Posted on 29 September 2007 with categories: Anime Reviews, Seirei no Moribito


Spring 2007 came with many excellent and unique series, and Seirei no Moribito is one of them. Produced by Production IG with extremely solid production-values, this series is a true gem for those, looking for substance.

Let me first start with the following statement: Seirei no Moribito does not have an overall genre. While the first three episodes might suggest that we’re dealing with an action or martial-arts anime, you’ll be proven wrong by the middle part of the series, which takes a more slice-of-life approach. A drama also doesn’t quite cut it because it’s got quite a few light-hearted moments, and while some episodes fall in the adventure-category, other episodes just show characters standing and talking. To be honest, apart from any World Masterpiece Production, I haven’t seen any anime that feels more like a novel than Seirei no Moribito.

The big key behind the success of this anime is the immense amount of detail that went in nearly every department of this series. The animation is truly gorgeous and detailed. Characters move more than necessary, they leave footprints on rough, terrain, random bypassers move realistic. It’s almost as if you were in a Ghibli-movie without all the over-the-top fantasy-elements. And to top things: the fight-coordination is among the best I’ve seen, even though there are only four or five of them in the entire series.

And then the characters. Don’t expect any flat characters here, nearly all of them have complex motives that can’t be described in one or two lines, they can think like normal human beings and some of them are quite smart, development is realistic and yet, as the series nears its conclusion you really begin to feel sympathy for them.

The storyline also finally doesn’t want to create the worst-case scenario in the end. All the plot-twists in the series favour realism over sensation. This series knows how to build up a good base for it, and it doesn’t want to ruin this by excessive amounts of forced drama and plot twists like we saw taken to the extreme in Code Geass. The storyline becomes so incredibly solid because of this, and because it moves relatively slow, it makes sure to put enough time to flesh out both the plotline and the characters to an excellent degree, so that it’s able to finish with an excellent finale that doesn’t feel rushed in any way.

There’s one major problem with this series, though. It may have been a tad too long, and many of the middle episodes, while they serve as a way to flesh out the characters, they also border on filler, and the story doesn’t get anywhere for about seven or eight episodes. It’s series like this one that make you pity that series can’t pick the option to take on the length of 1,5 seasons, as this would have been perfect for this series.

The first half may feel a bit tedious because of this, but everything comes together in the end like a charm. The music also fits this series perfectly and easily deserves a place in my top-3 of best soundtracks of the season. If you like series with lots and LOTS of detail, you should definitely check out this series, though you need patience to be able to enjoy it.

Posted on with categories: Seirei no Moribito


In the middle of this season, I didn’t think that the current Spring Season of 2007 could live up to the awesomeness of the previous Spring Season of 2006, but now that nearly all of the major series have finished apart from Kaze no Shoujo Emily and Dennou Coil, my mind has changed. The major difference in both seasons is that while most series of spring 2006 had their highlight in the middle of their run, the shows of the current season all have their final episodes as their highlights.

It’s awesome to see a season with so many quality endings. Usually, I’m extremely picky about them, but in one week, El Cazador, Bokura no, Ooedo Rocket and Seirei no Moribito all managed to provide a satisfying closure that left absolutely no bad taste in my mouth. While in terms of individual episodes, none of them really became as good as one of my favourite episodes of all time (Simoun 16), the better series of this season were much more consistent and thought-out when compared to Spring last year (Tsubasa Chronicle, the first season of Higurashi, xxxHolic and The Third all were awesome in their own way, but they did have pacing issues). Overall, Spring 2007 will go down for me as one of the top-tier seasons I’ve seen, ever since I started actively following the latest anime (which is since Summer 2005).

The current episode provides an excellent closure for Seirei no Moribito, where Chaggumu and Barsa say goodbye. There’s nothing much to say, apart from that the sentimental and nostalgic values were immense. At this point, enough room has been left for a second season, and yet it’s perfectly fine to end the series at that point as well. I guess it’s only a matter of waiting before we find out.

Posted on 22 September 2007 with categories: Seirei no Moribito


What a magnificent and incredibly well-executed finale! Seriously, it’s awesome to see that the building up of the entire series has paid off so well. The fight against Rarunga was definitely one of the most exciting long fights I’ve seen in a long while, and seeing the actual climax of the entire series work out so well was in one word awesome! At this point, I’m very well inclined to call Seirei no Moribito a successful experiment, and I definitely hope that it set the standard for more future anime to come.

Even though the fight against the ever-increasing population of the Rarunga already was awesome, the definite highlight of the episode was the egg finally being born. Chaggumu felt so much like a mother at that time, and the inclusion of the insert-song worked brilliantly. It’s a strange family-situation between Barsa, Tanda and Chaggumu, but that only makes it better.

All that’s left now is the aftermath, which is probably going back to the overall mood of the midle episodes. It’s going to be interesting to see which path Chaggumu will decide. Will he decide to become king, or will he stay with Barsa? It could be interesting, though I think that this episode closes off the awesomeness of this story.

Then there’s still the matter of the other books in the series that this anime was based on. If I recall correctly, the author wrote a bunch of other … no Moribito-books. It would be awesome to see these animated as well at some point. Let’s hope for the best.

Posted on 15 September 2007 with categories: Seirei no Moribito


I’m nearly speechless. This episode was quite straightforward, but the incredible attention to detail in both the graphics as the storytelling made it an awesome watch. This episode was really good in portraying everyone’s involvement, even though I didn’t understand some of the dialogues. Still, this series has featured episodes that were a lot more difficult to understand. This either means that my Japanese is getting better, I’m getting more familiarized with the story, or the dialogue as simply been simplified. I think it’s one of the latter, though.

Anyway, the thing that Gakai found out in the previous episode was that the lake isn’t the place where the egg is going to hatch. Chaggumu is heading for the real place, and the majority of the episode is spent on finding him, when they suddenly run into Rarunga, who’s also searching for him. There’s a high emphasis on tracking in this episode as well, and because of that, you could actually see the subtle trails that Chaggumu left behind.

In any case, Tanda finds out a way to defeat Rarunga, who turns out invulnerable to physical attacks: drink the dew of the water lily-like flower that we saw Chaggumu grab. Apparently, that one forms the link between the real and the spirit world. And with this, I realize the significance of the episode where Saya was ill: that one was meant to explain this principle. With this, they manage to kill Raruga, but there seem to be two of them, or perhaps even more.

I know that this description didn’t do this episode justice. The thing I really liked was how almost every person in it felt so real. People are smart, and think like real human beings. At least, more real than in 95% of all other anime. Don’t expect the fight against Rarunga to top episode three, though. While it looks beautiful, it just lacks the adrenaline of that episode. I think it’s safe to assume that the best fight of the series was showed in that particular episode. But after all, fights aren’t everything. ;)

Posted on 8 September 2007 with categories: Seirei no Moribito


Finally, after twenty-two-and-a-half episodes, the climax of Seirei no Moribito has finally started! Finally, spring has come, and finally Rarunga shows itself. In the next episode, we’ll finally learn whether Seirei no Moribito’s unique style of storytelling can be considered a success or not.

Most of the episode was pretty easy to understand, but there was one twist involving Dakai that I had trouble with. It seems that Shuga’s discoveries of a number of episodes ago were wrong, but I couldn’t quite catch what was so wrong about it, and why it was so incredibly urgent.

Anyway, about the rest of the episode, it was definitely centred on Chaggumu. During the winter, he definitely grew up, his hair got a bit longer, and at the start of the spring, Torogai-shi returns and gives him a new outfit. This definitely symbolizes how he’s matured a little, and prepared himself mentally for the arrival of Rarunga. This is also the first time I’ve seen Torogai-shi talk so friendly to anyone, symbolizing that everyone is with him, and willing to protect him. In any case, the new Chaggumu looks awesome, and you just have to love it when he grabs both Barsa and Tanda’s hand. ^_^

Then the second half of the episode comes when the royal guard returns. It seems that they too decided to wait till spring, but they’re not inclined to do nothing about Rarunga’s arrival. They also come with a bunch of interesting plot-twists:
– Rarunga can’t stand fire, which is why all the guards are equipped with fire-weapons.
– (I hope I understood this one right)Rarunga is the father of the egg inside Chaggumu.

Chaggumu then walks on a lake, due to the eggs power. It’s at this point when Rarunga appears, he indeed is a water-seirei, and seems to attack with crab-like feet. It’s also here where the egg starts to get a mind of its own, and starts to take over Chagumu’s behaviour. First, we’re given the impression that it’s waiting quietly for Rarunga to come, but then it does start to defend itself by forming the barrier we saw in episode 1. It then runs away.

Yet again, I’ve got no idea how the creators are planning to end this. There are only three episodes left, among which the last one will probably be an aftermath. This means that this story will be resolved within two episodes, and I can hardly wait for it!

Posted on 1 September 2007 with categories: Seirei no Moribito


This episode concludes Barsa’s past, and further builds up for the arrival of spring and Rarunga. Barsa’s past continues to surprise me. Jiguro actually killed all of his assailants we saw in the previous episode, and this is the reason why Barsa refuses to kill, because Jiguro felt so bad about it afterwards. Surprisingly, Jiguro never got killed. He died because of a disease, five years ago. Especially that part went against all possible rules of anime up till now.

Afterwards, Chaggumu also decided to learn how to fight with a spear, so that he could protect himself. There’s more to that: this episode went really deep, but I doubt that my summaries will be able show that. Near the end of the episode, we also get our first hint that spring is coming: the egg transports Chaggumu’s mind to the spirit world, just like what happened to Tanda, a few episodes back.

I’m not sure how to explain it, but I really liked this episode. I’m really happy to see that Seirei no Moribito has managed to come together, after all the time it spent building up.

Posted on 25 August 2007 with categories: Seirei no Moribito


Finally: an episode of Seirei no Moribito where we know what to expect: Barsa’s past, and it doesn’t disappoint. Seeing young Barsa again was awesome, and like expected, the amount of detail thrown in was as excellent as the rest of the series.

Barsa grew up in Kanbal, a nation, mostly covered in mountain. Her father worked as some kind of doctor, or something similar. Her mother died early. At one point, Barsa’s father ended up angering the emperor, which resulted in him, sending people in to kill his daughter. Because of this, her father asked Jiguro, a member of the royal guard, to protect her. Much like how Chaggumu’s mother asked Barsa to protect her son. This time, however, Barsa had done no wrong, but she’d end up involved in his father’s punishment if she wasn’t taken away.

Jiguro saved Barsa just in time, and they left her birthplace. That night, they stayed in a cave, though a few days later, the first soldier, out to retrieve Barsa arrived. I’m not sure if Jiguro kiled the guy, but he definitely wounded him, breaking his spear in the process. Because of that, they entered a Yogo-village, and came to the blacksmith we saw in episode eight. He forged the spear we saw Barsa wield in the beginning of the anime.

Then, a while later, we see the couple of Barsa and Jiguro running again, and we see another assailant. This one, however, is a former friend of Jiguro: Takuru. An amazing fight follows, and there we see the flashback, shown in episode three, in which Jiguro kills a former comrade, and cries over his dead body.

Then, when they arrived in a new Yogo-town, Barsa learned the news of her father being killed. Jiguro then told Barsa all about it, why he was forced to take her with him, and what happened to her father. Because of this, Barsa asked him to teach him to fight. Jiguro refused, though. Fighting should be something for men. No matter how hard women trained, they’d never be as good as men (HAH!). After Barsa kept insisting, though, Jiguro changed his mind.

They hung out with a couple of what I assume to be low-class fighters after that, where Barsa got her first training. She turned out to be quite popular amongs the guys, and often she was the centre of attention. At one point, however, she went too far, when she started boasting about Jiguro’s fight against Takuru, after which he punished her, with the same intensity of Barsa in episode 19.

Then, they stayed with Tanda and Toroga-shi for ten years, in which Barsa lived with Jiguro peacefully, while training. Interestingly enough, at that time Torogai-shi had four pets, living on her head. I wonder what happened to the others. Ten years later, though, a group of six warriors found them. Barsa was forced to hide, so that Jiguro would be able to take all of them on. We see the episode end as he runs off in a direction, opposite to hers.

Even though I obviously missed a few details, I loved this episode. I wonder why it was necessary to continue the story in the next episode. Barsa’s background could be solved within five minutes or less by the looks of it. I wonder whether there’s some twist left to happen, or something similar. In any case, I now understand why Barsa is so intent on saving Chaggumu: because of Jiguro, who probably died heroically, trying to save her.

Posted on 18 August 2007 with categories: Seirei no Moribito


This definitely is an unconventional and unique anime! Seriously, no other anime feels more like a novel than this one. Here I thought that the hunters would stir up trouble in this episode, and instead, they leave after hearing about Rarunga. They’ll return when spring comes, and Rarunga has been defeated.

It looks like it’s now just time to wait for Rarunga to come. It’s not the most complex and twisted storyline, but definitely the most realistic one. In the next episode, we’ll finally get to know about Barsa’s past, which will be something to look forward to. This episode basically shows us how the foursome reaches the secret place, where they plan to spend the winter. They spend the rest of the episode, stocking up food like moose and fish.

I’m really curious whether such a climax will work. Basically, at one point (I predict episode 23) Rarunga will come, try to kill Chaggumu and Barsa and Torogai will protect Chaggumu. How were they planning to do that? Will it benefit from the huge amount of time that was spent on building up the story and characters? Or would this series have been better off with only 13 episodes?

There’s one thing I do know, though: even though the episode wasn’t anything special, I really liked it.

Posted on 11 August 2007 with categories: Seirei no Moribito


This may very well be the best episode of Seirei no Moribito since episode 3. I nearly cried at one point. It’s just too bad that the issue between Barsa and Chaggumu is resolved now, but it will be interesting to see whether the final episodes pull a similar twist. Just like El Cazador de la Bruja, Seirei no Moribito is a series that spent most of its time building up. Right now, it’s time to see whether all the building-up can come together. Both series are showing some good signs. Ellis and Nadie are becoming so cute together, and the current episode showed that Barsa and Chaggumu have a great relationship together, but I have to see first before I’ll believe it.

Basically, the current episode centres on Chaggumu, running away. He’s been angry with Barsa, ever since she knocked down Shuga, and when now he finds out that he’s destined to die. When the girl comes, and offers to run away with him, he takes the chance. Barsa tracks them down easily, though Chaggumu refuses to go with her. He claims that Barsa isn’t his mother, and that she can’t know about his suffering.

In response, Barsa throws him her spear, and claims that if he wants to leave, he’d have to stab her. In his blind rage, he rushes towards her, though she stops him easily. She then smacks him down, claiming that he’s incredibly irresponsible. Everyone in the village is worrying about him, and he can’t just run away from them. What can he do when he’s alone like that?

That scene made a lot of impact, and I love how Barsa decided to solve it. It really shows the fruit of the constant building up of ths series. I’d love to see this continued, but I remain sceptical for now. There’s one thing I didn’t understand, though. At one point, Chaggumu fell down and felt dizzy, and thought that something was watching him. What was up wit that?

Oh, and the hunters make their move too. Luckily, Barsa and Chaggumu happen to be out of the village at that time, so they’re going to have to deal with Tanda and Torogai in the next episode. I’m interested to see how it’ll go, seeing the nature of this series. I can’t help but compare Seirei no Moribito to a Bakumatsu Kikansetsu Irohanihoheto with less fights, but where the latter turned straightforward in its second half, Seirei no Moribito continues to be unpredictable. Now let’s hope that this remains until the finale!

Posted on 4 August 2007 with categories: Seirei no Moribito


i think I now understand why Barsa refused to let Chaggumu go back. It’s not only because she promised to take care of him as a mother,but the fact also remains that he’s going to die once Rarunga arrives. She couldn’t let Chaggumu know this, which is why she’s been acting so cold to him. In this episode, he finds out about his fate when during their travels, he, Barsa, Tanda and Torogai run into the village where Tanda grew up. In there, a local girl tells the true legend of the Seirei no Moribito, including the pat of Chaggumu dying.

I definitely need to rewatch this series subbed, though. for once, I did manage to pick up all of the big lines of the story, but what happened in between, so the motives were surrounded in too much dialogue to make some sense to me. This episode was definitely a building-up one, though. We see the hunters tail them, and near the end of the episode they’ve moved quite close to Chaggumu’s location. Chaggumu now knows that he’s doomed to die, and now has to come up with a way to deal with it. Meanwhile, we get a bit of information about the place in which Tanda grew up. Not really an exciting episode, but a nice enough watch.

CHANGE USERNAME
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
Vonter
We've seen realistic Pokémon fanart, but how does a movie looks when it attempts it. https://www.youtube.com/watch?v=Q8CKgQFo5U8
Amagi
How are the subs for Maquia? I only heard anons complain about it.
Kaiser-Eoghan
*dealing with
Kaiser-Eoghan
Though you should really torrent it.
Kaiser-Eoghan
There is 1080p stream on kiss anime, if you hate deal with the ads on that site the 4up stream on anilinkz has the best quality of the available links
Lenlo
Where did you see Maquia online? I still need to watch it. PM it to me on discord maybe? Pretty please? <3
SuperMario
One fact that not many people know is that Penguin Highway is penned by Tomihiko Morimi. It indeed has many Morimi's signature inputs
SuperMario
This year, I'm doing well with catching up anime films (kudos for Australian's Madman who always license these titles very quickly). So far, I've watched Mirai, Maquia, Penguin Highway, Let Me Eat Your Pancreas and My Hero Academia the Movie
SuperMario
So I watched two anime movies this last week, Penguin Highway in theatre and Maquia online. Both of them are pretty solid in general, especially Penguin that has magical realism elements and some great chemistry. Whereas Mari Okada's writting still rubs me in the wrong way sometimes
Lenlo
D: He did, back in August actually apparently
Kaiser-Eoghan
@Lenlo: I heard Dino's voice actor died.
Kaiser-Eoghan
If we all took Goblin slayers attitude to trolls, then we would more easily ignore the trolls =P
Kaiser-Eoghan
Big twist in the golden kamuy manga.
Animosh
@SuperMario: remember that in the voice drama Rikka mentioned talking to Yuuta in their classroom during the ball game. Pretty sure it's about that.
SuperMario
@Animosh: i just watched the episode and noticed the lyrics as well. "The Promise" seems vague at the moment. Could be between Yuuta and whoever fits but I agree the "save someone from boredom" is about Akane
Animosh
You learn something every day. ;) Honestly though, I actually skipped the opening, so I hadn't even noticed that it had been translated until others pointed it out. And most of the time the lyrics are just cheesy one-liners, so I usually don't pay much attention to them either. But once in a while there's some nice hints hidden in there...
Kaiser-Eoghan
Y'know I never really ever paid attention to the lyrics in anime openings, I'd never thought to.
Animosh
The Gridman OP has been translated for the first time, and there's some pretty interesting reveals in there: it mentions a "promise" made in a classroom (so now we know how Yuuta and Rikka bonded in the past - glad it wasn't a simple confession), and talks of "rescuing" someone (presumably Akane) from boredom. So I guess she'll join the good guys eventually?
Lenlo
1200 words. I need to stop writing so much.
Kaiser-Eoghan
I haven't seen last weeks episode of Irozuku or this weeks =< I'm waiting now for a bit to see if the series paysoff.
Animosh
Goddamn those magic segments in Irozuku were stunning! It's a shame its humdrum drama can't live up to its visual beauty, but I'll take it.
Kaiser-Eoghan
I think Ash's design is based a bit on River phoneix.
Kaiser-Eoghan
Sorry Eiji but your Ash is in another castle.
Kaiser-Eoghan
@CoolerAnon: I was about to say that. Kidnapping gets used alot in shojo.
Anonymous3072040
Yeah Ash is basically Princess Peach
Kaiser-Eoghan
@Anon: I share your concerns, I don't know what studio is doing it. Some people want it to be mappa, some don't want it to be polygon pictures to adapt it. Its and long and violent manga, with some very funny at times dark humour, it could end up rushed and/or censored.
Anonymous3072021
As much as I love Dorohedoro I'm unsure if I should be happy or worried at it getting an adaptation, it isn't exactly the kind of story I imagine being easy to adapt well.
Lenlo
Yeah, I am touching on that in my writeup as we speak. The compressed story is causing Ash to be captured every other week.
Animosh
I agree Banana Fish was great this week though! My only gripe is that I'm getting sick and tired of seeing Ash get kidnapped again and again. He just escaped a couple of episodes ago! And he's just a lot more fun to watch when he's out there doing stuff.
Animosh
In a way the fights actually feel more realistic to me than those in Banana Fish. Sure, they're fantastical, bizarre even, but its battle system has a clear internal logic, and generally no power is infallible (each has its limitations). In Banana Fish the fights are rather poorly thought out by comparison. Their purpose is more to make Ash look cool than to give him realistic hurdles to overcome.
Animosh
@Kaiser: what sets Jojo apart from other battle shounen for me is how ridiculously creative its fights can get. Part 2 already shows some signs of this, but the introduction of the Stand system in Part 3 pushes it to another level, and in Part 4 the fights are consistently awesome. There are no simple beam struggles here: every fight is a battle of wits, between people with wildly different powers
Niel
Vinland Saga anime, and Now Dorohedoro just got announced. i'm really liking this trend.
Lenlo
Lots to writeup on Banana Fish this week.
Lenlo
Just finished it, I really like Blanca.
Lenlo
Because Jackie Chan and his stunt crew are some of the best in the world. There is a reason he has to insure his guys from his own pocket. No agency will take them
Kaiser-Eoghan
I have no idea how the hell Jackie Chan is still alive.
Kaiser-Eoghan
Action works best for me when I really feel that theres danger involved. Thats why when some actors do their own stunts, you can fear for the actors life, and also the character.
Kaiser-Eoghan
And thats why I'm a big fan of all that Chinese martial arts stuff from the 60s and 70s, that really expertly crafted chereography.
Lenlo
As for action, I like good choreography more than any super powers. Its why Cowboy Bebop, Seirei no Moribito, Sword of the Stranger and some Naruto fights are fantastic.
Lenlo
Im about to watch this weeks episode, so this chat makes me hopeful. I agree Ash and Eiji are the backbone of the series, and yeah me and Kaiser both agreed that the Gang war aspect was pretty weak, though I thought the finish with Arthur wasnt half bad
Kaiser-Eoghan
And I think Banana fish has a great grit to it for this reason.
Kaiser-Eoghan
I'm even more thankful to Banana fish too for that it keeps the action within the bounds of out of fantasy.
Kaiser-Eoghan
I've always been kind of a guns and swords and kungfu gut.
Kaiser-Eoghan
Black lagoons great example of anime action I can get behind.
Kaiser-Eoghan
I always found weapon combat and fist/kicking combat more raw and real,tangible than beamspam.
Anonymous3070972
But yeah if you're not a fan supernatural power fantasy action shounens, then maybe not your cup of tea, and that's totally cool
Anonymous3070972
Oh also if I'm recommending a fight from part 4, I'd say check out Highway Star
Anonymous3070972
Kira is a pretty cool villain though; he's always underpowered compared to the main heroes, but manages to somehow get out of the situation with luck or smarts; if nothing else, I'd recommend watching some Youtube clips
Anonymous3070972
*Turn off. lol.
Kaiser-Eoghan
Its more than, even when I was younger supernatural power fantasy action shounen never appealed to me.
Anonymous3070972
Admittedly JoJo always has bad with exposition though, and always will be just due to the style, so that can definitely be a turn on for some people
Anonymous3070972
If you like slice of life with hijinks and a murder mystery combined with cool battles, you'll like part 4
Anonymous3070972
Yeah I can see why you might not like part 1 & 2, they were made in the 80s; I'd recommend part 4 and part 5 (ongoing rn) tbh, I feel like those are better for a modern viewing experience
Anonymous3070972
I used to think that BF's greatest strength was the plot; know I realize it's really about Ash & Eiji's connection first and foremost: as good as the plot can be, Ash & Eiji's relationship is absolutely the backbone.
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