Posted on 22 April 2011 with categories: Anime Reviews, Mahou Shoujo Madoka Magica




Ah, the deconstruction: taking a genre or trope, and examine it, put it in a real life situatio, or take a look at it from a completely different angle. I personally love these kinds of series (heck, some of my favourite series are deconstructions). Mahou Shoujo Madoka Magica finally shows us another deconstruction of the Mahou shoujo genre, and it is glorious.

This series takes the well known formula: a cute animal comes to a girl, gives her superpowers, and they fight evil. It then examins what it means to be a magical girl. It actually uses its setting quite cleverly in order to really give the life of a magical girl a set of huge advantages and disadvantages. Really, the graphics may be simple, but underneath is a very, very dark storyline.

Teh thing that’s especially amazing about this series is how well everything fits together. It’s twelve episodes long, but it makes excellent use of its time, the characters all fit the story perfectly and everyone serves his own purpose to the points that this series is trying to make. The show really makes sure that it doesn’t waste its time and just about every episode adds something to the overall story and characters. This creates quite a bit of nice development for such a short series.

The graphics are also gorgeous in this series. Unlike a lot of other Shaft series, the animation knows exactly when to be normal, and when to be experimental. The action scenes in this series look really great thanks to all kind of strange and artistic images that are inserted in the surreal battle scenes. Yuki Kajiura is also behind the music, and while this may not be amongst her best work, she still delivers an excellent soundtrack.

It’s definitely a well written and thought-provoking series that continues to evolve. It deserves to be watched, and I see no way for this series to not show up in the top 10 of best eries of 2011. I don’t think that I’ll end up ranking this amongst my favourites, but that entirely because I just consider a lot of other series to be better, not for this show to have major flaws or anything. If I had to nitpick and mention a flaw of this series, then I’d point at the characterization: if the characters here were put in any random slice of life or a more conventional action series, they wouldn’t be interesting to watch at all. It’s entirely the story and the setting that makes something memorable out of them. Again though: this is just nitpicking.

Storytelling: 9/10 – Really well balanced and evolves really well for a 12 episode series. Maks excellent use of the ingredients handed to it.
Characters: 8/10 – Nice development, interesting backstories.
Production-Values: 9/10 – Successfully experiments with its graphics, resulting in some gorgeous action scenes that form a stark contrast with the quiet scenes.
Setting: 9/10 – A terrific deconstruction of a genre that really needed some nudge again.

Suggestions:
Fancy Lala (Very, very different and slow-paced, but shows a completely different yet just as brilliant take on how to deconstruct the Mahou Shoujo Genre)
Mahou Shoujotai
Figure 17 – Tsubasa & Hikaru

Posted on with categories: Mahou Shoujo Madoka Magica



A Jesus Ending? It’s been a while since we had one of those.

Yeah, the loophole that the creators used was simply the fact that they never explicitly stated that there was any limit to the wish you could make. Madoka just wishes for a world without witches and Kyuubei… grants it. He doesn’t even seem to have the power to reject such a wish. And so, Madoka dies for our sins and completely changes the world. It neither was the best nor the worst ending of this season, but it didn’t hurt this series either: Madoka Magica remains a wonderful show to watch.

Now obviously the first question that came to my mind when Madoka made her wish was “why the heck didn’t people do this before?” I mean, we all asked this question before: instead of just wishing for simple wishes like resurrecting someone, why couldn’t you wish for an unlimited amount of wishes? Because this series refused to explain that, we all just assumed that Kyuubei would obviously refuse any wishes disadvantageous to him. And here, this episode showed that those wishes could have been possible.

My guess is that nobody made such a wish yet, because Kyuubei keeps targeting emotionally distraught teenaged girls who have just been hit by a major trauma. Yes, in a regular situation in which you’re just sitting in your comfy chair you can indeed try to bend these rules all you’d like, but I can imagine that Kyuubei always presents himself to girls who are desperate for one single wish, offering exactly what they need the most. I could be wrong here, but when you’re about to die in a car accident, you wouldn’t really try to be cheeky and think of a loop-holing wish from out of nowhere.

Madoka was the exception, because at the start of this series, she had no reason to be in despair: she didn’t know anything about Homura, and Kyuubei instead got greedy for her powers, and tried to convince her by tempting her.

And yet, I do fault Madoka for not thinking of this obvious solution any sooner. It’s probably the biggest flaw of this series: she pretty much spends 10,5 episodes angsting, only to snap out of things, go Jesus and wish all the witches away. In the end, the only way in which she really set herself apart is the way in which she refused to change into a mahou shoujo, even though this is a mahou shoujo series. At least the other characters in this series had really interesting backstories.

Oh, but that aftermath was really good. It showed that even though witches are gone, there are still other things that demand a mahou shoujo, and Kyuubei also isn’t gone, albeit completely different. It’s definitely interesting to see the different characters here in a world without Madoka or witches. Especially the latter lead to some interesting character development, but also the lack of Madoka in her family was really interesting.

Overall, Mahou Shoujo Madoka Magica definitely belongs in the top 3 series that premiered in the past Autumn and Winter Season, along with Hourou Musuko and Level E. Whether or not it was the best out of all of them though is very hard to say because they’re amazing at completely different things. Hourou Musuko also had an amazing second half, Level E had an absolutely fantastic beginning. Either way though, this was the best series that Shaft has made since Sayonara Zetsubou-Sensei 1, and I really hope that future Shaft series will follow this series in its tracks: not just blindly copy Shinbo’s style, but also letting the writers really do what they want to do.
Rating: ** (Excellent)

Posted on with categories: Mahou Shoujo Madoka Magica



Dear Shaft: thank you for actually finishing this episode in time and not pulling another Bakemonogatari. Having to wait a month for the final two episodes still is pretty doable. Episode 11 was a rock-solid build-up that was quite worth the wait.

With just about every other character out of the picture now, this episode indeed focused on Madoka, Homura and Kyuubei, but also surprisingly Madoka’s mother also played a large role here. It was really building up to the inevitable: Madoka becoming a mahou shoujo. Or at least, that was very heavily implied at the end of this episode. Overall, while it would have been nice for Madoka to actually refuse Kyuubei throughout the entire series, I can see why she did it: as long as that Walpurgis night can only be defeated by Madoka in her Mahou Shoujo-form, this time-loop will continue on endlessly.

Just, what was the point of that one monologue of Kyuubei? The one where he started talking about the past of the mahou shoujo, where he started talking how many famous girls in history were actually mahou shoujo who were plunged into despair, and how without them we’d still live in caves? That just makes no sense and is completely out of context here.

Now, as for the ending: right now things are heading in exactly the way that has been built up by the previous episodes. At the moment, we’ve reached the inescapable situation where Madoka will destroy the world once she defeats the Walpurgis Night (after all: superpowered Madoka will make for a very exciting final battle). It really seems to be heading towards a loophole ending: the creators try to bend around their own rules in order to find a loophole out of its chaos. It probably will be with casualties, but at least the world will be saved. These kinds of endings really depend on a) how good that loophole is, and b) how exciting the final battle is. Madoka definitely deserves a good closure.
Rating: ** (Excellent)

Posted on 11 March 2011 with categories: Mahou Shoujo Madoka Magica



Holy crap, what an episode. We’ve finally gotten to Homura’s past and BY GOD is is awesome.

This may be because I really like the kinds of series that deal with alternative dimensions, but the reason I love the stories like this is because they really allow creators to show different ways for characters to develop when done right (do note that it can be done poorly just as easily, though. Yes, I’m looking at you Yosuga no Amagami). The creators really put a ton of meaning in this episode

With this, I also understand why the creators said, prior to this series, that it would be the type of show that you need to watch two times in order to fully get it. I remember that first episode and how at first it seemed very much like Nanoha. The biggest reason for that was that scene in which Madoka saves Kyuubei from being attacked. Yeah, that suddenly gets put into a completely different perspective, doesn’t it?

One thing that was amusing during the past few weeks was seeing all of the crazy theories from everyone, ranging from speculating that Homura was Madoka to Homura being Madoka’s cat. In the end though, she just turned out to be a normal girl who just matured much more mentally due to the way that she always kept travelling back in time. Plot twists like “character x is secretly related to character Y in some bizarre way” are good, but they shouldn’t be used for the sake of just using them, otherwise they’ll just become forced.

This episode only left one major question: why wasn’t Madoka this awesome mahou shoujo when Homura first met her? This episode strongly hinted at Madoka getting more talent as Homura kept travelling back in time.

Oh, and the release dates for the final episodes are finally out: Madoka will only have 12 episodes. We’re actually ending this thing in two weeks!
Rating: *** (Awesome)

EDIT: holy crap, I knew by now that I needed to avoid that shoutbox before watching this week’s episode, but this is getting a bit out of hand here. Unfortunately due to my schedule I’m unfortunately not able to watch this series as fast as usual (combined with the fact that four of the shows I’m blogging air on thursday evening).

Next week, I’ll create a topic for discussions before the episode airs.

Posted on 4 March 2011 with categories: Mahou Shoujo Madoka Magica



A very, very macabre build-up here. On one side, the deaths in this series don’t have as much of a shock value compared to what happened to Mami. On the other hand though, the creators just did decimate the cast here. At this point there are only five named characters alive, and two of those have stopped being relevant to the plot.

In about a week the definitive lengths of the series of the current season should get announced, but it looks like there are three episodes left at this point. These should be enough for this series to change its direction, now that it lost some very important side-characters, and use these changes for its ending. The pieces are now all correctly set: Walpurgis Night is coming, and Madoka pretty much is going to have to choose between either becoming a mahou shoujo or having this Walpurgis thingy feasting on the city they’re in.

A lot of the finale is going to depend on Madoka’s development. I mean, she’s probably the most typical character of the entire cast, and spends a lot of time angsting, but a character was really needed for this show to be able to do what it wanted to do. As a deconstruction, this series would not have worked as well if Madoka was more mature. A part of the charm of this series is seeing Madoka nearly giving into Incubator again and again, continually building the tension between them. Because Madoka is indecisive it allows this series to flesh out all possible options for her to a great detail. Sure, weak characters like her can get very annoying when used poorly, but this show shows how to do them right, by having the entire plot revolve around this weakness of hers.
Rating: ** (Excellent)

Posted on 24 February 2011 with categories: Mahou Shoujo Madoka Magica



And here this show comes with an episode that to be honest… I only expected to arrive around the penultimate episode or something. Now, that means that if this show knows what it’s doing, it can get an amazing climax out of that, when awesome episodes like this are used as build-up episodes.

The creators really didn’t try to drag out Sayaka’s descend into madness. It’s just been an episode and a half, and she already exhausted her soul gem. So yeah, she’s probably going to remain as a witch starting from the next episode. My guess would be that that’s the point where the creators are really going to go all out on Madoka and Homura. The part in which Madoka nearly gave in to QB (or should I say InQBtor) was really powerful. Now it’s up to the creators to build further upon that.

One point of criticism: here we have the childhood friends that you forgot about cliche again. Very weird place to show such a cliche, but it should be fine if it is indeed central to Homura’s character and her motivation.
Rating: *** (Awesome)

Posted on 18 February 2011 with categories: Mahou Shoujo Madoka Magica



Ah, the wonderful character development! This episode added a ton of new things to the characters, especially Sayaka and Kyouko. This is really what these short 13 episoded series need to do: instead of wasting time like what Fractale is currently doing, they constantly need to focus and build up their characters and if character development fits in the story, then all the better.

Kyouko revealed her past and became a completely different character from who she was at her introduction. She’s still the experienced Mahou Shoujo, but the way she became a mahou shoujo is a really tragic one (which looked awesome, by the way). Sayaka meanwhile takes an entire episode to let the revelation of the previous episode sink in, to the point where she believes that she can’t even have a proper romance anymore. I wonder why, because even though she’s a bit of a zombie, she still can feel emotions like any other. Her fears here are entirely irrational, but this episode really hinted at her getting screwed over by those feelings at the end.

Overall, Shaft. I have to congratulate you. This has by far been my favourite Shaft series in years. For once, they did everything right again, and their decision to bring in Urobuchi Gen was an excellent one.
Rating: ** (Excellent)

Posted on 11 February 2011 with categories: Mahou Shoujo Madoka Magica



That was a great subversion of one of the most overused mahou shoujo tropes: the magical object that somehow allows the girls to transform themselves. Now that this show mentions it, I’ve seen very few series that actually put in a deeper meaning to these items. The only other I can think of right now is Fancy Lala.

The idea that your soul gets separated from your body when you become a mahou shoujo is a great one. It offers a very interesting explanation to all the healing and invincibility powers that you often see in these series. What’s even more interesting is that most of the mahou shoujo don’t know about that, and maintaining your soul gem suddenly gets a whole new meaning here.

Aah, and Kyuubei. Seriously, that animal was being evil in this episode: it specifically called Madoka when Sayaka was about to be attacked and it just keeps referring to Madoka’s latent powers. In this episode we also learn that it eats grief seeds. That really can’t be a good thing.

That mysterious “Walpurgis Night” will probably the climax of this series. With this episode we pretty much learn what Homura’s goal is, though it’s still unclear what she was planning to do while fighting Sayaka in this episode. She obviously was trying to do something to her without killing her, but that as all I could gather.
Rating: ** (Excellent)

Posted on 4 February 2011 with categories: Mahou Shoujo Madoka Magica



That new girl made her proper entrance in this episode. She at this point is a bit too stereotypically evil, and I would like to see her character in a bit more detail than someone who just wants to kill people. Other than that though, this again was an excellent episode.

She did have a good point in this episode, though: becoming a mahou shoujo, just to protect others is a very shallow reason: in order to remain strong enough to protect innocent people, you need to collect the grief seeds, which can only be collected after a witch had a meal on some innocent people. It’s a vicious cycle, and Sayaka doesn’t really seem to understand this. Sayaka really is a ticking time bomb at this point.

Also, the more this show goes on, the more trollish the OP appears. The tone is obviously misleading here, but also the transformation scene which felt completely out of place could be just a subtle jab to other mahou shoujo and some of the tropes that they just continue to overuse. Especially considering how at this point Madoka still hasn’t become one. I have seen Phantom, Gen’s other work. I know that this guy has pretended the death of characters, only to bring them back later. At the same time though, it’s not like he’s afraid to kill of characters either. My guess is that Mami will return eventually when Madoka chooses her wish. At the same time though, I’m expecting quite a number of actual deaths with the rest of the cast here.
Rating: ** (Excellent)a

Posted on 28 January 2011 with categories: Mahou Shoujo Madoka Magica



My impression of this season, now that we’re four weeks in: it’s small, full of teenagers and there are quite a few series that I really don’t want to waste my time on. But holy crap! I’m really amazed at how many really good series have appeared. Madoka Magica’s fourth episode was again a really good one. At this point, Madoka Magica is already my favourite Shaft series since ef – a Tale of Memories.

Where Heartcatch Precure was exactly what the shoujo-targeted mahou shoujo needed, Madoka Magica was exactly what the seinen-targeted mahou shoujo genre needed. This is looking out to be an excellent deconstruction at this pace. To just take an example here: just about every mahou shoujo accepts her fate in the first or second episode. After a few minutes of doubt, she’s willing to change her entire life in order to fight crime because she happens to be some chosen one. In Madoka Magica, Madoka still hasn’t become a mahou shoujo after four episodes. The past four episodes have shown that the downsides to becoming one have some real significance.

This episode also showed that just about everyone has her own agenda, which especially became clear when Sayaka suddenly decided on a whim to become a mahou shoujo, for the sake of her boyfriend at the point where Madoka herself had decided not to become one. This also shows what a bastard Kyubei can be: he says goodbye, but instantly appears whenever he feels that someone is ready to make a contract.

Regarding a bit of a small detail: I wonder what Homura meant when she said that it would take a long time for people to file her as missing? I mean, wouldn’t the people at her school find it strange that she’s gone? I mean, I of course do not know how schools in Japan are supposed to act when students start skipping classes, but in the Netherlands it’s a pretty serious offense for kids of Madoka’s age to be absent unannounced for more than a couple of days.

Which brings me to the next question that may be thinking a bit too much into the setting here, but how many people know about the existence of these mahou shoujo? Do the police know about them, for example? I mean, what happens when one of these seeds explodes without either a mahou shoujo nearby, or one that pretty much kills everyone around it? That’s bound to raise some suspicion sooner or later, isn’t it?
Rating: *** (Awesome)

CHANGE USERNAME
Anonymous2040262
its almost like he could be an antagonist
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
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Featured Posts

Hinamatsuri – 03 [Hobo Life 101]

Hinamatsuri week 3 plays like an extension to Anzu and Hitomi’s stories last week. It’s like two sides of a same coin where you can see these girls grow in a direction you don’t expect (NO innuendo here), albeit at the cost of the central chemistry between Nitta and Hina. Here’s the trick to why […]

Wotaku ni Koi wa Muzukashii – 02[Are We Now Dating?]

After a strong first episode I come back to this show and find a rather middling second episode. There is some good content here, namely the Evangelion references, one of which was butchered by the crunchyroll translators.(Narumi and Hanako were arguing over who was best girl in Evangelion with notes over their head about whose […]

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

7 years. It has been almost 7 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

Leave it to Japanese cartoon that done the Western genre better than the Westerners, at least from what we have seen so far (note: despite my pun, Western the genre doesn’t refer to the Western culture, but to the American Old West). Granted, Japanese cinema and literature has a strong tradition of samurai genre, which […]

Hinamatsuri – 02 [This Is How You Have a ESP Battle!]

Welcome to THE comedy gold of the season. Before I get into anything specific, let’s me discuss about what make this little show about a psychic girl and a yakuza hilarious in the first place. The main source of humor in Hinamatsuri largely comes from situation-based weirdness. Putting these characters out of their comfort zones […]

Darling in the Franxx – 14[Punishment and Confession]

Last time Darling and the Franxx had it’s best episode yet which raised my opinion of the series and gave me hopes for greater things moving forward. So it’s sad that they follow this up with the worst episode of the series to date. This episode was pure frustration to watch because you knew exactly […]

Megalo Box – 2 [The Man Only Dies Once]

Welcome to the Spring 2018 anime season! I am proud to present to you the Ashita no Joe 50th Anniversary project, Megalo Box. Easily the most stylish anime of the season. Lets jump in! With just 2 episodes, Megalo Box has become my favorite for the season. Everything about it feels like it comes from […]

Darling in the Franxx – 13[The Beast and the Prince]

That was the best episode of Darling in the Franxx to date. Truly I am impressed with this though it may be perhaps because the fanservice aspects of the show were not present at all during this episode. Todays episode was spent entirely on the past of Hiro and Zero Two. When this episode is […]

Latest Reviews

Violet Evergarden (2018 Winter) Review – 76/100

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter […]

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep […]

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

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Fantasy is a rather prolific genre in anime, with a vast majority of Isekai and Shounen fitting snugly into it. Most take place in their own unique setting, either Amestris of Full Metal Alchemist or the made of world of the latest Isekai trash. Few however try to set themselves in our world. To peel […]