Posted on 1 April 2014 with categories: Space Dandy

The end of episode 13 showed us the standard “Tsudzuku”, or “to be continued”. You’d better keep your words, Space Dandy!

But still, what a ride, what a ride. Space Dandy is a series that was totally worth it, and even the final three episodes pushed all of the right buttons with me. Again, vastly different stories, again everything comes together in every episode, and again we get to see lots of hilarity and artistic licenses being pushed.

I read the comments that you all posted for my previous entry on this series, and it just goes to show that you can’t please everyone. I was criticized for criticizing Kill la Kill for expecting something it is not, and at the same time I was criticized with Space Dandy for enjoying it for exactly what it advertised to be: a very silly series. Ultimately, this shows that things just boil down to one thing: did you enjoy it. And different people really look for totally different things in a series.

One big example is that I find storylines to be overrated. Sure, a good storyline is amazing to have and all, but I don’t find it the most important aspect of a series: it’s just one of a collection of equally important ingredients, and I’m much more interested in whether it works in combination with everything else. Sure, it can make or break a series, but there are plenty of gray areas inbetween: a series like Space Dandy has no clear cut storyline other than what happens in the individual episodes; but that works wonderfully. Although I do have to be honest here: episode 13 did not really feel like the ending of the series. It was just another episode, and even though it was a very good one, I do feel like the creators missed an opportunity to give closure. Again: you’d better have that second season actually planned in order to make up for this…

This really reminded me of why I originally became such a big fan of anime: Space Dandy gets it for me. It takes the viewer across a fantastic ride full of creativity and charming characters, great music, stories that stretch the concept that the setting originally started with, and animation that gets used at exactly the right times. What I mean by that is that the animation is used to make the characters expressive. When characters talk, they talk with expression. During the action scenes, you can feel the characters move. Too often I just see this done wrong, even with equally big budgets. Too often I just see animation way too focused at looking crisp (I also hate the practice of highlighting animation flaws using only screenshots; I mean, come on people, use your head), or animation that is too busy at looking flashy, rather than focusing at movement.

Episode 12 for some strange reason made me laugh the hardest out of the entire series. Episode 11 meanwhile was just the most surreal one of the series. The creators really did something very special here, because with this they added even more episodes to the growing list of stand-out episodes in this series. There are so many that make this worth watching. Episode thirteen was a bit of a step down, but still very adorable for what it was.

I’m not sure whether I’m going to write a review for this series, because I also again want to be able to cover the new season. I’m also doubting whether I should still use ratings. I originally used them for my own administration: to catalog which ones I prefer over others in an easy way. However I noticed that people on the internet for some reason take these ratings way too seriously. I’ve seen so many people get their panties in a twist because I rated something one point too low, or gave an “unfair” potential rating. I mean really guys: they’re only numbers.

Posted on 25 March 2014 with categories: Space Dandy

THIS. This, this is everything I’m looking for. This is the mentality that I have been waiting for for so long! This is what more series need to be like. Every single one of these past four episodes was amazing, but not only that: they were all completely different from each other and they all shined in their own ways. Thank you, Space Dandy!

Let’s start with episode seven, a Redline parody. This really was a comedy episode. However, it had me laughing so many times, taking the already silly Redline to the ridiculous (is it a coincidence that Dandy bears a striking resemblance to Redline’s male lead?) The best part of the episode was the ending. They really saved the best joke for last, and it’s rare for a comedy episode to have such a good climax here. It really was what this series is all about: exploring your wildest fantasies beyond time and space. It was glorious to watch!

Episode eight was just silly, but at the same time it was just completely adorable. The fleas were hysterical, especially how they both met their demise. These are the greatest kinds of comedy episodes in my opinion: most comedy series try to act like stand-up comedians, instead of trying to tell an actual story. This episode… definitely had a story, however silly it may have been.

Episode nine shows best what is so amazing about this series: here is the thing, one of the reasons I became such a fan of anime is the way in which the episodes are made: each episode has its own director, writer, storyboard artist and animation director. On one hand this allows creators to deliver a quality episode consistently. On the other hand this allows the creators of each episode to be able to give their own spin to the anime, within the bounds of the series. The latter is something that I’ve been missing dearly for the past years: just a couple of inventive directors who are not afraid to show their own style and vision. The focus has been put too much on making things consistent and way too little on individual skills. This episode really was unique. It in one way resembled Kaiba’s style, but it added enough things on its own. It’s a completely serious episode, but watching the plant storyline unfold was really beautiful to watch.

Episode ten starts the stories that are centered around the main cast, and this is a big potential pitfall for these kinds of series. There are two big ones that have felled a lot of series: boring back-stories and abandoning what made the previous episodes great. Space Dandy nailed it. This really feels like any other episode of Space Dandy, just about Meow. And his backstory is really great. They explained perfectly how he grew up, why he went away, but they didn’t overdo things: he still misses his own home, he still has regrets. Things aren’t portrayed black and white at all. And at the same time this show kept me laughing whenever it wanted to. This episode had some great jokes about time loops and I especially loved the parody on Meow’s childhood crush. The build-up for that was terrific.

Thank god. Finally another series that does not disappoint in any way. Okay, one way perhaps. Space Dandy is a show that’s difficult to get into due to Dandy’s obsession with boobs. That’s the one thing that really had me worried in the beginning, and that makes it hard to recommend this series. However, boobs have just become a minor detail in these four episodes, and really: it ended up balancing male and female fanservice pretty well. That’s how you should do it: give something for both genders.

And yes, I know I’m late and that there are more episodes out, I just wanted to cover these before I went on with the final episodes.

Posted on 14 February 2014 with categories: Space Dandy

Okay. So you might wonder what I’ve been doing. I’m indeed on kindof a break. The reason for that is due to some weird reason, I can’t sit down and watch an episode anymore. It’s bizarre, but what used to be so normal in the past now is incredibly diffcult for some reason. I keep getting distracted by stupid things like brainless games or videos when I even remotely try to think of watching some anime. It’s really bizarre and I still need to wrap my mind around exactly what’s going on inside my head.

One thing I know for sure though, and that is that I have not lost my passion for anime. It has definitely changed, but the one series that reminds me why I originally fell in love with this medium is Space Dandy. This series really serves to remind me that yes, there can be great series. Many just haven’t appeared in the previous seasons. I really do want to keep up this blog, and put the focus on the kinds of series that do catch my attention, rather than the ones that don’t.

These three episodes. They’re crass, but that’s also just about the only negative thing that I have to say about it. This kind of mentality is exactly what I’m looking for here. We have three separate stories, that are all obviously Space Dandy, but all of them are totally different. Episode 4 is a Zombie parody, episode 5 suddenly gets serious, and then episode 6 comes with this weird surfing story combined with pants and vests. It’s all different, and it’s all creative, and they all stand out in their own way. Heck, even the fanservice is much less, aside from the occasional Boobies mention.

OUt of the three episodes, I think that 6 was the weakest, but even that one had its standout moment when the surfing began. Yes, it was pointless, but the thing is the experience here. Space Dandy is all about adventures here. The ending of that episode was like “okay, they’re dead. Now let’s go surfing”.

Plus, the characters are just really good. Space Dandy is very funny to watch, even when he’s not making a joke. The new characters have their own charms. They manage to bring out quite a few emotions, and some of the episodes are quite intelligent despite Dandy being an idiot. Episode 4 was the best example of that. On top of that the show also has very creative camera work and key animation, and the music also is very varied. That all adds to that experience that I’m looking for. The great shows don’t try to excel at just one thing, they try to bring all of their ingredients together into one. Here is a case where everyone is working together closely, paying actual attention to what they want to make.

Posted on 23 January 2014 with categories: Space Dandy

Here is another thing that also really bugged me about anime of the past few seasons: the ones that have a very promising first episode only to just fail trying afterwards. I mean, I hate it, but I have to swallow my words about Nobunaga the Fool after watching its second and third episodes, due to how shoddy it suddenly got. Especially Jeanne D’Arc: she turned out to be completely useless. The way this series looks at women being just there as a second thought is much worse than Space Dandy and Kill la Kill.

Even though these series are bad at how they focus too much on their male audience, there is method to their madness. Kill la Kill is all about outfits being empowering, while Space Dandy is told from the perspective of a guy obsessed with boobs. They keep to their rules, while Nobunaga the Fool took a famous French figure and made her just stand by and watch, sometimes just randomly in the main character’s lap.

That doesn’t excuse Space Dandy. I know it’s silly and Cowboy Bebop also had its share of fanservice, but there is such a thing as taking things too far.

The thing however is, that apart from that, Space Dandy is the series I’ve been waiting for for years to come. Finally after years and years of waiting, another series of its kind has arrived: the kind of series that each episode shows a totally different story involving the main characters. I love these shows, even though they’re often labelled as being monster of the week, or having too much filler.

And granted, this is the kind of format that can be done badly. However it brings so many advantages and when done right it can work brilliantly. Some of reasons why I like it:
– Series that have this can be planned much better into their timeslot because every episode needs to be different. Therefore forcing the writing team to be on their toes.
– Fleshing out characters. Random stories like this are excellent at showing the different sides of the characters, plus the different sides about the setting this takese place in. Great for immersion!
– Variety. Series with a linear storytelling are often very predictable as well, and allow for very little chances to spice things up and make things interesting, because of the ongoing storyline.
– There is no chance to drag on. The creators need to create a new storyline every episode so there are no dead episodes, plus none of the episodes look like each other.
– Episodes are also much more standalone because of this. Because of this the individual episodes can take more risks. There is more chance for creativity and interesting storylines. A show can go on a tangent for one episode and then go into a completely different direction the next.

This is the strength of anime. something it got really good at at one point, but the format unfortunately got in discredit due to the bad reputation that the bad attempts got. There was a point at which I saw many people complain about “filler”, to a point where every episode that wasn’t instantly contributing to the plot as instantly bad. I think that Naruto was a big contributor to that with its 100 episodes of filler. Plus, it’s kindof difficult to objectively describe the difference between filler and plain wasting time, and just a good adventure. And this border is probably also different for everyone.

For me, what’s most important is that there must not be “dead episodes”. Episodes that just aren’t fun to watch or were clearly made to just pad out time, without any inspiration. On top of that, the different episodes also need to bring colour to the characters and show a good collection fo the different sides of the setting. It’s something that you can’t simply describe in a tagline, which is what makes this such a tricky thing to judge, and probably lead to the lumping of all good and bad shows together on one heap.

I mean I’m not saying that every series needs to be like this, but a few can’t hurt, right? With so many linear stories around today that are all rather monotone and more often than not don’t even end, it wouldn’t hurt to have just a few series in which every episode is about a different story, right? Just like how things were in the past? I really hope that Space Dandy will inspire a new wave of series that also will embrace this philosophy again, and the upcoming Mushishi will also help really well to achieve that cause.

When you compare this to Cowboy Bebop this obviously is much sillier, but the thing is that Cowboy Bebop only started to really shine when you look at the big picture. Plus, I’m not going to compare the two too much, because Space Dandy being silly has a very different atmosphere, even though some of its design philosophies are the same. And that’s what I find so good about this series: three episodes in and the creators still are making this look really interesting. Plus, the direction is also quite good, if unconventional.

I especially liked episode 2, the search for those fabled noodles. It was a very emotional episode, for some reason. It had that weird to describe sensation that made everything just come together when they finally ended up finding those noodle bar, and that one creature started telling his life story. The way in which this show changes its atmosphere: it’s also really good. And the music! That also is godly!

The question now is whether the stories will be varied enough. Episode three also was very good, but like the first episode the creators did strand on a hostile planet and got chased by monsters again. However, at the same time it also very nicely subverted parts of the previous episode (the monsters were mostly good-natured save for one, they actually got money this time), which is also very good.

The reason why Cowboy Bebop was so critically acclaimed is that on top of being really well made, it had international appeal. It didn’t feel like an anime, and it was and is very different to most anime nowadays which are often circlejerking each other for the same audience that they know will buy. It had international appeal. Shingeki no Kyojin is a recent series that also had a lot of international appeal that it deserved, I believe. Space Dandy really hopes to be the next one to catch an international audience, especially with the way it’s released simultaneously in English and Japanese.

I think the weird fanservice is because of that reason. It’s on one hand the believe that sex sells so it needs to be in everything, and on the other an attempt to not fall in the standard Japanese fanservice cliches that will only appeal to Japanese otaku and not the other demographic.

Also, does every episode have a different OP and ED? That’s what I call respect. Really awesome detail.

Posted on 30 December 2013 with categories: Anime Reviews, Kyousogiga


Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love getting worked up a bit about what if the show did get everything right. That’s why there is no one “best series” out there.

A show that I really didn’t have anything to say against, that really seemed to cater exactly to someone with my tastes, is Kyousogiga. Seriously, to me, that show was perfect and it hit every right note.

This series is really well made: the animation is consistently good, with very few moments of weaknesses. The series looks really good, but that can be said for a lot of series this season. What the animators also did however, was that they made the faces of the characters incredibly expressive, more than any other show that aired alongside it. The variety is great, and the camera always knows how to capture them in the most genuine ways. The way in which they’re able to keep this up for more than 10 episodes shows that this was a series made with a lot of passion.

This is a series that’s deeply rooted in Buddhist themes: not only are there many monks in the series, but also many characters from Buddhist folklore make cameos, the whole world this is based on has many winks here and there to the religion (although Shinto also has its noticeable roots here), combined with plenty of ideas of its own. This all combined leads to a very detailed and imaginative setting that is perfect for a short and whimsical series that can be enjoyed by all ages.

One complaint I’ve hear a lot is that the big conflict of the series isn’t really that big, but that’s something I actually liked a lot. To be vague for the sake of spoilers, Kyousogiga is about the inner turmoil of a family of characters with world-changing powers. The latter may seem serious, but the end resolution is much less dramatic than what you might expect. And I loved that! It’s got plenty of conflict, but for once it isn’t all gloomy. There is really no villain whatsoever, nor anyone who even remotely looks like the stereotypical evil villain who is out there to destroy the world for some superficial reason, even though this might appear to be the case at times. The entire series however is focused on the characters: them coming to terms with their identities and the ones around them. It’s one of the few series that in the end, manages to be epic while keeping the focus on the characters and their issues, without taking any cheap writing-tricks to simplify things near the end. It’s got plenty of touching moment, its just not as grand as what it was made out to be.

I was a long-time fan of this series, so obviously I’m biased. The creators actually managed to incorporate the OVAs into the series and integrated them seamlessly, so you do not need to watch anything before starting the TV-series, aside from episode 05 of the second OVA, and even that isn’t really necessary. This series makes use of vague storytelling: not everything is told or stated explicitly, but you’re also expected to think a bit for yourself and piece things together, and it does that in an intelligent way, rather than what you usually see where the creators obviously ran out of time (this series is also perfectly paced, not too slow nor too fast).

If you want to know whether this series is for you or not, ask yourself the question of what you want to watch. If the answer comes close to a series which excels at bringing animation, music, story, characters, setting, and all together flawlessly, then by all means give this a chance. If you’re looking for complexity or grandeur, or something mundane though, then there are better choices.
One-Sentence Review: Lots of love and passion
Suggestions:
Mahou Shoujotai
Strange Dawn
Ooedo Rocket

Posted on 28 December 2013 with categories: Kyousogiga

Holy crap, they actually did it. They actually finished this off perfectly! I was really afraid of this episode: I have seen so many wonderful series skimp out on the ending. And yet, with this episode, the creators managed to avoid every single pitfall that hits so many different series, leaving behind a wonderful ending.

– Focusing too much on flashy action? Nope, there was enough substance.
– Leaving behind an ending that’s too open? Nope, everything was answered adequately unless you really start nit-picking.
– Pulling silly Deus ex Machina to get out of the corners the writers got themselves into? Nope, everything just makes sense in the deliberately vague rules that this show created for itself.
– Just closing off with a straightforward and boring ending? Oh hell no, this episode pulled many surprises.
– Forgetting to push forward the characters even more? That too was averted, because so many characters got even more depth than what they already had.
– Running out of budget? This episode looked just gorgeous. After ten episodes I still could not see any cut corners.
– Being too fast? Nope, everything fit perfectly and it was still able to do everything, and things didn’t feel crammed.
– Being formulaic and predictable? Absolutely not. This really was the ending to Kyousogiga, not copied from another series or story.

I mean, this ending really was amazing. They did everything right here. I know I have been very quiet. Part of the problem is a change in my personal life, but another part is that I have felt really disappointed with the past Fall Season. It looked so promising, and yet nearly every series turned so generic or rushed, and nearly always it had to do with lazy writing. The one exception was Kyousogiga. Everything else this season just paled in comparison. Thank you Toei, for greenlighting this and making this possible.

Posted on 18 December 2013 with categories: Kyousogiga

The big strength of Kyousogiga has always been its characterization, and with a lot of series that have that, they make the mistake to just not focus on that for their finale. I mean, finales need to escalate. Most shows do that by turning on the epic-button. Kyousogiga did that as well, but it still kept its focus at the characters. Mostly thanks to how all of the characters with powers to actually destroy dimensions are intertwined together.

Because of this the animators could really bring an action-packed finale, while at the same time the focus remained on Koto. Revealing that she was the whole reason everything started due to how incredibly weird her family is really helped with that. She still has her flaws, she’s not just blindly running around as well. Plus, the chemistry between the characters was still awesome. I especially loved that punch near the end of the episode.

Two episodes left, so let’s see whether the creators can keep this up until the ending. I’m especially curious for the actual finale, because there have been plenty of good series that somehow had uninspired ending. This series is the perfect opportunity to to do something differnt though. Lots of thought has already been put into these episodes, so I really hope that the creators also have something really inspired in store for the actual climax.

Posted on 1 December 2013 with categories: Kyousogiga

Uh.. okay.

How on earth did this show manage to become even better than what it already was? Seriously, how?

Once in a while I run into an episode that really gets me incredibly emotional, that has me just bawling my eyes out. I can’t recally having done that for the past half year. Or at least not since the end of From the New World. While this episode may not have been as good, it comes close in its entire own way. Seriously, this episode was astonishing in how much emotion the creators managed to put into it.

Highlight was Koto, who really was portrayed as a child wonderfully. Every single side of her worked here: her active side, her playful side, her helpful side. Plus is was just so adorable when she got to see her mother and father again.

And the rest of this episode was amazing at providing backup for her: the animation was as expressive as ever, and the side-characters all managed to spice things up without taking on the foreground. I mean, everyone had been waiting for Lady Koto to come back again: everyone was delighted and everyone changed here.

And yeah, father. His shadow has been hanging over the entire series with the first two episodes focusing on him. He fits perfectly as the antagonist for the final episodes to get a really big climax out of it. And he’s also miles away from your typical villain. i mean, it’s still a mystery what kind of threat he actually is, but he did basically abandon his children without much thought for it.

I may post less often, but don’t get me wrong: I still love anime. Episodes and series like this are the reason why. 2013 has been a strange year: I’m not sure whether the amount of good series went down or whether I just got more picky, but at the very least I’m glad that every season so far has had its standout series.
Rating: 7/8 (Fantastic)

Posted on 24 November 2013 with categories: Kyousogiga

Toei, I applaud you. This episode was once again amazing. Seriously, I’m really quite astounded: Kyousogiga is one of the very few series that gets just about everything right. Kill La Kill and Samurai Flamenco: I can both name issues I have with them. Kyousogiga: none whatsoever. You could say that some things make no sense, and here the first half of this episode comes and fills in some big gaps in the monk’s backstory so that it makes complete sense. With this, the plot has this amazing balance of explaining things, and leaving things up for interpretation.

The direction was also fantastic here. It even goes beyond Kill la Kill at this point, first with its use of facial expressions that get the most out of the non-verbal communication between the characters, and second because of how in the second half, it actually blended in the two fights that were going on masterfully, often showing them in the same screen but having one in the foreground, and another in the back. That’s something I have yet to see in anime.

Then, this episode did make use of repetition, but it did so in the good way: when you notice the repetition, things all make sense in terms of the monk’s backstory. The entire series has basically been doing that. The same goes for the music, I guess. There really aren’t that many tracks in Kyousogiga’s soundtrack. But they are all wonderful, and they are also used at the perfect times!

Last week was a recap, but I’d say for that: who cares? If that is this series’ solution for having only ten episodes, I’d say let it do that! It’s the first series in years that I’ve seen that actually tried to have a different number of episodes than 13/12, 25/26, the occasional Noitamina-length of 11 and 22 episodes or an infinite amount of episodes. It’s exactly as long as it needs to be, give or take 20 minutes or something.

I’m always keeping an eye out for new masterful directors to start showing themselves. And with Rie Matsumoto, Toei Animation has struck gold, but she’s also working with a wonderful team of animators. But yeah, so far anything she has touched became gold. Now we can only hope that she will keep this passion of hers, and keep landing jobs as a director. If she can, then she can make it really big. I mean, this show is the textbook example of what I look for in a great anime.
Rating: 7/8 (Fantastic)

Posted on 8 November 2013 with categories: Kyousogiga

I scrapped the Storytelling, Characters, Production-Values and Setting-ratings from my reviews, but I still look upon anime, based on those four criteria. And really, Kyousogiga is one of the very few series that gets all of them right: it delivers everywhere, and this episode was a great example of that.

Storytelling: the second OVA is brilliantly used by changing the context of each episode and making the way all of the small bits fit into the series completely different. Everything now makes much more sense. With this the third sibling has also gotten his development, and the animation brings the characters alive wonderfully. The facial expressions say huge amounts of things about the characters, without putting them in actual words.

It’s also a great example of one of the reasons why I stopped splitting up my ratings: ideally all of these work together with each other, enhancing each other. Isolating one part is just silly, because the standout series like this one stand out because of the sum of their parts. It’s because of how many different ways the creators manage to think of to portray their characters, using meta-fiction like the one with the dog (symbolism!) to illustrate parts of the story from a different perspective, that enhances the characters and allows them to shine. In the meantime the characters develop by growing and thereby they change the story themselves. Plus, how do you rate it when a series has so much heart put into it as this series? These complex rating systems are completely pointless because you can never take everything into account. Therefore these simple ratings based on one scale are the best. What matters is the overall experience, and overall Kyousogiga is pretty damn awesome.

Another example: in this episode I realized how incredible the music here is. Alone it may have just been organ music. But it brought out so much emotions in the characters. I probably would get bored of it pretty quickly without this series.
Rating: 6/8 (Awesome)

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  • Bam
    (Tuesday, Sep 2. 2014 10:09 AM)
    Those dreams of yours are very e eclectic, a sign of exposure to many different scenes. Now the ones without sound are really horrifying to me personally.
  • Bam
    (Tuesday, Sep 2. 2014 10:07 AM)
    @Emma: oh not at all friend, those are so vivid too, I love ‘em!
  • Emma
    (Tuesday, Sep 2. 2014 09:35 AM)
    *a guy
  • Emma
    (Tuesday, Sep 2. 2014 09:22 AM)
    Sorry to go on and on bam, what you had to say was very interesting.
  • Emma
    (Tuesday, Sep 2. 2014 09:22 AM)
    And an unusual dream about a red skinned man that wherever he appeared people would start acting weirdly.
  • Emma
    (Tuesday, Sep 2. 2014 09:21 AM)
    I can remember one where a male dark figure with antlters, red eyes was trying to take away an unconscious girl that I liked in his arms and I was reaching up/out at him but he’d managed to reach inside of me.
  • Emma
    (Tuesday, Sep 2. 2014 09:18 AM)
    Theres an odd one where in each room I went to some weird event happened. One had a panicking, crying girl tugging at me, the other had these tight clothes, anorexic pale men, two of them jumping in and out of the shadows making mentally ill noises. From what else I recall there was a room where somebody was drowning and one where in the background I guy in a striped suit was trying to groom someone he arranged to meet. Though the conversation had no sound.
  • Emma
    (Tuesday, Sep 2. 2014 09:13 AM)
    Ah, last thing I recall, I have had a recurring dream where in each version I explore or find myself in a different part of a convention, dome like complex, everyone is in costume and I keep getting lost.
  • Bam
    (Tuesday, Sep 2. 2014 08:48 AM)
    Or the ones where you are intimate with someone who is no longer in your life :-(
  • Bam
    (Tuesday, Sep 2. 2014 08:47 AM)
    I too often have dreams of escape or fleeing from an (most of the time unknown or faceless) adversary that is relentless in its pursuit. The common analysis I that these entities symbolize adversity and obstacle in our lives. Things get much worse as most of the time (at least in my experience) the ground becomes sticky and swamp-like and hence the act of running near impossible or endlessly frustrating.

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Jojo’s Bizarre Adventure – Stardust Crusaders – 02

We can never quite get rid of magic fights at a school, now can we, Jojo. Ah well, I forgive it this time, just due to how hilarious it looks seeing these ridiculously bulky men walk around pretending to be high school students. It’s just so over the top, and yet Jojo sets itself apart […]

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Mushishi Season 2 – 02

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode. I still can’t believe how authentic this series is. The thing is, when I […]

Latest Reviews

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]

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Yahari Ore no Seishun no Love Come wa Machigatteiru Review – 82,5/100

I like surprises, like when a series comes that just turns out to be good against my expectations. Yahari Blahblah from the outside had all the signs to turn into yet another one of those high school comedies: snarky male lead, pointlessly long title that fails at being witty, various other cliched side-characters. And they […]