Posted on 31 March 2016 with categories: Anime Reviews, Boku dake ga Inai Machi

In the large reservoir of anime it is surprising just how few titles focus on the concept of time travel. There are of course titles which feature time travel but few that make it the core focus. So here we have Boku Machi or ERASED, a tale about a mangaka time traveling to his childhood to prevent the deaths of children at the hands of a series killer. This series has some great presentation and direction though it does make it somewhat predictable in how it highlights what’s to come. Predictable does not mean boring though and this tale has a lot of heart. There are a number of great scenes that can play with your emotions and each episode does leave a feeling of dread for a tragedy to come. Though those episode cliffhangers do build up expectations which the ending fails to deliver.The female cast is ridiculously strong with Satorus mother being one of the best parenting figures one could have. Especially seeing as her initial impressions make her seem like a deadbeat parent. What is a shame is that one girl(Airi) in the cast is neglected despite having a great personality.

This is very much a slow paced show and a large amount of the shows runtime is devoted to one of the victims of the killer(Kayo) and Satoru’s efforts to free her from an abusive household. The tale is a moving one but it does push the main plot to the sidelines for quite a while. The mystery while not particularly deep provides the right level of intrigue to keep a viewer on their toes and a motive to keep a close eye on proceedings. There is a good bit of misdirection to keep you thinking and there are nice small touches throughout like the synchronisation of Satorus dialogue and monologue as well as the letterboxing of the past to give the feeling of being an outside observer. Some admittedly is a bit too forward in its execution but there is a lot of minor details that makes the story more interesting.

It does have its weaknesses as a show. Yuki Kajura provided a ill suited and uninspired soundtrack, the pacing can be too fast at times, the “villains” are exaggeratedly evil and to those looking for a smart mystery you will be disappointed. However I believe it’s positives do outway its negatives. Ultimately what decides your enjoyment of this show is your level attachment to the characters. The focus is clearly character driven and if you find yourself not caring for them, I am afraid the plot will not hold anything to compensate. But if you find yourself getting drawn into these character then I believe your experience with this show will be a positive one but remember to walk into it with the right expectations.

Posted on 27 March 2016 with categories: Boku dake ga Inai Machi

As I said before, an ending can change your entire perception of a series and in Boku machi’s case the ending is …decent. I can’t say I have any problems with it and I could consider it good. In all honestly it was hard to imagine a case where we could get an ending better than this considering the circumstances of how the last episode ended. A bombastic showdown between Satoru and Yashiro would be uncharacteristic of the show so far and Satoru’s current state stops them from having any real confrontation. So what it all boils down to is Satoru giving him a mental probing and egging him on to push him off a ledge. All to incriminate him so they can arrest him. Presentation wise, I like it. But when looking at it from a closer perspective I admit that Satoru’s plan looked to require a lot of assumptions. For one, how did he know Yashiro would push him off the roof? How did Yashiro manage to poison one of the medicines used in that girl’s surgery? How did they prevent that from happening? How did Satoru’s friends manage to inflate a cushion without drawing suspicion and where did they get one? There was also issues with the large amount of padding in this episode as it flashed back to scenes that happened not all that long ago.Lastly, no matter how it’s presented, having friendship be shown as the reason Satoru beats Yashiro is cringe worthy. Friends and connections are great and everything but when you outright state that your victory is owed to a little help from your friends then it always sounds lame. The biggest issue of all was the feeling of padding through this episode. The pacing has always been fast but for this episode things slowed down to a crawl as we go back to how Satoru got his memories back, have several sappy unnecessary speeches and reiterate what has already happened in the series. When looking over the episode you can see that not a lot actually happened in it and if this was the case I would have preferred to forgo the speeches and flashbacks for more scenes of the epilogue. One thing in particular that I felt needed much more fleshing out was Airi. It was an odd decision for Airi to be given such limited screentime if in the end she was to emerge the “Victor”. To someone watching the series, Satoru’s reaction to Airi looks to be a major overreaction so putting some extra time in the end for the two to bond under the bridge would have made a better conclusion than ending on an emotional reunion between our main and a character with very little screentime.

As per usual, I tend to check episode reviews on a show before writing these in order to gain an idea on the consensus of what was presented. The end of this show looks to have caused a division in the fanbase. Some express disappointment while others feel satisfied. I went out of my way to watch a youtube video from someone(Who I shall not name) who actively disliked the show. It was interesting to say the least as there were aspects of his argument I argeed with but didn’t see quite as detrimental to the series as he believed. What I found most fascinating was when this person made a comparison between this series and Steins Gate as he looked to deem that flawless while many of his problems he had with this series reflected my problems with Steins Gate. Such as a beginning which made it hard to invest myself in the story or some rather arbitrary rules for time travel.(One of the particularly amusing things I find about Steins Gate is that it’s explanation for Time travel isn’t time travel. It is in fact sliding as Okabe is traveling between alternate realities. Not traveling through time.) Through when thinking about this I noticed that the two shows do hold similarities. Now, I am aware that if you break down a show to it’s base components you can find similarities between virtually anything but still. Both shows hold a lie in its premise. Steins gate being that it alludes to be about a ragtag group taking on a elusive corporation with aid of a makeshift time machine. What it is actually about is a more traditional tale of someone trying to right a wrong after abusing time travel. Boku Machi in turn alludes to a tale about a mature man returning to his childhood to have a cat and mouse game with a serial killer. What it is actually about is more a character drama and thriller with Satoru attempting to right the wrongs in his past. In this regard I believe I see how there are those who were disappointed in how this all ended. Cliffhanger endings of each episode keep building up expectations the show wouldn’t deliver so I think what will determine your enjoyment of this series will depend on which aspects you focus on. I could go further but if I was to be perfectly honest I would state Boku Machi is the stronger of the two; simply because it took less time to get to it’s point. Say what you will but I am sure much of the praise for Steins Gate is for it’s second half and not it’s rather story light first half.

Certainly through all my moaning and complaining you might believe that I am discontent with this series now that it has finished; with that you would be incorrect. I may be acting overly critical but I am still quite pleased with how the series turned out. This may be because I lost interest with the manga over time and found the series kept that interest better than reading the story on paper. If I had a problem with the series it would be with Yuki Kajura because she really did not try with this soundtrack. It didn’t match the series in the slightest. Honestly Yuki; you can do better than this. I also consider this ending to be better to the manga equivalent which was disappointingly anti-climatic. You may consider this ending anti-climatic as well but in the manga we had over ten chapters building up a showdown between Satoru and Yashiro that ultimately gets resolved in a second. I found it rather dull and would swear that the manga was axed at just how quickly it all resolved. In that regard I think the anime did it better. Was there a better way to end this series? Maybe, but I pick the ending that didn’t set up the finale to be more than what it was.

Posted on 18 March 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

When Satoru was almost killed I expected him to survive and I thought that it was likely going to result in him getting pulled out or time travel. What I didn’t expect was a time skip. Satoru was indeed pulled out of the car; however because of the incident he was put into a coma for fifteen years. All the while Sachiko was once again proving she’s likely the best mother in anime; what with her not only taking care of him all those years but even going out of her way to exercise his limbs so that that his muscles aren’t dead from underuse. This isn’t in the episode but there was a point where doctors attempted to convince her to pull the plug on Satoru and her answer was a short and resolute “Fuck you”. Well we are back in a new future and with it we have a massive change in characters and the narrative. A large part of this episode was dedicated to Satoru attempting to regain his now scrambled memory. A nice touch to the episode is that his inner monologue is now narrated by his child self rather than being narrated by his older self. Another nice touch was removing Satoru from the opening. Showing that he hasn’t quite regained his standing. What is likely to scorch many a viewer was the revelation about Kayo who is now happily married and with a child. I admit that even myself am not entirely unscathed by the revelation; especially when the series hinted heavily at them becoming an item. Though personally it makes sense that Kayo wouldn’t wait for a guy she knew only for a short period during childhood and while I don’t look at it this way, it removes the thought that Satoru “won” Kayo. I am sure there are those who could look at this as a Genji Monogatari situation if Kayo ended up becoming Satoru’s wife so at least that notion can be tossed aside and we can see that Satoru truly is just happy to see her living a full life.

Due to hearing that this episode diverged quite a bit from the manga, I made it a point to read up on how the manga dealt with the events in this episode and I can confirm that the anime has more or less gone anime original. Is that a bad thing you wonder? Well truthfully I am uncertain. The manga does expand upon questions of what went on while Satoru was in a coma and the process of him reclaiming his memory is a much more gradual process than the almost instant revelation at the end of this episode. One particular thing I wish was kept was Yashiro’s backstory which a small part was given during this episode’s opening but their is much more to his past. If you are interested then you can read chapter chapter 32 of the manga as it is dedicated to detailing his past. Another thing I wish they hadn’t changed was the change of having Yashiro prevent the photographers from deframing Satoru instead of Airi. Airi encountering Satoru was a big part of helping him regain his memory though I believe the reason it was left out was because it also caused him to slip into a coma again for another year. That and Airi hasn’t had much of a presence in the anime series. But as I said before, this doesn’t mean I think the manga did it better. It is true you get more detail and a more gradual recovery from Satoru but it’s very uneventful. When watching this episode I was already getting impatient with Satoru as it really was just a waiting game of him realizing what the audience already knows. The manga is ten thirty page chapters which are mainly about Satoru recovering his memory. It is long, drawn out and I found myself getting bored as I read. This is good moments in this but if animated I could certainly see people getting frustrated with the almost agonizingly slow pace. I can only imagine how manga readers felt as each monthly chapter moved the plot along at a snail’s pace. The anime pretty much trimmed the fat and gave us the cliffs notes on what happened though the final confrontation is different.

We missed a small cat and mouse game between Yashiro and Satoru as they prevent him from taking another victim and skip right to a head on conflict which is a little bit of a shame. But we do have tension as Yashiro gets closer to Satoru as a friend to likely keep an eye on him. I find it engaging as it tempts the situation of Yashiro saying something to trigger Satoru’s memories or the potential possibility of him deciding to silence Satoru for good. The anime’s pacing is faster and more to the point, perhaps too fast. So you may understand my indecisiveness in deciding which handled the story better. On one side you have a fast to the point version of events which leaves out the finer details and on the other you have a far too slow version which gets boring at points but has far more of a build up. I guess the deciding factor on which approached it the best will be the next episode of the anime as I certainly have no idea what Satoru has planned considering he revealed that he has his memory back to the killer when he’s in no position to fight back. That isn’t the only thing the next episode decides as I have said once before on the finale of Madoka. This last episode is what decides Erased/Boku Machi’s status for the future. Either a must watch classic every anime fan needs to see or it being that show that was really good up until the ending. An ending can change your entire outlook on an anime and I certainly hope that this one doesn’t disappoint.

Posted on 12 March 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

Satoru and friends have saved Kayo and now with very little effort; have saved the other two targets as well. I am a little disappointed at how quickly and easily this was resolved when you consider how long it took to save Kayo. I originally considered this a victim of the anime adaption trimming the manga down to fit the runtime but after having read the manga up to this episode I found that is not the case. The problem was fixed just as fast there and the only major difference is more focus on Kayo which I am glad they cut out. A lot of it was really unnecessary and was more just an additional unneeded epilogue. So one target is saved when she gets a crush on one of Satoru’s friends and starts hanging out with them. The other is saved simply by them hanging out with him more. In regards to this the other two victims feel like an afterthought. Though Satoru is well aware that taking away the murderers targets isn’t going to stop him and one of his friends brings up that thanks to his previous actions; a new girl is now a new perfect target for the killer. So he decides that he will save her as well.

Then we have the wham moment; the point we have all been waiting for. The murderer is revealed to be…Yashiro, Satoru’s teacher. I would shout in glee that I called it if it wasn’t so obvious that many others would be doing the same. If you have been watching close enough it would have been clear that the murderer couldn’t be anyone other than Yashiro and so the obvious suspect from the start turns out to be the murderer. Now, I don’t like beating a dead horse but I must bring up another anime which did this exact same thing in order to get my feelings across; Subete ga F ni Naru. That too had a mystery that ended up with a murderer that was completely obvious. It spent a majority of its time dangling a carrot in front of the viewer when any average person’s logical deduction could figure out just what the carrot was. So why is it that when Subete revealed its obvious murderer I was immensely disappointed; yet when Boku Machi does essentially the same thing why am I am not angry? Well I believe it’s a matter of substance. With Subete, everything depended on the mystery. Truly it had nothing else and if I was willing to rewatch it I would be bored as with the mystery revealed all that remained would be pretentious dialogue and a romance with no payoff or investment. With Boku Machi that isn’t the case. There are plenty of great characters and moments I would love to see again; the reveal doesn’t devalue the events before it. Sure, it’s predictable but boring? No. Ultimately this wasn’t a show that was primarily about the mystery aspect but rather more about the people surrounding it. If anything I am glad they decided to pick someone who makes sense as opposed to making it some background character with little screentime solely for shock value. There is also value in that despite being so sure it was him; this show actually made me unsure momentarily about it at times. As others have said, he was so obvious that many had concluded that he couldn’t be the killer and was just a red herring. Like Satoru we had the facts staring us in the face but the teacher was such a likable guy that we didn’t really want to believe it.

From the moment Satoru entered the car it felt ominous. Really with the nervous tapping of Yashiro on the steering wheel and his increasingly worrisome statements getting a bit extreme you could tell the reveal was coming. It was only a matter of when Yashiro would say the words and when he did, it hit Satoru like a truck. On the reveal I feel the manga’s version of Yashiros face as he unveils it trumps his anime counterpart. The anime made his triumphant smile a bit too much like a scumbag; his smile in the manga was more constrained and with that a lot more disturbing. Admittedly what follows is essentially a villainous monologue about how he couldn’t believe that Satoru was anticipating all his moves and that he may just know that Satoru came from the future. Saying that he respects Satoru for beating him and thanks to his efforts the town is now safe from Yashiro. Though now Satoru pays for that victory with his life which gives some context to the title “A town only without me”. The cliffhanger this week isn’t much of one as it suggests Satoru might die drowning in Yashiros car. We have two episodes left, Satoru has time travel powers that could kick in at any moment and he shouted a line at Yashiro which would certainly have him considering pulling him out to hear what he has to say. I am hoping they elaborate on just why Yashiro is doing all this; they gave hints with him speaking about using illegal methods to fill up the hole in his life but I would like more concrete reasoning. But with the limited time left and a lot of manga to cover that could be a tall order.

Posted on 5 March 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

We come to the climax of Kayos arc and the time when that mother of hers gets what’s coming. Admittedly I would have preferred that the payback was a little more forceful as they essentially cornered her and killed her with kindness. A character like Kayos mom is a difficult one to make deep, as many writers just resort to the minimum effort of characterisation. An abusive parent whose abusive because they are. By making a character unapologetically evil and them being unaware of the right of their actions just spurs a feeling of wanting to slap some sense into these idiotic simpletons. While this shows efforts didn’t quite make Kayos mom a more complex individual; at least it tried to give some logic behind her actions. I truly appreciate that it recognised that Kayos mom had gone too far to become sympathetic by showing the onlookers to be largely unaffected by Kayos breakdown into tears. I now understand just how she came to beat Kayo; namely because of the stress of being a single mother and that Kayo was a reminder of a previous incredibly abusive relationship she had with her husband. But while I understand why she came to do what she did; that doesn’t excuse the fact that she’s beating the crap out of her daughter. I feel her plight is even more apathetic when you consider that we have a perfect example of a single mom in Sachiko to contrast her with. Cry all you like; I am not going to forget that just minutes ago you nearly took Sachiko’s head clean off with a snow shovel. I admit that this resolution to Kayos problem is a little too quick and clean. Though having this all done does serve to benefit the story seeing as the heavy focus of Kayo put the main plot to the sideline a bit too much.

On that note this show certainly is making an effort to remove suspicions from the teacher being the murderer and I find myself questioning it. Before I was dead set that he was the one but now he has become so suspicious that I begin thinking he’s a red herring. He remains prime suspect due to the fact that there is no other characters who fit the bill but that would make Satoru’s view as a father figure quite tragic. The big reveal of a stash of candy in his car compartment almost seems like a dead giveaway but his explanation behind it is so quirky that I find myself believing it. So with Kayo out of the way we have moved on to the other two victims of the killer and I fear Satoru is making a big mistake. He’s continuing as through the pattern of murderers will follow the same path but he has interfered with it. The episode ends with an ominous shot of the girl who previously attempted to fame Kayo for stealing money following Satoru’s friends. Heavily hinting that she may be the next victim. Personality this looks like a fake out as it’s likely the animators thought they needed to carry the tread of ending every episode with a cliffhanger. Chances are she will follow the boys and get involved with what’s going on. Though the chance of her ending up as a new target is quite high. It would act as a perfect wake up call for Satoru to realise how his actions have consequences.

As this episode ends the ever looming question remains. Just how do they plan to cover the rest of the manga in the remaining episodes. We have reached a point where they have too much to cover and yet have gone through the story so much that there’s not enough left for a second season. As I see it we have two outcomes to this. One is that they plan on announcing  a OVA or movie at series end to conclude the series. The other is that they plan to rush the remainder of the content at mach speed. Considering the level of care that has gone into this adaption; outcome two seems unlikely. There is no way they planed out these episodes and didn’t see the issue of the remaining content. That would just be a densely grave oversight. A movie seems like the most likely option and the best one. It would give them the remaining time they need to conclude the story and up the production values. Boku Machi is a show that deserves a worthwhile ending.

Posted on 27 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

A calm episode of Boku Machi this week but certainly a very strong one. The teacher looked to be removing suspicions on him this episode with his efforts to get child services to finally catch Kayos mom. However my prime suspect remains him and if anything I think hes proving his guilt. Removing the camera shots that make him look suspicious; we have some things here linking him to the killer. For one, the kids discovered that the bus they were keeping Kayo in was also being used as the killer’s hideout. Kenya mentioned that the bus was used by the school and abandoned. Which stands to reason that the killer knew that the bus wasn’t being used as well and is connected with the school. The teacher is the one calling social services on Kayos mom; which stands to reason that he’s the perfect person to tip her off about the visits. But then why get social services to investigate in the first place? Well it looks like he isn’t the only one concerned with Kayos situation and Sachiko is involved as well. He might be doing it for the sake of appearance. His knowledge that Satoru had hidden Kayo is also suspicious; it’s possible to come to that conclusion but I feel he was so certain because he knew that they were using his hideout as a place to hide her. You can’t fool me, mister teacher. You are still my prime suspect.

Satoru thankfully takes my advice and decides to trust in his mother after the base is compromised. If Sachiko hasn’t won the award for best mother in anime before this; she certainly has now. Taking Kayo in and giving her all the care in the world made the second half of this episode truly heartwarming. Also a bath scene that wasn’t pandering fanservice. See anime? You can do it if you try. It could be argued that we are spending too much time on Kayo and putting the main storyline to the wayside. Especially as we are reaching the end of the series and still have a large amount of material to cover. I do have my concerns about that but frankly this was an excellent episode. In particular the scene with Kayo crying at the sight of a lovingly made breakfast was truly powerful and moving. Truly masterfully done. The thing that makes it all the more effective is that Kayo up till this point had been very mature child. She never cried at being abused by her mother, or at anything she would have every right to cry about. But when faced with genuine unconditional love, all the barriers she set up melted away and she became a kid once again. I am impressed by that scene and particularly annoyed when Yuki Kajiura wormed her piano song into in and started get me thinking how it’s too damn similar to Fate/zero and that using piano for this scene is so damn lazy and goddamn it Yuki! Gah! Personal gripes with that aside it was well executed scene.

I remain in a strange position with this show. For you see I do think this has been done wonderfully so far and I want to lavish praise on it. But part of me is reserved on doing so because this show isn’t over and I feel if I begin to push it as anime of the season I risk jinxing the remainder of its run. Then there is the big worry, the fact that this anime has been confirmed to portray the manga ending, yet it has only covered about half the manga so far and we have only four episodes left. I am praying in my heart that there is a second season in the works or at least a small series of OVA episodes because no matter how good the execution has been so far, I cannot see the situation of shoving twenty one thirty page chapters of manga into a short time frame ending well. Of course, I want to be wrong on that, I want this to all work out. Well in coming back to the episode we have Kayos mom getting antsy now that Kayo isn’t around to let her take out her frustrations. But this episodes cliffhanger looks like she will finally be getting some just desserts.

Posted on 23 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

From back to the future to back to the past and not a moment too soon. Satoru’s plan is something I find a little strange as despite his efforts to save Hinazuki’s it making it easier for her to get killed. Taking Hinazuki away from her mother is a good call, leaving Hinazuki alone in an abandoned location is not the right call. It’s a little bit of pity that Satoru was stopped before pushing Hinazuki’s mom down the stairs, even if Kenya made a good call in stopping him. That fall could very likely kill her and as satisfying as that would be, it wouldn’t put Satoru in the best position. This time around it’s nice to see the little details as this is Satoru’s third third going through all this and he’s a bit more in control. One really interesting detail is that when the surprise party happened, the reaction from Satoru was more forced than his initial reaction the first time. When looking at his eyes you could tell he was expecting it.

Satoru’s plan this time around was far from perfect and I believe his first mistake was trusting Kenya. Due to my suspicions of the teacher I never quite trusted Kenya, especially with his unusual level of maturity. Also he was eagerly forward to help Satoru this time around and while he did talk with Satoru many times after Hinazukas disappearance last time, I feel like Kenya is aware that this isn’t the first time they have been through this. Personally I believe Satoru has a perfect allie around who would prove to be far more trustworthy and useful than Kenya. That of course is Sachiko, Satoru’s mom. If Satoru sat down and explained everything to her I am sure Sachiko would believe him. She’s had his back before when facing off against Hinazuki’s mother so I have full confidence that she would be behind him if he said it was for Hinazuki. However it is possible that our mystery visitor at the end of the episode is Sachiko. She was aware of Satoru leaving in the middle of the night and she does have a tendency to follow him if she’s worried about him.

I hope so as to see Hinazuki die a second time would be heartbreaking. Over the years I may have found myself distancing my feelings for characters if I was under the slightest suspicion that they would be killed off but Hinazuki holds that factor that makes her endearing. He definitely gives you the feeling of wanting to protect her and I am aware that’s generally a moe character thing but Hinazuki does not hold the traits that often make moe characters very irritating. I would say I good example of this would be the female characters in a Jun Maeda work. Often to make the tragic twist hit all the harder, he makes his female characters as innocent as possible. As a result the girls in his works don’t really act like teenage girls, they act like kindergarteners. Hinazuki is at the age where it would be justifiable to make her act like a Jun Maeda heroine but she holds a much higher level of maturity and intelligence. She doesn’t try to act cute, she’s just loveable the way she is.

Posted on 14 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

Before I begin to talk about this episode, let me soapbox a little about the English title for this series. The English title for this series is ERASED and I really dislike it. It has a rather lazy feel to it and sounds like it was designed to be noticeable instead of having any connection to the story itself. After all this story is not about Satoru trying to erase his past but rather change it for the better. You could argue it could stand for Satoru erasing the current present but that stretching it. The English translation of “Boku dake ga Inai Machi” is “The Town Where Only I am Missing” which is obviously referencing Hinazuki’s essay from episode 2. I feel that’s a better title than ERASED but I understand that it’s not very marketable. So what could be a better title? I am hardly the best at naming things but maybe something like say “String Theory”? There is a theory that could relate to time travel known as Cosmic String Theory and the nature of things being made up of strings instead of particles does seem to match the stories themes of connections to the past and people. However I am absolutely no physicist so the above could be completely misunderstood. I just feel that there could be a better English title for this, even if I struggle to find one. If any of you have a good name, feel free to put it in the comments below.

Well that’s enough of that. First the good news, Airi is not dead! She was saved from the fire thanks to the timely intervention of Satoru and..the manager. I guess it’s nice to show that he’s not a complete villain by having him rescue Airi and even letting Satoru go. But his timing is a little convenient. I can buy Satoru arriving on time but the manager also happening to be around is very suspicious. I mean was he staking out her house just in case? He shows up right on time just to take all the credit and we do know he has a connection to our red eyed glasses friend. Perhaps his timing wasn’t just coincidence? But well maybe he’s just a creepy stalker. After that Satoru is now accused of arson and murder, and Airi is determined to help him no matter what. Which is rather unfortunate considering the episodes end. Airi still proves herself an excellent character, telling Satoru to not get discouraged and see thing through till the end.

We have a new suspect to the list, hinted by the red eyes that seem to appear on various people. Sachiko’s co-worker and freelancer investigator. I am not sure what to make of this guy yet. He’s suspicious in how he was the final person Sachiko talked to about finding out who was responsible for the murders. He’s a likely person to rat her out to the murderer. Or murderers in this case. I am fairly certain that this case is the work of multiple people. That being the reason why the red eyed glasses man’s name wasn’t in the list of suspects on Sachikos friends computer. Our glasses man looks to be the one to cover things up but he doesn’t resemble the abductor featured in episode 1. There could be two or three people involved in this, and I am still betting the teacher in the past is one of them.

Things couldn’t look worse, Satoru is in handcuffs and getting escorted to prison. This episode actually looked to foreshadow this as we have Satoru earlier helping kids fix a paper plane which bring a resemblance to Yukki. And of course we have onlookers immediately assume that he could be a potential pedophile. That’s the problem with being a man sometimes, if you act remotely nice to a kid then people automatically assume you are a pedophile. Of course, we have certain individuals to thank for that social prejudice, don’t we? It does bring a parallel though, as Yukki was branded just the same. He also see him recognising the red eyed glasses man amount the police and there’s a familiar blue butterfly that seems to signal another time travel trip.

Posted on 8 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

When it rains it pours and Boku dake isn’t pulling any punches. Hinazuki is gone and the only hint of her we see is what looks to be her dead body in front of her parents, one of whom is panicking. With this we have two possibilities. Either they happened upon Hinazuka’s dead body or her mother went too far with a beating and accidentally killed her. Her later actions seem to point to the latter as she throws out the gloves Hinazuki was knitting for Satoru with a dark sneer. It seems that Satoru’s efforts in the past didn’t bear much fruit, though it did delay Hinazuka’s death. He looks to be taking hope in that fact while I personally am more pessimistic about it.

We have our long awaited return to the future and Satoru is right back where he started. Satoru has escaped the police for now and tried to hide out at his manager’s place. It was pretty obvious what was going on when the camera showed a painting of the last supper. Though we have Airi show up to save him after with her saying Hinazukis favorite phrase. Her reasons for helping Satoru are strange to say the least. I understand Japanese culture is different in these matters but it’s really hard to take something seriously when a man loses his job, wife and livelihood all over a misunderstanding about shoplifting a chocolate bar. I mean it’s pretty clear he didn’t do it as he’s a grown adult with a job, the very notion that he would need to shoplift a chocolate bar is absolutely ludicrous. But the smart route to this problem would be to write it off as a mistake, buy the bar and be on their merry way.

I am sorry Airi, you are great but you dad had plenty of ways he could have handled that better without sacrificing his pride. I truly pity the Japanese if something so rudimentary is enough to ruin your life. Strange back story aside, it’s nice to see Airi stand on Satoru’s side. It was especially satisfying to seeing her Punch out the manager for trying to rat Satoru out to the police yet again. This manager really has it out for him, maybe because he happens to have a crush on Airi or maybe because he has a connection to the killer. We briefly see him talking to a man whom the camera is very reluctant to show us his face. All we really know about this man is that he’s clearly in a position of power and obviously connected with the murder and serial kidnappings. There’s a big chance that more than one person is to blame for these incidents and whoever they are I wish they would stop killing off all the best female characters of the series.

Posted on 3 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

There certainly is a layer of dread from this episodes beginning as we see happy events unfold. Things are looking up, history is changing, Kayo is finally getting out of an abusive relationship with her mother and finding happiness. But much like Satoru is feeling, there is a unease at these developments. Things are going too perfectly, it’s all working out a little too well. But most importantly, Satoru is getting the feeling that he may indeed be retreading his old steps. Despite Kayo not minding, Satoru clings to her more often. Walking with her to school, practically dogging her every step. Because much like Satoru, we feel the exact same uncertainty. The death flags are getting tripped and we are all waiting for the wham moment. Then just when you think it might be alright, Kayo disappears and never returns.

Its lucky that Satoru happens to have a great mom. Sachiko may have just become a fan favourite with this episode as she happened to defuse Kayos mother with relative ease. She’s cool and caring in a motherly way which is a big turnaround from her first appearance, where you could easily mistake her for a deadbeat parent. But much like the cruelty of this episode we have the knowledge that in the future she is fated to be stabbed to death in Satoru’s apartment. Why must we build an attachment to characters destined to die? The strength of this series rains but this episode may be the start of things feeling a little bit rushed. While not necessarily detrimental, this episode felt fast at points.

Yuki’s soundtrack also happens to be distracting me at some points as well as there are tracks which are a far too overpowering and melodramatic for the visuals. It was rather aggravating to hear a loud violin as Satoru ran home after believing everything was set right. A moment like that calls for something more subdued, not an orchestral symphony like he defeated the demon king. But that aside the mystery deepens as Satoru seems to have effected the day that Kayo was abducted, in other words something Satoru did caused the murderer to change his mind. Or our murderer may have powers similar to that of Satoru’s. On the night we have a montage of all the adult characters, Kayos mother in particular suspiciously not being at home. I am still hedging my bets on the teacher but this mystery may have more layers to it that I first thought.

CHANGE USERNAME
SuperMario
@anon1058019: yep, and we'll get an original film no less. Welp, I don't mind for more Yuri but everything sounds vague for now. Let wait for more details coming
SuperMario
@Tatami: I'm only watch anime but I'm not a fan at all with the show so I can't really help you on that. In fact this season I couldn't get pass episode 2
Tatami
For guys who only watched AoT anime and not the manga, Im curious what do you think of the current season?
Tatami
The recent 2 epsiodes of AoT pretty much confirmed my guesses of who are the Armored and Colossus titans
Anonymous1058019
Yuri on ICE!!! movie has been announced. Prepare for incoming fangirls. :.D
Spike
Zestiria finale was pretty mediocre at best... Ufotable writers really fizzled at the end. :(
Anonymous1057532
Konstantinos here: I have to disagree. I liked the episode and felt they did a good job giving exposition. I like Meteora. That said when Alicertia meets Selesia. Oh boy, that will be a rumble.

On other notes: Attack of the Titan. If they do not pull a bait and switch, we are not in Kansas anymore.

Shingeki no Bahamut: What exceptional animation.
AidanAK47
It really does feel like this show is aiming to be something akin to Fate/Zero as that too did have a exposition heavy beginning. Difference here is that series had Urobuchi writting and while the man my be more famous for his murderous treatment of characters, he is a master of presenting exposition.
AidanAK47
I hope that's the majority of the exposition done for Re:creators. We established the stakes, rules and factions. So now would be good to focus on the creator and creation interactions plus badass battles.
Honestly I really regret Meteora coming into the story when she's being pretty much a massive exposition device.
Konstantinos Travlos
Hmm the "The Man who Knew 75 Languages" reminds me of the game "The Last Express". Great game. Definitely interested.
Anonymous1056824
moster keaton
Anonymous1056607
ditective conan
AidanAK47
@Anon, Pretty sure you are just trying to pick a fight more than defend the show but a decent show to me would be one that is deeply flawed but enjoyable to some degree. Sagrada reset is not this. It goes out of it's way to be unenjoyable. To me it's a 3/4 out of 10 show. Interesting concept but with a presentation so alien that the viewer can't empathise with anything on screen.
Lenlo
I mean, decent warrants about a 5-6. That, in theory, should be an "Average" show.
Anonymous1055365
It's a decent show. You're being overly critical.
SuperMario
In the Out of Competition slot (you think that I'm finished?), 2 films in particular that catch my interest are the Korean Lost in the Moonlight which looks like a fun and lightheart adventure, and the Norway-Poland co-production adult-oriented The Man who Knew 75 Languagues about the star-crossed love between the Queen of Romania and a titular man, I guess
SuperMario
Rounding up the Main Competition are Animal Crackers, a 3G American family film which I don't have good feeling about; Big Fish and Begonia - a Chinese indie film that divided the critics, but gathered skyhigh commercial success in its mainland China; and finally Zombillenium which sounds like an enjoyable European children film
SuperMario
From other countries, most notable films are the Loving Vincent - the first feature length hand painting; the Chinese black comedy Have a Nice Day that premiered in Berlin earlier this year; Ethel and Ernest which already gained a strong reviews from the UK; Tehran Taboo- a German production about the lives of 3 women in Iranian community, which sound exactly like my kinda of film.
SuperMario
Alright, I'm here to bring you news about the selection of this coming Annecy AKA one of the best animation festival out there. 3 of anime features: A Slient Voice, In the Corner of the World and Masaaki Yuasa's Lu over the Wall will compete for the main competition.
SuperMario
I'm a fan of thought-provoking anime (see Lain, Boogiepop Phantom) but I need to care about the story and characters first before I make an effort to dig deeper to the theme. Sagrada Reset failed on that fronts.
SuperMario
It's not really about being smart/dumb here. As a creator, they already have an advantage to know how the story and plot will play out. I don't mind this advantage because otherwise the plot will become a hot mess. But don't use that advantage as a way to widen the gap between them and the audience.
AidanAK47
Ugh...Ray Gigant was pretty much mediocre up until this point but now it;s utterly asinine. Whoever decided on this endgame needs to be fired. When you are ready to end a game, no player want a ten floor dungion with a boss on each floor coupled with a goddamn boss rush halfway. Just...fuck.
Kaiser-Eoghan
It must be worse than oremo.
Kaiser-Eoghan
I saw some pages of the eromanga sensei manga and my reaction was that I was sad that it actually existed and stated "why would you even" after looking at it.
Kaiser-Eoghan
As an anime example, sekaisuru kado has lots of dialogue but it seems like it could actually be engaging.
Kaiser-Eoghan
So basically no I don't think we're dumb for not liking sagrada reset, given that myself and Mario are capable of watching genuinely smart wordy things and getting them.
Kaiser-Eoghan
@Mario: I can imagine watching Sagrada reset and thinking I'd rather be watching a Bergman film instead , something also with lots of dialogue and themes but actually engaging/clever and NOT pretentious or obnoxious about it.
Anonymous1054942
is it possible that you are all just dumb?
Anonymous1054269
@Mario: I like how you described it as giving a middle finger to the viewers. It's so true. Like, it tries to be intelligent and make the viewer feel stupid, but it just comes off as obnoxious/pretentious.
Lenlo
CGI remains the worst part of it, but we are getting more and more 2D art which I actually enjoy the style of
Lenlo
Its an improvement. The art is better, and maybe its because I prefer this arc, but the pacing is better as well. I gave last season a 3, but this one is more deserving of a 4 and if they can nail certain scenes coming up I may bump it to a 5.
SuperMario
@Lenlo: How's Berserk doing so far? Haven't picked up last week and this week's episodes.
Lenlo
Ground*. I hate it when I fat finger something.
Lenlo
Thats always the worst, when a story starts off promising and then someone runs it into the grouhnd
AidanAK47
@Mario, so it's still at it. To me it's like someone was given an interesting story and made it his mission to ruin it as much as possible.
SuperMario
@Aidan: it's still the same crap. I have a feeling that Sagrada Reset gives a middle finger to us viewers. The plot with development and characters that we have no way to figure out ourselves. The characters who change motive and even personality after each timeline. The main lead girl who act like a robot. I gave this show too many chance so I won't bother to spend more time watching it.
Anonymous1052767
Eromanga sensei
AidanAK47
@Mario, Oh ho, what was the dealbreaker? Just that it didn't change or did something really stupid happen?
SuperMario
Sagrada Reset (long sigh) (scratching my head) (eyes rolling). Dropped
AidanAK47
Hey you.
Konstantinos
Yeah, at this point, this season looks good.
SuperMario
Quite happy with ID-0 and Zero in particular. Zero charms me to no end that I'm still debating whether I should blog it. The trio Re:Creators, Kado, Atom still doing pretty well and the sequels MHA and Bahamut are enjoyable as expected. We have a wide range of anime offerings this season.
SuperMario
Sagrada Reset & SukaSuka I will give it another episode, at least until this current arcs over. They both have potential but Sagrada Reset tries so hard to sound smart, and SukaSuka still falls into its LN tropes which bugged the show down.
SuperMario
*no real urge
SuperMario
I've finally catch up with all other series I wanna follow this season. Alice & Zorouku will be off my list for now, Zorouko is a great character but everything else falls flat so far. I have real urge to continue Attack on Titan and Berserk so I'll wait until they're finished.
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Total users: 26

Featured Posts

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Before I started this episode, I had it in mind to write in this post that the titan designs of this season were far less intimidating and more comical. After this episode however you can consider that though solely retracted. Personal favorite is the titan that appears when Reiner opened the stairway door. If I […]

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Tsuki ga Kirei sure understands about the life of 14-year-old kids would be like. I’m sure we all have different experience about that pre-teen stage of our life, but the life portrayed here is so vivid and true to life that it brings out our fond memories as well. Personally, while not much really happen […]

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