Posted on 3 July 2010 with categories: Kurenai



Well… yeah. As it turns out, this is aimed entirely at the fans of the manga. None of the things that made the anime so memorable return, and instead we’re stuck with an episode of random hi-jinks and fanservice. Blegh.

In the end, this OVA turned out to consist out of three random, unrelated stories. In the first, everyone is at a pool in which some sort of terrorist fails with a very flimsy plan. The second story is entirely focused on a broken laptop and the third forces the characters to go exercising. It’s all way too forced, especially that third part, and all of the dialogue feels incredibly shallow and pointless.

I love the way how the original series really tried to improve on the manga and made it much more mature, especially with its excellent voice acting. But yeah, with this OVA that actually tries to be faithful to the manga… everyone feels completely out of character. Shinkurou gets reduced to an obnoxious teenager, Yuuno has transformed into a walking boob-joke, Murasaki’s bodyguard has turned into an obsessed caretaker and Murasaki herself changed from a kid who was way too mature for her age into something that more resembles a cute mascot character. Overall, it makes me even more glad to see the huge changes that the anime made.

And it’s not like this OVA was funny either. And to think that the anime featured one of the best filler episodes out there.
Rating: — (Lacking)

Posted on 20 June 2008 with categories: Anime Reviews, Kurenai


Kurenai is quite possibly the most solid of the series that came out during the past spring season. It’s a well-written series. If you liked True Tears and want to see how it would have been with a bit less romance and a bit more action, then it’s likely that you’ll like Kurenai. This series is not going to hit any heights, but it’s perfect for a quick watch.

Aside from the solid writing, Kurenai has another thing it can boast about: its voice-acting. It joins Mahou Shoujotai and Red Garden in the very short list of series that have their voices recorded before the animation-process. The result is that the voice-actors are less restrained, and have more freedom in portraying their characters, which leads to a number of excellent dialogues, with the highlight being episode six.

Unfortunately, because the writing is so solid, the inconsistencies tend to stick out like a sore thumb. There are two or three points in this series that make you wonder what the creators have been smoking, because they don’t make any sense at all in the light of the involved characters, especially around the second half of this series.

With Brains Base, you can of course expect gorgeously animated fight-scenes, and indeed, whenever characters start fighting, the animation shines. Overall, Kurenai is probably too short for the story to make any real impact, but it’s got a likable cast of characters, great dialogue, excellent animation and terrific voice-acting.

Posted on with categories: Kurenai


Ah, glad to see a solid ending for this series. It’s not anything special, but it closed off this series very solidly, without leaving any threads open and with a satisfying conclusion that goes beyond the “save the girl and return home”. The final fight was also really nicely animated, the car-chase was pretty nice. About the only thing that didn’t feel right was Yayoi recovering so easily, and beating Lin so easily when she should have been heavily bruised, even if she did somehow regain her consciousness in time.

Overall, I can’t really say that this has been the best work for either the director and Brains Base: both Red Garden and Baccano were better than this series, but still it’s been an interesting ride, and like True Tears a very solidly written series, apart from a few inconsistencies here and there. Overall, it was a good series for a quick watch that doesn’t hit heights or lows.

Posted on 13 June 2008 with categories: Kurenai


Just like xxxHolic, after two weaker episodes, Kurenai is totally back on track. The finale might be a bit shorter than I expected (only two episodes), but this episode was an excellent conclusion, and it made up for a lot of time that got wasted on the previous episode.

In this episode, Shinkurou, Yayoi and Benika try to break into the Kuhoin main house, and the result is an utter failure. Yayoi gets beaten up to the brink of death, one of the servants (the one who helped Murasaki escape) gets brutally killed off by Lin, Murasaki is so afraid of her brother that she refuses to come with Shinkurou, so Shinkurou and Benika end up retreating. The episode ends with Shinkurou going back, while Benika was retrieving Yayoi’s body. A perfectly fine stage has been set for a solid ending.

Because things can’t go many ways from now (I mean, what else could happen but Lin getting defeated, Ryuuji getting humiliated and Shinkurou and Murasaki getting back together?), so it’s all going to depend on the scriptwriters for the final episodes. They’ve done some great work up till now, but writing a good ending still is something different, and I hope that they’ll be able to pull it off.

Posted on 6 June 2008 with categories: Kurenai


As this episode was mostly boring, I’m going to hijack most of this post for something completely different that caught my attention. I stumbled upon this post, referring to this piece of art, that rants against the lack of shading in the anime of the 21st century.

Ironically, it’s done by the same guy who posted those documentaries on fansubs. This means that there indeed is a lot of one-sided bias against today’s anime. The guy’s very selective about his examples: most of the images from the eighties are from OVAs, while the recent images are all from TV-series. Of course these have a bigger budget. There are enough anime from the eighties with cheap animation as well (Gundam, anyone?). The guy obviously is a narcissistic elitist, but I admit that he does have a point.

The fact remains that the shading in recent anime is usually minimal. I never really paid attention to it, but very rarely do I see a second shade-colour, let alone a third. I’m not going to deny that Hyper Future Vision looked absolutely gorgeous, with its distinctive art style, and it’s such a shame that today, so little anime try to experiment with shading a bit.

Of course, not every series needs shading. Porfy and Kaiba hardly have any shading at all, and yet they’re among the most visually pleasing series to currently air. But the fact does remain that creators could play so much with different kinds of shading, and you hardly see anything of it.

Nowadays, the trend seems to be incredibly detailed background art if you want to show off your budget. It would be interesting to see series break away from this trend, in order to focus more on different kinds of shading. There are of course exceptions here and there, but I do agree that things could be more varied, though I think I’m going to pay more attention to this in the future.

But indeed, there are enough exceptions and Otaking seems too stuck up to notice this. If he happens to read this entry through some strange reason, then I advice him to check out Shion no Ou. Obviously, the show had a small budget, but it’s the perfect example of a show that really tries to play with its own art style, and the best shots are absolutely gorgeous, with intricate shading, creative poses. It’s the perfect example of a visual feast that tries to think outside the box.

Anyway, a bit more about this episode of Kurenai: I guess my expectations worked against me for this time. For this series, I expected an action-packed finale, just like the first episode suggested. What we get is a Shinkurou who needs an entire episode to figure out that he wants to save Murasaki, wasting precious time for this series. This is especially aggravating since a similar series, Crystal Blaze, is about to finish with a huge finale that keeps building up speed, while Kurenai seems to slow down more and more as it goes on.

Posted on 30 May 2008 with categories: Kurenai


And so the climax of Kurenai has started. The OP and ED feel even more out of place now, but it also becomes apparent how much the building-up of the previous episode is paying off. The second half of this episode was really good, and I’m eager to find out what the creators have in store for us for the final three episodes.

As it turns out: Murasaki indeed is a legitimate child of the Kuhoin, but she was just never registered. She was just there as a tool for inside breeding, to keep the Kuhoin-family as pure-blooded as possible. In other words, brother and sister make children together. I recall having read somewhere how a child of a brother and sister has a larger chance at a personality-disorder, and looking at Ryuuji, I can indeed see why this Kuhoin-tradition has continued on for ages.

What surprised me was that despite Shinkurou’s godly power, he was easily beaten by Ryuuji’s body-guards. I guess that that female bodyguard never really gave Shinkurou the chance to show that strange elbow of his, suggesting that she’s been really well-trained for her job.

This episode somehow reminded me a bit about Sword of the Stranger, and there are actually a lot of similarities between the two: a powerhouse takes care of a small and innocent child that’s somehow vital to the plot of the bad guys, and as the story progresses, they get to know each other more and more. Now that I think about it, there are many more series who use this formula (Seirei no Moribito, for example), and it works surprisingly well. :)

Posted on 23 May 2008 with categories: Kurenai


Ah, its finally happened. Most parts of this episode was a calm before the storm, but at the end of the episode, Shinkurou and Murasaki are finally forced to leave their home and run away from the Kuhoin family. Something’s telling me that the best part of Kurenai is about to begin!

It’s amazing you can do with solid writing. The entire episode was clearly building up for something: for a random Kurenai-episode, it just missed the intense dialogue, drama or comedy that made the previous episodes great, and instead it went for a very quiet and peaceful approach, in which Shinkurou, Murasaki and the other went to visit a local shrine. They had fun through the afternoon, and went to have dinner at a restaurant together, as a way of saying goodbye to their lifestyles of the past few episodes, because the day after that a bunch of random Kuhoin-goons came up and beat the crap out of Shinkuro, and as an added twist: there’s a chance that Murasaki isn’t a legitimate Kuhoin-child: only her father’s two sons are legitimately registered.

I liked those two goons: they’ve got a personality, and throughout the episode, you can actually see them as they gather information on the situation. As it turns out, they underestimated Yayoi’s fighting ability so they retreated

Posted on 16 May 2008 with categories: Kurenai


Now that we’ve entered the second half of this series, the main storyline pops up again. It’s pretty early this time, in comparison to most other series in the same situation. Five episodes will be plenty of time to get a good climax out of this series, and I wonder what kind of tricks the creators still have up on their sleeve.

The episode starts as Tamaki takes Murasaki to the college she attends. As it turns out, she herself claims to be an expert in terms of love, and yet she gets dumped by her boyfriend because she’s been too rough on him. That female friend of Tamaki really reminded me of the early Rachel in Red Garden. I must say that the director here has been really good realistically portraying the dating scene, as opposed to 90% of the other anime, who strangely enough never heard of the word “party”. Are these that rare in Japan? I can imagine how series with a serious story don’t have time for these, but I’m really surprised that of all these slice-of-life series, nobody seems to celebrate their birthday with a big party…

The second half finally shows some depth to the bad guy, which is about time. The guy turns out to have been in love with Murasaki’s mother. Murasaki was also raised, not knowing who her real mother is, and only just before she died (or just after it) she found out the truth. What the cretors now need to do is continue this development. It’s definitely a step in the right direction, but he needs more attention if he wants to end up as a successful antagonist. I may be comparing him a bit too much with Hervé, though. (From Red Garden, who in my opinion was a great example of an antagonist that works).

Posted on 9 May 2008 with categories: Kurenai


Okay. That was awesome!

I really admire the balls of the director to cast voice-actors who can’t sing to save their lives, and then force them to put down a passionate song multiple times. At this episode, I was nearly disappointed when the piano started playing and the voices started sounding like they were recorded in a studio, just when the characters were having the time of their lives, singing their lungs out, but as it turns out, this never ruined any of the genuine-ness of the song. Those were probably some of the worst performances to ever have been recorded in such a studio, but it really fun to listen to. :)

Those who’ve been reading some of my entries for Macross Frontier probably know how I kept whining about how the singing-performances in that series have felt too forced. It’s episodes like these that are exactly the reason why. Plays and musicals have always been a double-edged sword: in the hands of a lazy staff they’re terribly predictable and an absolute cheese-fest, but talented writers can turn these things into gold and this episode yet again proves that. There wasn’t much in terms of storyline, and yet this episode was one of the most fun episodes to watch, and at the same time it did a terrific job in fleshing out the characters.

What I also loved was how Kurenai was able to tell Yamie that her singing was a bit off, and yet he couldn’t bring himself to say the same to Yuuno (who sung just as bad, if not worse). Even Murasaki was scared of her. :P

Posted on 2 May 2008 with categories: Kurenai


Ah, what an adorable episode! Hardly anything new was introduced, and yet it was so much fun to just see the characters. This is exactly what I mean by a well-written series. Everything about this episode was just so enjoyable.

I love it in a series, where the characters are coming together. This series shows how far you can come with realism, because Murasaki and the five-year old sister of Yuno felt so real together. It’s just like how real little kids would spend their time when bored and not used to each other. And poor Yayoi! Everyone was having fun and eating at the end of the episode, and she was standing out there in the cold, getting hungry.

There’s nothing much else about this episoe to say, though. This really is an episode you need to watch for yourself, rather than read about it. I do want to say, though, that if this is really going to be a 13-episode series, then it’s well on its way to become a classic.

CHANGE USERNAME
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
Amagi
I mean there are parts I like. I enjoyed the first episode, and the part about the country of liars. But many other things annoy me and the last episode was the worst. I also feel like the edgy bomb loli and slapstick Kino don't fit to the rest of the show somehow. Maybe I forgot everything, but the "old" Kino felt like a better character to me somehow, this one is more faithful to the LNs though
Amagi
@Kaiser: I honestly gave up on Kino and I think it's only partly the fault of the new series. I am just so tired of how stupid most of the episodic-characters are unless their are friends of Kino, how everyone gets bent being irredeemable evil for plot's sake and how everything Kino and her friends do gets justified. Maybe I am just too old or boring for this fairy tail like moral bending.
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Featured Posts

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