Posted on 21 November 2012 with categories: Anime Reviews, Eureka Seven Ao



The original Eureka Seven is a classic. If you like teenagers and mecha, then by all means give it a chance: it has a very rocky start, but has so many defining moments. And so, six years after its end, Bones came with a sequel. It’s quite an interesting series: you really need to have seen the first series in order to enjoy it, yet it is nothing like its predecessor.

The series takes some of the core concepts of Eureka Seven, it takes its defintion of Trappar and Corallian, it grabs the son of the two lead characters of Eureka Seven, puts him into a completely different location and even time, and just goes with it, trying to explain what the hell is going on as it goes along. Where Eureka Seven focused on showing children’s naivety, this series instead turns this around by forcing children in the center of conflict, while emphasizing that they do not belong there in the slightest. With these themes, it tells a story that with one crazy amount of plot twists.

After a bit of a warm-up period, this show just delivers plot twist after plot twist after plot twist. It’s a really good mystery series, with a lot of interesting ideas and twists that come from out of nowhere and give completely different turns to what the plot was before. This obviously has its advantages and disadvantages.

I mean, back with Un-Go, that was a series that had perfect control of its fast pacing. Ao does not, and there are quite a few plotholes. On the other hand though, there are plenty of moments that might seem ludicrous, only to make sense when you start thinking about it. A lot of the plot twists aren’t explicitly explained, or require the viewer to constantly pay attention to what’s going on: this is one series that does not plan to hold the hands of its viewers, and you definitely cannot watch it when you’re tired, otherwise you’ll miss stuff.

Anyway, I have seen plenty of people turned off by the plotholes, but I personally loved what this series tried to do. It’s all about the suspense of disbelief for this series, and let me tell you: if this suspense of disbelief holds, then there is a lot to like about this show. Helping are the characters, who may not be as good as the cast of Eureka Seven, but still are very likable, diverse and entertaining, and this show is also full of unexpected character-development.

What I really encountered here that this show does like none other, is how it treats the old characters of the first series. Out of all the sequels I have seen that focus on different characters than the first, this is BY FAR the best use of the old cast. They are used at the exact right moment, and this show pays homage to them, yet also shows their flaws, it shows who they turned into after the end of the series, and it gives them their own storylines that are more than just “let us old guys just watch over you new guys”. It’s fanservice, but I appreciated it so much.

This is a very ambitious series. You can also see this though the production values, which were some of the most consistent of the year for an action series, containing a lot of fluid and fast-paced action scenes and a really good soundtrack. The plot twists and characters on top of that made it a really fun and entertaining series for me, although this ambition does have its prices to pay with the rushed plot that is easy to get bored with.

Storytelling: 9/10 – Love the ambition of this series of delivering as many plot twists as possible that attempt to weave a whole storyline together. Great mystery, though the rushed pacing and plotholes will be a turn-off for some.
Characters: 8.5/10 – Briliant use of the old Eureka Seven cast, Enjoyable and gripping cast of both main and side characters, although the cast is too big for every character to really show his/her best.
Production-Values: 9/10 – Great production values, excellent soundtrack, really fluid animation at times.
Setting: 8.5/10 – Takes the setting of Eureka Seven, expands upon it, turns it into something completely different and completely changes what it stands for. Might be hard to swallow for fans of the first series hoping for the same.

Suggestions:
Darker than Black – Ryuusei no Gemini
Un-Go
Noein

Posted on with categories: Eureka Seven Ao

Hmm, a lot of you will probably disagree with this, and I’m currently double-checking to make sure of this… but this episode was pretty much amongst my top 5 endings of the year (along with Natsuyuki Rendezvous, Chihayafuru, Natsume Yuujinchou and Sakamichi no Apollon for those of you who were curious).

Why? It just went all out, tried to do a ton of stuff in just 50 minutes and managed to wrap itself up really well for the circumstances, and the way its plot ended up focusing on Renton, Eureka and Ao was just the icing on the cake: the thing I’ve been waiting for for so long, and this show delivered on it. It gave plenty of character to Renton, Eureka finally got some closure, we finally know what happened to Ao’s brother.The entire episode was erratic as hell, and the huge amount of time-skips made it quite hard to follow everything that went on, but that has always been the selling point of this series for me: not holding your hand, and just delivering plot twist after plot twist. And my suspense of disbelief has always been high enough for the characters to not want to bother with the plotholes.

The ending itself, for Renton to not be able to be with his parents… I liked it. After the entire series was building up the themes that children shouldn’t be in the battlefield, and that adults should try their best to support them, Ao entirely turns that around by just trying to do everything himself. This could be his coming of age, or just that he got what was coming to him. I mean, it’s not like this show tries to portray its main characters as right: they too have their flaws, and I really like that Renton wasn’t portrayed in a positive light in this episode, rather than glorifying him way too much.

And the production values were also just awesome. There were lots of gorgeous dogfights and action sequences, and Bones really made use of their time to deliver a feast for the eyes, but the ears as well. The techno soundtrack here really caught my ears and made this an adrenaline rush from start to finish for me.

The thing I like about Bones’ sequels is that they don’t sell out. The creators could easily have made some shallow copy of the original series. I believe that this is what happened to Last Exile’s Fam. Instead, the creators decided to do something completely different with Eureka Seven Ao, and you can see that with all of their sequels: Darker than Black 2 was miles away from the first season. The Full Metal Alchemist and Eureka Seven Movies were also completely different from the TV series, FMA Brotherhood had a completely different style from its first season despite having the same set-up, the Wolf’s Rain OVA went into a drastically different direction. I used to hate this, but as time goes on, I have to say that I really like this: they try to experiment and they’re ambitious with different styles and premises, rather than milking out the same over and over. It is this ambition that I’ve been longing for for quite a while now, and Ao just answered it perfectly. It is both fanservice for the original Eureka Seven, and something completely different at the same time.

Review will come up tomorrow. Too late for that now, unfortunately.

Rating: 6/8 (Awesome)

Posted on 7 October 2012 with categories: Eureka Seven Ao

The bet OVAs are the ones that take an important side story and expand on it. The best example of that in the past seasons was Another with its prequel. Eureka Seven however, has no such intention. Instead, it’s a fanservice OVA. Having said that though, it is a very special fanservice OVA.

I’d recommend watching this one around the middle point of the series, which is where this OVA takes place. The reason I recommend watching it as soon as possible is because it’s an OVA that fleshes out the cast: its value is lost a bit when you watch it after the conclusion, when there is no point to flesh out any characters anymore, and I’m therefore glad to have watched this before the final two episodes, because this definitely showed different sides of the cast, something they actually needed a lot.

Also, by fanservice I don’t mean the kind of fanservice that involves lots of nudity. Instead, Ao dresses up like a girl. This goes to the point where he starts cosplaying as Eureka. Yeah. As weird as this sounds, the direction of this episode was actually quite good. I have to admit, as a fan of both this series and the original Eureka Seven, I enjoyed this quite a bit, especially with the way they used the music, and paid homage to a few obscure series along the way (yay Ranma, Osamu Dezaki and Soul Eater!) It’s just a holiday and everone conveniently forgets what happened at the end, but it was worth it.
Rating: 4.5/8 (Good)

Posted on 30 September 2012 with categories: Eureka Seven Ao

As I said in my Kokoro Connect review: I don’t include dvd specials in my reviews, simply because it takes too long to wait for them. With Eureka Seven’s final two episodes scheduled in November though, I can wait. My memory will still be fresh. And with such a cliff-hanger, I really want to include those final two episodes, because they are promising to be awesome. YES! Renton finally made his appearance!

Beyond that, this episode also offered a lot of answers, which is quite good. Naru and Ao also finally got a chance to talk again, and overall this was very fitting as the episode before the big climax, especially considering how it has been building up to give a major role to Renton and Eureka in the final two episodes.

Finally, I want to comment a bit on why I ended up really liking this series, even though I also dislike other series that also pulled questionable plot twists. First of all I want to get things clear: there is no formula in rating anime. With these things, not explaining everything or pulling plotholes, it’s not like there is one rule that says if there are plotholes, it’s bad. Instead, I care all about the context in which it happens: does it have things to make up for it? For example, I pay much more attention to the things I don’t like in Sword Art Online because I dislike that it wastes its potential with its setting. With Eureka Seven Ao however, I am for one a very satisfied Eureka Seven fan, so it can pull off a bit more, and it all just works together. The plot twists that it keeps pulling are all true to its themes and allow it to get the best out of its characters and have them show themselves off.

As for the characters, I honestly don’t mind them, and actually quite like their charms. This episode for example had some good comedy, their chemistry is good and it was all well built up in the first half. It’s not like in Guilty Crown where the characters just changed their personalities for no other reason than raise drama. This is a line that may seem small on first sight, but it makes such a world of difference. Or at least it does to me.
Rating: 5.5/8 (Excellent)

Posted on 23 September 2012 with categories: Eureka Seven Ao

This episode. There was someone involved who made the execution slightly different from usual. The way in which the characters interacted with each other was slightly different from usual, but very noticeable. There were these scenes which were a bit deformed, but very well animated in terms of character movements: they moved all over, and the episode had a lot of strange yet dynamic facial expressions. Most notably the animation at times was very smooth and the movement was very elaborate.

A quick look-up of the animators and directors involved with this episode doesn’t really point to one source that caused the change in style. My best guess is that a few people sat together and came up with the idea to try something new this time, because it’s both the storyboard, animation and direction that have changed. I like this a lot by the way, these experiments. Bones is usually a studio that thrives on consistency, especially in the past years, so seeing Eureka animated so whimsically definitely was a surprise here, but I liked how well that scene brought forth her emotions. Now that was some good use of fluidity.

What also caught my attention was the climax of this episode. This whole episode was basically about Elena. We now finally know all that is up with her: she was accidentally brought in from the past, but somewhere along the way she started finding herself special and thought that she came from a different world. That’s also why she probably created all those alternative personas. But anyway, her climax: she starts yelling and after just one love declaration of Ao she completely calms down. That was very unusual, and while it was a bit weird it worked surprisingly well there. Those emotions of hers were quite nicely done there and I really like these kinds of episodes in which the creators try to do things a bit differently.
Rating: 5.5/8 (Excellent)

Posted on 19 September 2012 with categories: Eureka Seven Ao

This show just keeps coming with twist after twist here. A few episodes ago Generation Bleu was against the entire world and now this episode things have turned full circle again with all kinds of alliances being made. On top of that, it turns out that characters who died last episode have left a few parting gifts which also shook things up tremendously, with the most notable being Fleur’s father, who immediately lost that glorious part of his death last episode by basically forcing all his problems on his daughter. That scene in which she broke down. Yeah, I can really imagine that.

Most of the twists were all very nicely built up and continued from the previous episodes. There was one that I’m a bit iffy about, though: that giant super mecha that appeared from out of nowhere and contradicts every rule that Eureka Seven has previously established, by being able to run without Trappar. Perhaps this has been hinted before, but this part for me unfortunately crossed the line between plot twist and ass-pull.

Also, it seems like a quarter of the cast of this show is some kind of spy for something. Elena Peoples especially was being a bit weird in this episode, but with the way she has been behaving lately it surprises me that she took this long to abandon Generation Bleu. Her mental stability makes her a very strange pick to be a spy by the way, since you’d usually want spies to be hardly noticeable. I hope that the creators still have time to explain exactly how she ended up crossing worlds, and why she was the only one from her world who did so.
Rating: 5.5/8 (Excellent)

Posted on 8 September 2012 with categories: Eureka Seven Ao

Now this was a big episode! It completely changed the plot and setting and after this, the series will look completely different. This is really what this show needed to make it even better and it’s a wonderful twist to prevent it from getting stale near the end.

I generally dislike “let us adults sacrifice ourselves for the younger generation”-twists, however in the context of this series it fits perfectly. The themes have always been that children should be protected, even if they’re the only ones able to pilot mechas, and that’s exactly what happened here. On top of that the creators went even further by giving the kids a good excuse to be the central focus of the plot: it’s exactly because they have been protected and bear no responsibility for the actions of these adults, that they’re able to be free in stopping the real threat: the Scab Coral.

And yeah: Generation Blue has been disbanded because it has been causing too much trouble and acted way too much behind the scenes. Beyond that Fleur got some really good development out of everything, Elena finally came clean with her story (what the hell has Eureka been doing?!), and Truth also is moving more and more away from the perfect villain that he was when he was first introduced. He may not be dead (unfortunately, I have seen too much anime at this point to know the trick of that cliff-hanger), but even considering that, his role in this series has been completely changed after this episode.
Rating: 6/8 (Awesome)

Posted on 1 September 2012 with categories: Eureka Seven Ao

This episode… had a really good director. This really was a sharp episode, and even though it may not have had the animation of the previous episodes with their Itano Circus and all, I really enjoyed it even more.

It’s not apparent when you just casually watch this episode, but what the direction in this episode did was put focus on the direct environment around the characters. What the creators could have easily done was show Elena peoples walking down some random road. But no, the camera stopped specifically at a flower with really well animated lightingeffects. Nick and Ao could just as easily have a conversation between the two of them, but with that sloth distracting in the background it made the scene so much livelier. And this episode was just full of these details that brought life to these surroundings, and the best thing is that you can really see that the creators put time into placing them there. They’re inspired and creative.

Beyond that, the acting in this episode was also much sharper than usual. Often the characters delivered a ton of emotion and meaning with just one line, or even a simple facial expression. Or take the point at which Elena was consumed by anger: the creators actually twice used the facial expressions of her giant robot and her helmet respectively to strengthen portraying these emotions. This was the work of someone with a lot of passion for this series.
Rating: 6.5/8 (Amazing)

Posted on 26 August 2012 with categories: Eureka Seven Ao

So, this series definitely has this tendency to come with back-stories right from out of nowhere. This episode treated us to the identity of the father of Truth. On top of the nature of the world that the series takes place in: we’re dealing with a parallel universe. Basically this show is what would happen if earth would be invaded by the Scab Coral: it would still thrive, but not as much as we do now. So wait, are the villains in this series trying to move the plot into the current earth?

What’s interesting is how Goldilocks isn’t dead, but instead they never got enlisted. And you know what? I wonder what happened to Bruno in this timeline then: is he still working for Generation Blue, but in a different division or something? Will we actually see him again? What’s also interesting is how Ao nearly loses himself near the end of this episode, leading to quite an interesting cliff-hanger where people actually realize that he is too dangerous with that dimension-altering gun of his. Is that really going to be it, though, or did this episode fail to mention something?

And then there are the characters in this episode who just started to act weird. Elena Peoples… didn’t she try to shoot down the Nirvash a bunch of episodes ago? This episode she apparently decided to try a completely different tactic, but what she has in mind still is a complete mystery. The trio of Gazelle, Pippo and Juno also were different from usual. Juno was in his element when he started explaining things, so that one is logical, but what about Gazelle being so blunt? And has Pippo always been this stupid? The most notable change however was Georg, who sometimes got taken over by a new voice. That one definitely is a plot point that the next episodes will touch upon.
Rating: 5.5/8 (Excellent)

Posted on 18 August 2012 with categories: Eureka Seven Ao

Finaly! After two weeks of waiting (those bloody olympics!), Eureka Seven Ao is back! And it still stands out as a very entertaining action series with hard-hitting plot twists. I again went wtf the end of this episode when it became clear what the creators were building up to: completely erasiing Goldylocks from existance.

Again what I like about this series is how vague it is on what’s real or not. This episode also had these strange dreams, but how real these were (whether they were just simple projections of Ao’s fears, or something more) is also very vague. Not to mention that giant superweapon that Ao pulled out of nowhere: what does it actually do? Does it remove people from existance, or was Goldilocks never there and was everything before just an illusion?

Surprisingly, this episode didn’t have Truth in it. Instead the main enemies were the Secrets, which surprisingly were revealed previously to be not as bad as we thought they’d be. Also, what was Naru doing again at the beginning of this episode? My memory from three weeks ago may be have been failing me on that one.

Beyond that, this show knows its action: it often uses this technique known as the Itano Circus, which basically is showing a huge amount of bullets and following them through complex camera movement. Add that to the techno-soundtrack, which I actually think fits better compared to the soundtrack of the first Eureka Seven, and you’ve got the best action of the season by far.
Rating: 5/8 (Great)

CHANGE USERNAME
Kaiser-Eoghan
On this I as a bicurious man agree, when I read a romance story, I just want ad like a romance ore relationship story, its not special to me what the race or orientation of characters are.
Kaiser-Eoghan
My brother also felt that romance stories involving homosexual characters often falter in a space where the same sex pairing becomes more about pure novelty than just being a love story.
Kaiser-Eoghan
Imredjimmy, who posted on here as a user before, he himself homosexual had issues with yaoi manga, feeling that it didn't address issues properly.
Kaiser-Eoghan
He feels "All romance stories belong in the romance section and shouldn't be too categorized and that most yaoi/yuri isn't really for the homosexual audience"
Kaiser-Eoghan
Is it really fanservice for a homosexual audience though? I do find both male and female characters attractive as a bicurious man but it has to be admitted, shounen-ai and yaoi is really a thing for girls and bi men, I can admit that. My brother, a gay man is very critical of yaoi/shounen-ai as well as yuri/shoujo-ai.
Anonymous1831032
You are overly critical
Anonymous1831032
why can't gay people have 'fanservice' without being compared to fish blindly poking for worms and being caught by some manipulative fisherman? It's 'normal' for weebs to watch 'cutesy' or 'moe' shows.
Anonymous1831032
Who cares dude. I liked the show. The term 'queer baiting' is fucking insulting.
Vonter
@Kaiser-Eoghan - I agree with that, there is a lot of meandering in Hourou Musuko manga, it makes it feel more realistic and grounded. But there's a reason many storytellers don't tell the most boring aspects of real life, like constantly pondering about what the future may bring.
Vonter
Pokemon and Zelda let the community make the conjectures and the creators mostly shy away from explaining them, because they fear they'll write themselves into a corner.
Vonter
I mean, not all things should make statements. Ranma 1/2 is recognizable, despite being a comedy. Conan is iconic and its just contained mystery stories, despite the themes of Evangelion the creators have admitted the use of christian elements was because of aesthetics, moreso than delivering a statement.
Kaiser-Eoghan
@Mario: Some felt that the manga for hourou musuko felt more low key in tone than the anime.
Kaiser-Eoghan
Travlos, I've noticed the site seems to be giving you trouble setting a username sometimes, best to just create an account instead.
AidanAK47
@Anon, that respect seems on different levels for people though. I mean I seen people championed Yuri on Ice as a major win for LGBT representation in anime while I myself just saw it as queer baiting seeing as the series itself couldn't admit it's characters were gay.
Anonymous1829806
Travlos here: I know many of the AoTitan fans hate the new direction of the manga, but I love it. Gimme more war!

While I love the ideas in Birdy the Mighty, the pace of the mangaka is maddening.
Anonymous1829447
Well, one last thing. I understand that anime like games or movies are a refuge for people who want to escape from politics for a second. But when mangakas bring those topics up themselves with stupid yaoi, gender bender, or yuri fan service, they're the ones politicizing anime and manga, not people like me. If they'd treat it with respect, then there would be no need for outcry.
Kaiser-Eoghan
@Lenlo: Eh sorry about that, I almost launched into a rant about tumblr.
Lenlo
Yeah, id prefer not to get to political in this chat, but I agree with Aidan. Theres a limit, and I strike that limit at the + of LGBTQ+. There comes a point where your just making things up to be special
Kaiser-Eoghan
Looking back I probably read hourou musuko initially to get a better understanding of the topic it covered.
Kaiser-Eoghan
Not looking for cares/attention/fellating/self promoting, just felt a moment to pseudo-intellectualize because it was related to the identity topic.
Kaiser-Eoghan
From a psychological standpoint, apparently this is linked in with autism to some level.
Kaiser-Eoghan
The idea of cosplay as a thing is fascinating honestly as an escapist thing.
Kaiser-Eoghan
And I imagine it would probably be easier to interact in a relationship as someone else, of course with them being aware of that.
Kaiser-Eoghan
More in a religious/spiritual sense however and having a greater sense of identity/feeling through temporarily taking on the role of someone else.
Kaiser-Eoghan
but the person themselves.
Kaiser-Eoghan
I did have ideas after hourou musuko and also finding out someone was trans that that might have applied to me and I still use female names in some sites but I really just came to realize it wasn't about trying the female clothes thing numerous times, wasn't trans(vestite or sexual), really pretty much found out I temporarily can take on roles of what/who I dress as, not due to gender
Kaiser-Eoghan
Oh, tumblr sjws are a parody of leftism /activism .
AidanAK47
People have the right to be whatever they want to be. That said there is a line when it comes to respecting peoples choices. For example, I don't think we need Tumblrs 40 different Genders.
Kaiser-Eoghan
@Anon: I haven't read the lesbian experience one.
Kaiser-Eoghan
Love my life was another good one, a serious shoujo-ai manga.
Anonymous1829213
That's unfortunate. TvT
Anonymous1829200
no thanks
Anonymous1829213
In the future though, I'd like to see something exploring sexuality as a whole even further. Even LGBT in and of itself implies a gender/sexuality binary. Let's get into the gender neutral/fluid, pansexuality, and so on as well. :.D
Anonymous1829200
and i like the
Anonymous1829200
i have one
Anonymous1829213
And I definitely agree - those manga exist and are excellent. ^_^
Anonymous1829213
*Shimanami
Anonymous1829213
And in regards to the celebrities themselves acting flamboyant or playing into stereotypes, why do you think those are the ones who are famous? They are allowed to be, because they paint a comical picture that is more easily accepted by the public. This is why Hourou Musuko and manga like Shiranami Tasogare/My Lesbian Experience with Loneliness are so amazing by painting people as actual humans
Kaiser-Eoghan
There ARE good shoujo-ai manga of course, girlfriends, aoi hana and yaoi like haru wo deiteita.
Kaiser-Eoghan
@CoolerAnon: I notice that bisexuality isn't much addressed in these things , the coming out thing doesn't often come into it.
Anonymous1829213
@Other Anon: You might add that a lot of those shows also perpetuate some pretty extreme stereotypes and male light of other of serious issues (i.e. the perception others have of LGBT people and that LGBT people have towards themselves, the experience of coming out, etc. etc.)
Kaiser-Eoghan
By lol coincidence he seems to have also voiced a pokemon character too.
Kaiser-Eoghan
*re-incarnation of, not evolved
Kaiser-Eoghan
Totally based, hilarious guy to, once claimed jokingly in an interview he was the evolved form of pikachu.
Kaiser-Eoghan
@Anon: There is a view of the transvestite as a "silly joke character" even in live action media there thats connected to homosexuallity but I'd say in most cases the person themselves is into it, Akihiro Miwa, famous Japanese gay actor played up that flamboyant drag act since the 60s.
Kaiser-Eoghan
@Anon: That is well known to me. Also its seen as anti-conform and I heard that the teachers don't know what to do when people are bullied over it, some of them think its down to mental illness.
Anonymous1829154
How japanese media portray lgbtq issues is a problem to this day. Sure shoujo, gender bender, and yaoi genres are mainstream, but at the end of the day people are expected to eventually "grow out of it" and find heterosexual partners in the end. Pretty patronizing
SuperMario
Oh shit, I didn't realize I put Wandering Children instead of Wandering Son in the title. Thanks for pointing that out Kaiser
Kaiser-Eoghan
@Mario: Shuu, mai precious lil' Babbu *hugs*
Kaiser-Eoghan
lol Okadas best anime work cause she didn't really write it lol
SuperMario
I will read on the manga to see how these kids growing up. Boy do i love this cast
Kaiser-Eoghan
@Mario: I suppose thats fair enough.
SuperMario
@Aidan: yeah, I know I stretched that image a bit but for some reasons I was goddamn hard to find an image for Wandering Son that I liked. Will make a slideshow later today to see if it looks better
SuperMario
@Kaiser: yeah I call them by their physical gender because at that stage, they haven't come out yet, right? If I remember correctly, Shuu still regards himself as "boku" rather than "watashi"
Kaiser-Eoghan
I guess this amuses me mostly because theres a jokey line later on in the manga where the girl with shu says "Ha, guess this makes me a lesbian"
Kaiser-Eoghan
There has been some theory/suggestion that Doi is attracted to shuu seeing shuu's femininty, seeing shuu as a woman .
Kaiser-Eoghan
Later in the manga Takatsuki stops having these feelings toward masculinity, which is addressing adolescent confusion.
Kaiser-Eoghan
Sorry about this really hope I don't come off as trying to start anything/an arguement/coming off as an asshole here.
Kaiser-Eoghan
Whats really interesting about hourou musuko is that in addition to Takako Shimura being a Lesbian , by choosing a mtf character as the protaganist and with shuu's relationship with a biological woman later in the manga, she is dealing with an even more interesting issue of whats called by Lesbians as Trans-lesbianism.
Kaiser-Eoghan
Transexual, mtf or ftm are probably the more accurate words to use as transgender also includes transvestite which is a different thing.
Kaiser-Eoghan
Its a very good review though, you don't have to change anything I'm probably being overly anal about it.
Kaiser-Eoghan
Was wandering Children chosen instead of wandering son to avoid suggesting pronouns in the title? But then the text of the review uses shuus physical rather than psychological gender. I'm not preaching or asking for changes or complaining, I just found this somewhat contradictory.
AidanAK47
Oh Tomogui Kyoushitsu? That is a weird death game manga.
Kaiser-Eoghan
*Checks manga cover* Goes in expecting bondage manga *its a cannibalism horror manga instead*
Kaiser-Eoghan
Probably just me, but I feel the top two pictures should have a gap between them.
AidanAK47
I would recommend replacing the top image of wandering son. Cause you killed the quality of it by stretching it. Never stretch an image.
Lenlo
Id recommend some kind of slideshow or something Mario. For me, its a big sudden blob of images. But thats just me.
Kaiser-Eoghan
I wouldn't deny a single criticism of the Junji Ito adaptation, and yet despite it all it works for me , I forgive it because the imagination goes such a long way with me, I don't even mind that some of them aren't fully developed either, don't need things to be too tidy or explain everything.
Kaiser-Eoghan
@Mario: Eh, Maverick was a fairly rubbish, thrown in villain but I liked Lunatics backstory how it linked in with the twist his father was that big hero guy mentioned at the start who ended up becoming a washed up mess.
SuperMario
And I won't take "No, you don't need these pics at all" for an answer
SuperMario
Guys, should I put the 2 arts back-to-back at the begin of the post like this, or should I use slideshow?
Anonymous1828545
Travlos here: 91 Days was not too bad.
Anonymous1828545
Travlos here: Thanks for those two historical manga's head-up.
Anonymous1828434
Akumestu soo satisfying to read
Anonymous1828321
Thank you
Lenlo
A shame. Kokkoku had the first truly dull episode this week. Suppose one had to come eventually, but this one was mostly an info dump.
AidanAK47
Like lightning, I strike. Junji Ito is basically interesting ideas with deeply flawed execution. It's not scary, doesn't really capture Ito's style and the animation is bare bones. While the stories themselves can have there interesting points, they are often not fleshed out enough. Honestly I am getting rather bored with it.
Lenlo
Holy bejesus Aidan. Nice triple post. :P

So overall how is Junji Ito? From what ive read so far, it seems pretty hit or miss on the horror/gore front. Failing to live up to the manga. I havnt read it though, so im curious what ya think
AidanAK47
Akumetsu?
Anonymous1828142
Wearing a mask
Anonymous1828142
What was the name of the manga where the main character is some superhuman high school student who goes around fighting Japanese politicians
Lenlo
On a side note, I should really start Violet Evergarden at some point...
Lenlo
"Anime is dying" is just a meme that gets thrown around because of Miyazaki.
Lenlo
Maybe. I dont think average score per year is a good metric though, as the cash ins are increasing, but I doubt the passion projects are decreasing. For instance we had /alot/ of duds this year, but people only really remember/care about the good ones of which there was a fair number. It wasnt a bad year for decent/good anime.
AidanAK47
Well yeah, but they didn't have as many Animation studios back then as we do right now. So it's not so much that we lost artistic merit but rather the number of studios cashing in on popular trends for a quick buck have increased. Even then, I am willing to put money on there being just as much harem anime in yesteryear as we have cute girls shows in present.
Lenlo
Perhaps, but I would argue those were on smaller scales, and even then, thats not so different from Western animation or movies. Just look at Warner Bros and their DC push after the success of Marvel. Every industry has those who chase successful trends, yet they arnt failing
AidanAK47
@lenlo, the thing is though that before Moe crap there was eva copy crap and before eva copy crap you had space opera crap and before space opera crap you had hyperviolet OVA crap. The industry has always tried to cash in on a popular trend.
Kaiser-Eoghan
I feel people went apeshit over, say highschool of the dead because they never saw a bunch of old B/exploitation films, thus that show was never special to me and even failed at an imitation of such.
Kaiser-Eoghan
I think people getting to excited for it being unique to a single medium or for, its setting themselve up for disappointment.
Kaiser-Eoghan
I just think its incredibly limited thinking to base it all on just ONE medium, you CAN hold up anime to film when anaylzing anime.
Kaiser-Eoghan
Why should 91 days get a free pass just because its an anime about gangsters? Go watch a film about it instead which theres probably many of, joker game fail you as the mature spy thriller it ended up not being, who cares, Tinker tailor soldier spy exists.
Kaiser-Eoghan
I dislike this "Its unique for an anime/manga to do this, so instantly lets latch on to it, despite fact that same something is already extremely prevalent in other mediums "
Kaiser-Eoghan
Case in point 91 days and Joker game "It has adults, lets pre-rejoice before the show even came out"
Kaiser-Eoghan
I feel though because of the level of dissatisfaction with said moe shows that people are going to leap far too quickly on anything just slightly different, getting their hopes up too high and end up feeling let down.
Lenlo
That, or it all comes crashing down around our ears. With stuff like Houseki no Kuni and Made in Abyss from last year however, I think its going to be ok. We are just getting inundated with crap right now.
Lenlo
I do think that some of the artistic part of it has been lost, its gotten diluted in the never ending river of Moe crap. But that doesnt mean its gone. Just harder to find. Eventually all the random moe shows no one cares about will fail and stop getting made. But the anime audience will still be around, to enjoy the better stuff thats left.
Lenlo
Same thing happened in the mid/late 90's and early 00's to American cartoons.
Lenlo
Eh, I dont think anime is dying. Changing no doubt. Its going through a rough growth stage right now. It has a bigger audience than ever and people are trying to cash in on that with lots of shows that are basically the same
Kaiser-Eoghan
@Mario: Tank you and damn you for posting screencap of loli-tachibana, I now have cuteness overload a diabeetus =<
Kaiser-Eoghan
I realize thats a very minor detail to focus on though.
Kaiser-Eoghan
Thats why I can really really get into a history manga if the art is top quality, the costume designs.
Kaiser-Eoghan
On the historical thing, I have a massive I repeat massive thing for full body medieval armoured characters hacking the shit into things or just the armour in general , especially templar armour designs. I also have an little obsession with male aristocratic army uniforms from the Prussian era and world war 2.
Kaiser-Eoghan
That recent Urasawa manga Travlos mentioned is ending also
@Mario: We might get a complete adaptation of after the rain, the manga is ending.
Kaiser-Eoghan
More historical manga I found, haven't read the second one however, I didn't hear those two mentioned on here either before.
Kaiser-Eoghan
[link src="http://kissmanga.com/Manga/Hawkwood
http://kissmanga.com/Manga/Ad-Astra-Scipio-to-Hannibal"]
AidanAK47
@Anon, yes clearly you know better than everyone else on the planet despite having no evidence whatsoever to back up you claims. Thank you nameless Stranger, we owe you a debt for telling us the same thing we hear every year. Let me congratulate you by kicking you out the door.
Kaiser-Eoghan
I can generally come up with an opinion for what I follow/watch/read , but I don't really have one on kokkuu.
KTravlos
Well we watched the first episode of Kokkuku. Interesting. The ED theme is quite the fanservice.
SuperMario
@Ktravlos: If your like to check out some other shows this season then I'd definitely recommend After the Rain.
SuperMario
@KTravlos: at least Kino is thought-provoking. I can't say the same for Violet Evergarden. In fact I remain skeptical with VE
KTravlos
I am quite enjoying both Violet Evergarden and Mahoutsukai. Violet gives me similar vibes to the first Kio series, though obviously Kino was a better series.
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
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