Posted on 24 June 2011 with categories: Anime Reviews, The Money of Soul and Possibility Control




I’ll start off this review with a ranking of Kenji Nakamura’s series so far:
4. Kuchuu Buranko
3. C
2. Mononoke
1. Bake Neko

This guy is an excellent director who comes out every two years or so with new and interesting concepts, that are especially well directed, with bright and colourful graphics and interesting messages that other anime wouldn’t bother with. He has gotten to direct more different series than any other director so far. Even when he’s flawed, his series are just plain interesting. With C, we have his first series that follows a full storyline, rather than just a collection of short stories.

Now, C is an interesting thriller. Like Eden of the East, it focuses on social commentary, but this time it takes a look at the financial crisis. The best way to characterize this show is as “interesting”: the world it created is very original, the people that the main character meets throughout the series all have their own stories to tell to flesh out this setting, the battles and action scenes are really well directed: all of this is really interesting to watch, despite some major flaws.

Because yes, unfortunately this show is of the kind that tries to stuff way too much in way too little. This show is rushed as hell, which leads to problems that it can’t fully explain its setting, or that it can’t take the time to quietly flesh out its cast. A lot of plot twist happen completely out of nowhere because this series didn’t have time to build them up, because it was focusing on more important parts. But for a rushed series though: it held itself up really well.

This of course all depends on how easily your suspense of disbelief can be broken, but the pacing and scenario of this series continue to prevent this show from getting boring at all. Whenever this show is glossing over a detail, it’s doing so because it’s focusing on something else. The music in this series is really, really good, and the action scenes consistently belonged to the most creative and vivid of the entire season. Beyond that, it knows what parts it’s building up to and because of that it’s able to close off with a excellent finale that gives a satisfying conclusion by bringing the bits and pieces that it did manage to build up through its run together.

Now, C does not have the best acting here. It’s because of this that the characters take a bit of a time to get used to. The animation is unfortunately not the most detailed, and the entire series is full of distorted faces. The characters range from nothing special to actually quite interesting, but a big problem is that the main character belongs in the former category for a large part of the series. There are enough good characters to make up for that, though.

C has ambition and knows how to use it well. That’s the kind of series that I really like. This is the kind of series that would have been even better if it had more episodes to work with, but it prevented itself wonderfully from just driving into a wall. Instead this is a runaway truck who somehow manages to emerge still running at full speed despite having hit various things alongside its rampage.

Storytelling: 9/10 – Excellent scenario, and while the pacing might make you think that it’s going to turn into a trainwreck, it never does and only gets more dynamic and exciting.
Characters: 8/10 – Varied, from interesting to a bit of a boring main character.
Production-Values: 8/10 – Gorgeous art, though too many distorted faces and out of place CG.
Setting: 9/10 – Very creative backstory, interesting developments and while this obviously isn’t meant as an analysis of the financial crisis, it’s still very interesting in what it does with its setting. It leaves many things unanswered, but not enough to break suspense of disbelief.

Suggestions:
Eden of the East
Kuchuu Buranko

Posted on with categories: The Money of Soul and Possibility Control



And with this, Kenji Nakamura shows that he can direct a climax. heck, I’ll go out on a limb here and claim that this was his best episode since Bake Neko. This episode…. I have seen too many unbalanced series up till now, so I really didn’t think that this show would be able to do it. This show was ambitious; there’s no doubt that it would have been even better had it had 24 episodes. Many shows preceded it: Fractale, Kuragehime, Eden of the East, Toshokan Sensou, Moyashimon, and Jyu Oh Sei: all didn’t seem to understand that they only had 11 or 12 episodes. And yet this show knows its limitations and tries to make a rushed, yet exciting and interesting compromise.

This ending left stuff unexplained, but it did give the key questions a satisfying answer. I especially like how this was resolved: in the end the financial district collapsed because the yen it was based on collapsed. It wasn’t even Kimimaro who ended up solving everything: it was the golden teeth guy who brought it down. Apparently that would also cause the world to reset itself. Mikuni probably didn’t chose this option because he was afraid to lose both his sister and his money. He kept clinging to the present, which is why he was able to so easily sell off his future.

Oh, and that fight. That fight between Kimimaro and Mikuni was absolutely wonderful. The animation and direction made it into an epic ending, the type that I stopped hoping for because there are just too many shows who promise this, and end up too mundane. This was bold, daring and excellent to watch. This is really what I’m looking for in action scenes.

Thinking back, Kenji Nakamura has always had a knack for endings, but it still came as a surprise as to how good this episode was. It was obviously rushed, but it didn’t break my suspense of disbelief. Of course series that are completely logical and explained are wonderful too, (and again, C would have been even better if it got the chance to explain all these things), but the kinds of shows that test the boundaries of suspense of disbelief, yet never actually cross them are awesome too. Although with those shows you really delve into “your mileage may vary’-territory, since everyone has a different suspense of disbelief.

As the final twist, I really liked that in terms of the big picture… nothing really ended up being solved. In the new world, there just was another Financial district lending out Midas Money. Kimimaru&co didn’t really change anything, they just prevented one guy from destroying countless futures.

Overall, if this wasn’t Noitamina and gotten its length doubled, it could have been better than even the likes of Madoka Magica. Unlike most rushed series though: this series rocked. It had its problems, it didn’t have the best acting, but it had more than enough to make up for it.

As for the next Noitamina: Summer will have two adaptations, while Autumn will have two original series. With that, the writers are really going to have to pay attention to make everything fit, and end at the right moment. For examples of how to do this right: Sarai-ya Goyou, Genji Monogatari and Hourou Musuko. As for Usagi Drop, the guy behind the series composition will be a complete mystery, so we can’t say anything about that, yet. As for No6’s Seishi Minakami: he’s more of a really, really good writer than a good pacer: some of the shows he wrote and adapted are perfectly paced and fit really well in their time, while other are either too long or too short, with the biggest offender being Shigurui, who just ended. If the story itself is any good though, he is the guy who can make it even better and that’s why I’m looking forward to it. But yeah, I am not going to expect the endings for the upcoming Noitamina series to be as good as the two we got to see with C and Anohana.
Rating: *** (Awesome)

Posted on 17 June 2011 with categories: The Money of Soul and Possibility Control



Yup, the ending is going to be really important for this one: how will this get solved? That’s the big question. That will be the biggest factor in whether this show will leave a bad taste or not. The thing is that Mikuni is not one of those stereotypical villains who are evil for the sake of being evil: he made the decision to drastically alter the country and tighten the grip of the Midas Money on Japan, because the alternative would be even worse. What can Kimimaro and the information broker offer to prevent bankruptcy?

If it hits the right marks however, then this will end up as a really good series. The interesting thing with C is that we were all obviously expecting the same directional style as with Mononoke and Kuchuu Buranko, and yet it was very different. And yet, the direction in this episode was once again really good. The use of music got even better than it already was, it kept changing and keeping things dynamic while at the same time keeping things together and developing its plot in one direction. This climax so far has been rushed, but not random, and yet it was packed with neat ideas worthy of a climax, rather than just let everything devolve into just “more power!” like anime often pull this.

I am still surprised that this show hasn’t self-destructed yet, though. Lately, I’ve gotten very sceptical of series that try to stuff too much in too little. Especially adaptations suffer from this (Togainu no Chi, Yumekui Merry, Kuragehime, Sengoku Basara, Durarara), but also original stories like Fractale and Sora no Oto tripped up pretty badly in their final stretch. Interestingly, the cause of this seems to generally be half-assed pacing: the shows misuse their time, plowing on slowly and forgetting to build up vital plot points, or suddenly force a huge increase of pacing when they suddenly realize that they need to end on something epic, ending up with too little time to actually pull that off. C doesn’t have that, or so far at least.

It will depend on the next episode to see whether the creators really knew what they were doing, but so far I can see the layout of this series: first it took its time to flesh out the world with its random cases, showing a different part of is concept with every episode, while it actually started in time gaining momentum for its finale.

I mean, this show has still flaws: there’s a lot of stuff that came out of bloody nowhere, and that lack of ability to explain this stuff is unfortunate due to the short length. That black card in particular came out of nowhere and while it’s understandable that that clown would have some sort of trick like that, it would have been nice to have seen that announced beforehand. This episode also again has Kimimaro winning against all odds and I’m still not sure how he exactly did it. This was a flaw that had it coming from the beginning, and unfortunately wasn’t avoid. But those action scenes looked damn cool though.
Rating: ** (Excellent)

Posted on 10 June 2011 with categories: The Money of Soul and Possibility Control



Yeah, this was rushed, but then again, it already was clear that C was too ambitious for Noitamina. At the very least though, it hasn’t followed the same path as Eden of the East: this series has not slowed down, and instead of skipping things, it’s trying to do as much as possible in the time it has remaining.

But heck, this show is rushed, but at the very least it’s still able to get its messages across. That for me puts it ahead of shows like Eden of the East which too was ambitious but just got its entire pacing wrong when trying to fit its story in its limited time, and Kuragehime which just gave up at the final episode.

But I have to praise everything around Mikuni in this episode: this episode showed him sacrificing the country’s future (read: children) in order to catch the shock-wave that was caused from the south east Asia market. It was both wonderfully directed and it continues to flesh out the whole setting here. And heck, loaning out your future sounds very abstract, but what most people are doing here is actually loaning out their children for money. There still are many questions here, for example it keeps getting hinted that Mashu is Kimimaro’s daughter, but then it makes no sense that his father walked around with one as well.

The weak point of this episode was the drama around Kimimaru, or at least that’s what I thought when watching this episode. Thinking back, it’s just poorly acted. The reason the kiss felt weird was because the animation was very wonky and the dialogue clunky. In terms of character development they did exactly what they needed to and strengthened the plot by showing what Mikuni did to the people of Japan. The acting is still bad, but I’m really surprised that this show hasn’t fallen apart under the weight of its own plot yet. And that’s the thing it needs to remember: yeah it’s flawed, but as long as it doesn’t run into a wall it can still end up as a really worthwhile series. The big pitfall for this one right now is leaving a bad aftertaste: the final episode will be crucial for this one.
Rating: ** (Excellent)

Posted on 3 June 2011 with categories: The Money of Soul and Possibility Control



Okay, so with this episode it’s certain: C does not belong in the Noitamina slot. Its themes of course fit it nicely and all, but 11 episodes is just too little for this series. The proof came in this episode when suddenly from out of nowhere the entire world went to hell. I guess that the financial crisis of 2008 also came out of nowhere to most people and all, but a bit of a smoother build-up would have been nice here.

And yet, this episode rocked. The change with the previous episodes was… abrupt to say the least, but heck: I’ll buy it. After all, this is the kind of tension that this series needs in order to really turn its setting around. It’s in this episode where the differences between real money and Midas Money really become apparent: at first the whole concept of using your future as stocks made sortof sense, but there is one major difference here: no matter how much real money you lose: you can always recover. When Midas Money goes wrong, entire freaking countries disappear.

Kimimaro is going to be the key in whether or not the finale will succeed. I mean, he is the destined rookie of this series: he’s going to somehow end up playing a role in saving the world from bankruptcy. With the amount of time this series spent on fleshing out its setting, a cop-out ending will probably ruin most of the build-up, or at least leave a nasty aftertaste behind. Having said that though: this episode was a great start.

It’s interesting to see the “first half episodic stories, second half plot’-format in Noiramina, and it’s really paying off at this point: this episode did a great job of tying the previous episodes together, and I especially liked the teacher part, but also the way in which this episode gave both depth to the information broker and took a lot at the concept of money itself using trust was really interesting. I applaud you, series. Now keep this up, because you’re heading into a direction with a lot of potential pitfalls!
Rating: ** (Excellent)

Posted on 27 May 2011 with categories: The Money of Soul and Possibility Control



Ah, this episode was exactly what this series needed. This was an episode to look back. It took a break from the different battles, and instead gave two characters the chance to play as the narrator, in order to tell a bit more about themselves. In case of Mikuni, it’s about his past, and in case of Mashu it’s about her feelings. It’s a good chance to take a bit of a step back and focus on these characters in order to solidify the finale of this series, and this episode did that wonderfully. Oh, and it was also a really nice touch to suddenly revisit a past character who seemed like nothing but cannon fodder t the time.

I only have a few minor complaints about this episode. The animation for example wasn’t really up to par, even for this series’ standards. I really wonder what this series would have looked like if the earthquake hadn’t happened, and because of that I do have to admit that despite the creative images, Mononoke, Trapeze and Bake Neko have this one trumped in terms of visuals.

As for the individual stories, the thing with C is that none of its episodes so far have been as bad as the worst episodes of Trapeze, nor have they been as good as the best episodes of Trapeze. In terms of the overall story and characters though, C has definitely been better. Of course, Trapeze did tie itself up really nicely in its final episode, but at this pacing, this series can be able to do the same, only with a much better storyline and characters. At the same time though, the direction will never be as good as it was in Mononoke or Bake Neko. It just lacks the energy, force and timing to really draw you in with its pacing.
Bake Neko was pretty much the perfect short story, and ever since I never saw something of Kenji Nakamura that was good as that one. But his shows have always been very interesting to watch.
Rating: ** (Excellent)

Posted on 20 May 2011 with categories: The Money of Soul and Possibility Control




This was by far the best episode of C yet, and that’s a great sign, especially considering how this was the point at which Eden of the East started to dull in. It’s here where this series really shows off its messages as a social commentary and I have to say that I really like how thought-provoking this is getting.

With this episode I have finally found something that makes up for the status of the main character as the “destined rookie”: this episode actually made great use of this by having three people with completely different views contact him and try to influence him to join, and they all have their valid points here. Seriously, in terms of background and motives this series is definitely among the best of the season. Based on the first episodes, this is not something that I saw coming.

The guy of this episode had some pretty harsh criticisms to Minuki, and this really seems to be a harsh criticism to modern day Japan’s economy as well. And yet at the same time this show doesn’t pretend that that view is 100% right or wrong, but instead it offers a lot of different view. Mikuni also has a very interesting defence for his actions. The same goes for that woman that contacted him.

Also, the animation of this series has always been choppy. I’ve heard that the creators were hit hard by the earthquake, so I guess that there’s no avoiding it. But holy crap, the fight scene at the ended was animated wonderfully. Kimimaro was bound to win such an outclassed match and all, but the direction and animation there totally made up for that. It was a wonderful climax to an awesome episode.
Rating: *** (Awesome)

Posted on 12 May 2011 with categories: The Money of Soul and Possibility Control



Beyond the financial commentary, this show is also a fighting series. It’s here where most of the cliches in this series are and after watching this episode another one hit me: the main characters’ powers… are kindof bland, aren’t they? I mean, we have all these characters with cool and very creative ways of killing their opponents, from mirrors to keyholes and flying golems and bug spiky things. So what does the main character use? A small fireball. Couldn’t the creators have gotten a bit more creative with him? Right now it’s the battles between the other characters who are the most interesting.

Instead, the main characters’ purpose here is to explain what this world is about. I can definitely see the intentions of the creators: he is a novice who is being taught by one of the biggest innovators of the financial district. This way it can both go in-depth as keep this series easy to go into, even though in terms of storytelling it could have been more solidly explained.

Creating characters isn’t on the list of biggest priorities of this series, but instead it focuses on its setting. This episode went in even more detail of how the financial district influences the real world and the effects it has, ranging from big companies to random individuals. The previous episode had that too, but this episode gave these topics the depth they needed to be actually quite interesting rather than shallow. In that way, it actually made good use of its characters by using the lead characters’ worries.
Rating: ** (Excellent)

Posted on 6 May 2011 with categories: The Money of Soul and Possibility Control



It’s here where this series really shows that it’s more than just another pokemon clone. At least, until Pokemon starts turning into a series about economics. I mean, first of all taking away a guy’s kids when he goes bankrupt: that’s some pretty hardcore stuff, but this episode also really looked into why people go into the financial district, plus the difficulties in raising children.

The second half of this episode meanwhile was about reliability, something you also don’t see a lot on these fighting series. The best players are often just one-sidedly strong, while here it’s a bit more nuanced: the best players are the ones who are able to minimize their losses. It’s definitely a series that’s full of interesting ideas.

I have two complaints, though. First of all this episode introduced a lot of new characters who I doubt will able to get their depth within 11 episodes. Also, I’m still not sure why Kimimaro is the main character. He lacks… motivation. I’m still not sure why I should root for him, especially when he keeps winning through either dumb luck or other people helping him.
Rating: * (Good)

Posted on 28 April 2011 with categories: The Money of Soul and Possibility Control



After seeing so many 1-cour series screw up with their pacing, I’m glad to say that C actually knows that it should not slack off. For three episodes in a row, it has been straight to the point, with no intention to waste time. That’s definitely a good sign.

At the same time, this episode also leaves the battles for what they are, and instead focuses on the characters. Also, very important for such a short series. The introduction for that female with a lollipop was actually very good in the way that the creators turned her into a temporary narrator. These inner monologues of her were well written and took a good look at both who she is and what this setting is like.

This episode also showed the main character’s parents, what happened to them and also Souichiro’s reasons for participating in the financial district were a welcome addition to this series. If you want a mundane episode to bring some variation in the pacing, this is the way to do it.

At the same time though, I’m still a bit surprised that this show does have its share of cliches here and there. The disappearing father and especially being really angry at him for it have been done quite often now, so it’s going to matter even more for this show to make good use of them. The crying scene perhaps wasn’t the best way to do that, though. The acting in this series isn’t the worst of this season, but it also doesn’t stand out either, so that also will have to be compensated by something else.
Rating: * (Good)

CHANGE USERNAME
Anonymous2148050
Tomorrow’s jow
Niello
@KTravlos My experience with Terror too.
KTravlos
The Terror ended weak for me. A great show up to episode 7 and parts of 8, 9 and 10 just went down the path of gore fest. It will work for many, but it soured for me the excellent first 8 ones.
Niello
And that's it for Franxx, an entire episode dedicated to lame world building. Expecting it to be mediocre was correct.
Lenlo
Well, Mikio's gear was upgrading to V5 we saw, so it may not be as easy as we think. That said, I just want Gear to be relevant. It really feels like just a gimmick to me so far and Mikio could maybe change that, since his is so important
AidanAK47
Oh and I got two card drops, both of which were Shanas.
AidanAK47
@Amagi, I still need to grind up the damage points. I am close and planning to get it before Rider day ends. But Banana Oni is the hardest challege this game has ever given. And fighting her is always a gamble.
Amagi
Yeah it was a good move. Really want to see how Mikio will fight without the advantage he had till now.
Kaiser-Eoghan
This weeks episode of megalobox gave an added importance to him being gearless .
Amagi
Now that I got the 300mio damage in FGO I finally get card drops that I don't need anymore
AidanAK47
@Masky, I believe I told you to watch Fate/Zero and apologize.
Masky
@AidanAK47 three days ago: Harsh words :D
Kaiser-Eoghan
I do echo the frustration though with shows you like not getting enough episodes. And then there are of course shows where I wonder, did they really need so many episodes/seasons.
Anonymous2142344
You an always watch the old 160 episode ova of Legend of Galactic Heroes. Differences to date are minor
Kaiser-Eoghan
@Anon: Follow up films coming though.
Anonymous2142275
Galactic Heroes, is starting to grow on me, is a shame, that's only 12 episodes so much potential being wasted. What happened to those times when long animes, could have at least 50 episodes ( Gundam Seed, Code Geass) and still be viable. feeling hopeless
Kaiser-Eoghan
@Mario: A female director you could also look into is Moufida Tlatli , especially silences of the palace.
Kaiser-Eoghan
@Mario: On golden kamuy, from reading on in the manga, there will be a big reveal regarding Asirpa soon. Also I feel the prisoner guys are becoming monster of the week.
Kaiser-Eoghan
@Mario: I'm glad to be reviewing stuff again on letterboxd.
Kaiser-Eoghan
@Mario: ....I...actually momentarily forgot about the PM system.
Kaiser-Eoghan
@Mario: Watch Bombshell, secrets of a hollywood star or calling hedy lamarr, Bombshell is a recent documentary about Lamarr.
Kaiser-Eoghan
@Mario: Von Triers new film looks darkly funny though to a degree and I love the self-indulgent first per3son narration.
Kaiser-Eoghan
@Mario: I have no idea how Stellan Skarsgard (who works alot with Von trier) produced Alexander Skarsgard, the latter is far too attractive to come from that. I feel the same about Asia Argento, I refuse to believe Dario could have produced such a fine creature.
Kaiser-Eoghan
@Mario: I'm rarely about morals or understanding as an importance when it comes to film, I care most about how it hits me on a visceral/emotional level, how daring it is in its imagination, visuals, madness , creativity.
SuperMario
@Kaiser: thanks, received it. God, Von Triers new film is entirely something else. Full-on provocation. And I already think his Nymphomaniac was too much
Kaiser-Eoghan
@Mario: Also I'm dying to see Von Trier and Chang-dongs new films, especially the priors.
Kaiser-Eoghan
@Mario: I sent you a private message.
Lenlo
That said, the key drama scenes were still great. Okabe's VA continues to make me happy. Im just not sure how much of this is nostalgia.
Lenlo
Steins;Gate is at its best in moments of character drama and character interaction. All of its value lies in its characters. Any action, with this muted style, is going to come off stiff and dull. A con of the art-style decision.
Kaiser-Eoghan
@Lenlo: I'm glad you said that, because I felt visually it looked stiff this week and that brief scene in the beginning wasn't much to look at. But Okabes meeting with Baldyguy-san and the cliffhanger and after credits bit were good scenes.
Lenlo
So yeah, this was probably the weakest week of Steins;Gate so far. Its pretty clear its not an action series and that its style doesnt suit itself well to combat scenes
SuperMario
... watching and reading many shounen titles (Dragon Ball, Dragon Quest, Bleach and the likes), shounen isn't my cup of tea at all
SuperMario
While I grow up
Lenlo
@Anon, I love Shounen. BnHA is one of my favorites every season its on. Doesnt mean I like Black Clover though
Kaiser-Eoghan
Thank you for that anon, when I watched the episode earlier I wasn't aware there was a post credits scene.
Anonymous2141254
oh well, we still are early on in S;G 0 too. Plus, there seems to be a huge development at the end of the episode
Anonymous2141254
idk, i can't help but feel that besides the amadeus plotline, everything else feels "fillery"
Anonymous2141254
I must say though that I'm still waiting for it to get good, idk maybe my expectations are too high because the original was great after the first few episodes
Anonymous2141254
Don't forget to watch end credits fo Steins Gate 0
KTravlos
I like some shonen. I just think that they are popular enough as not to be worth reviewing ihmo.
Vonter
@Anon2140150 - I do. Though Shounen do have the issue of being derivative in certain aspects like power scales and several doing the FMA Brotherhood climax (of what I've watched). Also they're made to be endless. It can be intimidating jumping to one that has several seasons.
Anonymous2140150
Does everyone here don't like shonen anime?
Amagi
Really, if there is one piece of information (aside from otome maybe) that makes me ignore a series forever it's a LN about a LN author or illustrator. The selfinert wish fulfillment couldn't be more obvious.
Amagi
Another LN greenlit for an anime production and the synopsis starts with "* is a light novel illustrator and..".
Amagi
@KTravlos: I don't know why modern anime hate curly- and/or wild hair so much. The old hair style gave Reinhard a more royal look, whereas he looks like a normal highschool boy now. Not that I am complaining about the anime as a whole. Also, I like some of the new designs.
KTravlos
and a part of me things it is indeed the hair. It comes to low, giving Reinhard a slovenly, lazy feel. When Yang feels more energetic you know there was a mistake.
KTravlos
and yes, this Reinhard fares poorly in comparison to the OVA one. He is dull. I need more Yang :p
KTravlos
ai vay vay. The Castrop Rebellion remains waste of time. And this time it was worse. The older depiction was tacky but at least it showed Kircheis ability in a logical manner. This time I had no idea what the hell happened. It felt cheap.

The rest of the episode was ok. Not completely sold on all the renditions of imp. admirals though I still love the uniforms.
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
SuperMario
So it's best to wait for another 2 years to watch Heaven's Feel? Hell NOT
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