.

This whole episode details Katarou’s utmost efforts to study for the upcoming exam. His grades are low, thanks mostly to his writing and the Hayashi practice, so he must study hard, night after night, to get a good enough standard score to apply for Koumei school. The results are not that rewarding though, for getting better grades is a long process, not a quick shortcut. He also feels that he needs to try harder to prove his parents that he made up his mind. I admit that I feel a bit irritated of the way Kotarou communicate with his parents about his school’s choice because I did the exact same things when I was his age. It hits a bit too close to home for comfort. Now that I’m more than double his age, I can clearly see how stupid and miscommunicated his actions just to show his little rebellion: hunger strike (when he clearly needs food to survive), avoid talking to the parents and didn’t inform them the school he picked. I totally understand his points of view, but that’s why I wanted him to be more open. Talk to them what you really want instead of this silent treatment, kid, your parents deserve better than this. At long last, upon knowing how his parents support him for his decision, he finally says something that he should’ve done to his mother long ago: Arigatou.

One of this episode’s best moments, however, come from Kotarou’s Mom as we witness how much she, like most of our parents, really, care for their own child. We have the impression before that she’s the type who want her son focusing on a good career path, and every step to that goal needed to be well-planed and perfect. Imagine her shock then that not only her son decided to pick school against her knowledge, it’s 2 hours away because of some girl he likes attending to that school. Must be a blow for her but one thing I really appreciate about her, it’s that she’s not a control freak. She gives Kotarou a necessary space for his own, and upon seeing how hard Kotarou is currently trying; she asks his homeroom teacher to give him a chance. The whole sequence when she talks to the homeroom teacher gives me a great impact from its show-don’t-tell approach, as we are only allowed to witness them exchanging gestures through the window. Subtle has always been a definitive style of Tsuki ga Kirei, but here it adds extra context: her action is supposed to be restraint, quiet, out of spotlight; just like how she makes him rice balls in the middle of the night for him to study, just like how she’s despite against the idea, still supports him because it is what he wanted; just like all the things that parents do for their kids and they just take them for granted.

And Kotarou and Akane’s love still progresses solidly. As they don’t have much time for each other during this study period, they LINE-ing each other and go out during Christmas. Akane makes him a handmade scarf and I swear her messy scarf is worth ten thousand times better than she was to buy one. Her sister makes a really good point of the burden the two gonna face if that love dies down (and from previous experience, I’m talking about her accurate thoughts on Chinatsu, I say you should listen to your sister, Akane, and listen well). Their time spending together, doing various activities alone just like a normal date would be, feel so warm and intimate. Whatever future (and the final episode) comes, I come to feel certain that the kids going to be happy together for a long time. This Tsuki ga Kirei’s ride has been a real treat, I swear. I will be sad to see it finally concludes.

Posted on 19 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Kotarou and Akane have reached a stage where they need to think hard about the long term of their relationship. Akane is about to move town, so how they going to keep up their relationship? Usually for a teenager’s romance it means the end. Full stop. LINE and texting can keep them for a while but with two separate lives it’s hard to consider each other important anymore. Tsuki ga Kirei again succeeds at displaying their relationship at a deeper stage, where negative feeling starts to bust in the way and whether or not they really are serious about their dating. This episode had me at the edge of my chair till the end, just to show how adept Tsuki ga Kirei is at their pacing and natural progression. Really, I have no complain about this show. They’re as mundane, true to life and as intimate as ever.

Finally, the Kawagoe festival – where Kotarou is about to do the Hayashi dance – has arrived. As expected from this show, the festival itself breathes life with various festival activities. Akane, in particular, has a chance to hang out with her club friends for what possibly their last time, watching Kotarou do the Hayashi moves from afar, and eating imokoi with her mouth full. In order words, enjoying her time. Takumi, on the other hand, has an ulterior motive, believing this festival is a good chance to confess his love for Akane. Through various silly unfortunate chain of events (they both lost on rock, paper, scissor huh?). Takumi did, and Akane flat out rejects him. I don’t know if it’s a good idea, since he knows full well who Akane dating. Sure, Takumi just wants a chance to let it all out, even he understands completely that Akane will reject him. It feels like a victory for Akane, as she gives him a straightforward rejection. It feels like a defeat for Kotarou though, when you imagine that this kid comes all the way to see his girlfriend after a hard performance, just to see her alone (again) with another guy.

Kotarou’s frustrated, and true to his first love inexperience and his introvert nature, he holds his feeling all in and can’t let it out. I actually feel a bit taken back when it’s reveal Kotarou was watching those two talking. I mean, misunderstanding is the most stupid, well-worn trope in any romance and at first glance Tsuki ga Kirei seems to be falling into that trap. But it’s not really about misunderstanding in this context, Kotarou’s mad because she spent time alone with Takumi, which she did. This silent treatment doesn’t do any of them any good, Kotarou gets even more frustrated and it hurts Akane. Now, imagine it from her point of view, she just rejected Takumi because she knows she’s in love with Kotarou, she’s rushing in to meet him so they can have some time together and then THIS. She doesn’t deserve that. Seeing her crying in that festival, where she’s supposed to have fun, make my heart swell. That drift makes both of them suffered. They want to reach to each other but are unable to, so they’re retreating in their bed, embracing that pain. This dark moment fits right in any Makoto Shinkai’s moments (without all the sentimental of course) I tell you, but it’s a necessary step for the two to experience the low of their relationship.

Their main concern, however, remains the fact that Akane’s moving away soon. Trying to spend little time left together won’t solve the problem, thus Kotarou researches for the high school that Akane’s applying – Koumei private High School. I tip my hat for Tsuki ga Kirei how they handle the ending moment here, everything is perfect. Showing the reveal of Kotarou applying for her school through Akane’s point of view is a good touch, as she takes a more active role in this sequence (Although, I actually came to believe it’s that potato pushie that made up Kotarou’s mind. Long live the pushie). While Kotarou has been the one who’s more active in this love, this is the time where we can see how much Kotarou means to Akane and how his decision really makes her happy. She reaches out and kisses him for crying out loud. Kotarou’s willing to study in the same school with her, despite the fact it’s two hours away, might affect negatively to his writing and his parents aren’t even informed about that. But that’s the SACRIFCE he needs to make to be together, and he’s game for that. Well, that somehow resolves their conflicts (it actually doesn’t), so I hope that they can learn from their mistake and be open to each other more. The last couple episodes they have been closer and much more natural with each other, now it’s the time for them to become a permanent part in each other’s lives.

Posted on 10 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

A little bit of note that Tsuki ga Kirei was delayed a fair bit this week. Apparently, the Japan broadcast was still on schedule but Crunchyroll experienced a bit of extra time subbing it, which my guess is that the production cut a bit too close this time prior to airing, which also mean we might have a rushed, unpolished production just like last week. My worrying thought didn’t come out true, thankfully, because Tsuki ga Kirei again excels this week, producing one of their most solid episode. There are plenty of moments to love this week, ranged from their well-earned LINE messages (gosh, made me realized that we hardly see any real conversations through messaging device in other anime, even in films), their uncertainty about which school to choose, to Akane’s last competitive track to Takumi and Chinatsu’s mutual moments. Tsuki ga Kirei is simply at its top form this week.

The time for graduation is getting near and our kids have to pick their future high schools. Both Kotarou and Akane have little idea where they end up with, Kotarou largely due to whether or not he’d pursue his writing. The publisher few episodes back suggested him to try writing light novels, but he’s unfamiliar and even uncomfortable with light novel format, thus he asks his senpai about the medium and tries to read some. His parents both care about his future choice, but each of them have different idea on how to push him on the “right” track. His mother increasingly concerns about him getting in good school with good grade (typically Asian mom). His father, in his very timid fatherly way, suggests him to do whatever he likes to do (I love the way he even doesn’t look straight to his eyes when he discusses with Kotarou – Again, a very Asian style of communicating between Dad and son – you know, we don’t really fond of expressing our thoughts to each other). I could sense his wise advice coming from a guy who regret not following what he loved when he was his son’s age, and now he doesn’t want his son to follow his footstep.

Akane’s issue is more apparent, though. Her father might relocate again with his new position, it’s the biggest, most obvious obstacle they could’ve have in their age: won’t be able to meet each other due to long distance. Akane doesn’t like moving away from Kotarou and the environment she has grown accustomed with. But first, she has other things she needs to focus on: her last track competition. After last week when the two of them spend almost all the time together, this week they spend most of their time doing their own things (which is good) and keep in touch through LINE. Those LINE exchanges are adorable and I really appreciate the show for not only showing their reactions when receiving and texting, but the detail of their conversations as well. She has a big day coming up, but she doesn’t wish Kotarou to come because she would get embarrassed and distracted from it, as a result Kotarou still comes… in secret. It’s a charming action since the reason he comes isn’t about getting her attention, but because he just wanted to see her running. While she succeeds in her last race, beating her personal record and coming first in a race, we can’t help but feel sadness. The way she looks at the track one last time (she might not do running again in her high school), and her last bento with sincere clubmates who were together for 3 years- are powerful and intimate. Once again Tsuki ga Kirei shows us that the show isn’t strictly about romance, but about the coming of age tales from those kids.

Takumi and Chinatsu have some time to shine in this episode too. Takumi (now I just realized that he was the same age with Akane and Chinatsu, despite his more mature look) realizes that Akane might move to other city, so he works up the courage to ask the track girls to the coming festival. Chinatsu, once again despite her carefree appearance, is way more observant than the rest of the cast, noticing that Kotarou sneaked up to the competition to watch Akane, and Takumi’s deeper thoughts. They, in a very “Scum Wish” way, share the same sadness feeling of seeing the one they like be happy with other people; in other words, they share empathy. Takumi might try to express his feeling to Akane, since he “hasn’t even taken a shot yet”. Chinatsu also remark that they can’t change how they feel – but girl, remember that the feeling can indeed change as time goes by. As she grows older that melancholy feeling might become something that she’d be fond of when looking back.

Posted on 4 June 2017 with categories: Currently Watching:, Tsuki ga Kirei

Boy, the production has a nosedive in quality this week. It doesn’t hurt the show much though: the confident pacing and rock-solid chemistry between Akane and Kotarou are still there, but this episode shows how the time-rush and low-budget have finally caught up with the quality of Tsuki ga Kirei: many off-model characters, jerky animation where the characters move like in Flash, most notably (and painfully) in the sequence that featured Kotarou, his sensei and the old man in the hayashi music practice. I might be in the minority here but I would have much preferred even if the show takes more weeks off for polishing the final product. I don’t mind waiting, but I do mind the rushed, poor quality that could have benefited much better if they have more time and resources.

In term of this week’s content though, we have another winner episode in our hands. The young birds, after last week’s declaration of love, now have to deal with the pressure that the whole school know and talk about their relationship. The couple keeps it low-key of course, never talk to each other in class, but sharing bento together in the library and walk home together. When being confronted by her group of friends the things she likes about Kotarou, she can’t describe it clearly, she just does. Later down in the end of the episode, she can be able to express it much better. On Kotarou’s side, Roman and Daichi rightfully suggest him to wait for Akane in the form of “club activity”, something that our Kotarou never thought of. Friends’ supports are important as this stage of their relationship and I’m glad that their friends are fairly positive about them dating: to be able to share their feeling about the relationship, listen to others’ experience, and receive some neat advices from your friends.

But this episode is all about the two of them sharing some quality times together: both as a part of the other’s life, and as a date when there are just the two of them. It’s the way they express their love for each other in their own ways making this love so relatable. It’s cute to see Akane comes with Kotarou for his hayashi practice (thank God he didn’t mess up), oh and how Kotarou blushed just by saying her name out loud in the library, and her wearing some perfume before meeting him. When she realizes that she had missed his birthday, she determines to find him a birthday present. The present turns out to be another identical plushie that she has, but the way Akane manages to find her courage to give him a present making all the efforts worthwhile. And he band-aided her injured foot (you should’ve realized it sooner, Kotarou) is one of my favorite moment in this lovely episode.

The two of them have a wind-chimes festival together, where Akane wearing an adorable dress, shopping together, eating together, sharing a (real) kiss, and writing their romance wishes in a wind chimes. Hmm, it might look cute (and it is) that the two of them writing the exact same thing in wind chimes (a great touch of visual telling there), but when you two going together and write their wishes down together, what they want to say is rather obvious. But there’s no denying that their relationship is in a more intimate stage than ever before.

The shorts this week are in overall solid this week. I don’t pretty much like sensei and Roman’s segments, but the rest is hilarious and charming. My favorite two are Sakura segment (man, she’s becoming one of my favorite now) – detailing quite on point the insecure-ness of the a teenage girl: wanted attractions from the boys, yet still sensible enough to know that her fantasy is way off-mark. So cute – and Kotarou’s parents one – how the two of them seem to serious about NOT to read his writings, but of course they DO read them (parents, right?) and have very opposing opinions about his writings (and the way men and women differ in their way of thinking too), haha. We’re talking about the male’s gaze, and that segment speaks some truths on that too. I mean, even in real life, most male directors and writers don’t really understand the way woman thinking either. David Lynch, Akira Kurosawa, two of the greatest directors of all time, treat their women’s characters quite insensitively. Dazai – Kotarou’s idol, on the other hand, was quite adept of writing female’s psyche (his work Schoolgirl is a great example), so there’s hope that our Kotarou can learn from his inspiration.

Posted on 26 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

With this episode Tsuki ga Kirei marches on its impressive run. If there is one thing that I’m still impressed about Tsuki ga Kirei, it’s that despite its slow-pacing, the story never stands still. Each episode is a steady step-forward, clearly mark-out stage from its main couple’s relationship. I wasn’t at all expecting that much tension from this week, just to show how I am personally invested in its characters and their situation. Again, I totally feel for the total defeat of Chinatsu in this episode, but lest we forget that she was the one who planned to disrupt this couple with all her might. Originally, she staged for only 4 free passes to the amusement park with the intention of using Takumi to hook up with Akane and she has some free time with our main. Kotarou and Akane’s classmates though, are all in for an opportunity to go out for a date so the trip ends up with 9 people, leaving Roman an odd one out. You could argue Chinatsu crossed many lines of actively hurting Akane’s feeling and using Takumi for her own gain, which I totally can’t defend her, but I still read her action as purely self-centric behavior. She just doesn’t think her actions would cause those consequences that far ahead and while it’s dangerous, you can’t really blame her for things she doesn’t aware either. Okay, now I’m defending her, but I believe when Kotarou roars like a lion in front of Takumi declaring what is rightfully his, it blows much harder to Chinatsu than he outright rejects her.

And what a natural progression of this first love has come to be. After last few episodes about how to behave when you’re actually in a relationship, the next step is to acknowledge your relationship to others. And this episode is all about opening your relationship’s status to your friends without feeling reserved about it. Like Chinatsu few episodes back, Roman is the guy who can read between the lines so he caught on with Kotarou – Akane relationship. Special shout out to Roman as the buddy who got his friend’s back and do whatever necessary to support his friend. Unlike Roman, others don’t have a clue about this relationship and for once, Takumi also finds this trip a good opportunity to spend some time with Akane. When Kotarou catches up with the two of them walking together, for a moment I thought he would be silent and walk away without calling them back – and indeed, most of other shows will fall for that route, but we’re talking about Tsuki ga Kirei for Peter’s sake, so Kotarou instead steps up and declares in front of Takumi that they’re in relationship. Yes, what important is to acknowledge your love. Boy, what a truly great moment. Takumi, surprised, but take that news really well too. The subtle body languages in those scenes certainly enhance the character’s emotions, as you can read the reactions of both the four main casts. Tsuki ga Kirei’s visual storytelling is truly magnificent.

The rest of the time afterward, Kotarou and Akane have their first real date, alone together, in this amusement park. There are some truly intimate and sweet moments out there, certainly helped by contrasting them with Chinatsu and Takumi’s sadness. They eat together for a first time, playing together and kissing each other in a firework backdrop. Well, they aren’t technically kissing though but it feels much more intimate than any other actual kissing out there. At least, Chinatsu apologizes to Takumi and even texts Akane about not being able to confess her love. There’s nothing you need to say sorry about, Akane, because when it comes to deciding between your and Chinatsu’s own feeling, it’s a clear answer. The couple goes a long way since they’re first dated, and I’m not even hard-pressed to say this, considered that this is a story about first love from some middle-school kids, but this is a real depiction of how two individuals falling in love, along with what a true growing up would be like, and those alone make Tsuki ga Kirei stands above the rest of your average anime offerings.

On last note, those shorts this week are still pretty on par, although they run a bit longer than I would’ve preferred (because, geez, it means the actual story is cutting short). Those shorts are pretty much a part of Tsuki ga Kirei’s identity right now, and so far they’re all gorgeous. And I couldn’t say this last week because of the recap, but the new OP is solid as well, make me wonder if the overall production (especially the CG extras) could have been improved if they have some more extra time for correction?

Posted on 13 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

This week our duo Akane and Kotarou experience their first taste of hardship, also known as the hard truth about their dreams. Both determine to do their best after the pinky promise (which give me chill every time because it reminds me of an episode of xxxHolic about a girl who always breaks promise – an example of how a single quirk from anime can affect your real-life perception), Kotarou had to meet the publisher and Akane for her track competition on the same sunny Sunday. And they both failed, in their own ways. Fortunately enough, their hardships comes from their own struggling to reach their dreams, not from their relationship itself. They spend some quality this week in the corner of the library, when they mostly share their own progress to the other. Those quiet scenes are excellent all around. The duo keeps having a space between them but you can feel the warm atmosphere hanging around. Two sequences of them in the library, the first filled with hope and quietly excitement, the second is saturated by disappointment, both connected by the pinky promise. Such intimate and affecting moments for the two lovebirds. Also, the shorts this week from Tsuki ga Kirei are solid too, now I’m a fan of Miu and Inaba couple because they’re soooo relatable. And cute. While I’m not much a fan of Roman and sensei gags, this one goes reasonably smooth enough. But Sakura’s fantasies short is my favorite short this week.

For Kotarou, the publisher flat out comments that Kotarou isn’t suitable for serious writing, instead he persuades him to try his hands on Light Novel. Looking by his effortless and calm manner when talking these things to Kotarou, he must have done it from time to time: crushing other young aspiring writers’ dreams into pieces. But hear me out, before everyone gets mad at him for being a senseless a**hole, I approve with what he did here. In fact, I’d feel much more angry if the guy keeps selling other’s dreams when he knows they couldn’t make it far. It would be very painful to see a person who isn’t talented enough just keep pushing their head against thick wall. His Mom, as well, clearly disapproves him of becoming a writer. That doesn’t mean he can’t become a writer, it’s just that he has to try harder than before. Likewise, Akane’s situation doesn’t improve at all. I’m glad that she has a courage to tell her best friend that they’re dating, but when Chinatsu confirmed that she knew all along, it confuses Akane to the point of losing her concentration for the competition. Or maybe her sister was right when she said that dating, studying, and running at the same time might be too much for her that she ends up failing every single one of them. Worst of all, she loses the race to Chinatsu, and Takumi is clearly let down by her under-performed records. I love the reactions of Akane’s parents when hearing their sweet daughter is dating (especially Papa – his girls are slowly taken away from him by annoying brats that he knows nothing about. Of course he’s worried), and Akane’s reactions when her sister “exposed” her secrets are really endearing.

Now, Chinatsu. Frankly, it’s hard to read her motivations since we don’t know much what she been thinking, but let’s try to break her actions down a little. Apart from seeing Akane as her best friend, Chinatsu also regards Akane as a worthy rival, both from running track to that love interest. In running, she’s determined to give more efforts and in the guy she likes, she basically declares a “warning note” to Akane (I notice the word “notice” she was using here). As a friend level, her actions could potentially damage the friendship she and Akane have, and I think most of us will say that her pushing for confession to Kotarou to “have a proper closure” is way over the line. You don’t mess romantically with person who already in the relationship, missy. That’s a rule. But saying that, I know Chinatsu is a type of person that when receiving a proper rejection, she’d just smile and move on. On top of that she would never betrays her own feeling, doesn’t matter how others will react to that. In short, Chinatsu confessing her love to Kotarou is just purely Chinatsu being herself, and I certainly don’t blame her for that; I just wish she’d come to understand that she’s being unfair to Akane and most of the time when that happen they become too hard to be friend again. I guess we will have a proper resolution next week. For one thing that Tsuki ga Kirei does absolutely right so far, the conflict never drags out for too long, usually an episode or two in length. Tsuki ga Kirei maintains its beat throughout this episode, fleshing out our characters not by their romance, but by their own struggles with the adult world. And that’s swell because we need to root for them as well-formed individuals before cheering for them as a couple. Keep them going Tsuki ga Kirei.

Posted on 5 May 2017 with categories: Currently Watching:, Tsuki ga Kirei

This show is so unfair.

Like, after spending 5 episodes of cutely awkwardly topsy turvy Akane – Kotarou first love, how can we even root for poor Chinatsu? Even the show itself seems to know that too, as when Kotarou confessed to Akane few episodes back, we had beautiful full moon in bloom right in front of them (Tsuki ga Kirei!!). Poor Chinatsu, on the other hand, just “deserves” a reflection of a moon, lurking from afar from her and Kotarou. In addition, why add her as the most charming character of the show, whose have such a great, easy chemistry to everyone around her? I actually didn’t think she would fall for Kotarou considering she helps the two out last week, at least not yet. Our couple will have a bit of hardship now as Akane clearly feels insecure whenever Chinatsu’s around Kotarou (her voice changes!), simply because she can make a natural conversation with Kotarou in public while Akane can’t. To top all that Chinatsu and Kotarou will have plenty of time to be together, now that she’s going to the same cram school with him. Takumi, another external threat, is going to make his moves soon since he doesn’t have much time to be running alongside Akane. Not only those potential threats but the couple themselves don’t do too well too, Kotarou is slipping at his grades and Akane performs poorly at practice. There will be trials and tribulations for our duo’s romance but hey, what is love without pain.

Akane and Kotarou now officially become a couple, and this episode details exactly how two young people in their first stage of love would be like. This show never ceases to amaze me how sensitive and relatable they portrait their characters in those situations. They’re dating but they still can’t find a courage to talk to each other at school, so they seek advice from their most reliable sources, first of course, the internet (ask Mr. Google) and then the adults that closed to them. Again, the show excels on emphasizing visual cues from little gestures, facial expressions and their speech patterns instead of relying on obvious expositions. When you know a character enough you can tell his personalities just by the way he moves, and Tsuki ga Kirei is a masterclass regarding that. Kotarou is much more lively and relatable when he performing a traditional dance or exercising his excitement with sit-up and boxing in his room than any monologue could mutters. Akane’s subtle reactions while staying near Kotarou really inform us what she really feels. The show’s awareness for physical space is a highlight as well, just look at the last scene about the positions of the two where Akane seems to be further away from Kotarou. Great stuff.

And then they’re holding hands. Boy, never in my experience (even my own) that such a simple holding-hands moment fills me with so much joy and excitement. I really like the way they tried out the library but failed (again, Chinatsu) and how the bookshop-owner sensei helps the two lovebirds out: give them some time alone together; ya know, just the two of us (what kind of book shop that have no customer by the way? Usually they would fill with patronize who read books free for hours). For the amount of time they been thinking about each other, it’s rather surprising to notice that they have very little real conversations to each other (boy do I look forward for more), and when they do talk, it’s sparkling. But that is so Tsuki ga Kirei: slow, mundane in twenty minutes and then hits you in the gut for the last few minutes. As this episode further demonstrates, sometimes you don’t need too many big plot twists and tear-jerking situations to win over the viewers, you just need one good resolution that hits hard.

ps: Want to mention it but can’t fit it anywhere in the post, but I do really enjoy the shorts this week. The shorts explore the teen-romance in much lighter tone and each story adds something hilarious to the table. Those shorts are not mere extras by any mean, but they help enriching the romance theme of the show. Tsuki ga Kirei, as boring as it might sound, is still going strong.

Posted on 28 April 2017 with categories: Currently Watching:, Tsuki ga Kirei

I’m totally impressed with Tsuki ga Kirei thus far. This show has its own voice and after this episode I’m confident that we will have the constant quality in display for the rest of its run. Nothing can beat consistency, I assure you. This week, the kids go to another city for a school trip and it’s…wait a minute…Kyoto. Within the first few shots of the city I could easily recognize that favorite town of mine (if you ask me how much I love Kyoto, let just say it’s THE city that I wanna live in. And I might). I’m digging it how the show handles the aftermath of the confession last week: take it slow and give it some more thoughts. Her delayed response really is the most natural decision come from Akane and it might be her best decision, at that stage when she isn’t sure if she’s romantically interested to Kotarou (whether she has a crush on Kotarou, yes, but how many crushes you have back in school life? Once every few months right?). Remember that she doesn’t deny when her friends ask her if the boy she’s interested in was Takumi. Chinatsu, on the other hand, plays off her role as a romantic rivalry, though there was never any romance to begin with, and actively assists the duo. I love that behind her cheerful and out-there personality, she reads the situation so spot-on; and she handles the situation effortlessly. Minor issues that both Kotarou and Akane would find to awkwardly to address, she brushes it off with ease. Such a good characterization for a character who doesn’t have much screen-time. Bravo!

While the romance aspect is this episode’s main focus, the slice of life part really brings the calm, grounded and bright atmosphere to Tsuki ga Kirei. The school trip plays out exactly like any regular school trips, with great details to the settings, and to the small activities of the students. There’s this group of girls taking selfie, the other group playing cards, most of them would skip early bedtime for playing around and talking romantic stuffs. In this world, all the surrounding characters feels breathable (for the lack of better word) in the environments around them. Both Kotarou’s friends and Akane’s friends are highlighted not by their distinctive traits, nor by their development, but by their everyday interactions with the world around them and their own self-position towards that world. Hands up for Aira (one of Akane’s friend) for giving her some space that most of the kids that age ain’t sensitive enough to realize. Again, this show’s characterization is top-notch.

The episode also highlights the anxiety of our Kotarou and Akane towards their newfound relationship (or the lack thereof) and it’s as honest and awkward as it might get. They’re afraid to talk to each other, but always aware of other’s whereabouts (man, so true!). Kotarou’s nervousness of texting the girl and then has his phone taken by the teacher in the process are nicely played out before the climax. And when the climax kicks in, the tone, the pacing and the whole execution were incredible. He’s late to meet her, he doesn’t respond her phone, he shows up in poor, soaked state: all the conditions that could make any girl mad, although we’re in his shoes so we know he deserved better. I understand both the frustration of Akane and the helplessness of Kotarou. He even doesn’t try to justify himself, which make me hold him in higher regard. Akane’s response later perfectly leads the show into the right direction and closes the episode on a high note. She just wants to talk to him more. Usually other romantic anime speed up this process (and to be fair, even in real life), but unless she knows more about him, unless she spends some more time with him, she wouldn’t know if she really likes him.

I was initially considering about the combo of Tsuki ga Kirei – Scum’s Wish for portraying both spectrum of teenager’s romance, but now I’m leaning towards this one – Flowers of Evil double series for addressing contrasted sides of growing up. They’re both set in adolescent phase, when most of them are still unsure about themselves. While Flowers of Evil leans on its dark side that tackle on obsessions, youth-frustration and identity; Tsuki ga Kirei is pure white that focus on the brightest side of first crush and self-grown, and friendship. That not to say this one isn’t complex, far from it, because Tsuki ga Kirei tackles such seemingly simple premise with keen eye for details and a deep understanding of growing up process. It’s simple, true, but it’s the kind of “simple” that isn’t easily obtained.

CHANGE USERNAME
Kaiser-Eoghan
Although it was mixed in with laughing my ass of eventually.
Kaiser-Eoghan
Of all the Itou stories to be un-nerved by, its the second half of this third episode oddly that does it for me and I never get uncomfortable during anything .
AidanAK47
@Anon, We are working on it.
Anonymous1742736
Are you planning on making a top anime of 2017 list?
Amagi
Yeah Mash is one of the few good ones it seems.
Amagi
Oh damn, good that you remind me, I didn't pick anything yet. But I guess I will go with Altera, considering that some of them don't look that good and I own her anyway. Would have wanted the Scat one but the drawing looks weird.
AidanAK47
Which Bond CE did you pick for the 2 mill? I went with the Mash one. Only only whose artwork I liked.
AidanAK47
Might settle for making Bryn my endgame lancer though.
AidanAK47
As I said in my Apocrypha post, I have no interest in any version of Jeanne. My top priorities for my endgame team is Isekander, Scathach and assassin Shiki. And Shiki is a welfare so only need to worry about the other two.
Amagi
Yeah, I was considering to keep rolling for the new 4* at first but I really want Jeanne Alter and she's coming soon.
AidanAK47
@Amagi, I tried rolling for Karna and got nothing. Though I think Bryn is better. I plan on rolling one more time with the saint quartz we are getting to try for NP2. Though we do have the valintines event coming.
Amagi
@Aidan: Same here, just got Brynhildr. Even though I already got Karna last month. But I wanted her, nice design, finally a single-targed 5* and she's even one of the few servants related to my country.
KTravlos
@SuperMario. The contemplation of the death of humanity, and the loneliness, both were very disturbing to me. Kinda like thinking of my grave.
AidanAK47
YANDERE GET. Bryn's mine baby.
AidanAK47
Gonna try rolling for Brynhildr tomorrow. Bit annoyed they chose to translate it as Brynhild. I mean it's not incorrect but her name is far more recognisable as Brynhildr
AidanAK47
@Amagi, The grind wasn't that bad for me. Mordred carried me for it. Though I managed to get Siegfried in the gacha despite not being on rate up. I admit that the event was rather lackluster. Story wasn't that fun and the whole saber restriction was a pain. Also gonna take me a while to readjust to regular damage.
Amagi
Man that FGO Saber Wars event was annoying. I am happy finally I have 2 mio. altrium now and am done with it.
Kaiser-Eoghan
Reminder that netflix Godzilla anime is later today.
Amagi
Damn I didn't noticed that ankle band of the little demon from the intro scene of FranXX 01, now I feel stupid.
Lenlo
Yuasa is great! Ping pong and Tatami Galaxy are still some of my favorites
SuperMario
Oh fuck, the lead singer of the Cranberries passed away. I literally just listened to their music yesterday. Damnn, sad news
SuperMario
@Kaiser; thanks for considering me but I believe Wooper is much more a Yuasa's fan than I am
SuperMario
Far out!!!
SuperWooper
Yuasa will be answering questions on Reddit's anime board on the 20th.
SuperMario
@Niello: what do you mean regarding Yuasa?
SuperMario
@Travlos: I agree that Girls Last Tour is a special little gem, but in what ways it's disturbing?
Niello
Holy cow, Masaaki Yuasa AMA!! What magic is this?
Niello
Meawhile, Japan took a different approach and we ends up with a bunch of .hack rehash and diving more and more into escapism. Until we eventually got isekai and then it just spiraled into a sea of mediocrity.
Niello
While that opened its own can of worms, at least it opens up element about making ends meet, managing irl relationships, earning extra income for a poor family, getting cheated etc.
Niello
in the characters real life just fine. Something more a long the line of Net-juu but more technologically advanced. And I would say that plenty of those have been superior to Japanese online game and isekai story shenanigans. That said, it doesn't mean that those don't have their own kind of traps they usually fall in. A bunch of those instead focus on the aspect of making money off of games.
Niello
...Getting stuck in a virtual reality game and being transport to another world that happens to be like a game are completely different though. I don't know what is it with Japan and getting stuck in game plots considering that there are loads of other game-base Asian novels that came before it that manage story lines where they manage to tell compelling stories in game while balancing what happen
KTravlos
I finally finished Girls Last Tour. What a profound, fluffy and disturbing masterpiece. Bravo.
Amagi
Yeah. I feel the world swap is pretty much pointless when real life isn't relevant anymore. It's just a stupid as hell excuse to combine fantasy wish fullfilment with self-inserts, which is why these main characters tend to be 29 by now, just like the big part of the otaku community.
Lenlo
Of those you listed, no, I dont think they get explained? I mean, SAO did, but I dont think that falls into your category.

Thats why I liked .hack//sign over alot of more modern game Isekai. Also .hack//sign did explain what happened to Tsukasa.
Amagi
Considering how bad most of these are I wouldn't wonder if they wouldn't even bother with an explanation and just end it with the characters being happy in that game world and that's it. Or magic and the whole harem gets transported into reality at the end because power of love and such.
Amagi
I have no problem with a sci-fi fantasy mix, I liked .hack//sign for example, but it annoys me that such an incredibly bizarre situation gets never explained. Or maybe it will but it never happened so far because none of these LNs was ever finished and concluded yet. I just wish to know how they explain that.
Amagi
I mean all those shows in which the character just finds himself stuck in a real world that's (coincidentally?) the same as the game he recently played. Be it Overlord, Death March, Log Horizon or the 300 other series with that premise.
Amagi
Some thing that always bothered me about game isekai for which I never got an answer so far: did any of those series ever end and/or explain how the warp has happened and why the MC is in the game? - Not talking about .hack, SAO and such where the action of getting trapped is part of the premise
Niel
@Eoghan - Btw, Kokkoku isn't a time travel. it's stasis, apparently. Looks very promising so far. Though if I am to trust the manga score, it's shit.
Niel
But is Toradora really slice of life? As far as I can see it's straight up romance.
Lenlo
And Mario, ill rag on SOL all I want! :P

Wooper, its true good shows transcend genre, as there are still some like Toradora I like, but those are exceptions that prove the rule so to speak.
Lenlo
@Niel, yeah I base my potential % on the odds something gets/stays good.
AidanAK47
I am of similar mindset about Franxx. I want it to get better but I don't really see it doing so. Unless the other characters get a majority personality boost or the MC stops being a plank.
Niel
XD
Kaiser-Eoghan
I confess....I only sat through just over half an episode of aldonoah.
Niel
Since it's Trigger, I will give the benefit of the doubt. I'm just very skeptical about this whole formula.
Niel
The way I can see this series improving is through world building. And if other aspects are going to improve too, it's going to revolve around that.
Niel
It leaves about as much impression on me as much as the first episode of Aldnoah did, and I dropped that one straight away. The character chemistry doesn't look like it will go places that's not cliche. The gimmick doesn't seem like it has much potential either.
Niel
So you're all betting it on "this is going to get better". I mean, I hope it gets better. Though right now this feels more Kiznaiver than Kill la Kill or LWA.
Kaiser-Eoghan
I'd nominate Mario to do the devilman review as he's the most immediate Yuasa fan to do it and Bam is too awol to write it.
Kaiser-Eoghan
The cute girl shows just bleed and blend in my mind now, same with the isekai shows.
Kaiser-Eoghan
Devilman, my show of the season, unless after the rain ends up having some emotional wallop.
Kaiser-Eoghan
So for me its looking like: Junji itou, Cardcaptor sakura, keeping up with sangatsu, wait and see on amegari . Not watching a time travel or trigger show and I remain unable to sit through Mahoutsukai .
Amagi
The story itself is generic so far but so are most Trigger series at the beginning so not sure. Maybe it will stay weak, but in general I prefer series that start with the weaker episodes and get better and better over time over the many series that use up all of their budget and trump cards in the first episode and drag on after that.
Amagi
I really love Trigger's esthetics and their characters. I am happy they're more often involved in non-trigger-only productions because I honestly think that most of the stuff I enjoyed about FranXX was heavily influenced by them.
SuperMario
@Nielo: Franxx's first ep was stellar for me. Storywise, it's lackluster (and I see the similar in tropes between this and Beatless) but production-wise it's excellent
SuperMario
I think I just keep watching it on a weekly basis. Still trippy as hell
SuperMario
Okay, I just watched second episode of Devilman Crybaby and it's still pretty good.
Nielo
By the way, what's up with Darling in the Franxx? I thought it's a very weak first episode.
Nielo
@Lenlo: Slice of life isn't my thing either, and I usually avoid series set in high school.
Nielo
@SuperMario: Takagi-san is cute, I'll admit that, but since I already read the manga it's not new to me. Sora Yori is good, but it's not particularly cute. I found Hakumei to Mikochi and Yuru Camp very boring. Haven't got the chance to watch Mitsuboshi Colors or Gakuen Babysisters but I don't think they could be more cute than Mii-kun.
SuperWooper
HOT TAKE: Genre is irrelevant. What matters is whether a show is good.
SuperMario
Don't knock off MY genre Lenlo. It's one of the reason I got into anime in the first place :)
Lenlo
Im not saying it doesn't do what it sets out to. I just don't think what it sets out to do is all that... great.
Lenlo
@Niello, Slice of Life was never my Genre in the first place :/ I typically avoid them. I have my own life to deal with and already graduated high school, why would I want to deal with a melodramatic anime highschool, is my line of thought.
SuperMario
@Niello: okay, let's see:Takagi-san (the titular character), Mitsuboshi Colors, Gakuen Babysisters (Toddlers!!), Hakumei to Milochi (tiny girls) and two more slightly more mature but equally cute: Sora Yori and Yuru Camp's casts
Nielllo
@SuperMario: I'm sure this is where our definition of "cute" parts way, but I'll ask anyway, what are those 5 shows?
SuperMario
@Niello: seems so because I can eaisily pick 5 more shows that are cuter, and better than Mummy this season ;)
Nielllo
...So I suppose I'm the only one who's kinda bored out by a lot of the slice of life shows that's trying to be cute this season and only perked up by the Mummy anime because it's actually do what it's meant to do and be legit cute.
Lenlo
I am interested in Koi, but still have concern about the relationship itself.

@Vonter, the mummy anime would be better as short vignettes together I feel.
Kaiser-Eoghan
Koi amegari is surprisingly tasteful, subdued and pretty.
Kaiser-Eoghan
*to where
Kaiser-Eoghan
Try as I might, my love of kyoani tv anime has largely evaporated did where I no longer want to bother at this stage, I'll just wait and see. I'll just stay quiet on the franxx anime, theres little value in me trying to get through a trigger work at this point.
SuperMario
I get the exact same feeling with Takagi-san. It's pretty good on what it does but 20 minutes of the same thing for a whole season doesn't sound that promising
Vonter
The chibi mummy anime
Vonter
It's a shame it isn't a shorter 10 or 5 minute series, I think that format would make it shine more, since it does what it's trying to do.
Amagi
Speaking of it, I liked the second episode of Kokkuko or whatever the name is even more than the first one.
Amagi
I really have a problem with all these shows that rely on one single thing, joke, shenanigan or whatever. Be it something cute, some certain kind of interactiong or whatever. It doesn't matter how good it is it will bore me with episode 2.
Lenlo
Like, yeah, the mummy was cute. But the cute became rote/bland really quick. There has to be more than "cute" to be worth watching for more than a single episode to me.
Lenlo
@Niello, I was harsh because its not aimed at me. I wanted to drop it 5 minutes in, kept up for the post, then was thankful it was over. There wasnt anything overtly bad about it. Its just there was nothing good either.
AidanAK47
To be fair it's not as if we are lacking cute in this season.
In fact it's in danger of inflation.
SuperMario
@Niello: yes, the mummy is cute, the show is cute but beside that it's pretty mediocre. That show in particular is the only show that I have the damnest time to give it a potential rating.
Niello
It's not even down because of legal reasons, since the site pull down contents that are lincensed. It's down cause it's too much for the site owner to manage. Much of it also have to do with too many bots, which comes back to how a lot of other sites are relying on batoto.
Niello
@Masky: Not enough manga titles are getting translated. Batoto is the site scanlation groups basically rely on, and where other aggregation sites pull their content from. No batoto no obscure titles, a big blow to small scantation groups and one big manga/scanlator community down.
Niello
Why are you guys so harsh on the mummy show? It's so darn cute. Give it some credit. If a comedy show can be good because it does comedy well I don't see why a show ike Mummy can't be good if it can make people go "aww".
Masky
I don't really know why that is the case, maybe marketing budget and UI friendliness when done right? :P
Masky
Eh, wouldn't say it will kill manga industry. I mean, more and more official methods of reading manga online is starting to pop up and legit channels to pay to get access to manga can surprisingly enough harm free channels to get manga.
Masky
Anyway, I do find it funny how how the isekai character dies can be so meaningless that is joke in most of them
Niello
Batoto is going down, how this affect the manga reading is going to be interesting. Hope it's not slowly dying.
Masky
(at least that one, besides forgetting to introduce what the heck is gimmick besides generickness, acknowledged how most of otaku mcs shouldn't erally want to get transferred to fantasy world since they never get to see how their favourite mangas end :P )
Masky
Anyhoo, it gets annoying since its not just isekai being cliche, sometimes is just them being kind of badly written(or at least adapted to manga). Like, I found one new isekai today, but I have no idea what its gimmick is(from what I understood, its that "cute companion" that character gets is hideously op because mc didn't spefy cute girl when he asked god manager dude for cute companion)
Masky
Slime one is one of better from the more generic ones weirdly enough :P I mean I still wouldn't call it good, but at least MC character isn't god tier, just top tier and it has sort of village building simulation feel to it. Plus at least naming things giving monsters more powers is something funny regarding jrpg mechanics
Kaiser-Eoghan
Or alternatively the car was on a boat with the character or parents in it and the boat and car were hit by a falling plane lol
Kaiser-Eoghan
Its always "car accident" that sends the characters to another world or in harem cases "Lost parents due to car crash", for christs sake doesn't anyone die in out of control plane or speedboat crashes anymore, at least make it a motorbike....
Nayrael
Ah sorry, should probably not have touched the colors...
Nayrael
Trust me, Isekai is better when it doesn't try to be imaginative. When it tries to be original then... Isekai with a Smartphone... Isekai where the MC turns into a Slime... and my favorite: Isekai where the MC became a Hot Spring popular with sexy girls.
Masky
Assuming "new" things can happen under the sun
Masky
Anyhoo, I do wonder what the heck will be next "popular genre trope that will become so overused cliche that everyone groans whenever show uses it even if its actually good show"
Masky
Like, seriously you could do really interesting story variant on isekai with that if done right. Suddenly becoming characters you have roleplayed would be trippy as hell espicially if one of characters went really into detail with backstory while one of them is just "Bob the fighter, he likes fighting" and has to deal with what happens when you assume life of such a person
Masky
But I wouldn't honestly be surprised because of my anger issues related to amount of unimaginative isekai :P Though I guess trpg based one would be more imaginative in comparison
Masky
I'd assume not since I assume tabletop rpgs are much more niche than jrpgs in japan
Masky
So has anyone yet done isekai where guys getting transferred were playing trpg? :P
KTravlos
quite happy with most recent Attack of Titan manga chapter.
SuperMario
Alright, one more impression post to go before we really get on to new season
SuperMario
@Kaiser: yep, I just fixed it. Thank you
Kaiser-Eoghan
*than just the reviewers names
Kaiser-Eoghan
A slight problem with the coding there in the newest impression, showing code gobbledeegook rather than the reviewers names above their impressions.
Kaiser-Eoghan
@Mario: I'm seeing it on 2nd of February.
Kaiser-Eoghan
@Mario: Late screeners generally leak shortly after the uk release, so maybe early Febbruary it'll be online?
SuperMario
@Kaiser: yep, Phantom Thread. Could be Daniel Day Lewis's final performance. Is it available online already?
Kaiser-Eoghan
@Mario: Did you know that Paul Thomas Anderso8n has a new film coming out? Also I found out there is a Polish semi-knockoff of purple rose of cairo.
Kaiser-Eoghan
Awesome, just got myself an invite to a secret private torrent site =)
K-Off
@Kaiser When I was in University, I was a waiter at a Korean-owned Japanese Sushi restaurant with a kitchen staff of entirely Mexicans with poor English. The owner, while he provided the rest of his staff with small meals during our lunch or dinner shifts, never game any to the kitchen staff. The guy even ranted to a customer about how "lazy" or "ignorant" they were.
K-Off
Buses are pretty common in America, even outside the major super-cities like LA, NYC, or Chicago. It's public rail you're thinking of that we don't have much of outside the cities.
Kaiser-Eoghan
I brought up the racisim/aunt story wondering if anyone had any horror stories about where they worked?
Kaiser-Eoghan
@Bokusen: Buses don't seem to be a thing in America, meanwhile over here, despite traffic, public transport is much more of a thing, couldn't imagine not getting a train or bus somewhere.
Kaiser-Eoghan
@Amagi. I must say you changed my positive view of the German education system.
Kaiser-Eoghan
@Amagi: And yet Austria gets the far right party in power and Israel also has a far right apartheid leader.
Kaiser-Eoghan
If any good came from it, her boss got banned from facebook .
Amagi
Two years ago the alt/new right hold a rally here since they're successful elsewhere with their anti-immigrant/PoC speeches. In the end it was 35 nazis vs 29.000 counter-demonstrators. The joke: when they had to leave with police protection they shouted "We are the people". Yes 35 hated bigots are surely the people, not the 29k. I laughed.
Amagi
@Kaiser-Eoghan: That aunt story is pretty shit. I am kinda happy about smartphones nowadays, you can often make photos or record speech if you are witnessing something. Also, thank God the racists in my city are very rare since antifa and leftwingers took hold of it decades ago - now 70% of people are immigrants so racists don't even tend to show up anymore.
Nielllo
Great. I don't think most of what I wrote actually appeared in the chat.
Niello
what I'm going to do in the long run.
Niello
While Liberal art colleges are really good for developing writing and reading skills, the truth is in science classes you still don't do much of that. it's also limited by general lack of equipments that you get at bigger Uni. My college don't even have engineering.
Bokusen
@Kaiser Darn it, I hate it when racists try to justify their beliefs. That guy sounds like a major jerk!
Bokusen
@Niello Ah, yeah I think I might have preferred the UK system too if they give a month to study for exams! Wow...That sounds much nicer. Oh, and yeah, I wish the US had better public transport too... After seeing Japan's public transport system, I wish the US's could be more like it.
Kaiser-Eoghan
The landlords love to kickout people through unfair prices a stick their friends in instead.
Kaiser-Eoghan
Since we're on careers, it reminds me, one of my aunts telling me what a bastard her boss was, guy was a racist, she complained about it then he got rid of all the evidence linking him to it and made it seem as if she was the rascist and humiliated her in front of her Arab friends.
Kaiser-Eoghan
I think we all end up getting this huge kick in the ass moment where we learn andget it together.
Kaiser-Eoghan
It gets better thankfully, grew up and am happy with this postal clerk job.
Kaiser-Eoghan
The landlord story is a common one, they still think themselves feudal lords.
Amagi
And yeah, all this neet time. Although not moving out isn't that uncommon here anymore, considering how the rent increases, especially in my region (European bank city). And if I look at my friends it seems like they've the same problems. Even those who have found their dream jobs are otherwise living a nerdy life, going to pubs at night and so on. I think a part of us will always stay twenty.
Amagi
@Kaiser-Eoghan: This "career" was exactly the same for me. I am pretty sure I wasn't even capable of thinking about my future up until, as you said, mid-twenties. There were just so many other things that interested/bothered me, school wasn't even among my top 30s or so.
Kaiser-Eoghan
@Amagi: Oh how I regret not getting into novels, noe my concentration is too shit to read them.
Kaiser-Eoghan
Actually I don't think teenagers even really know who they themselves actually are .
Kaiser-Eoghan
Youth is wasted on the young.
Kaiser-Eoghan
I remember wasting so many chances to properly appreciate and get into certain things when I was younger too, when I actually had the time. We have no idea how to use it at that age.
Kaiser-Eoghan
The answer is down to the kid themselves wising up early and adults needing to find a way to REALLY motivate kids.
Kaiser-Eoghan
I hated being in that position, leeching off my parents/the state.
Kaiser-Eoghan
I remember as a teenager thinking watching films/anime/playing videogames with my friends/brother would last forever, then getting a dose of reality that everyone just moved on .
Kaiser-Eoghan
and between short contracts you spend months as a neet.
Kaiser-Eoghan
You just end up bouncing between go nowhere evening/day courses that are more about putting asses on seats than actually getting anyone anywhere.
Kaiser-Eoghan
and then you find out you dossed off so much in school you can't get to grips with university.
Kaiser-Eoghan
I wouldn't recommend anyone doing what I did in my teens and early 20s, dossing off all the time, then finding out you have to wait five years to go to college as mature student, your school results are middling and not job/college useful, end up taking forever to get to the stage where you can start building up temporary job experience because no one will hire you.
Kaiser-Eoghan
Heck, as a teenager I remember pretty much living in the moment, never even thought seriously about what I wanted to do, I don't think I even thought about that my adolescence would end, pretty much rushed through my homework and never studied, stayed up all night watching anime/reading manga and playing videogames allday.
Kaiser-Eoghan
I don't think I actually matured/grew up until I was in my mid twenties.
Kaiser-Eoghan
My school never did a career prep class.
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