Posted on 31 March 2016 with categories: Anime Reviews, Boku dake ga Inai Machi

In the large reservoir of anime it is surprising just how few titles focus on the concept of time travel. There are of course titles which feature time travel but few that make it the core focus. So here we have Boku Machi or ERASED, a tale about a mangaka time traveling to his childhood to prevent the deaths of children at the hands of a series killer. This series has some great presentation and direction though it does make it somewhat predictable in how it highlights what’s to come. Predictable does not mean boring though and this tale has a lot of heart. There are a number of great scenes that can play with your emotions and each episode does leave a feeling of dread for a tragedy to come. Though those episode cliffhangers do build up expectations which the ending fails to deliver.The female cast is ridiculously strong with Satorus mother being one of the best parenting figures one could have. Especially seeing as her initial impressions make her seem like a deadbeat parent. What is a shame is that one girl(Airi) in the cast is neglected despite having a great personality.

This is very much a slow paced show and a large amount of the shows runtime is devoted to one of the victims of the killer(Kayo) and Satoru’s efforts to free her from an abusive household. The tale is a moving one but it does push the main plot to the sidelines for quite a while. The mystery while not particularly deep provides the right level of intrigue to keep a viewer on their toes and a motive to keep a close eye on proceedings. There is a good bit of misdirection to keep you thinking and there are nice small touches throughout like the synchronisation of Satorus dialogue and monologue as well as the letterboxing of the past to give the feeling of being an outside observer. Some admittedly is a bit too forward in its execution but there is a lot of minor details that makes the story more interesting.

It does have its weaknesses as a show. Yuki Kajura provided a ill suited and uninspired soundtrack, the pacing can be too fast at times, the “villains” are exaggeratedly evil and to those looking for a smart mystery you will be disappointed. However I believe it’s positives do outway its negatives. Ultimately what decides your enjoyment of this show is your level attachment to the characters. The focus is clearly character driven and if you find yourself not caring for them, I am afraid the plot will not hold anything to compensate. But if you find yourself getting drawn into these character then I believe your experience with this show will be a positive one but remember to walk into it with the right expectations.

Posted on 27 March 2016 with categories: Boku dake ga Inai Machi

As I said before, an ending can change your entire perception of a series and in Boku machi’s case the ending is …decent. I can’t say I have any problems with it and I could consider it good. In all honestly it was hard to imagine a case where we could get an ending better than this considering the circumstances of how the last episode ended. A bombastic showdown between Satoru and Yashiro would be uncharacteristic of the show so far and Satoru’s current state stops them from having any real confrontation. So what it all boils down to is Satoru giving him a mental probing and egging him on to push him off a ledge. All to incriminate him so they can arrest him. Presentation wise, I like it. But when looking at it from a closer perspective I admit that Satoru’s plan looked to require a lot of assumptions. For one, how did he know Yashiro would push him off the roof? How did Yashiro manage to poison one of the medicines used in that girl’s surgery? How did they prevent that from happening? How did Satoru’s friends manage to inflate a cushion without drawing suspicion and where did they get one? There was also issues with the large amount of padding in this episode as it flashed back to scenes that happened not all that long ago.Lastly, no matter how it’s presented, having friendship be shown as the reason Satoru beats Yashiro is cringe worthy. Friends and connections are great and everything but when you outright state that your victory is owed to a little help from your friends then it always sounds lame. The biggest issue of all was the feeling of padding through this episode. The pacing has always been fast but for this episode things slowed down to a crawl as we go back to how Satoru got his memories back, have several sappy unnecessary speeches and reiterate what has already happened in the series. When looking over the episode you can see that not a lot actually happened in it and if this was the case I would have preferred to forgo the speeches and flashbacks for more scenes of the epilogue. One thing in particular that I felt needed much more fleshing out was Airi. It was an odd decision for Airi to be given such limited screentime if in the end she was to emerge the “Victor”. To someone watching the series, Satoru’s reaction to Airi looks to be a major overreaction so putting some extra time in the end for the two to bond under the bridge would have made a better conclusion than ending on an emotional reunion between our main and a character with very little screentime.

As per usual, I tend to check episode reviews on a show before writing these in order to gain an idea on the consensus of what was presented. The end of this show looks to have caused a division in the fanbase. Some express disappointment while others feel satisfied. I went out of my way to watch a youtube video from someone(Who I shall not name) who actively disliked the show. It was interesting to say the least as there were aspects of his argument I argeed with but didn’t see quite as detrimental to the series as he believed. What I found most fascinating was when this person made a comparison between this series and Steins Gate as he looked to deem that flawless while many of his problems he had with this series reflected my problems with Steins Gate. Such as a beginning which made it hard to invest myself in the story or some rather arbitrary rules for time travel.(One of the particularly amusing things I find about Steins Gate is that it’s explanation for Time travel isn’t time travel. It is in fact sliding as Okabe is traveling between alternate realities. Not traveling through time.) Through when thinking about this I noticed that the two shows do hold similarities. Now, I am aware that if you break down a show to it’s base components you can find similarities between virtually anything but still. Both shows hold a lie in its premise. Steins gate being that it alludes to be about a ragtag group taking on a elusive corporation with aid of a makeshift time machine. What it is actually about is a more traditional tale of someone trying to right a wrong after abusing time travel. Boku Machi in turn alludes to a tale about a mature man returning to his childhood to have a cat and mouse game with a serial killer. What it is actually about is more a character drama and thriller with Satoru attempting to right the wrongs in his past. In this regard I believe I see how there are those who were disappointed in how this all ended. Cliffhanger endings of each episode keep building up expectations the show wouldn’t deliver so I think what will determine your enjoyment of this series will depend on which aspects you focus on. I could go further but if I was to be perfectly honest I would state Boku Machi is the stronger of the two; simply because it took less time to get to it’s point. Say what you will but I am sure much of the praise for Steins Gate is for it’s second half and not it’s rather story light first half.

Certainly through all my moaning and complaining you might believe that I am discontent with this series now that it has finished; with that you would be incorrect. I may be acting overly critical but I am still quite pleased with how the series turned out. This may be because I lost interest with the manga over time and found the series kept that interest better than reading the story on paper. If I had a problem with the series it would be with Yuki Kajura because she really did not try with this soundtrack. It didn’t match the series in the slightest. Honestly Yuki; you can do better than this. I also consider this ending to be better to the manga equivalent which was disappointingly anti-climatic. You may consider this ending anti-climatic as well but in the manga we had over ten chapters building up a showdown between Satoru and Yashiro that ultimately gets resolved in a second. I found it rather dull and would swear that the manga was axed at just how quickly it all resolved. In that regard I think the anime did it better. Was there a better way to end this series? Maybe, but I pick the ending that didn’t set up the finale to be more than what it was.

Posted on 18 March 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

When Satoru was almost killed I expected him to survive and I thought that it was likely going to result in him getting pulled out or time travel. What I didn’t expect was a time skip. Satoru was indeed pulled out of the car; however because of the incident he was put into a coma for fifteen years. All the while Sachiko was once again proving she’s likely the best mother in anime; what with her not only taking care of him all those years but even going out of her way to exercise his limbs so that that his muscles aren’t dead from underuse. This isn’t in the episode but there was a point where doctors attempted to convince her to pull the plug on Satoru and her answer was a short and resolute “Fuck you”. Well we are back in a new future and with it we have a massive change in characters and the narrative. A large part of this episode was dedicated to Satoru attempting to regain his now scrambled memory. A nice touch to the episode is that his inner monologue is now narrated by his child self rather than being narrated by his older self. Another nice touch was removing Satoru from the opening. Showing that he hasn’t quite regained his standing. What is likely to scorch many a viewer was the revelation about Kayo who is now happily married and with a child. I admit that even myself am not entirely unscathed by the revelation; especially when the series hinted heavily at them becoming an item. Though personally it makes sense that Kayo wouldn’t wait for a guy she knew only for a short period during childhood and while I don’t look at it this way, it removes the thought that Satoru “won” Kayo. I am sure there are those who could look at this as a Genji Monogatari situation if Kayo ended up becoming Satoru’s wife so at least that notion can be tossed aside and we can see that Satoru truly is just happy to see her living a full life.

Due to hearing that this episode diverged quite a bit from the manga, I made it a point to read up on how the manga dealt with the events in this episode and I can confirm that the anime has more or less gone anime original. Is that a bad thing you wonder? Well truthfully I am uncertain. The manga does expand upon questions of what went on while Satoru was in a coma and the process of him reclaiming his memory is a much more gradual process than the almost instant revelation at the end of this episode. One particular thing I wish was kept was Yashiro’s backstory which a small part was given during this episode’s opening but their is much more to his past. If you are interested then you can read chapter chapter 32 of the manga as it is dedicated to detailing his past. Another thing I wish they hadn’t changed was the change of having Yashiro prevent the photographers from deframing Satoru instead of Airi. Airi encountering Satoru was a big part of helping him regain his memory though I believe the reason it was left out was because it also caused him to slip into a coma again for another year. That and Airi hasn’t had much of a presence in the anime series. But as I said before, this doesn’t mean I think the manga did it better. It is true you get more detail and a more gradual recovery from Satoru but it’s very uneventful. When watching this episode I was already getting impatient with Satoru as it really was just a waiting game of him realizing what the audience already knows. The manga is ten thirty page chapters which are mainly about Satoru recovering his memory. It is long, drawn out and I found myself getting bored as I read. This is good moments in this but if animated I could certainly see people getting frustrated with the almost agonizingly slow pace. I can only imagine how manga readers felt as each monthly chapter moved the plot along at a snail’s pace. The anime pretty much trimmed the fat and gave us the cliffs notes on what happened though the final confrontation is different.

We missed a small cat and mouse game between Yashiro and Satoru as they prevent him from taking another victim and skip right to a head on conflict which is a little bit of a shame. But we do have tension as Yashiro gets closer to Satoru as a friend to likely keep an eye on him. I find it engaging as it tempts the situation of Yashiro saying something to trigger Satoru’s memories or the potential possibility of him deciding to silence Satoru for good. The anime’s pacing is faster and more to the point, perhaps too fast. So you may understand my indecisiveness in deciding which handled the story better. On one side you have a fast to the point version of events which leaves out the finer details and on the other you have a far too slow version which gets boring at points but has far more of a build up. I guess the deciding factor on which approached it the best will be the next episode of the anime as I certainly have no idea what Satoru has planned considering he revealed that he has his memory back to the killer when he’s in no position to fight back. That isn’t the only thing the next episode decides as I have said once before on the finale of Madoka. This last episode is what decides Erased/Boku Machi’s status for the future. Either a must watch classic every anime fan needs to see or it being that show that was really good up until the ending. An ending can change your entire outlook on an anime and I certainly hope that this one doesn’t disappoint.

Posted on 12 March 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

Satoru and friends have saved Kayo and now with very little effort; have saved the other two targets as well. I am a little disappointed at how quickly and easily this was resolved when you consider how long it took to save Kayo. I originally considered this a victim of the anime adaption trimming the manga down to fit the runtime but after having read the manga up to this episode I found that is not the case. The problem was fixed just as fast there and the only major difference is more focus on Kayo which I am glad they cut out. A lot of it was really unnecessary and was more just an additional unneeded epilogue. So one target is saved when she gets a crush on one of Satoru’s friends and starts hanging out with them. The other is saved simply by them hanging out with him more. In regards to this the other two victims feel like an afterthought. Though Satoru is well aware that taking away the murderers targets isn’t going to stop him and one of his friends brings up that thanks to his previous actions; a new girl is now a new perfect target for the killer. So he decides that he will save her as well.

Then we have the wham moment; the point we have all been waiting for. The murderer is revealed to be…Yashiro, Satoru’s teacher. I would shout in glee that I called it if it wasn’t so obvious that many others would be doing the same. If you have been watching close enough it would have been clear that the murderer couldn’t be anyone other than Yashiro and so the obvious suspect from the start turns out to be the murderer. Now, I don’t like beating a dead horse but I must bring up another anime which did this exact same thing in order to get my feelings across; Subete ga F ni Naru. That too had a mystery that ended up with a murderer that was completely obvious. It spent a majority of its time dangling a carrot in front of the viewer when any average person’s logical deduction could figure out just what the carrot was. So why is it that when Subete revealed its obvious murderer I was immensely disappointed; yet when Boku Machi does essentially the same thing why am I am not angry? Well I believe it’s a matter of substance. With Subete, everything depended on the mystery. Truly it had nothing else and if I was willing to rewatch it I would be bored as with the mystery revealed all that remained would be pretentious dialogue and a romance with no payoff or investment. With Boku Machi that isn’t the case. There are plenty of great characters and moments I would love to see again; the reveal doesn’t devalue the events before it. Sure, it’s predictable but boring? No. Ultimately this wasn’t a show that was primarily about the mystery aspect but rather more about the people surrounding it. If anything I am glad they decided to pick someone who makes sense as opposed to making it some background character with little screentime solely for shock value. There is also value in that despite being so sure it was him; this show actually made me unsure momentarily about it at times. As others have said, he was so obvious that many had concluded that he couldn’t be the killer and was just a red herring. Like Satoru we had the facts staring us in the face but the teacher was such a likable guy that we didn’t really want to believe it.

From the moment Satoru entered the car it felt ominous. Really with the nervous tapping of Yashiro on the steering wheel and his increasingly worrisome statements getting a bit extreme you could tell the reveal was coming. It was only a matter of when Yashiro would say the words and when he did, it hit Satoru like a truck. On the reveal I feel the manga’s version of Yashiros face as he unveils it trumps his anime counterpart. The anime made his triumphant smile a bit too much like a scumbag; his smile in the manga was more constrained and with that a lot more disturbing. Admittedly what follows is essentially a villainous monologue about how he couldn’t believe that Satoru was anticipating all his moves and that he may just know that Satoru came from the future. Saying that he respects Satoru for beating him and thanks to his efforts the town is now safe from Yashiro. Though now Satoru pays for that victory with his life which gives some context to the title “A town only without me”. The cliffhanger this week isn’t much of one as it suggests Satoru might die drowning in Yashiros car. We have two episodes left, Satoru has time travel powers that could kick in at any moment and he shouted a line at Yashiro which would certainly have him considering pulling him out to hear what he has to say. I am hoping they elaborate on just why Yashiro is doing all this; they gave hints with him speaking about using illegal methods to fill up the hole in his life but I would like more concrete reasoning. But with the limited time left and a lot of manga to cover that could be a tall order.

Posted on 5 March 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

We come to the climax of Kayos arc and the time when that mother of hers gets what’s coming. Admittedly I would have preferred that the payback was a little more forceful as they essentially cornered her and killed her with kindness. A character like Kayos mom is a difficult one to make deep, as many writers just resort to the minimum effort of characterisation. An abusive parent whose abusive because they are. By making a character unapologetically evil and them being unaware of the right of their actions just spurs a feeling of wanting to slap some sense into these idiotic simpletons. While this shows efforts didn’t quite make Kayos mom a more complex individual; at least it tried to give some logic behind her actions. I truly appreciate that it recognised that Kayos mom had gone too far to become sympathetic by showing the onlookers to be largely unaffected by Kayos breakdown into tears. I now understand just how she came to beat Kayo; namely because of the stress of being a single mother and that Kayo was a reminder of a previous incredibly abusive relationship she had with her husband. But while I understand why she came to do what she did; that doesn’t excuse the fact that she’s beating the crap out of her daughter. I feel her plight is even more apathetic when you consider that we have a perfect example of a single mom in Sachiko to contrast her with. Cry all you like; I am not going to forget that just minutes ago you nearly took Sachiko’s head clean off with a snow shovel. I admit that this resolution to Kayos problem is a little too quick and clean. Though having this all done does serve to benefit the story seeing as the heavy focus of Kayo put the main plot to the sideline a bit too much.

On that note this show certainly is making an effort to remove suspicions from the teacher being the murderer and I find myself questioning it. Before I was dead set that he was the one but now he has become so suspicious that I begin thinking he’s a red herring. He remains prime suspect due to the fact that there is no other characters who fit the bill but that would make Satoru’s view as a father figure quite tragic. The big reveal of a stash of candy in his car compartment almost seems like a dead giveaway but his explanation behind it is so quirky that I find myself believing it. So with Kayo out of the way we have moved on to the other two victims of the killer and I fear Satoru is making a big mistake. He’s continuing as through the pattern of murderers will follow the same path but he has interfered with it. The episode ends with an ominous shot of the girl who previously attempted to fame Kayo for stealing money following Satoru’s friends. Heavily hinting that she may be the next victim. Personality this looks like a fake out as it’s likely the animators thought they needed to carry the tread of ending every episode with a cliffhanger. Chances are she will follow the boys and get involved with what’s going on. Though the chance of her ending up as a new target is quite high. It would act as a perfect wake up call for Satoru to realise how his actions have consequences.

As this episode ends the ever looming question remains. Just how do they plan to cover the rest of the manga in the remaining episodes. We have reached a point where they have too much to cover and yet have gone through the story so much that there’s not enough left for a second season. As I see it we have two outcomes to this. One is that they plan on announcing  a OVA or movie at series end to conclude the series. The other is that they plan to rush the remainder of the content at mach speed. Considering the level of care that has gone into this adaption; outcome two seems unlikely. There is no way they planed out these episodes and didn’t see the issue of the remaining content. That would just be a densely grave oversight. A movie seems like the most likely option and the best one. It would give them the remaining time they need to conclude the story and up the production values. Boku Machi is a show that deserves a worthwhile ending.

Posted on 27 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

A calm episode of Boku Machi this week but certainly a very strong one. The teacher looked to be removing suspicions on him this episode with his efforts to get child services to finally catch Kayos mom. However my prime suspect remains him and if anything I think hes proving his guilt. Removing the camera shots that make him look suspicious; we have some things here linking him to the killer. For one, the kids discovered that the bus they were keeping Kayo in was also being used as the killer’s hideout. Kenya mentioned that the bus was used by the school and abandoned. Which stands to reason that the killer knew that the bus wasn’t being used as well and is connected with the school. The teacher is the one calling social services on Kayos mom; which stands to reason that he’s the perfect person to tip her off about the visits. But then why get social services to investigate in the first place? Well it looks like he isn’t the only one concerned with Kayos situation and Sachiko is involved as well. He might be doing it for the sake of appearance. His knowledge that Satoru had hidden Kayo is also suspicious; it’s possible to come to that conclusion but I feel he was so certain because he knew that they were using his hideout as a place to hide her. You can’t fool me, mister teacher. You are still my prime suspect.

Satoru thankfully takes my advice and decides to trust in his mother after the base is compromised. If Sachiko hasn’t won the award for best mother in anime before this; she certainly has now. Taking Kayo in and giving her all the care in the world made the second half of this episode truly heartwarming. Also a bath scene that wasn’t pandering fanservice. See anime? You can do it if you try. It could be argued that we are spending too much time on Kayo and putting the main storyline to the wayside. Especially as we are reaching the end of the series and still have a large amount of material to cover. I do have my concerns about that but frankly this was an excellent episode. In particular the scene with Kayo crying at the sight of a lovingly made breakfast was truly powerful and moving. Truly masterfully done. The thing that makes it all the more effective is that Kayo up till this point had been very mature child. She never cried at being abused by her mother, or at anything she would have every right to cry about. But when faced with genuine unconditional love, all the barriers she set up melted away and she became a kid once again. I am impressed by that scene and particularly annoyed when Yuki Kajiura wormed her piano song into in and started get me thinking how it’s too damn similar to Fate/zero and that using piano for this scene is so damn lazy and goddamn it Yuki! Gah! Personal gripes with that aside it was well executed scene.

I remain in a strange position with this show. For you see I do think this has been done wonderfully so far and I want to lavish praise on it. But part of me is reserved on doing so because this show isn’t over and I feel if I begin to push it as anime of the season I risk jinxing the remainder of its run. Then there is the big worry, the fact that this anime has been confirmed to portray the manga ending, yet it has only covered about half the manga so far and we have only four episodes left. I am praying in my heart that there is a second season in the works or at least a small series of OVA episodes because no matter how good the execution has been so far, I cannot see the situation of shoving twenty one thirty page chapters of manga into a short time frame ending well. Of course, I want to be wrong on that, I want this to all work out. Well in coming back to the episode we have Kayos mom getting antsy now that Kayo isn’t around to let her take out her frustrations. But this episodes cliffhanger looks like she will finally be getting some just desserts.

Posted on 23 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

From back to the future to back to the past and not a moment too soon. Satoru’s plan is something I find a little strange as despite his efforts to save Hinazuki’s it making it easier for her to get killed. Taking Hinazuki away from her mother is a good call, leaving Hinazuki alone in an abandoned location is not the right call. It’s a little bit of pity that Satoru was stopped before pushing Hinazuki’s mom down the stairs, even if Kenya made a good call in stopping him. That fall could very likely kill her and as satisfying as that would be, it wouldn’t put Satoru in the best position. This time around it’s nice to see the little details as this is Satoru’s third third going through all this and he’s a bit more in control. One really interesting detail is that when the surprise party happened, the reaction from Satoru was more forced than his initial reaction the first time. When looking at his eyes you could tell he was expecting it.

Satoru’s plan this time around was far from perfect and I believe his first mistake was trusting Kenya. Due to my suspicions of the teacher I never quite trusted Kenya, especially with his unusual level of maturity. Also he was eagerly forward to help Satoru this time around and while he did talk with Satoru many times after Hinazukas disappearance last time, I feel like Kenya is aware that this isn’t the first time they have been through this. Personally I believe Satoru has a perfect allie around who would prove to be far more trustworthy and useful than Kenya. That of course is Sachiko, Satoru’s mom. If Satoru sat down and explained everything to her I am sure Sachiko would believe him. She’s had his back before when facing off against Hinazuki’s mother so I have full confidence that she would be behind him if he said it was for Hinazuki. However it is possible that our mystery visitor at the end of the episode is Sachiko. She was aware of Satoru leaving in the middle of the night and she does have a tendency to follow him if she’s worried about him.

I hope so as to see Hinazuki die a second time would be heartbreaking. Over the years I may have found myself distancing my feelings for characters if I was under the slightest suspicion that they would be killed off but Hinazuki holds that factor that makes her endearing. He definitely gives you the feeling of wanting to protect her and I am aware that’s generally a moe character thing but Hinazuki does not hold the traits that often make moe characters very irritating. I would say I good example of this would be the female characters in a Jun Maeda work. Often to make the tragic twist hit all the harder, he makes his female characters as innocent as possible. As a result the girls in his works don’t really act like teenage girls, they act like kindergarteners. Hinazuki is at the age where it would be justifiable to make her act like a Jun Maeda heroine but she holds a much higher level of maturity and intelligence. She doesn’t try to act cute, she’s just loveable the way she is.

Posted on 14 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

Before I begin to talk about this episode, let me soapbox a little about the English title for this series. The English title for this series is ERASED and I really dislike it. It has a rather lazy feel to it and sounds like it was designed to be noticeable instead of having any connection to the story itself. After all this story is not about Satoru trying to erase his past but rather change it for the better. You could argue it could stand for Satoru erasing the current present but that stretching it. The English translation of “Boku dake ga Inai Machi” is “The Town Where Only I am Missing” which is obviously referencing Hinazuki’s essay from episode 2. I feel that’s a better title than ERASED but I understand that it’s not very marketable. So what could be a better title? I am hardly the best at naming things but maybe something like say “String Theory”? There is a theory that could relate to time travel known as Cosmic String Theory and the nature of things being made up of strings instead of particles does seem to match the stories themes of connections to the past and people. However I am absolutely no physicist so the above could be completely misunderstood. I just feel that there could be a better English title for this, even if I struggle to find one. If any of you have a good name, feel free to put it in the comments below.

Well that’s enough of that. First the good news, Airi is not dead! She was saved from the fire thanks to the timely intervention of Satoru and..the manager. I guess it’s nice to show that he’s not a complete villain by having him rescue Airi and even letting Satoru go. But his timing is a little convenient. I can buy Satoru arriving on time but the manager also happening to be around is very suspicious. I mean was he staking out her house just in case? He shows up right on time just to take all the credit and we do know he has a connection to our red eyed glasses friend. Perhaps his timing wasn’t just coincidence? But well maybe he’s just a creepy stalker. After that Satoru is now accused of arson and murder, and Airi is determined to help him no matter what. Which is rather unfortunate considering the episodes end. Airi still proves herself an excellent character, telling Satoru to not get discouraged and see thing through till the end.

We have a new suspect to the list, hinted by the red eyes that seem to appear on various people. Sachiko’s co-worker and freelancer investigator. I am not sure what to make of this guy yet. He’s suspicious in how he was the final person Sachiko talked to about finding out who was responsible for the murders. He’s a likely person to rat her out to the murderer. Or murderers in this case. I am fairly certain that this case is the work of multiple people. That being the reason why the red eyed glasses man’s name wasn’t in the list of suspects on Sachikos friends computer. Our glasses man looks to be the one to cover things up but he doesn’t resemble the abductor featured in episode 1. There could be two or three people involved in this, and I am still betting the teacher in the past is one of them.

Things couldn’t look worse, Satoru is in handcuffs and getting escorted to prison. This episode actually looked to foreshadow this as we have Satoru earlier helping kids fix a paper plane which bring a resemblance to Yukki. And of course we have onlookers immediately assume that he could be a potential pedophile. That’s the problem with being a man sometimes, if you act remotely nice to a kid then people automatically assume you are a pedophile. Of course, we have certain individuals to thank for that social prejudice, don’t we? It does bring a parallel though, as Yukki was branded just the same. He also see him recognising the red eyed glasses man amount the police and there’s a familiar blue butterfly that seems to signal another time travel trip.

Posted on 8 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

When it rains it pours and Boku dake isn’t pulling any punches. Hinazuki is gone and the only hint of her we see is what looks to be her dead body in front of her parents, one of whom is panicking. With this we have two possibilities. Either they happened upon Hinazuka’s dead body or her mother went too far with a beating and accidentally killed her. Her later actions seem to point to the latter as she throws out the gloves Hinazuki was knitting for Satoru with a dark sneer. It seems that Satoru’s efforts in the past didn’t bear much fruit, though it did delay Hinazuka’s death. He looks to be taking hope in that fact while I personally am more pessimistic about it.

We have our long awaited return to the future and Satoru is right back where he started. Satoru has escaped the police for now and tried to hide out at his manager’s place. It was pretty obvious what was going on when the camera showed a painting of the last supper. Though we have Airi show up to save him after with her saying Hinazukis favorite phrase. Her reasons for helping Satoru are strange to say the least. I understand Japanese culture is different in these matters but it’s really hard to take something seriously when a man loses his job, wife and livelihood all over a misunderstanding about shoplifting a chocolate bar. I mean it’s pretty clear he didn’t do it as he’s a grown adult with a job, the very notion that he would need to shoplift a chocolate bar is absolutely ludicrous. But the smart route to this problem would be to write it off as a mistake, buy the bar and be on their merry way.

I am sorry Airi, you are great but you dad had plenty of ways he could have handled that better without sacrificing his pride. I truly pity the Japanese if something so rudimentary is enough to ruin your life. Strange back story aside, it’s nice to see Airi stand on Satoru’s side. It was especially satisfying to seeing her Punch out the manager for trying to rat Satoru out to the police yet again. This manager really has it out for him, maybe because he happens to have a crush on Airi or maybe because he has a connection to the killer. We briefly see him talking to a man whom the camera is very reluctant to show us his face. All we really know about this man is that he’s clearly in a position of power and obviously connected with the murder and serial kidnappings. There’s a big chance that more than one person is to blame for these incidents and whoever they are I wish they would stop killing off all the best female characters of the series.

Posted on 3 February 2016 with categories: Boku dake ga Inai Machi, Currently Watching:

There certainly is a layer of dread from this episodes beginning as we see happy events unfold. Things are looking up, history is changing, Kayo is finally getting out of an abusive relationship with her mother and finding happiness. But much like Satoru is feeling, there is a unease at these developments. Things are going too perfectly, it’s all working out a little too well. But most importantly, Satoru is getting the feeling that he may indeed be retreading his old steps. Despite Kayo not minding, Satoru clings to her more often. Walking with her to school, practically dogging her every step. Because much like Satoru, we feel the exact same uncertainty. The death flags are getting tripped and we are all waiting for the wham moment. Then just when you think it might be alright, Kayo disappears and never returns.

Its lucky that Satoru happens to have a great mom. Sachiko may have just become a fan favourite with this episode as she happened to defuse Kayos mother with relative ease. She’s cool and caring in a motherly way which is a big turnaround from her first appearance, where you could easily mistake her for a deadbeat parent. But much like the cruelty of this episode we have the knowledge that in the future she is fated to be stabbed to death in Satoru’s apartment. Why must we build an attachment to characters destined to die? The strength of this series rains but this episode may be the start of things feeling a little bit rushed. While not necessarily detrimental, this episode felt fast at points.

Yuki’s soundtrack also happens to be distracting me at some points as well as there are tracks which are a far too overpowering and melodramatic for the visuals. It was rather aggravating to hear a loud violin as Satoru ran home after believing everything was set right. A moment like that calls for something more subdued, not an orchestral symphony like he defeated the demon king. But that aside the mystery deepens as Satoru seems to have effected the day that Kayo was abducted, in other words something Satoru did caused the murderer to change his mind. Or our murderer may have powers similar to that of Satoru’s. On the night we have a montage of all the adult characters, Kayos mother in particular suspiciously not being at home. I am still hedging my bets on the teacher but this mystery may have more layers to it that I first thought.

CHANGE USERNAME
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
Total users: 23

Star Crossed Anime Blog

6 User(s) Online Join Server

Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that […]

Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

Latest Reviews

The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

There are few series which can capture the mystery and wonder of a fantasy world as well as Made in Abyss. Their world is dangerous, brutal and unforgiving but beautiful, wondrous and exciting in it’s presentation. The story is of a ordinary girl called Riko and a mysterious cyborg boy called Regu traveling down the […]

Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]