Posted on 7 March 2011 with categories: OVA Impressions, Seikai no Monshou



The Seikai franchise has two OVAs, one that takes place after the three TV-series, and one prequel. While the former felt like the creators were stuffing an entire novel into just fifty minutes, the latter is an interesting little side-story. Like the title suggests, this isn’t about Lafiel, but instead about her parents.

This OVA works as a background OVA, telling a bit more about who Lafiel’s parents were (about which we were mostly left in the dark throughout the TV-series), but as a standalone short story it also works pretty well. It’s got a good atmosphere, and although it’s simple it’s well told and paced.

And of course, as expected from this series the dialogue is excellent. The characters are once again very eloquent and a lot of this OVA just consists out of Lafiel’s parents talking to each other. The script continues to be interesting and blend in well with the story that’s going on.

If you’re planning to watch this OVA, I’d recommend to at least watch it after watching the first half of the first season, otherwise it will lose some of its meaning. It’s a nice watch for any fan of the franchise, though.
OVA Episode Rating: 8,25/10

Posted on 15 April 2010 with categories: Anime Reviews, Seikai no Monshou



Seikai no Senki III again is completely different from its predecessors. It’s much lighter, the conflict is much simpler, and there’s a lot more emphasis on random conversations than ever. It;’s about Jinto, as he returns to his home planet after having been gone for years. At an hour’s length, I at first believed that this was going to be another one of those unimportant side-stories that you often see in DVD-specials nowadays, but Jinto really develops throughout this OVA.

But yeah, one hour is still way too short, and it also doesn’t help that the creators try to do way too many things at the same time. It could have worked if the creators only focused on Jinto’s development, but for some reason they wanted just about every character to some kind of cameo here. There’s just too much time wasted on pointless banter between these side-character, including a rather strangely out of place mock-battle of which I still nave no idea what point it tried to make.

The strangest thing about this OVA though, is one particular side-character: Ekuryua. Do not ask me why, but this girl completely changes character, beyond anything that was established about her in the previous series. It’s especially grating because the creators keep using this as some kind of quirky gimmick, but those attempts at comedy never really work.

So overall this OVA definitely had the right intentions, and Jinto’s development is as good as ever, but unfortunately it overall was poorly balanced and needed a lot more episodes to really shine like its predecessors.

Storytelling: 7/10 – Not focused enough for such a short OVA.
Characters: 8/10 – Jinto’s development rocks, but there are too many pointless side-character cameos.
Production-Values: 8/10 – A graphical upgrade… including a bunch of recycled scenes…
Setting: 8/10 – Excellent, but could have been even better with more episodes.

Suggestions:
Space Fantasia: 2001 Nights
Tytania

Posted on 12 April 2010 with categories: Anime Reviews, Seikai no Monshou



While both Seikai no Monshou and Senki were excellent series, to me it seemed like they still were missing something, and I don’t just mean Monshou’s disappointing finale. I still can’t exactly put my finger to it, but whatever it was: Seikai no Senki II has it. The third Seikai series more than surpasses its predecessors.

It doesn’t just take the best of the two prequels: the dialogue of Monshou and the combat of Senki. It also introduces a complete new layer: diplomacy. A huge part of this season is about the two lead characters, in charge of a planet full of prisoners that’s about to descend into a civil war. The planet’s political system consists out of four parties with all their own issues yet who have to live together somehow. I personally loved watching Jinto trying to save himself in this situation: his words suddenly carry the lives of tens of thousands.

The dialogue of Seikai no Monshou and Senki was already really good, but Senki II’s dialogue turns out even better. The creators put so much meaning in just about every sentence. Every sentence is spot-on, whether it’s about the characters in the series, or the politics. The scenario itself is also full of twists and turns that yet make full sense when put into the story itself.

The series thrusts us really in a world that neither the characters nor the audience knows anything about. It cleverly makes use of the fact that it’s already got 26 episodes of established characters, while at the same time it also delivers powerful new characters who are gripping and full of flaws from the beginning. While the first Seikai no Senki was generally very focused (it was very much a series about war), Senki II instead was about a whole array of stuff: it’s a very varied series in which one episode may be about politics on a small insignificant planet, the next about space battles, on to switch back to some banter between a bunch of army commanders. It covers the full spectrum. Seriously Sunrise: why don’t you make stuff like this anymore?

Storytelling: 10/10 – Perfectly paced, varied, hard-hitting; science-fiction at its finest.
Characters: 9/10 – Terrific dialogue, both the old and new characters rock.
Production-Values: 8/10 – Excellent music. The graphics do what they need to do and nothing more.
Setting: 9/10 – Excellent portrayal of an ongoing war on many different levels.

Suggestions:
Toward the Terra
Hi no Tori – Uchuu-Hen
Gasaraki

Posted on 10 March 2010 with categories: Anime Reviews, Seikai no Monshou



I like how, even though it’s a direct sequel, Seikai no Senki is completely different from Seikai no Monshou. It shows that the creators aren’t one trick ponies, and it makes the premise much more dynamic to see it explored in all those different ways. Seikai no Monshou was pretty much a space adventure series. Seikai no Senki however, is war. And let me tell you, I can count the series that managed to portray science fiction battles in a more realistic way than what we saw here on one hand.

During the battles, the lead characters Lafiel and Jinto may not be the centre of the focus. They may not hold the key of victory, and they may not possess a god-mode weapon that can take out several enemy ships in a row. Their ship may not magically dodge bullets, and they also may not fight according to their own battle plans, and instead have to follow orders. But that’s the great thing about it! The battles here are believable and purposefully kept from going over the top. 2000 years (or however long humanity may take before developing stable spaceflight) into the future, I can totally see large-scale space battles happen in a similar fashion.

As compared to Seikai no Monshou, which walked all over the place, Seikai no Senki is a very focused story, and much more consistent. It tells two stories at the same time. One part is focused at a single ship, and the people who command it. The other focus is at the top officials and admirals, who attempt to steer the battle in the right directions. Due to the large amount of time that it spends fleshing out these people through their dialogue, it becomes fascinating to see these people strategize.

As for the dialogue… well, Seikai no Monshou did just about everything there was to do in terms of hard-hitting and confronting dialogue, so there was no way for Seikai no Senki to beat it. Instead, the dialogue is much more subtle. It’s still very noticably there and Jinto and Lafiel still don’t hesitate at all to speak their minds in a very un-Japanese-like fashion, but it lacks the edge it once had. This one is also much more about creating an atmosphere of what it’s like to command a small battleship at the front lines. The dialogue instead excels in the small things, like characters taking subtle jabs at each other, or subtle hints that are actually meant to flesh out characters beyond what they tell straight-forwardly. Oh, and I loved that cat, who just keeps coming back. There’s hardly anything comedic about it, but it brings a surprisingly human side to the main cast.

I can’t say which one of Seikai no Senki and Seikai no Monshou is the better one. They’re too different to really say for sure: Seikai no Monshou had a bit of a disappointing finale, but an excellent beginning. Seikai no Senki instead doesn’t really have an episode that I’d crown as awesomeness, but instead was excellent from beginning to end. Still, Seikai no Senki did have the advantage that it could use the build-up that was provided by Sekai no Monshou, without which I probably wouldn’t have enjoyed it as much as I did.

Storytelling: 9/10 – Very realistic space battles. No God-mode beams whatsoever and it’s still an action-packed series.
Characters: 9/10 – Less focus on character-development, but the dialogue is incredibly rich in fleshing out its cast.
Production-Values: 8/10 – Still solid, but nothing really special for its time.
Setting: 8/10 – Not as interesting as in Monshou, but still very solid.
Posted on 1 March 2010 with categories: Seikai no Monshou



Well, so this is why, at the start of this contest, I only limited the series that you could force me to blog to 14 episodes: so that I wouldn’t be stuck with 60 unblogged episodes of Monster, in the case that it turned out to be a bad idea. I really apologize: with my current schedule, I just can’t watch and blog older series at a consistent pace, like I do with the currently airing series. Because of that, I just ended up marathoning the rest of this series, and here are my impressions on the entire series.

Seikai no Monshou is yet another one of the series that reinforces my beliefs that the Sunrise of around ten years ago rocked beyond belief: they consistently brought out interesting, daring, exciting and innovative science-fiction mecha series with great premises. Seikai no Monshou at first sight is another science fiction series, but it sets itself apart by its imaginative and especially very detailed execution.

The central focus is the chemistry between the two lead characters. Coming from two completely different backgrounds, this series shows both of their backgrounds, and tells in great detail about the history of the universe they’re set in, especially on the race called the Abh. The gem of this series lies in its dialogue: the dialogue between the two lead characters is direct, straight to the point it forces you to confront difficult issues, rather than jumping around them. The difference in their upbringing is shown subtly but powerfully throughout this dialogue.

The battles in this series are also often very down to earth, and focused more at skill rather than just going over the top with explosions. Unfortunately, there are times at which this series does forget that and turns into an action flick. The final episode, instead of closing off with a powerful climax instead just opts for the kind of battle in which the enemy soldiers (both well-trained police and military officers) conveniently miss every shot they fire, yet get killed off instantly when the lead characters shoot at them.

Nevertheless, that doesn’t ruin the rest of the series that leads up to it, which is an exceptionally written science fiction story that puts a lot of emphasis on the characterization and dialogue between the two lead characters.

Storytelling: 8/10 – Realistic, down to earth and yet powerful, though the final arc isn’t the best.
Characters: 9/10 –
Production-Values: 8/10 – Solid, but surprisingly dated at this point.
Setting: 9/10 – Well detailed, realistic and imaginative back-stories, both for the characters and the world that this series is set in.
Posted on 20 February 2010 with categories: Seikai no Monshou



Blogging this series has shown me that I’m very selectively punctual. While I promised that I’d blog this series weekly, this entry has had more than a week delay, apologies for that. Blogging this series has been an interesting experiment, but in the end I don’t think that I can blog a series that has already been fully released consistently and at this point, I think I’ll just end up marathoning the two Banner of the Stars, instead of blogging them weekly. I know it’s something that’s completely in my head, but still.

In any case, a great episode. It was very intriguing. This episode showed a completely different side of the Abh: the elitist and racist one. This episode rocked in the way that it slowly revealed the exact stance of the Baron that Jinto and Lafiel ended up at. This episode showed how great this series is at building up: that final shot of Lafiel smiling was a very powerful one.

And the emotions: anime is often a medium of overacting, but this show is different. The subtle emotions of the characters show exactly how they feel, and yet no attempt is made to make them over the top, apart from perhaps those nameless maids.
Rating: ** (Excellent)

Posted on 8 February 2010 with categories: Seikai no Monshou



One feature of anime that I’m glad has mostly disappeared over the past ten years is the obligatory summary of the previous episode. This episode was one of those examples in which this got taken too far as it spent its first five minutes recapping what happened in the previous episode.

The rest of the episode however more than made up for it. In this episode we get our first taste of the space battles in this series, and the creators have really shown that they know how to write one. It takes the approach of the unidentified enemy: we know that there are a bunch of enemies out there, we just have no idea who they are. If you can make these enemies still behave like real people, even though you never show them, you can get some amazing effects. Later, series as Starship Operators and Bokura no would improve even more on this formula. And in a way, I feel that the former took its inspiration from this series: taking the very technical style of space-battles, and making them even more realistic and believable, rather than just have a bunch of spaceships fire at each other.

The destruction of the Gosroth also is extra bad for Lafiel, since her mother just died. It turns out that one of the reason why the captain was so harsh on Lafiel was because she was partially trying to raise the girl she “provided her genes for”. She tells Jinto this in their escape. Even though they’re travelling together again, just like a few episodes ago, the mood between the two is completely different and gloomy, and yet you can see that they’ve gotten already more used to each other.
Rating: ** (Excellent)

Posted on 30 January 2010 with categories: Seikai no Monshou



I love how this series plays around with morals. In the first episode, it really seemed like the Abh were your stereotypical evil empire full of evil emotionless Nazis that like to conquer people. And yet now that we’ve gotten to see a bit of their side of the story, then we suddenly see that these people are surprisingly human, and despite having power-hungry leaders, it’s not like all of them are heartless monsters. Cultural values and differences also play huge differences on hate and distance between the Abh and other nations. That makes me wonder what the Abh themselves think about their habit of not getting involved with the nations they conquer. Could it be that it’s not like they keep out of the nations they conquer because they believe they’ll be hated and nobody would want to cooperate?

This episode was mostly about these complex kinds of politics, rather than two previous episodes, which were more focused at just Jinto and Lafiel. And it did well in making it sink in that wars can take multiple centuries before being resolved. I hope that one of the future episodes will show the story from the perspective of the opposing alliance of those four countries. That will really allow us as viewers to form a complete picture. That sudden attack of them to the ship came seemingly out of nowhere, so I’m very interested in their exact reason and mindset for initiating that attack.

Overall, we probably won’t see her again after this point, but I liked that captain of the ship a lot. Before she appeared, I had this totally distorted image of the Abh, but she showed that the Abh are a varied race. That’s something that I often miss in stories that make up their own races: sure, the humans are varied, with all sorts of different bastards and nice guys walking around. And yet the elves are tree-loving, intelligent and use bows, dwarfs are small, grumpy and live in caves and the angels are all stuck-up and pretentious. With small tribes, I can understand: the herd instinct will likely develop these people with slightly similar personalities. But entire races? Nah.
Rating: ** (Excellent)

Posted on 23 January 2010 with categories: Seikai no Monshou



Oh, I love this. I love it when a series can take nearly an entire episode and fill it with nothing but dialogue, especially the meaningful kind. I now understand why people were praising this series for its romance, and this episode really showed what a well written dialogue can do to your characters. I sometimes hear people say that one of the most important rule of storytelling is to “show, not tell”, but I disagree with that: the combination between what you show and what you tell should be important.

Despite being a relatively uneventful episode, the chemistry between Jinto and Lafiel already rocked after only three episodes. It’s also not line one of them is so much smarter or talkative to the other: they basically strengthen each other: whenever Lafiel asks a difficult question, you can see Jinto think hard about it, come with an answer and reply with a question that’s just as hard or confronting.

I think what I liked best was that part in which Jinto discovered that Lafiel used a fake name, and tried to apologize like hell about making her uncomfortable and actually calling her by her real title. He of all people should know how annoying it must be to have everyone regard him as nobility. At this point, I’d now love to see Lafiel together with some of the other crew members. We know how she thinks that they treat her, but I’d love to see their side of the story as well.
Rating: ** (Excellent)

Posted on 15 January 2010 with categories: Seikai no Monshou



So this episode is a more formal introduction of the characters, while the previous episode showed more what the history of the setting was. Again, it has a lot of ingredients that you see in other anime as well, which mostly centred around Lafiel: she’s a young, cute girl of an exotic race that everyone hates.

But the characterization is done so well!

At first this episode took its time to show how Jinto has grown up after the previous episode, and how he kept his nobility secret from the friends that he grew up with. It already added a lot of depth to the guy by showing him close off his childhood, and his anxieties for his future. He’s already someone with his own identity, and who doesn’t have to rely on cheap stereotypes in order to stand out.

And then Lafiel. I really like how direct her questions are. This episode did an excellent job in showing the cultural differences between the humans and the Abh: Jinto has never met one of the Abh, since they hardly ever bother to show themselves among the humans, and at the same time Lafiel has grown up, never meeting a human. This episode portrayed the Abh as a very direct race: it’s common with them to be to the point, to the point where they’ve developed a culture that’s completely void of human laziness.

And again: Lafiel is not just a caricature of this culture. While this episode showed the general traits of the Abh, Lafiel also had her own personality.

It’s also interesting that this series was produced, right at the time where CG became actually possible to include in anime. You can see that there are no 3D models, but the creators do make use of the smaller stuff, like lighting, shadows and some computer screens. It was before companies got too confident and started to overuse it. Turn A Gundam which was produced around the same time as this series showed this as well: it was mostly CG free, though the eye-catch in the middle of each episode experimented with it.
Rating: ** (Excellent)

CHANGE USERNAME
Lenlo
Havnt had the chance to watch it yet, but Reflection apparently looks like a comic book but has weird fight scenes? Ill get that write up tomorrow once I watch it tonight.
Kaiser-Eoghan
*hear
Jesus Christ what happened to my spelling
AidanAK47
That's one of the things that mainly turned me off. The battle system is essentially button mashing.
Kaiser-Eoghan
The regular complaint I here from Tales of naysayers is a dislike of the battle mechanics/system.
Kaiser-Eoghan
I avoided the anime adaptations of the tales games mostly because I assumed they presumed previous knowledge of the games. I actually only saw Phantasia due to having been familiar with the games story when I was younger.
HelghastKillzone
No Re:Creators this week. I get a week off which is good since I'm stuck on an army base.
AidanAK47
@K-Off, A lot of people say Vesperia is their favorite as well. I only have played Abyss so far and was really not impressed with it.
K-Off
@Kaiser Damn, Detective Conan has a long way to go then.
K-Off
Phantasia was my first Tales game (and its anime is the best amongst anything after) but Symphonia really did take it to another level. In general I think most fans will agree with Symphonia, Abyss, and Xillia in their favorites.
Kaiser-Eoghan
I believe Kochikame is the longest running manga of all time 1,960 chapters, 200 volumes, actually does have a record.
K-Off
@Aidan I remember you saying how it's funny that no two fans of Tales will have the same favorite title. But that's definitely because Tales has changed very little over the years, and they've always been solid games, and so for most fans they'll remember the first title they played.
K-Off
@Vonter With you there. The art direction in Tales hasn't been really that exciting since Xillia, and as a long time fan of the series I finally got sick of the gameplay after Vesperia.
K-Off
Jeez, detective Conan is reaching its 1000th chapter. Pretty sure it's a milestone for some Guinness record.
Kaiser-Eoghan
*Embarassing
**Here
Kaiser-Eoghan
I also agree about complaints made about the mumbled dialogue when it does occur.
Kaiser-Eoghan
I think thin red line is a good thing to bring up hear as throughout much of Dunkirk I was thinking about how much more Mallick's film did for me, how I should have been re-watching that instead.
Kaiser-Eoghan
Yet at the same time I couldn't connect with it, it became repetitive, disjointed and the shots/Zimmer score towards the end were embaeassing.
Kaiser-Eoghan
There were definitely aspects to praise, to be fair there is no shortage of action, it eschews exposition and tries to visually immerse the viewer to make them feel as if they are present.
Lenlo
Im ready. Reflection comes on tomorrow, so heres hopin its worth it
Anonymous1279803
it was trash. just british propaganda
Vonter
I finished Tales of Berseria. And I'm conflicted. I really liked the story and the characters, essentially a Tales of were the story is told form the perspective of the villains. I also saw the episodes Ufotable made of the beginning of the game, and I want moar. It's was a waste as game, considering the archaic and dull game design. It mainly came up to buying time in regards to things to play.
KTravlos
I also watched it. I thought it was a great war film. Very intense and unrelenting, but still at points the images reminded me of Thin Red Line. My only quip was the end. The film did a great job in getting me to feel the hopelessness the soldiers felt. So great that the attempt at making a "happy" end was forced and fell flat. Beyond that I liked it.
Anonymous1279184
I already lost interest when I saw Inception which I didn't really like. My favorite Nolan movie will always be Memento.
Kaiser-Eoghan
Eh, saw Dunkirk, I think at this point I'm done with giving Nolan any more chances, this like his other works, I can appreciate them to some extent but come away honestly not giving a damn.
SuperMario
and this week's Sakura Quest is damn great as well... This backstory of Chitose and Kadota rocks
SuperMario
Just watching the 2nd episode of Gamers, It was actually pretty good. I can't believe they fleshing out that annoying hot guy into such a relatable guy.
Kaiser-Eoghan
I recall the extent of my interest in Linkin park in my early teens was strictly the breaking the habit video and that was it.
SuperMario
The frontman of Linkin Park commited suicide by hanging himself... sad news. Never been his fan but I feel sad nonetheless
AidanAK47
Actually forgot with all the impressions and whatnot but I do believe we said we would review the Castlevania Netflix series. Now that everything has calmed down I will see if I can do a write up next week.
AidanAK47
I was busy trying to discern whether the story had any point besides "Life is shit"
Kaiser-Eoghan
Again, while I enjoyed punpun, the excessive internal narration, when marathoned, I had to take a break.
Kaiser-Eoghan
Come to think of it, I don't even have a phone that does that, haven't bought a new one since 2004.
Kaiser-Eoghan
Ah, you see I could never force myself to browse/type/use the internet on a phone, too used to using a desktop exclusively for that.
AidanAK47
Oh bloody hell. Stupid phone autocorrect. Yeah I meant Punpun.
Kaiser-Eoghan
@Aidan: Read Freesia.
Kaiser-Eoghan
umi no onnanoko is probably the exact thing ninjarealist would be interested in.
Kaiser-Eoghan
*oyasumi punpun
I found it alot more accessible than nijigahara holograph. deded-demon-destruction while enjoyable, is beneath him. Solanin is probably his easiest work.
Kaiser-Eoghan
I assume you man oyasui punpun. Its been about five years since I read in, the final couple of volumes stay in my mind the most, all the stuff with him, the girl and his uncle also, I love Asano Inios art and the surreal elements but I got lost/bored somewhere in the middle and most of the other side characters and the cult thing I didn't really care about.
AidanAK47
Finished reading Goodnight Pumping. Really not sure on what to think of it. The story kept me reading but it just felt really empty.
Anonymous1276500
There are 2 Nyaa's now. This one is considered the 'real' one: https://nyaa.si
Kaiser-Eoghan
Looks like anirena is down for me. Although it looks like nyaa went back up as this: https://nyaa.pantsu.cat/
SuperMario
Aidan: Fate/Apocrypha, Made in Abyss, Kakegurui
Mario: Princess Principal, 18if, Youkoso
Lenlo: Touken Ranbu, The Reflection
Wooper: Ballroom, Shoukoku no Altair
Helghast: Re:Creators
SuperMario
Note: I'm deciding to take Classroom of the Elite as my third show to cover. So, for this season we are covering 11 shows.
Vonter
Just to end, it kind of shows than even if a story is predictable on where it is going. Characters can make up for that, if they're funny, interesting, and perhaps not agreeing all the time and having different agendas and points of view despite all sharing the same boat.
Vonter
Yet as a game Tales hasn't felt deep since Symphonia, (at least from the ones I've played). I'm wondering if it'll leave me wanting check the anime of Zestiria, since apparently Berseria is a prequel to that game. And many say the anime is better than the game. (I can see why).
Vonter
I also like the reused Tales beats from Phantasia and Berseria. It those have moments like when Lloyd was exiled and Cless had his village attacked. It has clear antagonists unlike Vesperia, and trying harder than the cartoony villains of Graces.
Vonter
I've been playing Tales of Berseria, and it seems to be the anti Tales of Graces. In which I'm caring about the story and characters, but the gameplay is a drag. This is the first time I've been autoplaying an JRPG. But unlike Gravity Rush 2, I'm not dropping it because I'm liking the interactions of these characters even if it gets, campy, overdramatic, or edgy.
Kaiser-Eoghan
I mean I watch anime and films subtitled but sometimes my reading speed can be slow if theres a lot of dialogue.
Kaiser-Eoghan
Eh, I do that sometimes, mostly to check for message updates or on occasion to read reviews of what I am watching or to download more/check downloads.
SuperMario
For instance, I watched Okja yesterday and I had to take 15', 20' minute break in between for snack, surfing webs and playing mobile games...
SuperMario
I watched Fanny and Alexander... don't really remember which version I watched thou. I think it's a TV version since it divides into 4 separate parts
SuperMario
@Kaiser: it just that... my attention span has shortened greatly and I just can't stay focus on movies over an hour mark. In cinema, it's alright since you can't move anywhere but now it's abig task to finish a 2 hour and a half movie for me
Kaiser-Eoghan
And is good enough to keep up the quality for that long.
Kaiser-Eoghan
I'll say this, for every medium, to me the length of something isn't so much the issue, if you have a writer good enough to keep something going for ages then the length shouldn't be an issue.
Kaiser-Eoghan
@Mario: If something goes over three hours I treat it as a miniseries and watch one hour or two a day.
Kaiser-Eoghan
@Mario: lol if you thought thats long, have you seen the extended versions of scenes from a marriage and fanny & alexander by Bergman? I can't wait to get my hands on the tv versions I hear they're completely different.
SuperMario
Okja is pretty entertaining with pointed social commentary. I don't really feel Tilda Swinton's double roles add up much but everything else is great. Bong has never disappointed me
SuperMario
@Kaiser: good luck with Satantango then. I guess now if I watch an 8-hour long film it would take me a whole week to finish it :/
Kaiser-Eoghan
Made in abyss and vatican keep staring at me. Although I'm not chancing them yet or anything else until I hear a bit more.
Kaiser-Eoghan
My once massive film backlog is nearly cleared. I can try watching stuff this season hopefully.
K-Off
Same boat here. For the first time in a long time I spent almost half the day catching up on all of my manga.
Kaiser-Eoghan
@Mario: I'll have two weeks leave, I will finally watch Satantango, all eight hours of that film.
AidanAK47
I did a double take when I saw this. One of these things is not like the other.... http://gematsu.com/2017/07/blazblue-cross-tag-battle-announced
SuperMario
Well, finally have a bit of precious free time to watch something else and I have too much things to watch. Castlevania, the final Kizumonogatari movie, live-action Okja and some books planned to read... I guess I'll go with Okja today
Ninja
Looking forward to that Dies review
Lenlo
Yaaay! Time to enjoy your blogging time
AidanAK47
And now we are up to date. Just need to finally get that Dies Irae Review posted.
Kaiser-Eoghan
Then again I'll watch almost every horror film I can, don't even mind the awful acting most have.
Kaiser-Eoghan
Pet cemetary was a guilty pleasure of mine when I was a teenager.
Kaiser-Eoghan
I don't know how I'd feel if I rewatched salems lot, although a positive is that it did have James Mason in it and it was done in that 70s style of slow burn horror that I love.
Kaiser-Eoghan
The IT film has aged horribly and thats one case where I would advocate a remake.
Kaiser-Eoghan
Stand by me was a perftly watchable coming of age film and it surprised me, seeing a non-horror King story.
Kaiser-Eoghan
Okay theres one way to settle this =P Lovecraft > all of them ;) I have actually enjoyed some King adaptations even though I know the Shining took liberties , I also enjoyed Carrie and Apt Pupil.
Lenlo
@Kaiser, please. Early King > Richard Matheson > Modern King. Kings early works were good.
Lenlo
@Aidan, its true that Monty was the mind behind the fights. Sad, but I think the other directors are starting to come into their own instead of trying to copy Monty.
Kaiser-Eoghan
But we all know Richard Matheson > King.
Kaiser-Eoghan
He did some collabs with Stephen King I believe.
Kaiser-Eoghan
Like the dead films he's trying to be thematic, although this one is clumsily put together, I kind of like how it hybridizes the 50s with 70s style exploitation, it has its moments.
Kaiser-Eoghan
hmmm the only non Dead trilogy film I've seen by Romero is the Crazies, feels like he's still finding his voice with it.
AidanAK47
@Lenlo, Part of the reason is that they started using better animation software. But despite that there was a downgrade in fight chorgraphy when Monty died. Though the story I find is getting better.
AidanAK47
@Kinseryu, I think it's ridiculous to everyone but there are those that choose to ignore it.
@Anon, That's a bit harsh. It is true that his later works never truly panned out but he did pretty much popularise the zombie apoc. Even if Day of the Triffids did it before him.
Lenlo
Every season RWBY gets just a little bit prettier. Rooster Teeth really does have some of the better 3D animation skills out there.
Anonymous1272531
goerge romero was a hack trying desperate to stay relevant.
Kinseryu
Tenshi3P... I thought it was just me that this show was just ridiculous by putting three ten years old girl that knows how to play electrical instruments. They are insulting the people who plays these. But good thing I found this site with your first impression. I laughed and I feel better. Lol.
SuperMario
@Kaiser: he passed away? damn. He was the Father of Zombie genre. So like him or hate him, he was influential to say the least. RIP.
Kaiser_Eoghan
...holy shit George A Romero died? Now I have to watch the rest of his films.
Kaiser_Eoghan
Rei Hiroe is really dicking around with black lagoon lately, he's still releasing wasted chapters, just like re:creators, the most recent chapter of black lagoon was a slog.
Kaiser_Eoghan
Maybe the conversation and lives of others could sort of count as espionage stories to an extent.
Kaiser_Eoghan
If you're interested in spy fiction, Spy who came in from the cold, most wanted man, Smiley's people, deadly affair and tinker tailor soldier spy are your best bet.
SuperMario
@Travlos (regarding yoir earlier comment): yeah, it hit me as well that most of regular readers have been here even longer than myself. So thanks for sticking around mates
SuperMario
@Travlos: playing catch up with both Re:Creators and Virgin Soul yesterday. Agreed that last week's Re:Creators was weak because it focused on the Creators (they're not good) but last episode was on par again. Virgin Soul, I loved that episode that the girls go bacl to Nina's hometown
SuperMario
@anon1272074: I still haven't had the time to watch Pripri yet (probably in few more hours), but you bet I'm looking forward to it
Anonymous1272074
Then again, James Bond does count as a spy. I meant not a realistic one.
Anonymous1272074
Princess Principal 2 was pretty good. Still more James Bond via little girls than spies, but this episode was more about intrigue and stuff than action.
Lenlo
Started catching up with Kakegurui. The OP is the sort of mind games I remember from Mob Psycho. Dunno what that means for the show, but I like it.
KTravlos
Quite happy with this week's RE:Creators. Blitz is cool, Aliceteria looked so scary. It washed out the taste of last week's episode.

Bahamut is going interesting places.
BTW. Speaking of spies from Princess Principal. I watch TURN. That is a good spy show.
KTravlos
I mean you see the use of those heavy revolvers as clubs in westerns. Mythbusters did a experiment, and being hit by one could kill you just fine. But in anime, I do not remember seeing it often
AidanAK47
Homura used Gun-kata in the fight against Mami in Rebellion. Can't think of anyone who exclusively uses it though. After all Gun-Kata is more or less a flashy art that has no real benefit.
Anonymous1270604
amazing!
Vonter
Is Gun Kata the fighting style of Noel Vermillion from BlazBlue? I suppose I'm mainly thinking about how guns are handled in fighting games. Where the shots are mainly concussive. I suppose those are mainly energy blasts.
Lenlo
Ranbu took a step in the right direction I feel. Used the morals of whether or not to change history and it focused in on one of its characters.
Lenlo
Final Fantasy has had some gun swords. Cant think of any with guns in melee though. There are some with gun-kata like cowboy bebop though
Vonter
Just for curiosity, have anyone watched an anime, movie or game that uses a gun as a melee weapon. Or one in which the gun is mainly concussive but still has impact?
Spike
18if ep2 was a bit wacky... main character seems to be off his rocker.
AidanAK47
Alright. Time to finally play catch up with those series I need to blog.
Kaiser-Eoghan
But at the same time acknowledging love for creativity is more important in the end than making a profit.
Kaiser-Eoghan
I think I was using death of artist/deceased artist as a term to suggest peoples careers in the area are too often killed before they get a chance.
Kaiser-Eoghan
Moreso also to save the guy the embarrassment of misinterpreting it so awkwardly.
Kaiser-Eoghan
@Puran: Nothing too extreme , moreso that the piece itself feels inappropriate/tainted to have up/leave around/submit. Ended up taking it down out of taste.
Puran
Did that change how you feel about your writing? I had a somewhat similar experience, where something I was writing was similar to a real situation some I knew was going through. After I found out I stopped writing it. Not sure why.
Kaiser-Eoghan
I wasn't all that close to either of them much but yeah, weird coincidence.
Kaiser-Eoghan
He thought I already knew the guy was dead.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
Its all okay now...but fuck that was was awkward.
Kaiser-Eoghan
....Oh jesus christ...oh christ this is a creepy creepy coincidence...I showed an acquaintance a bit of writing I did early, it mentions death of an artist, thing is I was writing something based on a conversation with my editor friend, turns out said acquaintance's artist friend died (who he knows that I've spoken to in the past) and he thought the piece I showed him was about the dead guy.
Kaiser-Eoghan
I believe I began visiting this site in 2008.
As for humanity has declined, I found it bizzare and darkly funny for a while but felt it ran dry in its second half and I kind of fell out of following it.
KTravlos
You know it hit me. I think I have been following this blog for a decade now, perhaps more. Cool that it is still around.
Lenlo
I do agree it had alot more western influence than eastern though
Lenlo
Eh nothing wrong with that I think. Astro boy was very much the same after all
AidanAK47
@Lenlo, I personally saw it as more of a Saturday morning cartoon than an anime.
Lenlo
@Masky, Heroman was a decent giant robot show. It looked and sounded good, though the acting was off in places. Alot of people panned it thinking it was the West invading the east when really it was trying to bridge that gap
SuperWooper
@Kaiser: Hey, Humanity Has Declined was great.
KTravlos
need not be

not

need to be
KTravlos
Masky it was not an issue of writing about politics. It is an issue of writing just about your preferred politics. A good political work need to be politicized if you understand what I mean.
Kaiser-Eoghan
...what the hell tsuki ga kirei was directed by Seiji Kishi? He was actually capable of making a good anime?
Masky
Anyhoo, lol. Haven't mentioned Jitsu wa watashi wa in long time, but I really find it hilarious that its only actually evil character's competence is just "they aren't a idiot" xD As in, they don't even seem that diabolically intelligent, they just don't get wrapped into hijinxs.
Masky
@KTravlos: Well, depends on your views. Some people think artists should have their work speak about politics and world instead of just good stories. I'm kinda neutral about that since while stories about nature of world can be great, most of them don't really teach anyone anything new or change anyone
Masky
Huh, another anime work with Stan Lee being involved? I wonder how well Heroman did
KTravlos
Yup. A mangaka that could had been another Urasaw imho is Kawaguchi Kaiji. I really like his art, and it evokes some of the elements that I love in Urasawa. He also has interesting stories. But I fear he has let his political and ideological prejudices get the better of him. Which is a pity. Definitely a missed chance.
Masky
Did Urasawa do that billy bat manga?
SuperMario
As for Urasawa, I mentioned here before but I read 20th Century Boys few months ago and the manga was a straight out masterpiece. Fillers, yes but they are still in service for the main plot. Although out of his work my favorite's still Monster
AidanAK47
Alright. Only one more. Though the two superhero shows won't air for another week. Seeing as one is reflectiona nd the other is that marvel kids show maybe we shouldn't bother covering them in the impressions.
SuperMario
@Amagi: agree with you on the Friday's anime (well, for me it's technically Saturday) but Kakegurui, Fate and Princess Principal are worth following as well
SuperMario
@Kaiser: if you're still deciding if you should check out the manga or novel then I say novel since it's the novel that was influential, not the manga
Kaiser-Eoghan
So based on that fantasy itch I had thought about Altair, but hesitated because it was labeled as a shounen action show.
Kaiser-Eoghan
There was a time where I was hugely into the shoujo fantasy/historical thing. I've actually been thinking of out of curiousity looking into some old obscure ovas such as Books of Y and Crystania.
Amagi
Man as much as I love the Friday's anime this time, and whenever Altair airs, but the rest of the working-week is weak as hell. At least now I will finally have more time for games, VNs and creative stuff I guess.
Kaiser-Eoghan
It was kind of nice to hear an announcer coming in before Genocidal organ started, mentioning that for a few months their cinema will be playing anime and Japanese films.
Kaiser-Eoghan
Surprised to see an anime reference Kafka and Katyn.
Kaiser-Eoghan
I have not yet checked out empire of corpses.
Kaiser-Eoghan
Now, I'll have to consider the manga or the novel as I heard some of the philosophical stuff got chopped. This was however a more successful and accessible film for me than Harmony.
Kaiser-Eoghan
Manglobe was always a bit mediocre when it came to animation and voice actor direction, but this wasn’t a bad film for them to go out on.
It lives up to its name, it gets quite visceral with the action that’s there, if you don’t like seeing child soldiers getting slaughtered there’s your warning, but I appreciated getting this kind of violence I want to see more of again in anime/manga.
Kaiser-Eoghan
I just got back from my local arthouse cinema, from watching a special screening of that anime film, Genocidal organ, this is the sort of thing where you do wish that it had more time to explore its thematics but they at least offer a good enough flavouring to a solid man on a mission scifi thriller.
Kaiser-Eoghan
Just to state I don't hate Urasawa's work, rather I find it sort of difficult , I could say the same about Asano Inio regarding oyasumi punpun.
KTravlos
Urasawa is supposed to be working on Master Keaton Remastered. But it seems to be on hiatus. A pity because I loved Master Keaton (I adore Monster)-in general I love this person's work.
Amagi
20thCB would be my favorite Urasawa I think but I can't imagine it as an adaption. Kinda want to know what Urasawa will do next. He already announced that he's working on a new series months ago.
Amagi
I am really looking forward to the Pluto anime. I wanted this one the most, there is a serious lack of good sci-fi anime out there.
Kaiser-Eoghan
...billy bat is....scattered and directionaless fro what I read but shows interesting historical scenarios.
Kaiser-Eoghan
Pluto was reasonably short, so this wasn't much of a problem.
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