Posted on 25 June 2008 with categories: Anime Reviews, Crystal Blaze


Some great anime have a very detailed art-style with absolutely gorgeous animation. Others have a smashing soundtrack, performed by a famous composer. Others hired a cast of well-known voice-actors to perform on their characters. Again others put a lot of attention to their dialogue to make this as deep and thought provoking as possible. And more others don’t have any of this and just want to tell a good story. And that’s where Crystal Blaze belongs: an excellent anime on a low budget and the dark horse of the past spring-season.

The production-values are nothing to write home about. The animation is simple, the CG is obvious and not integrated and it doesn’t have a big animation-company working behind it (after all, Studio Fantasia’s reputation is rather questionable). And still, it makes up for everything through its amazing storytelling. The story itself is not very complex, but the way it’s told makes it something special. Throughout 12 episodes, not even one scene was wasted. Every episode continues to develop both the characters and the plot, ending in a very satisfying climax. There are no plot-holes whatsoever, everything gets closed off nicely, there are no stereotypes. For a fan of storytelling such as myself, this series was pure gold.

You should be aware of one thing if you want to watch this series, though. This series became the dark horse of this season for a reason. There’s one particular character which will turn off a lot of viewers: Manami. This is supposed to be a tale about adults, but she’s one of the very few teenagers in it, and she very easily gets on your nerves. She’s not a bad character by any means, and her weaknesses are used well, but the fact remains that the combination of an annoying voice and her continuous whining make her a very hard to like character. Thankfully, she gets less annoying as the series goes on.

Speaking of voice-acting, this is the second series along with Kurenai that did something interesting with its voice-actors. I can’t exactly pinpoint to what it was that the creators did, but conversations end up sounding much more like ordinary conversations instead of coming from a recording-studio.

All in all, Crystal Blaze turned out to be among my favourites this season, due to its great cast and awesome storytelling. This is exactly what a twelve-episode series needs to be, and I hope to see more non-fanservice series from Studio Fantasia in the future!

Posted on with categories: Crystal Blaze


Oh god, the creators actually did it! They actually pulled off a great ending as well. This episode was really good, and amongst the best of the entire series. One thing I’ve noticed with endings that they often feel rather lukewarm. I think that my opinion of this seems to change with every season, but right now, I believe that a good ending comes from an episode that uses the building-up of the rest of the series. Too often I’ve seen endings that never use anything that’s been built up for apart from that bad guy that’s dead now, or something similar.

[SPOILERS sort-of follow for the endings of Ghost Hound, Kurenai, Bokura no and Seirei no Moribito] As much as I hate to admit it, thinking back, Ghost Hound’s ending wasn’t that good. It looked like a series that kept building up, but it never really built up for the stuff that actually happened in the climax. In the same way, Kurenai’s ending where Murasaki proposed to stay also came from nowhere, which is probably why that ending felt rather weird. An example of a good ending is Seirei no Moribito: it was very straightforward, but it kept the same pacing and mood as in the rest of the series. The ending for Bokura no is such an example as well: it remained within the flow of the original series, while also providing a lot of new things that fitted within the series.

Crystal Blaze in the same way stays within the same mood in its final episode, and doesn’t become anything completely different. There’s still its great sense of storytelling present, and it still had a lot going on. There were a few clichés here and there (the self-destruct-button that needed to be stopped, the finish with a big explosion), but the execution was done well enough to make these twists acceptable.

I have to especially give this series credit for the way this episode started. I mean, how many times have we already seen an important character, about to be shot, followed by a fade-out and a cliff-hanger? I nearly forgot that people can actually get shot in these kinds of things. Seeing Sara getting shot in the back was a real way to catch my attention, as ironically, I never saw that one coming, even though she’s got the powers to regenerate and all.

This was also really an episode where the characters really come together. Everyone apart from perhaps Manami (who only played a really small part anyway) was really awesome to watch. The humour was better than ever, and you’ve got to love the return of JJ. As it turns out, the poor guy was never caught, and instead he had been hiding inside the building’s air shafts for all this time.

Now that everything is over, I’m still of the opinion that Crystal Blaze is among the best series this season, and it really knew how to use its limited time of 12 episodes. Especially since the production-values are nothing to write home about, this really surprised me. For those who quit this series due to Manami: don’t worry. Once this series hits its second half, she becomes a regular side-character and the focus shifts to the other ones.

To close off, this series has one of the funniest aftermaths. Even when compared to pure comedies (who never seem to be that good with their aftermaths anyway, for some strange reason). Doc, dressed up as Kitoh was awesome. Although I didn’t wish to have seen that “particular” shot of Porilyn…

Posted on 19 June 2008 with categories: Crystal Blaze


Talk about an excellent first half of a finale! 12-episode series shouldn’t have “calm before the storm”-episodes. It wastes a precious episode that could have been used so much better, and all these episodes to fill time until the next episode, when the big climax is going to happen. Granted, this way you end up with a great climax, but at the same time there’s a dull build-up that breaks flow a bit.

This is why I really like Crystal Blaze’s style of storytelling: first it spends five minutes as an aftermath of the previous episode, sets a few pieces of the puzzle right and prepares a bit, and very soon it heads into a new direction with an action-packed climax. This keeps the series exciting and the flow of storytelling remains roughly consistent. Perhaps I’ve become bored by series who abuse “calm before the storms” and aftermaths too much, who know.

So basically what happens in this episode: Kitoh has to leave his base (obviously because it’s been discovered), so he kills off his entire staff apart from his research subjects, Kirie and Doc. Doc indeed was just faking to have switched sides in order to get a close look at Kitoh’s research, and because of his obsession to finally find a scientist who is interested in his work, Kitoh never doubts this. BW-alpha also turns out to be able to transform into a huge monster, but as expected she’s still imperfect and rather weak to the blood of a humanoid weapon. The episode ends as Sara is about to turn into crystal and Shu is about to shoot her, which will make her blood come into contact with BW-alpha and kill it off.

What surprises me is that in this series, no attempts have been made to make the viewer care about BW-alpha. Even though she’s a little girl, she’s portrayed at nothing but a monster. Usually in anime that don’t focus on children, young girls like that have the “she’s little! care for her!”-mentality (see the Kohane-arc in xxxHolic). Quite refreshing that this is indeed a story about “adults”.

I’m really interested to see where this series will end. There’s one episode left, and we know that Sara is going to die, though considering the rest of this series, it seems unlikely that the creators don’t have a few juicy twists left in store. I must say that Crystal Blaze has been the big surprise this season, along with Kaiba. I admit that I was really looking forward to it when I saw the promo-image, though when I looked at the character-designs, this enthusiasm faded a bit. “Everything looks generic, so it’s probably going to be generic”. Hah, the creators sure managed to deliver an awesome series with these generic ingredients.

Posted on 11 June 2008 with categories: Crystal Blaze


Now that’s an aftermath! I’ve lately noticed that a lot of aftermaths in anime after a big climax are relatively boring, where characters do nothing but angst and try to let the events of said climax sink in. It may be because I’ve seen things like these for too many times, but they’re often disappointing and break a bit of flow.

Crystal Blaze does things right, though. It may be an aftermath, but it wastes no time to not only let the characters catch a breath, but it also wraps up the involved parties and sets up the interesting stage for the next episodes. It was really fun to see all the different parties do their own thing throughout the episode, but that’s just a personal preference of mine.

And of course it was obvious that Manami and Ayaka would screw up and get captured. She still has her attitude of wanting to do something important, and in her worries for the wounded Akira, she forgot to pay attention to hide herself. There was nobody there to stop them, so it’s in any case much better than Shinkurou returning home in Kurenai. What surprised me was how sensei swapped sides so easily. Could this be a trick to fool the enemy, or is he genuinely interested in Kitoh’s research?

I’m curious, though. There are two episodes left, and with a plot this fast, there’s got to be more than “Ayaka and Manami are saved, Kitoh is dead”, especially with the pacing of this series. It would be a shame for the pacing to die down at this point.

Posted on 4 June 2008 with categories: Crystal Blaze


Awesome episode! Only now I realize how similar this series is to Kurenai: we have Shinkurou taking care of Murasaki versus Shu, taking care of Sara. Manami and Ayaka are comparable to Shinkurou’s two neighbours, while Poririn and the tech-guy whose name I forgot are similar to Benika. In Kurenai, the bad guy is a family, obsessed over their own bloodline, while Crystal Blaze has a crazy scientist who’s obsessed over his own research. Both evil parties also have well-trained goons and spend the first 8 episodes, trying to track down the good party.

The big difference is that Crystal Blaze puts a lot of emphasis on storytelling, while the big focus of Kurenai is the dialogue. As a result, Crystal Blaze has a plot that continues to develop with lots of interesting twists and turns, and Kurenai is at its best when characters are just talking to each other. If I had to be honest, then I’d say that I like Crystal Blaze better, but that’s mostly because of how well it handled the beginning of its finale, when compared to Kurenai. I didn’t pay much attention to it when I watched the latest episode of Kurenai, but the fact remains that Kurenai’s wish to go back to his home one more time, even though they were discovered was stupid, while in the case of Crystal Blaze it was only a matter of time before they were found, plus Shu and the others couldn’t move anywhere because Sophia was turning into glass.

And I must say, that Sophia’s death was really built up well, and it turned out really touching. The second episode then wasted no time to give us a small gunfight, and I must say that it was quite an interesting idea to fool the enemy’s night-vision by turning up the heat to body-temperature. I’m not sure whether this actually works in real life as well, but it’s an interesting idea. On top of that, Akira’s gotten shot in his shoulder. With only three episodes left, I’m really curious to see where this one is planning to end.

Posted on 28 May 2008 with categories: Crystal Blaze


The past week, I’ve gotten a few interesting comments, along the lines of “this post says nothing about the actual episode, what an informative anime blog” (with the last part being obvious sarcasm), and they got me thinking. It’s not the first part that got me (heck, I’m all for constructive criticism), but rather the assumption that every anime blog should have a summary for each single post. I’ve personally never seen Star Crossed as an episode summary blog. It’s more that I write about whatever catches my interest after watching an episode. Depending on my mood, I randomly summarize a bit and add a few thoughts on the episode in question. But are there more people who feel that I should put more focus on summaries?

Having said that though, I do realize how my past posts on Crystal Blaze have been mostly thoughts and hardly any sentence on what happened. I’ve been carried away by the many surprising good points of this series. So, for variety’s sake, here is a summary of the episode. And boy, was it a great one. :)

The episode starts where the previous episode left off: the swat team, who was assigned to put a stop on Kitou’s research, is inside the closed space where Kitou and Kirie unleash a glass woman upon them. This woman quickly slaughters the entire squadron, as bullets seem to not work on her. Kitou explains that with the help of a special ring, the glass woman knows who she should attack and who she should leave alone.

When everyone in the chamber has died, the woman goes after the rest of the swat team, who she defeats easily. Very soon, more glass women come and help her. Meanwhile in the same underground facility, JJ and Sophia witness this bloodbath, as Sophia tapes it, and they’re astounded at the capabilities of the glass women. Because the security is busy with the swat-team, they can move around quite freely and they end up in what looks like the main database. There they find out that Kitou has been using live women for his research, and he’s turned them into experimental subjects.

JJ tries to call the chief of police, though there’s no connection. While he’s rambling on ethical issues, Sophia tries to copy the data she’s found for evidence. Meanwhile back at the glass women: they suddenly freeze and shatter. Kitou’s research has improved, though the HW-series is still imperfect. Kirie then suggests using the BW-series from now on (I’m wondering: what does the “B” stand for? Bio-weapon, or something?). Kitou, however, is still interested in the experiment, mainly because of what a success HW9 turned out to be, which is why he wants to retrieve her: in order to figure out why she’s special. (does he know that she’s about to die anyway?)

Kirie and the rest of security then go on and clean up the rest of the swat-team that wasn’t killed by the glass maidens, while JJ and Sophia are discovered by a random guard that passed by. They manage to make it towards the stairs that lead to the exit, and at that point I guess that JJ wants to hold off the guards so that Sophia escapes. Sophia runs up the stairs and a number of gunshots sound, but we have no freaking idea what happened back then.

Meanwhile, outisde the base, the three members of the swat-team that left behind fail to make any contact to their comrades. Akira meanwhile is still spying on them, and listening to their communications. It’s then that the few survivors manage to make it back outside and report. Akira then tells this to Shu, as the chief of police enters his room. Shu then tells him about what his little nephew and Sofia have been doing, and is surprised how the chief of police didn’t know that.

As Sophia reaches the door to the exit, she realizes that it’s shut and that she can’t get out. She then calls Shu for help. She tells him where she is, but before they can finish the call, one of the guards discovers her and destroys her phone. The chief of police then wants to come along with Shu because of JJ, but Shu tells him, as well as Manami and Ayaka to remain where they are. Meanwhile, Kitou and Kirie inject Sophia with the strange liquid that turns you into glass.

Ayaka meanwhile finds it strange that all sites about the glass women have gone down. Sara meanwhile continues to be troubled by her left arm changing to glass. When Shu arrives at the hidden base Akira waits for him and both of them rush to the entrance, where they find a naked Sophia with one glass arm, and they take her to Doc as quickly as possible. It’s a bit strange that Kitou would just “let” Sophia escape, and indeed: she also received a bracelet when she was injected, and in this bracelet there’s a transmitter.

The strange thing is that Shu is just fine touching Sophia, and doesn’t get burned. The others arrive and are shocked at the glass arm, especially Sara, and the episode ends.

Kitou’s getting pretty decent for a pure villain. Often, the villains that get fleshed out are somehow misunderstood. While this is nice to watch, it’s also good to see someone who really doesn’t have any ethical values and is more than just a stereotype that’s used to keep the story going. He himself is a mad scientist, obsessed by his creations. The guy is much better than most other villains, who only sit in a chair and do nothing but look evil.

Posted on 22 May 2008 with categories: Crystal Blaze


Ah, the standard episode in which a character is angsting and his or her friends spend the episode trying to talk him or her out of it. I now realize how often such an episode can go wrong: it’s obviously predictable, and often it comes across rather lazy. I now realize that series as Suteki Tantei Labyrinth and Code Geass did a rather pathetic job on it: Mayuki and Lelouch did nothing but angst over what happened, then his friends come and say a few words, and they act like nothing ever happened.

Episodes like this one need lots of inspired dialogue. They need introspection, both from the character him/herself and from the ones around him. They mustn’t try to be standalone episodes, assuming that the next episode will continue on like nothing ever happened. And I must say that Crystal Blaze did a pretty good job at it. Manami was definitely depressed, but I like how the creators used a bit of comedy in order to lighten up the mood from all her angst. In this series, the characters actually try to understand both each other and themselves, and that’s what makes this so appealing.

Seriously, Crystal Blaze is one of these series where every major character has become likable, and especially the good guys are a joy to watch. I already sung praises to Shu and Manami, but Ayaka’s caring nature and Akira’s down-to-earth nature are also wonderful. And of course Poririn rocks as well. Th relatively large emphasis so far on the bad guys also really helps. These guys are definitely not your typical misunderstood villains, and they they’re turning out really nicely.

I’m really not sure what exactly it was that the creators did, but this is everything a 12-episode series should be. The reason why I prefer 26 or 39-episode series above series of such a short length is that they can easily go wrong if they’re not focused, and it takes something special to get some quality development out of the characters, something which is much easier for series with 26 episodes, because it usually takes me around 10 episodes to really connect with the cast of characters.

Posted on 14 May 2008 with categories: Crystal Blaze


Hah, I don’t care about the general opinion: this show rocks! It may be the most neglected series of the season, but for me it definitely belongs in the top-10 of the series that aired this season.

In this age of big budgets, it’s good to see that a relatively unknown company as Studio Fantasia is also trying its best to put down a classic. One of the things I don’t like about this season is that nearly every good series is done by the big animation studios, as Madhouse, Gonzo, Deen, etc. The studios that are relatively unpopular don’t seem to be even trying (for example A.C.G.T with its questionable Monochrome Factor).

I’m really glad to see that Studio Fantasia is trying to improve itself. Just take a look at their previous work. Before 2006, they only worked on silly shows which only seemed to focus on fanservice, though they pretty much surprised me with their solid work on Souko no Strain, and now they again managed to create a very enjoyable series that goes right where many other series have gone wrong. So yeah, there are a few low-budget parts in this series, mostly the art, but the rest really shines. This should send out a good message to the other lesser-known studios: you can create a good anime, even on a small budget.

Really, this is what a 12-episode series should be: no scene is wasted, quick development and good characterization. A 26-episode can afford to slowly build up for 10 episodes, but series like this one need to deliver quickly. Seeing a series that builds up for eleven episodes, with a climax of only two episodes is nice and all, but it remains mostly boring.

What’s more: the villains actually have some background to them. This episode actually gave the two of them some depth, beyond their stereotypes. It seems that the guy is obsessed with his own work, and is fascinated when he sees how HW-09 has managed to not turn into glass. The woman meanwhile reveals that she knew HW-09 before she became a glass maiden, and as it turns out: she loathed her.

Also, is it me or do the more low-budget series have a bigger tendency to feature good fights than high-budget series? Seriously, I can confidently say that the fight in this episode was better than what I’ve seen from Soul Eater and Macross Frontier so far, even though these series overflow with budget. It’s the same with Gunslinger Girl – Il Teatrino: the animation was bad, and yet the fights were amazingly directed. Somehow, it feels to me that the creators try to make up for the lack of budget by detailed direction, and it really works!

Posted on 7 May 2008 with categories: Crystal Blaze


Why I’m not bothered by Manami’s brattiness:
– She’s not THE main character of this story.
– She’s an interesting combination with the rest of the cast.
– She’s fleshed out pretty nicely. She’s an idiot, she’s naive, and yet she’s easily afraid.

The thing I have against most annoying and stupid teenagers isn’t the fact that they’re annoying, but that they’re badly written. Take Lala from To Love-Ru for example. Sure, she’s an extreme case, but the reason why she’s annoying is because the creators spent no effort whatsoever in making her believable. She instantly falls in love with the male lead with no subtlety whatsoever and I couldn’t spot anything that made her really seem like a living being, an being an alien is no excuse.

I think the biggest reason for this is the creator’s desires to make teenagers important at places where they shouldn’t belong. A teenager who occupies a high rank in a military organization doesn’t usually make sense, so writers make these characters a bit too perfect for their own good, in order to help them survive and remain at their position.

The thing is with Manami, that even though she’s an idiot, the creators never portray her as some kind of hero. The only thing that she’s good at is providing emotional support for others, but this episode showed yet again that she often gets way too ahead of herself and tries to get involved in places she shouldn’t belong.

I still wonder why this series has become so neglected, though. Is Manami such a turn-off? Or does this have to do with Poririn? I admit that he was rather disturbing in this episode, wearing the gala-dress and all, and trying to pee while wearing it… Still the reason why I like this series so much is the chemistry between the different characters. The cast of Crystal Blaze is varied and interesting, and one character’s weaknesses are complemented by another.

Posted on 30 April 2008 with categories: Crystal Blaze


Heh, this episode finally featured an actually funny fanservice joke. When the horny doctor first appeared, I feared the worst, but his nurse’s BSDM have turned out to be quite hilarious. Especially the dog’s outfit was brilliant. Really, if series as Kanokon realized this, they would have been quite fun, though instead they just can’t think beyond the tried-and-true formula of groping, blood-noses and panty-shots.

Fanservice aside, I’m still surprised at how much I’m enjoying this show, seeing as it’s turned into one of the dark horses of this season in the rest of the anime-community. The budget is indeed quite low. Studio Fantasia is no Satelight or Madhouse, so the drawings and animation are quite simple. And yet this has never had a weak episode so far, in my opinion at least. This episode again was a great one, and it finally pushes the plot forward again.

We learn that the one who changed all the women to glass was indeed that little girl. This time, she kills Yuumi, who indeed went on her solo-debut, dropping Seiji without him even knowing it. The glass women like her and Sara were meant as humanoid weapons. Hence why the bad guys are so interested in retrieving her. They’re currently in the process of testing out their work, which has finally shown its fruits.

One thing I also like is how this series has managed to make characters likable who would have been really cliché otherwise. Especially Shu and Manami would have been incredibly annoying if they didn’t receive any development. Manami, however, turned into a really sympathetic character, who’s just finding out how naive she’s been in the past episodes. She’s a girl with real fears, instead of contractor-like behaviour (a la Darker than Black) of knowing what to do in any dangerous situation. Shu meanwhile turned into quite a refreshing main character, who neither is a stereotypical ambitious guy nor a carefree “cool dude”. This guy doesn’t care about being the best; he just cares about the people around him. For some strange reason, both of them have really turned into my favourite characters in this series.

CHANGE USERNAME
SuperMario
hello anon, following any anime this season?
Kaiser-Eoghan
My head kind of just floats over the edutainment parts in honda-san.
Kaiser-Eoghan
You read into these shows much better than me lenlo =)
Lenlo
This is the kind of character drama I enjoy. Its so grounded. Kurahara is trying to lead, but only has how his old toxic team was lead to go by. He doesnt see Nico basically killing himself with poor dieting. Yet he has progressed from "Im not on this team" to "I want to win first place with this team, at any cost".
Lenlo
Kaze Fui was soooo good this week. I love it.
Kaiser-Eoghan
@Mario: Air doll is also a manga adaptation now that I remember.
Kaiser-Eoghan
@Mario: Ending to his film Nobody knows hits like a ton of bricks. I still need to see distance and Hana.
SuperMario
@Kaiser: Shoplifters is also screening at my local theatre and I'm asking one of my friend to watch it with me. Such a powerful film. I think My Little Sister is the closest slice of life 'anime' we'd ever get from him, considering that film is based on a manga
SuperMario
Bloom into You is getting better now for me. Lots of good observations about teens coming to term with their feeling and their sexuality. Saying that I still don't like Yuu as a character at all
Kaiser-Eoghan
@Mario: I am seeing shoplifters by Koreeda on Friday. I also just watched After the storm and on a second time round it clicked with me more. I think I'd enjoy a slice of life anime directed by him.
SuperMario
Golden Kamuy embraces its goofy larger than life tones but damn it's entertaining to watch. Then the last few episodes it shows us how it can handle intimate scene and downright effective drama
SuperMario
I'm alright with Run with the Wind so far, still a solid show overall. 2 other shows that surprise me in a good way, however, are Golden Kamuy 2 and Bloom into You
Anonymous3119663
I didnt like this one as much as the others....
Kaiser-Eoghan
I like it that, even though I may not embrace a show as strongly as those who are really into it, that I can still at this stage be surprised by one.
Kaiser-Eoghan
and lol, I didn't expect the ashita no Joe references.
Kaiser-Eoghan
They seem to have dropped Kings job search arc though and the red haired guy though.
Kaiser-Eoghan
This episode was particularly funny, and wasn't it great that neither the scene between Hakone and Kakeru or Kakeru's scene with the rest of the group at the start never felt like shitty forced drama? Glad to see Hakone showing another side of him, getting mad.
Anonymous3119182
Getting into arguments with Haiji who actually lashed back at him, and taking his frustrations out on the rest of the team. It looks like his past is catching up to him and he'll need to confront it soon.
Anonymous3119182
Surprisingly from this episode of Kaze ga, I'm now convinced that Kakeru will gets his comeuppance soon because man that reality check from the last episode really hurt his ego that badly for him.
Animosh
It consistently looks good, and unlike so many other adaptations, the staff is taking their time instead of rushing through the source material. In the latest episode they even added stuff to flesh out a certain character, and most source readers seem to consider it an improvement!
Animosh
@Amagi: I'm actually pretty impressed with the slime anime. Sure, the story is nothing special, but I didn't expect it to be. As an adaptation, though, it has far exceeded my expectations: I expected a cheap ad for the LN/manga, but the staff is clearly putting a lot of love into this.
panda
Weirdly enough, I liked the character additions to Bleach even though I know that besides the initial two arcs and the Hueco Mundo arc they weren't as interesting.
>weren't as interesting
Okay it was a disaster but still.
panda
I kind of feel the same way about series adding shit tons of characters to the series. Especially when we know that they're not even going to show up as much later in the series. I had this problem with Fairy tail and a lot of other shounen manga.
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
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