There is one director out there for which I’m ashamed to admit that I’m a huge tsundere: Shoji Kawamori. No, it’s not Shinbo, because with him there is a well distinct line between his good stuff and his bad stuff. With Kaawamori though, I both love and hate his works. I know his tropes, I know wow he’s a huge troll, and yet I nearly always end up blogging his series. And this time he’s working together with Mari Okada!
The result is a completely bizarre mecha-epic that is chock full of sexual context. I mean, romance and mecha have been done plenty of times before, but this show really takes it up to eleven: everything in this series is about romance: the mechas in this series can fuse by having three characters enter orgasm mode, it’s chock full of love triangles and subplots that all have their own storylines, and there is a ton of symbolism in this series, everything relating down to some sexual context in one way or the others. This series really is about men versus women and the tensions between them and it does all of this over the top.
The result is a really fun and often bizarre and cheesy series that definitely has plenty of entertainment value. It’s got a solid script so everything fits together very well, and the themes connect well with the characters, the plot and vice versa. the plot is well built up, but has a few issues: being incredibly cliched at times, and making no sense whatsoever. The cliches are often played straight with a very conscious purpose, but this does lead to a bunch of cringe-worthy been-there done-that episodes, along with a completely useless female lead who fails to do anything throughout the entire series. The plot has a few nice twists, but ultimately it’s just too stupid and corny to really stand out.
This show will most likely be remembered through some of its bizarre symbolism, though. This show can get completely crazy at times and it has some of the most wtf-inducing ways of introducing new powers or have characters learn something new. There was a slight danger of the creators turning this too much into a formula, but this was neatly avoided with a plot that did keep changing.
A guilty pleasure? I wouldn’t really call Aquarion that. Aquarion knows exactly what it is and what it isn’t. It’s a show that’s heaps of fun to watch as it explored the sparks and chemistry between men and women. And for this, its main plot had to be incredibly corny and it refuses to make any iota of sense. the result is a series that is overall very entertaining, but does have a number of lesser parts when the script is trying to make sure that the plot and characters actually remain strong enough to carry the series. This show has plenty of creativity in any case, but it definitely could have balanced this out a bit better.
|Storytelling:||8/10 – Silly, corny, creative and strangely enough well built up and really fun to watch.|
|Characters:||7.5/10 – Mikono… even for a Shoji Kawamori female lead she is useless. This show excels in its chemistry, but the characters remain two-dimensional.|
|Production-Values:||9/10 – Tons and tons of eye candy, plus a godly soundtrack that is the best of the year so far.|
|Setting:||8,5/10 – Excels in its themes that are often completely bizarre.|