Posted on 1 July 2016 with categories: Anime Reviews, Bungou Stray Dogs

Well, we don’t usually give a review on the first cour of anime show, given the fact that the second part will air next autumn season. But since I’m not certain I would cover its second half, plus I don’t think this series will improve itself, I might as well give Bungou Stray Dogs a proper review now.

Bungou Straw Dogs is an action show that follows a story of Atsushi, an abandoned boy who can transform into a tiger unconsciously. He got rescued and later recruited by the Armed Detective Agency, which contains a bunch other gifted characters. But things become more complicated as the Port Mafia – the local mafia – also want to take their hands on Atsushi and towards the end of the series, somehow the Guild – the North American counterpart for gifted people – involves to capture Atsushi as well. The show follows this main storyline, at the same time introduces each and every one of the Agency.

As far as action show goes, in term of production, the show has a lot to recommend on. The art designs, in highlights, feel like an essential component of Bungou Stray Dogs. This show has always put extra effort to create a strong personality for its settings. From under the bridge scene right at the beginning, to the abandoned hospital, to the various sights of the city, all are well-drawn and have an atmosphere of their owns. The last episode set-piece in closed space dimensional, in particular, showcase the art designs at its best as it has a very distinctive feel of dreamy and creepy, like a nightmarish version of Alice in Wonderland. The show goes for more of impressionist visual style, and I would say what they achieve here is impressive. The staffs show us that they have a great flair of shot compositions. This is one of a few anime series that whenever I freeze frame the screen, I can still find great shots for my screensaver. The impressionist visual also means that the color palette changes depend on the mood of the scene, but the show favors the use of strong color in its more ordinary scene: dark red, green, resembles many of classical paintings. The music of the show has always been very consistent, and sometimes it did take a little risk. In a bombing sequence for example, the score goes to unsettling and nausea approach, which in turns very fitting to the chaos and the nausea of the confusing crowd.

But in Bungou Stray Dogs, we don’t only have action. There are also some twists/ flavors mixed in with its action, and the results vary in many degrees. The first ingredient is to make the characters based on real life authors. This adds a little quirk to the characters, which is actually fun to watch, especially if you know the authors they are referencing to. Talking about characters, the cast in the show does have their own voices. Like the cast in shows like Baccano or Cowboy Bebop or directly from Tarantino’s movies, they never feel like a real person, but they’re damn fun to watch nevertheless. I have to point out Dazai and the girl Hyouka as the show’s stand out characters, the way Dazai’s charm his way out (even about suicide) and Hyouka tragic but grounded circumstances. Other characters are vastly over the top and when given a spotlight, they developed quite well but most of the times the cast is unfortunately bland and one dimensional. See, this is a fundamental problem of Bungou Stray Dogs, because the cast is so exaggerated and over the top, leaving them on their own could potentially affects the main storyline. As a result, in order to keep the story going the way the show wants it, the cast has to be as one-dimensional as possible and sometimes as inconsistent as ever. For instance, it’s nice to learn the truth behind Ranpo’s gift or Kanji acts up once in a while, but for the majority of time we will have to see the childish, selfish side of Ranpo or the happy-go-lucky Kanji. Bungou Stray Dogs, you need to constantly shed new lights to your characters, because if you don’t care fleshing out your characters then we won’t feel it either.

The inconsistency of the characters further highlights this issue and most of the times it feels like the characters act certain way just because the show wants them to. Like for example in the first few episodes it was established that the Agency is like a big family; but then Dazai got captured for several episodes and no one seems to care. I believe this supposed to show how Dazai is always ahead of everyone and he can take care of his own, but it feels truly bizarre that after all the trouble he went through, the next episode we have him sitting in a chair like nothing ever happened, and the cast treats him like he was never been captured before. There are also many times that the character Kunikida has a huge leap of personality, like in one episode when the Agency was informed that Atsushi has been abducted, Kunikida was totally oblivious to the news and kept babbling about the Agency’s current “important” ministry job. In the end of the episode, however, we have him rushing out to rescue Atsushi like it’s the most obvious thing in the world and it makes me feel dumped.

The second mix of ingredient is the mix of detective cases in several middle episodes of the show. Those cases are simple enough and they were presented to mostly showcase the cast’s members. But many cases are just plain, with our Detective solve it way too rushed with information we never even heard before (like the fishing tackle store, which if it blows up it could bring down all the big building nearby. How are we supposed to know it? Well, never mind!). Usually the new players introduced will have something to do with the case, and then when they finish their purpose they will get tossed out and we will never hear from them again. This is a minor complain but the number of innocent people who got killed off are jarring to me. I guess this is just me as I think the show doesn’t care much about this issue, but killing people just for the sake of raising stakes is a terrible writing.

All to say, in terms of production and character designs, there is a lot to recommended but writing-wise, the show needs a lot to improve on. As for the score, for me 60 is the line between exceptional and mediocre shows, and Bungou Stray Dogs is a slightly (very slightly!) above average show. This first half set itself up to be a three-way war between the Agency, the Port Mafia and the Guild. I’m interested to see how they handle the war and also curious to see the Guild counterparts and their gifts. Here’s hoping for the second half can deliver what this first half has been promised.

~SuperMario~

Posted on 26 June 2016 with categories: Bungou Stray Dogs, Currently Watching:

And we get to the end of Bungou Stray Dogs, but this last episode doesn’t offer any conclusive ending, instead feel more like a set up episode for the next season. This last episode functions like a typically Bungou Stray Dogs’ episode; there are many good things to say about it, mainly the technical triumphs and the great character designs, but the writing and the new characters are mixed bags.

Let’s get to the good side first. As far as action show goes, Bungou Stray Dogs is at its top form this week. There are new set of enemies introduced, promising a three ways battle between the Armed Detective Agency, the Port Mafia and the Guild (the North American organization of the gifted) in a second season. Thus the main set piece this week happens in the imaginary closed space of Lucy (resembled of L.M Montgomery – the author of Anne of Green Gables) named Anne’s Chamber. I have mentioned that the show always had a very good grip on creating a memorable set pieces that really feel like it breathes by itself, this time in particular the close spaced is just wonderful. It’s so stylish and awe-aspiring, while at the same time dreamy and creepy. The fighting sequence is exciting, with the cat-and-mouse chase that are thrilling from start to finish. Atsushi again proved himself this week that he is capable of fighting for himself, and I can forgive him for wanting to run away calling for help because that’s just who he was. Thankfully he got pulled back by the physician, who soon revealed to be the Port Mafia’s boss. He is one of the more interesting character out of this show, both very mysterious and smart and tricky, and he’s just like Dagai who seems to be one step ahead of everyone else.

The other new characters presented this week, however, are just bland. I’m a bit disappointed that Fitzgerald turns out to be over the top archetypical American villain, the one who thinks money can buy everything and proud himself for that. I originally think he’s one of the tough one to beat but judge from the facts that he’s super one-dimensional, and he got killed off rather easily in the end, all that made me wonder what’s exactly his role in the show. Lucy is also a very one-note character, who appears mostly as a mad, sick little girl who just want to have fun. A bit about her insecurity among the Guild is a nice little touch but other time she functions like a typical villain. Dagai again back to the office and seems like nothing happen further emphasized my complains on the inconsistency of the show.

Looking ahead, I honestly have no idea how they could handle the mega-battles between the Armed Detective Agency, Port Mafia and the Guild. There seems to be a lot more Guild members with more unique skills to fight against next season, but it seems to me that Mori (the Port Mafia leader) is the ultimate boss. I’m a bit keen to check out the second cour just to see how they handle all that, but I’m not sure about covering its second cour, since I don’t think the show will get any better than what it is now.

~SuperMario~

Posted on 18 June 2016 with categories: Bungou Stray Dogs, Currently Watching:

Bungou Stray Dogs strays to another side stories this week, it’s pretty much set up for the second cour, and in that aspect this week is a success one, both gives us a new light to existing characters and makes quite a bit of impression on our new characters. I kind of appreciate how the series spends its first half on a very unusual lead: Higuchi and her insecurities both in her relationship to Akutagawa, but also her place in the Port Mafia. I mean this is Bungou Stray Dogs so I don’t really expect it to spend time focus on minor characters, yet it did. I’ve mentioned before that Higuchi in her last appearance was not well-written character, she seems more like a plot device last time who being there to trapped our main characters and waited for Akuwataga to come. But in this first half she comes off as a character who has her own worries and her own voice. Yes, being insecure is nothing special, and her heroic act is rather stupid more than inspiring, and I have my doubt that she’ll be important in the future; but for once I’m glad at the effort the show makes to flesh out our minor character. Bonus point for shedding new dimension to the Black Lizards members, who appear to be more sensible and dare I say, heart; than our own Detective Agency.

The second part spotlights the remaining member of the Armed Detective Agency, Kenji. All the facial expressions – from the chairman’s cold face, to Atsushi’s naïve reaction to Kenji’s reasons, to Kenji happy-go-lucky attitude reactions – are mostly great this week, something that the show rarely done it right before. The inclusion of Kenji, a country boy who has a very upbeat “If we’re sincere, they’ll response” attitude, further prove that the Armed Detective Agency is a bunch of weirdos who happen to (or because of) be gifted. Kenji, certainly one of the most over the top characters in Bungou Stray Dogs, smiles his way through all the incidents, and apparently solving the cases by his unique approach. This is not a bad thig though because it makes up some of the more hilarious moments in Bungou Stray Dogs. The fighting scenes for example is more comical rather than thrilling, but it fits well with the story. In other notes, I’m more intrigued to the two young female characters here, one is Hyouka who in this episode stands up for herself and asked so she could stay in the Agency (plus she’s just gorgeous in the maid outfit), I like the way she’s developing here as she takes action into her own hands. The other one is the mysterious young girl with red dress and without a single word in this episode, but she already gives off a strong impression. I suspect her to be a kick-ass girl and it’s apparent that her role in the second half will be much more significant. Speaking of this I have an impression that in the latter half it seems more likely that the Armed Detective Agency and the Port Mafia could team up to fight against Fitzgerald team, judging from the way the show focuses on the Port Mafia side this week (they’re not all that bad!) and the way it frames Dagai and Nakahara, Atsushi and Akutagawa relationships (they seems more like rivalry than actual enemy). I might be wrong of course but if it is this gonna be an interesting development for the next season.

~SuperMario~

Posted on 11 June 2016 with categories: Bungou Stray Dogs, Currently Watching:

Last week I mentioned the lack of consistency in characters, despite the more focus and confident pacing of Bungou Stray Dogs. Well this we pretty much have the same issues here. The first part focus on Dazai and Nakahara and reveals a bit more about his past while he was in Port Mafia. While Akutagawa is short-tempered and easily offended by Dazai’s words, Nakahara seems wiser and understands Dazai better, which is not to say that he is not manipulated by the always-several-steps-ahead Dazai. I still can’t put my finger on the way Nakahara behave, because his behaviors don’t add up much. Let’s say he came to the place to harass Dazai (which in the end turns out that Dazai was expecting it), he then broke out the chains, fight with our main character, intended to kill him, but then was “blackmailed” so he would give Dazai information, frees the guy and “walks and talks like little rich girl”. The character of Nakahara has absolutely no consistency here. I understand that he held Dazai in high regards, being his former partner and Nakahara understands the guy more than anyone else in Port Mafia. I would understand why he like to harass Dazai but go as far as killing him? Nah. I don’t believe it one bit (although tips off for nice visual), so there was no stake to raise here, indeed he couldn’t bring himself to kill Dazai which brings me to a next point: Why include that scene in a first place? It just seems like it was included to further demonstrate how awesome Dazai is. Everything falls into his plan (including how he was kidnapped in a first place). This, and the very awkward “walking and talking like a girl” bit, the show surely overplayed the superhuman, almost perfect Dazai and make every actions made by Nakahara incoherent.

The second part, though, is as entertainment as Bungou Stray Dogs can get. But still I don’t see the point of Kunikida’s rescue here. How the hell would he thinks that yelling out Atsushi name (so all the people in the ship would hear) the best possible action? And he basically helps nothing except being there for Atsushi to jump as well? So why include him again? Well anyway, the fight between Akutagawa and our main character is great, and it’s really great to see Atsushi can perform his gifts at will and gets better and better at fighting. There are many nice visual in a fighting sequences and the choreography is excellent as well. All that and the reveals of a bigger, more bad-ass boss (F. Scott Fitzgerald, can you believe that?) made a nice touch to the series (I would never think they include writers outside of Japan) and set up nicely to the conflict of second season of the series. Anyway, I like to see more on the conflict between Port Mafia and the Agency so here’s hoping the last few episodes can deliver on that.

~SuperMario~

Posted on 3 June 2016 with categories: Bungou Stray Dogs, Currently Watching:

I have a strong mixed feeling towards this week’s episode of Bungou Stray Dogs. While structurally, this presents Bungou Stray Dogs at its best, it has a major flaw, A FATAL BLOW, that could potentially damage the show. The show establishes its most confident pacing ever, by slowing things down on the first half to really focus on the relationship between Atsushi and the new girl, Kyouka. This provides a great break after we had so many explosions and fighting the last couple of weeks. This is a time for a slower, tender moment to flesh out our characters and heighten their relationship. It helps that Kyouka is among one of the best characters the show ever written, the way she’s grounded: she’s well aware of her loneliness and her crimes, yet she strives for someone who could understand her. The art designs, in addition, bright with so much creativity this week. The use of strong color: dark red, green, resembles many of classical painting, but to put them in a modern context – especially this week when they showcase the various attractions of Yokohama – makes it a unique production. This art designs feel like an essential component of Bungou Stray Dogs. I have never seen any other shows that Yumiko Kondo (the art director) contribute apart from this one, but she surely has my full attention now. The music remains strong this week, with a rather unusual choice again, but surprising fitting, in a sequences where Atsushi get attacked by the Port Mafia. Rather than using the thrilling score, in that particular scene the show goes for a much slower, tender score to express the lost feeling of Kyouka. The second half of this episode the show rushes thing off into its action mode and this would be our main climax of the whole first season, especially will be a big fight off between our main lead Atsushi and Akutagawa, both of them connected to Dagai as their upperclassman.

But there is one issue that the show unfortunately stumbles on, and I do think this is a serious issue, that is the inconsistency of the characters. This inconsistency had happened before in Bungou Stray Dogs, in an episode where Dagai, Atsushi and Kunikida witnessed several victims were gassed in an abandon hospital. Now with Kunikida’s personality, a rather self-righteous man who lives by his “ideal”, there is no way he’s not shooting the glass down, regardless if the glass is bulletproof or the gas will spread out. He would not even think about it, just shoot it. Again in this episode, the huge leap of personality happens when the Agency was informed that Atsushi has been abducted, and guess what Kunikida’s acting? He’s babbling about the Agency’s current “important” ministry job, which is strange because in this very morning he still has time to go out for lunch, and worse of all he and Ranpo actually look for reasons no to help Atsushi out. I know that the show has downplayed this part and it seems like this part is a vehicle for the President to involve and shows that the President cares for our rookie member, but the show could do that better without selling out any other characters. Consider Kunikida behaving at that moment with him in the end of the episode where he rushing out to rescue our main lead, this feel almost like a betrayal. Dagai being kidnapped and others don’t seem to care at all strikes as another inconsistency for me, I know he would take good care of himself without any help but I really feel like the cast just don’t care because the show don’t want them too, because it would help to move the story faster or some other rubbish. Another glaring example is when Kunikida raising an unnecessary stake with a remark “Once he’s outside of the country, we can’t touch him”. How the heck outside of the country impossible for them to rescue Atsushi? This is an Armed Detective Agency with gifted people for god shake, and I don’t understand why only him and not the whole Agency going to rescue him? It’s simply just because the show don’t want them too. I can get pass their shaky pacing because as of now it’s kinda Bungou Stray Dogs thingy, but if the characters keep acting so inconsistent like this, I would mark the show down rather harshly.

~SuperMario~

Posted on 27 May 2016 with categories: Bungou Stray Dogs, Currently Watching:

I have to say more than anything this is Bungou Stray Dogs’ special episode, in a sense that in one hand, the show produces one of its most brilliance ever, but on the other hand, there are still many shortcomings along with the greatness, producing an episode that mostly entertainment but uneven. The introduction of the two main antagonists; for example, highlights this unbalance. Kyouka the silent girl might be one of the most interesting character we have for a while, mainly because it has something to do with her not being over the top (compared to other characters of this series of course). Her motives and actions are both mysterious and grounded. Her lines admittedly feel very unnatural, but there is a hint of sadness behind those words. Motojirou the bomber terrorist, on the other side of the spectrum, is just loud and plain. He’s always in the destroy/talking nonsense mode so it’s hard to remember fondly of him. It might come as a cliché but for an action show there must be someone who crazy about bombs huh?

Now let’s get to the great parts of the show. The first thing that stands out in this episode is the music. The music of the show has always been very consistent, but this week it takes a step further. In a bombing sequence, the score goes to unsettling and nausea territories, which actually very fitting to the chaos and the nausea of the crowd. The visual, especially in the action scenes, are pretty amazing to watch. Furthermore, this show has always put extra effort to create a feel for its settings, and this week’s train setting surely doesn’t disappointed. It has a very distinctive feel and a lot of personality. The writing this week takes a rather new approach as well. They don’t go for their usual crime investigating, there is no usual gags about suicide attempts and there is even no interaction between Dagai and Atsushi. All that actually helps to make the story much leaner this week. For once I like the way Atsushi acts this week as he really stands up for himself and fight, and comes out of his own to try saving a girl. This is a kind of development I like to see from him, so I expect more of that in the future episodes.

But not all of this episode is in rose color though. The story runs so fast that more often than not it feels forced, the way our main leads were in the train when all of this incidents happened. Even many of innocent people had to die to “prove the point”. Bungou Stray Dogs, you have to care more about people, they don’t just die for the shake of dying ya get it? Our character this week, Dr. Yosano, comes out as a mixed bag too. When she’s not being creepy by telling how she enjoys “curing” people, she possesses a more attentive side (like when she checks out Atsushi’s leg), but sadly she’s over the top most of the time. Her gift “Thou Shalt Not Die” was revealed to heal a person, but with a condition that the wounds have to be lethal, which comes to a rather illogical part, where she healed herself after a ton of bombs were dropped on her. The way I see it her body would explored well before she has a chance to use her ability. The bomber terrorist as mentioned earlier come off as very one dimensional. In all, I’d say I’m happy with the direction the show heading for now, hopefully it can overcome its shortcoming, especially in its character-writing, because when they do it right, we have a bunch of really solid character’s development.

~SuperMario~

Posted on 21 May 2016 with categories: Bungou Stray Dogs, Currently Watching:

This week the plot revolving the Azure King was resolved and it raises the conflict of sense of justice between Dazai and Kunikida. Like what I suspected last week, all the new characters are in play in this episode and now I get the hang of Bungou Stray Dogs storytelling now. The new characters will get introduced, have a little bit of introduction, serve to move the plot or supporting the cast, and then get discarded very quickly and I doubt that we would hear from them again. Case in point, in this episode, Rokuzou the hacker and Sasaki the victim appear in the climax, when both of them manage to shoot each other and die, and “it was the only possible outcome”. How ridiculous is that? There are many ways where they can resolve the problem without any single one dying, or maybe I’m not that deep to understand that bit. These new characters, sadly function like a plot device to move the story forward than a real person. I will put that aside for now, because after all, their very existence is just to advance the plot and put more depth into our main characters.

But judging on advancing the plot, the action moves very fast to the point we don’t have time to process all the plot development. There will be few hints but either it’s too obvious (like when Sasaki mentions her soulmate), or too inconsistent (remember that Sasaki is the mastermind behind planting the bomb, so when the agency found out about the location of the bomb in front of her, common sense would be her tries to prevent or slow down the process, right?). Moreover, some elements just appear so randomly, like the usb that luckily contains all the necessary information, or Rokuzou shows up to the scene, or the fishing tackle store (how on earth would WE figure that out?). No this plot development moves so hurriedly that it becomes, quite frankly, a mess.

In the character’s development area, it is interesting to raise the difference of how Dazai and Kunikia view of justice. They are both have very different personalities and I believe Dazai does all that out of worry that Kunikida’s ideal and sense of justice, and a bit of guilt over the Azure King case would one day consume him. But that in itself is not the right way to treat Kunikida. For all thing, Kunikida has to learn it by himself. He has a lot more to prove and I expect to see more of this angle in the next episodes. Next week look to be more interesting as it is now Yosano’s turn, along with a new girl in red. Sounds like a promising episode to me.

~SuperMario~

Posted on 13 May 2016 with categories: Bungou Stray Dogs, Currently Watching:

This week Bungou Stray Dogs spends its time to focus on another side character, this time it is Kunikida that has a chance to shine. Out of all of our supporting characters, Kunikida is the one that has the most screen time. He appears in every single episode so far, but sadly, he was also one of the most one-note character.  Before this week all we know from him was he’s a very uptight, self-serious person. He obsessed with his book “ordeal” because he believes his future, his plan… are all written down there. He was also very fond of Dazai, despite they having a completely opposing personalities. All these straits are fine on its owns, but they were mostly played for laugh. This week, however, we learn an interesting backstory that shed a new light into his character. He believed he was responsible for the death of five detectives in a bombing known as the Azure Flag Terrorist Incident, so he still takes his time to look over for Taguchi, a hacker genius type and one the detective’s son. This is a nice development for Kunikida and I really hope the show keeps digging into that direction. On side note I actually think the joke on Dazai worked this time, maybe because he is not rambling about any of suicide method, but just gets so high and talks nonsense. But what a whimsical nonsense.

The actual case for this week is uneven at best. The case was set up until the stakes got so high, and then things were resolved rather quickly and quite unconvincing. I still think the set up part is impressive though. We got introduced to the missing case, and then found our way up to the abandoned hospital. The setting itself has a creepy and tense atmosphere, which is a nice touch from the show. We then witness a girl who nearly drowned in a fish tank, and then a bunch of other victims were gassed right in front of them. This was a nice set up with so much tension, unfortunately the other half was very inconsistent. In process of investigating the case, there are only two characters that have a role in the case: one is the female victim Sasaki, and the other is the taxi driver. And guess what, turns out the taxi driver is the kidnapper. This conclusion is jumpy, there are very little clues to actually figuring out the true culprit here. And worse the case turned out to be just a setup for next episode, and the kidnapper turns out to be controlled by the Port Mafia, which all are ridiculous. But at least we then have an amazing fight so I’ll complain no more. Now when I think about that maybe miss Sasaki will have a role in the next episode as well, because why not?

So in the end, in terms of plot development, this episode is a mess. The pacing is never a strong suit of Bungou Stray Dogs and it again shows in this episode. The character development, on the other hand, was on point and I really much hope for the show to follow that direction. Next week we get to the actual bombing case and we might learn who the Azure King is.

~SuperMario~

Posted on 6 May 2016 with categories: Bungou Stray Dogs, Currently Watching:

Bungou Stray Dogs once again goes sidetrack this week, which means that this episode is a filler one and doesn’t advance the plot at all. The main rivalry between the Armed Detective Agency and Port Mafia; which I originally thought to be 4, 5-episodes arc, seems to stretch out until the end of this season, or the fall season for that matter, now that they announced that the second part will premier in this October. But with all that said, this is one of the best episode Bungou Stray Dogs have ever pulled off. Look, I’m a sucker of shows that care about characters. As long as a show can take their time to focus on character’s development and character’s interactions, I will be content with it. Back in previous few weeks, I had my concerns of the supporting characters being flat with some over the top traits, well this episode is an answer to that. In fact, I am fine if the rest of Bungou Stray Dogs go with this direction.

This week is all about Ranpo with his gift Ultra-Deduction, and he makes the best out of it. The murder case is simple enough to not distract the flow of the episode. Although the case itself isn’t really coherent when you think about it (like if the two were really couple, she should have realized sooner that the guy being controlled by Port Mafia), it makes up by its emotion core and further showcase the ability of Ranpo. Atsushi becomes a sidekick this week and this is for the better. In fact, Atsushi and Dagai interactions are not the strong part of the show (mainly because they would go to the usual banters of Atsushi feeling useless and Dagai bragging about suicide), but this week it’s working since they discuss about someone else, and give more lights about that character in the process. All of the usual gags are absent, and even the part about Dagai being stuck in the net and still going on about double suicide seems funnier this week.

Now into the best revelation of this week: Out of all the characters from Armed Detective Agency, Ranpo is the only one who doesn’t possess natural gifted. The word “gifted” in fact always baffled me. Gifted means that the person have an exceptional talent, but isn’t it matter if one who does not have it to begin with turns out to be talented? People with gifted usually take their ability for granted, so they just don’t know or care that other people have to try hard to reach that level. This is demonstrated well in Ranpo. Because he is not a natural gifted, he had to try harder to become what he is now and his skill now is far more powerful than any natural gifted peers. Another thing is that “gifted” alone is not what makes them great, it is really a combination of:

”Ten percent luck, twenty percent skill.

Fifteen percent concentrated power of will.

Five percent pleasure, fifty percent pain.

And a hundred percent reason to remember the name”

~SuperMario~

Posted on 29 April 2016 with categories: Bungou Stray Dogs, Currently Watching:

Bungou Stray Dogs sure never get tired to showcase more new characters every week, and judging from the OP I’m certain that there are more to come. This week there are 3 more new faces and each of them is over the top in their own ways, but that turns out to be for good reason. I feel the pacing in this episode is very unstable, it was too slow at first (mostly because of the dialogues and the overused flashbacks), and then way too fast in the climax scene (we just got introduced with the villains, and then they proceeded to have a big fight with the Agency, who we didn’t have enough time to care about to begin with), but that turns out to be for good reason as well. See, because there is a twist: The Agency are all overpower human being who can easily take down the raids like a piece of cake. The twist works and for once I liked the way they built things up for that climax.

Atsushi, however, has been in an “I’m a burden to everyone” mode for 4 weeks in a row. I don’t see the point the series keep making that Atsushi truly belongs to the Agency. We already know that at the end of the first episode. Here we are now, in its 4th episode, still stuck with that same note (Atsushi cried because he felt he is in the right place). We need to move on man! I will keep this aside for now, but if in the next episodes we still see Atsushi being insecure or that orphanage’s flashbacks again, it will truly drag the show down. I would love for our main character to grow but he will need to be more substantial in order for us to care for him. Being in the same mode will not help of course.

Now this is clear that Bungou Stray Dogs going to be an action comedy show (forget about the supernatural stuffs, they feel more like an action ability anyway) and that lays many problems within Bungou Stray Dogs: the comedy is not funny at all, the action is nice but is few and far between, the transition between comedy and action is awkward and unfortunately slows the show down. The main issue with the comedy, as I mentioned in previous weeks, is because of the repetition as they do nothing to flesh out the characters. Even good joke will get pale if it was told too many times. I hope the show can learn this lesson. It might not be an issue when the main storyline kick in but boys it sure takes its time. I would say Bungou Stray Dogs is at its best when the show focuses on action, with a bit of comedy on top.

In addition, I’m not quite fond with the real-life writers references as well. Sure it’s nice to catch some humors and personality traits based on their real-life counterparts, but the way I see it, it adds nothing to the story and the series could have been the same without all those literary references. In other words, there is no reason for it to be there (except perhaps for being STYLISH). On the last note, I originally thought Yosano would become a compelling character but the healing scene totally killed it for me. Well done Bungou Stray Dogs!!

~SuperMario~

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Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

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Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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