Posted on 30 May 2014 with categories: Mushishi

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did here was highlight the duality of these little critters: they have both their positives and negatives. This episode really focused on the positives, while again not ignoring the negatives.

The woman who is cursed to keep all of the moisture inside her body. It killed a few people due to unfortunate circumstances (again, nobody is at fault here), however it also brings so much joy to the people when she arrives. What made this episode work so well is how well this series characterizes just about everyone: even the minor characters feel real. I mean, have you looked at the animation for this series? EVERYTHING IS SMOOTH AND LIFELIKE. I cannot recall a TV-series that has such consistently detailed animation for characters, and this series can pull it off because it’s not an action series: budget doesn’t need to be spent on elaborate action scenes, so instead it can go into the detail.

Mushishi really is a mature series like no other. Most series when they tell a story, resort to black and whites: there are clear heroes and clear villains, and even when the villains have reasons for their actions, their reasoning is often crazy in some way to the point where you can’t really hold a nuanced conversation with them. Here, everything has multiple sides to it, and it’s done in a really cool way.

And yeah, pretty much now that I’ve seen the preview of the upcoming summer season: I’m currently 95% sure that Mushishi is going to end up as the best show of 2014. There never has been a series that stood so far above all of the others in all other years that I’ve been blogging. It’s just consistently fantastic and detailed and in seven episodes I have yet to spot a weak moment. This show is just THAT special, and it justifies a second season really well: every episode continues to build upon the lore of the mushi, and we still see new stuff.

Posted on 12 May 2014 with categories: Mushishi

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling.

I now know again why Mushishi is such a unique series. Sure, there have been similar series in the past, like Natsume Yuujinchou, telling about creatures who live alongside us with mythical powers, usually youkai or something in the like. Mushishi however, takes the concepts of Shinto, and goes further than any other show has done. In the eight years inbetween the first and second season, I have never encountered a series that did the supernatural as well as what we see here.

But even then, these four episodes were something else. Here we saw people’s arms getting eaten off, suffer from horrible frostbites, people disappearing into nothingness while still being alive, losing all their senses, chopping off heads and swapping them. It’s one thing to be brutal, but Mushishi does it without showing blood, it does it with such variety, and every single time it puts them in the middle of so many moral dilemmas. It goes in deep on the source, and shows how easily uneducated people can fall into these traps despite proper warnings. This show is nearly a medical thriller with its own set of rules.

And yet the beauty in each of these stories, is that you can’t completely blame the mushi. That also was the brilliance of the first season: the Mushi are also just living their lives, which just happens to sometimes clash with that of humans. This is driven forth even more here, with these mushi without a physical form who try desperately to escape that incredible loneliness.

And the presentation of these four episodes. It’s just perfect. Okay, perfect doesn’t exist… er… some frames showed characters with no mouths! There, critiism! Kidding aside: the animation is beautiful: the movement is slow, but you can really feel the characters. The background art is better than ever. The CG that is used is used consistently and only for the mushi, making them look stunning and out of this world, exactly what they are supposed to be.

The end of episode six: that was actually increidly beautiful how everything came together. It was never told that fire was meant to draw out the mushi in the tree, but when you saw it, everything just made sense. If there was ever an example of what I mean by storytelling, characters, animation, pacing and atmosphere all coming together in one moment, then that is a textbook example of how to do it. All stories were beautiful, but my highlight was episode 03. I cried okay! That’s the first time I cried at an anime in probably over a year!

Creators of anime! LOOK AT THIS! This is how you make an anime!

Posted on 17 April 2014 with categories: Mushishi

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode.

I still can’t believe how authentic this series is. The thing is, when I first started watching this series, I was still very young: 18, and I hadn’t even been released in the real world yet. Now that I’m much older I can appreciate the attention to detail even more. This episode was about a fishing village, probably in one of the southern parts of Japan, and what the people there generally had to do to come by. The Mushi here symbolize the tragedies that come with such a life, however I love how they’re only telling a part of the picture: they hint at other big problems, and they’re far from the only thing playing in the world: the world doesn’t revolve around them, they’re just part of it. I have seen no other show that does that better than this series.

What’s also wonderful to see is that the creators really seem to try to fit in character-development into these one-episode stories. I loved how that one guy was finally able to set his grudges aside. And it was done in such a natural way: for once there wasn’t some big life choice that he was forced to make “return or else you’ll die!”. In theory, they could have figured something out with the village, heck he just could have given them the pearl while still remaining isolated. It just was the push he needed to set his feelings aside and become part of the village again.

Another way in which anime has gone down, is how its directors have gotten much less freedom. What I mean by that is this: when in 2005, Mushishi was made, Hiroshi Nagahama was perhaps a well known episode director and storyboard artist, but he never directed a full series. Here he got the chance, and BAM, he gave it the best possible adaptation it could have hoped for. I mean, if you look at some of the other series that Artland has worked on: the animation is completely different, much more generic, their pacing is way off. A debuting director managed to do that and they gave him a lot of freedom here.

Fast-forward eight years, and you can see that the established directors can get the freedom they want: Masaaki Yuasa can just push forward his style like he wants. But really, when was the last time that we really saw a first-time director try to push his own style and stamp on a series? My guess is that as anime has matured since the digital age, it has become more consistent. Consistency is boring! Be ambitious! Take risks! Show your personal style! Be intelligent and show authentic stories!

Posted on 3 March 2014 with categories: Mushishi

Mushishi holds a really special place in my heart. Back in November 2005, when I started up this blog, Mushishi was one of the first shows I picked up to cover weekly. At first I didn’t think much behind it: it just looked interesting and I wanted to cover it, but as it went on I started to enjoy it more and more. But even then it took me a long time, even after the series had finished, to realize what a special series it was, and that we’d never get anything like it again.

Many series tried, but none got as many things right as this show did. That’s something I definitely realized after I watched this OVA, and how we’re in for something really, really special here. I mean, my big fear was that they’d compromise, and that the second season would feel underwhelming. But amazingly, this OVA kept everything that made Mushishi to be one of my favourite shows out there.

And I know that usually, I’m not one of those people who lauds shows who do just the same in their sequels, but Mushishi is one of those series that is the exception to the rule. It knew exactly what it should keep doing, and yet this OVA contained a new story that adds to the Mushishi universe, and that story was amazing. You can see some CG here, but the creators kept it within limits and bounds.

Apart from that, the soundtrack is just amazing as usual. The voice acting is still brilliant and subdued, the atmosphere is still there. It still has the single best ED ever created for an anime, It still knows how to tell a perfect short story. I mean, really. This will be big. If the TV-series is like this then it’s got the potential to be the best series in years. But no, expectations should not be too large. Something’s going to mess up. Something will go wrong.

I mean, seriously. I don’t know whether it’s because of heightened emotions of finally seeing one of my absolute favorites again, but I still cannot believe how much I enjoyed this episode. I actually got teary-eyed from watching it and it made it seem so easy. I mean hell, this is EVERYTHING I’m looking for in an anime. The story wasn’t necessarily incredibly complex or so, but it was told perfectly. The focus was on bringing all of the different characters to life, and the creators really succeeded in showing that this really is about ordinary people living their lives. It’s incredibly relatable as it dealt with simple, but relatable problems.

Now for those who are wondering: Mushishi is a collection of standalone stories. In order to understand everything about this episode, all you need to have watched are episodes 1 and 20 from season one. That’s nothing, especially because these episodes are awesome to watch anyway.

Posted on 15 October 2006 with categories: Anime Reviews, Mushishi


Mushishi is one of those rare series you can only run into once in a long while. it consists out of 26 episodes, and each of these episodes tells a story about ordinary people, living in the quiet areas of medieval Japan and their encounters with the creatures called Mushi. Only a select few can see them, they’re living beings, just like any other animal or plant, though at times, their lifestyles clash with humans, making them sick, or giving them strange abilities.

The story centres around a Mushishi: Ginko. A Mushishi is an expert about Mushi. He knows a lot about them, and how to cure people who are bothered by the Mushi. The message of this anime is that everyone, both humans and Mushi, isn’t really evil. They’re only trying to live their daily lives.

I am happy to say that each and every one of the stories, told in Mushishi turned out to be simply awesome. It’s just one huge chunk of non-stop atmosphere. Each episode takes its time to tell its unique story. The beauty of this is that not every one of the cases can be solved. At times, people are fated to die, or people have to live with a horrible burden for the rest of their lives. At other times, however, only after years and years the problem can be solved.

Another great aspect of Mushishi is that at times, it likes to make time leaps of a number of years, in order to show how characters gradually evolve, along with their problems and issues. Almost each of the stories told in the 26 episodes left me with such a satisfied feeling. And especially the better stories were just one big adventure.

The creators made an excellent use of the music and background tunes in this anime. While standalone, they’re not really special, but when they’re added in stories with such a huge atmosphere, the two only strengthen each other. The character art style used is unique, and really fits, and not to mention that the background art of each of the different landscapes presented is just absolutely gorgeous.

This anime doesn’t have a lot of bad points. Some of the episodes around the end of the anime were not as good as usual, though the final episode is one of the best again. And there are indeed more episodes which are better than others. Still, overall, this is an amazing anime. Definitely worth to be recommended.

Posted on with categories: Mushishi

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Seriously. Mushishi managed to pick an AWESOME story for the final episode. It’s sad to see this anime finally go, one year after it started airing. Hoping for a second season would be rather false hope. Still, this show has been awesome. Definitely something to recommend to anyone.

The story mostly takes place during Ginko’s youth. He’s spending his time living in a certain village, while the main character of this story lives a few mountains further. He’s the son of the owner of the mountain. his father has been protecting the mountain for his entire life, as it, accompanied by a strange, coloured living fog, is full of life. If people were to mess with it, this balance would be disturbed.

That’s what happens when the episode progresses. The boy also gets befriended with the child-version of a certain traveller, which I could swear I’ve seen before. The boy is rather arrogant, being the son of an important person, though this young traveller seems to change his mind. They travel, based on the coloured fog. It’s some kind of way for the mountain to tell how it’s feeling. Then, at one point, the boy’s father dies. Even though his will said that the boy would inherit the entire mountain, his relatives all snatched it away, and made plans to destroy the mountain, for the sake of their village.

Because of this, the fog disappears, and so the young traveller has to top visiting the mountain. His grandfather, whom he travels with, also picked up a suspicious white-haired boy. This white-haired boy also gets abandoned, along with the mountain, and he join another Mushishi as a novice. Before he leaves, he explains a few things to the boy. That the group of travellers consists out of people who were kicked out of their villages because of the Mushi.

Then, we turn to the present. The buy has grown up, and the mountain didn’t do too well after the fog disappeared. Five months after what happened, a volcano erupted, destroying the mountain. The main character has tried to restore the mountain, but things aren’t going too well due to the absence of the fog. Children also are born weakly, because of the Mushi. The episode ends with Ginko and the main character meeting each other again.

I really loved this episode of Mushishi. It definitely was one of the better ones, and that has to say something. Ginko’s role in this also was a great one. He’s really just a bystander, not related to the main story at all. It also takes a time for him to remember the main character of this story, which was a very interesting detail.

Posted on 3 September 2006 with categories: Mushishi


I’ve been looking forward to another episode of Mushishi. It seems that it doesn’t know how to deliver a bad episode. Each of the stories presented works so incredibly well, dealing with a different problem every single time.

This time, we have a little girl, who’s blind. She encounters a mushi, Ganpuku. This mushi gives her sight. At first she’s incredibly happy, but then the mushi starts showing her things that she shouldn’t be able to see. She’d be able to see right through walls, she could see things which happened miles away from her, nothing was a secret for her anymore. But it didn’t end there. Ganpuku then gave her the ability of foresight. The girl grew up, and many people came to her, in order to get their futures told. Obviously, the girl didn’t have any friends at all. When her father died, she moved away from her village and started living as a shamisen-player (which C1 seems to have turned into a lute).

Of course, while it may seem like joy and goodness in the beginning, if you have to live with this for more than fifteen years, you begin to see the disadvantages. Every good thing has a bad thing, and every bad thing comes along with a good thing, and this is no different. The girl may have had the ability of foresight, she had this 24/7. She had no way to turn this off, and she lived her entire life, seeing things in the future. In the end, she became dizzy and unhappy because of it. Around the end of the episode, it seems that Ganpuku has completely taken over her eyes. They then detach from her body, and turn into their real form.

It’s indeed a dilemma for the woman. She has to choose to either see the future continuously or see nothing at all. It’s a choice between two extremes, with not middle way at all. In the end, the woman didn’t care for herself anymore, and was content with living with Ganpuku. But she didn’t want anyone else to suffer the same fate she did. Therefore, she asks Ginko to bury her eyes, somewhere in the forest.

Posted on 3 August 2006 with categories: Mushishi



Mushishi returns with the same outstanding quality of its stories once more. This time has yet another happy ending. I really loved it. The case is like this: we have this village which has its own Mushishi. On one day, they run into a yet to be identified Mushi. It came from a vulcanic rock, and has taken the form of a plant, which can rapidly increase in number. These plants also release a poisonous gas, which appears to kill off the trees.

The Mushishi has tried all sorts of things, but nothing works. Eventually, her last resolve was to burn the entire forest, along with the Mushi. After all, if the plants were to reach the crops of the village, they’d have a very hard time surviving the winter. Ginko’s against this, as not only it burns a lot of innocent trees, but the fact also remains that the Mushi came from a volcanic rock. It would be wrong to give it fire.

In the end, the Mushi appeared to be the premature form of a bunch of Kagebi. It takes refuge in cold places, and survive by sucking the heat out of people who are lured by their warmth. The Mushishi then tells everyone to be extra careful with fire, though you know how humans tend to behave. Most villagers do not immediately see the danger of the Kagebi, and they don’t pay attention to their actions. Only when seven people die and even more suffer from frostbites due to eating food, cooked under Kagebi, the message begins to sink in, and they start to be extra careful.

The Mushishi, however, has another problem. She swallowed one of the Kagebi, and now it’s grown inside of her. Very slowly, it’s sucking away her heat, and makes her cough up leaves, as a means for the Kagebi to reproduce itself. She has already given up hope when Ginko helps her. He lets her drink food, cooked by another Kagebi. This food then causes a frostbite in her stomach, where the Kagebi resides. This makes it unable to suck up heat, so it dies off. At least, that’s what I think that happens.

The way the episode ended was great. We turn to the beginning of the spring, we see a lone Kagebi heading out of the village. I’s looking for colder places, in which to spend the summer. I just loved the symbolism of this scene.

You can wonder, was it right to burn the trees? The fact remains that the plants were the dangerous ones, not the Kagebi. While the Kagebi just took seven lives, just imagine how many people would have died if the plants managed to reach the crops of the village. But still, a lot of animals, plants and trees were killed off during the burning. However, at the end of the episode, you can see the first traces of life appearing again. It’s also part of the symbolism used at the end of the episode. Life goes on. No matter what.

Memorable Moment: The ending.

Posted on 15 July 2006 with categories: Mushishi



The series had normal episodes, and it had awesome episodes. It’s the same with the OVA. Episode 21 was perfect in every
single way. Episode 22 was amazing, despite its flaws. Episode 23 shows us a standard Mushishi-story again. It’s about a disease, which causes limbs and body-parts to become stiff and unmovable. It’s being spread through the voice of one girl. Ever since the girl found out that her voice spread the disease, she’s stopped talking. Though the disease remained. The girl has stopped talking for ten years now. It’s also one of the stories with a more happy end.

Still, that doesn’t mean that I didn’t love the episode. It’s still as calm as always, and the situation gets explained very quietly. It seems that the woman had been screaming at the top of her lungs inside a deserted cave, in order to ruin her voice. By the time this episode plays, she hasn’t quite lost it, though her voice does sound very creepy and sad. It’s probably one of the first times in anime that such a voice was added.

The great thing about this episode was the ending, though it does leave a few bugs. The girl had been isolated, as everyone thought of her as the culprit. There was one man, from another village who didn’t treat her that way. This man then fall off a cliff in the mountains, and she had no other choice than to cry for help, with her already distorted voice. That sounded too sad. It seems that to cure the disease, the woman had to scream towards the village, with the see straight behind her. She’ll probably have to scream for years in order to fully remove the disease, and her voice will most likely die before the disease does. It’s so awesome to see someone willing to give up her own voice in order to save others. Still, the way Ginko came to this conclusion bugs me. We get no clues to his plans until he reveals them. And the things that made him realize the solution don’t make any sense at all. And how come, in fourteen years, nobody has even bothered to go to the see and check what happens?!

Overall, another great Mushishi-episode. Not the best, but definitely enjoyable.

Posted on 6 July 2006 with categories: Mushishi



I’ve got one fundamental problem with the Mushishi OVA. The budget has been increased, in order to be able to display some nifty action-scenes in which Ginko also plays a big role.

NOT. A. GOOD. IDEA. Mushishi’s strength lies in its atmosphere and the heavy drama it introduces. Action doesn’t belong in it, as it also introduces one nasty little bugger: the Deus ex Machina. Why the heck did the storm clear up just in time to save Ginko?! The series at least understood how to put Ginko in at least a bit of a struggle, like letting him drown in quicksand in order to come out of it on his own strength a couple of hours later. Or letting him fall asleep for an entire winter. Ginko’s brilliance lies in the fact that he’s the medium between the Mushi and the real main characters of each story.

That aside, the theme of this episode was once again magnificent. We have this island. Right next to this island, there’s a strange rock formation. Inside that rock lives a Mushi who feeds on the time, lived by creatures. So, let’s say that a dying person gets dumped near that Mushi, the Mushi catches it, and turns it back into the embryo. This way, that person can live his or her life once again.

The people on the island know this. It’s very common to see a person being reborn and people often let family members who are about to die be dumped near the Mushi. Same story with the main character, Mio. She’s given birth of her own mother. She’s probably one of the few people who has troubles with the system on the island. She already said goodbye to her mother, and now she refuses to raise someone who’s already dead. She therefore decided not to see this girl as her mother, but as her daughter.

Still, she’s struggling with this. As she grew up, her daughter began to look more and more as her mother, which really make her think about who she had been raising all this time. Her daughter (she’s too cute, by the way), however, talks about this like it’s nothing at all. When she explains about other cases which happened on the island, you really start to think about what it means to live. After all, you won’t have to be afraid of dying, as you return any time.

But then again, the only thing that remains the same is the embryo. People do get raised differently. People have different memories. The fact that the child looked so much like the mother was just Mio overreacting. She begin to look at every tiny little detail, and then she noticed similarities. So, what if you do get sick, and what if you do decide to go to the Mushi before you die. Can you with 100% certainty say that you will be the one who’s reborn? This is a thing that most of the islanders seem to forget. We even have a guy, who lost his wife in the sea. He then waited for ten years in order to remarry her, and now they’ve been living together for quite a long time. It’s just like Disgaea, in a certain way.

I liked the relationship that the Mio had with her daughter. The daughter was very bright and cheerful. At times, she would be able to talk with her mother on equal level. She was raised very well, as she did seem to understand that she wasn’t the same as her grandmother. The reaction of Mio’s mother when she was about to die also was quite interesting. It seems that she had decided to be reborn again. That she didn’t want to disappear. I wonder, if Mio’s daughter is put in the same situation when she gets old. Would she also react the same way? It totally depends on the things she experienced in her life.

Overall, the theme in this episode was exceptionally well done. Mushishi surely delivers in that aspect. Mio was awesome, her daughter was even more awesome. The only speck on the window was the climax.

Memorable moment: When the daughter jumped recklessly after Mio. It only showed more of her awesomeness. :)

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Kaiser Eoghan
Seoul station and Busan's director has also worked on the fake, the king of pigs and the window.
reaLjustified
@K-Off Good idea to make a biography page, it looks neat.
SuperMario
@K-Off: Yeah, as much as I enjoy Train to Busan, the plot is very thinly written with just about enough characterization and subtext to make it work. Well, if that's the case I can see myself enjoy Seoul Station even more.
K-Off
In the live action the sole emotional connection (for me at least) was in the main character's redemption, but it was just enough to keep me hooked. In Seoul Station, they built multiple points of interest in people and locations around the main characters. Which is why it was so much more effective in terms of getting us connected very early on. Reminded me of I Am a Hero in that sense.
K-Off
@Mario I'm not too picky with animation, and Seoul Station's choppy frame rate didn't distract me too much from the story. It was solid, there was a believable build up and an intense climax. It felt like a tighter script than TtB which is why I feel like it played its emotional links better.
K-Off
Well, that's that. @Bam @Afgm, create your own bios and avatars, and I'll add them into our "About" page.
K-Off
@Masky Ignore that, it must be your browser cookies that are still keeping that function.
Masky
Huh, register? I just write my name over and over again, I haven't actually registered
Kaiser Eoghan
It was that breaking the habit video I imagine that got you guys listening to linkin park back then.
Anonymous71936
;( Now I can't use my previous handle...
Anonymous71936
Ha... New shout box.
There's a lot more people now too.
SuperMario
@Kaiser: really? I never care one inch about the podcast. It just doesn't appeal to me at all. I guess I pretty much enjoy reading more.
SuperMario
@Aidan: everyone thought Linkin Park was cool back then, but now their songs just fallen apart. I still have a soft spot for Arvil Lavigne, even when her songs getting teenisier as she's getting older. Still can't believe she sing that boyfriend song when she was on the verge of divorcing her first husband
Kaiser Eoghan
I'd be in full support of podcasts being done on this site again.
Kaiser Eoghan
Actually I remember blackanimecritic actually posted on here a few times.
Kaiser Eoghan
There was a guy called animeoverviewer years back who I followed. I can remember watching a few of blackanimecritics videos but not many.
Kaiser Eoghan
I guess I found some amusement from him, he did that re-zero 1-6 review too.
Kaiser Eoghan
@Aidan: I watched his "will I grow out of anime video" and his "anime dubs video" and a video he made about how anime fans/anime is perceived/is anime mainstream video. Also his video on the harem genre.
AidanAK47
@Mario, Pretty sure I bought a cd of Avril Lavigne and linkin park way back when...and it's for these reasons I wish I could time travel and give myself a good kick up the ass.
AidanAK47
Kaiser, you watch Gigguk?! That's pretty surprising...
SuperMario
My problem is that I rarely have free time myself, but when I do I'm just sort of surfing around all the useless stuffs (like that Digibro's video). Talking about embarrasing taste, I just checked out the CDs I bought back in 2006 and there were stuffs that I had no idea why I bought them in the 1st place: Hilary Duff, High School Musical 2...
Kaiser Eoghan
I've been warned enough about digibro on here to not even bother watching his videos.
The only anime orientated youtuber I kind of watch is Gigguk.
Kaiser Eoghan
Or back in the days where I would marathon a whole series in one sitting.
Kaiser Eoghan
I mean I remember one weekend a few years back I watched five films in one sitting and went "Holy shit look at the time" afterwards.
Kaiser Eoghan
I'd be too tired too often. I'd frequently get into something so much that I'd lose track of how long I spent on it.
Kaiser Eoghan
Like when I look back on my film tastes from the early 2000s up until 2013, embarrassed by them. I think when I got round to rating anime/films it particularly showed how my tastes had changed.
AidanAK47
Heh, Digimon. Autocorrect can be a pain.
I am not gonna deny that I think there is such a thing as shit taste and even admit my taste in anime was terrible when I started out. However those bitching about others tastes need to be aware of the weaknesses in their own. Again, this guy bitching about shit taste hails K-ON as a anime masterpiece. Nuff said.
AidanAK47
I tend to lose track of time more than get tired. Hell I forgot to write up the Mob psycho reveiw today. God, I never seem to have enough time. Outside of work I don't even know what i did with my time.
SuperMario
About Digimon, I just watched 2 of his videos and they rubbed me the wrong way too. While I agree that everyone needs to have a bias, because bias/preference is what makes you different than others, "taste" so to speak. But bitching about others' tastes is just plain terrible. I have a feeling he never really think through outside of his opinions. Hence you're correct Aidan
SuperMario
Haha, fell asleep as I was writting Thunderbolt Fantasy review yesterday. Makes me wonder of it's just me or any writer having the same problems sometimes?
@K-off: great, tell me what you think afterward. I watched Train to Busan last week and I enjoyed it. It's a great piece of entertainment. The thing I like the most is the pacing. Everything just so quiet until all hell breaks loose
AidanAK47
@Fongstar, we had it faster before but it caused too much stress on the server. Either way the old one didn't refresh at all.
Fongstar
@K-Off well that's not really reliable since it's faster to just refresh the page.
K-Off
@Mario Going to watch Seoul Station tonight.
@Fongstar It updates every 2 minutes.
K-Off
Well this ought to be entertaining. The intern brought some home made chicken sandwiches but it turns out some of the chicken were undercooked. Hope I don't get fucking salmonella.
Fongstar
@Aidan ratsgnoF here ;D New chat box looks nice. Does it update without refreshing page?
AidanAK47
As we said. Still working on it. We will be giving you guys the ability to register with the site as well.
Anonymous71331
the main reason is that the new chatbox doesn't log guest users out correctly, so the only users who can keep their usernames are those who are actually registered with wordpress/the site (i.e. the admins, authors, etc)
Anonymous71331
that's not the only reason
Masky
(yeah I know its because the old shoutbox required you to make a name and give email :D)
Masky
Is it just me or have we had more anonymous users sending messages lately? xD
Masky
Good for you?
Anonymous70992
i lik da hentai
AidanAK47
Even if someone says they hate Re:Zero which I practically love by this point, I can honestly see why they would. I was planning to put that in my final review of the show as while I think it's merits outweigh the flaws, it still does have problems.
AidanAK47
@Masky, yep. I know I have a bias for Fate so in that regard you won't see me attempt to justify its flaws with flimsy logic. I know what's wrong with it. In the same way I know that slice of life, comedy and should just don't appeal to me so I refrain from being to harsh. I know the flaws in the things I like, unlike Digi who still seems to be putting forward K-ON as some anime masterpiece.
Masky
Honestly, I do my best to not actually remember those channels. I don't want to give them more viewers. And yeah, even channels dedicated to hating hate channels are part of the problem.
Anonymous70806
You mean like Keemstar? Or you can even do the whole "pot calling the kettle black" and include channels dedicated to hating channels like him.
Masky
Also I hate google/youtube for keeping reccomending me anti sjw rant videos, I don't fricking care~ I don't watch political videos on youtube goddangit
Masky
Anyhoo, hipster be hipsters, some people will say too much about what tastes other people should have and whatever, but only producers I actively dislike on youtube are the ones who base their channels around insulting other channels
Masky
@Aidan: Just to check, you are completely aware of your biases then? :D
Anonymous70760
Every mother in anime tries to be a milf
Kaiser Eoghan
I know fully well if the H-scenes were voiced in different languages to Japanese I'd probably get more out of them.
Kaiser Eoghan
Such contradiction, find myself unable to stand anime milfs, yet most actresses I'd admit to saying are good looking have been older than me, even in the old films I watched them in when they were younger than they are now.
Kaiser Eoghan
....I think in some cases for H-scenes they get voice doubles.
Kaiser Eoghan
Isn't Roriconfan/thatanimesnob another example of contrarianism? Or maybe its just bias , I think he might be bias toward old scifi anime.
AidanAK47
I bet you that once Re:Zero is over that he will post a video claiming its not as good as everyone made it out to be because he wrote it off fast in its first episodes. He will nitpick the hell out of it to save his pride. I bet you he will.
AidanAK47
It does feel at times that he goes against mainstream opinion for the sake of going against mainstream opinion. I do think there's some value in his videos talking about the industry(except his irrational hate of A1 pictures) but his personal opinion pieces tend to rub me the wrong way.
AidanAK47
A testament to this is those "I can judge an series by the first episode" which are essentailly self mastibutary tripe about his apparent abilty to gauge an entire series worth on its first episode. Of course this opinion is invalidated when the man literally states he has a tendency to drop anything on the first episode and his drop list has plenty of examples of get better later.
AidanAK47
@Supermario, we mentioned Digital before and as I said then I don't like him. He's too unaware of his bais and some have accused him of being a hipster. He tends to backpedal on his videos by stating he doesnt intend to convince anyone but it's clear he believes his own bullshit even when he's just wrong.
AidanAK47
@K-Off, in VNs All Ages doesn't really mean what you think. It's pretty much a version of a Visual novel with sex scenes removed and not much else. So an All Ages VN doesn't literally mean its suitable for all ages.
SuperMario
Just stumbled through "The Most Boring Anime Taste" video essay by Digibro and I found it bullsh*t. He attacked other's taste just because it was too "safe"? Who is he to judge? Why does he get so work up on that nonsense 3x3 mosaic? Why do I even bother to listen to it (and I did). Words fail me.
K-Off
Christ, the site now loads in 77 milliseconds in Europe. You poor Australians with your 7 seconds. Although, I want to do something about that.
@Aidan All ages? Bit weird considering I don't expect many kids to play that game anyways, so I understand fans' gripes. But in the end, people always get up in arms over the dumbest shit like censored nudity.
SuperMario
People actually said that men tend to treat their partner (when they're living together) exactly the way they treat their moms, so here you go.
afgm
I wonder if your attitude towards moms is correlated with your relationships with and attitudes towards women in general.
Anonymous68919
mothers are mothers, if they are bitches, leave them, but don't hate them. never
Anonymous68919
look nice. i prefer the one at the top. just looks more vast to me... and i's a change of pace to the current
AidanAK47
@Anon68842, depends on the type. If it's the abusive drunk ignorant type then yeah, fuck em. But if we are talking the ordinary variety I say give them a break. They do more for you that you might think.
Anonymous68842
fuck them
Anonymous68842
we agrees that moms are bitches
AidanAK47
And in Visual novel news, Dies Irae is getting a localisation. That's another one off the VN bucket list. I heard it was notoriously hard to translate. Though people are making a stink over it being all ages but I couldn't care less. All ages just means no shoehorned sex scenes and that's fine in my book.
AidanAK47
@Topgavin, I never quite got that from Honoka but I prefer a character to be imperfect rather than perfect. Saints are boring and having a character always do right is predictable. While I somewhat understand the appeal, one thing that never sat right with me regarding "cute girls,cute things" shows is how utterly manufactured the characters are.
Topgavin
Started watching Love Live and it's made me wonder; is it better to have an mc that does things annoyingly wrong or satisfyingly wrong? Like, Yui from k-on does a lot wrong but it never leads to anything wrong or bad, but Honoka's rather selfish and ends up screwing things up for people. I know doing this is good for char. development but I honestly enjoy these shows more as moeblob peacefulness.
Anonymous66886
Hey
afgm
i did summer session so I have a midterm every two weeks
K-Off
@afgm Midterms? Most university/college systems would be starting school right around this time.
afgm
Midterms have been slowing me down considerably haha
afgm
@K-off: yeah I did! thanks for that. I've been looking through the code stuff, just getting to know it.
reaLjustified
I think the rabbit character does the job
reaLjustified
I think the banner might look even better without the girl. Or make her tiny and off in the distance. I don't know, I'm not an artist by any stretch so that's just me.
K-Off
Finally bought my first new car, a 2015 Altima, my used Sentra served me well for 3 years but damn was it a pain in the ass, and of course its trade in value was fuck-all. But luckily my credit is good enough for me to land a relatively low annual interest rate. Which is excellent because I need to shave off my remaining student loans to maximize my dti since I want to purchase a home
Kaiser Eoghan
You might say the new banner will be...Friendtastic!
Kaiser Eoghan
I'm fairly content with either the top one or the bottom one either way. Though the current banner does have the character standing on the left.
K-Off
@Friend Looks great, and I prefer the bottom one. Maybe it's just me but the tree hugging the leftmost edge makes it look a little inclusive.
@Afgm Forgot to tell you but I did change your status a few days ago, hope you noticed it.
afgm
It's beautiful, Friend
Fri3nd
@Anonymous Thank you, it's my values, a quick lasso selection and a levels adjustment should give that a quick fix :P
Anonymous60656
Looks really nice. some lighting variation to create a sense of depth and atmosphere would be nice @Friend. It looks quite flat for some reason even though you have four layers to play with
Ikhta
@Kaiser Eoghan Yeah I think the same too. Hopefully. Thanks Kaiser
Friend
Here is what it will more or less look like by the end (https://i.imgur.com/hnB8lpd.png) I'm going to render the rest and add more atmosphere with some wisps of light. Let me know which one you prefer! If I'm not happy with it by the end I might even just scrap it, I don't want to force a design for the site :D
afgm
heard*
afgm
Unfortunately, I have heared that Amanchu is actually propaganda from an alien species set on annihilating civilization through cultural and religious dominance
Kaiser Eoghan
@Ikhta: You can relax on that front and breathe easy, Amanchu is basically simple, cute slice of life quasi-sports comedy that kind of gets more moe-ish later on.
Ikhta
Oops sorry. After I send a msg, I can see my previous msgs. Sorry about that. Weird, why is the chat box like this o_o
Ikhta
I just reloaded the page my msgs are gone. Wth is wrong with this website? Why was msg deleted?
Ikhta
Does anyone know?
Ikhta
Hi can anyone tell me is Amanchu illuminati or not? I'm a christian. I don't want to be watching it if its demonic,anti christ or illuminati.
Kaiser Eoghan
@Aidan: I'm syked for baldr sky and that other apparently fucked up one thats getting translated soon we talked about with ninja.
Kaiser Eoghan
...damn you shoutbox...auto-hyphening me as you do...
Kaiser Eoghan
Ah, how things change, at 19? I think I was at the time I remember un-ironically thinking school days ending/second half was clever/different/subversive. Now I find it idiotic, silly and manipulative regarding the protag being a cheap attempt to get the audiences hate.
Kaiser Eoghan
Some don't seem to like the second season of EF as much as the first, just putting that out there. I remember its visual style being a selling point and shaft at their A-game stylistically. Wish I'd watched it dubbed though, the eyepatch girls voice was irritating as all hell in Japanese.
AidanAK47
EF is alright. I can promise it's not another school days.
Anonymous59512
Bleh 91days running behind schedule and had to run a recap episode. Doesn't bode well.
Anonymous59460
Do you recommend that I watch EF? I don't want another School Days.
AidanAK47
Yep. They are making it out that shes a relative of Luvia.
Masky
I mean, I didn't even realize she was supposed to be a Finn before you said that, I didn't caught on that when anime called Miyu "transfer student from Finland", its because Luvia sort of adopted her into Edelfelt family or something?(iirc)
Masky
Anyway, so regardless of subjective experiences, does anyone have a clue why Luvia Edelfelt is a Finn anyway? .-. I'd have thought she is anime British... Is there actual reason besides "let's pick random European country"?
Masky
Yeah I wouldn't mind message deletion on those ones
AidanAK47
If you want I can delete those messages. Anyway this chatbox refreshes every two minutes so you might need to refresh the page to see new posts.
Masky
I mean, like, you pointed out that I was talking about superficial stuff right before I point out that I was referring to superficial stuff :'D So yeah, blergh, wasted time writing that
Masky
Also ah dang it, you posted something right before I posted it so you just ninja'd me .-.
Masky
Meant to write "(so countries that aren't England, German, France-)" xD
Masky
Oops typo there
Masky
Well yeah, I haven't checked how many times each of different European countries are mentioned in variety of Japanese media, all I said was that out of lesser known countries(England, German, France, Spain, etc) I have seen Finland referred most and that weirds me out xD
AidanAK47
Anyway I get what you mean but I feel you just focus too much on drawing connections on a superficial level. If you simplify something down you can draw connections between anything but it's the details that make all the difference.
AidanAK47
@Masky, But whats the point of making a statement if that statement isn't true or at least holds ground? Generalized statmements are annoying because they are often said in ignorance because the one making the statement hasn't bothered to verify it and is basing it entirely on an unreliable and selective memory.
Anonymous58340
Things that are generally true tend to be true generally
Masky
This is why generalized statements are annoying, because someone always take them too seriously and nitpicks "but it doesn't happen that often" or "when you say always it isn't always" xD
Masky
I dunno why I bother sometimes, since its not like you want to understand what I mean anyway : D
Masky
@Aidan: Bah, meanie~
afgm
the technology isn't super refined yet, but it definitely has the potential to make drawn animation obselete
afgm
The setting is especially enriched by the CGI
afgm
Berserk is amaaaziiing! Oh my god! The animation is so detailed, movement wise! You can't get that with drawings.
afgm
@SuperMario: lol yeah
AidanAK47
@Mario, That sucks. Though I often find realistionships too troublesome to bother with.
AidanAK47
@Masky, no you often don't. You tend to make random generalized statements. Hence why I assumed this was also a generalisation based on small cases. And it still is.
SuperMario
But Flowers of Evil is a great series, I agree
SuperMario
@afgm: you talking 'bout the anime, right? Because the events after the anime are when sh!ts just got real.
afgm
It's one of my favorite series
afgm
@SuperMario: Flowers of Evil is anti-romance, but it is a celebration of love apart from it. Nothing makes me more hopeful than to watch a protagonist recover from a prolonged and debilitating manic episode.
Masky
So I guess technically she does have Finnish name even though it doesn't really sound like it to my ears...
Masky
Just to note Luvia is tiny municipiality here, never heard of it before though. Edelfelt sounds like it has Swedish origin, but it is name that is name of apparently somewhat famous Finnish painter. I haven't heard of that guy, but I don't really know many Finnish painters because I'm not into art history.
Masky
Joking aside, like I said, Finland is mostly mentioned in otaku pandering material for some bizarre reason. For example, I once saw review of game that is about stripping vampires(not hentai game, can't remember name though) and I noticed it had one random Finnish character who actually did have Finnish name.
Masky
@Aidan: Hah, take that for being arrogant "its on your head" : D I know what I'm talking about most of the time
SuperMario
But isn't it fitting that the anime/manga I'm currently following is Flowers of Evil, a pretty much anti-romance manga. Well, might as well write a reflection on the manga if I feel up to it :)
SuperMario
@Kaiser: I wish I were joking, but it's okay. I don't want to bring the atmostphere of the shoutbox down by my personal affairs.
@afgm: thanks man. Well I'm just keep moving on, no use thinking back too much on that.
Kaiser Eoghan
Oh. whoa whoa, I thought Mario was taking the piss/joking with that post...thought wrong.
afgm
@SuperMario: That sucks man. How are you holding up? I know long distance relationships can be hard to maintain -- it gets pretty lonely.
Kaiser Eoghan
Really glad to see that Vinland saga has gotten properly good again, it was starting to get back on track slowly but surely, now it, with this new chapters revelation fully has,
Kaiser Eoghan
Ireland was mentioned in Nabari no ou and an episode of original gundam, two of gundam 00s characters are Irish.
Kaiser Eoghan
I don't like generalized statements, much prefer Colonelized ones actually.
Kaiser Eoghan
There was a dating sim adaptation by studio deen in 2003 that did a girl of the week format, one of the girls was finnish.
SuperMario
Just broke up with my girl after 3 years. Figure that it never works out for a long-term relationship... (That's a generalized statement right there)
AidanAK47
So that's one. Can't say I remember seeing Finland elsewhere besides that show where all the countries are turned into anime characters.
AidanAK47
Luvia Edelfelt is from Finland?! Well damn you learn something new every day.
AidanAK47
And now I find a screenshot of them saying Miyu is from Finland. Which is weird because nothing of the sort was mentioned in the manga.
AidanAK47
Most I seen was anime characters saying Norway which was generally used as a means of saying NO WAY.
AidanAK47
@Anon48363, its sad that when I see a comment like this my first reaction is suspecting its a Bot. Thanks though.
@Masky, nope. No they didn't. I think this may be in your head.
Anonymous48363
Been enjoying the site for 7-8 years, if not longer. Thank you for your efforts in keeping the editorial line intact wrt reviews and happy to discover new content in the process. Keep up the good work!
Masky
Anyway, speaks of your "high taste" I guess. Finland gets brought up in some of otaku fanservice material for some bizarre reason. I'm weirded out by that since Finland is most obscure backwater place I've seen mentioned most out of other obscure countries xD
Masky
Of course it is possible I'm remembering wrong too(and did read wrong) and they did mention it only once :P
Masky
How funny you say that and then mention that weird magical girl spinoff right after wards xD The part where they introduce Miyu to rest of class has teacher saying she is transfer student from Finland, unless I read subtitles wrong
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