Posted on 29 September 2011 with categories: Anime Reviews, Blood-C




Blood-C is a very difficult series to recommend. The thing is that this is one series where if you like it, you’ll like it a lot. However, if you dislike it, you’ll grow a deep seated hate against the main cast of this show. I belong in the camp of the former (hence the high rating for this review), but I do want to give out a warning, because this is a rather hard series to get into.

For starters, at heart Blood-C is a mystery horror series, with a high emphasis on building up and atmosphere. It has the building up pacing of a Bee-Train series, but differs completely in the characterization department. What this means in practice is that the entire first half will be spent on nothing but very mundane daily life, intermixed with various battles and action scenes, with very few hints towards the overall storyline. The characters all are very mundane and by far the weirdest part is that this show for a long period of time hardly ever tries to give them some depth. Instead, they’re just like the random people you might run into in a class room or on the street. Oh, and the characters have strange tendencies to make weird decisions at times.

Now, I refuse to spoil the exact how and why of things, but the second half is where this series really shines, and slowly begins to uncover its mysteries. Its plot is so constructed that as a viewer, you can be able to figure out what’s going on by yourself, but even then the final episodes in which everything is revealed pack a great punch and justify a lot of the weird things that happened throughout the series. If, at least, they didn’t get on your nerves too much. The thing is, that that is very easy, and as soon as this series loses your suspense of disbelief with it (which is rather easy with annoying characters), the atmosphere also stops being captivating, and you’ll be even more bored.

It does remain a wonderful atmosphere though. The creators make excellent use of the soundtrack handed to them, and the storytelling combines gory horror together with classical Japanese horror, which tries to capture its viewer through its slow storytelling. Especially the juxtaposition between the very mundane slice of life and the intense fights creates a wonderful tension that can be cut with a knife as the series goes on.

Also, the action scenes. Blood-C really sets itself apart through these things, and they are absolutely brutal and really well choreographed. Instead of the usual shortcuts, Saya is fully animated as she struggles with all sorts of blood thirsty monsters who make it a huge challenge to be actually beaten. The animation in the first number of episodes in particular is just absolutely wonderful, but even in the latter episodes as the budget dies down, the creators still aim to tell as much as possible through the action scenes with as much life-like animation as possible. The gore also is gore on a completely different level in this scene. It absolutely spares nobody. Usually when people die, the camera conveniently focuses on a different shot. Not here: here we can see all of details. Or at least, in the DVD versions we will.

There are a few acting problems here and there, and in particular the characterization has some major flaws in not trying hard enough to flesh out the cast, but overall I really liked this show for what it accomplished, and for the huge risks it took. This really isn’t for everyone. If you find yourself not able to get into the atmosphere because of the characters, then it’s very likely that you’re not going to enjoy this series. If you do however, you’re in for one heck of an intense ride.

Storytelling: 8/10 – Hard to get into, but excellent atmosphere, excellent sense of mystery and build-up and great plot twists.
Characters: 8/10 – Leaves things to be desired in the characterization department, but nevertheless an enjoyable cast that especially gets interesting near the end.
Production-Values: 9/10 – Absolutely wonderful animation and action scenes. Production IG really are un-matched when it comes to hand to hand combat.
Setting: 9/10 – A great concept, great ideas behind the whole story, and it’s great to see how many risks this show takes for the sake of its plot.

Suggestions:
Kurozuka
Gilgamesh

Posted on with categories: Blood-C



So that was both an excellent ending an an excellent hook for the upcoming movie. The whole story of the village is wrapped up nicely, while the main villain is still alive and proving to be an awesome foe for a movie storyline.

And heck, I’ll say it: for me this was the most emotionally intense ending of the season. I mean, gore is one thing. Gore animated by Production IG is of a whole different level. This episode was incredibly disturbing in how this episode surpassed the previous episodes. Even when censored it was hard to watch, so imagine what the DVD version must look like. The animation and especially the choreography made it one heck of an intense ride.

My one complaint of this episode was that I still don’t get why the extras never suspected anything. I mean, I can understand that they all used this as a last resort: we’ve seen what the main bad guy can do: grant certain kinds of wishes. The main cast was lured in with their magical bells, but how were the extras prevented from just running away? Were they just not informed that their counterparts died by clever logistics?

Overall, I have a message for the ones who hate this show, and yet decided to keep watching it: this is a series that heavily relies on its atmosphere and suspense of disbelief. If this series manages to successfully suspend your disbelief, it will be able to build up an awesome horror atmosphere that never lets up. If this series doesn’t manage to suspend your disbelief though, you’re not going to get anything out of this series. It’s flawed storytelling in the sense that the creators made no back-up plan in the case that your suspense of disbelief was broken (which granted was rather easy), but bad storytelling? Nah, I disagree with that.

Especially after this episode explained the entire series. I love the ideas that the creators put into the overall plot. It had some often used Clamp tropes, but there was more than enough to set itself apart. The whole idea that the happy and simple minded Saya was just a creation of the main villain, and was what he wanted her to be is especially an idea that worked really well with me. Especially now that we got to see the real Saya. The entire series was an attempt to get her away from that persona of her.

I wouldn’t call it character development, but what I really like about this episode is how it gave the main side characters a totally different meaning. Saya’s “father” suddenly became someone who is the closest to who she really is, and Yuuka was a nice subversion of the high school girls you usually see in fiction who look way too old for their age.

There are also still plenty of mysteries left for the movie to solve, but what I’m particularly intrigued about is Saya’s background: this entire series teased us with such a false persona, and the movie will be a great chance to really get to know her, and find out why she can’t kill humans, or what makes her want to kill humans so badly.

There were things that this show did wrong, but here is the thing: this show took risks. Huge ones. And for that, I really appreciate it.
Rating: *** (Awesome)

Posted on 23 September 2011 with categories: Blood-C



It’s not like I can’t understand the hate behind this series. I myself am incredibly biased against overacting moe stereotypes. so any build-up of atmosphere or character gets lost on me for those shows (that’s also why I am not going to bother with The Idolmaster no matter how good people say it ends up to be). But found this episode to be amazing.

I’m really glad to see that this series knew how to build up. A major problem of mystery series is that they are excellent in asking questions, but rather straight-forward in answering them. This episode revealed the nature behind this world, and it did a wonderful job at it. The backstory of this show is very imaginative. The previous episodes hinted enough to it, but this show really has a unique role for its main character, and in particular the side characters, even though they took a huge risk with it.

I mean, the drag turned out to be a major part of the plot: Saya herself just wouldn’t remember, and so the side characters all got sick of waiting and pretending to be stock characters. Saya staying the same: also part of the plot: the whole point of it was to see whether she could do that. I especially love how just about every character has been putting up a huge act in front of Saya. I mean, I saw that coming, but not in this magnitude. Seriously, in terms of overall plot, I’d say that the balls of this series this season are second to only Penguin Drum. I love the shows like these that take risks like this.

With this, I can really forgive the wait. I mean, I dislike series that focus too much on building up, but I absolutely love the kinds of series that just build up to one climax, and make that count. This all came together wonderfully. My one complaint is that at times the acting was a bit awkward. Mostly when characters started yelling, it wasn’t the most believably drawn.
Rating: *** (Awesome)

Posted on 16 September 2011 with categories: Blood-C



Here is the thing, I have to confess something about this series. I can understand some of its flaws. The characterization does leave a lot to be desired.

And yet, I find myself invested more emotionally than any other summer show aside from perhaps Penguin Drum. And it’s like that for nearly every episode. Because of that I just keep trying to describe why I’m exactly like this. But the thing just is: this show is simple, flawed, but I love every minute of it. And on top of that, unlike most of the other shows this season, it actually looks to head into an excellent conclusion. It’s been promising this from day one.

This episode, well it had it coming that some of the things happened the way they did. However, what I consider to be bad predictability is not when you can tell what is going to happen, but rather how and when it will (after all, a good story foreshadows or builds up its plot twist). The way in which the teacher broke the illusion was a gripping way to do it, especially with the use of the books. The whole scene in the cafeteria also had something really surreal about it. After all that carnage, Saya just sits happily in the cafeteria like nothing happened. It all fits into all of the other moments where she just felt… distant.

Call me a horror fan, but I again loved the fights and the atmosphere here. It’s not even the gore that gets to me the most, but rather the build-up and the constant tension, the slightly surreal setting and the brutal gore strengthen it even more for me.

And of course, I agree that simply being different does not necessarily make you good. A leap-frog getting drunk in a graveyard is different, but also terrible. However, it definitely does help!
Rating: *** (Awesome)

Posted on 9 September 2011 with categories: Blood-C



Once again Blood-C delivers an absolutely stunning episode. As if the previous episode wasn’t bad enough already, this episode goes even further.

Usually when a large amount of people need to die, you often just see one big explosion or otherwise very destructive thing, followed by a heap of dead bodies. That latest episode of Number 6 is a good example of that. This however was much, much more nerve wrecking as an entire classroom gets murdered out, and we actually see the monster maul each of his victims separately. This creature just kept chipping away everyone until there were just two people left. Now that was incredibly intense. With this I’m also sure: this series has the best fight choreography of the entire season. It’s a shame that the animation couldn’t remain as good as the first episode, but each action scene still is incredibly well crafted.

The thing with Blood-C is indeed that its cast lacks complexity. But dear god, for me it throws around more and more things that just completely make up for that lack. I mean, i like character development and all, but it’s not as black and white that I only like characters with character-development, and hate the ones who don’t. I’m growing more and more fond of Saya, and the biggest reason for that is how the mystery uses her. This really is one of the few series of the Summer Season that isn’t rushed, aside from Penguin Drum and Natsume Yuujinchou, and BY GOD it shows. Heck, I’d even argue that out of all of the series that are going to end this month, this one is the one I’m looking forward to the most aside from Steins;Gate.

The second half of the episode again had me on the edge of my seat because of this. The horror here too was very effective in just building up tension, and using the build-up of the entire season. Bit by bit throughout the series, Saya remembered a bit more and we’ve now reached the point where the inconsistencies really start to show, and she’s finally starting to think for herself.
Rating: *** (Awesome)

Posted on 1 September 2011 with categories: Blood-C



You know how often action series like to set themselves at high schools? You know how often the bad guys just ignore the most perfect targets of high school students? Yeah. This show realized that too. Holy crap that was intense! This is horror! The pacing still was excellent and the portrayal of the cast as ordinary high school students is really paying off now!

I’d also like to direct you to this interview, of the director of Blood-C and the director of Blood+ (and who has been pretty much writing every installment of the franchise). That, combined with this episode took away all of my doubts for this series: this is gonna be awesome.

The interesting thing is that the Junichi Fujisaku fully intended this Saya to be different from the Saya of Blood+ and really intended this series to make use of its creative freedom. And I have to agree that this so far has been an awesome way to expand upon the Blood Franchise. Heck, the director was intentionally planning to make the series END, while still leaving open room for the movie which will be completely different, which is EXACTLY what I’ve been hoping!

As for why I didn’t mind this series in the beginning, even though I have given up on series who started with very bland characters. For one, the execution really helped: for me, Blood-C immediately had a really tight atmosphere, and used its flashbacks combined with its battles really well to build up a sense of urgency for the cast. It puts them in a context and made me interested in what this series would look like when it really fired off. Compare that to R-15 or Baka To Test to Shoukanjuu Ni, which were just slurs of bad acting and jokes that didn’t work, with nothing that really caught my attention.

All in all, I do not think that the characters in this series are badly acted or portrayed, like for example what happened with Uta Prince and Kaitou Tenshi Twin Angel, which both did try to tell some overall story, but completely lost me on how completely stupid they were. Saya herself may not be smart, but this is on a different league compared to the stupidity of the shows mentioned above. The acting here is restrained, instead of characters trying to act all over the place in the hopes of catching attention. Those are the characters that I find to be the most obnoxious the most often.

Overall I like the way this show did its cross-overs. Interestingly, it’s not the only series to have done that this season, with Blade and all. The best cross-overs can really enhance both shows and add some new things and introspectives, while being excellent stories that are still watchable on their own, no matter whether we’re talking about in-universe cameos or alternative universes. That’s why I’m not a big a fan of the Votoms alternative movies: they felt rather random and didn’t seem to add much depth to the Votoms franchise and they weren’t really interesting to watch. Same for the Precure All-Stars movies: I found them to be rather boring and they didn’t really add anything significant to Heartcatch Precure.
Rating: *** (Awesome)

Posted on 26 August 2011 with categories: Blood-C



At first sight it may seem that Clamp are just reusing the same things, though they’ve actually succeeded quite well by now in building their own universe. The wish in this episode was the best example of that so far for this series: it’s of the same type of wish as with xxxHolic, Tsubasa Chronicle and Kobato, but instead of just being the same, they strengthen each other and are all different ways to look at the same concept. This episode is all about the nature of wishes: is this one going to be a good or a bad one?

This again was a very powerful episode, as it revealed that Saya’s father had pretty much been deceiving her. It’s also where the build-up of the earlier episodes comes into play again, and nothing really turn out what they seemed to be. If the earlier episodes would have immediately stated this, this revelation would not have been as powerful.

On the animation front, it is a bit of a shame that the creators couldn’t hold on to the amazingly fluent animation of the first few episodes; probably due to budget issues, but I’m glad to see that they’re still trying. Especially when that giant swordsman attacked: you could actually see him put his weight into his blows (Saya really needed her supernatural strength in order to be able to defend from forces like that!), and he really felt like he made an impact on the scenery whenever he went, destroying just about everything he stepped on, rather than just leaving giant foot-prints like a lot of other shows like to do. The attention to detail still is abundant.

Also, and this is something I just realized while up this entry… we have a dog who is the owner of a shop who sells wishes… voiced by Jun Fukuyama. Could it be? I’m getting some serious Kobato flashbacks here.
Rating: ** (Excellent)

Posted on 19 August 2011 with categories: Blood-C



Holy crap! When was the last time we saw such uncompromising villains? I mean, being monsters is one thing, but this was just something of a completely different level: once they determined Saya to be a threat, they actually wasted no minutes in not just going after her friends, but also outright murdering them, and actually succeeding. These guys are definitely something else. Saya may succeed every time in killing them and all, but every time they manage to take people with them. They’re terrific in actually posing a threat, rather than the usual villains we always see who are either morons, or fail to kill off the important characters due to them being important characters.

With this, I also understand the reasoning of the creators to make Saya’s friends this bland. They could have pulled extra background, like dead parents, or complex back-stories, but the whole point of the slice of life series was for Saya to live a normal life with the only thing special about it the small details, like happening to live next to a baker who sells exotic sweets. It indeed was all for build-up, because that same tension could now be cut by a knife during the aftermath of Nono’s death. The atmosphere during this was just terrific, as it progressed with the same slow pacing as it has ever had.

It’s definitely a different way of building up the cast compared to the other end of the extreme: No.6, which tries to stuff as much details into its characters as possible. Blood-C instead depends a lot on the things that aren’t said. They’re both very tricky to really do well. At the moment I’m convinced that No.6 is going to nail its attempt. As for Blood-C, I don’t want to say that yet, but that’s only because I remember what happened to Sengoku Basara. The thing however, is that Blood-C is so far much, much better in keeping up and building its atmosphere, compared to Sengoku Basara who just kept on building up and building up, only for a few really good episodes and an ending that disappointed.

For a long time, this is also why I don’t minded Nurarihyon no Mago’s strange turn in focusing more on Rikuo’s friends: they were just spending time together, having fun and nicely fleshing out their characters without actually developing. The big problem with that show however is that all this build-up never really paid off. It was just… there, getting in the way of just about everything else.

I don’t mind a really slow pacing, as long as it’s used consciously. Blood-C has kept showing that it is one of those series, albeit in an unorthodox way that definitely isn’t for everyone. Only now it has been hinting at background, which really shows that it’s planning to reveal its background at a very late stage. That can work too! There have been tons of great series that build up a ton of intrigue and ended up closing off wonderfully by wrapping everything up. This isn’t a manga adaptation, so the creators know full well how much time they have. The big question right now is who they’re going to use the movie in this. The point is that it will take a long time for that movie to arrive. It’s therefore crucial for this series to really have a good and satisfying climax at episode 13, or otherwise the wait will just be too long (like what happened with Eden of the East, for example).
Rating: *** (Awesome)

Posted on 5 August 2011 with categories: Blood-C



Yeah, this is horror, a genre that I’m a big fan of because of how well you can build up in this genre. It’s not just the fights that are amazing, but all of the quiet moments together quietly build up a very tight atmosphere. The more I watch this series, the more I’m beginning to think that Clamp intentionally made the slice of life scenes as empty as possible.

This episode, things are a bit different, though. For once the formula is broken up by having a fight in the first half, and second of all the second half starts as quiet and random as ever, but then slowly builds up a ghost story about the background of the village. Again, it’s not just a matter of randomly yelling “the village has monsters who eat people!” -it’s all about storytelling and that same atmosphere.

The big question for this series is really whether it was properly balanced. All this build-up is wonderful, but a bit pointless if there is to little time for the actual climax, which is by far the biggest pitfall of shows who take too much time building up. With this kind of story though, this series can really pull things off if it just keeps building up its atmosphere. The ending here is going to be a crucial one: last year I expected similar things out of Sengoku Basara II, but unfortunately the ending there was ultimately disappointing. The big difference for me at the moment however, is that Blood-C has made every episode worth watching so far. At this point I’m not watching the quiet scenes just to get through them and get to the action scenes, but instead they’re part of the overall atmosphere now. Without them the action scenes wouldn’t nearly have as much impact.
Rating: ** (Excellent)

Posted on 29 July 2011 with categories: Blood-C



Holy crap! The fights here just continue to get better and better. This episode once again upped the antes, with some stunning results. It really had me at the edge of my seat the entire time.

There of course was the danger of this series falling victim to the syndrome where the biggest budget is spent on the first episode. And I guess it is true that the animation is not as fluid as we saw in the first episode, but even taking that into consideration the action scenes are just stunning. This episode really surprised me at how far it went with its gore until the censors went crazy. The way the bodies of those fishermen (or whoever they were) moved when they were devoured was really well done, but the rest of the fight as well was just one giant struggle.

A big problem with this series is that the dialogue during the quiet bits isn’t that… interesting. Still, I don’t mind that at tall. One reason is because at this point I’ve got enough patience to wait until the good bits, but the other is that for me this series is really succeeding in building its atmosphere. The slice of life bits are really, really simple, but the atmosphere they create that way in combination with the contrasting dark parts of this series has really caught me in.

I also wonder: this series so far has really outright refused to share any background on just about anything that Saya has been doing. When will this be revealed, or is that going to be the task of the movie? At the very least Saya is something supernatural and that dog is no ordinary dog, but I do wonder when this show is going to start with its background. It’s rare for a series to have so little exposition in its first four episodes.
Rating: ** (Excellent)

CHANGE USERNAME
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
Amagi
I mean there are parts I like. I enjoyed the first episode, and the part about the country of liars. But many other things annoy me and the last episode was the worst. I also feel like the edgy bomb loli and slapstick Kino don't fit to the rest of the show somehow. Maybe I forgot everything, but the "old" Kino felt like a better character to me somehow, this one is more faithful to the LNs though
Amagi
@Kaiser: I honestly gave up on Kino and I think it's only partly the fault of the new series. I am just so tired of how stupid most of the episodic-characters are unless their are friends of Kino, how everyone gets bent being irredeemable evil for plot's sake and how everything Kino and her friends do gets justified. Maybe I am just too old or boring for this fairy tail like moral bending.
SuperMario
Still have Night is Short review to write... i will get there. I will get there
Anonymous1612237
It's like having potty mouth characters. If you have one, it can be funny and a good comedic relief. If everyone does it, it can come out as mean spirited or trashy.
SuperMario
@Kaiser: I haven't watched A Bad Idea Gone Wrog, as for now my top priority is to catch up with 2017 anime for the Yearly summary. But I will get on to it when I have some free time
Anonymous1612237
Amagi - Chibi stuff I've seen it mainly work in anime comedies with low budgets like Those Who Hunt Elves, Ranma, Excel Saga, Arakawa Under the Bridge, Nanbaka, etc. I think if you really have to use it in a more serious anime, I think it might work if it was part of one character's gag.
SuperMario
Children of the Whales, along with Juuni Taisen, keep falling out on me. Kino is pretty a hit-or-miss at the moment. I don't mind the last episode's multiple tales though
Niello
Problem about AMB chibi jokes are that they arwn't funny in the first place nor do they have a punch line.
Niello
@Eoghan, Really surprise you put Children of the Whales so high, I'm falling behind on some shows but it is still near the bottom of my list (the absolute bottom remains Kino).
Kaiser-Eoghan
The latest Kino episode was a real slap in the face/insult, really really thought that one segement would carry on for the whole episode and be a redemptive one/getting the series back on form but then it followed it up with crap comic relief segement.
Kaiser-Eoghan
@Lenlo: For now yes.
Lenlo
Droppin Mahou Kaiser?
Kaiser-Eoghan
I no longer care what Dia's gender is, no longer I will lie to myself and deem them female.
Kaiser-Eoghan
5. would be juuni taisen
Kaiser-Eoghan
My rankings for the season based on what I am following: 1. Houseki no kuni 2. Children of the whales 3. inuyashiki 4. girls last tour dropping mahou and Kino.
Kaiser-Eoghan
I don't remember Joseph being all that present from what little I read of the manga.
Amagi
Fear so too. I mean it has a bunch of good ideas and good quality and such, but it feels like it won't be much more than the magical being of the week (or two weeks) and some Elias highjinks inbetween
Kaiser-Eoghan
I still say, I've got the feeling mahou will be wasted potential that won't really go anywhere much.
Kaiser-Eoghan
@Mario: Did you watch that indie film you recommended yet? Bad idea gone wrong it was called. I just finished it there, budgetary limitations and outside of Matt Jones the acting isn't great, theres a few limp/dead bits too, nonetheless it has its amusing moments here and there to make for an okay comedy that isn't all that essential but amusing enough in moments if your bored.
Amagi
Yeah I think Mahou has some pacing issues. But I also think it would work way better if it was less episodic or semi-episodic.
SuperMario
I normally don't mind the chibi stuff that much but I agree in Mahoutsukai they break the tone and pacing. Serious at one time, fluffy at another...
Amagi
@Vonter: I honestly never like chibi stuff I think. Didn't care back then but nowadays I consider it annoying. One reason is that jokes only work when they aren't pointed out but just happen, sometimes even so casually that you almost miss them. Turning everyone into a chibi for a joke makes it as fun as repeating, explaining or shouting it again (which many series also do)
KTravlos
I have to give it to Altair. It got me reading the manga. The episode this week did skip over a whole manga story, but to be frank it is not too much of a loss. Pacing issues still exist. One thing I noticed was a degrading in animation. They are probably hoarding for the next two episodes which are the major battle.
Anonymous1611511
Just dropping my 2c here: Isn't it too late for the studio to correct such inherent design issue once eps start rolling out?
Kaiser-Eoghan
@Angel: The dub wasn't all that impressive in the first place however.
Angel
When Will fate/kaleid liner prisma☆illya 3rei dub come out?
Vonter
The chibi stuff sadly, is like watching someone make the same mistake over and over again, without acknowledging that thing isn't coming across well. At this point it seems like an intentional choice rather than just cutting corners. Kinda like when an anime has a decent dub but has that one character with a really annoying voice.
Lenlo
Its continued this willful ignorance, this virtual refusal, to actually address the issue. Thing about the chibi is, the first scene with Silver worked. Then it just got overused.
KTravlos
Mahoutsukai continues denying itself. We finally had some tough questions asked, but the show just ignored them in the 2nd half (with generous doses of chibi). That said Elias true form is terrifying.
SuperMario
@Kaiser: If you enjoy The Scent of the Green Papaya and Cyclo, you can also check out his unofficial third film about Vietnam: The Vertical Ray of the Sun, which is about the modern day of Hanoi. It's my favorite film of his, although I know that artistically it can't compare to his earlier films
SuperMario
And I can say the mafia aspect of Cyclo is more like Hong Kong than Vietnam. But, whatever. I like this one well enough
SuperMario
@Kaiser: I particularly love the score in Cyclo. No wonder later on Tran Anh Hung asked Joony Greenwood from Raidoohead to score his films. His score has the same uncomfortable feeling with this one
Kaiser-Eoghan
I would have watched an entire story based around that old man in the new Kinos journey episode.
Kaiser-Eoghan
@Mario: Though while I never found it boring, it did feel it could have had a better narrative.
Kaiser-Eoghan
@Mario: Cyclo I felt has some reasonable sketched characters and the aesthetic sells the viewer on the environment the characters are living in, Tony Leung was my favourite in it, I also like how some Asian films are able to mix quietness with moments of violence, makes it much more visceral.
SuperWooper
I'd lean towards weirdest thing you've ever seen. It's certainly up there for me.
Masky
...I can't figure out whether Sengoku Jidai with batman is weirdest thing I have ever seen or makes completely perfectly sense and was inevitable it would happen
K-Off
The map design should've been vastly more different, I'd love to hear why they thought it was worth it to keep the same maps as Gaiden. So. Much. Open. Fields.
K-Off
Finally got to playing Fire Emblem Shadow, and 15 hours in I'm already not a fan of the gameplay. The story is vastly superior to Gaiden, but it looks like it missed the point on how to make a good remake. The maps are just as god awful as in Gaiden and for it, (in hard mode) it feels like a game of numbers rather than strategy.
Kaiser-Eoghan
@Mario: I feel drama need not always go for emotions in the audiences but can be effective in a solely cold observational sense and approach.
SuperMario
haha you don't need to spy you know. Like I said Discord chat has been active lately. I find myself more comfortable chatting in there for some reasons.
Kaiser-Eoghan
I spy on the discord chat sometimes
Kaiser-Eoghan
Worried about this Junji itou adaptation thats coming up, hope it isn't one of those zero animation web-short series.
SuperMario
@Kaiser: he still has Flashmob in which he intended to make. Yeah, he started his career quite late but he has had a very successful career
Kaiser-Eoghan
@Mario: Potentially could be his last film, he is quite old.
SuperMario
Agree that Happy End has many quirkier moments compared to his other works. Still a solid work but I won't rank it amongst his best
SuperMario
@Kaiser: Watching Happy End, you can immediately realize many of Haneke's favorite themes: the voyeur/camera in Benny's Video, Cache; the latent racism like you mentioned, the idea that killing someone you love is better than watching them suffering, the underlying violence in a normal middle class life in most of his works
Kaiser-Eoghan
@Mario: Like with code unknown, its approach to latent rascism is far better handled than for example a terrible hollywood oscar bait drama would handle it.
Kaiser-Eoghan
@Mario: I felt though had the film been a bit longer, Huppert and Jones could have gotten more scenes, same with Franz Rogowski's character.
Kaiser-Eoghan
@Mario: I did however think that the disjointed nature of the earlier parts were both to the advantage and disadvantage of the film. But it delivers a killer of a last act that I loved.
Kaiser-Eoghan
@Mario: I finally got around to seeing happy end, I liked the Cache and amour references and how Haneke cheekily managed to insert quirkier moments and even wry ones so seemlessly into the narrative. Fontaine ,Kassovitz and Tringnent had the best scenes, particularly the ones between Fontaine and Tringnent.
Kaiser-Eoghan
@Mario: Physical, non-verbal communication is a far more valuable way of conveying information I believe and more effective in fiction.
SuperMario
Report on Just Because so far: they took on the three-way romance direction, which I initally ain't fond of. But last episode actually was great with the focus on body gestures and natural dialogues, delivering one of the brst exchange the show has this season. A good watch overall
Lenlo
Sadly, the only anime youll probably get like that will be made outside japan, like Castlevania was, and wouldnt be considered "anime" by most of the community. A shame, cause Castlevania was great.
Lenlo
A classic western would be cool. Like Red Dead the anime.
Kaiser-Eoghan
But I am just coming up with fantasizing now.
Kaiser-Eoghan
Even a Raymond Chandler style of story.
Kaiser-Eoghan
I'd also love to see a non-scifi western anime get made now or even an east meets west thing with cowboys AND samurai in it.
Kaiser-Eoghan
Thats a good example Vonter I guess but I probably should have been more clear/clarified that what I meant is that I wanted to see more noir anime being made NOW , I want netflix to back one . I mean the kind of thing where everyone is wearing fedoras and trench coats and its 1930/40/50, shadows everywhere or it looks impressionistic.
Vonter
Kaiser-Eoghan - Monster is a very grounded detective like story. The villain is good and intimidating, some moral dilemmas are poignant and despite being animated I remember it having good direction of photography since the story takes place Germany, Prague, and some other places.
Kaiser-Eoghan
I've only seen bits of wolf rain many years ago, never bothered with it further after hearing the pacing is terrible and it makes an unsatisfactory ending even less worth waiting for.
Total users: 16

Star Crossed Anime Blog

2 User(s) Online Join Server

Featured Posts

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

Dies Irae – 08[Promise]

Netflix has funded thirty anime which will air in 2018 and this has brought concerns over whether Anime as a whole could be westernised in order to cater to an overseas demographic. I find the chances of this unlikely and the more likely result is a more diverse lineup of anime for both Japanese and […]

Mahoutsukai no Yome – 9 [None so deaf as those who will not hear]

Hello and welcome to another week of Mahoutsukai! Lets hop right into it. First and foremost, let’s talk about Chise. As the main heroine of the show, naturally it’s going to focus on her a lot. This week zooms in on her relationship with Elias and what it actually is. Characters and situations comment on […]

Juuni Taisen – 10 [A Tiger May Die, But It Leaves Its Skin]

Juuni Taisen again expands a huge flashback in the middle of the current story, but this one hits all the right notes because naturally its heart is in the right place. It’s episode like this that I am glad I’m still sticking with Juuni Taisen and regain my faith to the overall quality of this […]

Kino’s Journey -The Beautiful World- – 09[Various Countries]

I will likely be spending most of this post talking about one segment of this episode as just as the title suggests, these are a series of stories involving different countries. But before I get into that I must truly question why these particular stories were chosen. I have stated before that I love Kino […]

Houseki no Kuni – 09 [Spring]

Houseki approaches summertime this episode and this week feels like a breather after the intensity from the last few weeks, by that I mean Phos didn’t get into any real trouble by the end of this week. Not to say this episode is anything less amazing compared to last several weeks. One of the factor […]

Inuyashiki – 8 [Mari Inuyashiki]

Hello and welcome to another week of Inuyashiki. We are approaching the end, with only 3 episodes left. The end-game has been revealed, Hiro returns to his roots and Inuyashiki gets found out by someone close to him. Lets jump in! To start off, Inuyashiki tipped its hand this week as to the ultimate ending. […]

Latest Reviews

The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

There are few series which can capture the mystery and wonder of a fantasy world as well as Made in Abyss. Their world is dangerous, brutal and unforgiving but beautiful, wondrous and exciting in it’s presentation. The story is of a ordinary girl called Riko and a mysterious cyborg boy called Regu traveling down the […]

Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]