Posted on 29 December 2008 with categories: Anime Reviews, Blade of the Immortal


Blade of the Immortal is Bee-Train’s latest series, based on the rumoured excellent manga of the same name. It’s a series that’s definitely not for everyone, especially fans of the manga who are hoping to see a faithful adaptation, neither is it for those who have a very slim taste in music. However, if you’re looking for a number of well-coordinated fights and engaging characters, then you’re at the right address.

The series basically follows an immortal samurai (Manji), helping a weak but determined young girl (Rin) in exacting revenge on the death of her parents. What makes this series especially worth watching is the growth of Rin, as she questions what it means to take revenge, and whether it’s going to be worth it, and what her purpose is if she just keeps going to be rescued by Manji. In only 13 episodes, she grows into a strong character, despite her weak physique. Manji himself doesn’t exactly grow too much, but instead the creators manage to flesh him out really well in a relatively short amount of time, and he becomes a fun and interesting character to watch.

Fights also form a large part in this series, and for those who were afraid that Bee-Train has lost the ability to create good action-scenes, this series is there to prove them wrong. It’s daring, but the creators decided to go for an experimental animation style for the battles. The characters look fairly normal, and the animation budget isn’t particularly high either, but the series is full of interesting and creative camera-angles and poses. Overall, it’s a really nicely choreographed series.

But the biggest experimental feature of this series is the music. Bee-Train was already know as the studio with awesome music, but they carry that even further with this series: the soundtrack is unlike anything ever heard in an anime series. Kou Otani managed to produce an incredibly varied piece of work that feels incredibly random, yet somehow works. It’s a soundtrack you’ll either love or hate.

The biggest weakness of this series? It’s too damn short! The series ends just at the point where the series is done warming up, and there’s so much potential left in it that it would be a huge shame not to have some sort of second season. Blade of the Immortal is an excellent horror-series that may not be really faithful to the original manga, but nevertheless managed to create an excellent atmosphere.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Blade of the Immortal



Short Synopsis: Rin tells Manji about who she met last episode.
Overall Enjoyment Value: 8/10 (Excellent)
Okay, so this felt absolutely nothing like an ending. The final battle? A sparring match between Rin and Manji. This episode was much more about the side-characters, and actually introduced much more than that it wrapped up. Is this really the end of the Blade of the Immortal anime? I most definitely hope not!

The most important event of this episode was the death of Taito’s sister, through the hands of Shira. It seems that he is indeed working together with Hyakurin and Giichi to get rid of the Ittou-Ryuu. The question now remains whether we’re ever going to see that one animated. This episode also shows how Rin comes to accept that she’s weak, and that she wishes to improve (hence the sparring match between her and Manji at the end).

But what I loved most about this episode is that the music really went all out on this episode. The soundtrack of this series is truly original, even though many people will dislike it. The wide variety of instruments and mood changes felt awesome.

Posted on 20 December 2008 with categories: Blade of the Immortal



Short Synopsis: While away from Manji, Rin runs into a certain someone.
Overall Enjoyment Value: 8/10 (Excellent)
You know, this wasn’t exactly the episode you’d expect as a semi-final one of a series. Even though it involved the main villain, it was just a standalone episode. If the creators plan to wrap up the series in the next episode, it’d all have to happen in one episode. But then again, that’s also what I said of Amatsuki and I’m still waiting for that second friggin’ season announcement. The thing that’s interesting here is that the only times at which Bee-Train left their series unfinished, another studio jumped up at the chance to finish off what they started (namely .Hack//Roots and Tsubasa Chronicle). Who knows? The fact remains though, that this series needs to be continued so badly.

This episode’s purpose was to remind that not all action of this series lies in swords and other sharp weapons. The majority of the action in this episode went on in the characters’ minds: Rin was incredibly unfortunate to run into Kagehisa while Manji was assuming that she was taking a bath, and of course she tried to attack him by herself. Kagehisa easily overpowered her and she spend the rest of the episode, unable to do anything against the killer of her parents.

It’s a great move: to actually be able to talk to the one you hold a grudge against, and have this person explain his reasons, rather than blindly charging at each other without listening to what the other has to say. It also was different from when a character suddenly stops mid-fight in order to spontaneously blurt out his life story: Rin really wanted to do something against the guy, but she was paralyzed, while Kagehisa kept looking down on her, and never found her worthy enough to kill.

Posted on 1 December 2008 with categories: Blade of the Immortal



Short Synopsis: Rin vs. Kawakami part II
Highlights: Excellent fight.
Overall Enjoyment Value: 8/10 (Excellent)
It’s episodes like this one that convince me that Bee-Train can still make good fights when they want to; especially when backed up by such an excellent manga as this one. I’m beginning to see why they chose such a strange manga-series to adapt this time, because it’s of course perfect to experiment with in terms of artistic direction. The fights in this series aren’t impressive because of their animation-quality (which in fact still rather sucks), but because it turns simple fights like this one into pieces of art.

I must say that it must have taken a lot of guts to make such an excellent manga into a sort-of experimental anime like this. But on the other hand you have to wonder why for ten years nobody had stepped up to adapt it before Bee-Train did. I mean, I’ve seen comments about this series that it would have been best when in the hands of the Madhouse animation studio. And while I sort-of agree with it, I do think that if Madhouse really wanted to adapt this series, they would have done so already.

In any case, the use of music was typical Bee-Train in this episode, and yet it wasn’t like most of their other series. The whole episode had a huge contrast between silence and fast-paced music. It’s been like this for nearly the entire series so far: there are silent moments at very strange parts of the fights, and it definitely has an interesting effect. But then again, Bee-Train has always been known to play up-beat music at very strange scenes as well, so I guess that it was only a matter of time before they would go the opposite.

And regarding the story, it continues its thought-provoking look at revenge, and I really liked how Rin was about to create a kid, just like her by robbing him of his parent. Even though she changed her mind about killing a father like him. She solved it in a pretty interesting way, by pretending that she had killed Manji afterwards for the guy, so that he wouldn’t become like her.

Posted on 17 November 2008 with categories: Blade of the Immortal



Short Synopsis: At a local festival, Rin finally finds her next target.
Highlights: Obviously an episode meant to save a bit of budget, but nonetheless an excellent prelude.
Overall Enjoyment Value: 7,5/10 (Good)
Despite this episode being a step down from the last arc, I’m beginning to love this series more and more. Even during the quiet parts that are meant to save some budget for future fight scenes, this series still has enough interesting stuff going on.

This episode really showed how much Rin has grown. The development that she went through this series is something that takes most other series twice the amount of time, and it has felt really natural so far. She has learned to swallow her pride, and I really like how she didn’t blindly chaerg at first sight, but instead tried to find out his side of the story.

I like how in this series, nobody is really portrayed as a bad guy apart from a few grunts here and there, in the same way that nobody is really on the good side. The guy in this episode for example surely did some horrible things in the past, but at the same time he’s doing a really good job of raising a son and keeping said son away from his past. He’s really portrayed as a human being. The masked guy of the third episode was more delusional than pure evil. He cared about those dear to him, but took those feelings way too far in his mind.

My only complaint was tat the music in this episode felt a bit forced at the end, with an entire episode of subtle sounds, after which the series’ main tune suddenly starts playing from out of nowhere. It’s an amazing song, and it really adds to the atmosphere, but the way it starts could have been more subtle

Posted on 3 November 2008 with categories: Blade of the Immortal



Short Synopsis: The re-match between Manji and Makie.
Highlights: The huge psychological warfare that went on during the battle.
Overall Enjoyment Value: 8/10 (Excellent)
With episodes like this, where one fight basically takes up the entire episode, I just can’t help but wonder why it felt so awesome here, and yet when series as Soul Eater stretch a fight-scene, with their far-superior animation, it feels like a chore to get through (for me, at least). I think the big difference is that the talking in Blade of the Immortal has a very important meaning to the fight, and this episode also shows that the psychological aspect is very important, while Soul Eater instead try to increase their length with an explanation that’s just good for a bit of background, and never adds anything to the characterization.

In any case, this episode was probably the best one of the series so far, mostly thanks to Makie and her fascinating character, who’s standing between her own values and her love with Kagehisa. This episode really showed me why she’s this series’ strongest warrior: not only is she very proficient with her weapon, but she also makes optimal use of the environment she’s in, compared to Manji, who’s just good at hacking and slashing his victims until they go down, and uses his persistence as his main weapon.

I also really like what Rin did, at the end of the episode. She’s very mature for her age: she realized that for her revenge, she killed many people, she acknowledges it, and yet she stands firm to her decision to avenge her parents and go through with the decision she made. This episode showed that she had a lot of doubts when confronted with it, but I really like that she was able to use this as another look at the spectrum, and went on to help Manji.

Posted on 20 October 2008 with categories: Blade of the Immortal



Short Synopsis: The Ittou-Ryuu now starts sending women after Manji.
Highlights: This show can both be funny and romantic if it wants to.
Overall Enjoyment Value: 8/10 (Excellent)
Quite a unique episode for Blade of the Immortal. Manji and Rin are purposefully kept in the background, in order to focus on some of the other characters: Kagehisa Anotsu and a new one: Makie Otono-Tachibana. There was a lot of dialogue between them, but if I picked up things correctly, the two of them have a crush on each other, but aren’t in an official relationship. Makie is a Geisha who seems to work for the Ittou-Ryuu in order to make money, but I’m not sure about her exact role yet, or who it was that ordered her to go and take care of Manji. In any case, it seems that in this episode, Makie finally managed to cut whatever ties she had with the Ittou-Ryuu, or vice versa. I think that Kagehisa just tried to love her because of her combat skills.

The fact that this episode focused on different characters also had another very nice result: there was a bit of time left to flesh out Manji and Rin. Really, Manji is getting ruder with every episode, and especially their banter about Manji’s sexual escapades was pretty funny, and how Rin tried to take that too seriously. It was a bit awkward to see that from a fourteen year-old girl, but then again: Rin didn’t exactly grow up normally, having witnessed her mother being raped and all.

I also loved the directing-style of this episode. the animation is still not really impressive, but especially in this episode, the creators really made u for it with some very nice poses and visual imagery. It works especially well with the already excellent sound of this series.

Posted on 6 October 2008 with categories: Blade of the Immortal



Short Synopsis: Shizuma asks the help of a familiar character to get rid of Manji.
Highlights: Rin.
Overall Enjoyment Value: 8,5/10
Ah, I’m really beginning to see where Bee-Train plans to go with the first 13 episodes of this series (who knows how long it will be in the end?). Its general rule of thumb is “don’t introduce any complex or complicated plot-twists or character-development unless the characters are developed”. And indeed, this series so far has been mostly action-scenes, and fleshing out Rin and Manji. At the same time, we also already get a bit of a taste of the major characters of the later arcs. I don’t know exactly how much of the manga Bee-Train changed, but this does explain why the plot has felt relatively simple so far.

And albeit slowly, the plot is definitely moving. Shizuma doesn’t turn out to be a major character at all, because in this episode he dies. Same as the old grandmother who delivered Manji and Shizuma their worms. That by the way was about as untypical as a major death in anime as you can get. There was no blown-up drama. Shizuma just stepped outside of his cottage, and when he stepped back in, he already killed her with his poison. I was surprised to find out about her grandchild, by the way. At the end of the episode, it still lives, so I’m curious whether it’s going to appear again.

In any case, I keep getting more impressed by Rin, who’s turning into much more than just a damsel in distress. Even though she’s nowhere as strong as the other guys in this series, she does what she can in order to help Manji. And even when she does get captured, these raw emotions of fear are very nicely portrayed. And at the end, she’s able to set herself past these traumatic experiences. You can really see her mature.

Posted on 22 September 2008 with categories: Blade of the Immortal



Short Synopsis: This episode fleshes out some of the members of the Ittou-Ryuu
Highlights: The ending.
Overall Enjoyment Value: 8/10
So, the Ittou-Ryuu has its own enemies too, and this episode shows them as they get rid of those who are in their way. The first seems to be some sort of ronin, the second one looks to be a merchant. I didn’t quite catch what exactly it was that made them anger the Ittou-Ryuu, but they served as nice material to flesh out Hyakurin and Giichi, even though interestingly enough, the two of them don’t seem to be this series’ main characters. In fact, we haven’t even met two of the more important characters of this series yet.

This episode also properly introduces the monk, or Shizuma Eikuu, as he tries to get rid of Manji in the second half of this episode. The guy’s an immortal too, and he’s been living for 200 years, and he actually tries to get rid of Manji by hitting him with a poisoned dagger. What striked me the most was at the end, when Manji is actually writhing in pain, because his worms don’t work, and especially Rin’s voice-acting was excellent. Her voice-acting was powerful, without being melodramatic. Her voice-actor did Kakunojou from Bakumatsu Kikansetsu Irohanihoheto before, which was another roe that sounded great and that was set in the Japanese history.

Posted on 9 September 2008 with categories: Blade of the Immortal



Short Synopsis: Next up: the swordsman who walks around with Rin’s parents’ sword.
Highlights: This series quite possibly has the fastest-paced start of any Bee-Train series so far.
Overall Enjoyment Value: 8,5/10
Ah, screw the manga that this series ruined. I might end up reading it as soon as the series is over, but for now I’m really enjoying this series, manga or no manga. You can really see that Bee-Train is trying out something new, and it working out really well so far. It’s amazing to think how much has already happened in this series, especially since in your average Bee-Train series, the first ten episodes are spent fleshing out the characters instead. The past five episodes, though, have kept pushing the storyline forward.

What I really liked about this episode is that everything just happens with minimal exposition and yet it works. This series knows what it is, and is built around its action-sequences. And okay, so the action-sequences themselves are rather dull, everything around them rocks.

The guy from this episode, Magatsu, is one who thinks he’s special because a samurai killed his sister in the past, up to the point where it almost sounds like he’s proud of it. He never really learned to let go of the horrible experience, to the result that it continues to haunt him even though it happened decades ago.

As it turns out, a major theme in this series is acting out of impulses. Rin was already guilty of this, but in this episode Manji also shows that he can be quite the impulsive bastard, and go running off without notifying anyone. This episode also shows that the Ittou-Ryuu have more enemies than just Asano Rin. This could become interesting.

And I’ve also been wondering: why do the eye-catch and the ED show the characters in a modern setting? Could the creators be planning to set the second half of this series in modern times? Did this happen in the manga as well?

CHANGE USERNAME
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
Kaiser-Eoghan
I will listen to the podcast more in full later. But I was surprised after asking/suggesting it on the discord, that it came so soon.
Kaiser-Eoghan
I am thinking of re-watching gasaraki and ai yori aoshi.
Kaiser-Eoghan
@Niello: Perhaps after a while of watch the anime I will simply jump on to the manga.
Vonter
I watched Resident Evil: Vendetta yesterday. It's incredible dumb but kind of fun. I do wonder if in terms of entertainment are like the best videogame based movies. Since it plays like a videogame, it's based on a videogame and is more or less in line with the tone the series has had for a while.
niello
It's such a shame that Golden Kamuy art direction is such a train wreck.
KTravlos
and for the sake of Clausewitz there is clinical term for what Reinhard did. It is called "defeat in detail". Napoleon was a master of it. Proper way to defeat it , is to order the threatened force to retreat to a point where other allied forces are converging. The enemy will either have to retreat, or fight at a disadvantage. The 1813 and 1814 campaigns against Napoleon are examples of that.
KTravlos
Episode 2 of LOGGH: Der Neue Thesis was much better than the first. The music is still an issue, but Yang was well portrayed. I do think there is lack of the directors in showing the cruelty of war, like the first one did. We will see.
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Featured Posts

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

9 years. It has been almost 9 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

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If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

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Megalo Box – 2 [The Man Only Dies Once]

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Darling in the Franxx – 13[The Beast and the Prince]

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Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

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Three episode coverage this week as many things got in the way of my casual blogging, the much late preview being one of them. I must say that the last few episodes of Franxx have been quite strong as we have had a string of character development episodes which have really fleshed out the cast. […]

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Kokkoku – 42.5/100

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