Posted on 28 June 2017 with categories: Anime Reviews, Uchoten Kazoku

(Note: Since psgels didn’t give his final review to the first season, this review is for the entirety of Eccentric Family. If I had to grade the second season alone, it’s 90/100).

Doesn’t matter how you look at it, the Eccentric Family is a unique show, in a way it feels and tastes like no other shows out there, both in and out of itself. Everything surrounding it feel magical just like its world: the series is the only anime show that promoted as a city ambassador (Kyoto Special Goodwill Ambassador), the second season that no one see coming (especially at the time the first season ended the second book hasn’t even written yet), P.A Works studio became the leading unit in production committee of this second season, meaning they are passionate about this series and they have total artistic control over it (as for how influential the anime studios usually have over the decision of their work. Nil. Most of the time they are slave who draw and deliver what were told. Sad fact). This is one of few series where I can see a lot of love was put into those details, from the love of their characters to its rich world settings, to Yasaburou’s various adventures. Of course P.A Works does a magnificent job to visualize that world, but I also credit the success on Tomihiko Morimi’s adept writing. Eccentric Family is at heart a character-driven series, and he’s simply one of the best in this industry when it comes to character writing: eccentric cast of characters who distinctive, whimsical but always insightful and intriguing. I have a lot to say about this world so let get right down to it.

The Eccentric Family’s first and foremost strength comes from its magical-realism Kyoto world where human, tengu and tanuki live together in harmony. I am not at all exaggerating when I say that this setting is my personal favorite anime settings ever. Magical-realism has always been right up my alley: the mundane, ordinary world that mixed in with magical elements that serve as a normality to their world. And sure, in this world a lot of strange things happen: tanuki who transform into human shape and fool around until they get caught and turn into a hot pot tanuki, human who float in the air in broad daylight, a tiger (and bear) appear in the middle of the city. Just by the look of it, this world promises to provide a lot of fun, but this show even goes much more further than that: all the settings that not only gorgeous to look at, they all have strong sense of personality that feel like they get stuck in that specific moments: when you see the rooftop you immediately link to Benten, Yasaburou and the moon; when you see a flying house you would think right back to the Daimonji Festival and the stupid fights between Shimogamo and Ebisugawa’s family.

And to support for both its sense-of-wonder attitude and its magical-realism settings, The Eccentric Family is a masterclass at portraying an impossibly huge interior space that looks much grander than it supposed to be***: the Painting of Hell that literally pull you through hell with Onis doing wrestling and eating ramen; the 3-stories bus that has an upper floor of open air onsen and bamboo pathway; or a shogi board that can suck you into a secret room. Not only that warped sense occurs in space, it happens in time as well. There is a 2-epsiode worth of playtime that dedicated to Yasaburou’s various adventures in a span of a single day, where he enjoyed a public bath, went through hell, watching Oni wrestling, enjoyed mixed onsen, having crazy dinner party and witnessing his uncle got shot. See, those events feel much longer than it supposed to be. This is on purpose, of course, since what is a better way to highlight the enjoyment of busy carefree life by crazy events one after another?

In addition, the Eccentric Family’s greatest strengths come from its characters. The first season contains a great diversity of cast, but that quality really shines through in the second season as the new additions not only fit very well with the old cast, they even outshine them in many moments. Each of them has their own voice, has great arc to develop and their chemistry are natural, warm and insightful. Here comes one of the decision from the P.A Works that I find worth applauding, they never probably introduce a new character to us. Most of the time the new characters just walk in and have a normal conversation with our main casts and we have to work out their name and their role to the story. It helps that nearly every single one of them has their own way of speaking and their own personalities, so it’s not that hard to differentiate one from another, despite a relatively huge cast. It also helps that through we can tell so much about their characters through subtle gestures, so much as the Eccentric Family is one rare show that I can fall for new characters within the first few minutes (I remember you very fondly, Seiran). Our main protagonist, Yasaburou, is an interesting character to follow, throughout the course although all we see about him is having as much fun as possible with no consideration for responsibility, he takes care of everyone arounf him in his own way and in the end, he reaches a personal grown on balancing between those two factors. It’s up in the air if he’s constantly thinking of everything or constantly thinking nothing at all being led by his fool’s blood; but for him anyway, these are the same goddamn thing.

But by all mean, even 95 percent of the time this show treats their characters thoughtfully, the remaining 5 percent whenever the idiotic twins and Soun appear, they unfortunately drag the show down. These characters are the type that we all love to hate, so they possess their annoying traits… all the way, being annoying for the sake of annoying. I have since warmed up to Soun, but the way he came back to life kind of demerit his meaningful death. Another factor that happen in second season, is that sometimes they reprise the events of the first season (the Daimonji festival, the Nise-emon election), and whenever they do that they can’t bring the same impact as the first and seem like they rely on the beaten path.

While the first season focus more about familial bond, the responsibility one would strive to do versus the fun one has to experience through life, the second season follow that freedom sense, but touch on other themes such as self-identity (in term of Nidaime and Benten: one is a tengu who refuse to be one, the latter is a human who wants to become a tengu. None of them are happy), and the fate of love. The romance part is what surprise me the most as I would never expect I would ship for almost all the lovey cute little love here. I also give my hat off to the character designs, as each of the tanuki have human and tanuki counterparts, and we have such huge cast here but nearly every one of them is distinctive and attractive. The animation is thoroughly consistent and the music is really, really well done. In term of production value, I really have no complain.

The Eccentric Family has a lot to recommend on, I would argue that distractors can read the show as un-focus at times, because it feels like they set up for one crazy set-piece after another without a central conflict; but take heed that the majority of its 2-season runtime is about Yasaburou wanders around his city, tries to live the life to the max so it has its merit. I just say this simply; this show is brimming with love in every scene and with shows like this I know why I fall in love anime medium in a first place. The Eccentric Family already has a special place in my heart.

 

***If you want a real-place equivalent to this, I’d say it’s like the Old Quarter in Hanoi. From the outside you can only see a small pathway between 2 old houses that only wide enough for a bicycle to get in, then you get through that pathway, turn to some small alleys, go up-stair, pass through some small apartments and TADAH: a bookstore, a store and a café located inside all that maze. I was utterly amazed but there’s no chance an outsider would know such a place without the help of the local. And I do worry what going to happen if there is a fire there?

Posted on 26 June 2017 with categories: Currently Watching:, Uchoten Kazoku

Oh god, this climax. Other shows, take note. This is how you SHOUD NOT do on your final battle. How this show can jump from Yasaburou, Yaichirou fighting the Fellow Friday for their lives last week, to the conflict of Soun and Tenyama (that they eventually ended up in Hell again), to end with Benten and Nidaime’s face-off in a span of 5 minutes is way beyond me. It’s all over the place, and just like some oldschool screwball comedy where crazy events just keep stacking up by the minutes. But somehow this climax freaking WORKS. After all, that Kyoto world is fantastical crazy, so isn’t it the most fitting idea to have the craziest showdown ever for that fateful night? At the end of the day you won’t learn much how Soun faked his death or the reason why Nidaime come back to Kyoto, but whatever the case, the emotional development is clear. Soun pathetically uses all means possible to attain the Nise-emon title; and doesn’t matter the reason Nidaime comes back, he’s clearly unhappy and frustrated. With that Eccentric Family tied up all of the core casts’ character arc magnificently. I won’t lie when I say that this is the climax only Eccentric Family can pull off, with satisfying conclusions and feature almost everything you love about this series: warm, whimsical with heart. This show ends in a very high note.

Benten and Nidaime finally have a long-awaited battle. Well, all the previous events all build up to this battle and for a while I thought that Benten would have her first win since Nidaime is clearly angry, thus vulnerable. From before that fight there was interesting opposite visual metaphor for these two: Benten appears with ice cold atmosphere, while when Nidaime gets out of control, he burst out of flame. The battle between Ice Queen and Flame Boy has some great set-pieces, but that powerful fight slowly descends into the fight between kids as they desperately try to grab each other’s hair, and mouth and dirty trick are in play too. That fight feels sad. The two comes out of it both feel like losers. This is the first time we see both of them cry, in a way that they feel frustrated with themselves. Akadama sensei, a mentor for them both, faces his son eye-to-eye for probably the first time in decades, concludes nicely “If you feel frustrated, grow stronger”.

After that crazy night, the rest of the episode feels like a welcome epilogue where Yasaburou meets all the casts for the last time. Congrats to Yaichirou and Gyokuran for their tying the knot (imagine Yaichirou’s most nervous moment isn’t when he ends up in a hot pot but when he looks at his bride in gown. Puff!!). Kureichirou (the real one) makes amend with the Shimogamo again, and Yasaburou finally asks Kaisei for her hand paw, with some wry wisdoms from Yasaburou’s grandma, despite that means he can’t transform freely in front of her. The sweet last sequence where the three of them exchange to each other is probably the fitting ending to this fluffy tale. Here they are, as she grasps on the edge of his jacket, and they walk on for new adventure. That, my friend, is the red string of fate. I die a happy man now.

This second season certainly is a great season on its own. As to the question whether or not it surpasses the original season, let me just say that sequels most of the time are inferior to the originals (well, unless you’re The Godfather or Mad Max, but even with the former, the original still holds more cultural landmark than the second, and I am talking about complete story here – Light Novels where they will expand the world in 20 plus volumes are out of question), so the real angle would be if this second season is a WORTHY follow-up to the first? The answer is obvious, Yes. The Eccentric Family 2 not only improves the settings and the themes of the original, the new additions have been phenomenal and they are even more WOW set-ups than the first, most notably the Painting of Hell and the Moon parts. One thing that I feel this season improves on the first is the romantic part as all the romances feel grounded here. The Eccentric Family is considered as a signature work for P.A Works, mostly because how the staffs clearly love this world and I can totally see the love breathes through in every scene here. You say anime is looking doom in the future? As long as there are works like this, created by the passion of the staffs because they just fall in love the project like this; I don’t see anime dying anytime soon. The full review is coming soon but take note that since psgels originally covered the first season without a final impression, my review will be about the two seasons of The Eccentric Family.

Posted on 20 June 2017 with categories: Currently Watching:, Uchoten Kazoku

The Eccentric Family again takes some solid steps to its final showdown. But let me address this first because I’m sure no one really see it coming. Soun comes back to life. A fake-out death? Seriously? Using fake-out death ALWAYS comes with a price, which is all the emotional investment we had for the death is now gone, moreover we feel utmost betrayal; thus I hope The Eccentric Family better has something up their sleeves for using Soun again. Now I remember back it was Kaisei who stayed with Soun in his final moments, so saving his life and taking him back are entirely possible. Or was it a scheme staged by both Soun and Tenmaya? But then Tenmaya seems to be mistaken Soun for Kureichirou like everyone else too. This was a very smart plan I must say; only there are two downsides in that plan: that gun is a fake (easily recognized by Nidanme) and the real Kureichirou shows up and makes it clear one and for all. Hmm, no matter HOW he came back to life, the fact that he tricked everyone for so long and nearly pulled of a complicated plan like that just to show us how mad, desperate and wise Soun has become.

Despite doesn’t appear much in this episode, I would safely say Benten’s tears is my favorite moments this week. We have been told many times before, and we know, that Benten has her vulnerable side and she clearly feels empty, always aiming for what she doesn’t have. Doesn’t matter if it via flashback when Yaichirou the frog told his brother that she cries many times alone in a well, or via the dream of Yasaburou when she looks melancholic, this is the FIRST TIME we actually see Benten sheds her tears on screen, in front of Yasaburou no less; when she realizes that she will have to eat him. You could say Benten is a cruel, egotistical, and heartless monster, but I see the fact that she eats tanuki despite knowing all of them well and keeps bragging about that very fact are just the natural hierarchy of that world. Human is at higher rank on the food chain than tanuki so it’s just a natural way of life that tanuki gets eaten by the human. Heck, the tanukis here eat meat and chicken wings from time to time too. Anyway, Yasaburou has always been a source of amusement for Benten (remember how happily she was in the Painting of Hell), and it’s nice to see how much affection she has for Yasaburou, even for a fleeting moment.

Yaichirou once again is incapacitated of his Nise-emon title, as the Shimogamo falls into the scheme made by the Ebisugawa family, this time it’s even grander and more organized than the first season. Yaishirou is framed for exploding his lab, with the gun that shot Soun in it. Yasaburou thus is declared as the person who shot Soun down, and Yaichirou is framed as the mastermind behind it. Losing the reputation he has been so careful building up all this time, Yaichirou breaks out, gives hell with the tradition, and runs forward to help his brother. It’s great to see such a fearless determination from Yaichirou, the one who usually loses his calmness when conflicts arise. But the cream of crop here is Gyokuran, who will support him till the end of the world. She has no second-thought here, just jumps straight to his side to rescue Yasaburou. The director, Masayuki Yoshihara, when talked about this new season, especially mentioned that one of the highlights of this second run lies in its attractive new characters. Well, I wholeheartedly agreed with that, it has been such a joy to see those new characters, most notably Nidainme, Tenmaya, Gyokuran, and my new favorite, Seiran; not only fits the original cast so well, but also shines as their own unique person.

Of course, I can’t end this post without mention one of the key sequences in this series, when Yasaburou finally has a heartily conversation with his father, in a half-dream half-nirvana dinner hall. It’s the moment of life and death for Yasaburou, and here when he finally meets Souichirou, he makes a solid counterpoint to his father’s sudden death. Souichirou might be ready to depart the world with his head held high. The rest of the family members, however, were unequipped for that lost and throughout the first season they were all struggling to both live up to his father’s legacy, and try to protect each other. When his father asks him if he still wants to do more with his life, the answer is clear. He doesn’t want to drag anyone else into this mess (Kaisei) – responsibility – and he still wants to live to do heaps of things – freedom – Yasaburou now has reached the balance between those two forces, with the help of Pompoko Mask hero of course. I know the climax just heating up now, but with just 1 last episode to go (they confirmed that this season will only have 12 episodes), how the hell are they going to tie everything up neatly? We still have that final match between Benten and Nidaime, right? We still need to solve Soun’s fake death, and Yasaburou and Kaisei finally together, right? In order to achieve the last goal, at least Benten will have to go…

Posted on 14 June 2017 with categories: Currently Watching:, Uchoten Kazoku

The plot of Eccentric Family thickens greatly as this episode ended and heads nicely towards a much-awaited climax. Well, all the developments are pretty much expected, but with a compelling twist. I mean, was there any doubt from the beginning that Yaichirou will become the next Nise-emon? Except maybe not. Kureichirou – his opposition – might be an imposer for whichever unexplained reason and the true Kureichirou might go back home and break all the tanuki’s peace there. Was there any doubt from the beginning that the one who would end up in a tanuki hot pot is none other than Yasaburou? Except maybe not. Kaisei is unfortunately dragging along the ride too and it would be much more tragic (I WIL SCREAM) if Kaisei’s the one who become a tanuki meat. Meanwhile, we have some lovely moment of Yaichirou finally achieved his dream and the new ship of Yajirou and the hole-digger Kancho-girl has been sailed fast (I’ll be here shipping them hard). This episode hasn’t lost any of The Eccentric Family’s charms yet.

Let me just get off track a bit and compare The Eccentric Family to another show airing this season, Saekano. Both are character-driven shows, yet in Saekano’s case, despite a smart-sounding writing that usually fall within my taste, somehow the characters always leave a sour taste in my mouth. Take how they introduce new characters to see the difference in their approach. Last week Saekano introduced a new “boss”: Kosaka Akane, and she surely makes the most out of her introduction with over the top gestures, screaming, demanding and even deranging her face. Her extreme actions have a purpose though, as she was pushing our characters to their limits, but I still have issues with that. In Eccentric Family, they highlight the “boldness” of the tanuki who love to dig hole through showing us many subtle details. Yes, she’s quirky alright, but the new girl wouldn’t be that distinctive if she hasn’t make witty comments WHILE poking his frog-face with whatever things she was holding (the YELLOW fur of fate) and running around the hole carelessly in her BARE FEET. And I haven’t get to the part that she recognized Yajirou (by his name no less) just by sniffing at him (how awesome!) and they already have some sort of history before with the Fake Train and all that. This show knows how to make a good impression on their new characters and to top it off, her chemistry with Yajirou is amazing. Well, the girl who was born to dig hole to meet a guy who literally lives in a hole. I can’t think of anything else to say except that they’re born for each other.

The inner parlor rooms where the Kincho clan resides are another case of impossibly huge interior space that The Eccentric Family is famous for. In this case, they can change in shape and size as well. However, it’s soon revealed that the lazy grumpy guy who we don’t even get to see his face might be the real Kureichirou. Which means who the hell is this monk back home and why reveal that twist that late of the game? It will have to do with the climax, right? Whatever the reason that the guy tries to impose as the eldest of Ebisugawa might be, it’s all from his good will as he has done nothing but trying hard to make peace for the two families. As for Yaichirou, the moments that he become the next Nise-emon, I actually feel that he’s truly earned it. His father said some wise advice here and if there’s anything to indicate that Yaichirou doesn’t follow his father’s footstep, it’s that he still very much sincerely cares for all his brothers. Gyokuran have many solid moments with Yasaburou and even outshines him in some scenes. The Eccentric Family really knows how to develop new characters that fit right in with the old cast and the world around them.

At long last, both Yasaburou and Kaisei get shot down and on their way to become a delicious tanuki hot pot. Till death do us part, hey? If there is one thing that we should learn throughout the course of this series, trust Kaisei’s instinct. Like when she hears the sound of music, you better know that you’re about to be in deep trouble.

Posted on 6 June 2017 with categories: Currently Watching:, Uchoten Kazoku

This episode sets up nicely the main conflict for what seem to be the final arc of Eccentric Family: the coming Nise-emon to choose the prime minister of this Kyoto tanuki clans, but bigger and more serious affair is the rival between Benten and Nidaime, now that Yasaburou single-handled creates the situation where the two of them have to face off each other. Their rival has been built up since the beginning of this season, and with both Nidaime and Benten are amongst the most kick-ass characters in this universe, there’s a lot to look forward to. I’ve mentioned many times about their chemistry in previous write-ups – Benten has some sort of identity crisis, follow both human and tengu’s rituals (Friday Fellows and the successor of great Tengu line); Nidaime, whom his whole life has been avoided following his father’s Tengu path – and this episode is all about Yasaburou set them up to their confrontation. As such, this episode loses the richness of previous episodes, but I won’t complain if it builds up to a satisfying conclusion to our cast.

Now, Yajirou is officially leaving Kyoto, and the brothers come to see him off. I completely understand the reason Tousen didn’t come to see him. Saying goodbye is hard, but seeing someone off is ten times harder as god knows how long you will see them again. The remaining of the episode though, focuses mainly on the next Nise-emon election, but for once I see no contest in that election at all. Mainly because we spent nearly 2 seasons following Yaichirou, and for now his competitor, Kureichirou’s only defining traits are his calm demeanour and his positive attitude towards the Shimogamo. Even in previous season when Yaichirou had to go against Soun, he had a real shot of becoming a Nise-emon, so I don’t think Kureichirou poses any real threat there (he doesn’t seem to care for the position at all). But one problem arises, Akadama-sensei refuses to be the observer, instead asking Benten for the position. That doesn’t bode well for the tanuki, of course, since Benten ate their greatest Nise-emon of all time in a delicious hot pot stew before.

That’s where our Yasaburou comes in, after failing to change Akadama-sensei’s mind, on a whim he decides to ask Nidaime as an observer instead, knowing full well the outcome. Knowing Nidaime hates to own tanuki any favour, Yasaburou frames his request as a form of payback all the favours, thus he’s able to convince Nidaime. Benten certainly doesn’t like that idea, so she’s basically bullying the poor tanukis on their meeting. Remember Nidaime:2 – Benten:0 for now, how will it goes from there? Ah we also have Benten‘s brother lurking somewhere in the forest, so how he, the Thursday Club, the Friday Club come together again in this epic final arc? Looks like it’s going to be exactly like what Yasaburou sings out of his boredom:

“I’m always causing trouble,

A whole lotta trouble,

I’m always gonna disturb the peace,

Always gonna disturb the peace.”

Posted on 29 May 2017 with categories: Uchoten Kazoku

Woah, there’s a lot of things going on in this episode. This week, The Eccentric Family returns to themes that it is most comfortable with: family and life’s purpose which have been put mostly on the sidelines this season. The episode, in hindsight, is a string of many effective scenes combining, making this week one of the most diverse cast we have this season, yet all these sequences point towards the family’s responsibility, the red fur of fate and individual’s goal and deliver many resonate bittersweet moments. Eccentric Family might just release its best episode to date here. First, the ongoing feud between Shimogamo’s and Ebisugawa’s families have finally come to an end as the young head of Ebisugawa: Kureichirou brings down the annoying twins to the Shimogamo to amend for their father’s evil actions. Like Tousen said earlier, it’s idiotic blood of the tanuki that make them fight against each other (but aren’t we human the same?). Yaichirou of course doesn’t want any more conflict so they agree to lay off that dispute and shake hands. Well, since we were witnessing along them how the feud come into its biggest confrontation in the first season, seeing that war was resolved completely feel like a triumph for me. Just imagine how Kureichirou could bring the stupid twins to kneel down and offer to be pulled out fur from their butts (which I could imagine a very humiliated tanuki way) make me realize how influential the guy to his brothers. This sequence links well to the theme of family, now with the former powerful heads of each family gone, the young heads have to settle down and have to choose their own ways; there’s no point in continuing the feud, must like there is no point to punish the Ebisugawa’s sons for what their father had done.

We also have all the members of Shimogamo (plus one future member) meeting together. This episode smartly showcases the development of each brother in the family. Yajirou can be able to transform again, although he still can’t stay in his shape for too long. Yashirou, with the help of Kureichirou, has a whole lab for himself to experiment whatever he likes. In term of personal conflicts, there is a lot to chew on as well. Yaichirou feels his responsibility to look after his brothers, to guide them to their own paths, and to become like what their father did. Of course, the first two are genuine but Yasaburou points out the last point that he doesn’t need to shoulder the responsibility of a dad. Because he can never fulfil that role, nor he need to be (he was sitting the exact same spot that his father had dinner before he disappeared). Asking Yasaburou to marry Kaisei in order to have something for Yasaburou to protect is an interesting valid point, but doesn’t Yasaburou’s everyday chores are to take care of his sensei and protect the people around him? Yassburou might be too carefree to never consider what is his real goal in life except slacking around, and Kaisei’s comments in the end all point out to his lack of responsibility, but remember he was always the first to run to his mother whenever thunder came, or helps out his sensei whenever possible.

Benten also makes an appearance in this episode; and she’s having a date with… Nidanme no less. Their conversations are still pretty vague right now, but I do hope Nidanme isn’t into Benten like almost every male creatures in this Eccentric Family’s universe. (She’s bad egg, don’t cha see that?) One thing for sure is that he comes back to this town because of their previous encounter in London and they remain awkward, but surprisingly no ill-resentment to each other. Then it’s Yajirou who have a juicy role this week, as he decides to leave Kyoto to find his own path, much to the dismay of Yasaburou. For Yasaburou, whatever happens, the family stays together, but Yajirou will forever be a frog if he still stays under the well (the image of all his belongings fit right into a hankerchief is serious sad – and there is greeting from Kaisei here). The brotherly talk brings so much warm to the scene, and the tender score really hits its spot. This is a sudden but believable development from Yajirou. Yasaburou doesn’t cry (he proclaimed himself that he never cry, and doesn’t have any weakness – both of which were prove untrue in this episode), but he ends up running to the mountain to sulk for A WEEK, which of course is far more immature.

And finally, it’s Kaisei’s secret. In truth, the only disappointment I had for this marvelous episode is that I expected a lot more Kaisei’s moments this week. In reality, she only appears in the last 5 minutes though, but boy she sure delivered. Her secret, turn out to be such sweet twist that tie up the red fur of fate nicely. The sight of her makes Yasaburou’s transformation come undone. Plain and simple. Just like how the presence of Benten did the same thing to Yasaburou’s father. That explains how she can transformed the hypnotized-Yasaburou-bear back to tanuki few episodes back (great foreshadowing). Apart from the fact this is one of the sweetest thing I’ve seen this entire year bar none (the exchanges, especially when she cracks up, are extraordinary), the revelation 1) just shows us how thoughtful and attentive Kaisei has always been to the people around her, especially to Yasaburou. While Yasaburou’s reason for rejecting this proposal idea is mainly about himself and his freedom, Kaisei’s reason has always been for his sake. It’s obviously hard for her to hang around Yasaburou, especially he’s the one she cares dearly for (common, this’s pretty obvious now) 2) more importantly, Kaisei represents the cage that block Yasaburou’s freedom of transformation. Remember they mentioned that tanuki can’t transform inside a cage, because they lost the freedom so to speak. So to choose Kaisei mean that Yasaburou agrees to give up his transformation altogether, which you know he would never do. Such fate that can never bring the two furballs together – the red fur of fate. We have for ourselves a true star crossed anime here.

Posted on 23 May 2017 with categories: Currently Watching:, Uchoten Kazoku

For a show that has a knack for little moments, this episode is one of the rare times that Eccentric Family goes for big dramatic emotional route, and manages to knock it out of the park. Soun, in the end, serves no more purpose than a pawn in a chess. Wicked all the way, but died abruptly and meaninglessly. Everyone might just brush off and say that he deserves it, but for once I can see his real struggles there. Running away from tanuki society, he aims to join the Friday Club to hunt down all the tanukis that “betrayed” him, but all his efforts and careful schemes are all taken away by spurring moments by Yasaburou, who obviously doesn’t even try, nor care at all, but getting everyone’s approval instead. Irony is there. The natural order is there, too. At the end of the day, doesn’t matter if they’re a hero (like Soichirou) or villian (like Soun), ultimately they are just a weakling tanuki who died helplessly at the hand of the human. Soun doesn’t end up in hot pot tanuki stew, but his death is equally vulnerable. In fact, building him up as evil and ruthless make his defeat even more tragic.

But before that resting moment happened, we have quite an eventful day out of Yasaburou; the more amazing when you notice that last week and this week occur in a span of one single day – where he enjoyed a public bath, went through hell, watching Oni wrestling… and back, enjoyed mixed onsen (boy, that IS truly heaven), having crazy dinner party afterward. Just like what I gathered from the new movie “Life is Short, Walk on Girl”, also written by Morimi. The whole movie happens in a span of a single night, but the events feel much longer than that. This is on purpose, of course, since what is a better way to highlight the enjoyment of busy carefree life by crazy events one after another? It is the magical realism not only by its settings that consists of many mythical figures; but also by warping a sense of time that feel much longer than it supposed to be.

And that wrapping sense isn’t only limited in time, but in space as well. The Eccentric Family has various impossible physical interior places that looks much grander than it supposed to be. Last few weeks we have Nidaime’s cozy apartment that situated in a roof of a small, washout building; we have a hole in a shogi board that actually has a secret room inside it; we also have a painting that have a whole world inside its own; this week they might have its greatest addition: a three-stories train by Jyurojin whom its first story is his office, second story is a dining room and the third one has an open-air onsen with bamboo pathway to boost. The interiors clearly don’t fit with the exterior outside, but that is again intentional to highlight this magical world.

Jyurojin emerges himself as the real threat this episode, especially now when Tenmaya joins him again as a faithful servant. You dare to defy the Friday Club purpose? You get a gun pointed right at you by him. You want your dragon stone back because you couldn’t get in the club? No way in hell. When he mentioned he’s scared of the Painting of Hell because it reminds him of his own inside he seriously gives me a chill. The banquet night, likewise, isn’t your normal banquet. Things quickly go out of hand when Yodogawa sensei declares his love for tanuki (“Love is something you have to force on others”, haha), and protests tanuki stew hot pot tradition. Jyurojin quickly ties him up and “force on his love” to sensei by shooting him in the face, and he means business. Yasaburou then saves his friend by expelled himself from the Thursday club in order to change sensei mind, but Bentei gets the clue and asks him to join the Friday Club instead, meaning he will eventually get to eat a delicious tanuki hot stew. Benten has been very playful this week (guess she’s really in a good mood). That decision also means the total exclusion of Soun, and our Yasaburou is the stone that cries in this episode.

I’m glad that Kaisei has an excellent moment this week, and it appears she will get more spotlight now, as next week will be her episode: “Ebisugawa Kaisei’s Secret”. I have a feeling her secret will be dark (maybe she’s adopted by Soun?), and I hope whatever the secret is, it doesn’t involve with the death of Soun. After all, she takes her father’s death surprisingly calm, doesn’t it?

Posted on 15 May 2017 with categories: Currently Watching:, Uchoten Kazoku

Hell, this episode of Eccentric Family sure is surreal. While this show has always been your very definition of magical realism series, the latter half of this episode leans far away from the “realism” spectrum with the most ridiculous catch ever: Yasaburou found himself inside the Painting of Hell, being pushed by none other than his uncle Soun. But true to Eccentric Family’s universe, this version of hell is glorious and bright, with Oni who as cool as a cucumber (off track but why the cats so afraid of cucumber by the way?). Really, what an episode! The sequence in Hell totally won me over for its rich background details, stylized world of industrial ruins in hell. And then we have Oni girl commenting on hair fashion. And then we witness Oni demons doing wrestling matches. And then tanuki flies off the sky. My mind’s blowing with such goofiness. This season of The Eccentric Family just getting better and better and now with the main antagonist starts to appear (in this case, reappear), the plot is rolling much faster now.

This first half continues to give more screen time to the recurring characters as Yasaburou visits them along the way. First, Yodogawa-sensei gets kicked out of his teaching because of the influence of the Fellow Fridays (the show makes it like it’s no big deal at all but it’s scary when you think about his situation applied in real life), as a result he has to retreat to the rural forest whose wild boars are all around. But the interesting bit lies in his assistant, Suzuki, whose has the same hair color and the same eyes with Benten (her real name is Satomi Suzuki). Indeed, it wouldn’t be far-fetched if he turns out to be her brother. Heck, I’m quite amazed the way The Eccentric Family just throw new characters in the scene without any proper introduction or exposition, and then by the little information we gather and by the way they behave, we have to work out who they are and how they’re related to the big picture. The best thing of all is that those new characters, even without proper introduction, fit right in with this universe. Prepare for some sibling reunion (and maybe tissue-grabbing moments) later down the road.

Second, let’s talk about our Kaisei. Finally she’s back and I enjoy every conversation between her and Yasaburou, even if the majority of their chat is about she’s being busy lately for some reasons unknown and her jealousy towards Yasaburou’s affection for Benten-sama. Later, that ninja tanuki teleports from one red post to another (not really!) to follow Yasaburou around is so endearing and whimsical to watch. Great chemistry there, although I would prefer she has some more development for herself. Last season she was special for her ability to appear in the right time at the right place (like how she transformed into the stair to help Yasaburou and Yodogawa-sensei last season), it has been sorely lacking this season as all she does for now is hanging around Yasaburou at her own pleasure (I hope you get the signs, Yasaburou) or disappearing into thin air.

But the biggest reveal of this week’s episode is the return of Soun. In truth, he has never been gone. He sneaks around that Arima onsen, and preparing himself to be the next candidate of the Friday Fellows, meaning providing a new tanuki hot stew and will eating it himself. CANNIBALISM. Kind of freak me out how inhumane (in-tanuki-ne) Soun has become, as he refuses himself to be a tanuki anymore – in a way just like Nidaime who refuses to be called tengu. But to tell you the truth, this is the most glaring issues that I have with The Eccentric Family back from the first season: Soun and the twins are just badly-written characters in otherwise a sincere character-heavy show. They’re the characters we love to hate, and Soun proves once again to be evil all the way. When you see it that way he resembles the villains in Disney movies: ruthless and evil.

And then we get to the second part. The Painting in Hell part. I’m not at all exaggerating when I say that this is one of the best sequence I’ve seen this year. Period. The sequence is so great that it’s compatible with another hell episode (Showa Rakugo) in terms of greatness. Prior to this episode, I had expected that the Painting in Hell would come up as a reference only, so seeing Yasaburou actually gets sucked into that world is eye-popping to say the least. Only in mere 10 minutes, that hellish world is well realized, both as nothing we’ve ever seen in this series, yet somehow never out of tone. Instead, it’s one of the brightest and most whimsical version of hell that I’ve witnessed so far. Then the Oni demons come and they turn out to be a very enjoyable bunch. For such a limited screen time, that Oni Girl already appears as adorable and trustworthy – not a small feat to pull off at all. And then the most absurd moment that no one would never have anticipated: Benten wrestling with the Oni demons; in order to collect their horns and exercise some muscles. She’s taken by surprised as well when she sees Yasaburou in this living hell, but her genuinely joyous moments are truly the best moments this show had to offered. Definitely the best episode The Eccentric Family so far, this episode highlights the show in its most magical sense. In fact, watching that Hell part making all the previous episodes somewhat improved in retrospect.

Posted on 8 May 2017 with categories: Currently Watching:, Uchoten Kazoku

Who would’ve thought that the chaise will be a declaration of war in that universe? For the record, their head-to-head battle: Nidaime:2 Benten:0

If last week was all about romance – which now looking back the Eccentric Family had never actually focused on this aspect before – this week we have dispute as a main theme – tanuki and tengu disputes, such fool and prideful creatures; another reflection of their idiot bloods. This week manages to be one of the best episode of all season, offering both the magical sensation this show is famous for, and further deepens the conflicts and most of all just full of beautiful, heartfelt moments. I’ve realized that reviewing Eccentric Family is getting harder and harder since I’m embracing the show so much that instead of critique I’m just babbling about my favorite moments. But damn it, let’s do it anyway.

The first half we have a continuing of our tanuki love from last week. Turn out Gyokuran, Yaichirou and Yasaburou were sucked into his father’s secret shogi room, which in turn is the place where 1) it linked directly to Akadama-sensei room and 2) their parents were trap by none other than that old cranky tengu and then their love blossomed. Such lovely details. Eccentric Family don’t usually go sweet, but they handle that romance with such heartfelt. I guess Akadama-sensei is actually useful for once (in truth, he looks like a mighty, proper professor this episode), bringing the courage between two individuals who too shy/stubborn to admit their love – and what they say to each other is rather simple, TO THE POINT (other anime takes note, cut out all the Bibbidi-Bobbidi-Boo bullshit and the romance is strengthened). And that lovely story from Tousen seriously melted my heart. The storytelling of Eccentric Family is as strong and effective as ever, even the comedy really hit home as well. I have a good laugh when Yaichirou gets dokidoki he bumped his head to Gyokuran, roleplayed by Yasaburou. This first half is up there as one of the most magical moments in the whole Eccentric Family, hands down.

As the title suggests, the leisure cruiser battle begins, again. I’ll be frank, this year’s battle just can’t compare to the one in last season; both in scope (last year the Shimogamo was an underdog; this year do we have any doubt they would lose to the stupid twins?), and in the excitement it evokes (they don’t even focus on the Daimonji festival for Christ sake. Such a waste). The only stand out moments were when Gyokuran loses her temper at the twins (she fits right in the Shimogamo family. No doubt). Seeing another vulnerable side of Gyokuran sure is great fun, but also witnessing the bus (Yajirou) landed right on top of the cruise that literally blew everyone out is the whole other experience together. It is a tradition for tanuki to enjoy themselves in a floaty house on the Daimonji festival, now adding the dispute between those tanukis as part of the tradition as well. While this sequence sure highlights the slapstick, silly nature of the show, it sadly is the weakest part of this episode, but I guess mostly due to the fact it was bookended by two stellar sequences.

Right after the chaos created by the tanuki, the tengu takes the stage. Nidaime comes to pick up his chaise, whom Benten took for her sightseeing. Now I am convinced that the reason Nidaime come back to visit his estranged father have something to do with her visit in Britain. For now, I guess that she triggers him in some ways, but her true intention is still for him to see his father (I’ve learned the roundabout logic of the tengu. So it seems). The final showdown between Nidaime and Benten comes as quickly and unexpectedly as none of us would guess. Indeed, blink and you might miss the outcome. It’s the first time we see the weak, helpless side of Bentei, when all her pride is strip down by the (foreshadowing) beaten. As Yasburou points out, there is something that hold her back? What is it then? I love the last part, as Yasaburou stays behind, looking at Akadama who solace Bentei. Now the ED sequence starts to make so much sense. We see Bentei visiting Britain, and later we see what likely is the continuing of that last scene. Akadama carries Bentei on the back, Yasaburou picks up her lost thong from behind. That is pure visual storytelling my friends, when two such simple shots can tell us much about the mood and the emotions of the scene. Likewise, what Bentei admits, that she’s frustrated, while sitting at the pond, is understated and just goddamn fantastic. I have never thought she’d be no match for Nidaime. But what are they even fighting for? Tengu dispute? From a human and a tengu turned English gentleman? Over the chaise then? That makes no damn sense.

But really,

I’ve truly missed Kaisei.

Posted on 1 May 2017 with categories: Currently Watching:, Uchoten Kazoku

Time for little furball romance. This week is all about pairing up Yaichirou and Gyokuran and she definitely fits the show like a glove. So far, Eccentric Family has been successfully follows Yasaburou around with his frantic odd jobs, while at the same time reintroduces the old cast and more over fleshing out the new additions, as such this week is another great week for our furballs adventure. We have a solid 3-arc standalone development for our new girl, Gyokuran. She first appears in this episode when she pays Yasaburou a visit, he himself serves as a stand-in for Okazaki family – a zoo tanuki family that consists of dozen members that all go to a holiday on a city bus (how can you even beat that?). Upon the conversations two things are pretty clear about Gyokuran: she’s lovely, caring person and she has romantic feelings towards Yaichirou, but they had a “tragic past” that prevent Yaichirou from playing shogi with her again (in other words, silly little reason – she was purposely lost that made Yaichirou raged).

But good things never go as plan in the world of tanuki. Despite making the best efforts to bring back such an old tradition of Shogi Competition (which in truth is the match between only 2 players: herself and Yajirou the frog) to tanuki community, small disputes between the idiot twins and Yasaburou bring annoyance and chaos to the event. Gyokuran shows her insecure side by transforming into a white tiger to snap back the twins. The commotion upsets Gyokuran so she holes herself up and refuses to meet everyone. Yasaburou shows up to make amend and bridges the love between Gyokuran and Yaichirou. All those flashbacks are lovely, which I’m particularly impressed with the second flashback when the young kids looking for Yasaburou: the atmosphere, the vivid background and the sound of the wind really bring a sense of overwhelming-by-the-nature to life. The shogi match at the end between the love birds feel like a natural progression for their relationship. Gyokuran appears as sincere, yet insecure who like Yaichirou is torn between responsibility with the community; her own family’s tradition and the desire of freedom. Just like how the tanuki lose their ability to transform when they’re inside a cage.

This episode further examines the main weakness of Yasaburou. Yasaburou lacks any sense of responsibility, that we all know well. So far, his carefree attitude breaks the normal convention to bring something fresh, fun and exciting to his everyday life, but when putting in the context of society, his impulsive actions tend to bring trouble to the people around him. Sure, the twins start the fight but it’s just plainly irresponsible of him to ignore all the efforts of others and fight back. I actually feel worse that he shows little remorse over the consequences. Likewise, he can’t understand the appeal of shogi in which discipline and patience take priority. For him, he rather invents new rules instead of follows the old beaten path. But given that he’s flexible in every situation also equal to Yasaburou is very quick to console others from their disappointment. His meeting with Gyokuran where he humors her by his silly shogi moves and directly tells her to go for what she’s feeling because “why not!” says the best of his characteristic to bring optimism and enthusiasm towards other members.

Other characters all doing fine this episode whenever they appear on screen, but it’s those characters who don’t appear this episode that makes me kind of puzzled. I can overlook the absence of Kaisei (she comes and goes as she’s pleased, just like Benten), but I can’t think of any reason why Yashirou didn’t appear in the Shogi Tournament. I know The Eccentric Family has such large cast so it’s better to divide them up but please don’t put them away for too long or make them disappear inexplicably. Hopefully as the story keeps rolling forward together we will have everyone appears again soon. Other than that, Tousen steals the scene by offering Yasaburou an offer that he can’t refuse. Yajirou is as observant and cool as ever and Bentei, OMG Benten, she comments how petty Nindaime is but she proceeds to ruin all his shirts and flies off? I’m hype for their crash in the future. As of now, like the old tanuki say, after beating Yaichirou, Gyokuran is taken by the God of Shogi (remember this guy? The one who made a contract with Rei in 3-gatsu). Or is it Father’s forgotten secret room? We will have the answers next week.

CHANGE USERNAME
Kaiser-Eoghan
@Mario: She's a coin toss with me .
AidanAK47
Made some changes. Try joining again.
SuperWooper
The Discord button works for me, Anon. I'll bring it up with Aidan to see if there's anything we can do on our end.
KTravlos
Ok LOGH episodes 10 and 11 were quite good, and it hit me harder than the original on how much talent the alliance lost at Armistar. That said episode 10 at the end showed a major problem with rendition which is long filling shots (in this case the imperial fleets taking flight).
Anonymous2254364
The Discord "Join Server" button leads me to an "Invite Invalid" page, and from there to: https://support.discordapp.com/hc/en-us/articles/360001556852
SuperMario
I'm thinking of catching Maquia in theater as well. I'm not too hot on Mari Okada but every anime releases in global cinema should be a cause for celebration
Kaiser-Eoghan
Part of me is considering seeing Maquia , anime films don't get shown over here often, I feel I should support the cinema releases.
Kaiser-Eoghan
That was essentially my concern, that the writers would muck up Yuri's decision and create some hole in the story. Though they definitely need to commit to killing him off now.
Lenlo
I had a suspicion it would happen Amagi. I figured it would be a question of Yuri's character which way he went, even if I suspected this would be his choice
Amagi
@Lenlo & Kaiser: I expected this to happen. I was only unsure because I didn't know how deeply integrated Yuri's gear was. It's the only good way to conclude his character arc and the series as a whole. Kinda hope that all those "die"-death-hints are actually just a metaphor for the death of gears and the commercialised power-augmentation in sports.
Amagi
@Aidan: yeah and they're overinterpreting stuff. When you really love a series and watch it 10+ times you'll notice things nobody else will ever see and things that are most likely not even there or at least not planned. Then they see a sequel or somethign for the first time and of course they won't see the same 100 hints and deepnesses they believe to see in the original
Lenlo
Alright. Personally, I am pumped for Megalo Box's finale. I am so glad I was right in what Yuri did. It was great at building it up. Heres hoping it doesnt throw it away next week
AidanAK47
Like that's what really annoys me about Evangelion fans. The way they talk about the show, they assume that Anno was completely aware of the impact the series would have from the start and planned every intricate detail to perfection regardless of importance. But that's not just untrue by opinion, but is objectively proven untrue.
AidanAK47
@Amagi, There are some legitimate complaints like the audio Muxing not being great. But I hear stuff like the original character in the first season being SO much deeper and think "What?". If it's one thing that really annoys me, it's when people start talking about a show like it's a planned masterpiece.
Kaiser-Eoghan
Risky move there by Yuri in megalobox ep12.
Kaiser-Eoghan
Sometimes the voice acting isn't good in both versions, Elfen lied and the original flcl didn't have great voice acting either in English or Japanese.
Kaiser-Eoghan
I got into the habit some years ago of watching most anime with dual audio because I used to do short reviews once upon a time and switching back and forth between subs and dub while marathoning a show gave me best of both and I could talk about both the English and Japanese versions when reviewing.
Amagi
I usually don't even watch dubs but considering that there is no other option here (yet) I did it and think it's pretty good, especially Haruko.
Amagi
@Aidan: Was thinking the exact same thing about FLCL. I fail to see how the original is much different than the sequel. For me it's pretty much the same thing - they tried to keep the style but change the frame to avoid copying it 100%. I enjoy the new series and love the characters.
AidanAK47
Dubs pretty good. Watched it dubbed myself.
Kaiser-Eoghan
Probably a good thing then that I haven't seen the original in a long time then, which I thought was alright but got better as it went along. How is the dub? Only the dub is out as far as I looked on Nyaatorrents.
AidanAK47
Alright, finished the 3 episodes out. I enjoyed it. It was a fun watch. But I gotta say that the reaction online is rather annoying. I see the original series getting placed on a higher and higher pedestal. Part of the reason I may be enjoying this series is because I didn't examine the previous series under a mircoscope and pretty much acknowledge that it was just a animators showcase.
Kaiser-Eoghan
@Aidan: Probably not as GREAT as Onizuka though.
AidanAK47
So I started watching the new FLCL and let me say that this new teacher is the greatest teacher I have ever seen.
AidanAK47
Don't think it's on Netflix. Though I think that Stardust crusaders is airing dubbed.
Amagi
Is this series on Netflix? It was always one of the few anime that were very popular in the West while still airing weekly and with subs (and despite the fact that we didn't even have the manga in the West)
Amagi
Man that's awesome. Also I have to admit that part 6 is probably my favorite so it's great to know that they'll most likely animate everything.
Amagi
What the hell
AidanAK47
JoJo's part 5 anime announced and it's about goddamn time.
Lenlo
Id agree to that. Im mostly interested in where it goes after what looked like a pretty final ending. Im guessing timeskip of some kind, or World Line switch
Kaiser-Eoghan
I didn't think any of the drama in this episode rung false.
Kaiser-Eoghan
Pretty satisfied with steins;gate this week, kept things moving and the stilted style of the show didn't get in as much the way of the setpiece that was in this episode.
Kaiser-Eoghan
I'm quite surprised by how I've gotten over a 100 chapters in and Asirpa hasn't been fanserviced explicitly.
Kaiser-Eoghan
HH Holmes had a death hotel actually.
Kaiser-Eoghan
Actually I think one of the criminals was based on a real person.
Kaiser-Eoghan
The author really likes referencing real people to, Bonnie and Clyde , Ed Gein, some American agriculturist and the inventor of some refile .
Kaiser-Eoghan
Its very true that golden kamuy does get goofier and thats true for the manga also, though theres a prisoner weirder than the one in episode 11 he does advance the plot further. One of the soldiers gets some backstory too. Sometimes the goofiness works but at others doesn't.
SuperMario
I'm watching the new FLCL and planning to review it once it's done. Maybe.
Kaiser-Eoghan
In my quest and love of historical manga I wound up running into this, these guys are translating it over at their site: https://blog.manga.club/blog/mangaclub-blog-vol-10-jose-rizal-serialization/
Lenlo
Not yet, no. Plannin on it this weekend
Kaiser-Eoghan
There are three episodes of the new flcl out. I haven't seen it yet and its been ages since I saw the original, has anyone watched any of the new series?
Lenlo
I can understand that. Anything less than a 3 I often dont finish/deem worthy even being talked about. In anime or movies.
Kaiser-Eoghan
Its too hard to give 1/5s or 2/5s.
Kaiser-Eoghan
Despite my complaints I gave it a 3/5.
Kaiser-Eoghan
....feck sorry about that. I didn't think anyone else on here would have been interested =< Thanks for removing it.
AidanAK47
Come on Kaiser, even if I didn't get anything out of it doesn't mean that other people won't. Best not to put a big spoiler on the front page of the site.
AidanAK47
Just deleting a spoiler there.
Kaiser-Eoghan
That production company tend to do quite poor trailers that misrepresent their films.
Kaiser-Eoghan
I would probably punch someone for laughing/talking during a horror film though.
Kaiser-Eoghan
Babadook did the grief horror better. Though honestly my favourite horrors this year weren't American ones.
Kaiser-Eoghan
Upgrade might end up being more fun, which is an action horror comedy.
Kaiser-Eoghan
@Aidan: While terribly schmalzy and lacking a proper ending, quiet place had a better idea and atmosphere.
Kaiser-Eoghan
@Aidan: In the end it just felt like comparisons to Rosemary's baby and the Exorcist hurt the film. I just thought it was an awkward mix of commercial and indie horror. Like a lesser version of the conjuring.
Kaiser-Eoghan
@Aidan: I didn't laugh but I also couldn't really feel it/connect with it.
Kaiser-Eoghan
@Aidan: I also disliked how it answered its questions and story rather than leaving stuff unexplained and the actual exposition in the last act was quite awkward.
Kaiser-Eoghan
@Aidan: I saw it on Thursday, it doesn't live up to the witch or even it comes at night. On one hand I appreciate limiting the jumpscares and gore, going more for atmosphere and character drama. Toni Collette and Gabriel Byrne kind of hold it together for me. But the two kids, like in most horror films were awful.
AidanAK47
Just seen Hereditary. The so called scariest film since The Exorcist.
So scary that people in the cinema were laughing.
Vonter
I've been playing Hollow Knight on Switch. It's perhaps the longest metroidvania game I've ever played. The game has a nonlinear progression with a lot of optional areas, which add wonder to the somber and mysterious tone of the game.
Kaiser-Eoghan
I also like how much Nagai overstylizes, overdesigns his characters.
Kaiser-Eoghan
Not that its abandoned its comedic elements.
Kaiser-Eoghan
@Sash: The twin tailed girl got impaled and its gone in a somewhat darker direction yes.
Sash
apparently cutie honey is getting devilman vibes.. haven't watched it though so take this with a grain of salt
Kaiser-Eoghan
@Lenlo: Somewhere in my head is an image of Baraka from mortal combat in the same picture as Himiko Toga.
Lenlo
Hero Aca, still my favorite Shounen.
AidanAK47
Just got the Re:zero Blu-ray a whole ten days before it's officially released. Gotta be the first to see the dub.
Lenlo
Yeah. Her whole scene was terrible. As much as I loved Maho in a pando costume, it should have stopped there. We didnt need the groping.
Kaiser-Eoghan
FERRIS NYAN-NYAN OmO kill it, kill it with muh-fire, kill it with muh-fire.
Lenlo
Also, Megalobox, hot damn. I love it. I love it all. Mmmm I cant wait.
Lenlo
Partly, yeah. Im mid writeup for it. Suffice to say the fan-service was... alittle awkward to me
Kaiser-Eoghan
Filler episode of Steins; gate this week.
Lenlo
I cant wait to see it, ive heard good things
Amagi
Damn I love Megalobox so much it's my favorite series this season.
AidanAK47
I can't wear a suit to work everyday
Kaiser-Eoghan
*wotaku's
Kaiser-Eoghan
You are now aware that you un-intentionally stealth cosplay as watoki's protagonist each time you go to work.
AidanAK47
Pretty sure Psgels is paying to keep the site up but it's not a sum that one would consider significant. Site is dirt cheap.
Kaiser-Eoghan
I've thought about using MPC as an extra player, while mainly using vlc, but vlc can be buggy for me sometimes in that it lags and pixelates the video often , I've used MPC on videos that vlc bugs-out on and they work better.
Kaiser-Eoghan
Out of curiosity, what videoplayer (example media player, realplayer, winamp, vlc, mediaplayer classic)do all of you use for watching anime?
Lenlo
You silly old people
Kaiser-Eoghan
lol how do you think I feel, I've been at this for 20 years =P
SuperMario
All these "confessions" just underline how old we all are; and still keep on that stupid hobby after all those years :))
SuperMario
I first visited the site around 2009, 2010 but was pretty much a lurker until I started writing for the site.
SuperMario
As far as I know, psgels gave the admin privilege for K-Off and Aidan, and it's K-Off who pays for the site now (other admins pls confirm)
Kaiser-Eoghan
Of course I have no idea how much it costs to keep the blog up, he could always end up stopping paying for it if he needed to cut costs.
Kaiser-Eoghan
I'm actually curious in estimating how much longer the blog has left. Obviously psgels must be still paying to keep the site up, but he is, of course only mortal.
Kaiser-Eoghan
The blog began in 2005, but I started reading it in 2009, began posting on the chatbox in 2010.
Amagi
I wonder which weekly review was the first one I've read on psgels. I remember .hack//roots but not sure if it was the first one. Could very well be the case, though.
Amagi
Nevermind, despite being an old as shit reader I never actually read the whole text of the about-part.
Amagi
How old is this blog anyway? I am a regular reader since 2006 or something although it was only recently that I started talking here.
Lenlo
Oh I know all about that Kaiser. It was amazing to read about
Raggers
Wow, this is still going? Good on you guys
Kaiser-Eoghan
*wiki article
Kaiser-Eoghan
@Lenlo: Read the cultural impact of the original ashita no Joe on the youtube article, Japanese actually mass mourned him
Kaiser-Eoghan
Some writers just know how to get an un-explainably effective rhythm going.
Kaiser-Eoghan
I always struggle with commenting/reviewing mood pieces and slice of life mood pieces especially, even when I finish something in the genre sometimes I'll go "I don't understand why this worked so well for me, why wasn't it boring?"
Anonymous2194677
Microsot E3 Press Conference was nuts, they showed too many games.
Anonymous2189608
Hey guys, I made/edited my very first video about a show I greatly love, hope you'll give it a watch too:

https://youtu.be/PdjwePOIbQA
Anonymous2187735
Yeah, and an NES prequel to Bloodstained Ritual of the Night launched a couple of weeks ago. And while easier than NES castlevanias it's quite fun. Also very cheap only $10.
Kaiser-Eoghan
Alas, I've not kept up much with the videogame scene in a number of years. I know there's a spiritual successor to castlevania being made though.
Anonymous2187735
Sorry Nightmare Creatures its what it's called.
Kaiser-Eoghan
Actually come to think of it, the 64 games probably had more vampires than the others I played.
Anonymous2187735
Have you played the game that inspired this Castlevania? Deadly Creatures?
Kaiser-Eoghan
Never did get round to playing as Henry though.
Kaiser-Eoghan
I remember the garden stage being especially frustrating as Schneider because of how slow he moved.
Anonymous2187735
Also that game demands you to play on normal or higher to play beyond that nitro stage.
Kaiser-Eoghan
I remember having to finish the game in a day because I was saddled with constantly rubbish memory cards for my N64.
Kaiser-Eoghan
Sorry, I post fast and long so some of what I say probably might get missed/skimmed over.
Kaiser-Eoghan
Actually I did mention it, called it the nitro stage.
Anonymous2187735
Still I think despite the flaws it's has become fun for me because I surprisingly get better each time I play it. and last time I make the game chug because of how fast I was progressing.
Anonymous2187735
Yeah. But I'm surprised you don't mention the worst part. The Nitro and Mandragora level. In which you have to go across several rooms without jumping.
Kaiser-Eoghan
@Anon: I remember the game punishes you for using the item seller guy too much aswell.
Kaiser-Eoghan
I remember the mansion level being creepy back then.
Kaiser-Eoghan
But the werewolf thing was pretty rad.
Kaiser-Eoghan
And then there was that crumbling labyrinth stage. I remember on hard mode you have to fight the chainsaw gardener too.
Kaiser-Eoghan
The art tower stage is also annoying if you run out of day/night cards.
Kaiser-Eoghan
Also it wouldn't let you finish it properly if you took too long.
Kaiser-Eoghan
@Anon: The N64 castlevanias have so many flaws, weird controls , bad camera , the day and night feature is kind of cool but it also puts a timer on things and certain parts become a pain because of it. They had frustrating bits too like the ice castle part with the weird jump sections and the nitro carrying stage.
Anonymous2187417
Lords of Shadow was another IP the developer had to accomodate into a known IP kinda like Star Fox Adventures.
Anonymous2187417
The other Castlevanias I haven't played are Lament of Innocence and Curse of Darkness. LoS was ok but very long. and it's interquel Mirror of Fate put me off playing LoS2.
Anonymous2187417
I haven't played that one. Seems like a mixed bag. Like Zelda 2 or Metroid 2.
Kaiser-Eoghan
I've seen playthroughs of simon's quest, but we all know why thats a notorious mess.
Anonymous2187417
Castlevania 64 and Legacy of Darkness are also my guilty pleasures. I think if Konami still made Castlevanias it would have tried aping the Souls type of gameplay.
Kaiser-Eoghan
I remember some very very silly voice acting and dialogue in symphony of the night.
Kaiser-Eoghan
I preferred when they were just platform games. Later ones incoperated level up elements if I recall.
Anonymous2187417
After SOTN I think the game coming closer to that greatness is Order of Ecclesia if anything it keeps the difficulty of the classic Castlevanias and puts it in the Metroidvania formula. It has a platforming challenge level that's very satisfying to play.
Anonymous2187417
I've played most of them. Castlevania 3 is a very tough game, but that also makes the journey feel long and rewarding. Rondo of Blood feels like the cornerstone of the series since it's the Castlevania that got most of it's sprite reused in later games.
Kaiser-Eoghan
Reminds me, the game, clocktower is vaguely inspired by an old Italian horror film.
Kaiser-Eoghan
And symphony of the night.
Kaiser-Eoghan
I actually feel I should have played more castlevania back in the day, I've played bloodlines, castlevania 4, Dracula X, legacy of darkness, admittedly the last one isn't a good game and is more of a guilty pleasure.
Anonymous2186526
They could still meet Grant in the Clocktower.
Anonymous2186526
I wonder if the second season will be the journey to the castle like in the game. And the third season is entirely in the castle.
Kaiser-Eoghan
Already a season 3 announced.
Lenlo
Oh god yes. I cant wait
Kaiser-Eoghan
New netflix castlevania episodes out next month.
Kaiser-Eoghan
Was going to mention that. Wish more shows would do o.
Lenlo
Yeah, a lot of plot threads are converging and I like it. My favorite part though was Iglesias and their commitment to non-japanese languages. They were good!
Kaiser-Eoghan
*his bit
Kaiser-Eoghan
@Lenlo: Glad that sachio gets hit bit of backstory and that its well connected to the rest of the overall plot.
Lenlo
Alright Megalo Box was pretty good this week. So much to say
KTravlos
Indeed the Alliance system is atypical of mass democracy. There seem to be no organised parties and lists. Instead administrations seem to be formed on a personalist basis(me and my chums). And the Assembly seems to have very weak powers of oversight. A very flawed institutionally system. But I digress . It is still anime and even from Tanaka I do not expect deep discussion of democratic politics
KTravlos
I mean if two of 9 ministers in an administration resigned in any current representative/competitive election system it would be a big news and embarrassment to the goverment. My guess is that they were blackmailed to stay on, or were too afraid of the war party.
KTravlos
busy weeks (finals and deadlines). Watched the latest LOGH:NT episode. It was ok. A bit dry, but so are many of the episodes of NT or the Original on their own. One think it led me to think is that neither the books , nor the OVA, nor NT explain why Rebelo/Lebello and Huang Rui (the two politicians opposed to the Invasion of the Empire) did not resign in opposition. (Turnhit also opposed but..)
Lenlo
I think its cause of Daru's voice. Hes so overt about it and his voice makes it so clear hes not really being serious about any of that, cause it completely changes when hes talking serious subjects
Amagi
@Kaiser: Yeah I am watching CCS but funny enough I fell behind too, so it might be someone else you're thinking of
Kaiser-Eoghan
Always felt that Daru strikes a hit when it comes to pervy/otaku characters. Most of them tend to be incredibly annoying.
Lenlo
This episode was nice and chill while still moving stuff forward. I enjoyed it. It does seem like we are hitting the main conflict though, with Amadeus and Maho
Kaiser-Eoghan
@Lenlo: I feel with this episode the plot is really moving along now.
Lenlo
@Kaiser, Thats the question aint it? How to savem both? We know he does, cause of the original, but alot happens along the way. Its a great ride
Kaiser-Eoghan
Bad light novels would make for good fire and burning material =)
Kaiser-Eoghan
@Amagi: I think it was you who was keeping up with the new cardcaptor sakura? or may that was bokusenou? I fell behind in it.
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