Posted on 21 August 2009 with categories: Birdy the Mighty Decode



Hell yeah! I’ve been waiting for this for more than four months, but Birdy the Mighty Decode’s OVA is finally here. While it’s not exactly what I expected it to be, I don’t care. It’s always awesome to see more of your favourite series of the year.

So yeah, basically this episode takes place between the first and the second season, and ties both seasons together. We get to see Capella as she gets picked up by the old hag, we get to see what happened to Nakasugi after the end of the first season, and we get our first glimpse of Natoru, who would become such an amazing character later on. A lot of the time in this episode was spent on slice of life, and Shion had to give a concert at the same place that Nakasugi stayed at, so she paid a little visit to her. There also was some marionette after her because some aliens feared that she still had some traces of Ryunka in her, but that also was more meant to flesh out the setting rather than to create some sort of climax. Still, I don’t care. I’m glad enough to be able to watch some more of this amazing series, and this episode only contributed to it.

It’s great to see how Senkawa developed from the annoying brat in the first season to that likable side-character he became in the second one, and this episode really showed his transition. He’s so much more mature now, and let Shion approach her, instead of going after her himself. Also, I’ve heard people getting annoyed at Arita Shion’s typical voice, but I think it’s hilarious. Especially along with Capella and the old hag, the comedy becomes utterly priceless when the three of them are in the same room.

I’m also intrigued. The final frame showed the following lines. Now, I’m not sure whether that meant the second season or whether it was referring to something else:

“bye-bye
and
To be continued…”

If it turns out to be referring to that “something else”, and that “something else” turns out to be what I think it is: HELL YEAH!!!!!!!!!!
Rating: *** (Yes I’m biased!)

Posted on 28 March 2009 with categories: Anime Reviews, Birdy the Mighty Decode



The first season of Birdy the Mighty Decode was a pretty good series that unfortunately got held back by its own formula and never really hit any heights, and especially the male lead Senkawa caused quite some annoyances. Then the second season came, and surpassed it in just about every aspect. I’m not exaggerating here: the second season managed to take a good series and made it utterly incredible.

To begin with, those who were turned off by the annoying teenaged romance in the first season are going to be delighted, as Senkawa plays a much smaller part in the series and his romance is now something of the past. Instead, it’s time for the female lead (Birdy) to have her taste a bit of romance and it’s so much more memorable. What also surprised me was that the plot of the second season takes place on a much smaller scale: instead of trying to save the world from some sort of evil, the second season instead is about the past of the characters, and revenge for what happened in it. The amazing cast of characters turns this into an incredibly emotional story.

But through all the drama, what’s so special about this series is that it never forgets that this series is taking place inside a world that’s alive, instead of a bunch of places that serve just to tell the story. Even though this is a very dark series, it never forgets to insert some slice of life moments in order to bring this setting to life. Even though Senkawa’s classmates have absolutely nothing to do with the main story, they make countless reappearances as the creators show how they continue to lead their lives after chaos that was caused in the first season. Even in the final episodes, this doesn’t change (compare that to most other similar series, which at that point are too busy saving the world to care about such a thing), and yet the series closes off with an amazing ending.

And the production values! The action series in this series are absolutely stunning. The animation is very messy, but because of that there is lots and lots of movement and even more detail in them. The brutality of the hand to hand combat in this show continues to surprise, as the creators aren’t afraid to show the most graphics deaths and beatings on the screen without any cheap tricks to hide it whatsoever. Combine that with the single best soundtrack of the entire season, and you have a visual feast.

Series like this one really are the reason why I’m still a big fan of anime. This series is utterly incredible in just about everything it does, and it’s an incredible contrast with the first season, which simply looks mediocre in comparison and it’s been without a doubt my favourite show of the past Winter Season.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: Birdy the Mighty Decode



Short Synopsis: Birdy finally gets the chance to bring Natoru back to earth.
Episode Rating: 9/10 (fantastic)
What an utterly incredible episode. I’ve seen a lot of disappointing endings this season so far, but this one did EXACTLY what it promised, with some of the most amazing results. What a ride. And what a huge shame that this incredible series is already over.

And seriously, this episode had some of the best fights I have seen in a long, long while, showing that Kazuki Akane has in no way lost his touch since Noein. It’s been a very long time since I’ve seen animation that was this good; even Bonen no Xamdou’s final episodes feel inferior compared to it. Unlike Shikabane Hime, which promised a huge ending and instead got resolved within five minutes, this episode made optimal use of its time, and yet nearly everything got resolved, and the things that haven’t been resolved (Natoru’s past) are being saved for the OVA.

This show seriously has set such a high standard for the rest of the year, and it’s been an amazing ride from start to finish, and I loved how even at the final episodes, it never forgot that Senkawa’s classmates also are supposed to have a life (something that many other series seem to forget at this point). Some of the most touching scenes in this episodes included those parts about the presentation that the series has also been building up for.

This series has really confirmed how Kazuki Akane is my single favourite director. His works of Escaflowne, Noein and Birdy the Mighty have been utterly incredible, and a true work of genius. I am SO going to watch his next work when it airs in a few years’ time.

Posted on 21 March 2009 with categories: Birdy the Mighty Decode



Short Synopsis: Senkawa’s classmates have fun at the school festival, while Nataru continues to pursiut the remaining aliens.
Episode Rating: 8/10 (Excellent)
Ah, like expected: the creators plan to finish this series with a huge bang, just like they did with Noein. It’s going to be there where we can see whether or not all the building up can come together in the end. This episode was mostly building up, although there were quite a few surprise twists included.

Most notably, Nakasugi is back, though with her memory erased. I still really like how Senkawa got over his loss of her, and he’s not angsting about her at all. Instead, he provides excellent support for the other main characters, and in a way you can’t call him the main character of this series anymore. The first season was his moment in the spotlights, and he learned well that the new storyline doesn’t centre around himself.

And in a way, that’s the advantage that episodic series have over series with a continuous plot: it’s much easier for them to show different people and flesh out the setting this way, making it come alive, whereas a series with a continuous plot usually just focuses on a fixed set of characters without much time for guest appearances, because it’d be difficult to weave them into this storyline. And that’s another reason why Birdy the Mighty is so amazing, because it combined the best of both: its storyline is definitely continuous, and yet it did succeed wonderfully in making this setting come alive and making it diverse.

One thing that caught my eye was that this series still is continuing to make its setting feel alive, even with only one episode left to go. It’s a bit unconventional, and will definitely leave a few threads hanging open, but on the bright side it really gives that extra spark to the setting: it makes it feel like there’s much more going on in the world than just the problems of our lead characters. The alien in sunglasses in the end never really had an important role, and we hardly know anything about him, but he does return every once in a while to influence parts of the storyline (for example, tricking the girl into killing her former comrade for protection). Nakasugi as well: there is no way that she’s going to have any influence in the story at this point, but it just shows that she too is continuing her life and that Birdy and Nataru may have their issues, but they’re not the centre of the universe. I mean, how many other series have a light hearted school festival at the end of their airtime? The only examples I can think of are the ones in which the school festival leads to some really dramatic climax, but here it’s used for the entire opposite: to brighten up the mood and flesh out the setting.

I really like this, especially since most other series don’t care about this at all, and you can really see the results: in the series, it looks like the entire world is revolving around the lead characters, with hardly anything else. Random by-passers also just feel like a bunch of mannequins, who aren’t important at all. In Birdy the Mighty Decode, though, they all feel so refreshingly alive due to the attention that it’s been paying to flesh out the setting at such a late point in the series. Seriously, I’m really surprised to see that they decided to do this in the second half of the series, which is usually the time when most series are done with the world building and focus on other things. This really is much more apparent than even Noein, and it shows that Kazuki Akane’s style is evolving, and he’s trying and become an even better director than he already was. This guy truly is my favourite director ever.

Posted on 14 March 2009 with categories: Birdy the Mighty Decode



Short Synopsis: Birdy starts to search for Natoru.
Episode Rating: 8,5/10 (Awesome)
And so this series continues its string of utterly incredible episodes. Oh boy, it sure has set a incredibly high standard for the rest of 2009. It’s going to be interesting whether the rest of the year can produce another series that at least can come close to the level that this series has been at. This episode was mostly building up for the finale of this series (only two more episodes left!), but it did this so well.

I liked how this episode used the school festival in order to bring some more life into Senkawa’s school. It was only meant to flesh out the setting a bit more, and the rest of the episode was about something completely different. With most anime, such a school festival usually is the most important topic going on.

But yeah, while the death of this episode was probably the least brutal of the bunch, it yet again made a lot of impact. In this case, Nataru only lives for his revenge, and he doesn’t care whether he has to slaughter children who never were the masterminds in anything, he just kills using the powers he obtained. It’s promising to be an incredible finale in any case.

I also wonder what the purpose was of Capella’s arrest. Was it just to wrap up one of the loose storylines, or was it meant to give the old hag a bit of development? It was pretty hilarious that she turned in Capella after keeping her in hiding for so long.

In any case, one thing in which the past Winter Season has stood out for me was the huge amount of series with good villains: the villains here are victims themselves, who have all the reason to defend themselves because Nataru keeps killing them off, and it’s not just this series: Satoshi in Michiko e Hatchin has been one of the best villains I’ve seen in a long while, Casshern Sins, Jigoku Shoujo and Tytania love playing with the definition of ‘villain’, and shows as Hajime no Ippo and Shikabane Hime Kuro have superbly characterized villains. Nearly all of them have intentions other than “I want to destroy the world because I’m evil”. Before this season started, I really disliked them, and hardly any series had a good villain. The only series in 2008 with really good villains like the ones shown in this season were Mouryou no Hako, Kaiba, Shion no Ou and Gunslinger Girl. That’s four series over an entire year! That’s nothing!

Posted on 7 March 2009 with categories: Birdy the Mighty Decode



Short Synopsis: Natoru’s powers get out of control.
Episode Rating: 8,5/10 (Awesome)
A building-up episode, but oh my god, what an ominous one! Finally things make sense, but at the same time we can expect a really dark finale for this series. Ah, I should have known that Kazuki Akane would attempt to screw time at one point. This episode is where it happens.

I think that the OVA (Yay! There’s going to be an OVA) is going to shed light on exactly how this happened, and going to tell exactly what happened with Natoru on the day that Birdy lost her caretaker (Oh my god, this is what I realize as I’m typing this: her mystery savior was indeed Natoru’s grown up version! Of course!), and it’s going to show how exactly he and his father were screwed over. This drove him to seek power, and this power is now biting him in the behind.

In this episode he manages to save himself by pulling a time-warp, but the big problem with it is that it happens completely beyond his control. He really seems to have signed a contract with the devil somehow. In the meantime, the creators are also making sure of every opportunity to show a bit of history of he characters. When he went to earth, he seems to have joined a regular high school, while two of the beastmen that he’s supposed to kill have known each other for a long time, it seems.

Seriously, this is one of these episodes that may not make much of an impact when I watched it compared to the others of this series, but now that I’m thinking back to everything that happens, it only becomes better and better. It’s been a very long time since I ran into an episode that had this effect on me. And oh my god… this series remains just amazing.

Posted on 28 February 2009 with categories: Birdy the Mighty Decode



Short Synopsis: Shouko goes on a big adventure.
Episode Rating: 8/10 (Excellent)
Another quiet episode with the goal of building up, but it’s an episode well spent, as it develops the character of Shouko a bit more. It was a bit silly of her to mistake Nataru and Shion to have a relationship, but the episode did its job really well, and especially the many other things that happened during this episode made it more than worth watching. And after all, she was about to be taken away from Nataru, so she needed something to vent off her frustrations with. Bullying Shion was the obvious thing to do. ^^;

But damn, I hate it when the creators pull that ‘character X is about to be killed off’-cliffhanger, especially since this show has already seen so many deaths. Now I really want to see that next episode, even though it’s going to take another week for it to air. My guess would be that the creators are going to let Nataru struggle for a bit more, make him escape with that power of his while heavily wounded.

Then, I wonder what Muroto’s purpose in this series is going to be. It’s been pretty small throughout the series, but now that he caught himself a ‘scandal’ of Shion, then I really wonder what kind of repercussions it’s going to have. Shouko is probably going to find out, meaning that her role isn’t over yet, and this episode was probably spent in order to develop her character not just to have a complete cast and for the heck of filling an episode, but it’s actually going to be used somewhere later in the series. Nice.

Posted on 22 February 2009 with categories: Birdy the Mighty Decode



Short Synopsis: The second half of Birdy’s past
Episode Rating: 9/10 (FUCKING EPIC!!!!!!)
Oh my god. This episode was utterly incredible, the best of an already superb and magnificent series. I still can’t believe how amazing and outstanding this show has turned out. I knew it had a splendid director already, but that’s not always the reason to get your hopes up since in 50% of the cases, they just don’t live up to his previous works. Well, I’m glad to say that THIS ONE CERTAINLY HAS! If it continues to get better and better like it is now and the ending doesn’t mess up the story, it could actually make my top 10. The second season is simply brilliant, rich, grandiose, glorious… and I’m going stop now before I run out of adjectives.

Those flashbacks that we kept seeing were incredibly sneaky. Birdy has had deal with a pretty cruel event in her past, and yet we were given no hint to that until this episode. All the scenes that we saw were either from right before or right after Violin got killed. And holy balls, I thought that the terrorists simply detonated a bunch of bombs in central tower, but they slaughtered the entire place completely. Now I also understand why Nataru is so hung up on his past, because what happened there was downright terrible: Ryunka was abducted and protected by the ones that we saw Nataru kill off in the past few episodes. That’s why he hates them so much, because they pretty much ruined the life he could have had with Birdy.

Violin’s death was especially sad since Birdy grew up seeing her not as an android, but simply as her mother. When she got destroyed, this image of her broke completely and Birdy wasn’t even allowed to say a proper goodbye to her, since in her mind, Violin turned into someone completely different from who she grew up with.

And oh my god, the animation! The godly animation! This episode looked downright awesome, especially when the incredibly messy visuals appeared. It looks like Kazuki Akane plans to go further with his specific style than he did in Noein, which is promising SO MUCH goodness for the final episodes of this series. While at first it indeed seemed to be going into the direction of Kemonozume, but the end of this episode truly looked unique, and even went where Kemonozume didn’t go.

The question now remains: who the heck was the person who carried Birdy away later? The only one who he reminds me of is the grown up Natoru, but this show doesn’t seem to be about time travelling, unlike Noein.

Posted on 15 February 2009 with categories: Birdy the Mighty Decode



Short Synopsis: In order to save Birdy, Senkawa needs to learn about her past.
Episode Rating: 7,5/10 (Good)
Ah, it’s finally time to reveal Birdy’s past. Something that the past five episodes kept hinting at. Since her story couldn’t be squeezed into one episode, this episode is mostly building up, and setting up the basics of how she grew up and met Natoru. Not the most exciting episode, but definitely a necessary one.

So as it turns out, Birdy was really raised as one of the elite. For her entire life, she was trained to become part of the intergalactic police. Natoru turns out to be an Aruta of a much lower class, which explains how the two former friends ended up on the opposite sides of the law: they just happened to meet each other, but they grew up in completely different environments.

Interestingly, this also forces Senkawa to reveal to Birdy’s superiors that Nataru and especially his father are on the planet earth (and subsequently that his father died). This probably is going to mean that the intergalactic police is going to involve itself heavily in the final part of this series.

Overall, albeit uneventful this was an adorable episode, and a bit sad, I guess: Birdy was hardly given the time to grow up like a normal girl, or choose what she wanted to be because she seemed to have been specifically bred to be a weapon. I’m interested in what the big secret of her past is. This episode, along with all the other flashbacks are building up to something… I just can’t put my finger to exactly what.

Posted on 7 February 2009 with categories: Birdy the Mighty Decode



Short Synopsis: Well… just watch the episode…
Episode Rating: 8,5/10 (Awesome)
Zomg…. what the heck happened here?! I was already expecting a lot of great stuff from the second season, but that Kazuki Akane would actually go this far… Oh my god, I still can’t believe the potential of it all. To those who were all whining about the predictability of the end of the first season, which stuffed Senkawa back in Birdy’s body. Well, let’s just say that IT WAS ALL DONE WITH A REASON!

Because of that, Senkawa has now been inside Birdy’s body for a bit too long, and the two of them have begun to merge with each other, effectively causing Senkaway’s consciousness to overwrite Birdy’s! This leads to a hilarious episode in which Senkawa has to take over Shion’s tasks, but he also lost his own real body, meaning that he’s not going to be able to show himself in front of his friends, and Birdy’s going to disappear as well.

Normally, this sort of issue will probably solve itself within the next episode or so with some quick Deus ex Machina, but this is KAZUKI AKANE we’re talking about! We’re only at the fifth episode at this point. Who knows what he’s going to pull in the rest of this series!? Something also tells me that we should be fearing for the girl in the wheelchair. She’s getting way too much along with Natoru. I just feel that something’s going to happen to her. After all, she’s the perfect bait for hostages.

And also, that was one awesomely animated fight scene!

CHANGE USERNAME
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
Total users: 31

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