Posted on 11 December 2010 with categories: Anime Reviews, Katanagatari




Clocking in at 12 episodes of 50 minutes each, Katanagatari was definitely an interesting experiment of a series. At first sight it seems like a bit of a boring concept to base a series around a quest to gather a different superpowered sword every episode, in the middle of lots and lots of talking, but it’s got enough charms here.

I personally disliked Bakemonogatari, but Katanagatari finds a good balance between its dialogues. They’re interesting, varried and after a few episodes they become pretty able to carry the whole series. The dialogue does a good job at fleshing out the characters, and discussing what’s going on at the plot. The storyi itself is simple at first sight, but gets pretty detailed as it goes on, with quite a bit of historical significance, meshing in excellently with said dialogue.

Another thing that this series is really good at is its martial arts. The fights in this series are often short and to the point, but they’re often interesting looks at the applications of different fighting and weapon styles that together paint quite a complex exploration of martial arts.

There are some downsides to this, most of them having to do with the fact that this series can become a bit too shounen-ish for its own good. Fights are interesting to watch, but they’re also too unrealistic and too much based on logic and too little on physical flaws. It’s a good thing that this series doesn’t force its characters to play tic tac toe, because that would have kept them busy for an eternity.

That’s just a detail that is of course easy to ignore. What’s a bit less easy to ignore is that while most of the battles are down to earth and thought-provoking, there are these few battles that try to be epic and as a result go way too much in the Dragonball Z direction. Perhaps these battles aren’t incredibly long, but they do become rather uninspired with characters moving conveniently too fast for the naked eye to follow, eliminating any kind of strategy just for the sake of over the top fighting that’s done better in a ton of other series. Especially Emonzaemon is guilty of this, and he’s by far the least interesting characters of the series as well, and a very one-sided villain. That’s a big problem in the second half of the series because he features a lot there.

Togame and Shichika form a great led couple, though and the people they run into in every episode are varied and have great back-stories. When you want to watch this series, you really should take into account that relatively little happens in each episode, it’s a very slow paced series and the dialogues take up a HUGE focus of each episode. If you have the patience to appreciate this, then you’ll be rewarded with quite an enjoyable series.

Storytelling: 9/10 – Great use of dialogue to flesh out the story and characters. Great portrayal of martial arts.
Characters: 8/10 – The main villains could have been better, but the rest of the characters are well fleshed out, with the main characters well developed.
Production-Values: 8/10 – The animation is never spectacular, but does what it needs to do to make this series very stylish.
Setting: 8/10 – 5Interesting back-story in Japan’s history. Martial arts are interesting but unrealistic.

Suggestions:
Amatsuki
Tenpou Ibun Ayakashi Ayashi
Blade of the Immortal

Posted on with categories: Katanagatari



Well, so it turned out to be a pretty good end here. It had some things I didn’t like, but overall there were enough things that surprised me and went against my fears. It’s an action-packed ending that at the same time still spends enough time on the dialogue and the conversations between people.

Togame’s death had an interesting effect on this episode, and I definitely liked it when she revealed that she was also planning to just get rid of Shichika after her mission ended; definitely gives a twist to the two of them being lead characters. I also liked how this episode also showed battles that showed exactly how not to use the first eleven defiant blades. That was definitely an interesting way to get rid of them, even though it may not make the most sense in the story.

I also liked the iron of the whole ending. We pretty much have Shichika trying the same thing as his sister, and failing. I really expected the princess to be this boring final villain, and yet instead she gave a nice little twist at the end. I liked that a lot.

Now, for the stuff I didn’t like, the battle between Emonzaemon and Shichika was as dull as I expected. Here, it was no longer a matter of martial arts but instead it was this over the top Dragonball Z esque fight in which people supposedly moved too fast for the naked eye to follow. That’s not epic, that’s just lazy, it’s a sign of the creators that they don’t know how to create an interesting final fight. On top of that, Shichika ended up with a dozen gunwounds, all of which just perfectly heal afterwards… that was just too shounen.

Overall, this wasn’t always the most interesting series to blog due to so little happening in each episode, but overall I liked this show. It’s definitely kept my attention, and in any case we need more series like this that go beyond the standard formats of broadcasting.
Rating: ** (Excellent)

Posted on 15 November 2010 with categories: Katanagatari



And so, we’ve finally reached the penultimate episode of Katanagatari. It pretty much was the episode to wrap up all of the background behind this series by showing more about Shikizaki Kiki, along with finally putting an end to the Maniwa corps. It wasn’t my favourite episodes of the series so far, but I still liked it quite a bit.

The big difference between this episode and the other one so far is that there was surprisingly little focus on strategies: the main match was just a fight between Shichika and Houou until one of them went down, and it also lacked the build-up that made some of the other fights in the series so great. In the meantime though, it was a neat opportunity to look a bit into the mind of Shikizaki Kiki, and how he managed to forge all those weird swords anyway. It’s an interesting tiwst that because of his influence, these people with supernatural powers like the Maniwa corps started walking around.

As for the ending… yeah. It’s a common twist to pull on a penultimate episode, to put a main character on the verge of death with no apparent save. Remember the golden rule of anime, though: no character is dead unless confirmed. I’ve seen people in anime recover from wounds much more serious than Togame’s, and especially considering the incredible speed at which Maniwa Pengin recovered from his wounds, I really have no doubts that Togame is going walk out of this series alive.

If there’s one thing that has been bothering me for the past number of episodes, then it’s the pretty one-sided way in which Emonzaemon has been murdering off the Maniwa corps.His fights in this episode especially weren’t really that spectacular, with his fight against Houou becoming Dragon Ball Z-esque at times (“let me turn into a beam of light to show how fast I am!”), and in his fight against Pengin he just got lucky that Pengin was stupid enough to explain the exact details of his powers.

At this point, I’m not really sure what to expect of the final episode: one of the big reasons why this series was so good was because of the light-hearted banter between the different characters, the addictive style of storytelling and the way in which it took its time to analyze the different martial arts that Togame and Shichika ran into. I really fear that with that princess, those charms will disappear in favour of a more epic ending.
Rating: * (Good)

Posted on 16 October 2010 with categories: Katanagatari



A really good episode this time, whose entire purpose was to relate back to the past: for Togame it showed her childhood, and Shichika related back to his past matches. On top of that, it was quite an interesting episode in the way that the sword this time was one who produced illusions, making it an interesting one for the mind games, plus an actual sword with a self-consciousness.

I also feel like this series is getting better and better at pacing itself. Really, these episodes have more dialogue than you can shake a stick at, yet I wasn’t bored for a second, even though I my broken Japanese didn’t understand everything that was said. That’s exactly what I’m looking for in a “tons of dialogue”-series. I mean, it’s easy to read an entire essay that goes on for ages (just look at that recent Musashi movie from Mamoru Oshii), but it’s much more difficult to make the dialogue blend in with the animation and storytelling. I’m glad that Katanagatari found a way to keep itself from getting boring or tedious.

The thing I also like a lot here is that Togame and Shichika feel just like a real couple. Very refreshing in anime where half of the creators don’t know the meaning of that word at all. Finally we can see some actual intimacy, rather than people beating each other up at the slightest romantic tension.

As for the final episodes, I think we’ve established the final bad guys at this point by now. The next two episodes should resolve everything. With two hours left, that should be more than enough time, considering how easy it was to plan in this series over 12 episodes. My biggest worry right now is that Hitei might prove to not be the most interesting opponent. It’s all going to depend on how that final episode can give her more depth than she has now.
Rating: ** (Excellent)

Posted on 11 September 2010 with categories: Katanagatari



During my past entries, I may have been a bit negative about this series, but don’t get me wrong here: I like this series. I just have no idea what to write about it. I know it’s a bit of a paradox with a series with so much dialogue, but usually I have no problems writing down three paragraphs per entry, and yet for Katanagatari I’m usually struggling to get there. BUT NOT THIS TIME, MUAHAHA!

I liked this episode more than usual, strangely enough. Even though it was just another “sword of the week” that was obviously building up to those final three episodes, the fight in this episode was probably the easiest fight so far, and the sword’s story was also the simplest one so far. At times like this I just don’t understand this series’ effect on me.

My guess would be that we finally saw Togame and Shichika kiss each other, and there was more romantic tension between them than ever: not just in their words, but most importantly in their acts. It was cliche, dammit, but the direction made up for it because of how hilarious those scenes were, especially with Shichika trying to stand in a proper kendo stance.

One of the other reasons I’ve liked this show so far was simply because I like martial arts. Practicing karate myself, I’m really interested in those topics, and Katanagatari proved to be quite an interesting tour of weapons and fighting styles. This show analyzes them, talks about and shows their strengths and weaknesses, and creates interesting battles around them. I like that, though there is one beef I have with the way this series treats its characters like mathematical functions: everything is reduced to simple rules and tactics, both in terms of the body and the minds of the characters, with luck and characters’ whimsical feelings reduced to absolutely nothing, even though in real fights these play huge roles as well.

It isn’t a 100% bad thing, though, as it is refreshing to see another series within this perspective. Especially since that last rule is popular to abuse within anime in order to come up with reasons to let the lead character win.

Oh, and I applaud the animators of this episode: there were some neat shots and scenes with interesting animation, there were some very neat camera angles and I hardly spotted any weaknesses other than some still frames in this episode.
Rating: ** (Excellent)

Posted on 17 August 2010 with categories: Katanagatari



Whoa, we got a musical upgrade this episode. There were new background songs and a brand new OP and ED. I like the former a lot. The latter… not so much. I finally realized what has been bugging me about the ALI Project. I mean, their biggest complaint is that all of their songs sound the same, but that’s nust one part of the problem. They’re really good composers, and you can only say that their work looks the same on their least inspired OPs and EDs. The thing is more tha their OPs and EDs often feel completely out of place.

I mean, their OPs and EDs are perfect for chaotic series, or series with a soundtrack that is all over the place like most of the Bee-Train series. Most of the time they’re into series that completely don’t fit the mood of these chaotic and random songs, and the same goes here: the new OP is nice and all, but it in no way fits Katanagatari’s style or substance. The ALI Project really have a unique sound, and most anime producers just don’t seem to know how to use them well. I don’t like the ED either, but the reason for that is far simpler: the incredibly squeaky voice annoys me.

This was a fairly standard episode, though I liked the chemistry between Togame and Shichika in this episode. They were just like a bickering couple. The interesting part is that the sword in this episode was a doll, where the main battle against it consisted out of fighting it until its energy was drained.

On a side-note: as soon as the upcoming autumn season start, I might stop blogging this series. This first of all is because it’s going to be the first season this year in which I won’t have a quantity problem and there actually seem plenty of bloggable series to debut, but the biggest reason is going to be that… I just don’t know what to write about this series weekly. And really, don’t get me wrong: this is far from a bad series; it really is quite good, and I’m enjoying it a lot more than Bakemonogatari. The episodes are well paced and told as well with few hiccups and no moments of stupidity. But the thing is that for me, nothing stands out: neither good or bad. For the past number of episodes, I have found myself struggling to come up with things to actually say about the episodes of this series, more and more with every episode. This episode was no different, unfortunately.
Rating: * (Good)

Posted on 11 July 2010 with categories: Katanagatari



Well, the graphics really were all over the place in this episode. It’s a shame to see that the budget for this series is starting to run out, because this episode was full off models, the characters were suddenly drawn with incredibly thick lines, and a lot of the fights boiled down to people moving so conveniently fast that all the animators had to do was to draw a bunch of curved lines.

It’s a shame, for a series with so many still frames, you’d expect the art at least to be crisp. I think the worst part of the graphics in this episode was how ridiculously small Nanami’s feet were drawn. Normally I like it when artists take an interesting graphical approach to an episode… but this was just the sign of either a very low budget… or a really bad outsourcing decision.

It’s a shame, because this episode was was all about Nanami again. I still find the concept of her powers a bit hard to grasp. Unable to die? Well, why don’t you commit suicide then? Still, the relationship between these two siblings, the extra info about their parents. It was well worth it. The graphics may have cut corners, but the series still is as good as it has ever been with its dialogue and build-up.

In any case, this also destroys the theories of “Nanami as the end boss”. With this episode, this series seemingly closed off Nanami’s story here, but I wonder whether we get to know more about their parents. Either way, the time has really come for this series to actually start some kind of finale now. We’ve gotten a few hints as to what it might be about, but something tells me that the creators still have a number of tricks on their sleeve. The cutting of hair always seems to be a solid symbol of change, after all.
Rating: ** (Excellent)

Posted on 5 June 2010 with categories: Katanagatari



Not exactly the best episode of Katanagatari so far, but definitely fun. This episode had fun in making the tiniest character ridiculously strong, and most of the combat played with that. Her back-story was very simple, but it worked (was it just me or did it seem like her family got killed off by that guy Shichika ‘defeated’ in episode four?), but to make up for it we got a much more prominent role for the Maniwani.

The beheading scene was a bit too much, though. Even though there was a good reason for that badger (at least, I think he was dressed up like a badger), to kill him at a point when more than half of the other Maniwani are already dead is just stupid. And to do this in front of Togame and Shichika made even less sense.

Oh, and the creators used blushes in this episode to develop the relationship between Togame and Shichika. Simple, but refreshing considering how oblivious they were for each other early on in the series. In any case, this seemed like an episode meant to set a bunch of things up. The fights were quite exciting, nevertheless.
Rating: * (Good)

Posted on 22 May 2010 with categories: Katanagatari



I’m pleasantly surprised how good this series has turned into. It’s a show that may have a bit of a formulaic formula, but it knows that it shouldn’t just do the same thing over and over. The episodes so far have been pleasantly varied and interesting. This episode finally introduces some romantic tension between Togame and Shichika, also answering my pleas for character-development.

Again, even though this was an episodes of more than half an hour of talking, I wasn’t bored at all. I’m really getting warmed up to this series at this point and I really have to praise both NishiOisin and the staff of the anime for pacing out the series well to make it interesting without becoming boring or tedious. And even though it’s nowhere near the best of the genre, this still is what I’m looking for in a “ton of dialogue”-anime.

It of course had it coming that a bit of chemistry would develop between the two of them, after having been this close for a relatively long amount of time. The only thing that was needed at this point was this getting through Shichika’s thick skull (having lived alone with his sister for more than a decade). The interesting question now is what the creators are planning to use this for. At the least, the romance has felt subtle enough not to feel like cliches or cheese, which definitely is a step into the right direction.

This episode also set itself apart with these weird tantrums of Togame… which were definitely fun to watch, especially with the weird background music that this series has been using.
Rating: ** (Excellent)

Posted on 17 April 2010 with categories: Katanagatari



The big potential pitfall for this series was becoming too formulaic. You know, having every episode consist out of talking that leads up to a fight between Shichika and whoever holds the next of the twelve swords, in which we get to see the story of that swordsman examined. So what does this episode do? It just skips all of this in order to focus on something completely different. Nice. I love it when shows pull twists like that.

And on top of that, this episode was surprisingly intense. This episode completely reversed the parts of good and evil in this series. While Katanagatari wasn’t exactly a battle between good and evil to begin with, there always was a clear side of protagonists: Togame and Shichika, while the antagonists were also pretty well defined. This episode however… wow. Shichika’s sister is evil.

At first sight it seems a bit boring to have three random maniwani try to attack her, but this is really one of those cases in which the creators’ decision to go with double-length episodes pay off. If this had to be condensed into 20 minutes it would have just failed, but with forty minutes we really could get to know these guys beyond the shallow appearances that the maniwani had made thus far in this series. On top of that, Nanami’s monologues were really intense to watch in the way that she completely killed off the first people she was able to talk to since years, aside from her brother and Togame. It made for a very slow-paced episode though. This episode might actually have the most dialogue out of any Katanagatari episodes yet. Ah, those poor subbers.

Overall it was one of the best episodes so far, however it did seem that a part of the animators was on some sort of holiday or something. There was an unusual amount of still frames and extreme close-ups that were shot so that the creators wouldn’t have to animate the characters’ mouths. Thankfully it was nowhere near as bad as with Bakemonogatari, but it still stood out. With these series that show a lot of long monologues, it’s of course no problem if you cut away to a few photos and pictures to illustrate your point or show the surroundings, but there is a thing as overdoing it, and this episode felt to me like it was cutting a few too many corners.
Rating: ** (Excellent)

CHANGE USERNAME
Vonter
Or are the 50s the new late 30s or early 40s?
Vonter
Are japanese people vampires? https://ultra.fandom.com/wiki/Toru_Furuya
Kaiser-Eoghan
@Vonter: If you look at the voice list, that Japanese voice actor for Mario in that anime movie is the same voice actor for Amuro Ray from the original Gundam.
Vonter
Also considering Baby Bowser was raised by Kamek. I suppose those beings could be made by magic.
Vonter
@Kaiser-Eoghan - My head canon is that Bowser made them himself. Kinda Lord Zedd or Rita from Power Rangers.
Kaiser-Eoghan
I still subscribe to the headcanon that Peach is the mother of Bowsers children.
Kaiser-Eoghan
I remember growing up with the relatively poor American cartoons, none of them featured Wario.
Kaiser-Eoghan
I have committed videogame genocide apparently.
Kaiser-Eoghan
Everytime I broke or hit a brick in the Mario games I was probably murdering a toad.
Vonter
The ending it's "interesting" considering the relationship Mario and Peach have isn't something as close, as Link and Zelda.
Vonter
@Kaiser-Eoghan - It's weird but at the same time it does use elements from the game. Like the music, and story bits from the manual from the original Super Mario Bros. (Where it mentioned Bowser uses magic to turn Toads into the bricks, clouds and other objects of the game).
Kaiser-Eoghan
I never did end up watching the Mario anime movie that came out in the 80s.
Vonter
Also someone is putting the effort of making a Bowsette adventure doujin. This is the type of stuff that could be it's own original thing since it strays far from what's Mario. Despite the occasional mild nudity it's quite fun so far, despite also how weird it is.
Vonter
@Kaiser-Eoghan - At the very least it'll be interesting to see where it goes. It happens also every time something comes back. Times change and so the way we make stories. Also the original run had a curtain call chapter, so this is more a new story.
Kaiser-Eoghan
Which is often what happens with episodic stuff for me.
Kaiser-Eoghan
I essentially read Fraken Fran until I got my fill of it.
AidanAK47
@Vonter, I feel that Franken Fran pretty much ran it's course though. Not sure what a new series could bring.
Vonter
Latest news: Franken Fran will get a new manga series. After it was cut short, it seems this little horror manga will get another chance: https://imgur.com/a/ypjtI4c
Vonter
I also read a bit ahead on Shield Hero. And I like it is character driven, but the cast isn't as big as other Isekai, like in Overlord where there are too many characters to easily keep track of what's happening (ever since it started Overlord feels like the most attached to its light novel origins).
Vonter
The monster town growing and expanding into it's own country reminded me of Digimon World. A game which you allied with Digimon to expand your town, add shops and other services. I've heard Xenoblade X was also like that.
Vonter
I watched during the weekend, the Slime Isekai. It's fine, though it lacked more conflict, the MC feels like its too powerful. Maybe this would have been great as a videogame since the concept of how this Slime evolves reminds me of the SNES game: E.V.O. The Search of Eden. It was about your character evolving through the ages and the player choosing how it adapts to it's environment.
Animosh
Also nice to see some love for LOGH in your personal lists (especially Aidan's). I guess it's too much of a niche series (a political epic in space) to score highly in the overall list, but I loved it. It retained much of what made the OVA so great while providing a much-needed update to its visuals and arguably better pacing.
Animosh
I also hadn't heard of the Kase-san OVA. Not sure whether enough can really happen in a one-hour OVA to make it worthwhile (it gives the impression of being promotional material more than a full-fledged adaptation), but I've been looking for another good yuri series after Bloom into You, so it can't hurt to give it a try.
Animosh
Nice to see Kaze ga made it on the list, even with just one cour out. I've seen most of the stuff that's won positive awards, but I've always avoided Pop Team Epic because of how silly it seemed to me. But given all the positive reviews (here and elsewhere) maybe I should give it a chance after all.
Kaiser-Eoghan
Yu-no can go fuck itself.
Kaiser-Eoghan
There's also Yuasa's new thing.
Kaiser-Eoghan
Maybe the thriller shows will be worthwhile but I'm not really as interested.
Kaiser-Eoghan
Yeah spring looks packed for me, there's also that throwback ova to riding Bean and some creature horror ova.
Kaiser-Eoghan
I notice that Index gets an annoying amount of episodes/adaptations, one of those shows that keeps going away for a while then keeps coming back.
Kaiser-Eoghan
We might get dororohedero and Vinliand saga at years end. I would like for pluto to air this year.
Kaiser-Eoghan
Definately looking forward to the josei and shoujo stuff in Spring 2019, nothing of interest for me thats on the summer 2019 list yet.
Vonter
Like you wrote, seems like it's the start for new ways to stream anime. With Crunchyroll making simulcasts and Netflix putting some anime in the spotlight considering the audience it has (and it also helps it has better dubs, at least in spanish). Finally I felt last year the criticism of fanservice got more loud, also summed with how tumblr and facebook politics are putting restrain on sex conten
SuperWooper
@Anon, Netflix is getting Watanabe's new series, Carole & Tuesday, next season. It might not have the mass appeal of Crybaby (violence and sex) or Aggretsuko (cute animals), but it ought to do well for them if they slap "FROM THE DIRECTOR OF COWBOY BEBOP" all over the Internet.
Vonter
Last year I also didn't watched a lot of drama or slice of life, which is a shame since a lot of what's listed reads like it fits those genres.
Vonter
Kind of a lukewarm year 2018 was in terms of anime series. Although I admit I watched a lot of trash as well. Most of the good stuff I watched last year was on Netflix. In terms of bad I already an issue on the list because disappointing, bad and trash are different degrees of badness.
Kaiser-Eoghan
Sorry for being so long and overdramatic, I'd normally stay quiet but I had to get my feelings out.
Kaiser-Eoghan
I don't want to say anymore about this show anymore, I know those who did watch it generally emotionally connected with it or thought it was some kind of epic, if anything I felt it was an epic ruined by being chopped down. I hated it.
Kaiser-Eoghan
Nothing seems settled on long enough and nothing registers.
Kaiser-Eoghan
As Hateable as Jomy is in the beginning, I would at least liked to have seen proper flow of plot structure allowing for some natural progression of character.
Kaiser-Eoghan
As an idea and I think if explored with more episodes/more it could be something, this also includes Keith.
Kaiser-Eoghan
The timeskip and general pacing annihilate anything that could be anything approaching reaching close to working with this series, resulting in an un-compelling cast I feel nothing for that ruins and undersells any drama which is far too overdone when it occurs.
Kaiser-Eoghan
I can't complete this, don't care if I've watched the first half.
Kaiser-Eoghan
I didn't like the couple of episodes of Terra e I watched a some years ago, unfortunately this second attempt, over halfway through the show only illustrates further just how much I utterly despise this show.
Kaiser-Eoghan
As I've said before, I do think re-watches are important, especially years later after watching a show you disliked, if only to see if you'll enjoy it on the second run, lately thats been mostly successful for me, however....
Anonymous3325300
Meanwhile, I do expect that this year will be much stronger in terms of quality. Of course, I had the same assumptions last year based on the winter shows, but I do feel like this could be a stronger year full of great shows, instead of a lot of merely "good" ones.
Anonymous3325300
I predict that Netflix this year probably won't have a Devilman/Aggretsuko-level hit in terms of new anime. Evangelion is probably all they need, even though it's an old series.
Lenlo
If anyone thought that wasn't getting on this list, they either didnt watch it or have really low standards
Kaiser-Eoghan
@Lenlo: Its so catharctic that you listed steins;gate 0 I remember how we essentially lived and watched it together.
Lenlo
I think thats what the most pleasant surprise category is supposed to be. Didnt wanna double up on to many cats
Kaiser-Eoghan
No biggest surprise category?
Kaiser-Eoghan
I can understand including bunny-senpai as a runner up, I'd have trouble picking between it and sorayori.
Lenlo
Episode 7 is so damn good, I don't care that its American.
Kaiser-Eoghan
@Aidan: How do you think I feel, I'm not far off 35.
Kaiser-Eoghan
Glad you actually made room for a movie category aswell.
Kaiser-Eoghan
Based Lenlo, cheating with American anime cartoon.
Lenlo
Im just happy I got Castlevania on this list at all
Kaiser-Eoghan
Dropped planet with, hinamatsuri and violent evergarden though, didn't see Hisone.
Kaiser-Eoghan
I probably would have replaced planet with with happy sugar life or banana fish though or yagate ga kimi.
Kaiser-Eoghan
In any case, I am glad my wife Kanna Hanazawa won an award on your list and that Devilman got featured more than once.
Kaiser-Eoghan
Ah, I though you would be splitting the voice actor category into voice actor and voice actress, though I suppose that's probably cheating a bit.
SuperWooper
You're not alone - of the four of us, I was the only one who watched it.
Kaiser-Eoghan
I must have missed ASAGAO TO KASE-SAN. Hadn't heard of it until now, I should have paid more attention.
Anonymous3324478
Oh and the music was pretty good too I guess. Another episode is airing in March.
Anonymous3324478
Masa also recovered from his car accident from a few episodes ago. It was totally unneeded in my opinion.
Anonymous3324478
The last episode of Tsurune was a decent ending to an otherwise formulaic sports show with some great animation on par for the course with KyoAni. Minato overcame his target panic and won it for the team. Twins got owned big time.
Animosh
There's a new episode out of the Gridman voice drama: https://barnnn.blogspot.com/2019/01/ssssgridman-voice-drama-episode-6n.html. It's a pretty good one too.
Animosh
My only worry is if the series will be able to get to its logical stopping point (the end of the Claw arc) in 12 episodes. But I suppose I should trust Bones over my vague memories of how much content there is left to cover.
Animosh
Yeah, I agree a split cour could be good. It would allow the series to maintain its high levels of animation, and given how stacked next season looks to be (anime aside, there's also American Gods and the Game of Thrones madness to keep up with), and with another ONE show airing, a break wouldn't be so bad.
SuperMario
Split cour of Mob Psycho would be awesome. I don't want to watch 2 ONE's adaptation in one season
Lenlo
Not for bloggin
Lenlo
While I love Mob, I am a bit happy its only 1 cour. I couldnt do 3 2 cour series
Animosh
Assuming we do get 12 episodes, a split cour would still make sense ... but I guess we'll just have to wait for the official confirmations
Animosh
As far as I can tell the only source is some guy in Twitter, so not sure how reliable it is
Vonter
@Kaiser-Eoghan - Devilman Lady is what comes to mind on how to do this type of show better. That one had also a special agency for supernatural incidents, has a simple but compelling main character, uses it's time to build atmosphere and mood and even the action while a bit stilted had better monster design and the violence it's graphic but entertaining like Robocop.
Vonter
@Kaiser-Eoghan - Ok I will check. I'm also curious where it goes in terms of tone. Because it's all over the place.
Vonter
Ok. Last time I tried the login in feature didn't respond. This time it worked.
Kaiser-Eoghan
@Anon: Keep me posted of magical girl spec ops in case it does turn into the kind of guilty pleasure shlock it should.
Kaiser-Eoghan
@Anon: Is this vonter? If you register an account you can keep the name.
Anonymous3321080
But I think what gets me the most its how it beats the dead horse of the 80s action hero arc. Van Damme, Arnold and Stallone had more or less these type of lines. Its kind of funny this anime pretends these aren't tropes we don't use anymore because of how corny they come off. It'll definitely work better as an abridged series since it can be very boring when it tries to add the school life moment
Anonymous3321080
Also Mahou Spec Ops... Is interestingly bad. It tries to be exploitative and shocking but feels very sloppy, kinda like that meme of *slow heavy metal music plays* It also wants to play it like a dark shoujo anime, but the cute monsters are just distracting.
Anonymous3321080
Reading your conversations about idols, despite being mediocre Gokudolls and Ore Mahou Shoujo made jabs at that culture. At least painting some aspects that may be true of how exploitative it is. I suppose because those are subpar, over the top and cheap is what they can do that. Can't remember one aside from Perfect Blue which criticizes that industry.
Kaiser-Eoghan
But only if there was more anime noirs.
Amagi
Reminds me of that stalin vs hitler comic. Think it was russian. They're attacking each other with magical super powers there. And yeah, I love noir now that you mention it.
Kaiser-Eoghan
@Amagi: That'd make for a great noir story.
Kaiser-Eoghan
@Amagi: Imagine Stalin and Hitler trolling each other on twitter.
Amagi
It's easy to construct superiority when you never have to show your private face and never participate in mundane chat talks or so.
Amagi
I bet a lot of people who had some aura of authority back then due to only ever appearing in books or for very rare (scripted) speeches would probably laughing stocks now if we'd see them commenting on daily stuff and news on twitter or reddit.
Amagi
I personally have given up upon having heroes. I still find a lot of historical people interesting but let's be real the few of them that weren't blatanly bad in some way were different then we imagine them to be (even if they're good). Just look how different people feel now that you see them tweeting on twitter VS policians etc decades ago.
Amagi
I like the idea of a main character longing for a dead friend and role model he had and still idolizes. Then at some point he starts reconstructing his friend's past to cherish his memories about him even more but finds out that the friends wasn't the hero he believed him to be and maybe even the own memories of him were idealized a lot over the years after his death without him even noticing.
Amagi
Yeah we are always searching for some sort of über-ich or perfect being that symbolizes the goal of some personality growth we're trying to achieve.
Kaiser-Eoghan
Or the reason why some people need to have so many things or idols they probably don't need.
Kaiser-Eoghan
I think there is a genetic/mental inadequacy in humanity that makes us susceptible to following "higher people who we forget are actually human" because of our own desire for an avatar or general inadequacy as human beings.
Amagi
Yeah this. It's probably also why they defend them so eagerly. Because it's actually true that "their" version of that person would never do that.
Kaiser-Eoghan
@Amagi: And that probably creates a much stronger blow to them when the actor is found guilty of a crime.
Kaiser-Eoghan
@Amagi: Very good response.
Amagi
It's kinda weird how almost everything we know about others is actually just interpretation to some degree.
Amagi
The weird thing is that I think that many fans of acrots/celebrities rather create their own versions of them they fall in love with rather than loving the actual person, whom they barely even know. It's fun because the concept of a waifu sounds extremely weird to normal people, but many normal people kinda do this too but with real persons (but imaginary personality).
Kaiser-Eoghan
I think thats where it starts getting obsessive or where it gets too close to the next level, such as what the anon mentioned.
Kaiser-Eoghan
I also can't bring myself to get too attached to a celebrity or to a character. I do look at hentai doujins yes but, I've probably had thoughts about certain actors or what not, but I never actually want to sleep with them, again I think that's taking fantasy too far.
Amagi
I never know if these are serious celebrations or rather some fun memes they do to post, I always assumed the latter. Kinda.
Kaiser-Eoghan
I think the fans celebrating the idol's birthday thing is taking it to far too, especially if its an anime character.
Amagi
Yeah I was never an idol fan either, and I don't just mean the idol genre in anime but anything similar to idol stuff in general, like being a fanboy/girl of some celebrity or something. Was never able to get into that.
Kaiser-Eoghan
Its all too superficial.
Kaiser-Eoghan
Don't like the ideas it gives teenage girls either .
Kaiser-Eoghan
Certain topics just set me off =<
Amagi
The third episode of Wake Up girls was pretty good in that regard. I think it was the third one.
Kaiser-Eoghan
But yes, thats a pretty bad story what happened to the woman you mentioned.
Kaiser-Eoghan
@Anon: Might be a good idea to catch some documentaries on that topic .
Kaiser-Eoghan
But that was just a sentence from some guy on a podcast though.
Kaiser-Eoghan
Now though I didn't see it, I do recall someone saying some of that Wake up girls idol anime slightly brought up seedier parts of the industry if not much.
Kaiser-Eoghan
The hallow shallowness of the idol industry I mean.
Kaiser-Eoghan
I also dislike the shallowness of it.
Kaiser-Eoghan
I love how Perfect blue takes influences from those gialli/giallo style films from the 60s/70s to an extent, while also spitting on the industry.
Kaiser-Eoghan
But you know what sucks? A part of me, both in regards to those women (and probably some of the male idols) whether it be in reality or animation, I can't actually deny finding some of these men/women actually physically attractive.
Kaiser-Eoghan
Music industry has its seediness just about everywhere and of course victim blaming going to appear everywhere, not just Japan.
Kaiser-Eoghan
*commodification-consumerist
Kaiser-Eoghan
@Anon: I hate capitalism, I hate the idol communication-commercialist industry and the willing self-aware slaves and their masters who perpetuate it, the music is largely awful aswell. I don't watch most of the idol anime, I think the idea of 30 something men throwing cash it is awful.
Anonymous3319279
Wonder if there will be some modern equivalent of Perfect Blue? That was a scathing critique of the idol industry back in the late 90s. Although given how shows that are flat out glorifying the industry are the best-selling shows on BD every year, I doubt it.
Anonymous3319279
In short, she was assaulted by two men at her home who were then arrested. Then she was pressured by her managers into claiming that she was to blame for this, not the men and apologizing to an audience.
Anonymous3319279
Hearing about what happened to some idol named Mahohon seriously makes me wonder if idol culture in Japan seriously needs an overhaul and if media needs to stop glorifying the industry so much.
Anonymous3319260
Ok. No pressure, just asking.
AidanAK47
@Anon, we are working on it. It's nearing completion and should be posted soon.
Anonymous3318799
I don't know if I missed it. But have you put the overview of 2018? Of best show, best character, etc. Did 2018 had a good anime villain?
Masky
Anyhoo, surprisingly Lovecraft's books have some really faithful manga adaptions
Masky
A story set in world post "Cthulhu"(or whatever is setting equivalent) awakening and transcending humans into "savage" inhuman world that he is supposed to bring forth
Masky
Ya know, speaking of lovecraft here is what I really want to see:
Kaiser-Eoghan
Well I guess Die Farbe and whisperer in the darkness count and the cthulu one, the latter two were done by the Lovecraft society.
Kaiser-Eoghan
The closest we got with an actual adaptation was Dreams of the witchhouse , but they left out Nyarlathotep.
Kaiser-Eoghan
Those films were fun, but none of them dated well either.
Kaiser-Eoghan
I have to seperate my knowledge of the books from Stuart Gordon and Brian yuznas films that borrow elements and titles from Lovecrafts works, once I accept their takes on him are just body horror a black comedies I can kind of accept it more.
Lenlo
I think Junji Ito's manga works have come the closest to Lovecrafts brand of horror, and we all saw how that adaptation went.
Lenlo
Yeah, Lovecraft is a hard one. Even his own books are hit or miss, because it is a very fine line for his brand of psychological horror. Would make for an interesting and unique anime if done well though
Kaiser-Eoghan
A lovecraft themed world would find some difficulty in getting the atmosphere right as he has proved difficult to adapt.
Lenlo
Ah. Yeah, a non-traditional setting like that would be good. I think Isekai, to really change it up, should start going for non-traditional settings. Sci-Fi, Lovecraft, etc. I think this was mentioned before yeah?
Kaiser-Eoghan
@Lenlo: I believe the anon was saying it in relation to making a good setting for an isekai show.
Lenlo
Its why I standby Sakaki in this that, even if he was a dick about it, he is right to be angry at how it all placed out. Just not at Kurahara.

Also @Anon, I loved Bloodborne! No idea what the convo is about, but saw it mentioned
Lenlo
They should Kaiser, I agree. Just look at American college football right now. ITs coming out all over the place, and people wonder why teams dont speak out against it. Its because they are kids, they think "This is how its SUPPOSED to be. Only the best make it. Its not the coaches fault, he makes us win". etc etc.
Kaiser-Eoghan
There is a spinoff anthology for bloom into you's manga.
Kaiser-Eoghan
Or other big issues relating to sports such as performance enhancing drugs.
Kaiser-Eoghan
Lenlo, a thought popped into my head there, more sports shows should focus on abuse.
Kaiser-Eoghan
I think flipflappers is one of my favourites in years, but it was definately at its best when it wasn't really about wrapping up its story.
Amagi
Space Dandy and Kaiba had this to some degree too. Liked both series.
Amagi
@Kaiser: Kinda sad that the latter half of Flip Flappers was rather weak because it started with this different worlds idea.
Amagi
I think Matsumoto stuff might actually be the very first anime I have seen in my life, not regularly though and usually when I was in Italy.
Kaiser-Eoghan
The noir world could be in black and white.
Kaiser-Eoghan
How about another world that has different sections that follow different genres?
Kaiser-Eoghan
@Anon: Helped greatly by his use of artistic cinematography and use of dramatic stills.
Anonymous3316528
Old anime has very bitter stories. Despite the old drawings, several had harsh live lessons. Osamu Dezaki had such a talent to direct drama.
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