Posted on 4 November 2014 with categories: Gugure! Kokkuri-San

This. This is what I was asking for, and it delivered. This episode finally starts to create a distinct voice for itself by not adding to the hodgepodge of comedic styles this show already had, opting for a slow, drawn-out humor rather than the experimentation this show seemed to be doing with these past four episodes. It’s finally good to see this show starting to show some consistency, at least in the style of comedy it’s trying to go for.

Besides that, the part about the bully in Kohina’s school was mind-numbingly dull. I don’t see the jokes about the flower working for a Westerner with no prior knowledge of the context behind Japanese flowers, so the first half of this episode was very painful to sit through. However, I wouldn’t fault this on the show by any means, and I’m sure I would have appreciated it far better than I did had I known.

Let me talk about gender-bending real quick. Often, it’s over-used as fan service of the lowest degree and is one of the worst things a writer can do without giving the proper context. In addition, the explanations given for such gender-swaps are usually so contrived and idiotic that I can’t help but wonder who these shows were supposed to pander to. Even if one has a gender-bend fetish, wouldn’t they want their material being handled with all proper respect? Just like fan service, even gender-bending stories are proper in the right context- and in this spectrum, Gugugure! Kokkuri-San handles gender-bending excellently. Not only is the reason for sex-changes perfect for this story (they’re all spirits/gods, so they’re genderless), it’s handled in such a way that the fan service is covert/almost entirely nonexistent. Chiefly, Inugami. He may only be a side character, but he remains one of the most interesting character next to Shigaraki thanks to this ability. The character interactions change dynamically with Shigaraki when Inugami turns into a female this episode, and this was easily the second highlight of this episode, which was pretty damn funny.

I really started to enjoy this episode after the first half of the episode, as Kokkuri-San and Inugami enroll in Kohina’s school under cover, allowing for more character development for Kohina whilst getting some genuinely good laughs in.The school setting this episode seems to introduce dynamicism  to the plot by expanding the scope of the character interactions- now, not only do we get to see Kohina interact with the spirits, we also get to see how Kohina, the spirits, and the classmates all mingle simultaneously.

If this show keeps going at this pace, it can finally polish itself to become a really great series, possibly better than Barakamon.

Posted on 28 October 2014 with categories: Gugure! Kokkuri-San

By now, I have a general idea of how the writers are going to go forward with this show. This show continues to jump the gun without setting up a clear voice for itself while pulling off some genuinely fun comedy, creating this weird combination that is somewhat off-putting yet fairly enticing.

However, this episode has its share of very dull/odd moments, which just serves to prove my point about this show’s lack of consistency in both humor and voice. When Kokkuri-san follows Kohina to school, we’re introduced (no spoilers) to a particular character we would never expect to see in a story based around Japanese folklore- this was something one would expect out of Nichijou. While the show is self-aware and points that out itself, it doesn’t change the fact that up to this point, it did not do a single thing to lead us to believe that this show was anything like a surreal comedy. While the previous episodes certainly did contain a lot of absurd humor, it was within the confines of its limited comedic spectra and therefore had zero buildup to what we got. If they’d only played with surrealist humor from the beginning, I’m sure that I could have fully appreciated parts of this episode a lot better.

The inconsistencies aside, that scene and the other parts of the episode were pretty damn funny for what they were. They introduce us to two brand new characters this episode, and Shigaraki in particular is a welcome addition to the mix. He brings a much more believable serious tone to the show, and this episode puts much effort into his character development by putting a spin on his personality that doesn’t shy away from adding a touch of dark humor through his “philanthropist” work. I really appreciate how the writers caught me by surprise just when I began rolling my eyes- because for a moment, the show looked like it was approaching the typical “mischievous person who is actually a good person” route with the character near the middle of the show.

Outside the main highlights of the episode, it was also nice to actually get some insight into Kohina’s character besides her usual static personality by showing how she behaves in her school environment. This show doesn’t take enough time to develop Kohina’s character, which isn’t a problem as long as it makes the interpersonal relationships interesting, which it does very well: That’s where this show excels in, and it’s been solid so far solely based on that- almost to a fault, since the writers are ignoring important elements of writing and comedy.

On a tangent, it’s a bit too late to mention this, but the soundtrack is very nice to listen to and complements the show very well. The opening song is still terribly annoying to listen to, but the ending is pretty nice and an overall pleasant listen. If anything, this show has charm. They played the opening of this show as the ending song in the first episode, but oh well.

If you like chibi animal mascots and something to kill time with (because face it, every season has a day in the week with crappy anime), I reckon that this show is perfect for it so far.

 

Posted on 20 October 2014 with categories: Gugure! Kokkuri-San

This show has a great cast, but some chinks in the armor are starting to appear in the comedy.

So far, this anime seems to lack a consistent tone, which shows through just how hit-and-miss the comedy is. It attempts to mix elements of light and dark comedy along with slice-of-life and tries to excel in all three of them, but, it feels cheap and under-delivered at times. These past three episodes were definitely good, but they suffer from some minor problems in the show’s overall comedic voice that keep it from its full potential.

I was really wondering how the creators would go forward with the show, and while the show does indeed have plenty of good laughs (especially Inugami), the inconsistency is a definite negative and a big reason for my exponentially increasing lack of interest. While comedies don’t need to concentrate so much as delivering the comedic elements well, an irresolute show like Kokkuri-San needs to find focus if it doesn’t want to devolve into a confusing mix of numerous comedic elements.

However as I stated earlier, this episode was generally funny and chock full of premium meme material. As for the acting, Kokkuri-San aside, the voices were charismatic and added a level of quirkiness to most of the cast. This show really knows how to handle its characters well; you can see the ship-worthy relationship between Inugami and Kokkuri-san continue to grow as they get to know each other better as rivals for Kohina. It was completely awesome to see Inugami’s gender-bend ability not being overused as fan service here, although I don’t know how far that’ll hold moving forward. Yes, this shows just how little faith I (along with most others) have in gender bending.

The point is, this show has problems that can easily go away once it finds a clear comedic voice for itself. Both the characters and production are excellently done, so give credit where it is due, because I remain fairly interested in this show.

Posted on 14 October 2014 with categories: Gugure! Kokkuri-San


Now, TMS Entertainment is a studio that covers a wide range of different shows, and over the years, I’ve known that they can make good shows-but they just weren’t making them like they used to. However, I can safely say that it is different with this one. Despite their most recent failures like The Pilot’s Love Song, Yowamushi Pedal ( which I actually liked the first 2 episodes of), and SeHa Girl, it’s a good thing that they managed to pull off a comedy series like Kokkuri-San well enough to keep me interested.

The point is, this episode was funny. What makes Gugure! Kokkuri-San enjoyable so far are the interpersonal relationships between all of our characters, and this episode had a lot of that, by introducing us to yet another interesting person from Japanese folklore. Unlike the first episode, which was a rather mixed bag, this episode was far superior in terms of comedy, and the animation brings it out really well. This anime was directed by Yoshimasa Hiraike, director of the first season of Wagnaria, so no wonder this show was executed so well this far.

The dark humor really works in this series, and finally, it’s about time we got another one. Now, don’t get me wrong, this show isn’t dark enough to be considered a true dark comedy, but hell, it’s been too long since Sayonara Zetsubo Sensei and I need my dark humor fix. It’s a very nice way of bringing out the heavier tone that a premise based on the children’s game this show is based on brings along, while managing to stay humorous and putting a twist on folklore in a way that isn’t annoying as f*ck. That’s how you turn your Japanese folklore into comedy.

Posted on 9 October 2014 with categories: Gugure! Kokkuri-San, Parasyte, Shingeki no Bahamut, Some Quick First Impressions

Shingeki no Bahamut: Genesis

Short Synopsis: Our lead character is a bounty hunter.
Impressions: This show gets how to make a first episode, Keiichi Satou does a superb job in introducing us to the world of Mistarcia. The various character introductions are just as well done, and the 17th Century Spain-like setting really sets the tone for the anime. The anime borrows the styles of some of my favorite Westerns and swashbuckler films, like Ivanhoe, True Grit, Three Musketeers, and The Master of Ballantrae, which I cannot praise enough for having the balls to do. This episode showed me that the series knows how to borrow those styles correctly, and as a fan of 20th Century Westerns & swashbucklers myself, I appreciated the homage. On top of that, this series really knows that it’s an anime, and you can see a lot of personality in the characters which I thought that even some Westerns lacked. This episode had a lot of things happen in 20 minutes or so, but it knows how to pace itself relatively well, using that time in the most optimal manner to show as much personality in the characters as it possibly could.  Lastly, I feel like I have to mention the soundtrack, which is yet another great homage to my favorite Spanish films from the 50’s and 70’s.

ED: A nice listen.

Potential: 90%

Parasyte

Short Synopsis: Our lead character’s right hand becomes sentient
Impressions: Okay, the marketing department really did this anime injustice; the trailer for this show sucked and pretty much failed to garner much interest (aside from fans of the manga/people who pay attention to these things). However, who cares? The first episode was great, and despite the complaints pouring in from the raging idiots about the “modernized” character designs, the animation and art were very solid. Other than that, I just need to see that the creators know what they’re doing going forward. The episode had it’s problems, but at the same time, I saw clear efforts on the part of Kenichi Shimuzu  in making this story resonate with today’s audiences to the best of his budget. Both the pacing & character introductions were very well done, succeeding without having to put in much dialogue between the characters themselves-which ultimately allowed tons of things to happen in just one episode. It’s quite a shame, really, that this sub-genre of horror (with the exception being the works of Junji Ito) hasn’t been done very well since 95′, because it’s still pretty much uncharted territory at this point. Hell, there is real potential here.

OP: Not really my kind of song.

ED: Safe

Potential: 85%

 

Gugure! Kokkuri-san

Short Synopsis: Our lead character summons Kokkuri-san.
Impressions: Okay, so this show knows how to use the comedic formula, a pleasant surprise after being months without a decent comedy since Spring. Regardless, I  have to point out the fact that this appears to be one of those comedies that are VERY hit-or-miss. I’ve read about people on forums being put off by it’s deadpan humor and the shortage of background music-which I found rather appealing, because the anime quickly sets the tone for itself within the first half of the episode. Unlike the manga, which is rather episodic in nature as all 4koma tend to be, the anime manages to keep itself from appearing too episodic, smoothly transitioning between one deadpan comedy sequence to the next. So in that sense, I was relatively pleased; the episode is largely consistent in it’s humor. Really, the only faults I can find is that it is rather boring at times, and the jokes are occasionally under delivered, leaving these uncomfortable moments when I’m trying to figure out if I was supposed to have laughed or not . For what it is worth though, the episode is fairly solid, and it might turn out to be a relatively strong comedy…But I do worry about the jokes drying up, although that’s likely an unnecessary concern, seeing how there are much more characters yet to be introduced.

ED: Bit annoying, actually.

Potential: 70%

 

Cross Ange

Short Synopsis: Our lead character is yet another Princess.
Impressions: Of course, what a great impression to make, starting off your main character’s introduction with fan service. The episode starts off with a terrible cg battle, then takes a few steps back in the timeline to fully introduce our heroine, who is yet another princess. Frankly, after the Martian princess from Aldnoah Zero, I don’t think I can stomach yet another heroine who’s a princess. Basically, the main character is painfully uninteresting, and the “twist” is so damn stereotypical that I cannot take it seriously. Who are these people? How does Ange not figure out she cannot use magic until she’s f*king 16 years old?! The entire episode’s climax revolves around the fact that Ange realizes that she cannot use magic and is therefore a Norma (a person who cannot use magic), which is why a coupe even occurs. So for the last 16 years, she herself does not figure out that she cannot use magic, while a goddamn baby gets discovered to be a Norma in the middle of the street? The only positive aspect I can squeeze out this episode is that it had dragons in it for a few seconds. Nothing else.

OP: Embarrassingly bad

ED: Generic, nothing worth noting.

Potential: 20%

CHANGE USERNAME
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that […]

Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

Latest Reviews

The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

There are few series which can capture the mystery and wonder of a fantasy world as well as Made in Abyss. Their world is dangerous, brutal and unforgiving but beautiful, wondrous and exciting in it’s presentation. The story is of a ordinary girl called Riko and a mysterious cyborg boy called Regu traveling down the […]

Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

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There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]