Posted on 26 September 2013 with categories: Uchuu Kyoudai

The past four episodes: character-development. It’s slow and steady, but definitely there, and in all kinds of forms. Mutta changed and finally realized his strengths, gaining lots of confidence from it, and also becoming mature enough to forgive his former employer that he gave the Zidane, Sharon’s condition subtly gets worse, the chief of Nasa gets some unexpected background (also I love that small scene of a young Deneil Young). And whoa, Hibito actually left with a big post-traumatic stress disorder after what happened on the moon.

I like that recently, the series has at least remembered to be varied: a few months ago I remember complaining that the arcs take too long, and that the series got too monotone. This arc again solves this by focusing on many things at the same time, so that we’re not just stuck with just one scenario. It’s still nowhere near the levels of the first 40 episodes, but I can’t deny that these events really pushed the characters further.

This reminds me of the reason why I don’t consider the Legend of Galactic Heroes to be the best anime ever. Sure, it’s amazing. Among the smartest anime out there. However, like Space Brothers, it was just so incredibly long. At times it really felt like a chore to try and sit through it, and it sometimes spent a bit too much of its time meticulously developing its cast and storyline, at the expense of pacing. The same has happened with Space Brothers: technically it’s doing everything right, but I want to see that amazement again of Mutta hearing that he gets to become an astronaut. The meticulous team building in an environment you could trust nobody thanks to the red cards. The longer a series goes on, the more chance it has of becoming stale in one way or the other. I’d like to view this with a bit of a broader perspective, using other, really long series and how they coped with their length. Generalizations will follow:

– Monster actually did this perfectly. The key was that it was built up meticulously: as it went on every single episode continued to deliver thanks to the build-up of the early episodes.
– Gintama also could not keep up for me after 100 episodes. The reason for that was that it ran out of jokes and started trying too hard. The other side of the extreme.
– Touch also had points where it got really stale, but what saved it was that it kept you on your toes. Although it only barely got away with this.
– Maison Ikkoku is another odd one. Helped by immense character-development and a ridiculously strong climax. It also didn’t play all of its cards immediately.
– Hajime no Ippo is a strange one: it also suffered from getting stale a bit, due to the entire series being about boxing, not the most varied topic. And yet the second season came and improved upon it by being much more over the top and doing this really well.
– Hikaru no Go had some amazingly strong episodes, but it too suffered from being stale despite how it just kept being intelligent. Again, the way in which every episode was about Go had something to do with that.
– Kodomo no Omocha is also a weird one, because its worst arc was in the middle of the series, and it picked itself back up afterwards
– Jigoku Shoujo was helped by that it was about three distinct parts that all had a clear beginning and ending and purpose.
– Hunter X Hunter is only now getting really good because we’ve finally gotten to the actual point that everyone has been waiting for ever since they first announced the new series.

I can see the following patterns from these series:
– Monotony can make things get stale, but not always.
– It’s not enough to only be ridiculously knowledgeable about your subject material. It’s just a very important and welcome ingredient. like having a steak dinner be so much better if it’s the meat from one of those Kobe cows or something.
– The best solution is: meticulous planning. Knowing exactly what you’re building up for, and knowing exactly what you want to do with it. That can excuse a lot.

How to relate this to Space Brothers: what I feel like it’s missing is planning. Up to the arc in which Mutta became an astronaut, the creators felt like they were in full control. Right now it feels like they’re just adapting the manga chapters as they come along with a steady pace, without really giving the extra mile.

so yeah, another reason why it’s wrong to adapt manga that are still currently ongoing. If you don’t know where the plot is going, then you’re going to be limited in one way or the other. I get that it makes sense from a commercial standpoint, but there are more things that do that that are just not right.
Rating: 4,5/8 (Good)

Posted on 30 August 2013 with categories: Uchuu Kyoudai

For the past months I have been losing interest in Space Brothers, due to the huge standard that it set in the past. Sure it was still great, and had great moments, but it was not as good as what it once was. It lacked that spark. Even Sharon, while really sad, didn’t have that. A character is about to die: in essence every show is doing that (though granted, this series did it different from usual). I missed that spark: what made Space Brothers really special.

Now, these past four episodes. Nearly all of them reminded me why this series stands out. Sure, the pacing still is very slow, and the recaps at the start of the episodes have become even more annoying. But it had what I’ve missed for quite a while now: scenes that really hit me, whether they’re large or small, serious or comedic.

Episode 67 stood out not because of one moment, but how Mutta and Deniel grew closer together. The bond that developed between them in which they could just do stuff without saying things out loud, and how they both very well understand the dangers of being a fighter pilot.

Episode 68 had me laughing harder at an anime than what I’ve done in a really long while when Mr Hibbit appeared. Oh, how Hibito’s words come to bite him back!

Episode 69 again had me laughing again just as hard at Mutta’s photo that was taken. Sure they’re small things, but for some reason, that face he made really cheered me up. Also he’s an astronaut now!

Episode 70: Mutta actually got an offer to go into space that was not what he was after. It would realize his dream of becoming an actual astronaut, but he’d get nowhere near the moon. It really forced him to think about his future. Also holy crap, Vincent hasn’t been to space yet?!

It’s one thing to write a good story about astronauts. You can also get in pretty good character development. If you have that you generally have a pretty good series. What Uchuu Kyoudai did in the past was more than that. It’s the thing that is hard to describe, because a lot of it lied in the details: in both the script and the characters it went the extra mile and threw in lots of nice details and touches. Ever since the desert arc, that has been lost a bit (honestly, it started showing when Hibito was stuck on the moon). It’s all hard to describe, but I think a variation: don’t stay hanging around the same thing for too long, and if you do: spice things up. That was something that the first forty episodes of this series were just brilliant at.
Rating: 6/8 (Awesome)

Posted on 2 August 2013 with categories: Uchuu Kyoudai

Thank god I finally managed to catch up to this series. And don’t get me wrong, Space Brothers is awesome, but it’s also so intimidating to fully watch through. I remember that a few years ago, when the average series length started to change from 26 episodes to 13, that I lauded the series that went on really long. At this point, I see that things just are not so simple: ideally, series should go on for like 26 or 39 episodes (on average, there are always exceptions): that way they aren’t cut off early, they’ve got their time to build up their story, but they are also forced to be concise. As much as I love Space Brothers, it drags. A lot.

These episodes comprise two arcs: the first one focuses on Sharon, the second focuses on flight training. Sharon’s arc was really good here. I nearly got a bit teary-eyed when Serika brought the bad news to her, that she really should see a doctor. In terms of character-develooment, these episodes added so much to Sharon’s character.

The pilot training, I get why it’s important, but I also feel like it’s reusing a lot of things from previous arcs. It was nice to see this one character who appeared months ago to reappear again, but this is the second time that Mutta ends up with an instructor that everybody finds weird but is actually secretly brilliant. It’s again some sort of astronaut training.

Don’t get me wrong, these episodes raised plenty of good points. I mean the past number of episodes showed the first real hints of why Mutta will set himself apart. First of all he now has the motivation with Sharon, plus he also has the instructor who can bring him to the top. I also like that it criticized the ranking system for astronauts due to the arbitrary assignment of teachers, and it did give some insight about flying a jet and all. Overall the episode just was not THAT interesting to watch. Build-up is awesome, but you do need to keep in your audience’s attention.
Rating: 4,5/8 (Good)

Posted on 11 June 2013 with categories: Uchuu Kyoudai

Something weird is going on here: ever since Mutta became an astronaut, his climaxes have been a bit mellow. I mean, at the end of the first, second, and third exam you could cut the build-up with a knife, and the resolutions were all really well developed and had a ton of personality behind them. Here it’s like “Oh, you became fifth”. It’s all very straightforward, and while things were done to spice things up with the rain and mud and all, I still feel like I’m missing something. This edge, some sort of wit, that made the first year of this series so incredibly addictive.

Not to say that this is bad though. I’m not looking forward to Space Brothers in the way that I used to, but these two episodes again were very realistic: they took the build-up of the previous episodes and with that in mind, things happened exactly like you thought it would. Everything of the past three or four months was leading up to these two episodes, and so much preparation has been put into it. Yeah, there was very little that could go wrong.

And I don’t know whether these episodes were special or not, but the recaps at the beginning were cut down significantly. Now keep it that way! I mean, the pacing in these two episodes was perfectly done. Also, the animation and particle effects were also very well animated on Hibito’s reentry.
Rating: 5.5/8 (Excellent)

Posted on 26 May 2013 with categories: Uchuu Kyoudai

Strong emotions. They are always difficult in anime, and it’s so easy to just overact these things. Yet it’s also crucial to nail them in the parts that need to be serious, otherwise you’re just going to end up looking cheesy. An added difficulty is that it’s usually just incredibly difficult to watch people lose control of their emotions.

Having said that, the creators did a pretty good job on Pico and Vince. Space Brothers is a master of subtle emotions, but here they needed to be big. Vince needed to be just completely shaken up by what happened. In this episode, you couldn’t just have pulled the usual “let’s not show our biggest emotions”, because even though he’s completely stoic, he was a child once. We needed to have seen his development.

I think that the backstory could have been done in one episode (especially with around three minutes of bloody recap for both episodes!). And don’t get me wrong, the slow pacing also had its set of big advantages. Because of that the creators could just dedicate so much time to two side-characters to make them really memorable. They especially used the silences really well to build up atmosphere. This episode may have had characters break down, it still was subtle: there were so many scenes in which nothing was said, but instead the creators just let the images do the talking.
Rating: 5.5/8 (Excellent)

Posted on 18 May 2013 with categories: Uchuu Kyoudai

This episode really showed one of the advantages that a series with an old cast brings: everyone has already had extensive backgrounds. Mutta: he has had a whole career in car design already. He knows how to design stuff like that, and he thinks like an engineer. This is much less apparent in series about teenagers who went through a lot less passions in their lives.

Pico also is getting together. We had his introduction and backstory already, and now it’s time to add some emotion in him. This show does it by pretty much establishing that even though he looks like he doesn’t care, his engineering heart can’t hide the fact that he has enthusiasm for his job. I especially loved the cliff-hanger of this episode. Something will happen next episode!

The rest of this episode was a lot of robot building. Oh, and those very nostalgic fishing games that I loved playing when I was a kid. It really shows that this series did its research, and I like that a lot: the kinds of shows that are able to teach me things.
Rating: 5.5/8 (Excellent)

Posted on 6 May 2013 with categories: Uchuu Kyoudai

Storytelling is a matter of balance. Not doing too much, and not doing too little. At one point, Space Brothers managed to nail that balance perfectly. I wasn’t bored for a minute and it stood consistently among my favorites. I think the height was where Mutta heard that he got to be an astronaut.

The pacing already was a bit wonky during Hibito’s arc, which took a bit too long, but really: that desert arc was just not good. They spent ages in there, and what was it all for? A bit of development for Nitta, plus the cast fot fleshed out a tiny bit (but way too little for the standards of this series). Not to mention those huge amounts of recaps. What was supposed to be a small build-up arc took bloody ages to get finished. I don’t care whether this is for its timeslot or manga. The creators could have easily just made a second season in 2014 or something. This decision to keep going really brought down this series.

Episode 56 thankfully picked up things again, and it’s now up to that druk Pico guy to make up for all of those mistakes. This episode made a good start, but they’re not quite there yet. I like the whole story around the malfunctioning parachutes, and how they’re really going in-depth to how the acident could have happened (using Hibito as the next one to use that system also really helps). I also like how the current assignment requires everyone to use their own unique talent (like Mutta with his automobile experience). Now get the pacing of this arc right!
Rating: 5/8 (Great)

Posted on 12 April 2013 with categories: Uchuu Kyoudai

I’m just including episode 52 in this entry so that I can comment on the new OP and ED. I love them! They are unmistakably Space Brothers, but they feel so retro! The OP reminds me of this cheesy beach music, while the ED starts out dull and boring, and suddenly explodes in this really well sung piece that actually perfectly symbolizes parts of the story, and the quest of both brothers to reach space.

But yeah, episode 52 WAS a recap. That’s the only flaw of Uchuu Kyoudai at this point: the excessive flashbacks. Episode 51 took nearly five whole minutes before it got to its new content. What could be the cause of this? Budget restraints? Is the manga not long enough ahead? Not enough staff?

Either way though, when episode 51 did start for real, it was really, really good. It really took its time again, to focus on the difference between Nitta and his brother, and Mutta and Hibito. I really like how Mutta and Nitta both are jealous of each other. The episode also showed some progression in Nitta’s brother, and it did so with a lot of heart. Nothing that Nitta did when he was in the desert had any effect on that, but it was the fruit of Nitta and his mother, constantly having patience with him and encouraging him to actually do something with his life. With this, the first step was set.
Rating: 5.5/8 (Excellent)

Posted on 26 March 2013 with categories: Uchuu Kyoudai

With this episode it’s finally time for Nitta to tell his story. We’re at episode 50, and he was already building up to this episode from the moment that the second exam started. Back in like, episode 13 or something. It only became obvious in the current arc, though. Nitta is basically the opposite of Mutta: the older brother, whose younger sibling is just a complete failure. A neet who refuses to do anything.

That cliff-hanger of last week indeed was really evil, but in the end what made it the most annoying was not the fact that I wanted to know what happened to Nitta’s brother, but that it ended just as it got really good (that’s something I noticed with a lot of other series with nerve-wrecking cliff-hangers). This episode just commenced to head for the most obvious solution as if it’s nothing. Of course, an astronaut should not be allowed to head into his own direction. That’s complete suicide. Sure, they will lose the challenge there and there will be some consequences, but in the end it was the only right thing to do here.

And with this we’re nearly one year in, and still going strong. At the start of this series I never imagined that this show would go on for more than a year. This would have been a crappy episode to end with by the way. “Yeah, we’re in the middle of the desert with a ton of potential left. Bye bye!”
Rating: 5.5/8 (Excellent)

Posted on 19 March 2013 with categories: Uchuu Kyoudai

Damn you, Space Brothers! Damn you!

Uchuu Kyoudai is a brilliant and amazingly inspiring series, and at the same time it’s completely evil. Now that we’re back on a training mission again, this evil side of its has really shown again, in the form of some of the most addictive cliff-hangers I’ve seen since Giant Killing. The reason why this show is so evil is because it seems to make a sport out of it: how can it make the wait for next week as frustrating as possible?

These past two episodes. They were so chock full of hints for the future of this series. And this series didn’t even attempt to hide them: it’s like: “har har, you’ll only find out about this later!”, with “later” varying from five minutes to 20 episodes. As if the prophecy wasn’t enough already, these episodes just kept referring back to it, fully aware of what they did. Uchuu Kyoudai is a series that’s always looking to the future. And god, I love this series.

The thing also is: every time it hints at something, the eventual pay-off is something different from what it seems at first. This was most obvious with that snake (god damn whoever thought of that), but also Nitta and his brother at the end. I knew he had issues with his brother, but I never expected things to be as serious for him to blow off a survival mission like that. And then there are the little things. Like that shirt. Damn, it’s completely irrelevant, but I want to know what’s on that shirt!
Rating: 5.5/8 (Excellent)

CHANGE USERNAME
Lenlo
Best villain was clearly JJ. JJ is actually the best character for every category.
Lenlo
@SuperMario, I just felt there was some social context to the discussion with the boss that I missed.
Kaiser Eoghan
Bah, haven't you heard, the best villain category was for the dictionary in Lost passage, must have been bastard-hard effort getting that compiled =P
AidanAK47
To sum that up, don't bully my waifu or I will end you.
AidanAK47
@Mario, She only killed him once and tortured him for information once. Both times because he had something which showed he had a connection to the witch. Besides, the anime mainly showed off her good points but she still has a crushing inferiority complex and a rather delicate mindset.
SuperMario
Oh I have one. How about Lovepon? lol
SuperMario
@Topgavin: it was sarcasm actually, if we do it again next year we might cut down some categories. But I totally agree that we're lacking of good villains. Biba and that teacher are the worst as they actually dragged their shows down.
Topgavin
Honestly though there's been a real lacking of good villains last year. I hear some guy from Jojo was pretty good, but other than that they've either been okay or lackluster. Makes you wonder how FMA:B managed to get so many villians right in so many ways when shows usually fail to get even 1 half as good.
Topgavin
@Supermario Biba or Teacher-dude from Erased surely...
SuperMario
Maybe we should include the best villain next time, haha. I honestly don't know who to pick...
SuperMario
oh Rem, that demon girl who tried to kill Subaru many times over. Why is she the best girl again?
SuperMario
@Kaiser: I watched Moonlight last night in cinema and it was great. I had high expectation for that and it pretty much delivered. Also Janelle Monae was so freaking hot.
SuperMario
OMG, that 3rd episode of Rakugo was so greattttt. @Lenlo: don't need to understand the meaning of the rant thou, Yotaro doesn't understand either
Kaiser Eoghan
Think of the fine children/breeding stock Aidan and rem would offspring =P
Kaiser Eoghan
Dye their hair, make things confusing ;)
AidanAK47
@Anon, hahahaha, cool joke bro.....
...............................Don't make me destroy you.
Lenlo
The one with red hair of course
Anonymous765953
rem? who's that?
Lenlo
Having read the books, theres afew inconsistencies and I dont like some of the choices for actors.
Kaiser Eoghan
*couldn't
Kaiser Eoghan
Buh buh but Aiiiidan you still have the koe no katachi movie and thaaats kyoani =P But lol phantom world was so poor I couldn't get past the second episode. A shame that they could go with the darker spin the author ended up apparently going for in later volumes.
AidanAK47
@Lenlo, I am currently eh on it as well. Only at the second episode so far. I find it interesting but it has a lot of things that turn me off.
Lenlo
7 YEARS I SAT ON THAT BOAT!

Still havnt finished Flip Flappers. I like it, its pretty, each episode is different, but I can barely tell what the over-arching narrative is and thats a big deal to me
Lenlo
ITS REAL
Lenlo
BOAT TIER
Lenlo
@Aidan, Series of Unfortunate Events was eh. I wasnt a big fan of the TV adaptation, though I did like Neil Patrick Harris
Kaiser Eoghan
@Lenlo: BOAT TIER lmao.
Kaiser Eoghan
Thats why I LOVED flippflappers so much, where else can I get THAT anywhere, totally its own thing/beast.
Lenlo
My big ones for the year were easily Rakugo and Re:Zero. Disappointments, biggest one is Berserk. Ive been following it for years, have the entire series on my shelf, and I watched it like a captain going down with his ship
Kaiser Eoghan
At the same time well, yes its still good to see a non-highschool story in ANYTHING.
Kaiser Eoghan
Ah, you see I don't really award points to an anime doing something unique to anime, I judge by all mediums as a group/whole. 91 days may be a mafia drama, kabaneri may be a zombie show but theres already plenty of those in the world elsewhere.
Kaiser Eoghan
I could see myself getting some oldskool charm out of alderman if I watched it. I was waiting for yuri on ice to be dubbed. Drifters for all its problems was some of the most fun I've had in ages.
Kaiser Eoghan
The only thing I saw that I truly abhorred though was the new shinkai film.
Kaiser Eoghan
Most of the other stuff I didn't really bother watching. Its pointless for me to shit on about 91 days and re:zero because I was guaranteed to dislike both before seeing either.
Kaiser Eoghan
Biggest disappointments for me were erased , berserk and joker game. Whereas my surprise was lost passage. My favourites of the year were flippflappers and Rakugo. I wanted Kabaneri and dimesion w to save anime and bring back some oldskool charm but that didn't happen.
AidanAK47
Alright I spent over an hour formatting this thing and now I am knackered. Readers, this summery is over 23 pages long so be prepared as this thing is pretty huge. Don't say you were not warned.
AidanAK47
@Kaiser, Watch it. I bet it will be up your alley.
Kaiser Eoghan
Thats a problem with adaptations, put a voice on certain characters and it can become irritating.
Kaiser Eoghan
And to be fair on scums wish, that it deals with the sex bit in a teen story, well that makes it more daring and thats points for it.
Kaiser Eoghan
@Aidan: Largely stayed away from that series as I assumed it was for young children.
Kaiser Eoghan
@Aidan: Additionally the relationships in that manga got too convoluted, the comedy stands out worse in the anime too. Still though I DO dig the idea behind the show of two kids who are in a fake relationship.
AidanAK47
@Kaiser, you think that's hard to watch try watching Netflix's A series of unfortunate events. Because boy do I want to brutally murder the banker and his family. That may sound severe to you but trust me, you will feel likewise.
Kaiser Eoghan
@Aidan: You were right about it being harder to watch scums wish than read it. I want to hit the twin tails girl with a hatchet.
Kaiser Eoghan
I'm laughing now remembering an old ANN review where they stated golgo 13 was a stress reliever for 30 something Japanese office workers, I get that so much more now lol
Kaiser Eoghan
But seriously violence in fiction, anime/manga included is so damn therapeutic.
Kaiser Eoghan
As such I genuinely was able to enjoy the new M night shaylman flick lol
Kaiser Eoghan
Venting here largely because I can, I now imagine the teenage/twenty something audience members at horror/thriller films as the victims in the films, makes it more tolerable to deal with their existence in the cinema.
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
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