Posted on 24 June 2012 with categories: Anime Reviews, Fate/Zero




Fate/Zero was one of the big titles of the past Spring Season. It already had an incredibly solid first season, and this promised to only get better as it fired off. And yeah, the second season indeed ended up trumping the first and using its build-up. I have some qualms with it, but really: this was an incredibly well made series.

In a season with so many series that stood out with their visuals, Fate/Zero stands among the best: its consistency is amazing: characters stay amazingly on-model, even after 25 episodes and there is a ton of eye candy with brilliant use of CG. The director, Ei Aoki is a guy who started in Photography, and it shows: just about every frame in this show looks good. To put this into a perspective: in a season with three Satelight series airing at the same time, this second season alone the eye candy surpasses that of all three of them combined.

The plot continues off where the first season left off and contains a number of very satisfying climaxes that are surrounded by an interesting plot that just keeps taking turns. There are a few issues with this plot, though, most notably that you really need to be familiar with the Fate Franchise, otherwise some plot points won’t make any sense. This series may be just a prequel to Fate/Stay Night, but even then there were events that happened before this series that this series refuses to line out.

Like the first season, this series again does a wonderful job to melt the setting from the European middle ages and the ancient middle east together, putting Chivalry on one hand and conquests on the other. The two mesh greatly as they clash, on top with the Fate franchise’s interesting system of magi and mages.

Now, as for the characters. I do feel that I need to clarify myself a bit after claiming that the emotions feel empty, and things indeed are a bit more nuanced than that. The cast of Fate/Zero definitely has a number of characters that are developed really well throughout the series. The second season in particular contains some really heavy scenes that show many of them completely breaking down and there definitely are a lot of big emotions in this series. What I feel like the creators could have done better is flesh out these characters. This series puts a lot of time into battles and explaining the actions of its characters, but not so much on the touches that make their characters more human or show them in different emotions. Balancing these scenes out could have been done better: when this show builds up, it’s usually very slow (there in particular is an arc devoted to the background of just one character that takes up 2 whole episodes, but in the end is a bit too focused on explaining why he is involved in the story and a bit too little on creating a dynamic character). I feel that this could have been built up a bit better and because of that things don’t come together at the end as well as I hoped.

This series is a bit overhyped, but still, Fate/Zero remains an excellent series. Even though some plot twists come from nowhere if you’re not familiar with the Fate franchise like myself, it’s a big recommendation and there really is nothing like it around. This series pushed what can be done with animation further and the people of Ufo-Table have really grown into a powerhouse of a studio at this point.

Storytelling: 8,5/10 – Great action-packed climaxes with many interesting plot twists that are best enjoyed when you’re familiar with the Fate franchise.
Characters: 8/10 – Excellent development and loves to make its characters break down.
Production-Values: 9.5/10 – The consistency of the amount of eye candy in this series is amazing. 25 episodes and it still manages to look amazing with very few weak points.
Setting: 8,5/10 – Great themes, blends different settings together really well. Make this a full 9/10 if you’ve seen Fate/Stay Night.

Suggestions:
Kara no Kyoukai
Berserk
Mahou Shoujo Madoka Magica

Posted on 23 June 2012 with categories: Fate/Zero

There was only one thing I didn’t understand in this episode: the entire series has been stressing that people die when they’re killed. And here this episode suddenly pulls back Kotomine Kirei back from the dead and turns him into a zombie. How? Did the grail turn him into this weird kind of servant or something? It just doesn’t fit in with the dark and gloomy themes of the rest of this series.

Setting that aside though, this was a very solid ending with a very solid aftermath. It”s very rare to see an ending so gloomy, especially Kiritsugu really worked in this episode. The guy is one of the few to have completely survived the drama, yet his will and resolve were completely broken (which again makes it all the more weird why Kirei pulled that zombie-card). I was also really glad that there was also a minute pulled out for Berserker. that really made the ending work for Saber. Combined, it was all so gloomy and depressing, and this was in a very good way.

Overall, out of all of Gen Urobuchi’s adaptations and series, I’d rank Fate/Zero on the third place, with Phantom still on number one and Madoka Magica on number 2. I’d say that it had two things going against it: the first is the way in which it required knowledge of the rest of the Fate franchise at key moments, and the second is that its emotions felt a bit empty. This final episode was an exception for the latter of those by the way. Emiya showed more emotion than what he showed through the entire series here and I liked that a lot.

Still, Fate/Zero was an excellent series that was really well made with a rare focus on adult characters and struggles and for that I really appreciate Ufo-Table for going with it.
Rating: ** (Excellent)

Posted on 16 June 2012 with categories: Fate/Zero

After nearly finishing this series, one thing that surprised me is that Kotomine Kirei didn’t really turn into such a psychotic villain. In fact for me he’s one of the most interesting characters in this second season in the way he’s searching for something to fill his doubts with. I’d much rather label Kiritsugu as the psychopath, especially after what happened in this episode.

But that definitely was a great cliff-hanger at the end of this episode. Although that does leave me to wonder: Tohsaka Tokiomi wanted a wish that would require to rewrite the laws of reality right? If such a wish is possible, then why can’t Kiritsugu’s wish of wanting to save everyone come true? To take the boats example: why not use magic to fix both holes? I get what this episode was going for in that Kiritsugu’s wish was way too naive, but if you’ve already gone over nine thousand multiple times, then this seems a pretty strange place to stop. Also, why did the grail appear, even though there were still some people fighting over it?

In any case, the action scenes were all great here, although the fight between Saber and Berserker felt a bit underwhelming, considering most of happened off-screen, and we still don’t really know why he became Berserker. Kiritsugu vs Kotomine was very well directed though, and I liked a lot how professional both were.
Rating: *+ (Great)

Posted on 10 June 2012 with categories: Fate/Zero

If I had to give Fate/Zero’s second season one criticism, then it’s the convenience of some of the noble phantasms. I don’t mean all of them; Rider’s noble phantasm was great and Assassin’s and Berserker’s were also well used. But for some of the others: first there was Lancer, whose noble phantasm conveniently nullifies Saber’s powers. Things then got worse when Caster needed to be taken care of and Saber’s noble phantasm just so happened to be perfect for that. And now Archer reveals this giant delete button of his which conveniently ends up being the perfect thing to take away Rider’s trump card. My memory isn’t perfect, so it could be that they built up to this and I just don’t remember it, but if they didn’t: pulling this thing three times is a bit much, guys.

In any case though: there was one thing for which this episode was really clearly building up to. With this episode, it became really apparent, but the entire second season has carefully been leading up to this moment: Rider’s fall. It started with him wasting too much of his energy on taking care of Caster, and ever since he lost that air of invincibility around him. That moment in which Rider charges Archer by himself is where all of this came together.

Also, I am not sure who was behind the visuals of Rider’s noble phantasm, but once again the scenes that took place in there looked gorgeous. Especially the point where it all started to fall apart had a lot of visual talent behind it.

Also, Berserker… I now understand why they kept his identity hidden for so long.
Rating: ** (Excellent)

Posted on 3 June 2012 with categories: Fate/Zero

This show picked a really good use for its “calm before the storm”-episode: some last-minute character backgrounds that give a really different dimension to the characters involved. Waver and Irisviel had some very shocking plot twists here.

Waver had a surprisingly genuine moment with his grandfather, or the guy he used magic to turn into a grandfather. I’m not sure if it was revealed why he had to do this, but he probably used this as a guise to hide out from the other masters and servants. This was both an interesting revelation and a great way to flesh him out at the last minute, because you could really see that that talk made a huge impact on Waver.

And then there was Irisviel’s death, which eventually turned into that really trippy scene where ends up in the holy grail or something? Was she made specifically so that this would happen? And so how did she end up with Kiritsugu of all people? Did he make her, or was she created by somebody else, who left behind that huge pile of dead Irisviel’s bodies?
Rating: ** (Excellent)

Posted on 27 May 2012 with categories: Fate/Zero

The second half of this episode took some huge risks. This series has been very composed in terms of acting; with some exceptions, the acting in this series was subdued and even during the over the top parts, the characters knew exactly how to act with just enough restraint whilst still giving off great performances. This episode drops that and descends into overblown melodrama. Not just to show how a character feels, but also vital to the story.

These are the moments when a character completely loses it. They’re not meant to be pretty, they just are about characters completely breaking down and looking very ugly in the process. This is incredibly hard to act right because it’s just all too easy to scream at the top of your lungs and do the most outrageous thing out there. Another key to this is willing suspension disbelief: as a viewer we really need to get the idea that these characters have broken down. Which is why I’m a bit puzzled that the creators chose to do this with the master who has gotten the least amount of airtime to get fleshed out so far. To be honest, that breakdown scene… it didn’t really hit me and looked more silly due to how little we actually know of these two people. It also felt like there was just too little build-up and aftermath for it. Tohsaka killed the woman, walked away and immediately we switch to Archer and Kirei sitting back and having some wine celebrating. It… doesn’t flow well.

Also, an observation that I made before this all happened: in the first season, Rider really was the stand-out character: his charisma and monologues were wonderful and it brought a lot of spark to the series. In the second season… this just doesn’t apply at all. He has been weakened and beaten pretty often, with in this episode him losing his chariot, in favor of characters as Kotomine Kirei and Kiritsugu. This can be quite interesting build-up if the final episodes know how to handle it.
Rating: * (Good)

Posted on 21 May 2012 with categories: Fate/Zero

The previous two episodes really were an intermezzo: they were completely standalone compared to the rest of the linear storyline. In theory, they could have been shown at any point in the series. The place the creators ended up choosing is interesting. The effect is that this episode immediately started with the aftermath of what happened three, four and five weeks ago, only to follow with one heck of a climax as well.

I get the feeling that there would have no point in the second season where the past arc would really have fitted in: there are four different storylines going on at the same time and the build-up and aftermaths of all are so intertwined that it’s impossible to find one clear point where everything has quieted down. the first season had these moments, but it seems the creators were really saving that arc for the second half of the show. This is all a good thing, by the way. It’s a sign that the storytelling is great if there is always something going on like that.

The interesting thing is that this episode contained even more background, but this time it was much more weaved into the narrative. These really were the remaining bits of background that were still missing, like who the black-haired woman was, and why Irie devoted herself to the Grail War (her loyalty towards Kiritusgu did not turn out to be the only reason; that surprised me”).

And then there was Rider. First of all I really liked that this episode showed some of the things that went on in his mind during his monologues in the first season of Fate/Zero, but at the end of this episode he really showed a different side of his. The first person he actually killed, the black haired woman. After so much heroic talk, he finally shows that like Kiritsugu, he isn’t going to take it easy on his opponents. There was no chivalry in it whatsoever, which is a great point against Saber.
Rating: **+ (Excellent+)

Posted on 12 May 2012 with categories: Fate/Zero

A message to the commenters who have already read the Fate/Zero light novels: please do care to avoid spoilers here. This is not a blog about the Fate franchise, but rather this a place to discuss the Fate/Zero anime. If you’re going to spoil that Natalia dies it rather diminishes the impact of that twist, especially since that was the entire thing that this episode was leading up to. This is the one thing I dislike about adaptations of very popular works: it’s really hard not to get spoiled about things.

In any case though, the way in which Natalia did die… was pretty creative. It also tied in very much with Kiritsugu killing a few in order to save a lot, and the plane being taken over by an extreme version of killer bees: it showed another layer of what can be done with the magic in this series. It’s also interesting how professional the characters operated. It’s not often that you see professionalism to such a degree in anime. Although I do wonder who Natalia was able to smuggle guns on a plane. Is that something that magic can do as well?

Overall, I’m surprised that we get two whole episodes of Kiritsugu’s background so relatively late in the series. With this though we can understand his actions in trying to eliminate Lancer, and how his views are the total opposite of Saber’s Chivalry. And I guess that some sort of intermission was needed before the showdown between the four remaining pairs.
Rating: *+ (Great)

Posted on 6 May 2012 with categories: Fate/Zero

An, so this is this season’s kid episode. I like it much better than the first season’s, because instead of giving character to one of the characters of Fate/Stay Night, it’s entended to shed some light into Kiritsugu’s background, and explain why he became a mage hunter. We see him as a kid, growing up on an island somewhere in the south of Japan that gets infested by what I’d call zombies, caused by the research of his father.

This explains that with all of the talk about lineage, we haven’t really seen anything about Kiritsugu’s parents so far. This episode doesn’t explain what happened to his mother, but I suspect that that’s got something to do with anime’s “weak and dead mother”-syndrome. What I liked about this episode is how well it fleshed out Kiritsugu and his childhood friend Shirley, together with Kiritsugu’s father… only for everything to fall apart.

One thing that I do wonder is what triggered Kiritsugu’s sudden character change at the end of the episode. I mean, I get that seeing your entire world being turned upside down is a huge shock, but would that turn Kiritsugu really from an innocent young boy who grew up normally, into a cold blooded killer with no fear of death whatsoever, in a matter of hours? The start of this episode whowed that he’s reckless, when he dived off that cliff higher than everyone else, but I don’t think that any other part of this episode hinted at that darker side of him.
Rating: ** (Excellent)

Posted on 29 April 2012 with categories: Fate/Zero

So now that Caster and Lancer are gone, this series immediately moves on to another thing that it has been promising for ages now: Kotomine Kirei. The entire episode was dedicated to just building up to the moment where Kirei would betray his master. The moment itself wasn’t really unexpected, as right when Irisviel requested him to pull back from the Grail war it was obvious that he wouldn’t just let that happen, and afterward he was handed a knife of all things, but the scene itself was very satisfying. Also helped by a lot of budget being poured into that one scene.

Now, let’s see what he can do in this series now that he has some power again, and can act independently. With four episodes this series killed off a huge amount of characters, compared to how relatively few important characters died in the first 10 episodes. It definitely made good use of the build-up.

The one thing I don’t really get as someone unfamiliar with the Fate franchise is the squiggly lines on the priest’s arm that Kirei took over somehow. How does that work anyway? What power does this guy have, and why does he have it? Why did the grail find it good idea to have a guy like this, especially when he’s allied to some of the masters and could have just refueled Tohsaka’s command spells on a whim? Also, if one needs to defeat all seven servants in order to get to the holy grail, then what about Rider’s wish to become human? And does his master know about this? So what’s in it for the servants to win the holy grail war anyway?
Rating: ** (Excellent)

CHANGE USERNAME
Anonymous1127552
We don't get anime set in world war II because they don't want to remember how evil their country was.
Kaiser-Eoghan
That caught my attention, some kind of suspense manga set in world war II, for obvious reasons you don't often see manga/anime set in that time often enough so thats interesting at least.
Anonymous1124748
KTravlos here: On RE-Creators Saouto. Remember we are talking about a 14? year old kid who believed made his girlfriend commit suicide. I get the point and frustration, but do keep that in mind.
Lenlo
@Mario, for Hero Academia, just wait. The hype is real for Shouto vs Midoriya.
SuperMario
This is one of Saekano's biggest issue: while there are 5 main casts, the show seems to care to develop 3 of them. When that rival-guy begs Tomoya to continue the circle, and stresses that "Don't lose Eriri and Utaha". I just feel... dishearten. No recognition for Kato and Michiru then
SuperMario
Another 2 shows that I want to mention this week: My Hero Academia's last episode fight between Ecchan and Urarawa is my favorite match out of this Tournament arc. Saekano's last episode actually frustrated me. When it's obvious that this is the time for Kato's conflict, the show still spends too much time on Eriri and Utaha.
SuperMario
KTravlos: based on the content I thought it's you as well. I actually enjoyed Virgin Soul. It's an important episode actually, where all of out mains are locked up/ imprisioned. Yep, Re:Creators was great as well. But hell, Souta... his character's annoying. The creations, on the other hand, are developing quite nicely
Anonymous1123421
KTravlos here. Hmm wordpress has cast me out :p
Anonymous1123392
what a great RE:Creators episode. I do not know how Mamika will end up. But manly tears shall be shed. A great character.

Virgin Soul had a so-so to disappointing tonning down episode. Expected. Still they are smart to put Favoro there as a "sorry for that mates".
AoT, knowing what I know from the manga, made this episode all that more striking.
Anonymous1123296
Woah, Alice n' Zokuro has some of the most amazing writing I've seen this decade!
Kaiser-Eoghan
@Mario: And because of the negative space in the picture and guy in the background, it might also emphasize distance.
SuperMario
@Kaiser: This was an obvious shot choice (come on, because they KISSED), but the one I liked the most was the top right one. The characters aren't in the center of focus, and a bit too close to the screen tell us how much Chinatsu wanted to get close to Kotarou, at the same time we feel a bit uncomfortable just like him (too close). Smart visual telling there
Kaiser-Eoghan
I should start giving attention to shots in anime as I do in art films. You've chosen a good one for tsuki ga kirei on the bottom right.
Kaiser-Eoghan
@Mario: Speaking of shots....some of the static photography is Tsai ming liangs Goodbye dragon in is stunning. I saw an Ozu film where the framing was absolutely masterful.
Kaiser-Eoghan
@Mario: The eyeball scene in the restaurant OMO, scenes like that had very good way of creeping up on the viewer.
SuperMario
... and the fireworks in the end. Emotionally satisfied for that bleak film
SuperMario
Thanks Kaiser. Still think Black Coal is a very stylish and well-done neo-noir. One shot in particular still stick with me is the one long, unbroken shot that combine the past with the present.
Kaiser-Eoghan
*reviewing
It was your review that got me interested in the film mario.
Kaiser-Eoghan
Ah, I know that feeling, having to get out all my thoughts immediately. I also stream of consciousness what I write whether it be a poem or review then go back to edit, shows the passion a person has for what they're review.
SuperMario
It was just 3 years ago. I think I MUST review everything as soon as I finish, otherwise I will forget. Getting old now. Dang it
SuperMario
It was a great review, Kaiser. I also feel comparing Black Coal to Memories of Murders don't do this film justice too (although to be hinest I don't see the comparison). Your review just reminds me that I did review that film on Letterboxd, thou for the life of me, when I read ny own review I had no clue that i did write it
Kaiser-Eoghan
@K-off: Constantine was really the only reason I would have considered seeing the film, as I enjoyed some of the comics he appeared in.
Lenlo
Yaaay! Favaro is back!
Kaiser-Eoghan
@Mario: Ah, now I remember, I stopped watching ghost hound at around episode 14 or 15 years ago.
K-Off
Justice League Dark ended up being one of the weakest among the recent animated dc films. The opening was intriguing but it drops the ball as soon as it focuses on Zatanna and Constantine...The demonic manipulation of people isn't tied well enough to the villain, so that premise ends up feeling pointless, everything is inconsequential by the end. Why was this even made?
SuperMario
And for once, I feel that developing the characters isn't a appropriate choice for this type of show. The main cast need to develop, yes, but most of the supporting cast was presented as ambiguous and mysterious, thus making them change in the end feel just wrong
SuperMario
The main kidnapping was never addressed thoroughly, and it should be the main overarching arc, instead of this ending.
SuperMario
So... I've just binged through Ghost Hound. It starts as a compelling psychological mystery series, and ends up being... thriller of sort? The first half, building up stage was its best, and then unfortunately it run out of steam
KTravlos
Hey Favoro is like a good whiskey. You gotta drink it slow and enjoy it :)

I liked Predators.
Spike
8 episodes in we finally get to see who we were all waiting for in Bahamut! ...for 2 seconds.
Vonter
I did watch the version with the alien coming out of the ox. I haven't watched Predators, AVP1 was ok, like the newer movies its just the human element that has consistently gotten worse and unmemorable. I think that element in particular made me enjoy watching Alien 3 now, than if I had watched it in order, considering how it begins.
Kaiser-Eoghan
Thankfully the franchise can never fall as low as the predator reboot or alien vs predator.
Kaiser-Eoghan
@Vonter: Be sure you're watching the extended version.
Vonter
I liked 3/4s of this film, as the plans to kill the alien got more cumbersome the film got more tiring. And I think it was obligated to annihilate the cast considering they take the time to take out a whole bunch of them. I also think it's very noticeable the tiring production this had, and while people praise practical effects now, this movie sadly didn't integrate well the alien puppet.
Vonter
I've just watched Alien 3, the only Alien movie I hadn't seen do to the diviseness towards it. I think I went with the best expectations considering now on hindsight newer movies have made it look more competent, having more weight. This movie has characters, integrates the religious motiffs better, the Alien more than a closet monster is a formidable force of nature.
Kaiser-Eoghan
.....It just dawn on me looking through my letterboxd account...I have never seen afro samurai...
SuperMario
@Kaiser: I'm on hold with SukaSuka as well after 5 episodes. Ejoyable so far but its LN's tendencies hurt the show
SuperMario
@Kaiser: yeah, like I said in one of my weekly post, Tsuki ga Kirei is simple, but isn't easily obtained. At this point, I'm truly invested in these kids that it makes me tense just to see how they keep up with their relationship, haha.
Kaiser-Eoghan
I have yet to catch up with sukasuka and don't care about bahamut all that much.
Kaiser-Eoghan
I feel its sweet and sensitive approach has a rhythm to it that I started going along with.
It’s obviously slow but I began not noticing the time go by as I watched more.
The art makes me think of Shimura Takako’s and makes me wonder what the series might have been like if she wrote it.
The dub is mediocre so after 3 episodes I switched to subs.
Kaiser-Eoghan
The relative quietness and how scaled back in comparison to other anime romances is welcome and it never becomes dramatically or comedically obnoxious which I think is in its favour.
Kaiser-Eoghan
I decided to catch up on tsuki ga kirei. We said this before, but that scene where he meets the publisher about his writing is a stand out one.
For the show overall so far itself, above all I see it as something simple, un-demanding to watch, its good a break from all those old/art films I have to concentrate on harder to follow.
Kaiser-Eoghan
Maybe Goth would count but its more o a mystery manga.
Kaiser-Eoghan
Not familiar with shibito or sugar life. May as well recommend everything by Kazuo Umezu and Junji ito. 6000 ended disappointingly, I fell behind in dead tube. Does sugar dark count?
Lenlo
I am a Hero is a personal favorite of mine
AidanAK47
@Anon: Uzumaki, Shibito no Koe o Kiku ga Yoi, Happy Suger Life, 6000 and Dead Tube. I suppose.
Anonymous1116992
What is some good horror manga
K-Off
@Mario I also noticed that korean thrillers are way too obnoxious with shakycam.
Lenlo
@Mario, about LWA, that was how I felt. Its just not as magical, as special, as the original OVA was to me. I suppose thats to much to ask for a 25 ep series, but it turned me off
AidanAK47
@Mario, TV Diana has some charm points but I think OVA Diana provided a better dynamic. I mean sure, She was essentially female Draco Malfoy but her attitude made reveals like her being a secret Chariot fan more impactful. Plus her tsundere act torwards Akko was rather adorable.
SuperMario
about LWA again, unlike Aidan I actually enjoy this version of Diana. I know she's one note, too perfect but she's charming. Too charming haha which serves well as a contrast to Akko
SuperMario
...just pop one random film from him. His films are not without its bad side thou, in particular I find the dialogues shapeless and dragging. But well it does add to the naturalness of his films
KTravlos
on LWA I would also recommended it. It is a fluffy show, with a sense of wonder. Some episodes are better, some are more flat, and the over-arching storyline leaves me bored. But it does have that sense of childlike wonder, which I had missed among all the "grim" shows.
SuperMario
@Kaiser: I have a bit of problems with Korean movies lately as now they're heavily thriller style-over-substance films, so films that have very simple style like Hong-Sang-Soo's joints are the welcome change of air. One thing about his films thou, If you watched one of his film, you've watched them all. They're so similar in tones and concepts that I reckon if you feel like watching his films...
SuperMario
So I say it's still worth finishing. It's good but I don't feel the sparks that made it so great from the OVAs anymore
SuperMario
@Lenlo: about LWA. Plus side: Those hijinks. I mean the show is fun and magical. Negative side: I wish the show's storytelling is a bit tighter, each episode feels so loose it doesn't add up much and more like different variations of Akko + one member of the cast's hijink. Doesn't help either that the other casts just disappeared until they have an episode for 2 for themselves
SuperMario
@Anon1113829: I "enjoyed" Beyond the Boundary, but that show was a mess. The episode 10 was stand out for me, and the ending was kinda... a wreck. Certainly interesting but quality-wise I wouldn't reccommend it
Anonymous1113829
@SuperMario KyoAni fan? What did you think of Kyoukai no Kanata? I really wanted to like it, I thought it had some potential, but IMO nothing worked right.
AidanAK47
@Lenlo, It's good. Fun to watch certainly. Though sadly it falls short of being great.
Lenlo
So question: Is Little Witch Academia worth finishing atm? I started it last season, but for some reason it just fell off my radar
Kaiser-Eoghan
@Mario: Thankfully, while not entirely satisfying, day he arrives is just the Korean film I've been looking for, refreshingly more low key, quieter and I enjoyed the new wavy combined with raw style, making it all feel very natural.
Kaiser-Eoghan
@Mario: Well then, thanks for the rec on Hong-sang-so, I looked at The day he arrives. Y'know the reason I sometimes dread going into films featuring romance is because I'm conditioned from seeing the bad ones.
Kaiser-Eoghan
....I may actually read this, the last time I read a manga steeped in politics was Sanctuary: https://en.wikipedia.org/wiki/Eagle:_The_Making_of_an_Asian-American_President
Kaiser-Eoghan
@Aidan: I actually have very limited experience with Ellis as a comic book writer, only read Transmetropolitan, I know he's writing the Castlevania adaptation.
SuperMario
@Aidan: I heard the same thing; can't help being a completist though so I'll eventually get to them
AidanAK47
@Mario, From what I heard, it doesn't get better.
SuperMario
@Kaiser: that scene from the 1st episode of Phantom world lost me... but even then I'm willing to give the show another chance. That's how far I would go ^^ https://mobile.twitter.com/aaapodcast/status/687148875052892160/photo/2
AidanAK47
@Kaiser, Looks like they are putting some real effort into it. May actually turn out pretty good after all.
@K-Off, Under the Red hood is a damn fine movie. Likely one of the best of the DC animated universe. Though try Superman vs the elite out. It's pretty good.
Kaiser-Eoghan
Even phantom world Mario...even phantom world ? =)
Kaiser-Eoghan
Just the teaser trailer, not much to go on, but heres a short preview of that netflix castlevania thing that got mentioned on here a while back, up the quality to 360p:
SuperMario
At this stage, I'm pretty much KyoAni fanboy now so with every new material, I'll hype it up to the sky ^^
Kaiser-Eoghan
@Mario: I did follow it up with The spy who loved me though to cheer myself up =P Given that Rodger Moore just died =)
SuperMario
@Kaiser: just looked through what Short Men Behind the Sun is about: "human experiments carried out by Japanese army during WW2?" Already sound grim and too real. Then "a graphic depiction of the human experiments" haha no wonder you felt unsettled Kaiser
VyseLegendaire
My favorite Exploitation Flick is An Inconvenient Truth 2.0
Kaiser-Eoghan
@Mario: Long story short men behind the sun is finally the exploitation flick that defeated me and actually made me unsettled.
Kaiser-Eoghan
@Mario: I remember you talking about how Salo really affected you as an exploitation film, generally exploitation films don't shock or disturb me, but I just watched the cantonese dubbed version of Men behind the sun.
Kaiser-Eoghan
And the worst thing about beyond the boundry and phantom world, it discolours my opinion of kyoani as a whole, making me negatively reflect on older work they did .
AidanAK47
Yep, that's the new KyoAni one. Like Puran I don't have any expectations of it. The premise certainly seems like the closest they have come to breaking out of there usual format but I am sure they will find a way to shove in Moe antics. Though based on what is seen so far it looks like they are trying to emulate Key.
Puran
Is that a new KyoAni anime?.. I have lost faith in them a long time ago. Last Anime from them that I cared about was probably Hyouka
SuperMario
Bring you some news, Violet Evergarden will be aired as an anime TV. Though many sources saying it gonna air this year, it has a better possibility to air next year
SuperMario
Well, aesthetically, he's pretty much on par with Yang and Wong. It's just that his films are often emotionally distant, feel more like watching the paint dry hahaa
Kaiser-Eoghan
@Mario: I connect more emotionally with Yang and Wong.
Kaiser-Eoghan
@Mario: I went in expecting Edward Yang and Kar-wong-wai levels of quality, which may have been quite unfair standards to put him up against.
SuperMario
I myself find his films difficult to watch, but when the films end they usually hold up very very well. Both The Assassin and 3 Times in particular are my favorite of the year
SuperMario
@Kaiser: I completely understand your reaction because his films are demanding as hell. I remembered watching The Assassin in big screen, 3 people next to me fall asleep, one of them snoring and the other one fall asleep within the first 10 mins. That Hou Hsiao's movies for you
Kaiser-Eoghan
@Mario: Its such a shame because he makes gorgeous cinema and City of sadness is actually pretty informative account of the times....I just can't jive with him and I actually like "slow cinema" but watching his work is insanity inducingly boring for me.
Kaiser-Eoghan
@Mario: ....I'm really sorry, I don't mind long slow even spiritual, talky, non-narrative, old, complex,meditative , art films but I'm really really finding it hard to watch Hou Hsiao's work, I've tried time to live and the Assassin and I just bailed after 2 out of 3 hours on city of sadness.
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
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