Posted on 27 October 2008 with categories: Gunslinger Girl - Il Teatrino, OVAs and Movies:



Short Synopsis: First Rico and Jan travel to Venezia, then Jan, Jose, Henrietta and Rico visit Jan and Jose’s hometown.
Highlights: Haunting as ever.
Overall Enjoyment Value: 8/10 (Excellent)
Am I glad to see more of this or what? The OVA cleverly chose to focus on character-development, rather than action, and it was SO WORTH the fifty minutes of airtime. It would be such a shame if this series was the end of this franchise, because those final volumes of the manga really deserve to be animated. This OVA really reminded me why I labelled this series as the best one to start airing in the past Winter-Season after with Porfy no Nagai Tabi

The first half was basically about Rico, and how she’s probably the most haunting member of this cast. It’s still awkward to see such a killing-machine like her transform to such an innocent girl so easily, and especially that nightmare she had made a lot of impact: to suddenly wake up without having any limbs. During that moment, the creators and especially her voice-actress did a wonderful job at conveying her emotions at that time.

Il Teatrino concludes with the background story of the subplot that had been looming over the entire series: the death of Jan and Jose’s sister, and it’s interesting how both of them decided to live with it in a same way. Jan tried forget her, while Jose tried to not forget her. As a result, Jan has a strange illusion of her when he visits his old house back (and after seeing Henrietta wear some of his sister’s old clothes). At the same time, he also seems to be mourning over the death of a certain “Sophia”, though I didn’t pick up exactly who she was.

I’m also becoming an increasingly bigger fan of Kou Otani as a musical composer. So far, I’m loving the soundtracks he’s produced so far. They’ve all got a folky feel, but all of them are distinctive and different.

One thing that would be an interesting idea for of the third season ever gets highlighted, is for the series to switch production-companies again. In this way, we’ve got a series with three different, yet consistent parts that form a bit story as a while.

Posted on 31 March 2008 with categories: Anime Reviews, Gunslinger Girl - Il Teatrino


Before I start with the usual review, I’d like to point out that this is the 250th review I’ve written for my blog. Yay!

In any case, if you’ve watched the original Gunslinger Girl and plan to watch Il Teatrino, there’s one thing that you need to take into account: a lot of changes have been made. The soundtrack has changed, but most importantly the character-designs have been redrawn completely in a totally different style and the animation-budget has suffered a great loss. The bad news: the fight scenes will look fake, and there will be speed-lines. The good news: this is about the only thing that’s wrong with this series.

The change in art style is something you’ll either love or hate with passion. Not considering this though, they do look gorgeous, and even though the animations in the fights looks fake, the animators have tried to make up for it with some awesome fight-choreography. With this, fights are much more than just brainless gunfights, and are much more based on tactics.

In addition, the storyline has developed into something amazing. The most notable thing is that there is NO main character whatsoever. Even though the girls are the centre of this series, do not make the mistake into thinking that they’re the one with the most screen-time. The creators have made sure not to give any character special attention, and because of this, this is one of the very few series where the “good guys” are just as developed and fleshed out as the “bad guys”. And yes, I put the quotations there on purpose, because sometimes it really feels that the girls are the bad guys. Especially Rico can be really scary at times.

Gunslinger Girl is also one of these series that delivers with every single episode. Introductions, climaxes and aftermaths follow each other in a rapid succession, and there’s so much going on in each episode. The cast of characters may be amazing, but it’s the storyline that pushes them forwards. This is one series that knows how to wrap up all of its storylines at the end, and provides a very satisfying climax.

It may be that I just don’t care about the changes that were made, but Gunslinger Girl has turned into one of the best series to air during the past winter-season, along with Porfy’s Long Journey and Hakaba Kitarou. At first sight, the characters may look “moe-ified”, but this series cleverly shows that the girls are much more than just a bunch of cute angels. Really, the adults end up stealing the show in this series much more than they do.

Posted on with categories: Gunslinger Girl - Il Teatrino


Haha! I couldn’t have expected a better finale than this one! Seriously, it’s so great to see that this has been a series where everything went right, apart from the smaller budget, perhaps. This is really why it was such a good thing that the original mangaka had been assigned to do the Screenplay and Series Composition. Sure, some changes may be forced, but in this way you can be sure that the vision of the original writer will be translated perfectly. Seriously, more series should do this.

And here I thought that this episode would primarily be about the fight between Pinocchio and Triela. Sure, it takes up a large part, but yet again Franca came and stole the show’s best moments. She and Franco originally came to rescue Pinocchio, and yet they only managed to rescue Christiano, while leaving Pinocchio behind. Very impressively, they manage to pass two of the girls, though Franca has been hurt too much, and drives off a cliff, taking Christiano and Franco with her.

Looking back, I must say that this series made best out of its limited budget. On one hand you can say that it does look cheap at times (this episode again featured some speed-lines), but if there’s no budged there’s not much you can do. From that viewpoint, I’d much rather see a series that at least tries to showcase some great fights with some great coordination, than a series that just chooses the easy way around with lots of still frames and no animation at all. Shion no Ou really has been the series to show this: the show clearly received a small budget, and yet the animation-department went all out.

That line of Pinocchio was also right on the spot: “who’s the monster now?” Especially since afterwards, we saw Rico mercilessly banging the head of a guy against the window of a car. She and Jan were most definitely the closest things resembling monsters in this series, and that’s the beauty of it, because at the same time Rico is also the most cheerful member of the cast.

Thankfully, there are still two DVD-only episodes left. I wonder what they’ll be about, though I’d guess that they’ll develop the girls some more. I’ll be blogging them when they show up, though for now I consider this series finished. Let’s hope for a third season to get announced soon, because this is one manga that deserves to be fully animated!

Posted on 24 March 2008 with categories: Gunslinger Girl - Il Teatrino


Even though it hasn’t officially ended yet, I’m pretty sure about my top-3 series for the winter-season: Wellber no Monogatari, Porfy no Nagai Tabi and Gunslinger Girl, though I’m not sure about the order yet. Everything is very close in terms of quality for this season, and Shigofumi, True Tears and Hakaba Kitarou have also been quite amazing as well. Who said that the winter-season sucked anyway?

In any case, this episode rocked in so many ways. There are two major fights, one of which gets continued in the final episode (oh, and there will be 2 DVD-only episodes after that). The camera still got shaken a bit, but the speed-lines were completely gone. In any case, the great thing about that fight was that I ACTUALLY SAW HENRIETTA AS A VILLAIN. I know that Pinocchio is with the bad side and all, and yet I couldn’t care less about Henrietta, and just hoped for Pinocchio, Franco and Franca to survive.
And this is exactly why there are so few good antagonists in anime. Very few series give these guys equal time in terms of not only development, but also fleshing out and screen-time. Pinocchio has received just as much, if not more development than all of the girls, which is a very rare occurrence. After that fight, the development only continues when Christiano is about to get captured and Pinocchio refuses to let him be. The talk that Christiano has afterwards, in which he tells his assistant how Pinocchio has told him that he loved him was such a simple but extremely effective scene.

Also, Pinocchio also failed to kill Henrietta, and that suddenly brought up the same feelings in him that Triela is currently experiencing. I never thought that the two would be so similar. Also note that Triela is still carrying Pinocchio’s necklace. I don’t think that “hate” really is the word to describe the feelings that she has for the guy, at the end of the episode when they finally stand against each other again. She more sees him as a strange kind of rival.

In any case, I’ve long since stopped caring about the bad animation. The choreography of the fights in this episode was more than enough to make up for it.

Posted on 18 March 2008 with categories: Gunslinger Girl - Il Teatrino


Before I start with the episode review, I’d like to share something that Solaris wrote up, about Gunslinger Girl’s connections to the real situations in Italy.

——————————–

You all like Gunslinger girl story don’t you? Let’s take a closer look on the social picture the show feature to us.
The story is setted up in Italy some years in the future and it depict a country on the verge of a civil war. National government is weak and corruption spreads in public affairs. Army are divided and corrupted as well.
There are independist movements in the country, expecially plaved in the Northern Regions. The south is quite lost an the real government there is Mafia now. The national government has quite no power at all there. Sicily is now an independent state itself.
But in the surface everything is ok, and the government doesn’t show any effort in taking any remedy to the situation.
So being the central governmente unable, people is tired and sides up mostly with those who are ruining the country that is independists movement most of all.
The only way to keep back some order and fight back crime is to act over legal and in the dark. And so The Social Wellfare Agency was created and our story begins.
Well, you can never imagine how close to the reality this situation is. Of course there is no civil war in Italy, but all the problems Italy really has, are depicted and emphatized in the fiction.
Italy is nowadays divided in three macro regions that are economically very different. Northern Territories are the richest ones. There are industries that produce services and goods. North is the economical engine of the country.
The center regions are under the influence of Rome, where the governemnt is. So much of the job there is managing the public affairs. Central regions are wealthly and there is turism, industry as well.
Southern countries are a little problem. They’re back economically, and are more rural countries. People usually leaves ang go northside for working.
But the tax income isn’t decided on a regional base. Ecomomical politics is one for all regions. There’s a constant flow of money from the northern countries to the south to develop a part of the italy that wouldn’t grow for some reason. Northern people looks at the south like a burden thus denying that many people from the south are actually working in the north and contributed that way to Italian richness.
Why does South didn’t reach Northern regions developement degree? There are many reason, but mostly two are important. The first is that back a long time ago, after the war it was chosen to spend money for industries in the north mainly, and the other is mafia in the south.

Mafia isn’t just something that reminds you of gangster stories. It’s something ancient, an old relic of what it was South Italy long before Italian Unification (XIX century). When there still was the King of Naples, there were noble families that took care of local government. They were the hands that administrated and protected the people before the king. Here, “mafia” means something like pride, honour, or even social responsibility: an attitude, not an organization. Where the government changed and the state cared less or nothing for the population, there Mafia flourished.
But Mafia in the 20th century dwelled with mostly illegal activities and crimes. They are no longer the protectors of people but became oppressors themselves. Still he old fashoned idea of strong and righteous didn’t vanish even before the crimes. Nowadays Mafia has gain so much power that has no longer need of illecit activities like prostitution or drugs to go on. These low level crimes are now matter of new criminal groups like Albanians. They use illecit activities to force and hold power over the normal socioechonomical substrate of entire cities and regions. They now take money from extorsions and public contracts and invest it. Mafia controls the money nowadays and controls peple with the means of money. Entire cities and quarters are under their rule and also it’s infiltrating in that government, at a local level that once it used to fight with.
So South Italy remained frozen undeveloped, in the hands of these people that rather strangled it. And all the money the central government gave for the South did never reach the population. It disappeared before in nothing. Think that there’s still people living in barracks aftrer the Irpinian Earthquake wich happened 30 yars ago. Read here how much money was given to aid http://en.wikipedia.org/wiki/Italy_Earthquake_of_1980.
Of course Central Government is the first blame from the population for the lack of social wellfare. No work, no money. Many are forced to immigrate to north to gain a job, or are better employed in mafia itself. So still Mafia, taking care of the people is well accepted. That is quite ironical.
Som emore info’s about Mafia are here: http://en.wikipedia.org/wiki/Mafia

On the other side Northern Region’s population have the burden to train the whole country and are disenchanted. They see their money wasted in the southern black hole and in the burocratic and unefficient public administration. So they grew some resentment for the whole country.
Moreover they grew a lot of conceit. The think they’re the only working in Italy and that the government is oppressing them. Nothing more false than this, but it’s 1/3 of the population in the north believes it to some extent. These people is ironically the same who end to skip on taxes, and be proud of dishonesty. they think something like, the government steals me, i steal everybody else. They are also racist against everybody is not from the North taly.
So from the early 80’s several new movement ware born. All of them exploited resentment against the central governmet and made their flag of discrimination against southern Italians. Open racism against illegal immigrants were also exploited. All these movements were joined in The Lega Nord party. Expecially with the large scandals for the corruption in 1992, the Tangentopoli affair, people had the direct confirm that what Lega said was true. The Lega literly gained the larger success from that moment on.
Lega Nord is openly secessionist and claims for Padania independency. Padania isn’t a real region of Italy, it’s something around the big plains of the Po river, at the centre of the northern Italy. Of course to make alies in the parliament Lega had to make a step back o their claims. Now they only clain for a federal reform of Italy, expecially economically speaking. Nowadays the Lega Nord is the mayor ally of Forza Italia, Berlusconi’s party. I won’t speak of him now, as it seems he and his party isn’t mentioned in Gunslinger Girl.
Of course you notice how much the Movement of the five Republics resembles Lega Nord itself.
Here you can find more info about Lega Nord: http://en.wikipedia.org/wiki/Lega_Nord

——————————————–

After reading this, I’m even more surprised at what an interesting setting was chosen for this series. This is exactly what I mean when series need to look beyond Japanese high-schools for their settings at times.

In any case, this episode sets up for the finale of the Pinocchio arc. At least, I think it does, because Triela doesn’t get sent to the place where Pinocchio is about to do his mission, along with Franco and Franca. Instead, he’s up against Henrietta and Beatrice, while Triela, Angelica and Rico are sent to Milano for another mission.

Oh, and Pinocchio also gets some more background, and I’m surprised at how involved Christiano is with his missions. It turns out that even though he doesn’t do the dirty jobs himself, he does help cleaning things up for the people who work under him. Stereotypical bad guys really need to follow this guy’s example, instead of sitting on their chairs, trying to look evil. In any case, during one of these cleanups, Christiano discovered the young Pinocchio, and took him in. There, one of his subordinates (who is now dead), trained Pinocchio to be the assassin he is now.

One rather technical bit that I’d like to note is that this series is the first I’ve seen that avoids what I’d like to call the “piano-syndrome”. Usually in anime, when someone starts playing a musical instrument, the creators just cue a regular background tune. At the really bad cases, I have no idea whether a character is actually playing, or the background music is actually playing, but this series handled this quite nicely by running a small filter though the sound, that makes it sound much more real and in the background, rather than from a recording-studio. Kudos!

All that’s left now is to hope that some kind of third season will close off this series. It took quite some time for the second season to arrive, but I think that that was mostly because Madhouse had no intention to make a second season (if they had, they would have done so much earlier), so if I had to guess, then things will go easier for the third season, especially with the original mangaka behind things.

Posted on 11 March 2008 with categories: Gunslinger Girl - Il Teatrino


Ah, of course. Triela and Hirsher were the only ones who still weren’t fleshed out enough, and this episode takes care of that. Now all that’s left is for the three final episodes to conclude the story, now that the cast is fully developed. It’s interesting how Triela gets to be the final character that gets her background, even though the entire Pinocchio-arc is centred on her. Usually anime would give characters like her some extra development, when compared to the others, but the creators for Gunslinger Girl made sure that each of the characters received an equal amount of development and background. I’m not sure about others, but I always like it when a series does this. It just shows that the show doesn’t just revolve around its main characters. Call it a personal preference.

In any case, it turns out that Hirsher is a false name. His real name is Heartman, and he apparently worked at a detective agency, and this episode among others tells the story of how he met Triela, and ended up along with her as a Fratello. It turns out that Triela was a victim of human trade, and who knows what kinds of experiments were performed on her. Hirsher and a female colleague of his tried to rescue her, and they just barely were able to save her life.

At the same time, the episode shows how Triela meets the daughter of one of the people that Triela saved one day. it seems that he needs Triela and Hirsher’s help once more. In any case, this daughter (Mimi) and Triela form an interesting couple. They both like to collect teddy-bears, and yet Mimi is a normal girl, who has a boyfriend and likes to play soccer. She really succeeds into lifting Triela’s mood a bit, because she’s still feeling down from Pinocchio.

I also like how the captain of the regular soldiers was able to teach Triela a bit about what went wrong in her fight against Pinocchio, and how she isn’t as invincible as she believed she was.

In any case, the creators have done a wonderful job so far. Let’s hope they won’t screw up for the ending.

Posted on 5 March 2008 with categories: Gunslinger Girl - Il Teatrino


I’m not sure what it is – the animation-quality wasn’t really better than usual – but this was the most visually pleasing episode of Il Teatrino yet. Not only that, but it’s also quite possibly the best episode of the entire series so far. It really captured the essence of Gunslinger Girl, more than Madhouse could ever have done with the first season, just because they kept focusing on just the girls, whereas Artland so far has focused just as much on the adults around the girls.

This episode truly showed the difference between the girls’ innocence, and their ruthless brutality. One moment, they’re walking around happily in their new dresses and the other they’re blasting a rain of bullets on a car that’s driven by a bunch of terrorists. What really hit me was that one of these terrorists was an old acquaintance of Jose. In fact, they still kept contact, not knowing about each other’s professions.

I’m also really surprised at how balanced this episode was. So many characters got a bit of development. We have Jose and Jean, who turn out to have a sister. This sister was especially close to Jose, and ended up as a professional harp-player. The reason why she was so close with Jose was because Jean is far more impersonal than I could have imagined. I think that that’s why Jose chose to treat Henrietta so differently, because he had to be nice to his sister who didn’t get any attention from Jean. Jean really scared me when he didn’t even flinch when Rico brutally beat some terrorists.

Speaking of Rico: I can really understand now why her character was forced to change back to her cheery self, when compared to her stoic personality in the Madhouse version. Seeing the usual cheery Rico just mercilessly beat down one of these terrorists makes much more impact from when she was more serious. I’m also glad that Artland chose for a bigger role for Beatrice. According to totoum, she only got one line in the manga, and I’m glad to see that her role for the anime-version has become so much bigger. It shows that the creators aren’t just willing to adapt the anime, but also to improve it. And if the creators can do that, without making it seem like random filler, then that’s the sign of a good adaptation.

Apart from that, there were also a few scenes about Triela, Claes, Marco and Angelica. It also turns out that Marco used to know someone who liked opera (Patricia?).

Seriously, I’m so glad that I gave this series a chance, and looked beyond the bad fight-animation. The plot is just terrific, and this is definitely (apart from Porfy no Nagai Tabi, of course, but there is no series that can beat that behemoth in terms or realism) the best-written series of the shows that premiered in the winter-season.

Posted on 26 February 2008 with categories: Gunslinger Girl - Il Teatrino


This is one episode that should have belonged in the first season, as it’s entirely devoted to Claes without any signs of the plot whatsoever. I’m not sure why it took her so long to get her own episode. Was this the actual sequence in the manga, or did Madhouse just omit her back-story when they made the first season? In any case, it’s definitely a good thing to finally see some attention to one of least-developed members of the cast, because first of all she really needed it and second of all: Claes is such a great character.

I assume that her partner is on some kind of mission, and left her behind? I couldn’t pick up that part precisely, but we never see him outside of a flashback, and it does explain why she never participates in any mission. What also surprised me in this episode was that there were more Gunslinger Girls than just Henrietta, Claes, Angelica, Triela and Rico.

I also must say that I really like the new OP animation and the new ED-tune. They fit the new feeling of second season perfectly, in my opinion.

Il Teatrino is just like Higurashi no Naku Koro ni Kai. That too went into a completely new direction when compared to the first season, offering a totally new dimension to the story. You’ll either love this, or hate how the second season didn’t continue with the style you liked about the first one.

Posted on 19 February 2008 with categories: Gunslinger Girl - Il Teatrino


I’m getting more and more convinced that there is no such thing as a main character, or a main group of characters for this series. The girls are definitely not the ones who receive the most airtime. Heck, in this episode they yet again didn’t appear at all, and the focus shifted to Franca, as we get to see her background, why she met Franco in the first place, and how she got her code-name Franca in the first place.

It seems that she spent her college-years with none other than Patricia, Marco’s ex lover. Franca was actually the one who introduced Patricia to Marco. Oh, and her name was Catherina back then. It turns out that at one point, her father died and she wanted revenge. For that, she sought the help of a guy named Franco, son of a famous bomb expert and who helped his late father many times in the past. When she met him it seems that he had lost any motivation for the passion that his father once had.

I’m not sure what happened in between, but the two stuck together. When at one point, a bunch of old friends of Franco ask him what Franca’s name is, and instead of answering “Catherine”, he replies with “Franca”. This was all eight years ago, and both of them have matured greatly since then. It really feels like two lost souls have found each other, and grew, depending on each other. Even though Franco doesn’t show it, it does seem like his encounter with Franca gave him a reason to live again.

Sure, the story of the girls is nice and all, but the adults are really stealing the show for this series over and over again. I just love how this can quite possibly be one of the very few series that has important characters of all possible ages, except perhaps of high-school-age (the most annoying age anyway), depending on how old Pinocchio is. I really like how this series has tried to make every single character count, and it succeeded pretty well at this. I’m not sure why, but I always tend to like series with lots of important characters.

Pinocchio also developed a bit this episode. This probably was the first time he showed any emotion towards anyone other than his uncle. In the week he spent with Franco and Franca he barely said anything, and just kept to himself most of the time, but after saving Franca, he did show a few signs of friendliness. During said incident, Franca also got pretty beaten up, so Pinocchio’s uncle decided to give her a visit. When Pinocchio sees him again, it becomes clear that he really wants to mean something to his uncle, and he wants to be complimented.

Oh, and on a side-note: the animation for the OP changed to the traditional method. Again, it’s pretty well done, and it seems to consist out of a combination of recycled cells and original animation. Ah well, at least you can see that the creators are trying, despite the limited budget. Franco’s typing at the beginning of the episode was just bad…

Posted on 12 February 2008 with categories: Gunslinger Girl - Il Teatrino


Thanks to Windspirit, for pointing out that last week’s episode wasn’t a half-recap at all. It seems that I just had gotten a wrong file from Share, and it looks like there are no signs at all that the budget is running out. Of course, it was relatively small to begin with, but something tells me now that the creators knew exactly how to use it. After watching the first half, the second half also made much more sense, not to mention the bit of development for Triela.

This episode finally was about Henrietta again. I can’t really say that she’s my favourite member of the cast, but thankfully enough other things made this episode worthwhile enough. I especially liked the old acquaintance of Franca. He’s the member of a terrorist group, working at an antique repair shop. He originally joined the terrorist group in order to take revenge on his brother, who died a few years ago. But in this episode, he gets second doubts after meeting Henrietta, if I understood correctly. I like how he turned down Franca’s request in the end.

In this episode, Henrietta and Rico also have a small fight, after Rico accidentally breaks the Jose’s microscope. While it was enjoyable, I’d much rather see more of Angelica, Triela or Claes. Ah well, there are enough episodes left for them to shine. :)

Shoutbox

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  • Bam
    (Tuesday, Jul 26. 2016 09:54 AM)
    Same with action scenes: I might like realistic grounded sword fights, with the battle settling after a few swings and slashes. Others might enjoy over-the-top sequences, with aerial flips and ridiculous power moves.
    This concept can be expanded to the enjoyment of romance, slice-of-life, historic, and any other subject matter. If someone’s a grownup adult and doesn’t realize such a fundamental concept, than they seriously lack critical thinking and social understanding.
  • Bam
    (Tuesday, Jul 26. 2016 09:51 AM)
    @Mike: this became very apparent to me after the initial Space Dandy reviews. Some people hated the juvenile humor and the T&A, while some others loved it for its sincerity and unpretentiousness. Who was right in this scenario? People clearly have different senses of humor, and neither is more correct than the other. People jumped on the positive reviewers’ throats, calling them ‘sellouts’ or ‘retards’, while the fact of the matter lied in different tastes.
  • Mike
    (Tuesday, Jul 26. 2016 09:39 AM)
    @K-Off @Bam I’d have to agree. One glance at any seasonal preview will show that, and psgels certainly didn’t hide his bias when he reviewed Galilei Donna for example. I enjoyed seeing him get upset that the Anime did not accurately portray the architecture in his native Netherlands.
  • Bam
    (Tuesday, Jul 26. 2016 09:36 AM)
    It’s the same with review scores. It’s just a relative metric used for comparison. For example, if a reviewer gives a series an 8 and another a 9, it simply means that they thought the latter was slightly better than the former. It’s all subjective, since only hard-boiled facts could be assessed objectively. A person’s enjoyment of a work is purely based on their personal preference.
  • Bam
    (Tuesday, Jul 26. 2016 09:32 AM)
    A number score doesn’t imply objectivity tho. When I worked as an EMT we would ask the patients to rate their level of pain from 1 to 10. This wasn’t done so we could compare their rating to some pain database, but rather so we could tell after a procedure if their pain has gone up or down.
  • K-Off
    (Tuesday, Jul 26. 2016 09:21 AM)
    @Vonter A conversational and opinionated format does not equal inconsistent and shoddy posts, I did not imply otherwise . Also, ratings. I’ve talked to Mario myself and the both of us don’t take it seriously. We’ll criticise and evaluate certain topics, yes. But that does not make us “critics” in the sense of the entertainment journalism industry, that emphasizes objectivism over personal opinion, which is what we specialize in as a blog. Which is the point I was making.
  • Badesh
    (Tuesday, Jul 26. 2016 09:18 AM)
    Guys with no life couldn’t write as eloquently. It’s a thing you learn from actual living. If you stand by your side, loving your self for your own opinion, you will learn that others stand by theirs.
  • Vonter
    (Tuesday, Jul 26. 2016 09:08 AM)
    @K-Off I think that’s cutting it short. There’s a consistency and I suppose effort in putting the posts together. As for conversational, I’ve find the shoutbox to be moreso. As for critic, is a person who judges, evaluates, or analyzes literary or artistic works, dramatic or musical performances. Given the blog gives scores, there’s evidently an evaluation involved.
  • K-Off
    (Tuesday, Jul 26. 2016 08:51 AM)
    @Bam @Kevin Funniest part about this is, that myself, psgels, Mario, Helghast, and Aidan are not even critics. We’re writers of a blog, a format in and of itself purely conversational and opinionated.
  • Kevin
    (Tuesday, Jul 26. 2016 08:46 AM)
    @Mike Who’s the one without a life now? You’ve been on this dump for 8 years. Go fuck yourself and go outside for once.
    I’m officially done at this point. Tired of psgels, tired of this bullshit ass circlejerk. As of right now I hope you realize how much of a no life cunt you lot are. Fucking fags.

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Forgive me for the delay on this particular post but I must admit that in light of Berserks quality my interest in covering it has somewhat declined. I know that for every episode to come I will have to dance around the elephant in the room but this series isn’t making that easy for me. […]

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Orange – 03

So this week we finally encounter a love rival. Of course with a romance drama show like Orange there had to be someone who would stand on their way right? Except there’s not much of a rival really since Naho never stands a chance against the new girl Ueda. As she learns hard and clear […]

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91 Days – 02

At this point I think it’s clear what kind of show we are getting. It’s not Hitman Reborn which essentially uses its mafia inspiration as window dressing for shounen battles. Nor is it Baccano with a silly yet funny atmosphere combining the prohibition setting and supernatural. No, what we have here is the old school […]

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Thunderbolt Fantasy – 02

Sometimes there’s a show that so campy and fun that you just can’t help but enjoy watching it, and then sometimes there’s a show that completely takes you by surprise by how unique it is. Thunderbolt Fantasy offers both of these in a neat package and further showcases the richness of animation as a medium […]

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Re:Zero -Starting Life in Another World – 16

Looks like the new opening and ending won’t be getting much use in this second cour either, not that I am complaining of course. This week I  wouldn’t be surprised if people were getting sick of Subaru as his actions continue to be erratic and destructive. The ending of the last episode gave hope that […]

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Fate/kaleid liner Prisma☆Illya 3rei – 02

It is safe to say that to get the most out of this series, you have got to be a Fate fan. There are numerous little easter eggs calling back to it, even Kirei’s signature “Rejoice” line. However I say even casual fans could get something out of this series as well. Provided they made […]

Latest Reviews

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The Murder Case of Hana & Alice (2015) Movie Review – 85/100

Welcome to the third installment of World Animation section, but this time we head back to Japan for my favorite anime movie out of last year. If anything, I have always wanted those reviews to be a recommendation if you want to look for something different. So if there is anyone who would check out […]

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Legend of Legacy Review – 80/100

Oh Square Enix, this is the kind of avant-garde work you need to do. Developed by Furyu with the people behind SaGa, and written by Masato Kato of Chrono Trigger, I knew I was in for a unique game right from the start. But its gameplay is certainly divisive and for good reason, as this […]

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My Life as a Courgette (2016) Movie Review – 82/100

It’s never easy to make a good family’s animation. For movies aim at adults, the filmmakers can easily get themselves loose, go crazy and the audience can still get it. But for kids, these movies might be one of the first movies they’ve ever seen and that’s a huge responsibility. They have to aware of […]

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The Red Turtle Review – 93.5/100

Welcome to my first movie review on World Animation section, the column where I wholly dedicated to indie/ art-house animated features around the world that hardly got coverage anywhere really (but rest assure our since sometimes I will review anime movies as well). And what’s a better way to start this section by reviewing one of […]

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Flying witch Review – 86/100

As I mentioned in one of my weekly posts, most of the reason why a slice-of-life anime show don’t work well is not because there’s nothing happen, but more because the cast isn’t interesting enough or the show tends to repeat the things that we already know. I’m happy to say that this is not […]

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Bungou Stray Dogs Review – 62/100

Well, we don’t usually give a review on the first cour of anime show, given the fact that the second part will air next autumn season. But since I’m not certain I would cover its second half, plus I don’t think this series will improve itself, I might as well give Bungou Stray Dogs a […]

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Kiznaiver Review – 60/100

Kiznaiver is a very different faire from Studio Triggers other works in that it takes a more serious tone and has a writer who tends to go more for the melodramatic. This is a tale about a group of very different people gathered together and have their pain linked to one another. In an effort […]

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Joker Game Review – 50/100

When experiencing the wave of new anime each season it can get rather tiresome to notice all the teenagers fighting supernatural forces while gathering a harem through seer luck or similarly tired concepts. So when something like Joker game comes along and takes a road less traveled with it’s story, naturally I am well on […]

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Mayoiga Review – 78/100

Mayoiga has to be one of the most misunderstood shows in recent years. On a surface, the premise alone has a lot of potential. The idea behind putting 30 people, each of them has very different set of personalities, together in a bus to a mysterious lost village, in order to start over new life […]