Posted on 27 September 2010 with categories: Anime Reviews, Seikimatsu Occult Gakuin




The past summer really had its quantity problem, but there still were three series that really stood out to me as a breath of fresh air that may have significant flaws, but also have a delightful execution. These series are Shiki, Kuroshitsuji II and Seikimatsu Occult Gakuin. While Shiki had an incredibly solid execution and Kuroshitsuji got better and better as it went on, Occult Gakuin instead was just all over the place, which had both its advantages and disadvantages.

This series promised to be a fast-paced adventure series through the occult with its excellent and very witty first episode, but instead it turns out that it’s built around several two-episode arcs instead, focusing more on its characters while developing its plot only in the background. In Occult Academy, no episode really is like the other, with the result that you might be expecting a fast-paced action episode, only to get a bunch of episodes that focus more on the quiet type of storytelling.

On the bright side though, you’ll never know what this series will focus on next, and the episodes in which this series really goes all out were without a doubt the best episodes I watched during the entire summer season. The producers got some of the most amazing staff to write for some of the episodes, ranging from the director of Michiko e Hatchin, the director of Mouryou no Hako and Aoi Bungaku’s Hashire Melos to the writer of Noein and Birdy the Mighty Decode. There are thre episodes in this series that are so well written, portrayed and animated, that simply their presence makes this entire series worth watching.

Now, as for the rest of the series, it does have some balancing issues, and some other episodes fail to entice any excitement, and could have been cut from the series easily. The series itself spends a bit too much of its focus on developing Maya as a character, that it forgets about the other parts of the series. Because of this, some parts are rushed while others just take too long, on top of their lack of creativity compared to the better moments of the series.

Despite the balance issues, the plot does come together quite nicely in the end, though. All of the major questions get answers quite nicely and used to bring in some very interesting twists near the end. And really, amidst the countless of series that don’t seem to have any ambition, Occult Academy really tried to create something interesting, creative and diverse. It’s set up pretty much guarantees that you’ll be disappointed in one way or the other due to the lesser episodes, but for me it had enough to make up for it. I have quite a few issues with this series, but really: if those issues were fixed then this would have been a serious contender for the best series of the year and it will be awesome if more series would try to follow in this series’ footsteps.

Storytelling: 9/10 – The writing ranges from average at worst to absolutely fantastic at best. When it wants to, this series can be truly excellent at building up, but there are times in which it doesn’t have enough creativity in its script.
Characters: 8/10 – A very solid cast, but considering the premise of this series, the creators could have eliminated some overused cliches, and they could have done more with Maya’s character considering the amount of time that was put in her development.
Production-Values: 9/10 – Gorgeous and creative animation that really brings the characters to life.
Setting: 8/10 – Explores the occult from all over the world. Very interesting as a kaleidoscope throughout the supernatural, though never really goes in-depth.

Suggestions:
Baccano
Michiko e Hatchin
Kaiba

Posted on with categories: Seikimatsu Occult Gakuin



Okay, so this turned out to be an ending that I both loved and hated. Let’s just get the bad part over with first:

– Okay you discovered that the real Nostradamus Key was a dimensional time-rift created by Bunmei meeting his former self. The most logical step is now to get Bunmei out of that time-line as fast as possible in order to make the chance of him running into his child version as small as possible, NOT to just wait a day, invite younger Bunmei INTO THE SCHOOL, and just hope that everything goes well.
– Everything seems lost, the aliens have arrived, the world is about to go to hell, and here Bunmei comes, grabs younger Bunmei’s spoon, suddenly gets his powers back and blasts the aliens back to their own time-line. Where the hell did that come from?

Those are the only complaints I have about this final episodes, but dammit they’re pretty big ones. The entire story was rounded off so well before especially the second point comes, and here this series decides to end with a Deus ex Machina… I’m really wondering why the creators went with that plot, out of all possible things.

Nevertheless though, I also loved this episode as a final episode of this series. I love the entire irony behind Bunmei’s part in the series, and how he actually didn’t get to have a happy ending. You’d expect something over the top, after we just learned that that witch of the previous episode was not the Key of Nostradamus, and yet this episode was incredibly quiet with an actual climax of just one minute long (with some pretty neat animation, by the way). Throughout the entire airtime, there was this slight atmosphere of panic about what was about to happen and what was about to end. This series has already proven that it’s excellent at building up, and this episode proved that once again when it built up to the point in which Bunmei would meet his younger self.

I also liked how at the end, we saw the focus shift back to Maya’s father, which was really a charming way to close off this series. Despite the weird choices made, I do consider this episode to e in my top three final episodes that we got to see this season, alongside Kuroshitsuji II and Giant Killing: all of them tried to do something very interesting in order to close themselves off, and came with interesting twists and unorthodox pacing.

Overall, even though things could have gone better for this series, it did solidify me as a fan of A-1 pictures. This series looked consistently beautiful, and a few of the episodes were really masterfully written and laid out. Like all of the previous Anime no Chikara series, it had its flaws: Sora no Oto couldn’t decide what it wanted to be, Senkou no Night Raid’s lead characters needed acting lessons and Occult Academy had its balance issues. Nevertheless, really appreciate all three of them and what they tried to do, and Occult Academy is my favourite so far. I’m not looking forward to the next installment due to Shinbo and all, but I really hope that this timeslot isn’t going to end there because there definitely is potential.
Rating: ** (Excellent)

Posted on 20 September 2010 with categories: Seikimatsu Occult Gakuin



Not as good as the previous episode, but still a worthy climax for this series. With one exception, everything from the past episode came together very nicely, all of the major questions were answered well and sufficiently, and this episode was overall a great and action-packed closure to this series. So what the heck is up with that final episode?!

I’m surprised how many people disliked the inclusion of black and white mages. I mean, this show is called Occult Academy: right from the start it was clear that it explores occult from all over the world. Don’t black and white mages belong amongst that? Either way though, this episode really explained a lot: all of the previous monsters that tried to kill Maya were sent by that black mage. It makes full sense for her to be the key of Nostradamus, it makes full sense that Maya didn’t go around to carry her notebook everywhere around with her and to prepare some sort of backup plan. And it’s very interesting to see that Maya’s father was still alive: that’s why her death was faked in the previous episode: to prepare for that plot twist. And as if to make up for the fact that nobody seemingly dies in this episode, the creators actually did kill off a few characters.

Now, that ending intrigues me. I mean, while it’s nothing new to have some kind of “bad guy behind bad guy”, it came completely out of left field in this series. I mean, the entire series was supposed to be about getting rid of that Nostradamus Key. Maya even got up a good future when she photographed it. So why is there still an episode left, and why didn’t the future change? I’m really curious whatever plot twist the final episode has in store here.

Now, the only problem I have with this episode was how Bunmei was suddenly unkillable at the most critical moment. I mean, the creators seemed to realize that it didn’t make any sense, but they made no attempt to answer that, and it’s a very strange question to leave unanswered at this point.
Rating: ** (Excellent)

Posted on 13 September 2010 with categories: Seikimatsu Occult Gakuin




Wow…. these are the kinds of episodes that blow you away. It did to me at least.

I already mentioned at the shoutbox that we had a beyond awesome staff working on this episode: Sayo Yamamoto, the director of Michiko e Hatchin doing the storyboard and the script written by Hiroshi Ounogi, who also wrote Noein and Birdy the Mighty. It’s like Superman having tea with Batman here. And seriously, even knowing that, this episode kicked ass beyond belief.

I don’t even know where to start with how magnificent this episode played out. So much happened at once (I guess that that was the point of the previous two episodes: becoming so quiet and dull in order to just strengthen the ridiculously huge impact this episode would have). Mikaze’s sex appeal went beyond the roof here (and it was actually used extremely well in the first half of this episode), the inner paranoia of her spells on Bunmei were wonderfully portrayed and the entire episode itself was just amazingly animated.

This episode was just disturbing. I mean, we could expect Mikaze to be up to something, but I absolutely loved how the creators just threw everyone’s hidden identity at your face here. Mikaze knowing the exact recipe of Bunmei’s cooking was just creepy. That kissing scene… I can’t believe how far and graphic that actually went. You could really see the influences of Michiko e Hatchin here. Another favourite was that scene in which Maya kicked the heck out of Bunmei here. Talk about brutal!

I mean, I’m just baffled by this series. The thing is that it had its share of mediocre episodes, and it is mostly awesome when it has the right episode staff (I really have to applaud the producers here in getting the best people they could get here). I mean, episodes 1, 6 and 11: I consider all three to be the three single best episodes out of any show that started in the past summer season. I found it really strange that right before the ending, this series would waste so much time on random stories. But I really didn’t expect the creators to bombard us with so much at once here.

Occult Gakuin, I applaud you.
Rating: **** (Fantastic)

Posted on 6 September 2010 with categories: Seikimatsu Occult Gakuin



Well, that settles it: the end of this episode really hinted that in the next episode, the finale is finally beginning. With that, we should get away from the random storylines and back to the main storyline, which is bound to be a lot more action-packed.

The big question is obviously going to be: did this series take up too much time, trying to develop Maya? The thing with the past two episodes was that the direction was nowhere as interesting as the rest of the series, which can really hurt with a 13-episode series. I mean, the first half of this series was full of wit. The absence of this wit throughout most o this episode was rather unnerving. There were some parts I liked, especially the part in which Fumiaki tries to talk to Maya (seriously, more anime characters should do that), plus the development of Maya was also quite nice, but right now this series is in the danger of spending so much time on development that it sacrifices too much of its entertainment, story, Anime no Chikara tension and atmosphere.

Having seen Sora no Oto, this is something that worries me, though thank god it’s not as extreme here. At this point, Sora no Oto had novels full of questions that it had yet to answer, and that really showed in its final episode in which it tried to do way too much at once. Senkou no Night Raid in contrast did have a great build-up with its finale, and that’s because it abandoned its build-up phase very early after episode seven. Occult Academy looks to be somewhere in the middle. Three episodes will be plenty of time to resolve all of the questions it has left hanging, but can it deliver? With its excellent script and direction it has built up expectations for its ending> I really want to see something more than a simple ending that just attempts to answer those questions. I want to see something that rocks.

Ultimately, the ghost girl felt shallow to me. This series really has the opportunity to toy with new ideas, and here it comes with the ghost of a dead girl who was neglected and can go to pass on after hugging her father. I can understand that the creators wanted Maya to relate to her, but it’s all “been there, done that”, with no need to spend two whole episodes on it. A skilled writer could have put the past two episodes into just one episode and make them work just as well.
Rating: * (Good)

Posted on 30 August 2010 with categories: Seikimatsu Occult Gakuin




It’s episode nine. We’re about to hit the climax with five episodes left. And so this episode comes with a seemingly unrelated arc that ends with a cliff-hanger that will continue into the next episode. I’m really interested in the creators’ intentions here.

Don’t get me wrong here, this episode was excellent as usual. I still consider this to be the best executed series of the season. But I’m fearing that this series will go down the road of Sora no Oto and wait too long with its ending, resulting in a bit of a cop-out. If this episode wasn’t what it looked like and actually was already slightly hinting at that climax then it’s fine, but I don’t want the same thing that happened with Sora no Oto’s ending to happen here.

Anyway, about the episode, when you ignore the time-limit of this show, it was a very good one in its build up. The creators are continuing to develop Maya, using her relationship with her father, and the next episode especially seems designed to push her character in a new direction. Meanwhile this episode was excellent with its facial expressions, especially Maya’s, but JK also shined here.

It’s interesting how the case was seemingly solved before the end of the episode: the spirit’s father accidentally killed her due to neglect, now all that’s seemingly left is to bring this ghost to that father, have a bit of dialogue and things should get finished. That shouldn’t be enough to fill an entire episode. Still, with all that build-up it had better be building up to something awesome. It’s quite like Sengoku Basara Two this season: they’re both spending quite a bit of build up hyping up their own climax, so at this point I still can’t say anything about how good they are going to end up becoming in terms of the big picture, unlike, say, High School of the Dead where you know exactly what to expect.
Rating: ** (Excellent)

Posted on 23 August 2010 with categories: Seikimatsu Occult Gakuin



With so many episodes devoted to nothing but the characters, I demand an awesome ending. If not, then this was a wasted episode.

The previous two episodes were very well written and directed so I didn’t mind, but this episode didn’t belong in a 13-episode series. Series like these have a very limited amount of airtime, and really need all of the time they can get. Episode six and seven did this well with great pay-off to their build-up, but the Chupacabra fight that allowed Maya and Ami to make up again… I feel like the creators could have done more with this episode.

The acting in this episode was great, don’t get me wrong. It’s just that the script disappointed me a bit. Especially the following thing: Chupacabra are seen as blood-sucking monsters, right? This episode saw them killing off a ton of cows and chewing who knows what kind of animals right down to the bone. So why did they keep Ami alive? Why did they not harm her? Why was Ami fine after being bitten by such a huge monster? You’re ruining the suspense of disbelief that was built up by the previous episodes!

At this point, I’m beginning to think that Nostradamus’ key is something very obvious. I can easily see it being Kozue who tries a little too hard with her experiments on the occult. Please let it be not that simple!

Either way though, I can very easily see this series divided into three parts: there’s the first action-packed part, spanning the first four episode. This one was full of tension, ranging from Maya’s hatred of Bunmei to all of the weird occult monsters they ran into. Episodes 5 to 8 slowed down the pacing for a character-development arc, which seems to be finished at this point. At the final arc, this show needs to start delivering, though. Arc 1 provided the entertainment and the background, arc 2 provided the depth. Now, arc 3: USE THAT.
Rating: (Enjoyable)

Posted on 16 August 2010 with categories: Seikimatsu Occult Gakuin




The execution in this episode was completely different from the previous one, but the basic premise was the same: a lot of build-up that comes together wonderfully at the final few minutes of the episode. This episode wasn’t as good as the previous one, but it still was a great one.

For most of the episode, I actually didn’t think this was the case. I mean, I could see what it was trying to do: showing different sides of the characters and flesh them out. That’s great for a series with 26 episodes. For 13 of them… not so much. I mean, there is a plot that you’re meant to tell. If you’re going to keep wasting episodes like this the ending won’t have any build-up.

But really, after the climax everything made sense. This episode did more than just flesh out the characters, it really developed them a bit, and added extra depth to them. The climax was completely different from the climax of the previous episode, which was strong, full of energy and visually powerful. This time however, the episode ended with this awkward silence when two people in a group are fighting. I loved how Maya clashed with everyone else in this episode, who without knowing pulled a completely inappropriate prank on her.

This episode was a bit shaky at times, especially Kozue was reduced to a walking stereotype, but when it mattered this episode really delivered. Ami’s father really stepped too far when he tried to turn Maya back to the way she used to be. When Maya was slapped, it didn’t suddenly make her nice again like you’d expect in some cliche. It was rather Ami’s words that calmed her down. I loved how realistically this was portrayed.

The storyboard of this episode also was… interesting. Especially in the first half, it just kept switching back and forth to close-ups, regular shots, far-away shots and close-ups at random objects or limbs. I wouldn’t call it low-budget because it was as detailed as ever (save from a few notable far-away shots here and there).
Rating: ** (Excellent)

Posted on 9 August 2010 with categories: Seikimatsu Occult Gakuin




It’s just as I hoped! This episode really was awesome, and it had a really excellent direction behind it. With the comedy elements this really was different from the likes of Mouryou no Hako and Hashire Melos, but you could still see the traces of Ryousuke Nakamura and Mieko Hosoi. God… these people need to direct another full fledged series.

There were a ton of really well animated shots in this episode, with quite some fluid animation and imaginative camera angles. There were a few scenes that really brought these characters alive, and especially the diving scene at the end was just utterly beautiful. It’s also very interesting how two completely different types of artists worked on this episode and the previous one: the previous episode was very obviously drawn by Mamoru Hosoda fans, while Mieko Hosoi has a completely different inspiration (I’d love to know what that was, by the way).

As for the direction, I absolutely love how this episode played out. Throughout most of the episode we see this careful build-up that shows Maya investigating exactly what happened, combined with a number of quick but really good jokes. There were a few outbursts of drama, like the sudden point in which Kozue started crying, but that too was just used to build up to that final part, which worked really well with Bunmei’s life flashing before his own eyes. It lasted like what? 2 minutes. But they really were worth it.

Beyond that, they also made it plausible for Bunmei and Maya to make up. Thankfully they stayed away from any sort of romance, but rather Maya forced herself to see past her biases after having seen the future.
Rating: *** (Awesome)

Posted on 2 August 2010 with categories: Seikimatsu Occult Gakuin



The focus is away from Bunmei, and so this episode was much more enjoyable than the past one. It was all about the occult, and really chock full of references to all kinds of ideas and superstitions around the world thanks to a character that I once thought was pretty useless (the girl who is obsessed over occult stuff).

It actually made this episode pretty interesting. I’m a big fan of the series that put a lot of research into their subject matter here. While the previous episodes were all about “what if folklore was true”, this episode broke that part and instead talked about superstitions that are just products of the imagination of humans, ranging from spoons that can’t rust to monks who bury themselves alive and even the five second rule passed (called the three second rule here).

At first I really thought that that girl would be annoying with her optimism, but the comedy around her was again really excellent. This series definitely has the best sense of humour of the entire season, and its jokes are well built up and varied and the repeated jokes are handled with restraint.

Also, the previous episodes were certainly annoying, but they did what they were supposed to do: Maya really loathes this guy right now, and the previous two episodes really turned that into a deep-seated loathing, compared to the “this guy is weird”-kind of hatred of the first two episodes. Now, if she suddenly starts to develop feelings for Bunmei this would of course ruin everything (“you guys are fighting a lot so you must be in love with each other”… blegh), but I have faith in this series. And heck, the next episode will be staffed by Ryousuke Nakamura of all people. While I’d rather see him get another full series over which he has total freedom, an episode directed of the best and most imaginative series of the current summer season certainly isn’t bad either. I’m really interested what he’s going to do with it.
Rating: ** (Excellent)

CHANGE USERNAME
Anonymous2040262
its almost like he could be an antagonist
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
Total users: 37

Star Crossed Anime Blog

5 User(s) Online Join Server

Featured Posts

Wotaku ni Koi wa Muzukashii – 02[Are We Now Dating?]

After a strong first episode I come back to this show and find a rather middling second episode. There is some good content here, namely the Evangelion references, one of which was butchered by the crunchyroll translators.(Narumi and Hanako were arguing over who was best girl in Evangelion with notes over their head about whose […]

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

7 years. It has been almost 7 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

Leave it to Japanese cartoon that done the Western genre better than the Westerners, at least from what we have seen so far (note: despite my pun, Western the genre doesn’t refer to the Western culture, but to the American Old West). Granted, Japanese cinema and literature has a strong tradition of samurai genre, which […]

Hinamatsuri – 02 [This Is How You Have a ESP Battle!]

Welcome to THE comedy gold of the season. Before I get into anything specific, let’s me discuss about what make this little show about a psychic girl and a yakuza hilarious in the first place. The main source of humor in Hinamatsuri largely comes from situation-based weirdness. Putting these characters out of their comfort zones […]

Darling in the Franxx – 14[Punishment and Confession]

Last time Darling and the Franxx had it’s best episode yet which raised my opinion of the series and gave me hopes for greater things moving forward. So it’s sad that they follow this up with the worst episode of the series to date. This episode was pure frustration to watch because you knew exactly […]

Megalo Box – 2 [The Man Only Dies Once]

Welcome to the Spring 2018 anime season! I am proud to present to you the Ashita no Joe 50th Anniversary project, Megalo Box. Easily the most stylish anime of the season. Lets jump in! With just 2 episodes, Megalo Box has become my favorite for the season. Everything about it feels like it comes from […]

Darling in the Franxx – 13[The Beast and the Prince]

That was the best episode of Darling in the Franxx to date. Truly I am impressed with this though it may be perhaps because the fanservice aspects of the show were not present at all during this episode. Todays episode was spent entirely on the past of Hiro and Zero Two. When this episode is […]

Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered […]

Latest Reviews

Violet Evergarden (2018 Winter) Review – 76/100

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter […]

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep […]

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

Mahoutsukai no Yome – 69/100

Fantasy is a rather prolific genre in anime, with a vast majority of Isekai and Shounen fitting snugly into it. Most take place in their own unique setting, either Amestris of Full Metal Alchemist or the made of world of the latest Isekai trash. Few however try to set themselves in our world. To peel […]