Posted on 24 June 2011 with categories: Anime Reviews, The Money of Soul and Possibility Control




I’ll start off this review with a ranking of Kenji Nakamura’s series so far:
4. Kuchuu Buranko
3. C
2. Mononoke
1. Bake Neko

This guy is an excellent director who comes out every two years or so with new and interesting concepts, that are especially well directed, with bright and colourful graphics and interesting messages that other anime wouldn’t bother with. He has gotten to direct more different series than any other director so far. Even when he’s flawed, his series are just plain interesting. With C, we have his first series that follows a full storyline, rather than just a collection of short stories.

Now, C is an interesting thriller. Like Eden of the East, it focuses on social commentary, but this time it takes a look at the financial crisis. The best way to characterize this show is as “interesting”: the world it created is very original, the people that the main character meets throughout the series all have their own stories to tell to flesh out this setting, the battles and action scenes are really well directed: all of this is really interesting to watch, despite some major flaws.

Because yes, unfortunately this show is of the kind that tries to stuff way too much in way too little. This show is rushed as hell, which leads to problems that it can’t fully explain its setting, or that it can’t take the time to quietly flesh out its cast. A lot of plot twist happen completely out of nowhere because this series didn’t have time to build them up, because it was focusing on more important parts. But for a rushed series though: it held itself up really well.

This of course all depends on how easily your suspense of disbelief can be broken, but the pacing and scenario of this series continue to prevent this show from getting boring at all. Whenever this show is glossing over a detail, it’s doing so because it’s focusing on something else. The music in this series is really, really good, and the action scenes consistently belonged to the most creative and vivid of the entire season. Beyond that, it knows what parts it’s building up to and because of that it’s able to close off with a excellent finale that gives a satisfying conclusion by bringing the bits and pieces that it did manage to build up through its run together.

Now, C does not have the best acting here. It’s because of this that the characters take a bit of a time to get used to. The animation is unfortunately not the most detailed, and the entire series is full of distorted faces. The characters range from nothing special to actually quite interesting, but a big problem is that the main character belongs in the former category for a large part of the series. There are enough good characters to make up for that, though.

C has ambition and knows how to use it well. That’s the kind of series that I really like. This is the kind of series that would have been even better if it had more episodes to work with, but it prevented itself wonderfully from just driving into a wall. Instead this is a runaway truck who somehow manages to emerge still running at full speed despite having hit various things alongside its rampage.

Storytelling: 9/10 – Excellent scenario, and while the pacing might make you think that it’s going to turn into a trainwreck, it never does and only gets more dynamic and exciting.
Characters: 8/10 – Varied, from interesting to a bit of a boring main character.
Production-Values: 8/10 – Gorgeous art, though too many distorted faces and out of place CG.
Setting: 9/10 – Very creative backstory, interesting developments and while this obviously isn’t meant as an analysis of the financial crisis, it’s still very interesting in what it does with its setting. It leaves many things unanswered, but not enough to break suspense of disbelief.

Suggestions:
Eden of the East
Kuchuu Buranko

Posted on with categories: The Money of Soul and Possibility Control



And with this, Kenji Nakamura shows that he can direct a climax. heck, I’ll go out on a limb here and claim that this was his best episode since Bake Neko. This episode…. I have seen too many unbalanced series up till now, so I really didn’t think that this show would be able to do it. This show was ambitious; there’s no doubt that it would have been even better had it had 24 episodes. Many shows preceded it: Fractale, Kuragehime, Eden of the East, Toshokan Sensou, Moyashimon, and Jyu Oh Sei: all didn’t seem to understand that they only had 11 or 12 episodes. And yet this show knows its limitations and tries to make a rushed, yet exciting and interesting compromise.

This ending left stuff unexplained, but it did give the key questions a satisfying answer. I especially like how this was resolved: in the end the financial district collapsed because the yen it was based on collapsed. It wasn’t even Kimimaro who ended up solving everything: it was the golden teeth guy who brought it down. Apparently that would also cause the world to reset itself. Mikuni probably didn’t chose this option because he was afraid to lose both his sister and his money. He kept clinging to the present, which is why he was able to so easily sell off his future.

Oh, and that fight. That fight between Kimimaro and Mikuni was absolutely wonderful. The animation and direction made it into an epic ending, the type that I stopped hoping for because there are just too many shows who promise this, and end up too mundane. This was bold, daring and excellent to watch. This is really what I’m looking for in action scenes.

Thinking back, Kenji Nakamura has always had a knack for endings, but it still came as a surprise as to how good this episode was. It was obviously rushed, but it didn’t break my suspense of disbelief. Of course series that are completely logical and explained are wonderful too, (and again, C would have been even better if it got the chance to explain all these things), but the kinds of shows that test the boundaries of suspense of disbelief, yet never actually cross them are awesome too. Although with those shows you really delve into “your mileage may vary’-territory, since everyone has a different suspense of disbelief.

As the final twist, I really liked that in terms of the big picture… nothing really ended up being solved. In the new world, there just was another Financial district lending out Midas Money. Kimimaru&co didn’t really change anything, they just prevented one guy from destroying countless futures.

Overall, if this wasn’t Noitamina and gotten its length doubled, it could have been better than even the likes of Madoka Magica. Unlike most rushed series though: this series rocked. It had its problems, it didn’t have the best acting, but it had more than enough to make up for it.

As for the next Noitamina: Summer will have two adaptations, while Autumn will have two original series. With that, the writers are really going to have to pay attention to make everything fit, and end at the right moment. For examples of how to do this right: Sarai-ya Goyou, Genji Monogatari and Hourou Musuko. As for Usagi Drop, the guy behind the series composition will be a complete mystery, so we can’t say anything about that, yet. As for No6’s Seishi Minakami: he’s more of a really, really good writer than a good pacer: some of the shows he wrote and adapted are perfectly paced and fit really well in their time, while other are either too long or too short, with the biggest offender being Shigurui, who just ended. If the story itself is any good though, he is the guy who can make it even better and that’s why I’m looking forward to it. But yeah, I am not going to expect the endings for the upcoming Noitamina series to be as good as the two we got to see with C and Anohana.
Rating: *** (Awesome)

Posted on 17 June 2011 with categories: The Money of Soul and Possibility Control



Yup, the ending is going to be really important for this one: how will this get solved? That’s the big question. That will be the biggest factor in whether this show will leave a bad taste or not. The thing is that Mikuni is not one of those stereotypical villains who are evil for the sake of being evil: he made the decision to drastically alter the country and tighten the grip of the Midas Money on Japan, because the alternative would be even worse. What can Kimimaro and the information broker offer to prevent bankruptcy?

If it hits the right marks however, then this will end up as a really good series. The interesting thing with C is that we were all obviously expecting the same directional style as with Mononoke and Kuchuu Buranko, and yet it was very different. And yet, the direction in this episode was once again really good. The use of music got even better than it already was, it kept changing and keeping things dynamic while at the same time keeping things together and developing its plot in one direction. This climax so far has been rushed, but not random, and yet it was packed with neat ideas worthy of a climax, rather than just let everything devolve into just “more power!” like anime often pull this.

I am still surprised that this show hasn’t self-destructed yet, though. Lately, I’ve gotten very sceptical of series that try to stuff too much in too little. Especially adaptations suffer from this (Togainu no Chi, Yumekui Merry, Kuragehime, Sengoku Basara, Durarara), but also original stories like Fractale and Sora no Oto tripped up pretty badly in their final stretch. Interestingly, the cause of this seems to generally be half-assed pacing: the shows misuse their time, plowing on slowly and forgetting to build up vital plot points, or suddenly force a huge increase of pacing when they suddenly realize that they need to end on something epic, ending up with too little time to actually pull that off. C doesn’t have that, or so far at least.

It will depend on the next episode to see whether the creators really knew what they were doing, but so far I can see the layout of this series: first it took its time to flesh out the world with its random cases, showing a different part of is concept with every episode, while it actually started in time gaining momentum for its finale.

I mean, this show has still flaws: there’s a lot of stuff that came out of bloody nowhere, and that lack of ability to explain this stuff is unfortunate due to the short length. That black card in particular came out of nowhere and while it’s understandable that that clown would have some sort of trick like that, it would have been nice to have seen that announced beforehand. This episode also again has Kimimaro winning against all odds and I’m still not sure how he exactly did it. This was a flaw that had it coming from the beginning, and unfortunately wasn’t avoid. But those action scenes looked damn cool though.
Rating: ** (Excellent)

Posted on 10 June 2011 with categories: The Money of Soul and Possibility Control



Yeah, this was rushed, but then again, it already was clear that C was too ambitious for Noitamina. At the very least though, it hasn’t followed the same path as Eden of the East: this series has not slowed down, and instead of skipping things, it’s trying to do as much as possible in the time it has remaining.

But heck, this show is rushed, but at the very least it’s still able to get its messages across. That for me puts it ahead of shows like Eden of the East which too was ambitious but just got its entire pacing wrong when trying to fit its story in its limited time, and Kuragehime which just gave up at the final episode.

But I have to praise everything around Mikuni in this episode: this episode showed him sacrificing the country’s future (read: children) in order to catch the shock-wave that was caused from the south east Asia market. It was both wonderfully directed and it continues to flesh out the whole setting here. And heck, loaning out your future sounds very abstract, but what most people are doing here is actually loaning out their children for money. There still are many questions here, for example it keeps getting hinted that Mashu is Kimimaro’s daughter, but then it makes no sense that his father walked around with one as well.

The weak point of this episode was the drama around Kimimaru, or at least that’s what I thought when watching this episode. Thinking back, it’s just poorly acted. The reason the kiss felt weird was because the animation was very wonky and the dialogue clunky. In terms of character development they did exactly what they needed to and strengthened the plot by showing what Mikuni did to the people of Japan. The acting is still bad, but I’m really surprised that this show hasn’t fallen apart under the weight of its own plot yet. And that’s the thing it needs to remember: yeah it’s flawed, but as long as it doesn’t run into a wall it can still end up as a really worthwhile series. The big pitfall for this one right now is leaving a bad aftertaste: the final episode will be crucial for this one.
Rating: ** (Excellent)

Posted on 3 June 2011 with categories: The Money of Soul and Possibility Control



Okay, so with this episode it’s certain: C does not belong in the Noitamina slot. Its themes of course fit it nicely and all, but 11 episodes is just too little for this series. The proof came in this episode when suddenly from out of nowhere the entire world went to hell. I guess that the financial crisis of 2008 also came out of nowhere to most people and all, but a bit of a smoother build-up would have been nice here.

And yet, this episode rocked. The change with the previous episodes was… abrupt to say the least, but heck: I’ll buy it. After all, this is the kind of tension that this series needs in order to really turn its setting around. It’s in this episode where the differences between real money and Midas Money really become apparent: at first the whole concept of using your future as stocks made sortof sense, but there is one major difference here: no matter how much real money you lose: you can always recover. When Midas Money goes wrong, entire freaking countries disappear.

Kimimaro is going to be the key in whether or not the finale will succeed. I mean, he is the destined rookie of this series: he’s going to somehow end up playing a role in saving the world from bankruptcy. With the amount of time this series spent on fleshing out its setting, a cop-out ending will probably ruin most of the build-up, or at least leave a nasty aftertaste behind. Having said that though: this episode was a great start.

It’s interesting to see the “first half episodic stories, second half plot’-format in Noiramina, and it’s really paying off at this point: this episode did a great job of tying the previous episodes together, and I especially liked the teacher part, but also the way in which this episode gave both depth to the information broker and took a lot at the concept of money itself using trust was really interesting. I applaud you, series. Now keep this up, because you’re heading into a direction with a lot of potential pitfalls!
Rating: ** (Excellent)

Posted on 27 May 2011 with categories: The Money of Soul and Possibility Control



Ah, this episode was exactly what this series needed. This was an episode to look back. It took a break from the different battles, and instead gave two characters the chance to play as the narrator, in order to tell a bit more about themselves. In case of Mikuni, it’s about his past, and in case of Mashu it’s about her feelings. It’s a good chance to take a bit of a step back and focus on these characters in order to solidify the finale of this series, and this episode did that wonderfully. Oh, and it was also a really nice touch to suddenly revisit a past character who seemed like nothing but cannon fodder t the time.

I only have a few minor complaints about this episode. The animation for example wasn’t really up to par, even for this series’ standards. I really wonder what this series would have looked like if the earthquake hadn’t happened, and because of that I do have to admit that despite the creative images, Mononoke, Trapeze and Bake Neko have this one trumped in terms of visuals.

As for the individual stories, the thing with C is that none of its episodes so far have been as bad as the worst episodes of Trapeze, nor have they been as good as the best episodes of Trapeze. In terms of the overall story and characters though, C has definitely been better. Of course, Trapeze did tie itself up really nicely in its final episode, but at this pacing, this series can be able to do the same, only with a much better storyline and characters. At the same time though, the direction will never be as good as it was in Mononoke or Bake Neko. It just lacks the energy, force and timing to really draw you in with its pacing.
Bake Neko was pretty much the perfect short story, and ever since I never saw something of Kenji Nakamura that was good as that one. But his shows have always been very interesting to watch.
Rating: ** (Excellent)

Posted on 20 May 2011 with categories: The Money of Soul and Possibility Control




This was by far the best episode of C yet, and that’s a great sign, especially considering how this was the point at which Eden of the East started to dull in. It’s here where this series really shows off its messages as a social commentary and I have to say that I really like how thought-provoking this is getting.

With this episode I have finally found something that makes up for the status of the main character as the “destined rookie”: this episode actually made great use of this by having three people with completely different views contact him and try to influence him to join, and they all have their valid points here. Seriously, in terms of background and motives this series is definitely among the best of the season. Based on the first episodes, this is not something that I saw coming.

The guy of this episode had some pretty harsh criticisms to Minuki, and this really seems to be a harsh criticism to modern day Japan’s economy as well. And yet at the same time this show doesn’t pretend that that view is 100% right or wrong, but instead it offers a lot of different view. Mikuni also has a very interesting defence for his actions. The same goes for that woman that contacted him.

Also, the animation of this series has always been choppy. I’ve heard that the creators were hit hard by the earthquake, so I guess that there’s no avoiding it. But holy crap, the fight scene at the ended was animated wonderfully. Kimimaro was bound to win such an outclassed match and all, but the direction and animation there totally made up for that. It was a wonderful climax to an awesome episode.
Rating: *** (Awesome)

Posted on 12 May 2011 with categories: The Money of Soul and Possibility Control



Beyond the financial commentary, this show is also a fighting series. It’s here where most of the cliches in this series are and after watching this episode another one hit me: the main characters’ powers… are kindof bland, aren’t they? I mean, we have all these characters with cool and very creative ways of killing their opponents, from mirrors to keyholes and flying golems and bug spiky things. So what does the main character use? A small fireball. Couldn’t the creators have gotten a bit more creative with him? Right now it’s the battles between the other characters who are the most interesting.

Instead, the main characters’ purpose here is to explain what this world is about. I can definitely see the intentions of the creators: he is a novice who is being taught by one of the biggest innovators of the financial district. This way it can both go in-depth as keep this series easy to go into, even though in terms of storytelling it could have been more solidly explained.

Creating characters isn’t on the list of biggest priorities of this series, but instead it focuses on its setting. This episode went in even more detail of how the financial district influences the real world and the effects it has, ranging from big companies to random individuals. The previous episode had that too, but this episode gave these topics the depth they needed to be actually quite interesting rather than shallow. In that way, it actually made good use of its characters by using the lead characters’ worries.
Rating: ** (Excellent)

Posted on 6 May 2011 with categories: The Money of Soul and Possibility Control



It’s here where this series really shows that it’s more than just another pokemon clone. At least, until Pokemon starts turning into a series about economics. I mean, first of all taking away a guy’s kids when he goes bankrupt: that’s some pretty hardcore stuff, but this episode also really looked into why people go into the financial district, plus the difficulties in raising children.

The second half of this episode meanwhile was about reliability, something you also don’t see a lot on these fighting series. The best players are often just one-sidedly strong, while here it’s a bit more nuanced: the best players are the ones who are able to minimize their losses. It’s definitely a series that’s full of interesting ideas.

I have two complaints, though. First of all this episode introduced a lot of new characters who I doubt will able to get their depth within 11 episodes. Also, I’m still not sure why Kimimaro is the main character. He lacks… motivation. I’m still not sure why I should root for him, especially when he keeps winning through either dumb luck or other people helping him.
Rating: * (Good)

Posted on 28 April 2011 with categories: The Money of Soul and Possibility Control



After seeing so many 1-cour series screw up with their pacing, I’m glad to say that C actually knows that it should not slack off. For three episodes in a row, it has been straight to the point, with no intention to waste time. That’s definitely a good sign.

At the same time, this episode also leaves the battles for what they are, and instead focuses on the characters. Also, very important for such a short series. The introduction for that female with a lollipop was actually very good in the way that the creators turned her into a temporary narrator. These inner monologues of her were well written and took a good look at both who she is and what this setting is like.

This episode also showed the main character’s parents, what happened to them and also Souichiro’s reasons for participating in the financial district were a welcome addition to this series. If you want a mundane episode to bring some variation in the pacing, this is the way to do it.

At the same time though, I’m still a bit surprised that this show does have its share of cliches here and there. The disappearing father and especially being really angry at him for it have been done quite often now, so it’s going to matter even more for this show to make good use of them. The crying scene perhaps wasn’t the best way to do that, though. The acting in this series isn’t the worst of this season, but it also doesn’t stand out either, so that also will have to be compensated by something else.
Rating: * (Good)

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Anonymous951955
We'll see; trailers can give false impressions
Anonymous951955
Not that all changes from source adaptations are terrible, but in this case, at least the trailer makes it look pretty bad.
Anonymous951955
It looks not great; I understand the need to change it a bit to suit the format/audience, but at what point does it turn from adaption to "loosely based on"?
HelghastKillzone
I'm glad we're past the phase of moe club shows.
AidanAK47
@Helghast, now that's something I never thought I would hear.
HelghastKillzone
Hell ya. We are in a golden age of anime that is filled with options and quality.
Anonymous951809
What a great week! Iron Blooded Orphans, Onihei, Little Witch Academia and ACCA 13 all had great episodes! I am spoiled!
Anonymous950847
@Anon and @Aikan

The LoGH manga remake has been out. It did not work for me.

I hope he anime goes its own way. I do trust Production IG, so I hope. I think it might not be this year. No lgoic, just a hunch.
AidanAK47
@Anon, Only info I can find is that it's coming out this year and it will be by Production IG. But I think you are right in that if it;s coming this year it will definitely be winter.
Feeling rather cautious about the remake myself. LoGH is dated visually but in a way it is a product of it's time and things you could forgive in the old version wouldn't be so forgivable in the new.
Anonymous949997
Does anybody know when that LoGH readaptation is coming? It's supposed to be this year right? Probably winter right?
SuperMario
But I will give it a full review anyways because all the amount of time I spent in that series should be paid off somehow, right?
Kaiser-Eoghan
But serious Gohands is a studio that had potential its just a shame its wasted on rubbish writers. Although I did like mardock scramble, because cyberpunk =)
Kaiser-Eoghan
If I met handshakers in public I'd refuse to shake its hand =D
SuperMario
Oh, it's actually just an extra Hand Shakers episode that serves as a prequel story. Not that bad then
SuperMario
Not to disregard Hand Shakers, but the best way to describe how I feel about that series is mind-numbing
Kaiser-Eoghan
They tried with that Military guy and his daughter but not by much.
Kaiser-Eoghan
But I do agree that there needs to be more to the characters, right now its JUST Tanya.
Kaiser-Eoghan
As for Tanya, having caught up with it, its a nice trashy guilty pleasure, especially due to the protagonist and I enjoy the setting because I'm a war film fan and like some of the action/politicking. I still do wish it was aesthetically a bit better. The dub isn't that bad and I'd welcome a second season.
Kaiser-Eoghan
In an ideal world Kino's journey would have been a good model for what light novel adaptations can be and SHOULD be.
Kaiser-Eoghan
If we must have more light novel adaptations, I would prefer them to be like Tanya, Muvluv, okay hardly breathtaking, but still better than that thing Aidan linked.
Lenlo
*Sigh* It looks exactly how I imagined it would and its terrible.
Lenlo
Please dont tell me thats an actual title.
AidanAK47
In another world with my smart phone light novel to get an anime.

Oh my god...This literally sounds like a joke title you would see within an anime. Tried giving it an honest chance by reading it and it's just shit. Just pure terrible.
AidanAK47
If people in Japan are actually buying blurays thinking its a good show then something is seriously wrong with the world.
AidanAK47
@Topgavin, maybe too many people watched it because it was so terrible. I haven't watched past episode 1 but it doesn't sound like it improved.
Topgavin
Just incase you guys were avidly waiting for the announcement, Hand Shakers is getting a prequel season because it's apparently selling well......
SuperMario
Should be happy for it, though I'm a bit disappointed that I can't be able to cover it
SuperMario
Inside Mari gets live-action series adaptation. Why not anime?? Duh
Spike
Little Witch Academia finally tips it's hand on the overall plot! I'm pretty pleased and think some direction might help bump it up from just being 'good' overall.
HelghastKillzone
@KTravlos Still watching it week by week and I'll write up a review on the second season of Iron-Blooded when it ends.
Kaiser-Eoghan
@Mario: It is however the kind of anime film that would have the wide audience appeal though, as in anime for people who don't watch anime.
SuperMario
@Kaiser: just prove that people has paid attention to anime. That's an encouraging sign actually
Kaiser-Eoghan
Feck, silent voice was booked out when I got there just now....should have booked in advance, showing at 7:00 on Friday booking it now.
SuperMario
@KTravlos: I haven't, but that more because I'm not a big fan of Mecha genre. I believe one of our writer HelghastKillzone still follow the series
KTravlos
No idea, if you are all still watching MS Gundam: Iron Blooded Orphans. I am, and while the 2nd Season toned down some of the elements that made the 1st Season good, it is still pretty good with the last episode doing a great job. If it keeps it, it definitely is head to head with Turn A Gundam for my favorite long-form Gundam Series (I am doing Gundam Origins for the original story)
Lenlo
Mhmm. It was one of those shows it weave adult themes into a kids show, so it had something for both. Now I can also appreciate the artstyle that doesnt use hard black outlines for everything.
AidanAK47
If anything I get so much more out of Samurai Jack now than when I watched it as a kid.
Lenlo
Love that dude Aidan. And yes Kaiser, I think anyone get enjoy it now. I love that its back, but even without that its easily standing on its own
Kaiser-Eoghan
How much of this love of samurai jack is a nostalgia driven thing? I'm not knocking that nostalgia but would it be possible to get something out of the show now if I never watched it when I was younger?
Lenlo
Yeah, that conversation was great. Really shows you how messed up hes become. Its also amazing when you realize that was the last set of spoken dialogue in the episode. There was not a single word uttered in the second half.
Kaiser-Eoghan
The audience who enjoyed samurai Jack has grown up, them bringing up seppuku and blood is possibly a part of that.
AidanAK47
Scene with the coffins was awesome as was the fight in the dark. My personal favorite part of the episode though was Jack arguing with his old design self. And young jack suggesting committing seppuku made my eyebrows raise. I mean..damn.
Lenlo
I agree Aidan. That quick shot of Jack vs the Daughter, with the sudden blood, suprised me as much as it did Jack. I really loved the scene with the coffins. The music nad sound was just great there.
AidanAK47
@Lenlo, It was a really great episode. I love the meta of Jack being worn down by the wait and the wait the viewers had to endure for the new season. I is rather odd seeing blood in Samurai Jack though but it does make that particular moment have so much more impact.
Topgavin
April 16th for NZ. It is a lesser known movie than Kimi no na wa though, so I do wonder how available it's going to be in cinemas
Lenlo
This second episode of Jack was really just amazing. Its making full use of the new budget/tech for the art and of the new rating, along with the impact the timeskip would have on Jack. The cinematography was superb as well.
SuperMario
@Kaiser: Koe ko machi will creen in Aussie in the beginning of April as well. I'll go to watch it; but I would love to jear your thoughts on the movie.
Kaiser-Eoghan
There is a preview screening of koe to kachi on Monday night, depending I may go, I may review it or at least talk about it on here.
Kaiser-Eoghan
I'm dying waiting for the Blame! anime film adaptation to come out in May. I've wanted an adaptation for years.
Kaiser-Eoghan
And I'm too much of a cheap-ass to actually buy anything, don't even use legal streaming for films or anime/manga/comics, pirate almost everything.
Kaiser-Eoghan
Or shelves for that matter.
Kaiser-Eoghan
I've fallen out of the collectors thing pretty much entirely. I don't like to advertise any of my interests on my bedroom wall either.
Kaiser-Eoghan
Some years ago I ended up selling almost all of my anime dvds/vhs and manga, comic books aswell, took down my posters and moved what figures I had left into attic boxes , just no space for it and it was a good way to get some quick extra cash.
Lenlo
I love Rakugo as well, im not meaning to bad talk it at all. I simply also agree with Aiden that slow rolling us with Yakumo's death was poorly done and that its feeling stretched.
Topgavin
Nevermind, the $30 price tag made that decision for me
Topgavin
Weird how I see $8 movies on youtube as a ripoff yet a $90 series as a bargain. All these $300 box sets made me think it'd be in the hundreds. Wonder if I should get rebellion too
SuperMario
I'm still pretty much a fan of Rakugo this season. It goes much darker than the first season, something I didn't dare to think before consider this isYotaro's story. Would love to see more about rakugo's industry but this season does flesh out a lot of our core characters
Kaiser-Eoghan
I said it before but I'll bring it up again, the slow pace allows for, when big things happen to have a larger impact when they do.
Kaiser-Eoghan
*In
**and(not on) waiting for the series to finish
Anonymous935946
Season 1 showed a lot more, different periods and times, the development of Rakugo, the tragedy of Sukeroku & Miyokichi (or at least one version). In contrast, season 2 was basically about Sukeroku's legacy in the form of Yotaro and Konatsu and their kids, and Yakumo's relationship with death, changing from fatalistic to happiness over the course of the series.
Kaiser-Eoghan
I think it might be 13 episodes, the first season had 13.
Anonymous935946
To be honest, I understand your point: It's hard to actually describe what happened in season 2. I guess I became invested into Yakumo in season 1, and then warmed up to Yota and Konatsu in this season.
Anonymous935946
Yeah, I think they certainly could have compressed the front half of the season. There wasn't too much plot going on, but I enjoyed the characters and their interactions, so I didn't mind the deliberate pacing.
Lenlo
I still really like Rakugo, its really good, it just probably didnt need 12 episodes. That said, really lookin forward to the timeskip
Kaiser-Eoghan
@Mario: I've never actually seen any of Olivier Asayas' films come to think of it.
Kaiser-Eoghan
But going back to that dragging on, that did factor in almost making me hold off on waiting for the series to finish before going back. The anon's comment was what got me to watch this weeks episode right now rather than waiting till later.
Kaiser-Eoghan
Rakugo remains at this point still going in too long, but in fairness to the anon, yes the episodes conclusion was effective on emotional level and I bought into the dreamy atmosphere, largely due to the good cinematography the series uses.
Lenlo
Really? Im torn. Im glad they didnt bait and switch us again, but I always liked how grounded Rakugo was so im not sure how ok I am with the supernatural part and some of it felt like fanservice in regards to bringing characters back. The VA though is fantastic as always and I am definitely looking forward to this last timeskip. Cant wait to see the kids grown up.
Anonymous935526
Rakugo was otherworldly today. Not going to lie, was fighting tears back, but failed at the end.
SuperMario
@Topgavin: the bluray goes by region as well so you can only buy it in Australia/NZ region (region 4). For Madoka I still find it easiest to just go to JB Hi Fi and buy it. Sometimes I find it cheaper from JB Hi Fi than even their original distribution company.
AidanAK47
@Topgavin, I ordered my Madoka bluray's from Amazon.co.uk.
Topgavin
Where do you guys buy your merch? Was looking into buying the Madoka blurays but can't find a reliable place to ship to NZ.
SuperMario
@Kaiser: nah, Personal Shopper isn't even a horror. It's just a failed arthouse that have little to say except grief.
SuperMario
...even now. For Raw, I would never expect the positive reactions from mainstream. I think the film really push the tolerance of the voewers, but it was a refrrshing watch.
SuperMario
@Kaiser: now you mentioned 2 films thay I really fond of. I come from Vietnam, so I could easily tell you that the settings are staged. The dialogue is pretty unnatural as well, but the movie grows a lot on me. I still love the striking visual and a long, slow mood the film evoke, and It speaks to one of the theme (women's identity in Vietnam society) that speaks well to me and still relevant...
Kaiser-Eoghan
@Mario: Is personal shopper really that mediocre a horror film?
Kaiser-Eoghan
@Mario: I also got back from seeing Raw a couple of hours ago, though the violence was enjoyable I was expecting it to be more so, it was also surprisingly funny at times.
Kaiser-Eoghan
@Mario: I did eventually see Scent of Green Papaya, while I did like that a plot actually did appear later on I was mostly content to find it a really pretty looking and generally relaxing film.
Kaiser-Eoghan
@Aidan: =< Sorry that anon post was me, was using the work computer and didn't log in.
AidanAK47
@Anon, don't do that. Don't hint at future events and just let people see for themselves.
Anonymous930711
The glasses teacher in scum's wish will have an interesting moment to look out for in the coming episodes, I read on in the manga. Only one chapter left.
SuperMario
*ED instead of OD
SuperMario
@anon928813: usually they will release the music separately from the DVD/Blurays. I believed the OP had released last year, and according to their website the OD gonna release in 5th of April
Anonymous928813
Does anyone know the release date for Zaregoto's OST? Is it bundled with one of the BDs?
Kaiser-Eoghan
Y'know I'd like to see this Akane-sensei girl attempt to seduce me and just watch her fail at trying to do so.
Kaiser-Eoghan
My guess is that Miura will do another 6 or so chapter run then put it down for another while.
Lenlo
Im so happy Berserk Manga is starting up again, but im curious for how long. I remember sitting through that boat. I was there for all 7 years of it. Im like a hiatus vet now
Kaiser-Eoghan
Pretty much in agreement on titan where after what the first season covers I've pretty much been waiting for it to get back on track before I bother to get back to it.
Kaiser-Eoghan
I should be catching up and sangatsu and acca.
Kaiser-Eoghan
I never saw kekkai sensens first season so there's little chance of me watching the sequel.
Kaiser-Eoghan
Berserk and Natsume I'll just stick with the manga. I don't know about Bahamut, it took me a few episodes to get into before it became fun, but then the ending was disappointing, again maybe there's room for improvement in season 2.
Kaiser-Eoghan
I would hope that eccentric families second season would be able to live up to the potential of building on the first. However it's been a while since I've seen season one, might need to refresh myself.
SuperMario
For the Spring season, it is a season of sequels. From sequels alone, I'll follow Berserk, Eccentric Family, BBB, My Hero Academia, Attack on Titan, Natsume (is it the last season?), How to Raise a Boring girlfriend. I dropped Shingeki no Bahamut after 3 episodes, but might pick it up again before the new season begin.
SuperMario
Before that, Utena and Haruhi.
SuperMario
Gotta love the extend a passionate fan would go. The last time I felt passionate about something anime-wise was Monogatari as there was a period of several months that I watched nothing but that series, and rewatched and rewatched. It just clicked with me personally at that stage of my life.
Lenlo
At this point, ill watch/read anything with Berserk on it. I already own all of the original print runs of the Manga. If I had the money, I would buy everything else.
SuperMario
@Lenlo: I'll be on the same boat with you regarding Berserk. I know I CAN ENDURE it (finger crossed)
Lenlo
Man, your season preview reminded me I soon have to watch another season of CGI Berserk. Im not going to like it, but its a trial I must go through as a hardcore Berserk fan.
Lenlo
Im glad they didnt lose the funny robots in their pursuit of the Grimdark
Lenlo
That flute into Skatman-like singing was great
AidanAK47
@Lenlo, I had the biggest smile when Jack destroyed the robots flute and he started singing with his mouth. Looking at clips of the show on youtube I don't think I appreciated just how funny this show was. Also digging Jacks PTSD and the daughters of Aku.
Lenlo
Dude has problems and I loved the singing robot
Lenlo
Have to say, enjoyed seeing Jack again.
Lenlo
Thanks Aidan! Cant wait to watch it tonight
Kaiser-Eoghan
Well I suppose it is moreso samurai Jack wasn't really a large part of my childhood.
AidanAK47
Don't know how it is for security but I never really had trouble with it.
Lenlo
Love me some Samurai Jack though
Lenlo
It may just be Malwarebytes actin up. Ill look into it and if its a false flag check it out.
Kaiser-Eoghan
I never really had any opinion of samurai Jack when it was airing.
Kaiser-Eoghan
Oh I'm enthusiastic about Kino season 2, but I want to be cautiously optimistic just in case.
Kaiser-Eoghan
But has anyone read on in the Kino novels to confirm that a second season would have good material to work with, would it fall prey to the light novel curse that apparently many of then weaken by the third volume?
Kaiser-Eoghan
The only issue I've found with kiss is that, in firefox at least, sometimes it slows down my browser but only now and then. Never had any trouble with viruses or mal/spyware on it. Though it won't allow adblock =<
SuperMario
@Aidan: I was surprised at Kino's Journey news as well. Yay for having a new season!!
SuperMario
I have no problem with kiss whatsoever regarding virus. Hehe then try to catch it at Toonami
Lenlo
Yeeeah, sorry, my anti-virus isnt that big a fan of kiss.
SuperMario
You can watch it online at kisscartoon, of course at your own risk ^^
Lenlo
I really want to watch the new Samurai Jack season, but I cant catch it when it airs and dont know where to find it otherwise
AidanAK47
Plan on getting the spring season Preview up today or Tommarrow. Things basically written up so it's just a matter of getting it to look right on the site.
AidanAK47
Who here is watching the new season of Samurai Jack? That first episode hit me hard with nostalgia. It's like he never left.
AidanAK47
Spice and Wolf season 3 may not be so impossible after all. Or hell even a Spice and wolf full remake, FMA Brotherhood style.
AidanAK47
Holy crap, Kino's Journey is getting a new anime. Never thought that would happen. Sweet.
Lenlo
Art was great, sound was great, an argument could easily be made for 9/10. Its just cohesive story and efficient use of episodes means alot to me. I kinda had to actively remind my self to watch after ep 6 and then binged 10+.
Lenlo
8.5/10. I really liked the start, the middle kinda lagged plot wise for me which is always my most important metric, and the last 3-4 episodes were great.
SuperMario
@Lenlo: how would you rate it?
SuperMario
@Lenlo: it's the middle part that I completely fell in love with. Well, guess that everyone have different taste huh?
Lenlo
So finally finished Flip Flappers. Had it on my to do list since last season. It ended pretty well imo, but the middle lagged for me in places.
AidanAK47
HXH does pull off drama well but one thing that annoys me is how it builds up these big confrontations just to have them fizzle out. An anticlimax may be unexpected but in some case it would be more satisfying to just have things play out predictably.
Lenlo
And it did it better than Naruto, which had 7 years to pull that off.
Lenlo
I think one of the reasons HxH pulled it off so well, is because the first like 100 episodes built up to it. It pulled off the slow transition of basic shounen to well developed drama sort of thing very well. It slow rolled us basically.
Topgavin
Since when did HxH become a feels trip show? ep135 just ruined me, and did it better than actual 'feels trip' shows because of how unexpected and masterfully executed it was. The Chimera ant arc may have been slow, but by itself it was very FMA:B reminiscent with the huge character cast, amazing execution and the conflict in antagonists and humans and their values/morals.
SuperMario
@KAiser: oh man, you remind me again that I need to watch Bela Tarr's films. I remember one of the blogger was frustrated at the Turin Horse for "showing the pot of boiled potato for 10 minutes". I was cackling hard with his comment.
Kaiser-Eoghan
@Mario: The realist genre in general really clicks with me, the neo-realist movement, can't get enough of it.
Kaiser-Eoghan
Selish giant, ratcatcher and fishtank, maybe even gummo might be other good example of social realist stuff.
Kaiser-Eoghan
Bela Tarr did two accessible films in his early career called Prefab people and family nest which had a social realist feel to them.
Kaiser-Eoghan
@Mario: I've seen Kathy come home, Daniel Blake, Kes and wind that shakes the barley, of those Kathy and Daniel were the most emotional rewarding but being Irish it was very easy to connect with wind that shakes the barley. But yes I agree (as would my father) that Loach loves to "announce everything" or turn everything into a speech.
SuperMario
I've heard good things about Lorna's Silence as well
SuperMario
so do you watch Ken Loach? admittedly I just watched his I, Daniel Blake and it was solid, but a bit too much "message" for my taste
Kaiser-Eoghan
@Mario: I'm fond of that kitchen sink/social realist type of drama in general.
Kaiser-Eoghan
Yes! I finally actually properly registered my name on here!
@Mario: I've seen Rosetta, L'enfant and le Promese, two days one night, very moving and affecting films. My eye is on Lorna's silence , but I haven't seen kid with the bike, so I'll give that a look.
SuperMario
@Kaiser: fair enough, although for me I never really care about the dub version. Always prefer the Japanese voices :)
SuperMario
They have such a simple, yet direct handheld film making styles, so simple that many accused them for being amateurish.
SuperMario
@Kaiser: I actually watched a handful of Dardenne's works so I can give you my recommendation. Rosetta for me is their best, L'Efant, The Kid with a Bike and 3 Days 2 Nights are all excellent; with their latest The Unknown Girl was a slightly letdown
KaiserEoghan
@Mario: Acca is quite slow and wordy, so I will wait for the English dub.
KaiserEoghan
@Mario: Might check out some more of the Dardenne’s works soon.
KaiserEoghan
@Mario: Yes, I also agree that Erdmann was largely more of a drama, though the balance between comedy and drama was masterful.
Total users: 29

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