Posted on 29 August 2009 with categories: Anime Reviews, Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai, or Munto TV, was the biggest disappointment of the past Winter Season. Here the creators had a great chance to take a flawed OVA, and spread it across the airtime of a TV-series so that the setting and the characters could finally get the chance to be developed properly. So, what do they do? A bloody recap. Only the final three and a half episodes featured new material, which was way too little for a story of this caliber. Still, with a movie scheduled, it still could redeem itself. But yeah, I guess that you can all see by the rating for this review that it obviously didn’t.

Oh, the announcement for the movie sounded so promising. Even though it would also recap the new footage for the TV-series, it did promise that it was going to be just a “director’s cut of various climactic scenes”, with “new footage” and it “ends with a finale”. Looking back, that was the biggest piece of crap that the creators could ever have come up with to promote this movie.

Let’s start with the “new footage”. Let me tell you exactly how much new footage there was in this movie: three minutes. No, seriously, it has some three minutes of strange back-story slapped on the beginning. Apart from that, everything else simply recaps the TV-series.

So, how about the “director’s cut of various climactic scenes”? Well, apparently the creators found every single scene a climactic one, because the rest of the movie is literally every single scene of the new footage of the TV-series. Even the useless comic relief ones. The only part that is missing is the final part of the last episode. You know, the scene that PROMISED THAT THE STORY WASN’T OVER YET.

And how about “ends with a finale”? Well, this movie sure as heck ends with a finale. The same that the TV-series ended with. Yeah, the same finale with its Deus ex Machina climax, the same finale in which the characters started to act completely out of character, and the same finale in which Munto dressed up the three teenaged leads into sailor uniforms with extremely short skirts. What the heck was the point in advertising that!?

It’s a shame. This series really had potential; if only the creators actually made a remake of this series, panned over 26 episodes or something similar, it would have been really good. This, however, is just crap. Even for a recap-movie, it’s incredibly cheap, the way it was advertised, the way it promised so many things, and instead just chose the laziest way out and even failed in terms of storytelling with that ending. If you want to see what Munto is about, check out the TV-series, skip the rest.

Storytelling: 1/10
Characters: 1/10
Production-Values: 5/10
Setting: 5/10
Posted on 11 March 2009 with categories: Anime Reviews, Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai, otherwise known as the Munto Remake or that show with the incredibly long name. The original Munto was a series of two OVAs that simply couldn’t live up to the huge story that they tried to create. That’s why it was great news that it was going to get a remake TV-version that could give the story the right amount of time that it needed to… and yet this series turned into my single biggest disappointment of the past Winter-Season.

The “remake”-part of the title is incredibly misleading. This series is more like an exact copy of the first two episodes with about an hour and a half of new material pasted at the end. There was so much promise for an excellent series, and yet the creators spent the first six episode blatantly copying and pasting and did hardly anything to fix the original problems of the OVA. But to be fair, I’m going to review this series from the perspective of someone new to the Munto franchise. If you’ve already seen the OVAs, then you can easily subtract 30% from the rating, skip the series and watch the movie that’s going to be released in the future because then this series has nothing new to add.

Well then, Munto tells the story about two worlds: one of them is at war and in huge troubles, and a random girl named Yumemi who lives in the other world has enough powers to save it from destruction. Well, that’s the basic premise anyway. The pacing is very fast and it hardly leaves any moment for the viewer to get bored of the show, and that’s one of the show’s biggest strengths: there’s always something going on.

The problems mostly lie in the incredibly short length of the series. The characters have got so much potential to grow into a memorable cast, but they’re not given the chance because the airtime only consists out of nine episodes. Especially Yumemi’s friends are pretty likable, but a huge part of the cast just isn’t fleshed out and developed enough. The result is that some characters suddenly start acting completely out of character in the final episode.

The same problem is there with the setting: Munto takes place in a huge one, with different countries with different alliances, but we hardly get to know anything about it, even the most important one which is lead by one of the main characters of this series receives hardly any attention at all. Because of this it’s hard to care about what’s going on.

Thankfully this is Kyoto Animation, so there is a lot of eye candy in this series. Especially the first six episodes (the ones copied directly from the OVAs) look awesome, and the new material, while significantly lower in quality, still have lots of nice movement and hardly any still frames. There’s a lot of style in this series, and most of the time it’s a feast for the senses.

But yeah, that doesn’t prevent the flaws from sticking out. The story was meant for 26 episodes; there is no way that you can squeeze it in only nine of them, and the creators indeed screwed up a lot here. Thanks to the addictive storytelling and animation we still have ourselves a pretty decent series here, but it could have been so much better.

Storytelling: 8/10
Characters: 7/10
Production-Values: 9/10
Setting: 6/10
Posted on with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Yumemi uses her powers to instantly take care of most of the major conflicts in the series.
Episode Rating: 6,5/10 (Lacking)
Well, there you have it. There’s going to be a movie, which is going to recap all of the new material of the series (read: copy and paste) and paste the real climax of Munto after it. There was no point to the TV-series at all, and it really reminds me of the Death and Rebirth Movie of Evangelion: pointless and only there to squeeze some extra cash out of a franchise. It’s such a shame: if the creators only took the time to rewrite the original story and make it fit within 26 episodes, we would have had ourselves an absolute gem here. Instead, the series is merely a nice enough series for those who haven’t seen the original OVAs yet.

Having said that, though, this final episode left a lot to be desired, unfortunately. I would have been at least satisfied with a decent action-packed finale, but for some very strange reason Yumemi suddenly started acting completely out of character. She’s been this calm yet reserved girl up till now, and this episode transforms her into some sort of cheerful super-heroine of some sorts. Munto also turned into a completely different person after the climax ended.

But hey, at least we now know where the extremely short skirts from the ED came from: they were simply Munto’s strange sense of fashion. I’m still not sure why exactly he decided to give Yumemi and her friends those new clothes in the first place, and where the school uniforms came from…

In this episode it also really becomes clear that Yumemi’s power needed to be fleshed out much more than it already was. She simply zaps everyone and all the problems are instantly gone, and I also assume that she’s simply going to do the same in the movie. The creators have just god-moded her way too much throughout the series.

In the end, looking back now I regret blogging this series. I’m really going to have to be more careful on that with the upcoming Spring Season, and I predict that it’s going to take a looong while before I’m going to be blogging another Kyoto Animation-show again. Please, Kyoani: do SOMETHING that’s out of your comfort-zone.

Posted on 4 March 2009 with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Yumemi’s friends aren’t going to let Yumemi disappear that easily.
Episode Rating: 7/10 (only one more episode left!?)
So obviously, I am not happy with this series after finding out that it’s only going to last for nine episodes. I’m going to take back some of the original praises I made for this series; seriously, if I had known this beforehand I wouldn’t have attempted to blog this series. Warning: big rant coming up.

I really have to wonder: what was the whole point of this ‘remake’. Why couldn’t the creators just have made a third OVA? They could have saved up on the broadcasting fees in order to spice up the animation of the original material. In the end, Sora wo Miageru Shoujo isn’t a remake, it’s just a recap with about an hour of new material pasted at the end. Seriously, I really expected better from Kyoani.

Take a look at some of the other series which were intended as remakes as well: the eighties version of Glass Mask was terrible, and yet the version of 2005, even though its first half followed the exact same plot managed to rewrite it so that it became something amazing. Towards the Terra turned a reportedly average movie into a full fledged TV-series that excellently made use of its extended time-frame. THAT was exactly what I was hoping that this series would do as well, but in the end the ones who planned out this series never understood what was wrong with it in the first place. Sure, the lack of conclusion is one thing, but it’s definitely not the biggest flaw.

So in the end, this still remains wasted potential: there are so many interesting parts in this world that are never going to get explored. This series simply lacks proper build-up, and time to flesh out the different characters. At this point, one episode before the end I still can’t say that I know any of the characters. Yumemi’s friends probably come closest to that.

I can’t believe that I originally praised Kyoani from finally doing something out of their comfort zone. There was nothing experimental at all about this TV-series whatsoever, it’s just another one of their plans to milk out one of their franchises. That’s the thing I really hate about Kyoto Animation: they only go with series that they know will sell; they hardly take any risks whatsoever. Ever since Haruhi, their only original work has been Lucky Star, and that one still was about a bunch of overly cute girls that you can see in every single one of their series (and I didn’t like that one at all as well). Full Metal Panic as well: it was a continuation of a series that they already knew would work, and the same goes for the Key adaptations: it was Toei who pioneered them, not themselves.

What’s more, it’s probably going to take bloody ages before they’re going to be able to come with another new series: they obviously have to animate the next Key visual novel, Haruhi 2 also needs to come and I’m going to eat my hat if there isn’t some sort of Lucky Star Second Season coming some time. It’s especially aggravating since these guys have so many potential to make great series. PLEASE, Kyoani: make your next series about a pig dentist who practices curling at night. Sure, it might not make any sense, but at least it’s original.

Posted on 25 February 2009 with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Munto tells Yumemi about the past of his country.
Episode Rating: 8/10 (Excellent)
Ah, finally! It was a long wait, but finally we know a bit more about what the heck is going on in this series. Finally we see a bit of the elf country when it’s not fighting. While it’s certainly not enough yet, it’s definitely a good start, although again the dialogue was pretty complex, meaning a lot of trouble for me to understand it. ^^;

So if I understood correctly, the past of Munto’s world looked a lot like it in terms of technological advancement. Then from out of nowhere (or from somewhere that’s yet to be explained) and started wrecking things with their huge amounts of powers. They then discovered the parallel world that Munto lived in, and created a link to it. Eventually though, they destroyed this link again when they became obsessed with their own powers, resulting in lots of destruction. In order to prevent this from happening again, I suspect that the outsider was born. This went fine until the strange evil guy who appeared in the previous episode appeared, and Munto tried to use Yumemi’s help to get rid of him, while Gntarl and his allies didn’t support his decision. At least, that’s what I understood from it.

One thing that worries me though is that the pacing still is as fast as ever. Even though this episode was a quiet one, it still rushed the history of Munto’s world through in less than half an episode, which was an especially bad sign for my hopes of seeing this series continue for more than thirteen episodes. Things really can go anywhere at this point, but if the creators do plan to squeeze the entire story in only one season, then the second half of the series is going to have to be consistently solid and excellent if it doesn’t want to end up the same as the very unfinished OVAs. This episode thankfully met those requirements, but but for this series it’s going to be a matter whether the big picture can deliver or not in the end.

As for the animation, I’m glad to say that now that the series has started its original material, the quality hasn’t gone down too badly. While things obviously look less detailed and impressive when compared to the first six episode, the creators thankfully still have lots of movement. Some details were lost in the process, but it’s better than just resorting to safe drawings with mostly still frames.

Posted on 18 February 2009 with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Yumemi and Munto finally accept each other.
Episode Rating: 7,5/10 (Good)
Okay, so much for “the OVA Recaps will end after episode 6”. There is no way that the cliff-hanger at the end of this episode formed the end of the two OVAs, so this episode must have inserted quite a bit of original content in order to prevent the OVA material from running out. My guess is that in the OVAs, the evil elves simply died when Yumemi and Munto zapped them, and here instead they remain alive for the rest of the series.

Still, the OVA material will certainly be up at the end of the next episode, and it’s there where the fun really begins. Now that Munto’s world has made so much of an impact on Yumemi’s world, I want to see the results of this: reporters and police and just about everyone needs to notice that something strange went on. Those whose homes were destroyed shouldn’t randomly disappear like they never existed. That’s indeed the big weakness of the OVAs: the setting just doesn’t feel alive. There are some very nice ideas put into it, but two hours is just WAY too little time.

Still, as a standalone episode, this remains a pretty good one, and it yet again puts more faith in my theory that the OVAs would have rocked if they were given more time. Lots of different characters got some attention in this episode, and especially Munto’s subordinates turned out to be pretty interesting and fun characters.

Now the big question here remains Gass. The guy probably died at the end of the OVAs (after all, after all that build-up, what point would there be to keep him alive at that point?), but with the TV-series, the creators might have other plans for him.

Posted on 11 February 2009 with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Ichiko, Yumemi, Suzume and some other friends go to an amusement park.
Episode Rating: 8/10 (Excellent)
Ah, if everything goes right, then the glorified recap should only take one more episode. After that it’s finally time to see whether this series is a passionate attempt by the original creators to give this series the airtime it deserves, or a simple attempt by the Kyoani top-executives in order to squeeze some more money out of another one of their franchises. I so hope that it’s going to be the former.

In any case, this probably was my favourite episode of this series so far. Those Munto-episodes were nice and all, but we hardly know anything about the guy, or the world he lives in, and I’m also really hoping that once this series turns to its original episodes, its going to focus on all of these different elf countries that we saw in the previous episode. It’s interesting: when I first started this series, I simply thought that the series would end with the climax of the second OVA, while fleshing out the setting with new material in between the old scenes from the OVAs, but instead they’re just getting the story of the OVAs over with in the beginning, only to conclude the series with an original story. it’s good for those like me, who are new to the franchise (pretty graphics FTW!), though I imagine that it must be pretty dull for those who have seen the OVAs already, seeing the same thing nearly exactly all over again.

Oh, and Munto did get some background this episode, if only just a little bit. He seems to be your typical tragic hero right now: a prince who has lost his parents at a young age, and now is pretty much fighting for what his parents left him behind. I hope that the anime-original episodes will flesh the guy out a bit more, so that we actually get to see some different sides of him (i.e., when he’s not in fighting-mode).

Posted on 4 February 2009 with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Now that Munto has the power to win the war, he decides to not use make use of it.
Episode Rating: 7/10 (Enjoyable)
Well, that’s eighty minutes already. The end of this episode sounded like a nice climax for the end of the first OVA, is that about right? There was at least no shortage of really pretty OVA-styled animation, so I don’t think that we’ve hit the anime original material yet.

But seriously, what were the creators thinking of putting such a huge story as this in only two hours? This episode introduces dozens of more countries involved in the war. For such a story to work, you really need at least 24 episodes to get the development of every party right. This is also why I’m hoping for this series to not end after only 13 episodes: there is NO WAY that the creators are going to fit everything, even in only 13 episodes.

Still, the next episode should prove a much-needed change of pace. These first four episodes were definitely action-packed, but there had to be some time for the fighting to end, and a chance for the creators to explore the different cultures and countries presented here. The demon king-guy is about to die, (he apparently was really powerful because he didn’t have a long lifespan anyway), and with both him and Munto out (since he’s probably going to spend some episodes with Yumemi), the pacing of this series should slow down a bit as well.

Posted on 28 January 2009 with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Yumemi’s friend and her new boyfriend try to cross a river.
Overall Enjoyment Value: 7,5/10 (Good)
How awesome: the animation quality hasn’t decreased at all since the first episode: it’s still as solid as ever. This promises lots of nice things for the future of this series. Anyway, this episode finishes the introduction of this series, where Yumemi decides to help Munto. It seems that she just needed a bit of time to sort out her thoughts, and the creators made use of this time by showing why she ended up deciding to help an unknown elf-guy in a weird outfit in the first place. After all, it would have been weird if she immediately decided to help this guy without ever questioning where he came from.

This episode really succeeded in portraying the strong sense of community in Yumemi and the town in which she lives. It showed that the world in which she lives isn’t some empty cardboard world that’s only good as a plot-hole, but instead it’s about people who care about each other. Yumemi doesn’t want to lose this community, and this episode did well in convincing the viewer (well, me at least) how and why she feels that way.

I wonder about the length that this series is going to get. I think that the 24-episode format would really be best for this series, so that it can fully develop its setting, and there’s actually a pretty good chance that this is going to be the case. Anime News Network lists 13 episodes already, with the thirteenth episode airing at April 7th, which is quite a strange date to end your series.

So the story isn’t anything special yet, but the potential is definitely there. I also really like the show’s style of graphics: they’re a great combination of ten-year-old-styled character-designs and creative use of modern CG. The character-designs are also among the best I’ve seen from Kyoani: sure, the outfits are a bit silly at times, but especially the characters from Yumemi’s world are simplistic yet expressive, and for once they don’t try to be overly moe, like nearly every other Kyoani series (or at least: not as much).

Posted on 21 January 2009 with categories: Sora wo Miageru Shoujo no Hitomi ni Utsuru Sekai



Short Synopsis: Munto continues to try and get Yumemi over to his world, while Yumemi has her own problems to take care of.
Overall Enjoyment Value: 7,5/10 (Good)
Hehe, you were expecting Ride Back at this spot, no? To be honest, so did I before I watched Ride Back’s second episode, but then I started thinking: the show has 12 episodes, of which the first two were slow introductions that hardly did anything besides setting up the premise. It’s going to be a show about some teenagers riding motorbikes who somehow become involved in a huge war. How the heck are the creators going to get some good development in only 12 episodes? This is Madhouse we’re talking about: compared to some of its previous series Ride Back just isn’t as interesting.

Besides, the lack of realism really became jarring in that second episode: nobody finds it strange that these Ride Back things simply drive around INSIDE BUILDINGS? Nobody tries to complain about the noise that these machines cause? Nobody finds it strange that these machines tend to break down and crash a lot? Nah, I’d rather see a bunch of elves beating the hell out of each other.

So I’ve yet to see the Munto OVAs, but apparently I don’t need to do that anymore since the first episode copied about 80% of its content. That episode reminded me a lot of a poorer version of Noein’s first episode, with the big difference being that Noein spent lots of time in its first episode to flesh out the cast before diving into the action, while Munto dived straight into the action without letting the viewer get to know the characters.

Well, that problem was partially solved by this episode, which was very un-typical of your average second episode. Most of the second episodes after a huge eventful first episode are deliberately slow, in order to explain what the heck went on in the show’s start. Munto instead deliberately chooses to slow down the pacing, but doesn’t attempt to explain much. Instead, it starts fleshing out the lead characters. I especially was surprised that they immediately showed the story for one of Yumemi’s friends.

I also like that the creators are using the Noein approach. With most series where the lead character is transported into some sort of other world, the connection between these is really something sacred: it can only be crossed once, and the conditions for someone to cross are very vague and only serve as a plot device to get the lead character involved with the plot. In Munto instead that link is fleshed out a bit more, and it looks like it can be breached more often. Seeing as how Yumemi’s friends are going to be important characters in this series too, I expect that either the series will take place mostly in the real world with your occasional trips to the elf world, or Munto is somehow going to kidnap the three of them at the same time.

Now, about the lesser parts of this series… we have a delinquent who gets saved by a cute girl and they end up marrying. Am I the only one who was reminded of a certain other Kyoani series? I also fear that most of the elves are going to lack in personality: this episode hardly focused any attention on them.

CHANGE USERNAME
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
Total users: 51

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