Posted on 19 April 2008 with categories: .Hack//Roots, Anime Reviews


Just a small note before I start: this review contains spoilers for the end of .Hack//Roots. You need to have seen that series anyway in order to understand Trilogy. In any case, .Hack//Roots has been my second-least favourite Bee-Train production (the least favourite being .Hack//Dusk, but that’s a totally different story), and that was a real pity because of all the great ideas it had. The Trilogy-movie at least eliminates one of the problems I had with this series: it provides closure! It answers questions! The movie still has its problems, but it’s a must-watch for everyone who managed to sit through the original series.

Nearly all of the bad points of this series can be traced back to just one simple decision: the decision to not include the final scene of the original series. The scene where Haseo stopped angsting and actually learned his lesson. In Trilogy, Haseo actually continues angsting, even after being defeated by Tri-Edge. The result is an obnoxious amount of forehead-shot and more scream-fests than you can shake a stick at. The character-development that does get included was by no means as memorable as in the original series (about the only thing that went right in .Hack//Roots).

In addition, the music has been down-graded as well. In addition, though, the graphics turned to 3D, which is of course perfect for a setting of an on-line game. The good parts of this series, however, are the times when characters aren’t screaming. There’s a clear line between angst and emo that Trilogy continues to hop back and forwards to, and the moments you want to watch out for is when the characters are on the angst-side of the spectrum.

Trilogy is by no means a great movie, but it is a good one nonetheless, worth of your ninety minutes of attention. Oh, and be sure to watch the parody-modes that come included. They’re hilarious!

Posted on 5 August 2007 with categories: .Hack//Roots


I finally got around to seeing this one, and I still think that there needs to be some kind of second season for .Hack//Roots. It also confirmed that there is absolutely no other anime that I have a bigger hate/love relationship with. The anime was a trainwreck with a great beginning and ending. Some characters were fascinating, while others were horribly dull. The great character-massacre in the middle of the series was awesome, but it did kill off all of the interesting characters, leaving most of the dull ones behind. Phyllo’s end was amazing, though before we knew what happened to him, he just was obnoxious.

Same with this OVA. Even though a lot of time had passed, Shino has come back from the dead, a bunch of new characters are introduced, and Ovan has died and reborn again, Haseo’s character-development seems to have stagnated. Something has to be wrong when his biggest change is his new outfit. He’s popular with the ladies now, and seems to have turned from a critical and lost character into your typical shounen-lead.

It also seems that the creatures called AIDA caused Shino and others to faint, though that’s the only piece of information we get. The how, why and relation to Tri-Edge are still unknown to those who haven’t played the games. Tabby also is as annoying as always.

Now the good points. Seeing Sakisaka return was awesome. I remember why he was one of my favourite characters at one point. The two new side-characters have a potentially interesting relationship, and overall it was great to see the different characters return for a bit. I even spotted two cameos from .Hack//Sign at one point. It definitely wasn’t a bad watch, and the end where we saw Ovan and the little girl was quite good.

The thing is, though, that .Hack//Roots has been relying too much on its characters, and it’s almost not using the fact that it’s got a unique setting. The reason why I’m loving series as Dennou Coil and Bokura no so much is partially because they’re incredibly well integrated with their settings. .Hack//Sign understood this as well, which is why it turned out so brilliant. .Hack//Dusk also made use of its setting, though that one failed miserably because it didn’t take itself serious enough, though. I’d love to see another .Hack anime who is serious and makes full use of its setting.

Posted on 7 October 2006 with categories: .Hack//Roots, Anime Reviews


.Hack//Roots is an incredibly difficult anime to review, as this anime is a combination of an interesting view with a trainwreck. It’s got so many good points but at the same time, it’s got just as many, if not even more, bad points. It uses the same setting we’ve known from series as .Hack//Sign and .Hack//Dusk: everything in the series happens in an MMORPG, or Massive Multiplayer Online RPG. It doesn’t belong to any specific genre. If I had to put it in a category, it would be around the mystery-dramas, though that isn’t the most accurate description. This anime is closely related to a game, .Hack//GU.

First of all, let me warn you. If you plan to watch the series, without playing the game, don’t. That’s what I did, and you can’t imagine how many unexplainable events happened. Characters aren’t fleshed out enough, things just happen without any reason for this being given, you miss out on a LOT of character background and the ending leaves SO many questions unanswered that it would make even Narutaru jealous.

Another big problem with this series is that at times, it doesn’t seem to realize that it’s in an MMORPG. .Hack//Sign solved this well, by occasionally showing a mysterious scene about the person behind the computer, but don’t expect to see any of these in .Hack//Roots. The characters move way too much like normal people, instead of computer-graphics. Some even go emo, and instead of relieving their stress on some unfortunate object in the real world, they do this in the virtual world.

The third point actually is a nasty side-effect of the first bad point: some of the character are just so incredibly unlikable. Because their background has been left out, some characters now are a bunch of paper bags. Others, who did have a bit of fleshing out also were incredibly annoying to watch at times. Our main character, Haseo, for example. He just roams around The World like a big gorilla for ten episodes until something changes. Another very cool guy also changes into an incredibly plain one.

Okay, enough bad points. Now the good ones. While some characters are horrible, other ones work out greatly. Haseo, for example, when he’s not in gorilla-mode. And there are a few more of these gems which are very interesting to watch. Around the halfway-mark of the anime, people actually start quitting the game, giving extra depth to the characters who remained. The final three episodes, also, manage to actually recover from the trainwreck that the previous episodes set, and actually deliver some very strong final episodes. If you ignore the frighteningly huge amount of open ends it left.

This show also excels in the visual and sound department. It probably contained, along with Good Witch of the West and The Third the best graphics of all the shows who aired in the spring-season, and the soundtrack is nothing short from memorable. The background music is also one of the things that managed to bring .Hack//Roots back on track when the final episodes started.

Posted on with categories: .Hack//Roots

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I refuse to believe that this is just the end of .Hack//Roots. I demand another season! So many things are left unsolved. So many things still need to happen. Nothing has been resolved at all! It’s only that Haseo now has regained his common sense and Phyllo died of cancer. Meanwhile, even new things start popping up and Ovan seems to become the final bad guy.

My opinion about this episode? It depends on how you look at it. If it’s the end of .Hack//Roots, it sucked. If, however, it’s the end of the first half of .Hack//Roots, it was great. My favourite moment was when the certain cameo from .Hack//Sign appeared. I can’t believe he actually stayed in the world for so many years. Touta also seems to have left. Good, good. I never liked the guy anyway. Tawaraya was awesome, but Touta was way too standard.

Surprise: Saburou actually is a guy! Never saw that one coming. She also remains in The World, watching Haseo. Yata, meanwhile, is ready to introduce himself to Haseo. It seems that the Raven actually is a group of members who have the element. This expains that Yata also has awakened, and it also reveals why they’ve been so interested in Haseo.

Overall, unfortunately there are no signs that this will be getting a second season. I hope I’m wrong with this guess.

Posted on 3 October 2006 with categories: .Hack//Roots

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I’m glad to see that .Hack//Roots has gotten better when the final episodes came along. Things finally become a bit interesting again. Especially Phyllo and Touta were great this episode, even though it’s still unknown what they exactly did. The next episode could actually promise to be a great one, if things go right. Seeing Haseo at the end of the episode, back in his original form also was very interesting. We also finally have another reference towards real life. Tabby did some investigations on her own, and found Shino. She also met Haseo in real life. He seems to be visiting her every day.

Still, there’s one thing I dislike.

Why does Haseo have “the element”? What makes him so special?

Posted on 27 September 2006 with categories: .Hack//Roots

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Seriously, I never, NEVER thought I’d say this about .Hack//Roots, but OMG that was a great episode!

Only now, two episodes before everything ends we finally get to see the fruits of all these episodes in which Haseo just rampaged around the world, without basically anything happening. Everything has just been building up! Only now, when the end is near, the creators suddenly turned five gears higher, and they finally show us some action.

First of all, Ovan comes back. He tells Haseo that Tri-Edge is about to return. If I recall correctly, he was away for so long because of his fight with Ovan. I think he had to recover, according to one of the commenters. When he hears this, Haseo’s face turns into a big evil grin. Afterwards, when he’s in the church, his face actually turns normal again! (Seriously, I could barely recognize him at that time). Then, Tri-Edge appears and he gets data-drained! Talk about surprise!

What’s more, something tells me that Ovan has been wanting this to happen all along. After all, he told him that they’d together fight Tri-Edge, but Ovan just was nowhere to be found. I never thought that he would be the bad guy of this series.

Especially the reaction of those around Haseo was amazing. Not only Yata, Pai and Kuhn, but especially Saburou and Touta’s reaction was great to see. I wonder how Tabby will react.

Of course, I highly doubt that Haseo will disappear forever, as there’s still a .Hack//GU game which follows afterwards, but if the creators manage to keep the same level up for the final two episodes, things could promise to be very interesting. And after so many episodes of building up, it would almost be blasphemy if this series doesn’t end with a bang.

Posted on 17 September 2006 with categories: .Hack//Roots


I can’t believe how incredibly strong the music worked in this episode. Finally .Hack//Roots understands how to use its music again. It played almost constantly through the entire episode, with some very intense and very fitting tunes. Especially at the times at which characters were feeling heavy emotions as well, it worked great. Finally we have another enjoyable episode of .Hack//Roots.

Basically, all of the PK-ers are planning to lure him into a trap and attack him head on, all at once. When they attempt to execute this plan, however, it seems that Haseo’s able to defeat them without any problems. The Meatball Brigade also has its own problems. Or the Paw Brigade, the Paw Squad, or however you may call it. Ah well, it doesn’t matter anyway, as they break up in the end and Tabby’s alone again. Especially the moment of break-up worked great with the music.

Saburou, meanwhile, spent the episode looking at Haseo’s killing fest, preventing some PK-ers to sneak off and buy revival items. She’s interested in Haseo, but what’s her objective? Phyllo, meanwhile, continues to worry about Haseo and has a very amusing interaction with his cat. One of the few signs that there actually is an outside world. He also sends Touta to find out who first got the idea of ganging up against Haseo, and it seems that it’s an overconfident bunch of PK-ers, who hope to kill Haseo after he slayed more than 100 PK-ers. They’ll be famous. Yata and Pai seem to be members of the “Ravens”. It’s probably some weird hacking cult. They’re somehow related to the .hackers, whoever they may be.

Seriously, there are two series, currently about to end and from which I’m so hoping for another sequel in order to wrap things up: Higurashi no Naku Koro ni and .Hack//Roots. In both cases, it’s almost impossible to come with a decent finish, as both will end horribly unfinished as it is now.

Posted on 10 September 2006 with categories: .Hack//Roots


Seriously. I hope the creators are planning to animate .Hack//GU when this series is done. .Hack//Roots is just one big prelude, after which //GU picks the story up and continues it. It’s like the creators are expecting the viewer to play the game in order to fully enjoy the anime. Well, due to the fact that none of the .Hack games ever made it to Holland, I doubt I’ll be able to get the chance to play it.

The episode is a Meatball Brigade episode. The three goof around for a bit, until Touta gives them a bit of advice. When compared to the latest bunch of episode, I have to say that this one was above average. It had some interesting moments in it. Kuhn also plays a big role in this, when he is the second person to awaken. Wait… does this mean that Haseo didn’t awaken? In any case, there’d better be an extremely good reason to explain why Kuhn was able to awaken.

Kuhn telling his guild-members about his resignation was an interesting scene. I’m also actually interested whether the Meatball Brigade will actually be successful. If they continue to annoy Haseo, and continue to gain members, things could become interesting. But in order to do that, the final episodes had better feature a huge increase in pacing!

Posted on 4 September 2006 with categories: .Hack//Roots


Don’t you just love episode titles who spoil the climax?

Haseo continues on his rampage, slaying every player possible. He then runs into a player who survived an encounter with Tri-Edge as well, and gets defeated. He’s like a mad bull, charging at everything which even bears the slightest signs of movements.

But yeah, bulls haven’t exactly been known for their outstanding intelligence. Why doesn’t Haseo try to think a bit, and check out the lost grounds? You would suspect some clues who can turn up, instead of committing genocide in the normal fields. Still, I’m curious how Haseo will react now that he’s been defeated. I was hoping that Midori would be able to beat some sense into him, though the last scene suggests that he’ll be turning even more berserk than he already was.

Phyllo, meanwhile, was nowhere to be found during the episode. Tabby founded a guild, along with the purple-haired guy (forgot his name). I liked Pai. It’s indeed clear that her Pai-personality is one big act, as she keeps getting more and more annoyed by Saburou. Saburou herself has gotten more interest in Haseo, which can also be a good sign. I like the two of them, they’re two of the few good character who appeared after the mass character-homicide of episodes 13-15.

Midori also shows promise. I like the way she was introduced. She was introduced because she had an encounter with Tri-Edge, and not the other way around (having an encounter with Tri-Edge because she was introduced). Yata needs some action. All he does is sitting, staring at some blue screens full of techno-babble. We get absolutely no clue why he has to sit there all the time. What does he need. What are all these screens for in the first place?

And what is going on with Haseo in real life? Has he been sitting behind his computer, in emo-mode ever since Shino disappeared? One of the things I loved about .Hack//Sign is that at certain times, it showed small flashes of the real persons behind their computer. I loved the philosophical themes behind //Sing. But ah well, I guess I’m going to have to accept that //Roots will feature none of them at all.

Posted on 27 August 2006 with categories: .Hack//Roots



Seriously… this is the first anime in which I feel that a deaths or disappearance of a character was a huge mistake to do. Apart from Wolf’s Rain, perhaps. Goad, B-Set and Sakisaka really could have been able to contribute to the horrible mess which was episode 20.

Tabby still doesn’t do anything, Phyllo still stands at the same spot, Ovan and Shino are still missing and Haseo is still going berserk. This time, however, not to get stronger, but to find Tri-Edge. He seems to have turned into an all-devouring zombie. Tri-Edge meanwhile has been kidnapped by god-knows-what and Yata and Pai are planning to test Haseo’s power with a strong opponent. Oh, and Pai seems to have awakened just as Haseo did.

Still, there is hope! Touta finally does something useful, ever since his comeback, by trying to get through to Haseo. If the following episodes will feature Haseo, getting back to earth, I’ll be happy. If that’s the case, then this anime won’t be a total waste either. It seems that during the next episode, Haseo’ll also be defeated by some stranger, so who knows.

Phyllo also made an interesting analogy about Haseo. Even if you try to force open a shellfish, it’ll shut itself close instead. But seagulls have an interesting method of opening these: by dropping the shellfish on a rock. Will that have the same effect on Haseo, I wonder? What happens if you just break him. Will he open?

Still, what is this awakening? Why is it so important? And why is Yata after someone who awakened when he can just use his subordinate? And why does it just happen to certain people? And what causes it? What is the connection between Haseo and Pai’s awakening? After all, Pai awakened in a normal field. It also seems that different people react differently when being awakened. Pai seemed to be in pain, though Haseo began to look even more as an undead zombie.

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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Featured Posts

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