Posted on 11 January 2014 with categories: Samurai Flamenco

Oh, Samurai Flamenco… what are you doing? I used to praise this show for being so well put together. Obviously I can’t say that anymore, but still it’s quite a ride to see how crazy the show can get next time. This episode was this really weird combination between the first half of the show and episode 11. The Flamengers were all kinds of cheese, while Goto… he actually stayed normal.

Having said that though, the fight in this episode sucked. I’m not sure whether that was intentional or not, but the thing rather fell apart when that army of Miyamoto Musashis appeared from out of nowhere and were like “Oooh, let me slightly wave my sword at you! That will teach you!” – That completely defeats the purpose of having large numbers in the first place! I get that the budget isn’t that big for tis series, but there’s a difference between cutting corners and simply not trying.

But then again, it can also be a very deliberate jab at the super sentai genre. I mean, one gets large and they defeat that one with the Flamenbot, but the rest… magically disappears? Also those new weapons were completely ridiculous.

Also. The Flamencar. Really?

Posted on 21 December 2013 with categories: Samurai Flamenco

I think my brains just exploded…

I knew that this series would spiral out of control. Just not in this way. In one episode, the creators YET AGAIN completely changed the genre of the entire series, along with the feel, mood, themes and everything. At this point the only similarity between episode 1 and 11 is the way in which Samurai Flamenco appears in it. Even the mood-swings of Guilty Crown and Code Geass weren’t this big!

Seriously, from out of nowhere Jouji Kaname reveals that he has been preparing to fight the invasion by aliens for over a decade and to do that he created unbeknownst to anyone an incredibly stereotypical power rangers base, complete with power rangers, basically revealing that the first seven episodes were pretty much one really big lie and that they weren’t set in modern-day Tokyo in the slightest. What follows is a really weird discussion on who should be the leader, followed by a staged death scene, and a freaking giant robot! I mean, is this really real?

I have to say: this show is unique. It’s currently trying to do something that no other show has. Whether it’ll work is an entirely different matter though, and I do believe that it’s too early for that, so for now I’ll withhold judgement on the big picture. However, I will say this: I hated Code Geass and Guilty Crown because it really felt like it they were written as the creators went along. Especially in Guilty Crown’s case. In Samurai Flamenco though, this isn’t the case. It’s got a lot of Deus ex Machina, however the creators very clearly had the intention right from the beginning to escalate things into the ridiculous proportions that we saw in this episode. It’s episode 11, and only now we’ve been introduced to everyone on the promo art. Sure, it could have been less sloppy, but right from the start it wanted to transition from the ordinary to the absurd.

Now let me stress Robotics;Notes here. A series that wasn’t as extreme as this one, but still is one that this series needs to learn from: you can have a really good build-up, but that isn’t worth anything if the second half is crap, like what happened with that series. Writers, you need to stay and don’t you dare to just get lazy next year.

Also, it’s nearly the end of the year. 2-cour Noitamina-series always have a few weeks of hiatus. I assume that the next episode will air in a few weeks, though no concrete date seems to be known yet.

Posted on 13 December 2013 with categories: Samurai Flamenco

Usually I blame writers lately. This time however, the writing was fine. I see what this episode was trying to do, and it had me at the edge of my seat. Perhaps a bit fast-paced, but I see what the writers were trying to do. This really could have been an amazing episode. But god, the delivery.

Okay. Whoever is in charge of the suspense of disbelief: for the love of god, try a little harder here. You already have a series in which this is very important, and this episode in particular depended on it with all of the gore. You could have really helped that with some actual good animation, but what stood out for me the most is how characters kept teleporting all over the place in this episode. Characters take huge leaps from one place to the other without any build-up whatsoever, leading to a lot of Deus ex Machina. I can understand timeskips and all, but there is a limit. Not to mention that showing characters actually travelling from A to B adds a lot to immersion. You need to worry about that, as much as you’d like to focus on your characters!

I read somewhere once that Manglobe is the kind of studio that doesn’t have many in-house people: for all of their projects they look around the industry for the right people. They’re basically outsourcing a lot, or at least they were around the time of Ergo Proxy and Michiko to Hatchin, and back then they were really good at it. This episode though. It just screamed outsourcing problems. Otherwise it just would not have looked so rushed, especially for such an important episode in the plot. I mean, something really went wrong in the production schedule.

Anyway, about the plot: this was where the series went even more out of control, by showing elements that were even more obviously supernatural, yet at the same time they’re all human: King Torture is just a man who managed to get ahold of strange powers that allowed him to create all those monsters. He too basically is just another person obsessed with superheroes and fiction, but he spiraled into the other side of the spectrum.

For the rest of the cast, I really liked how they used the build-up: people started to realize how they underestimated what it really means to be a superhero. That it’s not just about kicking ass and looking good. They started to look beyond the glory.

But damn, you’d better make up for this episode with the second half. There’s still plenty of potential left and all, but this execution isn’t the kind that a story like this deserves!

However, someone singing really badly? Hell yeah! Finally. I mean, who is expected to sing well after such a trauma?
Rating: 4.5/8 (Good)

Posted on 12 December 2013 with categories: Samurai Flamenco

My reaction to this episode: okay, they are starting to stretch that annoying manager who keeps calling. I’ve seen enough anime to know where this is going: he keeps bothering her and she suddenly develops feelings for him and they become a couple and HOLY CRAP WHAT HAVE THEY DONE TO HIM!

This really is a deconstruction of the Superhero genre, or should I say Supervillain-genre, because the premise of this series is: what if earth was attacked by stereotypical supervillains”? They just identify the most visible superhero at the time to be their main adversary. But the way in which this series does its things is particularly clever, and really plays with your expectations.

The generic goons were used quite interestingly. This series acknowledges that these monsters are just a dime a dozen, and that they’re easily beaten, luring us into a false sense of security that everything will be easy. And even the random monsters that explode have a tail left behind, in the form of the dust that their explosion covered.

And then it comes with these huge mood-whiplashes that are actually really effective. The question is whether this show will keep that up for the entirety of the airtime. Shock value needs to be balanced and can only get you so far.
Rating: 6/8 (Excellent)

Posted on 4 December 2013 with categories: Samurai Flamenco

So after the previous episode dropping that huge bomb, the question of course would be what would be this series’ idea of how to follow it up. This episode on itself gave us some interesting answers to that. I’m not entirely happy with this episode, but I’m most definitely intrigued.

What I didn’t like about this episode is how it ditched some of the realism here, most notably one event: the one where Samurai Flamenco kicked that giant crocodile with metal armor outside of the bus. I mean, this series has always stressed that Masayuki has no superpowers: all of his powers come from gadgets. That is one part that they need to keep in this series, otherwise that will pretty much go against a lot of the build-up of the first seven episode. And that was some really great build-up!

However, what surprised me was how fast this episode went. You’d think that the creators would want to let things sink in and take their time for this, but instead this episode really developed Masayuki and having him change. At the end of the episode he already was consumed by his own fame and had sold out. He had already beaten like… four more goons from King Torture?

What most struck me about this episode was what it was building up for. The way with which most people have already forgotten about all of the policemen that died (and this show actually acknowledges it, rather than making it a writing flaw). Something is going to happen, and knowing episode seven, it’ll again be big. It’s now up to the creators though, to actually use this build-up. You can have such good build-up, but if the actual delivery in the end disappoints then you’re either way stuck with a nasty aftertaste.
Rating: 5.5/8 (Excellent)

Posted on 23 November 2013 with categories: Samurai Flamenco

Samurai Flamenco: you are awesome! This episode was glorious on all levels! If you haven’t seen the episode yet: close this browser at once and get to it! This is one episode you do not want to be spoiled on!

I had seen pretty much everyone freaking out about this particular episode, so when I sat down to watch it, I already had the mindset of “well this twist has to be pretty damn major here”. It was. At first I thought that it was about Masayoshi finding out that his parents had been mugged instead of died from an illness like what he thought. That already was amazing to watch, due to how it was revealed.

I especially liked how Masayoshi was in conflict about himself: his parents died when he was two years old. It’s normal for him to not feel bothered by tracking down those criminals (finally lhe’s doing something normal!). It conflicted with his desire to be a hero, though his version of being a hero focused on the part of protecting justice, not the parts of heroes that focused on tragic backstories and personal revenge. Also: small touches like the title of this series coming from Masayoshi’s grandmother who used to be a flamenco dancer. I love how these series explain their own titles and have them make total sense.

But yeah. The twist. I applaud this series for doing this. For being completely realistic without any supernatural powers whatsoever aside perhaps from a few far-fetched ideas for gadgets. And then going completely berserk with this episode when THAT happened. It worked so well: everything that happened there was of such a completely different scale than what we’ve been used to. It’s a brilliant twist that just would not have worked without all that build-up. That was a wonderful example of how you escalate a story!
Rating: 7/8 (Fantastic)

Posted on 14 November 2013 with categories: Samurai Flamenco

Samurai Flamenco is a series that very cleverly keeps escalating. And this episode was a good example of this: the reward on Samurai Flamenco’s identity got bigger, he got more famous, the force used against him becomes more lethal, his gadgets get upgraded, people gang up on him more, more other superheroes enter the picture with the arrival of the other two flamenco girls. The only thing that doesn’t escalate is goto’s relationship with his girlfriend, which seems to have gone back to normal after their difficult time earlier. That’s an interesting development: a stable relationship. or at least one that looks like it so far.

At this point in the series it’s a bit too early whether this approach really works in the long run. For that we need a bit more time to see what it’s building up for. This episode’s main purpose was escalating and building up, even though a lot seemed to happen into it. Masayoshi in any case continues to stay true to himself with how he doesn’t doubt anyone on purpose, but the question is how long he can keep this up.
Rating: 5/8 (Great)

Posted on 8 November 2013 with categories: Samurai Flamenco

This episode was a bit awkward to sit through, because it was focused a lot on the characters having doubts about what they should do. An introspection episode in which most of the main cast had an off period and didn’t feel too good: Hidenori’s relationship issues, Masayoshi realizing that what he saw as heroes is just a produced TV-show, and Mari also feeling… something that isn’t exactly explained yet.

It’s all about expectations that aren’t met up, and especially Masayoshi starts acting a bit immature, not realizing that some things just don’t work when shooting a movie, like lots of rain, or the risks that come with using someone unqualified for stunts. Everyone’s sense of justice is different, and this lead to qite an early break-up between Samurai Flamenco and Flamenco Girl.

Nitpick time: when Masayoshi returns to Flamenco Girl when she’s in trouble: how did he find her? Did they agree to wear trackers or something in order to be able to find each other?
Rating: 4.5/8 (Good)

Posted on 1 November 2013 with categories: Samurai Flamenco

The fourth episode here continues to push buttons. Here it introduces yet another celebrity who tries to play the hero, but this time she goes out of her way to use violence. Up till now she only used this against bad guys and she most definitely saved people by using it, but the lines are starting to blur when she showed the habit of kicking everyone in the groin when they’re already taken out. That’s the point where she goes from maintaining public order to executing her own personal justice. That line might seem slim, but the implications of this is huge, because with this we’re starting to get into nasty moral territory.

But in a way, all three superheroes have their own flaws: Masayoshi creeps people out at times, Mari uses excessive violence, and Joji is a media whore. On the other hand we have Hidenori, who is actually doing a fine job remaining neutral as a police officer. Although the creators love to use him in the different plot twists of the series. I mean, they’re building something up for him. First hinting at him dressing up as a superhero as well, and next making Mari develop a crush for him because he looks so good in uniform…something’s going to happen here.
Rating: 5.5/8 (Excellent)

Posted on 25 October 2013 with categories: Samurai Flamenco

Okay. That was awesome.

I already considered this series among the best of this season, and with this episode it surpassed itself, and this only is the third episode of 22. But just… this episode introduces this new character and he brings a totally new dynamic to the series that completely takes the piss out of both the mass media and the superhero business.

The characters here were brilliantly used. Turning the idol that Samurai Flamenco was based off into this semi-impersonator awakened so many different feelings in Masayoshi, and afterwards this spiralled into this bizarre publicity stunt in which Samurai Flamenco became Red Axe’s assistant, followed by some very unexpected character-development from Hidenori. Heck, this episode couldn’t have made better use of the trope of superheroes having to conceal their identity.

And yet, the characters in this series feel real. Of course there are nutters like Masayoshi walking around and all, but he too has common sense. When people fight here, they don’t use supernatural powers. Even Joji Kaname is just this really muscular guy; he doesn’t punch with superhuman strength, and yet the creators manage to portray him as this crazy stuntman. This is something that very few anime get right: juggling the balance between realism and entertainment.

But seriously, the chemistry between the characters just keeps getting better and better.
Rating: 6/8 (Awesome)

CHANGE USERNAME
Kaiser-Eoghan
So hearing that the third season is apparently darker is a plus.
Kaiser-Eoghan
See that was my problem with full metal panic, genuinely disliked the school comedy bits and wanted it to focus solely on the war story.
Anonymous2049774
Besides that for the most part I'm really enjoying. The backgrounds are great, I think the CGI is actually pretty good with the ships, only thing missing is that classic Imperial/FPA themes, but I suppose they have to make new ones.
Anonymous2049774
Actually, Julian also looks pretty young right now, but that's probably because... he is at this point in the story. But I just hope throughout the series we get to see his character design grow.
Anonymous2049774
I agree. I honestly don't even mind most of the designs, there are only a handful of characters I feel like they missed the mark; only problem is most are pretty important characters (most notably Kircheis, I think Yang's design is somewhere in the middle for me)
KTravlos
just one issue. Annerose's weird eyelashes. They stood out. More than Reihards. But they did.
KTravlos
Episodes 3 and 4 of the new LOGH have won me over. Very good, good use of music, and economic but to the point. Episode 3 did a better job than the original in getting across the depravity of the nobility. And Jessica in episode 4 was great.
Kaiser-Eoghan
I have successfully managed to ignore Darling in the Franxx.
Kaiser-Eoghan
@Masky: I keep up with it because I'm so far in, some of the intrigue is gone, their just fighting the monsters now.
AidanAK47
Funny enough whle I was really into the promised Neverland before, I now have no real interest in it. After the first arc ended my engagement died out
Masky
Hmm, *bother to care at all makes more sense I think
Masky
If what is pretty much best of it that is out nowadays is just "semi" on level on caring, why ye care to care about shonen at all? :D
Kaiser-Eoghan
@Mario: One of the very few shounen I semi-care about.
SuperMario
Good news, the Promised Neverland will be adapted into anime https://www.animefeminist.com/the-promised-neverland-gets-anime-adaptation/
AidanAK47
Heard of it, don't know anything of it.
Anonymous2043546
anyone know OpenGL
Kaiser-Eoghan
Rather nice inclusion that they had the voice actors actually speaking Ainu in Kamuy's third episode.
Anonymous2040262
its almost like he could be an antagonist
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
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Featured Posts

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