Posted on 27 October 2008 with categories: Gunslinger Girl - Il Teatrino, OVAs and Movies:



Short Synopsis: First Rico and Jan travel to Venezia, then Jan, Jose, Henrietta and Rico visit Jan and Jose’s hometown.
Highlights: Haunting as ever.
Overall Enjoyment Value: 8/10 (Excellent)
Am I glad to see more of this or what? The OVA cleverly chose to focus on character-development, rather than action, and it was SO WORTH the fifty minutes of airtime. It would be such a shame if this series was the end of this franchise, because those final volumes of the manga really deserve to be animated. This OVA really reminded me why I labelled this series as the best one to start airing in the past Winter-Season after with Porfy no Nagai Tabi

The first half was basically about Rico, and how she’s probably the most haunting member of this cast. It’s still awkward to see such a killing-machine like her transform to such an innocent girl so easily, and especially that nightmare she had made a lot of impact: to suddenly wake up without having any limbs. During that moment, the creators and especially her voice-actress did a wonderful job at conveying her emotions at that time.

Il Teatrino concludes with the background story of the subplot that had been looming over the entire series: the death of Jan and Jose’s sister, and it’s interesting how both of them decided to live with it in a same way. Jan tried forget her, while Jose tried to not forget her. As a result, Jan has a strange illusion of her when he visits his old house back (and after seeing Henrietta wear some of his sister’s old clothes). At the same time, he also seems to be mourning over the death of a certain “Sophia”, though I didn’t pick up exactly who she was.

I’m also becoming an increasingly bigger fan of Kou Otani as a musical composer. So far, I’m loving the soundtracks he’s produced so far. They’ve all got a folky feel, but all of them are distinctive and different.

One thing that would be an interesting idea for of the third season ever gets highlighted, is for the series to switch production-companies again. In this way, we’ve got a series with three different, yet consistent parts that form a bit story as a while.

Posted on 31 March 2008 with categories: Anime Reviews, Gunslinger Girl - Il Teatrino


Before I start with the usual review, I’d like to point out that this is the 250th review I’ve written for my blog. Yay!

In any case, if you’ve watched the original Gunslinger Girl and plan to watch Il Teatrino, there’s one thing that you need to take into account: a lot of changes have been made. The soundtrack has changed, but most importantly the character-designs have been redrawn completely in a totally different style and the animation-budget has suffered a great loss. The bad news: the fight scenes will look fake, and there will be speed-lines. The good news: this is about the only thing that’s wrong with this series.

The change in art style is something you’ll either love or hate with passion. Not considering this though, they do look gorgeous, and even though the animations in the fights looks fake, the animators have tried to make up for it with some awesome fight-choreography. With this, fights are much more than just brainless gunfights, and are much more based on tactics.

In addition, the storyline has developed into something amazing. The most notable thing is that there is NO main character whatsoever. Even though the girls are the centre of this series, do not make the mistake into thinking that they’re the one with the most screen-time. The creators have made sure not to give any character special attention, and because of this, this is one of the very few series where the “good guys” are just as developed and fleshed out as the “bad guys”. And yes, I put the quotations there on purpose, because sometimes it really feels that the girls are the bad guys. Especially Rico can be really scary at times.

Gunslinger Girl is also one of these series that delivers with every single episode. Introductions, climaxes and aftermaths follow each other in a rapid succession, and there’s so much going on in each episode. The cast of characters may be amazing, but it’s the storyline that pushes them forwards. This is one series that knows how to wrap up all of its storylines at the end, and provides a very satisfying climax.

It may be that I just don’t care about the changes that were made, but Gunslinger Girl has turned into one of the best series to air during the past winter-season, along with Porfy’s Long Journey and Hakaba Kitarou. At first sight, the characters may look “moe-ified”, but this series cleverly shows that the girls are much more than just a bunch of cute angels. Really, the adults end up stealing the show in this series much more than they do.

Posted on with categories: Gunslinger Girl - Il Teatrino


Haha! I couldn’t have expected a better finale than this one! Seriously, it’s so great to see that this has been a series where everything went right, apart from the smaller budget, perhaps. This is really why it was such a good thing that the original mangaka had been assigned to do the Screenplay and Series Composition. Sure, some changes may be forced, but in this way you can be sure that the vision of the original writer will be translated perfectly. Seriously, more series should do this.

And here I thought that this episode would primarily be about the fight between Pinocchio and Triela. Sure, it takes up a large part, but yet again Franca came and stole the show’s best moments. She and Franco originally came to rescue Pinocchio, and yet they only managed to rescue Christiano, while leaving Pinocchio behind. Very impressively, they manage to pass two of the girls, though Franca has been hurt too much, and drives off a cliff, taking Christiano and Franco with her.

Looking back, I must say that this series made best out of its limited budget. On one hand you can say that it does look cheap at times (this episode again featured some speed-lines), but if there’s no budged there’s not much you can do. From that viewpoint, I’d much rather see a series that at least tries to showcase some great fights with some great coordination, than a series that just chooses the easy way around with lots of still frames and no animation at all. Shion no Ou really has been the series to show this: the show clearly received a small budget, and yet the animation-department went all out.

That line of Pinocchio was also right on the spot: “who’s the monster now?” Especially since afterwards, we saw Rico mercilessly banging the head of a guy against the window of a car. She and Jan were most definitely the closest things resembling monsters in this series, and that’s the beauty of it, because at the same time Rico is also the most cheerful member of the cast.

Thankfully, there are still two DVD-only episodes left. I wonder what they’ll be about, though I’d guess that they’ll develop the girls some more. I’ll be blogging them when they show up, though for now I consider this series finished. Let’s hope for a third season to get announced soon, because this is one manga that deserves to be fully animated!

Posted on 24 March 2008 with categories: Gunslinger Girl - Il Teatrino


Even though it hasn’t officially ended yet, I’m pretty sure about my top-3 series for the winter-season: Wellber no Monogatari, Porfy no Nagai Tabi and Gunslinger Girl, though I’m not sure about the order yet. Everything is very close in terms of quality for this season, and Shigofumi, True Tears and Hakaba Kitarou have also been quite amazing as well. Who said that the winter-season sucked anyway?

In any case, this episode rocked in so many ways. There are two major fights, one of which gets continued in the final episode (oh, and there will be 2 DVD-only episodes after that). The camera still got shaken a bit, but the speed-lines were completely gone. In any case, the great thing about that fight was that I ACTUALLY SAW HENRIETTA AS A VILLAIN. I know that Pinocchio is with the bad side and all, and yet I couldn’t care less about Henrietta, and just hoped for Pinocchio, Franco and Franca to survive.
And this is exactly why there are so few good antagonists in anime. Very few series give these guys equal time in terms of not only development, but also fleshing out and screen-time. Pinocchio has received just as much, if not more development than all of the girls, which is a very rare occurrence. After that fight, the development only continues when Christiano is about to get captured and Pinocchio refuses to let him be. The talk that Christiano has afterwards, in which he tells his assistant how Pinocchio has told him that he loved him was such a simple but extremely effective scene.

Also, Pinocchio also failed to kill Henrietta, and that suddenly brought up the same feelings in him that Triela is currently experiencing. I never thought that the two would be so similar. Also note that Triela is still carrying Pinocchio’s necklace. I don’t think that “hate” really is the word to describe the feelings that she has for the guy, at the end of the episode when they finally stand against each other again. She more sees him as a strange kind of rival.

In any case, I’ve long since stopped caring about the bad animation. The choreography of the fights in this episode was more than enough to make up for it.

Posted on 18 March 2008 with categories: Gunslinger Girl - Il Teatrino


Before I start with the episode review, I’d like to share something that Solaris wrote up, about Gunslinger Girl’s connections to the real situations in Italy.

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You all like Gunslinger girl story don’t you? Let’s take a closer look on the social picture the show feature to us.
The story is setted up in Italy some years in the future and it depict a country on the verge of a civil war. National government is weak and corruption spreads in public affairs. Army are divided and corrupted as well.
There are independist movements in the country, expecially plaved in the Northern Regions. The south is quite lost an the real government there is Mafia now. The national government has quite no power at all there. Sicily is now an independent state itself.
But in the surface everything is ok, and the government doesn’t show any effort in taking any remedy to the situation.
So being the central governmente unable, people is tired and sides up mostly with those who are ruining the country that is independists movement most of all.
The only way to keep back some order and fight back crime is to act over legal and in the dark. And so The Social Wellfare Agency was created and our story begins.
Well, you can never imagine how close to the reality this situation is. Of course there is no civil war in Italy, but all the problems Italy really has, are depicted and emphatized in the fiction.
Italy is nowadays divided in three macro regions that are economically very different. Northern Territories are the richest ones. There are industries that produce services and goods. North is the economical engine of the country.
The center regions are under the influence of Rome, where the governemnt is. So much of the job there is managing the public affairs. Central regions are wealthly and there is turism, industry as well.
Southern countries are a little problem. They’re back economically, and are more rural countries. People usually leaves ang go northside for working.
But the tax income isn’t decided on a regional base. Ecomomical politics is one for all regions. There’s a constant flow of money from the northern countries to the south to develop a part of the italy that wouldn’t grow for some reason. Northern people looks at the south like a burden thus denying that many people from the south are actually working in the north and contributed that way to Italian richness.
Why does South didn’t reach Northern regions developement degree? There are many reason, but mostly two are important. The first is that back a long time ago, after the war it was chosen to spend money for industries in the north mainly, and the other is mafia in the south.

Mafia isn’t just something that reminds you of gangster stories. It’s something ancient, an old relic of what it was South Italy long before Italian Unification (XIX century). When there still was the King of Naples, there were noble families that took care of local government. They were the hands that administrated and protected the people before the king. Here, “mafia” means something like pride, honour, or even social responsibility: an attitude, not an organization. Where the government changed and the state cared less or nothing for the population, there Mafia flourished.
But Mafia in the 20th century dwelled with mostly illegal activities and crimes. They are no longer the protectors of people but became oppressors themselves. Still he old fashoned idea of strong and righteous didn’t vanish even before the crimes. Nowadays Mafia has gain so much power that has no longer need of illecit activities like prostitution or drugs to go on. These low level crimes are now matter of new criminal groups like Albanians. They use illecit activities to force and hold power over the normal socioechonomical substrate of entire cities and regions. They now take money from extorsions and public contracts and invest it. Mafia controls the money nowadays and controls peple with the means of money. Entire cities and quarters are under their rule and also it’s infiltrating in that government, at a local level that once it used to fight with.
So South Italy remained frozen undeveloped, in the hands of these people that rather strangled it. And all the money the central government gave for the South did never reach the population. It disappeared before in nothing. Think that there’s still people living in barracks aftrer the Irpinian Earthquake wich happened 30 yars ago. Read here how much money was given to aid http://en.wikipedia.org/wiki/Italy_Earthquake_of_1980.
Of course Central Government is the first blame from the population for the lack of social wellfare. No work, no money. Many are forced to immigrate to north to gain a job, or are better employed in mafia itself. So still Mafia, taking care of the people is well accepted. That is quite ironical.
Som emore info’s about Mafia are here: http://en.wikipedia.org/wiki/Mafia

On the other side Northern Region’s population have the burden to train the whole country and are disenchanted. They see their money wasted in the southern black hole and in the burocratic and unefficient public administration. So they grew some resentment for the whole country.
Moreover they grew a lot of conceit. The think they’re the only working in Italy and that the government is oppressing them. Nothing more false than this, but it’s 1/3 of the population in the north believes it to some extent. These people is ironically the same who end to skip on taxes, and be proud of dishonesty. they think something like, the government steals me, i steal everybody else. They are also racist against everybody is not from the North taly.
So from the early 80’s several new movement ware born. All of them exploited resentment against the central governmet and made their flag of discrimination against southern Italians. Open racism against illegal immigrants were also exploited. All these movements were joined in The Lega Nord party. Expecially with the large scandals for the corruption in 1992, the Tangentopoli affair, people had the direct confirm that what Lega said was true. The Lega literly gained the larger success from that moment on.
Lega Nord is openly secessionist and claims for Padania independency. Padania isn’t a real region of Italy, it’s something around the big plains of the Po river, at the centre of the northern Italy. Of course to make alies in the parliament Lega had to make a step back o their claims. Now they only clain for a federal reform of Italy, expecially economically speaking. Nowadays the Lega Nord is the mayor ally of Forza Italia, Berlusconi’s party. I won’t speak of him now, as it seems he and his party isn’t mentioned in Gunslinger Girl.
Of course you notice how much the Movement of the five Republics resembles Lega Nord itself.
Here you can find more info about Lega Nord: http://en.wikipedia.org/wiki/Lega_Nord

——————————————–

After reading this, I’m even more surprised at what an interesting setting was chosen for this series. This is exactly what I mean when series need to look beyond Japanese high-schools for their settings at times.

In any case, this episode sets up for the finale of the Pinocchio arc. At least, I think it does, because Triela doesn’t get sent to the place where Pinocchio is about to do his mission, along with Franco and Franca. Instead, he’s up against Henrietta and Beatrice, while Triela, Angelica and Rico are sent to Milano for another mission.

Oh, and Pinocchio also gets some more background, and I’m surprised at how involved Christiano is with his missions. It turns out that even though he doesn’t do the dirty jobs himself, he does help cleaning things up for the people who work under him. Stereotypical bad guys really need to follow this guy’s example, instead of sitting on their chairs, trying to look evil. In any case, during one of these cleanups, Christiano discovered the young Pinocchio, and took him in. There, one of his subordinates (who is now dead), trained Pinocchio to be the assassin he is now.

One rather technical bit that I’d like to note is that this series is the first I’ve seen that avoids what I’d like to call the “piano-syndrome”. Usually in anime, when someone starts playing a musical instrument, the creators just cue a regular background tune. At the really bad cases, I have no idea whether a character is actually playing, or the background music is actually playing, but this series handled this quite nicely by running a small filter though the sound, that makes it sound much more real and in the background, rather than from a recording-studio. Kudos!

All that’s left now is to hope that some kind of third season will close off this series. It took quite some time for the second season to arrive, but I think that that was mostly because Madhouse had no intention to make a second season (if they had, they would have done so much earlier), so if I had to guess, then things will go easier for the third season, especially with the original mangaka behind things.

Posted on 11 March 2008 with categories: Gunslinger Girl - Il Teatrino


Ah, of course. Triela and Hirsher were the only ones who still weren’t fleshed out enough, and this episode takes care of that. Now all that’s left is for the three final episodes to conclude the story, now that the cast is fully developed. It’s interesting how Triela gets to be the final character that gets her background, even though the entire Pinocchio-arc is centred on her. Usually anime would give characters like her some extra development, when compared to the others, but the creators for Gunslinger Girl made sure that each of the characters received an equal amount of development and background. I’m not sure about others, but I always like it when a series does this. It just shows that the show doesn’t just revolve around its main characters. Call it a personal preference.

In any case, it turns out that Hirsher is a false name. His real name is Heartman, and he apparently worked at a detective agency, and this episode among others tells the story of how he met Triela, and ended up along with her as a Fratello. It turns out that Triela was a victim of human trade, and who knows what kinds of experiments were performed on her. Hirsher and a female colleague of his tried to rescue her, and they just barely were able to save her life.

At the same time, the episode shows how Triela meets the daughter of one of the people that Triela saved one day. it seems that he needs Triela and Hirsher’s help once more. In any case, this daughter (Mimi) and Triela form an interesting couple. They both like to collect teddy-bears, and yet Mimi is a normal girl, who has a boyfriend and likes to play soccer. She really succeeds into lifting Triela’s mood a bit, because she’s still feeling down from Pinocchio.

I also like how the captain of the regular soldiers was able to teach Triela a bit about what went wrong in her fight against Pinocchio, and how she isn’t as invincible as she believed she was.

In any case, the creators have done a wonderful job so far. Let’s hope they won’t screw up for the ending.

Posted on 5 March 2008 with categories: Gunslinger Girl - Il Teatrino


I’m not sure what it is – the animation-quality wasn’t really better than usual – but this was the most visually pleasing episode of Il Teatrino yet. Not only that, but it’s also quite possibly the best episode of the entire series so far. It really captured the essence of Gunslinger Girl, more than Madhouse could ever have done with the first season, just because they kept focusing on just the girls, whereas Artland so far has focused just as much on the adults around the girls.

This episode truly showed the difference between the girls’ innocence, and their ruthless brutality. One moment, they’re walking around happily in their new dresses and the other they’re blasting a rain of bullets on a car that’s driven by a bunch of terrorists. What really hit me was that one of these terrorists was an old acquaintance of Jose. In fact, they still kept contact, not knowing about each other’s professions.

I’m also really surprised at how balanced this episode was. So many characters got a bit of development. We have Jose and Jean, who turn out to have a sister. This sister was especially close to Jose, and ended up as a professional harp-player. The reason why she was so close with Jose was because Jean is far more impersonal than I could have imagined. I think that that’s why Jose chose to treat Henrietta so differently, because he had to be nice to his sister who didn’t get any attention from Jean. Jean really scared me when he didn’t even flinch when Rico brutally beat some terrorists.

Speaking of Rico: I can really understand now why her character was forced to change back to her cheery self, when compared to her stoic personality in the Madhouse version. Seeing the usual cheery Rico just mercilessly beat down one of these terrorists makes much more impact from when she was more serious. I’m also glad that Artland chose for a bigger role for Beatrice. According to totoum, she only got one line in the manga, and I’m glad to see that her role for the anime-version has become so much bigger. It shows that the creators aren’t just willing to adapt the anime, but also to improve it. And if the creators can do that, without making it seem like random filler, then that’s the sign of a good adaptation.

Apart from that, there were also a few scenes about Triela, Claes, Marco and Angelica. It also turns out that Marco used to know someone who liked opera (Patricia?).

Seriously, I’m so glad that I gave this series a chance, and looked beyond the bad fight-animation. The plot is just terrific, and this is definitely (apart from Porfy no Nagai Tabi, of course, but there is no series that can beat that behemoth in terms or realism) the best-written series of the shows that premiered in the winter-season.

Posted on 26 February 2008 with categories: Gunslinger Girl - Il Teatrino


This is one episode that should have belonged in the first season, as it’s entirely devoted to Claes without any signs of the plot whatsoever. I’m not sure why it took her so long to get her own episode. Was this the actual sequence in the manga, or did Madhouse just omit her back-story when they made the first season? In any case, it’s definitely a good thing to finally see some attention to one of least-developed members of the cast, because first of all she really needed it and second of all: Claes is such a great character.

I assume that her partner is on some kind of mission, and left her behind? I couldn’t pick up that part precisely, but we never see him outside of a flashback, and it does explain why she never participates in any mission. What also surprised me in this episode was that there were more Gunslinger Girls than just Henrietta, Claes, Angelica, Triela and Rico.

I also must say that I really like the new OP animation and the new ED-tune. They fit the new feeling of second season perfectly, in my opinion.

Il Teatrino is just like Higurashi no Naku Koro ni Kai. That too went into a completely new direction when compared to the first season, offering a totally new dimension to the story. You’ll either love this, or hate how the second season didn’t continue with the style you liked about the first one.

Posted on 19 February 2008 with categories: Gunslinger Girl - Il Teatrino


I’m getting more and more convinced that there is no such thing as a main character, or a main group of characters for this series. The girls are definitely not the ones who receive the most airtime. Heck, in this episode they yet again didn’t appear at all, and the focus shifted to Franca, as we get to see her background, why she met Franco in the first place, and how she got her code-name Franca in the first place.

It seems that she spent her college-years with none other than Patricia, Marco’s ex lover. Franca was actually the one who introduced Patricia to Marco. Oh, and her name was Catherina back then. It turns out that at one point, her father died and she wanted revenge. For that, she sought the help of a guy named Franco, son of a famous bomb expert and who helped his late father many times in the past. When she met him it seems that he had lost any motivation for the passion that his father once had.

I’m not sure what happened in between, but the two stuck together. When at one point, a bunch of old friends of Franco ask him what Franca’s name is, and instead of answering “Catherine”, he replies with “Franca”. This was all eight years ago, and both of them have matured greatly since then. It really feels like two lost souls have found each other, and grew, depending on each other. Even though Franco doesn’t show it, it does seem like his encounter with Franca gave him a reason to live again.

Sure, the story of the girls is nice and all, but the adults are really stealing the show for this series over and over again. I just love how this can quite possibly be one of the very few series that has important characters of all possible ages, except perhaps of high-school-age (the most annoying age anyway), depending on how old Pinocchio is. I really like how this series has tried to make every single character count, and it succeeded pretty well at this. I’m not sure why, but I always tend to like series with lots of important characters.

Pinocchio also developed a bit this episode. This probably was the first time he showed any emotion towards anyone other than his uncle. In the week he spent with Franco and Franca he barely said anything, and just kept to himself most of the time, but after saving Franca, he did show a few signs of friendliness. During said incident, Franca also got pretty beaten up, so Pinocchio’s uncle decided to give her a visit. When Pinocchio sees him again, it becomes clear that he really wants to mean something to his uncle, and he wants to be complimented.

Oh, and on a side-note: the animation for the OP changed to the traditional method. Again, it’s pretty well done, and it seems to consist out of a combination of recycled cells and original animation. Ah well, at least you can see that the creators are trying, despite the limited budget. Franco’s typing at the beginning of the episode was just bad…

Posted on 12 February 2008 with categories: Gunslinger Girl - Il Teatrino


Thanks to Windspirit, for pointing out that last week’s episode wasn’t a half-recap at all. It seems that I just had gotten a wrong file from Share, and it looks like there are no signs at all that the budget is running out. Of course, it was relatively small to begin with, but something tells me now that the creators knew exactly how to use it. After watching the first half, the second half also made much more sense, not to mention the bit of development for Triela.

This episode finally was about Henrietta again. I can’t really say that she’s my favourite member of the cast, but thankfully enough other things made this episode worthwhile enough. I especially liked the old acquaintance of Franca. He’s the member of a terrorist group, working at an antique repair shop. He originally joined the terrorist group in order to take revenge on his brother, who died a few years ago. But in this episode, he gets second doubts after meeting Henrietta, if I understood correctly. I like how he turned down Franca’s request in the end.

In this episode, Henrietta and Rico also have a small fight, after Rico accidentally breaks the Jose’s microscope. While it was enjoyable, I’d much rather see more of Angelica, Triela or Claes. Ah well, there are enough episodes left for them to shine. :)

CHANGE USERNAME
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
SuperMario
@lenlo: in a sense you have to suffer it all alone. No worries thou as I intend to binge watch it when this season's over
Spike
Kado team crumbled under the pressure. Recap this week.
Lenlo
@SuperMario, im happy I dont have to compete with anyone to cover Berserk :P Got it all to myself to whine about, though its been ever so slowly improving.
Anonymous1100725
Ranka is ranka in any verse.
Anonymous1100725
Bahmut no spoilers. Ranka Lee. She just doesn't get it so everyone dies. As she stands around wondering.
SuperMario
In fact, Okja will play in the Sydney film festival next month, but seeing that it will stream in Netflix at the end of June I think it's best to wait until then
SuperMario
@Kaiser: great, I'm super hyped to watch Okja. Always enjoy Boon's movies. The critic's reviews from Cannes on Okja should come up soon I believe.
SuperMario
@Kaiser: I watched Lain many times over as well but I'm sure that I didn't pick up everything. That show required multiple-viewing anyways.
Kaiser-Eoghan
@Mario: Good news, netflix will stream Okja at the end of this June.
Kaiser-Eoghan
@Mario: Its not often that I rewatch things, but years ago I've seen Lain at least three times, its also one of those few anime series where I felt to look up deeper analysis into it. It had a tremendous atmosphere and was ahead of its time.
SuperMario
@Kaiser: watching Ghost Hound made me want to revisit Serial Experiment Lain and give my episodic thoughts on that. Not gonna happen soon as I have my hand full right now but I swear I'll get to that one day.
Kaiser-Eoghan
@Mario: I actually am planning to rewatch ghost hound soon, so I'll give you my new thoughts on it then.
Kaiser-Eoghan
I always avoided Altair mostly based on it being a shounen action series. Kakeguruis premise involves gambling games, which I don't find interesting.
KTravlos
Kakegurui is on my list. I thought it would be crap (terrible setting etc), but the manga won me over. Princess Principal will be given a chance, so will Shoukouko no Altair.and perhaps Reflection. We shall see. Also Twilight Axis Gundam, as I love the manga team.
AidanAK47
@Anon, Recap episodes exist because of production troubles. Sometimes shit happens when you make an anime.
You are being a bit overally argressive but I do agree with the statement that Ntr is pathetic power fantasy. It really is.
Anonymous1099236
Ntr is a pathetic power fantasy for pathetic people
Anonymous1099236
Why the hell do recap episodes exist. Do they think we're that autistic
SuperMario
I honestly don't even what NTR is so I had to look it up. Interesting
SuperMario
Just a quick remaider that Tsuki ga Kirei has a recap episode this week. And yep, after watching this week's Sakura Quest I think I'm gonna stick with it
SuperMario
Flipping through the list, I'm also pretty know what I'm interested in, most of them are original anime, which is a plus
SuperMario
@Aidan: I'm still amazed that us never have to fight over covering shows, except for that one time with Flip Flappers. Always thought that crappy tastes are the same
Kaiser-Eoghan
*Those two comments were refering to NTR trap
Kaiser-Eoghan
I would really genuinely like to see some of these smut manga actually functionally use fanservice and romantic sex scenes rather than just cheap titilattion
Kaiser-Eoghan
@Aidan: Poorly done ragey drama with bad comedy bits , I've reached a point with it where I no longer want my time wasted by it.
AidanAK47
@Mario, I admit to having passing interest in Princess Principal but not enough to fight you over it.
And Tsurezure Children is actually really really good. Really fluffy love stories with great comedy.
SuperMario
haha, even me who love slice-of-life won't fall for Tsurezure Children
SuperMario
@Aidan: Princess Principal
SuperMario
@Kaiser: The character designs on Centaur kind of weirds me out though
AidanAK47
@Kaiser, Ugh...that one. Imagine a discount scums wish and you get the general idea.
AidanAK47
Mate if you are talking about Fate then let me say there is no way in hell I am not covering that.
Kaiser-Eoghan
NTR as the title of an anime? How shameless.
AidanAK47
@Mario,....Tsurezure Children?
Kaiser-Eoghan
I was surprised by centaur no nanami's manga. Actually cares about its setting and genuinely charming characters.
SuperMario
@Aidan: and this time there is 1 show we might both want to cover ^^
AidanAK47
I will have to start writing up that preview for this. I think it's pretty obvious what I am looking forward the most to watching.
AidanAK47
Links generally work with text if you place them at the end of it. Like so:
http://anichart.net/Summer-2017
Kaiser-Eoghan
[link src="http://anichart.net/Summer-2017
I....I"] might at least try the Vatican kiseki one and centaur no nanami...
AidanAK47
@Anon, Don't believe Clickbait. This is all based on a quote from the author thanking the animation studio and hoping for an opportunity to work with them in the future. What this confirms is that there is no plans for a season 3...yet. Could very well happen in the future. What this confirms is that it ain't happening any time soon.
Puran
Natsume is killing it this season.
Anonymous1094513
RIP Konosuba. Season 3 confirmed to not happen https://www.youtube.com/watch?v=7PvOmsKjcJU.
Lenlo
Im not sure what they are even saying.
Anonymous1092432
lmao Anon 250 got rekt
AidanAK47
Normally I would delete openly offensive posts but seeing as these don't make enough sense to be offensive I will give them a free pass.
AidanAK47
No idea who this Adnan guy is but if he watches gay porn then so what?
Anonymous1092250
adnan watches gay porn
Anonymous1092250
people who watch one piece are just watching gay porn
Anonymous1092250
one piece of shit
SuperMario
Hey, do you guys know about wanna cry ransomware? how's the heck that I just aware of its existence today? Scary@@
Lenlo
Haha will do, but im not gonna compete outside a local, maybe regional level, not anymore. I mostly want to get back into my old shape after 2 years of letting it lapse.
SuperMario
Oh, congrats. Used to play sport in competitive level myself (tennis), but now I feel like an old big fat geezer now haha. Keep me updated on your Fencing as it might motivate me to join sooner ^^
Lenlo
Dont even have to work out to do Fencing, you can just go for fun once a week. Im just trying to get back into competitive shape now that I have my degree
SuperMario
I'm not really big on workin out though; my housemate just keeps asking to join gyming but I always back out, haha. Although I'm okay with running and I'm doing yoga like 4 times a week
Lenlo
Cool. And definitely, give Fencing a try, find your local gym.
SuperMario
When you feel sore it just means it's working, so all good haha. I'm still pretty much interested in try Fencing one day btw. About Uchouten, it's about a bunch of tanuki in human shape wander around and having fun (I'm not serious btw). I think the forst episode of the first season can tell you exactly the tone of the show, so you can watch that episode to see if it's your thing
Lenlo
I both love and hate the post-workout aches. Its what I get for trying to get back into Fencing shape.

Whats Uchouten about?
SuperMario
My love is blind, Kaiser. When I love a show I tend to go overboard with it ^^
Kaiser-Eoghan
I’d forgotten how fun these characters are, although some of the novelty, charm, humour has worn off, it is still there and I’m beginning to re-remember while watching.
I do hope though that they’ll do more with Kaisei and Bonten however.
Kaiser-Eoghan
Annnnd thank you Mario again for your reviews tempting me to watch a show.
I was hesitant sitting down to watch season 2 of Uchouten Kazoku because it had been so long since I saw the original.
I caught up, Nidaime and Tenyama got my attention most, standout scenes were the shogi match and the second half of episode inside the painting, the bits between Yaichiro and that girl.
Kaiser-Eoghan
Honestly I could never do the sleeping on the back thing, thats largely because I heard that it increases the risk of sleep paralysis/apnea.
SuperMario
WHY PROTECTING THEM THEN?
SuperMario
You know that human is the only mammal/race that sleep on their back?
KTravlos
hahaha
Lenlo
Is his wall being built with Mexicans? Are they inside the wall, AoT style?
Kaiser-Eoghan
MAKE TITAN GREAT AGAIN =<
Yes that is true aim of Donald Trump's wall, he's actually in the know, trying to keep out Titans.
AidanAK47
WE SHALL KILL ALL OF THE ANONS.
....Wheres my 3D gear?
KTravlos
they all are anonymous and thus enemies of the human race :p
AidanAK47
@KTravlos, Just to clarify but the guy who wrote " idk wtf " and the guy writing the paragraphs are clearly two different people.
KTravlos
I also dislike anonimity on the net. If you are not in danger of being killed or purged because of your name, you should offer it. It is the right thing to do.
KTravlos
done by a lesser director. Simply put and to end it on my part: Exaggeration is the core of art. You can exaggerate the mundane , but exaggeration it still is.
KTravlos
They focus on it and make it the centerpiece. All motion picture does this, and anime does this very well in my humble opinion. There are things that are "easier" to do in live action. But make no mistake, it all comes down to the director and his team. Despite the fact that Monster is very grounded , some of its most evocative scenes would not work if done live action. Or would had not worked if
KTravlos
Look I was sharp because I do not like the whole idk etf culture thing. Should tell you my age.

What I meant with my words can be made more accessible with this analogy. Do you find yourself moved by paintings? Photos? None of this give the immediacy of the whole picture a moving image gives. And yet we are moved by them. This is because they take a element of reality and exaggerate it....
Anonymous1091057
Anyways, I should stop lol. I just ranted like less than 24 hours ago. Gotta go to uni soon anyways
Anonymous1091057
Whoops, I meant to say, ... or even stuff like Baccano could work in western live action.
Anonymous1091057
Also, I feel like shows that have some western context already infused in them, like most sports shows (i.e. Kuroko no Basket for example), or even stuff like Baccano, but once again it'd be hard to pull of the craziness and coolness of the shows, because a lot of it comes from the shows animation and style.
Anonymous1091057
But also, those shows might just be too weird for western live action.
Anonymous1091057
I don't see shows like One Piece or JJBA for example working in western live action well, at least for a long time till the CGI becomes much, much better so to not to completely destroy our suspension of disbelief.
Anonymous1091057
Those sort of works have a cross-potential for working both in anime and western live action. Then I feel slowly you can start littering in some of the more sci-fi esque ones like Steins;gate, or supernatural horror ones like Death Note.
Anonymous1091057
That's why I feel like the best hope for adapting anime into live action movies and TV shows (TV probably would be better for adapting anime tho), is to start with the more grounded, like Monster or even something like LoGH which has a sci-fi element but still maintains a sort of realism.
Anonymous1091057
There are good western movies and TV shows that are strange, but not bizarre; weird, but not the same kind of say JJBA.
Anonymous1091057
I feel like this difference between the 2 mediums makes it hard to adapt anime into live action, particularly western movies. Most anime are closer to the extreme of creative and zany than the extreme of grounded which movies are better at pulling off.
Anonymous1091057
Or another example is Steins;gate. No other medium could have a plot about bananas, time machines, cell phones, world war 3, and make it work pretty well everything said and done.
Anonymous1091057
Or how in the world could JoJo's Bizarre Adventure ever work out, with its complete craziness, except in anime. I know they're making a movie from the first arc of DiU, but they inevitably have to strip away some of the weirdness that makes the series great.
Anonymous1091057
But then on the other hand, I'm not the biggest fan of modern western superhero shows, particularly because I feel like it's better suited to anime. I'll take One Piece, FMA, or Hunter x Hunter (just to name a few) over 90% of superhero movies today.
Anonymous1091057
*movies aren't a great example of this as a whole, there's a scene from the last Hobbit movie which kinda shows how live action captures the tiny tics and "boringness" https://www.youtube.com/watch?v=ZIaJb6RY0TQ
Anonymous1091057
Or like, just the way a character breathes; while the movies aren
Anonymous1091057
I feel live action is better able to capture the minute, "boring", or slow parts of life. For example you don't see too many slow shots in the animated medium (maybe movies being an exception), but they're common in live action (not as much in modern movies, but still).
Anonymous1091057
I agree its a matter of personal preference, and I didn't mean to imply that I thought anime was inferior to TV or vice-versa, but just that they offer different types of experiences. I feel anime excels at the imaginative, crazy, and bizarre, while live action succeeds at the grounded, mundane, and "boringness" of living.
KTravlos
I do not care if you do not know what I am talking about. There we are.
Anonymous1091060
@travlos idk wtf you're talking about
Kaiser-Eoghan
I'm open to realistic stories and sad ones also but above all I'm more interested in imagination.
Kaiser-Eoghan
@Aidan: Given that Bam isn't here, can I rely on you to review Blame! this weekend? Its out on netflix on Saturday.
KTravlos
Animation has the ability to distill emotions to there core. It is why some would say it exaggerates (And there are shows that do so), but what it really does is provide the "core" of emotions. Live action can do this, but requires great actors, or good buildup.
AidanAK47
Oh god the typos in that rant. For some reason my spellcheck has ceased to work on this thing.
AidanAK47
For a cliff notes, TV and Anime are not inferior to one another. Both have plus's and minus's to them and how invested one gets depends on personal preference
AidanAK47
@Anon2, Not even close to my point.
Anonymous1090816
Animation is more realistic 'cuz its fully imaginary. Ya dig?
AidanAK47
Honestly when it comes to me, the closer a show resembles reality, the less interest I have in it. Hence why I am not watching Tsuki ga Kirei this season.
AidanAK47
When you get down to it this is pretty much a matter of personal perference. There are those who cannot connect with animation as strongly because it's animated. Likewise there are those that connect stronger because it's animated. One cannot nessaily be deemed better than the other. both have their pros and cons.
AidanAK47
Animation I feel allows for more room to bend the rules. A story like dragonball is utterly ridiclous in live action but it works within art. There are emotional high points in anime which would just fall completly flat in a live action adaption. It's not really fair to deem those things as inferior because it's not realistic. It can hit those high notes because it isn't realistic.
AidanAK47
One thing you mention is the unnatural exgrattion of emotion or experences and I do argee with that. There is a layer of artificiality to anime interactions. However this exists in TV shows as well. One thing that always bugged me about TV shows that I have seen is the dialogue. i always felt that people don't talk natural in these shows, all there lines are focused on being snappy and memorable.
AidanAK47
There is also a level of ambigity within "Nauce" as it can be interpted as many thing by the watcher. For one it could be just people looking too much into what is essentailly "Stare blankly". It's funny you mention Naoki as he does this exact same thing. Character says something, other character stare intently. Actually the diagolue in his stories is similer to that of tv drama's as well.
AidanAK47
While animated emotion can be considered more simplistic than that of live action, i would consider this a strength rather than a weakness. Anime characters can express emotion more clearly than that of live action actors. The naunce of a anime character is easy to notice because they can get the exact reaction needed for a scene. Meanwhile to do the same in live action takes one hell of an actor
AidanAK47
@Anon, On this shoutbox you an rant away and let me start by saying that i disargee. I will admit that there are certain things that live action Tv shows can do that Anime simply cannot but I disargee with the notion that animation cannot connect to the human experence. If anything I would argue that anime can even exceed it.
Kaiser
I will say this though about live action films is that i find that its easier to create a more successful atmosphere through them, making you forget your watching fiction.
Kaiser
Urasawa can be uneven, his work can jump between maddeningly slow and nail biting suspense sometimes in the same series.
Kaiser
I stuck with breaking bad , The bborgias and eventually hannibal all the way through. Always sunny is still funny .
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