Posted on 7 March 2011 with categories: OVA Impressions, Seikai no Monshou



The Seikai franchise has two OVAs, one that takes place after the three TV-series, and one prequel. While the former felt like the creators were stuffing an entire novel into just fifty minutes, the latter is an interesting little side-story. Like the title suggests, this isn’t about Lafiel, but instead about her parents.

This OVA works as a background OVA, telling a bit more about who Lafiel’s parents were (about which we were mostly left in the dark throughout the TV-series), but as a standalone short story it also works pretty well. It’s got a good atmosphere, and although it’s simple it’s well told and paced.

And of course, as expected from this series the dialogue is excellent. The characters are once again very eloquent and a lot of this OVA just consists out of Lafiel’s parents talking to each other. The script continues to be interesting and blend in well with the story that’s going on.

If you’re planning to watch this OVA, I’d recommend to at least watch it after watching the first half of the first season, otherwise it will lose some of its meaning. It’s a nice watch for any fan of the franchise, though.
OVA Episode Rating: 8,25/10

Posted on 15 April 2010 with categories: Anime Reviews, Seikai no Monshou



Seikai no Senki III again is completely different from its predecessors. It’s much lighter, the conflict is much simpler, and there’s a lot more emphasis on random conversations than ever. It;’s about Jinto, as he returns to his home planet after having been gone for years. At an hour’s length, I at first believed that this was going to be another one of those unimportant side-stories that you often see in DVD-specials nowadays, but Jinto really develops throughout this OVA.

But yeah, one hour is still way too short, and it also doesn’t help that the creators try to do way too many things at the same time. It could have worked if the creators only focused on Jinto’s development, but for some reason they wanted just about every character to some kind of cameo here. There’s just too much time wasted on pointless banter between these side-character, including a rather strangely out of place mock-battle of which I still nave no idea what point it tried to make.

The strangest thing about this OVA though, is one particular side-character: Ekuryua. Do not ask me why, but this girl completely changes character, beyond anything that was established about her in the previous series. It’s especially grating because the creators keep using this as some kind of quirky gimmick, but those attempts at comedy never really work.

So overall this OVA definitely had the right intentions, and Jinto’s development is as good as ever, but unfortunately it overall was poorly balanced and needed a lot more episodes to really shine like its predecessors.

Storytelling: 7/10 – Not focused enough for such a short OVA.
Characters: 8/10 – Jinto’s development rocks, but there are too many pointless side-character cameos.
Production-Values: 8/10 – A graphical upgrade… including a bunch of recycled scenes…
Setting: 8/10 – Excellent, but could have been even better with more episodes.

Suggestions:
Space Fantasia: 2001 Nights
Tytania

Posted on 12 April 2010 with categories: Anime Reviews, Seikai no Monshou



While both Seikai no Monshou and Senki were excellent series, to me it seemed like they still were missing something, and I don’t just mean Monshou’s disappointing finale. I still can’t exactly put my finger to it, but whatever it was: Seikai no Senki II has it. The third Seikai series more than surpasses its predecessors.

It doesn’t just take the best of the two prequels: the dialogue of Monshou and the combat of Senki. It also introduces a complete new layer: diplomacy. A huge part of this season is about the two lead characters, in charge of a planet full of prisoners that’s about to descend into a civil war. The planet’s political system consists out of four parties with all their own issues yet who have to live together somehow. I personally loved watching Jinto trying to save himself in this situation: his words suddenly carry the lives of tens of thousands.

The dialogue of Seikai no Monshou and Senki was already really good, but Senki II’s dialogue turns out even better. The creators put so much meaning in just about every sentence. Every sentence is spot-on, whether it’s about the characters in the series, or the politics. The scenario itself is also full of twists and turns that yet make full sense when put into the story itself.

The series thrusts us really in a world that neither the characters nor the audience knows anything about. It cleverly makes use of the fact that it’s already got 26 episodes of established characters, while at the same time it also delivers powerful new characters who are gripping and full of flaws from the beginning. While the first Seikai no Senki was generally very focused (it was very much a series about war), Senki II instead was about a whole array of stuff: it’s a very varied series in which one episode may be about politics on a small insignificant planet, the next about space battles, on to switch back to some banter between a bunch of army commanders. It covers the full spectrum. Seriously Sunrise: why don’t you make stuff like this anymore?

Storytelling: 10/10 – Perfectly paced, varied, hard-hitting; science-fiction at its finest.
Characters: 9/10 – Terrific dialogue, both the old and new characters rock.
Production-Values: 8/10 – Excellent music. The graphics do what they need to do and nothing more.
Setting: 9/10 – Excellent portrayal of an ongoing war on many different levels.

Suggestions:
Toward the Terra
Hi no Tori – Uchuu-Hen
Gasaraki

Posted on 10 March 2010 with categories: Anime Reviews, Seikai no Monshou



I like how, even though it’s a direct sequel, Seikai no Senki is completely different from Seikai no Monshou. It shows that the creators aren’t one trick ponies, and it makes the premise much more dynamic to see it explored in all those different ways. Seikai no Monshou was pretty much a space adventure series. Seikai no Senki however, is war. And let me tell you, I can count the series that managed to portray science fiction battles in a more realistic way than what we saw here on one hand.

During the battles, the lead characters Lafiel and Jinto may not be the centre of the focus. They may not hold the key of victory, and they may not possess a god-mode weapon that can take out several enemy ships in a row. Their ship may not magically dodge bullets, and they also may not fight according to their own battle plans, and instead have to follow orders. But that’s the great thing about it! The battles here are believable and purposefully kept from going over the top. 2000 years (or however long humanity may take before developing stable spaceflight) into the future, I can totally see large-scale space battles happen in a similar fashion.

As compared to Seikai no Monshou, which walked all over the place, Seikai no Senki is a very focused story, and much more consistent. It tells two stories at the same time. One part is focused at a single ship, and the people who command it. The other focus is at the top officials and admirals, who attempt to steer the battle in the right directions. Due to the large amount of time that it spends fleshing out these people through their dialogue, it becomes fascinating to see these people strategize.

As for the dialogue… well, Seikai no Monshou did just about everything there was to do in terms of hard-hitting and confronting dialogue, so there was no way for Seikai no Senki to beat it. Instead, the dialogue is much more subtle. It’s still very noticably there and Jinto and Lafiel still don’t hesitate at all to speak their minds in a very un-Japanese-like fashion, but it lacks the edge it once had. This one is also much more about creating an atmosphere of what it’s like to command a small battleship at the front lines. The dialogue instead excels in the small things, like characters taking subtle jabs at each other, or subtle hints that are actually meant to flesh out characters beyond what they tell straight-forwardly. Oh, and I loved that cat, who just keeps coming back. There’s hardly anything comedic about it, but it brings a surprisingly human side to the main cast.

I can’t say which one of Seikai no Senki and Seikai no Monshou is the better one. They’re too different to really say for sure: Seikai no Monshou had a bit of a disappointing finale, but an excellent beginning. Seikai no Senki instead doesn’t really have an episode that I’d crown as awesomeness, but instead was excellent from beginning to end. Still, Seikai no Senki did have the advantage that it could use the build-up that was provided by Sekai no Monshou, without which I probably wouldn’t have enjoyed it as much as I did.

Storytelling: 9/10 – Very realistic space battles. No God-mode beams whatsoever and it’s still an action-packed series.
Characters: 9/10 – Less focus on character-development, but the dialogue is incredibly rich in fleshing out its cast.
Production-Values: 8/10 – Still solid, but nothing really special for its time.
Setting: 8/10 – Not as interesting as in Monshou, but still very solid.
Posted on 1 March 2010 with categories: Seikai no Monshou



Well, so this is why, at the start of this contest, I only limited the series that you could force me to blog to 14 episodes: so that I wouldn’t be stuck with 60 unblogged episodes of Monster, in the case that it turned out to be a bad idea. I really apologize: with my current schedule, I just can’t watch and blog older series at a consistent pace, like I do with the currently airing series. Because of that, I just ended up marathoning the rest of this series, and here are my impressions on the entire series.

Seikai no Monshou is yet another one of the series that reinforces my beliefs that the Sunrise of around ten years ago rocked beyond belief: they consistently brought out interesting, daring, exciting and innovative science-fiction mecha series with great premises. Seikai no Monshou at first sight is another science fiction series, but it sets itself apart by its imaginative and especially very detailed execution.

The central focus is the chemistry between the two lead characters. Coming from two completely different backgrounds, this series shows both of their backgrounds, and tells in great detail about the history of the universe they’re set in, especially on the race called the Abh. The gem of this series lies in its dialogue: the dialogue between the two lead characters is direct, straight to the point it forces you to confront difficult issues, rather than jumping around them. The difference in their upbringing is shown subtly but powerfully throughout this dialogue.

The battles in this series are also often very down to earth, and focused more at skill rather than just going over the top with explosions. Unfortunately, there are times at which this series does forget that and turns into an action flick. The final episode, instead of closing off with a powerful climax instead just opts for the kind of battle in which the enemy soldiers (both well-trained police and military officers) conveniently miss every shot they fire, yet get killed off instantly when the lead characters shoot at them.

Nevertheless, that doesn’t ruin the rest of the series that leads up to it, which is an exceptionally written science fiction story that puts a lot of emphasis on the characterization and dialogue between the two lead characters.

Storytelling: 8/10 – Realistic, down to earth and yet powerful, though the final arc isn’t the best.
Characters: 9/10 –
Production-Values: 8/10 – Solid, but surprisingly dated at this point.
Setting: 9/10 – Well detailed, realistic and imaginative back-stories, both for the characters and the world that this series is set in.
Posted on 20 February 2010 with categories: Seikai no Monshou



Blogging this series has shown me that I’m very selectively punctual. While I promised that I’d blog this series weekly, this entry has had more than a week delay, apologies for that. Blogging this series has been an interesting experiment, but in the end I don’t think that I can blog a series that has already been fully released consistently and at this point, I think I’ll just end up marathoning the two Banner of the Stars, instead of blogging them weekly. I know it’s something that’s completely in my head, but still.

In any case, a great episode. It was very intriguing. This episode showed a completely different side of the Abh: the elitist and racist one. This episode rocked in the way that it slowly revealed the exact stance of the Baron that Jinto and Lafiel ended up at. This episode showed how great this series is at building up: that final shot of Lafiel smiling was a very powerful one.

And the emotions: anime is often a medium of overacting, but this show is different. The subtle emotions of the characters show exactly how they feel, and yet no attempt is made to make them over the top, apart from perhaps those nameless maids.
Rating: ** (Excellent)

Posted on 8 February 2010 with categories: Seikai no Monshou



One feature of anime that I’m glad has mostly disappeared over the past ten years is the obligatory summary of the previous episode. This episode was one of those examples in which this got taken too far as it spent its first five minutes recapping what happened in the previous episode.

The rest of the episode however more than made up for it. In this episode we get our first taste of the space battles in this series, and the creators have really shown that they know how to write one. It takes the approach of the unidentified enemy: we know that there are a bunch of enemies out there, we just have no idea who they are. If you can make these enemies still behave like real people, even though you never show them, you can get some amazing effects. Later, series as Starship Operators and Bokura no would improve even more on this formula. And in a way, I feel that the former took its inspiration from this series: taking the very technical style of space-battles, and making them even more realistic and believable, rather than just have a bunch of spaceships fire at each other.

The destruction of the Gosroth also is extra bad for Lafiel, since her mother just died. It turns out that one of the reason why the captain was so harsh on Lafiel was because she was partially trying to raise the girl she “provided her genes for”. She tells Jinto this in their escape. Even though they’re travelling together again, just like a few episodes ago, the mood between the two is completely different and gloomy, and yet you can see that they’ve gotten already more used to each other.
Rating: ** (Excellent)

Posted on 30 January 2010 with categories: Seikai no Monshou



I love how this series plays around with morals. In the first episode, it really seemed like the Abh were your stereotypical evil empire full of evil emotionless Nazis that like to conquer people. And yet now that we’ve gotten to see a bit of their side of the story, then we suddenly see that these people are surprisingly human, and despite having power-hungry leaders, it’s not like all of them are heartless monsters. Cultural values and differences also play huge differences on hate and distance between the Abh and other nations. That makes me wonder what the Abh themselves think about their habit of not getting involved with the nations they conquer. Could it be that it’s not like they keep out of the nations they conquer because they believe they’ll be hated and nobody would want to cooperate?

This episode was mostly about these complex kinds of politics, rather than two previous episodes, which were more focused at just Jinto and Lafiel. And it did well in making it sink in that wars can take multiple centuries before being resolved. I hope that one of the future episodes will show the story from the perspective of the opposing alliance of those four countries. That will really allow us as viewers to form a complete picture. That sudden attack of them to the ship came seemingly out of nowhere, so I’m very interested in their exact reason and mindset for initiating that attack.

Overall, we probably won’t see her again after this point, but I liked that captain of the ship a lot. Before she appeared, I had this totally distorted image of the Abh, but she showed that the Abh are a varied race. That’s something that I often miss in stories that make up their own races: sure, the humans are varied, with all sorts of different bastards and nice guys walking around. And yet the elves are tree-loving, intelligent and use bows, dwarfs are small, grumpy and live in caves and the angels are all stuck-up and pretentious. With small tribes, I can understand: the herd instinct will likely develop these people with slightly similar personalities. But entire races? Nah.
Rating: ** (Excellent)

Posted on 23 January 2010 with categories: Seikai no Monshou



Oh, I love this. I love it when a series can take nearly an entire episode and fill it with nothing but dialogue, especially the meaningful kind. I now understand why people were praising this series for its romance, and this episode really showed what a well written dialogue can do to your characters. I sometimes hear people say that one of the most important rule of storytelling is to “show, not tell”, but I disagree with that: the combination between what you show and what you tell should be important.

Despite being a relatively uneventful episode, the chemistry between Jinto and Lafiel already rocked after only three episodes. It’s also not line one of them is so much smarter or talkative to the other: they basically strengthen each other: whenever Lafiel asks a difficult question, you can see Jinto think hard about it, come with an answer and reply with a question that’s just as hard or confronting.

I think what I liked best was that part in which Jinto discovered that Lafiel used a fake name, and tried to apologize like hell about making her uncomfortable and actually calling her by her real title. He of all people should know how annoying it must be to have everyone regard him as nobility. At this point, I’d now love to see Lafiel together with some of the other crew members. We know how she thinks that they treat her, but I’d love to see their side of the story as well.
Rating: ** (Excellent)

Posted on 15 January 2010 with categories: Seikai no Monshou



So this episode is a more formal introduction of the characters, while the previous episode showed more what the history of the setting was. Again, it has a lot of ingredients that you see in other anime as well, which mostly centred around Lafiel: she’s a young, cute girl of an exotic race that everyone hates.

But the characterization is done so well!

At first this episode took its time to show how Jinto has grown up after the previous episode, and how he kept his nobility secret from the friends that he grew up with. It already added a lot of depth to the guy by showing him close off his childhood, and his anxieties for his future. He’s already someone with his own identity, and who doesn’t have to rely on cheap stereotypes in order to stand out.

And then Lafiel. I really like how direct her questions are. This episode did an excellent job in showing the cultural differences between the humans and the Abh: Jinto has never met one of the Abh, since they hardly ever bother to show themselves among the humans, and at the same time Lafiel has grown up, never meeting a human. This episode portrayed the Abh as a very direct race: it’s common with them to be to the point, to the point where they’ve developed a culture that’s completely void of human laziness.

And again: Lafiel is not just a caricature of this culture. While this episode showed the general traits of the Abh, Lafiel also had her own personality.

It’s also interesting that this series was produced, right at the time where CG became actually possible to include in anime. You can see that there are no 3D models, but the creators do make use of the smaller stuff, like lighting, shadows and some computer screens. It was before companies got too confident and started to overuse it. Turn A Gundam which was produced around the same time as this series showed this as well: it was mostly CG free, though the eye-catch in the middle of each episode experimented with it.
Rating: ** (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
AidanAK47
@Amagi, Been playing Grand Order myself. It's rather fun. There are some good original character in it but I notice with Quantity certain figures designs were pretty terrible. I thought Assassins of black was the worst but some Grand Order servents manage to top it in terrible. Why all the bikini's?
Amagi
Fate/GO has quite some interesting original characters there. Wish we'd see them in some actual manga or anime series with more backstory someday. - I also like that we finally have an overpowered, interesting and competent Hassan with King Hassan for once. His design is metal AF too.
KTravlos
Binge watched Altair. The pacing of the show is a problem, but in general the raw material is good. Altair is sympathetic, and the world is interesting. But I do feel this is the kind of show that would had gained by a Monster or LOGH type treatment. Also, man it is scary how accurate they got some of the traits of Greeks (Phoenicians in the show). I am a Greek, I should know! :p
KTravlos
forgot to mention. I saw the 91 Days special. Three side stories that give some depth to the events in the main anime, but nothing that goes beyond it's end. Still they were in general ok to good.
SuperWooper
It's got Jude Law playing "this kind of huge robot butler called Charles, who is also a rocket ship." What could possibly go wrong?
AidanAK47
Anime with Jaden Smith? Um..I don't know about this.
SuperMario
@Kaiser: one of the good thing about SoL shows like Centaur and even 18if is that their episodes are self-contained, so you can just jump right in to watch the good ones and ignore the rest
SuperMario
I just love Chise's presence so I might enjoy the last episode more than anyone else. But yeah I'm quite satisfied with Princess Principal right now
AidanAK47
Actually I am quite surprised Princess Principal hasn't gone off the rails yet. Might even turn out to be a fun show in the end. If the man can make it to the finish line without a misstep.
AidanAK47
Hey I am having fun with my Shows. Made in Abyss is still quite excellent and Fate/Apoc is picking up. Even started playing Fate/Grand Order.
Lenlo
Man, sounds like I was the only one to have a good week with their show. Reflection really stepped it up this week in pretty much every category. Not sure it will last, but hey. Ill take one
Kaiser-Eoghan
I'm so disappointed in 18...if. Perfect opportunity to capitalize on something with a dreamlike feel to it and be creative only it ends up getting held back.
Kaiser-Eoghan
And I see Vonter and Mario are seducing me into watching Centaur.
Kaiser-Eoghan
*can't
Kaiser-Eoghan
I can'y see myself giving re creators a second chance, and from skimming these conversations, why should the show only get going at the end? It just sounds like too little too late.
AidanAK47
Honestly that's what Re:Creators biggest issue is. It builds up these great interesting idea's and then refuses to capitalize on them.
AidanAK47
Then it would be a battle to win over the audience and he who entertains them the most would get the most power. Just think of how many interesting ways that would take the fight. Like Altair could lose power and have to win over the crowd with her backstory and theatrics. A hero could purposefully get beaten to hell just so they can get a powerup from saying a boastful speech about kicking ass.
AidanAK47
@Anon, Exactly. Now there is an interesting fighting element. Imagine if both Altair and the heroes had to fight with the limitation of keeping the audience entertained. Altair couldn't pull out overpowered nonsense because the audience wouldn't approve and her power would drop. Same goes for the heroes.
Anonymous1378112
On the other hand I am not a fan of this whole final arc. It's just not believable to me to gather such a big audience who will do nothing but watch and accept everything you show them. Not to mention that the show is technically live acting to them. Considering how much anime fanbases already hate the DN movie and stuff I doubt many would sit there and accept that
Anonymous1378112
@Aidan: This made me pretty angry. like, they wasted a ton of screentime with these boring info dumps and now they're just irrelevant and the enemy just fucks over it
AidanAK47
Actually the last development was actually a screw the rules moment as well. So the only way to beat Altair is to just chuck aside the rules established with the last 20 episodes.
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