Posted on 29 September 2007 with categories: Anime Reviews, Seirei no Moribito


Spring 2007 came with many excellent and unique series, and Seirei no Moribito is one of them. Produced by Production IG with extremely solid production-values, this series is a true gem for those, looking for substance.

Let me first start with the following statement: Seirei no Moribito does not have an overall genre. While the first three episodes might suggest that we’re dealing with an action or martial-arts anime, you’ll be proven wrong by the middle part of the series, which takes a more slice-of-life approach. A drama also doesn’t quite cut it because it’s got quite a few light-hearted moments, and while some episodes fall in the adventure-category, other episodes just show characters standing and talking. To be honest, apart from any World Masterpiece Production, I haven’t seen any anime that feels more like a novel than Seirei no Moribito.

The big key behind the success of this anime is the immense amount of detail that went in nearly every department of this series. The animation is truly gorgeous and detailed. Characters move more than necessary, they leave footprints on rough, terrain, random bypassers move realistic. It’s almost as if you were in a Ghibli-movie without all the over-the-top fantasy-elements. And to top things: the fight-coordination is among the best I’ve seen, even though there are only four or five of them in the entire series.

And then the characters. Don’t expect any flat characters here, nearly all of them have complex motives that can’t be described in one or two lines, they can think like normal human beings and some of them are quite smart, development is realistic and yet, as the series nears its conclusion you really begin to feel sympathy for them.

The storyline also finally doesn’t want to create the worst-case scenario in the end. All the plot-twists in the series favour realism over sensation. This series knows how to build up a good base for it, and it doesn’t want to ruin this by excessive amounts of forced drama and plot twists like we saw taken to the extreme in Code Geass. The storyline becomes so incredibly solid because of this, and because it moves relatively slow, it makes sure to put enough time to flesh out both the plotline and the characters to an excellent degree, so that it’s able to finish with an excellent finale that doesn’t feel rushed in any way.

There’s one major problem with this series, though. It may have been a tad too long, and many of the middle episodes, while they serve as a way to flesh out the characters, they also border on filler, and the story doesn’t get anywhere for about seven or eight episodes. It’s series like this one that make you pity that series can’t pick the option to take on the length of 1,5 seasons, as this would have been perfect for this series.

The first half may feel a bit tedious because of this, but everything comes together in the end like a charm. The music also fits this series perfectly and easily deserves a place in my top-3 of best soundtracks of the season. If you like series with lots and LOTS of detail, you should definitely check out this series, though you need patience to be able to enjoy it.

Posted on with categories: Seirei no Moribito


In the middle of this season, I didn’t think that the current Spring Season of 2007 could live up to the awesomeness of the previous Spring Season of 2006, but now that nearly all of the major series have finished apart from Kaze no Shoujo Emily and Dennou Coil, my mind has changed. The major difference in both seasons is that while most series of spring 2006 had their highlight in the middle of their run, the shows of the current season all have their final episodes as their highlights.

It’s awesome to see a season with so many quality endings. Usually, I’m extremely picky about them, but in one week, El Cazador, Bokura no, Ooedo Rocket and Seirei no Moribito all managed to provide a satisfying closure that left absolutely no bad taste in my mouth. While in terms of individual episodes, none of them really became as good as one of my favourite episodes of all time (Simoun 16), the better series of this season were much more consistent and thought-out when compared to Spring last year (Tsubasa Chronicle, the first season of Higurashi, xxxHolic and The Third all were awesome in their own way, but they did have pacing issues). Overall, Spring 2007 will go down for me as one of the top-tier seasons I’ve seen, ever since I started actively following the latest anime (which is since Summer 2005).

The current episode provides an excellent closure for Seirei no Moribito, where Chaggumu and Barsa say goodbye. There’s nothing much to say, apart from that the sentimental and nostalgic values were immense. At this point, enough room has been left for a second season, and yet it’s perfectly fine to end the series at that point as well. I guess it’s only a matter of waiting before we find out.

Posted on 22 September 2007 with categories: Seirei no Moribito


What a magnificent and incredibly well-executed finale! Seriously, it’s awesome to see that the building up of the entire series has paid off so well. The fight against Rarunga was definitely one of the most exciting long fights I’ve seen in a long while, and seeing the actual climax of the entire series work out so well was in one word awesome! At this point, I’m very well inclined to call Seirei no Moribito a successful experiment, and I definitely hope that it set the standard for more future anime to come.

Even though the fight against the ever-increasing population of the Rarunga already was awesome, the definite highlight of the episode was the egg finally being born. Chaggumu felt so much like a mother at that time, and the inclusion of the insert-song worked brilliantly. It’s a strange family-situation between Barsa, Tanda and Chaggumu, but that only makes it better.

All that’s left now is the aftermath, which is probably going back to the overall mood of the midle episodes. It’s going to be interesting to see which path Chaggumu will decide. Will he decide to become king, or will he stay with Barsa? It could be interesting, though I think that this episode closes off the awesomeness of this story.

Then there’s still the matter of the other books in the series that this anime was based on. If I recall correctly, the author wrote a bunch of other … no Moribito-books. It would be awesome to see these animated as well at some point. Let’s hope for the best.

Posted on 15 September 2007 with categories: Seirei no Moribito


I’m nearly speechless. This episode was quite straightforward, but the incredible attention to detail in both the graphics as the storytelling made it an awesome watch. This episode was really good in portraying everyone’s involvement, even though I didn’t understand some of the dialogues. Still, this series has featured episodes that were a lot more difficult to understand. This either means that my Japanese is getting better, I’m getting more familiarized with the story, or the dialogue as simply been simplified. I think it’s one of the latter, though.

Anyway, the thing that Gakai found out in the previous episode was that the lake isn’t the place where the egg is going to hatch. Chaggumu is heading for the real place, and the majority of the episode is spent on finding him, when they suddenly run into Rarunga, who’s also searching for him. There’s a high emphasis on tracking in this episode as well, and because of that, you could actually see the subtle trails that Chaggumu left behind.

In any case, Tanda finds out a way to defeat Rarunga, who turns out invulnerable to physical attacks: drink the dew of the water lily-like flower that we saw Chaggumu grab. Apparently, that one forms the link between the real and the spirit world. And with this, I realize the significance of the episode where Saya was ill: that one was meant to explain this principle. With this, they manage to kill Raruga, but there seem to be two of them, or perhaps even more.

I know that this description didn’t do this episode justice. The thing I really liked was how almost every person in it felt so real. People are smart, and think like real human beings. At least, more real than in 95% of all other anime. Don’t expect the fight against Rarunga to top episode three, though. While it looks beautiful, it just lacks the adrenaline of that episode. I think it’s safe to assume that the best fight of the series was showed in that particular episode. But after all, fights aren’t everything. ;)

Posted on 8 September 2007 with categories: Seirei no Moribito


Finally, after twenty-two-and-a-half episodes, the climax of Seirei no Moribito has finally started! Finally, spring has come, and finally Rarunga shows itself. In the next episode, we’ll finally learn whether Seirei no Moribito’s unique style of storytelling can be considered a success or not.

Most of the episode was pretty easy to understand, but there was one twist involving Dakai that I had trouble with. It seems that Shuga’s discoveries of a number of episodes ago were wrong, but I couldn’t quite catch what was so wrong about it, and why it was so incredibly urgent.

Anyway, about the rest of the episode, it was definitely centred on Chaggumu. During the winter, he definitely grew up, his hair got a bit longer, and at the start of the spring, Torogai-shi returns and gives him a new outfit. This definitely symbolizes how he’s matured a little, and prepared himself mentally for the arrival of Rarunga. This is also the first time I’ve seen Torogai-shi talk so friendly to anyone, symbolizing that everyone is with him, and willing to protect him. In any case, the new Chaggumu looks awesome, and you just have to love it when he grabs both Barsa and Tanda’s hand. ^_^

Then the second half of the episode comes when the royal guard returns. It seems that they too decided to wait till spring, but they’re not inclined to do nothing about Rarunga’s arrival. They also come with a bunch of interesting plot-twists:
– Rarunga can’t stand fire, which is why all the guards are equipped with fire-weapons.
– (I hope I understood this one right)Rarunga is the father of the egg inside Chaggumu.

Chaggumu then walks on a lake, due to the eggs power. It’s at this point when Rarunga appears, he indeed is a water-seirei, and seems to attack with crab-like feet. It’s also here where the egg starts to get a mind of its own, and starts to take over Chagumu’s behaviour. First, we’re given the impression that it’s waiting quietly for Rarunga to come, but then it does start to defend itself by forming the barrier we saw in episode 1. It then runs away.

Yet again, I’ve got no idea how the creators are planning to end this. There are only three episodes left, among which the last one will probably be an aftermath. This means that this story will be resolved within two episodes, and I can hardly wait for it!

Posted on 1 September 2007 with categories: Seirei no Moribito


This episode concludes Barsa’s past, and further builds up for the arrival of spring and Rarunga. Barsa’s past continues to surprise me. Jiguro actually killed all of his assailants we saw in the previous episode, and this is the reason why Barsa refuses to kill, because Jiguro felt so bad about it afterwards. Surprisingly, Jiguro never got killed. He died because of a disease, five years ago. Especially that part went against all possible rules of anime up till now.

Afterwards, Chaggumu also decided to learn how to fight with a spear, so that he could protect himself. There’s more to that: this episode went really deep, but I doubt that my summaries will be able show that. Near the end of the episode, we also get our first hint that spring is coming: the egg transports Chaggumu’s mind to the spirit world, just like what happened to Tanda, a few episodes back.

I’m not sure how to explain it, but I really liked this episode. I’m really happy to see that Seirei no Moribito has managed to come together, after all the time it spent building up.

Posted on 25 August 2007 with categories: Seirei no Moribito


Finally: an episode of Seirei no Moribito where we know what to expect: Barsa’s past, and it doesn’t disappoint. Seeing young Barsa again was awesome, and like expected, the amount of detail thrown in was as excellent as the rest of the series.

Barsa grew up in Kanbal, a nation, mostly covered in mountain. Her father worked as some kind of doctor, or something similar. Her mother died early. At one point, Barsa’s father ended up angering the emperor, which resulted in him, sending people in to kill his daughter. Because of this, her father asked Jiguro, a member of the royal guard, to protect her. Much like how Chaggumu’s mother asked Barsa to protect her son. This time, however, Barsa had done no wrong, but she’d end up involved in his father’s punishment if she wasn’t taken away.

Jiguro saved Barsa just in time, and they left her birthplace. That night, they stayed in a cave, though a few days later, the first soldier, out to retrieve Barsa arrived. I’m not sure if Jiguro kiled the guy, but he definitely wounded him, breaking his spear in the process. Because of that, they entered a Yogo-village, and came to the blacksmith we saw in episode eight. He forged the spear we saw Barsa wield in the beginning of the anime.

Then, a while later, we see the couple of Barsa and Jiguro running again, and we see another assailant. This one, however, is a former friend of Jiguro: Takuru. An amazing fight follows, and there we see the flashback, shown in episode three, in which Jiguro kills a former comrade, and cries over his dead body.

Then, when they arrived in a new Yogo-town, Barsa learned the news of her father being killed. Jiguro then told Barsa all about it, why he was forced to take her with him, and what happened to her father. Because of this, Barsa asked him to teach him to fight. Jiguro refused, though. Fighting should be something for men. No matter how hard women trained, they’d never be as good as men (HAH!). After Barsa kept insisting, though, Jiguro changed his mind.

They hung out with a couple of what I assume to be low-class fighters after that, where Barsa got her first training. She turned out to be quite popular amongs the guys, and often she was the centre of attention. At one point, however, she went too far, when she started boasting about Jiguro’s fight against Takuru, after which he punished her, with the same intensity of Barsa in episode 19.

Then, they stayed with Tanda and Toroga-shi for ten years, in which Barsa lived with Jiguro peacefully, while training. Interestingly enough, at that time Torogai-shi had four pets, living on her head. I wonder what happened to the others. Ten years later, though, a group of six warriors found them. Barsa was forced to hide, so that Jiguro would be able to take all of them on. We see the episode end as he runs off in a direction, opposite to hers.

Even though I obviously missed a few details, I loved this episode. I wonder why it was necessary to continue the story in the next episode. Barsa’s background could be solved within five minutes or less by the looks of it. I wonder whether there’s some twist left to happen, or something similar. In any case, I now understand why Barsa is so intent on saving Chaggumu: because of Jiguro, who probably died heroically, trying to save her.

Posted on 18 August 2007 with categories: Seirei no Moribito


This definitely is an unconventional and unique anime! Seriously, no other anime feels more like a novel than this one. Here I thought that the hunters would stir up trouble in this episode, and instead, they leave after hearing about Rarunga. They’ll return when spring comes, and Rarunga has been defeated.

It looks like it’s now just time to wait for Rarunga to come. It’s not the most complex and twisted storyline, but definitely the most realistic one. In the next episode, we’ll finally get to know about Barsa’s past, which will be something to look forward to. This episode basically shows us how the foursome reaches the secret place, where they plan to spend the winter. They spend the rest of the episode, stocking up food like moose and fish.

I’m really curious whether such a climax will work. Basically, at one point (I predict episode 23) Rarunga will come, try to kill Chaggumu and Barsa and Torogai will protect Chaggumu. How were they planning to do that? Will it benefit from the huge amount of time that was spent on building up the story and characters? Or would this series have been better off with only 13 episodes?

There’s one thing I do know, though: even though the episode wasn’t anything special, I really liked it.

Posted on 11 August 2007 with categories: Seirei no Moribito


This may very well be the best episode of Seirei no Moribito since episode 3. I nearly cried at one point. It’s just too bad that the issue between Barsa and Chaggumu is resolved now, but it will be interesting to see whether the final episodes pull a similar twist. Just like El Cazador de la Bruja, Seirei no Moribito is a series that spent most of its time building up. Right now, it’s time to see whether all the building-up can come together. Both series are showing some good signs. Ellis and Nadie are becoming so cute together, and the current episode showed that Barsa and Chaggumu have a great relationship together, but I have to see first before I’ll believe it.

Basically, the current episode centres on Chaggumu, running away. He’s been angry with Barsa, ever since she knocked down Shuga, and when now he finds out that he’s destined to die. When the girl comes, and offers to run away with him, he takes the chance. Barsa tracks them down easily, though Chaggumu refuses to go with her. He claims that Barsa isn’t his mother, and that she can’t know about his suffering.

In response, Barsa throws him her spear, and claims that if he wants to leave, he’d have to stab her. In his blind rage, he rushes towards her, though she stops him easily. She then smacks him down, claiming that he’s incredibly irresponsible. Everyone in the village is worrying about him, and he can’t just run away from them. What can he do when he’s alone like that?

That scene made a lot of impact, and I love how Barsa decided to solve it. It really shows the fruit of the constant building up of ths series. I’d love to see this continued, but I remain sceptical for now. There’s one thing I didn’t understand, though. At one point, Chaggumu fell down and felt dizzy, and thought that something was watching him. What was up wit that?

Oh, and the hunters make their move too. Luckily, Barsa and Chaggumu happen to be out of the village at that time, so they’re going to have to deal with Tanda and Torogai in the next episode. I’m interested to see how it’ll go, seeing the nature of this series. I can’t help but compare Seirei no Moribito to a Bakumatsu Kikansetsu Irohanihoheto with less fights, but where the latter turned straightforward in its second half, Seirei no Moribito continues to be unpredictable. Now let’s hope that this remains until the finale!

Posted on 4 August 2007 with categories: Seirei no Moribito


i think I now understand why Barsa refused to let Chaggumu go back. It’s not only because she promised to take care of him as a mother,but the fact also remains that he’s going to die once Rarunga arrives. She couldn’t let Chaggumu know this, which is why she’s been acting so cold to him. In this episode, he finds out about his fate when during their travels, he, Barsa, Tanda and Torogai run into the village where Tanda grew up. In there, a local girl tells the true legend of the Seirei no Moribito, including the pat of Chaggumu dying.

I definitely need to rewatch this series subbed, though. for once, I did manage to pick up all of the big lines of the story, but what happened in between, so the motives were surrounded in too much dialogue to make some sense to me. This episode was definitely a building-up one, though. We see the hunters tail them, and near the end of the episode they’ve moved quite close to Chaggumu’s location. Chaggumu now knows that he’s doomed to die, and now has to come up with a way to deal with it. Meanwhile, we get a bit of information about the place in which Tanda grew up. Not really an exciting episode, but a nice enough watch.

CHANGE USERNAME
Vonter
Or are the 50s the new late 30s or early 40s?
Vonter
Are japanese people vampires? https://ultra.fandom.com/wiki/Toru_Furuya
Kaiser-Eoghan
@Vonter: If you look at the voice list, that Japanese voice actor for Mario in that anime movie is the same voice actor for Amuro Ray from the original Gundam.
Vonter
Also considering Baby Bowser was raised by Kamek. I suppose those beings could be made by magic.
Vonter
@Kaiser-Eoghan - My head canon is that Bowser made them himself. Kinda Lord Zedd or Rita from Power Rangers.
Kaiser-Eoghan
I still subscribe to the headcanon that Peach is the mother of Bowsers children.
Kaiser-Eoghan
I remember growing up with the relatively poor American cartoons, none of them featured Wario.
Kaiser-Eoghan
I have committed videogame genocide apparently.
Kaiser-Eoghan
Everytime I broke or hit a brick in the Mario games I was probably murdering a toad.
Vonter
The ending it's "interesting" considering the relationship Mario and Peach have isn't something as close, as Link and Zelda.
Vonter
@Kaiser-Eoghan - It's weird but at the same time it does use elements from the game. Like the music, and story bits from the manual from the original Super Mario Bros. (Where it mentioned Bowser uses magic to turn Toads into the bricks, clouds and other objects of the game).
Kaiser-Eoghan
I never did end up watching the Mario anime movie that came out in the 80s.
Vonter
Also someone is putting the effort of making a Bowsette adventure doujin. This is the type of stuff that could be it's own original thing since it strays far from what's Mario. Despite the occasional mild nudity it's quite fun so far, despite also how weird it is.
Vonter
@Kaiser-Eoghan - At the very least it'll be interesting to see where it goes. It happens also every time something comes back. Times change and so the way we make stories. Also the original run had a curtain call chapter, so this is more a new story.
Kaiser-Eoghan
Which is often what happens with episodic stuff for me.
Kaiser-Eoghan
I essentially read Fraken Fran until I got my fill of it.
AidanAK47
@Vonter, I feel that Franken Fran pretty much ran it's course though. Not sure what a new series could bring.
Vonter
Latest news: Franken Fran will get a new manga series. After it was cut short, it seems this little horror manga will get another chance: https://imgur.com/a/ypjtI4c
Vonter
I also read a bit ahead on Shield Hero. And I like it is character driven, but the cast isn't as big as other Isekai, like in Overlord where there are too many characters to easily keep track of what's happening (ever since it started Overlord feels like the most attached to its light novel origins).
Vonter
The monster town growing and expanding into it's own country reminded me of Digimon World. A game which you allied with Digimon to expand your town, add shops and other services. I've heard Xenoblade X was also like that.
Vonter
I watched during the weekend, the Slime Isekai. It's fine, though it lacked more conflict, the MC feels like its too powerful. Maybe this would have been great as a videogame since the concept of how this Slime evolves reminds me of the SNES game: E.V.O. The Search of Eden. It was about your character evolving through the ages and the player choosing how it adapts to it's environment.
Animosh
Also nice to see some love for LOGH in your personal lists (especially Aidan's). I guess it's too much of a niche series (a political epic in space) to score highly in the overall list, but I loved it. It retained much of what made the OVA so great while providing a much-needed update to its visuals and arguably better pacing.
Animosh
I also hadn't heard of the Kase-san OVA. Not sure whether enough can really happen in a one-hour OVA to make it worthwhile (it gives the impression of being promotional material more than a full-fledged adaptation), but I've been looking for another good yuri series after Bloom into You, so it can't hurt to give it a try.
Animosh
Nice to see Kaze ga made it on the list, even with just one cour out. I've seen most of the stuff that's won positive awards, but I've always avoided Pop Team Epic because of how silly it seemed to me. But given all the positive reviews (here and elsewhere) maybe I should give it a chance after all.
Kaiser-Eoghan
Yu-no can go fuck itself.
Kaiser-Eoghan
There's also Yuasa's new thing.
Kaiser-Eoghan
Maybe the thriller shows will be worthwhile but I'm not really as interested.
Kaiser-Eoghan
Yeah spring looks packed for me, there's also that throwback ova to riding Bean and some creature horror ova.
Kaiser-Eoghan
I notice that Index gets an annoying amount of episodes/adaptations, one of those shows that keeps going away for a while then keeps coming back.
Kaiser-Eoghan
We might get dororohedero and Vinliand saga at years end. I would like for pluto to air this year.
Kaiser-Eoghan
Definately looking forward to the josei and shoujo stuff in Spring 2019, nothing of interest for me thats on the summer 2019 list yet.
Vonter
Like you wrote, seems like it's the start for new ways to stream anime. With Crunchyroll making simulcasts and Netflix putting some anime in the spotlight considering the audience it has (and it also helps it has better dubs, at least in spanish). Finally I felt last year the criticism of fanservice got more loud, also summed with how tumblr and facebook politics are putting restrain on sex conten
SuperWooper
@Anon, Netflix is getting Watanabe's new series, Carole & Tuesday, next season. It might not have the mass appeal of Crybaby (violence and sex) or Aggretsuko (cute animals), but it ought to do well for them if they slap "FROM THE DIRECTOR OF COWBOY BEBOP" all over the Internet.
Vonter
Last year I also didn't watched a lot of drama or slice of life, which is a shame since a lot of what's listed reads like it fits those genres.
Vonter
Kind of a lukewarm year 2018 was in terms of anime series. Although I admit I watched a lot of trash as well. Most of the good stuff I watched last year was on Netflix. In terms of bad I already an issue on the list because disappointing, bad and trash are different degrees of badness.
Kaiser-Eoghan
Sorry for being so long and overdramatic, I'd normally stay quiet but I had to get my feelings out.
Kaiser-Eoghan
I don't want to say anymore about this show anymore, I know those who did watch it generally emotionally connected with it or thought it was some kind of epic, if anything I felt it was an epic ruined by being chopped down. I hated it.
Kaiser-Eoghan
Nothing seems settled on long enough and nothing registers.
Kaiser-Eoghan
As Hateable as Jomy is in the beginning, I would at least liked to have seen proper flow of plot structure allowing for some natural progression of character.
Kaiser-Eoghan
As an idea and I think if explored with more episodes/more it could be something, this also includes Keith.
Kaiser-Eoghan
The timeskip and general pacing annihilate anything that could be anything approaching reaching close to working with this series, resulting in an un-compelling cast I feel nothing for that ruins and undersells any drama which is far too overdone when it occurs.
Kaiser-Eoghan
I can't complete this, don't care if I've watched the first half.
Kaiser-Eoghan
I didn't like the couple of episodes of Terra e I watched a some years ago, unfortunately this second attempt, over halfway through the show only illustrates further just how much I utterly despise this show.
Kaiser-Eoghan
As I've said before, I do think re-watches are important, especially years later after watching a show you disliked, if only to see if you'll enjoy it on the second run, lately thats been mostly successful for me, however....
Anonymous3325300
Meanwhile, I do expect that this year will be much stronger in terms of quality. Of course, I had the same assumptions last year based on the winter shows, but I do feel like this could be a stronger year full of great shows, instead of a lot of merely "good" ones.
Anonymous3325300
I predict that Netflix this year probably won't have a Devilman/Aggretsuko-level hit in terms of new anime. Evangelion is probably all they need, even though it's an old series.
Lenlo
If anyone thought that wasn't getting on this list, they either didnt watch it or have really low standards
Kaiser-Eoghan
@Lenlo: Its so catharctic that you listed steins;gate 0 I remember how we essentially lived and watched it together.
Lenlo
I think thats what the most pleasant surprise category is supposed to be. Didnt wanna double up on to many cats
Kaiser-Eoghan
No biggest surprise category?
Kaiser-Eoghan
I can understand including bunny-senpai as a runner up, I'd have trouble picking between it and sorayori.
Lenlo
Episode 7 is so damn good, I don't care that its American.
Kaiser-Eoghan
@Aidan: How do you think I feel, I'm not far off 35.
Kaiser-Eoghan
Glad you actually made room for a movie category aswell.
Kaiser-Eoghan
Based Lenlo, cheating with American anime cartoon.
Lenlo
Im just happy I got Castlevania on this list at all
Kaiser-Eoghan
Dropped planet with, hinamatsuri and violent evergarden though, didn't see Hisone.
Kaiser-Eoghan
I probably would have replaced planet with with happy sugar life or banana fish though or yagate ga kimi.
Kaiser-Eoghan
In any case, I am glad my wife Kanna Hanazawa won an award on your list and that Devilman got featured more than once.
Kaiser-Eoghan
Ah, I though you would be splitting the voice actor category into voice actor and voice actress, though I suppose that's probably cheating a bit.
SuperWooper
You're not alone - of the four of us, I was the only one who watched it.
Kaiser-Eoghan
I must have missed ASAGAO TO KASE-SAN. Hadn't heard of it until now, I should have paid more attention.
Anonymous3324478
Oh and the music was pretty good too I guess. Another episode is airing in March.
Anonymous3324478
Masa also recovered from his car accident from a few episodes ago. It was totally unneeded in my opinion.
Anonymous3324478
The last episode of Tsurune was a decent ending to an otherwise formulaic sports show with some great animation on par for the course with KyoAni. Minato overcame his target panic and won it for the team. Twins got owned big time.
Animosh
There's a new episode out of the Gridman voice drama: https://barnnn.blogspot.com/2019/01/ssssgridman-voice-drama-episode-6n.html. It's a pretty good one too.
Animosh
My only worry is if the series will be able to get to its logical stopping point (the end of the Claw arc) in 12 episodes. But I suppose I should trust Bones over my vague memories of how much content there is left to cover.
Animosh
Yeah, I agree a split cour could be good. It would allow the series to maintain its high levels of animation, and given how stacked next season looks to be (anime aside, there's also American Gods and the Game of Thrones madness to keep up with), and with another ONE show airing, a break wouldn't be so bad.
SuperMario
Split cour of Mob Psycho would be awesome. I don't want to watch 2 ONE's adaptation in one season
Lenlo
Not for bloggin
Lenlo
While I love Mob, I am a bit happy its only 1 cour. I couldnt do 3 2 cour series
Animosh
Assuming we do get 12 episodes, a split cour would still make sense ... but I guess we'll just have to wait for the official confirmations
Animosh
As far as I can tell the only source is some guy in Twitter, so not sure how reliable it is
Vonter
@Kaiser-Eoghan - Devilman Lady is what comes to mind on how to do this type of show better. That one had also a special agency for supernatural incidents, has a simple but compelling main character, uses it's time to build atmosphere and mood and even the action while a bit stilted had better monster design and the violence it's graphic but entertaining like Robocop.
Vonter
@Kaiser-Eoghan - Ok I will check. I'm also curious where it goes in terms of tone. Because it's all over the place.
Vonter
Ok. Last time I tried the login in feature didn't respond. This time it worked.
Kaiser-Eoghan
@Anon: Keep me posted of magical girl spec ops in case it does turn into the kind of guilty pleasure shlock it should.
Kaiser-Eoghan
@Anon: Is this vonter? If you register an account you can keep the name.
Anonymous3321080
But I think what gets me the most its how it beats the dead horse of the 80s action hero arc. Van Damme, Arnold and Stallone had more or less these type of lines. Its kind of funny this anime pretends these aren't tropes we don't use anymore because of how corny they come off. It'll definitely work better as an abridged series since it can be very boring when it tries to add the school life moment
Anonymous3321080
Also Mahou Spec Ops... Is interestingly bad. It tries to be exploitative and shocking but feels very sloppy, kinda like that meme of *slow heavy metal music plays* It also wants to play it like a dark shoujo anime, but the cute monsters are just distracting.
Anonymous3321080
Reading your conversations about idols, despite being mediocre Gokudolls and Ore Mahou Shoujo made jabs at that culture. At least painting some aspects that may be true of how exploitative it is. I suppose because those are subpar, over the top and cheap is what they can do that. Can't remember one aside from Perfect Blue which criticizes that industry.
Kaiser-Eoghan
But only if there was more anime noirs.
Amagi
Reminds me of that stalin vs hitler comic. Think it was russian. They're attacking each other with magical super powers there. And yeah, I love noir now that you mention it.
Kaiser-Eoghan
@Amagi: That'd make for a great noir story.
Kaiser-Eoghan
@Amagi: Imagine Stalin and Hitler trolling each other on twitter.
Amagi
It's easy to construct superiority when you never have to show your private face and never participate in mundane chat talks or so.
Amagi
I bet a lot of people who had some aura of authority back then due to only ever appearing in books or for very rare (scripted) speeches would probably laughing stocks now if we'd see them commenting on daily stuff and news on twitter or reddit.
Amagi
I personally have given up upon having heroes. I still find a lot of historical people interesting but let's be real the few of them that weren't blatanly bad in some way were different then we imagine them to be (even if they're good). Just look how different people feel now that you see them tweeting on twitter VS policians etc decades ago.
Amagi
I like the idea of a main character longing for a dead friend and role model he had and still idolizes. Then at some point he starts reconstructing his friend's past to cherish his memories about him even more but finds out that the friends wasn't the hero he believed him to be and maybe even the own memories of him were idealized a lot over the years after his death without him even noticing.
Amagi
Yeah we are always searching for some sort of über-ich or perfect being that symbolizes the goal of some personality growth we're trying to achieve.
Kaiser-Eoghan
Or the reason why some people need to have so many things or idols they probably don't need.
Kaiser-Eoghan
I think there is a genetic/mental inadequacy in humanity that makes us susceptible to following "higher people who we forget are actually human" because of our own desire for an avatar or general inadequacy as human beings.
Amagi
Yeah this. It's probably also why they defend them so eagerly. Because it's actually true that "their" version of that person would never do that.
Kaiser-Eoghan
@Amagi: And that probably creates a much stronger blow to them when the actor is found guilty of a crime.
Kaiser-Eoghan
@Amagi: Very good response.
Amagi
It's kinda weird how almost everything we know about others is actually just interpretation to some degree.
Amagi
The weird thing is that I think that many fans of acrots/celebrities rather create their own versions of them they fall in love with rather than loving the actual person, whom they barely even know. It's fun because the concept of a waifu sounds extremely weird to normal people, but many normal people kinda do this too but with real persons (but imaginary personality).
Kaiser-Eoghan
I think thats where it starts getting obsessive or where it gets too close to the next level, such as what the anon mentioned.
Kaiser-Eoghan
I also can't bring myself to get too attached to a celebrity or to a character. I do look at hentai doujins yes but, I've probably had thoughts about certain actors or what not, but I never actually want to sleep with them, again I think that's taking fantasy too far.
Amagi
I never know if these are serious celebrations or rather some fun memes they do to post, I always assumed the latter. Kinda.
Kaiser-Eoghan
I think the fans celebrating the idol's birthday thing is taking it to far too, especially if its an anime character.
Amagi
Yeah I was never an idol fan either, and I don't just mean the idol genre in anime but anything similar to idol stuff in general, like being a fanboy/girl of some celebrity or something. Was never able to get into that.
Kaiser-Eoghan
Its all too superficial.
Kaiser-Eoghan
Don't like the ideas it gives teenage girls either .
Kaiser-Eoghan
Certain topics just set me off =<
Amagi
The third episode of Wake Up girls was pretty good in that regard. I think it was the third one.
Kaiser-Eoghan
But yes, thats a pretty bad story what happened to the woman you mentioned.
Kaiser-Eoghan
@Anon: Might be a good idea to catch some documentaries on that topic .
Kaiser-Eoghan
But that was just a sentence from some guy on a podcast though.
Kaiser-Eoghan
Now though I didn't see it, I do recall someone saying some of that Wake up girls idol anime slightly brought up seedier parts of the industry if not much.
Kaiser-Eoghan
The hallow shallowness of the idol industry I mean.
Kaiser-Eoghan
I also dislike the shallowness of it.
Kaiser-Eoghan
I love how Perfect blue takes influences from those gialli/giallo style films from the 60s/70s to an extent, while also spitting on the industry.
Kaiser-Eoghan
But you know what sucks? A part of me, both in regards to those women (and probably some of the male idols) whether it be in reality or animation, I can't actually deny finding some of these men/women actually physically attractive.
Kaiser-Eoghan
Music industry has its seediness just about everywhere and of course victim blaming going to appear everywhere, not just Japan.
Kaiser-Eoghan
*commodification-consumerist
Kaiser-Eoghan
@Anon: I hate capitalism, I hate the idol communication-commercialist industry and the willing self-aware slaves and their masters who perpetuate it, the music is largely awful aswell. I don't watch most of the idol anime, I think the idea of 30 something men throwing cash it is awful.
Anonymous3319279
Wonder if there will be some modern equivalent of Perfect Blue? That was a scathing critique of the idol industry back in the late 90s. Although given how shows that are flat out glorifying the industry are the best-selling shows on BD every year, I doubt it.
Anonymous3319279
In short, she was assaulted by two men at her home who were then arrested. Then she was pressured by her managers into claiming that she was to blame for this, not the men and apologizing to an audience.
Anonymous3319279
Hearing about what happened to some idol named Mahohon seriously makes me wonder if idol culture in Japan seriously needs an overhaul and if media needs to stop glorifying the industry so much.
Anonymous3319260
Ok. No pressure, just asking.
AidanAK47
@Anon, we are working on it. It's nearing completion and should be posted soon.
Anonymous3318799
I don't know if I missed it. But have you put the overview of 2018? Of best show, best character, etc. Did 2018 had a good anime villain?
Masky
Anyhoo, surprisingly Lovecraft's books have some really faithful manga adaptions
Masky
A story set in world post "Cthulhu"(or whatever is setting equivalent) awakening and transcending humans into "savage" inhuman world that he is supposed to bring forth
Masky
Ya know, speaking of lovecraft here is what I really want to see:
Kaiser-Eoghan
Well I guess Die Farbe and whisperer in the darkness count and the cthulu one, the latter two were done by the Lovecraft society.
Kaiser-Eoghan
The closest we got with an actual adaptation was Dreams of the witchhouse , but they left out Nyarlathotep.
Kaiser-Eoghan
Those films were fun, but none of them dated well either.
Kaiser-Eoghan
I have to seperate my knowledge of the books from Stuart Gordon and Brian yuznas films that borrow elements and titles from Lovecrafts works, once I accept their takes on him are just body horror a black comedies I can kind of accept it more.
Lenlo
I think Junji Ito's manga works have come the closest to Lovecrafts brand of horror, and we all saw how that adaptation went.
Lenlo
Yeah, Lovecraft is a hard one. Even his own books are hit or miss, because it is a very fine line for his brand of psychological horror. Would make for an interesting and unique anime if done well though
Kaiser-Eoghan
A lovecraft themed world would find some difficulty in getting the atmosphere right as he has proved difficult to adapt.
Lenlo
Ah. Yeah, a non-traditional setting like that would be good. I think Isekai, to really change it up, should start going for non-traditional settings. Sci-Fi, Lovecraft, etc. I think this was mentioned before yeah?
Kaiser-Eoghan
@Lenlo: I believe the anon was saying it in relation to making a good setting for an isekai show.
Lenlo
Its why I standby Sakaki in this that, even if he was a dick about it, he is right to be angry at how it all placed out. Just not at Kurahara.

Also @Anon, I loved Bloodborne! No idea what the convo is about, but saw it mentioned
Lenlo
They should Kaiser, I agree. Just look at American college football right now. ITs coming out all over the place, and people wonder why teams dont speak out against it. Its because they are kids, they think "This is how its SUPPOSED to be. Only the best make it. Its not the coaches fault, he makes us win". etc etc.
Kaiser-Eoghan
There is a spinoff anthology for bloom into you's manga.
Kaiser-Eoghan
Or other big issues relating to sports such as performance enhancing drugs.
Kaiser-Eoghan
Lenlo, a thought popped into my head there, more sports shows should focus on abuse.
Kaiser-Eoghan
I think flipflappers is one of my favourites in years, but it was definately at its best when it wasn't really about wrapping up its story.
Amagi
Space Dandy and Kaiba had this to some degree too. Liked both series.
Amagi
@Kaiser: Kinda sad that the latter half of Flip Flappers was rather weak because it started with this different worlds idea.
Amagi
I think Matsumoto stuff might actually be the very first anime I have seen in my life, not regularly though and usually when I was in Italy.
Kaiser-Eoghan
The noir world could be in black and white.
Kaiser-Eoghan
How about another world that has different sections that follow different genres?
Kaiser-Eoghan
@Anon: Helped greatly by his use of artistic cinematography and use of dramatic stills.
Anonymous3316528
Old anime has very bitter stories. Despite the old drawings, several had harsh live lessons. Osamu Dezaki had such a talent to direct drama.
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