Posted on 26 September 2006 with categories: Anime Reviews, Simoun


In my more recent reviews, I always tried to classify the anime I reviewed in some kind of genre. Strangely enough, I can’t seem to do this with Simoun. There is just not one typical category it fits in. It’s got some yuri-romance, it’s got action, it’s a character study, it deals with heavy themes, it’s got all of these tiny elements which somehow form this beautiful result.

I really mean it when I say that Simoun is an awesome anime. Probably one of the best who aired during the spring season. It’s mostly because of the characters. These characters are so incredibly fleshed out that as the anime progresses, it’s able to invoke their deepest emotions. The anime, however, starts out a bit fragile. The first episode is not necessarily a bad one, but it did turn many viewers away. After this first episode, the anime picks up in a steady pace, already giving the viewer small tastes of the awesomeness which is about to come.

The best of this series appears in episodes 14, 15 and 16. Seriously, at those episodes, this anime will have you clinging to the screen in order not to miss even a single millisecond. These scenes are just too good to be described. Afterwards, the series continues with an excellent average level, until another very good climax comes at episode nineteen and twenty.

From that point, the anime takes an incredibly original turn. It’s something only very few anime attempt. The overall theme suddenly gets shifted from the action and tension towards a more thought-provoking one: saying goodbye and living on. A great deal of time is spent on this, in comparison to other anime, and if I have to say so myself, the last episodes give Simoun a very fitting ending.

This anime shines because of its characters. Each and every single one of them is unique. Each has her own struggles, and when you combine these struggles, tensions can rise incredibly high. It’s also one of the very few anime who doesn’t mess up with the love-theme, and this makes the romance-aspect also one huge success, significantly contributing to the overall mood of the show.

The soundtrack which comes with this anime also is superb. There are certain tracks which will really help bring the best out of the scenes. In the graphical department, this series also shines. Especially with the character design. Each character looks absolutely gorgeous. The battles also are a very nice watch.

Still, like I said, the character-driven episodes are awesome. But they do make the story-driven episodes rather bland in comparison. That’s about the only down part of this anime. The characters are far more interesting that the general story behind all of this. That’s about the only bad point.

Posted on with categories: Simoun

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And so, I’m afraid to say it, but Simoun has come to an end. And it certainly has been one of the most unique endings ever. It was nothing that could have blown me off my chair, but instead, this ending did leave me with a warm, fuzzy feeling. I can happily say that this ending succeeded. Still, the ending was puzzling, and there are a small number of questions left unanswered.

Anyway, the episode takes place a few years in the future, in order to show what happened to each of the members of the chor tempest. Extra focus is put on Limone and we also see a flashback of what happened with Aaeru and Neviriru before they got to perform their Emerald Ri Maajon.

What happened to Aaeru and Neviriru afterwards wasn’t really spectacular. They headed off, a spokesman of the Highlands sends some Simoun to retrieve them, though the priestesses have no intention of capturing them. They perform the Emerald Ri Maajon, and disappear. It’s not the huge spectacle with Limone and Dominüra. Still, the fact that the only scenes we see of them is at the end of the episode, in which they’re dancing in the debris of the Arcus Prima does make you wonder what happened with them afterwards. It’s one of the few unanswered questions. I’m suspecting that they travelled a lot of different worlds.

Surprisingly, we never get to see Amuria. We never know what happened to her. Same with Mamiina’s body. She’s been shot down. What happened to it? Those are the only bad points of this episode.

Limone was awesome in this episode. She looks beautiful when she’s grown up, and it seems that her arrival triggered other people of her age to try flying with the Simoun as well. We never find out whether she’s in the future, or in the past. If I had to guess, it’s the future. Don’t know why. Dominüra hasn’t been willing to fly the Simoun ever since she arrived in this timezone. Limone, however, wants to fly again, though not if it means forcing her will onto Dominüra. She’s been bothered by quite an amitious Sybilla, who aims to be paired with Limone, but Limone refuses to fly with anyone other than her beloved pair. How cute. The last scene we see of them is Dominüra, who finally agrees to fly again. She and Limone happily walk off, while Limone casted off the same strange stuff Onashia did. Does this mean what I think it means?

Next up, the characters who remained in the current world. First up: Morinasu. She now works as a female employee under Wauf. She’s been married with Waporifu, and she’s pregnant of her second child now.

Wauf also got a little daughter. The identity of mother is never mentioned. But it does seem clear that he has a very strong bond with both Morinasu and his daughter. He was very cute to see. I also loved him as a minor character in the series.

Remember Eri? Well, of course, he had to end up somewhere as well. He renamed himself to Erifu, and works at the same place as Morinasu and Wauf. It seems that he pilots Simire, in order to transport goods from one place to another. He’s been exceptionally busy, as it seems that the highlands and the archipelago are going into war.

Next up, Paraietta. Talk about character growth. I think that she, along with Dominüra and Mamiina changed the most, out of all of the characters in the series. She’s just so laid back now. She has really learned not to worry so much. She also put her time into a very noble job: providing a home for children who have lost their parents. Surprisingly enough, she ended up along with Rodoreamon.

Rodoreamon seems to have decided to take the management of Paraietta’s orphan home. It seems that they’ve got some problems with the upcoming war. She’s a bit worried, but determined as well. Also a HUGE difference with the way she was before.

Kaimu and Aruti decided to live together after all. After they grew up, they just returned to their original home, in order to spend their days quietly. Cute, very cute. ^_^

Yun still is at the spring, though she did decide to choose her gender. In the end, she became a female. Right now, she’s still standing at the spring, devoting her entire life to changing genders. In a way, that’s really sad. But she did choose for it. I remember noting that Jun was a tough nut to crack, back when she was just 100% objectivity. Well, in the end, she definitely had her moment of glory.

Furoe changed the most in terms of appearance. But that’s only logical, as she had the most feminine looks of the entire cast, and she suddenly switched to being a male. He named himself Furoefu. He’s been working as a farmer, right next to the debris that was once the mighty Arcus Prima. I can imagine that it works quite nostalgic. He even visits it some times, on a Helios Motores-powered boat.

Vyura (or Vyurafu) looks so cool as a man. He’s got a really laid-back attitude. And it seems that he’ll be fighting on the side of the enemy. I think that’s one of the messages of this final episode. “Ah well, that’s life.”

Anubitufu and Guraghief look so totally badass, in their new outfits. ^^;

And of course, I knew it was coming when around the final moments of the episode, the creators decided to show a few last shot of the ruins of the Arcus Prima. It really had it coming, and indeed. It’s a perfect way for a finale. We first see Aaeru and Neviriru dancing a bit, symbolizing the journeys they made. Then we switch to one of the hallways, in which Paraietta was doodling on the walls, two episodes ago.

Really, she was more enthusiastic than I thought she was. She made an incredibly cute chibi-drawing of every single Simoun Sybilla. That was so cute to see. A fitting ending for such an awesome series.

Posted on 20 September 2006 with categories: Simoun


Ooh, that was so exciting. After seeing this episode, it seems that the creators are planning to go all out for the final episode, while they used the last couple of episodes as preparations. I still have no idea what’s going to happen. Okay, Aaeru and Neviriru will be performing the Emerald Ri Maajon. But what will happen afterwards? Will they meet with Limone and Dominüra or Amuria? And what may have happened with Mamiina’s corpse which was blown out of the air a couple of episodes ago?

In any case, final episodes are always tricky to perform the right way. Many anime have trouble with this, and only a handful managed to do it in the end. I’m hoping that Simoun will be one of those. In any case, it won’t be one of those rushed endings, as it’s had enough time to prepare. Let’s hope that it’ll be able to deliver.

Anyway, about the episode. We start where we left off after the previous episode: Paraietta, Furoe, Aruti, Kaimu, Vyüra, Morinasu and Rödoreamon entering the spring. This is surprisingly painful for Yun, as we see her in agony once the ritual starts. (On a side-note: the background tune they used for this worked perfectly). The results are quite interesting.

Kaimu: Female
Vyüra: Male
Furoe: Male
Paraietta: Female
Aruti: Female
Rödoreamon: Female
Morinasu: Female

Especially Morinasu, Furoe and Paraietta are surprising. Both Furoe and Morinasu were seen, claiming to become the opposite of what they actually became. I think love had a lot to do with this. And Paraietta so seemed the type to become male. Everyone just assumed that she’d choose this. It’s also interesting if you realize that they aren’t priestesses any more. Especially when they saw a little kid, coming up to them and praying in front of them, just like nothing happened.

The second part of the episode basically features getting Aaeru and Neviriru in a Simoun. For some reason, the Plumbum officials are insisting that they go to the spring as soon as possible. In the end, with a bit of help from everyone, they manage to do this. Aaeru and Neviriru say goodbye and the episode ends.

Posted on 13 September 2006 with categories: Simoun


Okay, that was deep.

This episode went so incredibly deep. It’s so different from the direction I hoped for, but that doesn’t mean that I didn’t love it.

The major part of this episode deals with the fact that the Chor Tempest will be disbanded, which means that its members will have to go to the spring, which means that they’ll have to say goodbye to their previous lives. Topics like these always do well, so you’d wonder why so little anime are trying it. In any case, every member, except Aaeru, Neviriru and Yun, will be going to the spring. The way the creators displayed this was awesome. On their last day, they all have just a last bit of fun, before they leave. Kaimu and Aruti also get a bit closer together, and Paraietta was scratching something on the wall near the dormitories. We don’t get to see what exactly it was that she scribbled on it, though.

Aaeru and Neviriru stay on the Arcus Prima, however. Both still are unsure which sex they should choose, and Neviriru keeps bugging Aaeru to do the Emerald Ri Maajon. This eventually ends in Neviriru confessing to Aaeru. I think the two now officially are in love with this. We get to see the results at the next episode. ^^

Yun gets a very surprising role. Remember her during the previous episode? She keeps getting haunted by what she saw. In the end, she decides to leave the Arcus Prima, and accept Onashia, and forgive her for the sins she committed when she didn’t choose a sex, wishing to stay an eternal maiden forever. Onashia then disappears, while Yun takes over her role. The other members of the Chor Tempest find this out in a very interesting way.

Seriously, I never expected that the creators were going for an ending of this kind. You would expect a lot of action, though for the previous two episodes, there hasn’t been any fight scene at all. And due to the fact that peace has been made, I don’t think more action scenes will be coming. At first, I was a bit startled by this, though now I’m beginning to see how incredibly awesome it can become. We still have the problem of Limone and Dominüra. What will their role be in the final two episodes?

Posted on 6 September 2006 with categories: Simoun


An intermezzo. It’ll probably the intermezzo before the big finale of Simoun. Let us hope it’ll be able to deliver the long-awaited bang.

The important characters this time were Aaeru, Neviriru, Paraietta, Yun, Onashia, The Temple One and a bit of Harukonfu. The Peace treaty has been signed. It’s not a trap. But there is a catch: the Chor Tempest will be disbanded. The Priests from the highlands will be taking over the Sibylla’s duties. This worked exceptionally well to put time pressure on our characters. Especially and surprisingly The Temple One shows this, as she isn’t happy with this decision at all. After all, if the Chor Tempest will be disbanded, it’ll almost be impossible to perform the Emerald Ri Maajon. She freaks out and begs Neviriru and Paraietta, who she happened to run into, to perform it.

Yun has meanwhile left the Arcus Prima, and headed towards the ruins. There, she has a very interesting discussion with Onashia. Onashia once was a member of the Chor Dextra. She could understand Yun, as she lost a lot of former friends herself. Onashia then shows her something very interesting: the result of what happens if you don’t choose your gender. If that’s the case, you’ll end up like her. Your eyes get a weird colour, and your body turns blue and starts shedding away strange sparks, which don’t really look healthy. This also explains how Onashia managed to get such a high position. As she never went to the spring, she remained a holy priest for her entire life. Of course that would give her status.

Aaeru is getting more and more confused. It seems that she really wants to see another world. It seems that she had another reason to become a Sibylla than just not being able to make up her mind. Her grandfather also influenced her, making her wanting to travel to another world. That’s why she joined the Chor Tempest. In any case, later in the episode, we see her getting a bit annoyed and confused with Neviriru. She thinks it’s because Neviriru’s been talking more and more, though I (and Furoe as well) think that she’s still jealous with the possibility of Amuria still existing.

Harukonfu still doesn’t know what he can do. He can’t protect his daughter, he lost his status, he’s nothing. Maybe we can expect some interesting things from him in the latest episodes. Paraietta and Neviriru also finally seem to have understood each other.

It seems that everything is set now for the finale. I’m wondering how it’ll go. It’s got some good ingredients, now all that’s left is how to use them.

Posted on 29 August 2006 with categories: Simoun



Interesting. An Anubitifu/Guraghief episode. Didn’t see that one coming. It’s an interestingly paced episode, one you wouldn’t expect at this point of the anime.

The thing starts when Anubitufu makes some decisions Guraghief doesn’t agree with. Remember when Mamiina was shot out of the air? Anubitufu also realized something was wrong when the Sybilla transporting her coffin never returned. Anubitufu sees this as a sign that they don’t have control anymore over their own airspace. He also orders Guraghief not to tell the members of the Chor Tempest about this. That’s where Guraghief doesn’t agree. And he gets angry.

Later, we see them in the church, and Guraghief surprises himself over the fact that Anubitufu would hide things from him, and he no longer understands what he desires. Was this only over the fact that Anubitifu told Guraghief not to tell the Sybilla about Mamiina, or did something happen which we don’t get do see. After all, it’s unlikely to make such a fight because of this. In any case, we later see Anubitifu make a little talk with Wauf. Wauf seems to know that the two of them are hostile to each other. Anubitufu reckons that Guraghief’s too earnest. Wauf makes a comment about how it’s such a pity that he’s a man and he advices Anubitufu to make up with him as soon as possible. After all, you never know, don’t you?

Anubitufu tries to make up in a very original way: by piloting a Simire and commanding the Simoun from the battlefield itself. It works in the end, and it seems that Guraghief has also forgot his grudges with this.

Other interesting characters were Aaeru, the Official, especially Paraietta and a bit of Rödoreamon, Morinasu, Kaimu and Waporifu.

Morinasu gets a small injure after a rather reckless attempt to stop an enemy flyer from being able to hit the capital. It’s not often that you think of such a radical method to stop them. Rodoreamon, meanwhile, shows that she’s not good at all with first aid, and she offers Yun Mamiina’s braid. She seems to have put her trust in Yun to take care of her. Waporifu, meanwhile shows that she’s very good with first aid.

The official’s temper keeps going worse and worse, as the Sybilla keep annoying him more and more when they go against his orders. I think that he isn’t used to people disobeying his orders. He’s probably had a lot of experience in wars, in which everything was strictly regulated. The member of the Chor Tempest must be really new for him, making him unable to deal with them.

Aaeru and Neviriru, meanwhile, spend a part of the episode giving their blessings to the common people who seem to have lost their homes. For Aaeru, this is totally new. We know that she doesn’t believe in Tempus Patiem, but still she’s giving out her prayers. It must’ve felt really weird for her to do. But Neviriru tells her that she remains a Simoun Sybilla, a priest of Tempus Patiem. It’s an interesting view on religion. Teh fact remains that Aaeru’s giving a lot of people the placebo-effect. That’s why religions arrived in the real world in the first place. To give people hope and reassurance. Only later, people began to misuse this, resulting in some bloody events.

Paraietta was awesome. Suddenly, she seems to have realized her importance, and she has made a huge change to herself. She’s decisive, serious. Everything a good leader should be. Kaimu’s reaction to this also was too cute, as she actually started fangirling over her. ^_^;;

Speaking of cute, on a side-note, the eye-catch for this week actually showed Guraghief and Anubitufu in their younger years.

Anyway, about the story, an unexpected twist happens. Both the highlands as the archipelago are actually proposing a peace treaty. That, while they can annihilate Simulacrum any minute now if they want to. For some reason, they also attack after they proposed peace. It seems that this was some kind of warning from them, to put more pressure on Simulacrum and make sure it accepts peace.

I’m wondering what the last four episodes will be about. As of right now, it seems that there won’t be much material left. After all, nobody in the Chor Tempest seems to have any problems, peace has been made, that takes away some big plot holes. But still, there are so many details which still haven’t been solved yet. Why was peace proposed? What happened to Amuria? Will Dominüra and Limone come back? What about the sparkly stuff from Onashia?

Still, I have to admit that Simoun’s reached its height at episodes 14, 15 and 16, in which almost each of the characters was feeling unstable. Right now, it hasn’t been able to reach the awesomeness of these scenes. Mamiina’s death was a very good attempt. It worked perfectly. But there are just too many moments outside of this which, while they are very good, are in no way awesome. I’m hoping for the final four episodes to deliver a bang.

Posted on 23 August 2006 with categories: Simoun



A story-driven episode for once, instead of the character-driven ones. I actually like the latter more. that’s really the department in which Simoun shines like no other. Still, that doesn’t mean that this episode wasn’t good. ^^

The most important part of the episode definitely is Onashia explaining the Emerald Ri Maajon. It’s used to travel from one time to another. We also see Dominüra and Limone back. This also gives us suspicions that Amuria is still alive as well, though in yet another time. I’m not sure whether Limone and Dominüra have landed in the future, or in the past. I personally think that they ended up in the past, as the village is filled with ancient Simoun. Still, they’re all overgrown with vines.

In any case, there was a civilization in the past which was much more advanced than the current ones. It’s interesting that Onashia speaks of “civilization” as singular, instead of plural. It’s said that the Simoun came from those days. In the end, countless wars eradicated the civilization, along with the true purpose of the Simoun. At one time, the Simoun just became useless.

Then, from the sky, it seems that a Simoun from another world, or time in this case. It was being driven by children, sent from god. These girls introduced themselves as Simoun Sibylla. Then, they informed everyone of the Emerald Ri Maajon. The Chor Dextra, which was led by Aaeru’s grandfather, by the way, was created just for the completion of the Emerald Ri Maajon. Dominüra is the only living member of it.

Dominüra also reveals something interesting in her thoughts: the reason she freaked out so horribly in episode 14, when seeing the Simoun. Well, it seems that she was one of these children, sent from god, who originally came from the other world. It seems that she forgot this, and seeing the dismantled Simoun forced her to remember again. This is indeed extremely sad, as she was the one who started the entire war for the control of the Simoun.

However, this brings up so many questions. How old is Dominüra anyway? If Aaeru’s grandfather used to pilot a Simoun, then it must mean that that Dominüra arrived in her Simoun quite some years ago. Still, she looks extremely young. I have a theory, though. Nothing has ever been said about what happens to those who refuse to go to the spring for their entire life, right? The fact that nobody speaks about it must mean that every single person went to the shrine, no exceptions. What if Dominüra is this exception? What if she just didn’t go to the spring, which made her body refuse to age for years and years to follow?

Dominüra also starts singing in front of the people who live in the time they arrived in. I think that that’s one of their rituals, they do every day, in order to give these people hope. I have no idea what started it, though I think that the villagers managed to convince them. They’re indeed living very peaceful. Interesting note: the Simoun appear to make a buzzing sound when they’re inactive.

I also noticed that Limone’s hair grew. This really reminded me of a strange pattern I noticed a while ago and which all anime seem to follow. Most anime don’t even know about hair growth. Half a year passes, and each character still has the same length of hair. Nothing grows. There have been a number of anime, though, which do feature characters who grow their hair. The strange thing, however, is that every single one of these anime has only one of these characters. No more. Simoun has Limone. All of the other characters seem to be spending a lot of time at the barber. The Law of Ueki has Rinko and I’ve heard that Haruhi Suzumiya also had this. It’s a pity that so little characters have this, as I like spotting the differences in character design that way. (That’s why I also like characters who like to change hairstyles)

In any case, the fact that this was a story-driven episode doesn’t mean that we didn’t have any character-development. This time, it came from Yun, Limone, Dominüra, Onashia and a bit of Aaeru and Paraietta.

Notice how Paraietta was very determined when the Chor Tempest was scolded for going out unauthorized (eheh, so what? Aaeru used to do this lots of times. :P). Also, notice how Aaeru gets uncomfortable when Neviriru suddenly gets hope of Amuria being alive? I wonder what kind of reasons she has for this. Does she think that she’ll lose an important pair, or an important friend to Amuria?

Both Limone and Dominüra have changed. Limone has told herself never to say “I dunno” anymore. That’s why she tries to find a suitable answer for each question asked to her. Dominüra, on her turn, has become extremely relaxed, cheerful and optimistic. We also see a surprisingly weak side of Onashia. For some reason, she became extremely exhausted on the journey back to the ruins. When she arrived, however, this weakness was gone. She also shredded off some strange, sparkling substance when she walked.

The most interesting one, though was Yun. She goes along with Aaeru and Neviriru in their mission to escort Onashia back to the ruins, as she wants to ask Onashia about her fallen comrades. Onashia told Yun the previous episode that she could hear Mamiina’s voice, so Yun was hoping that this would be the same for her former friends. She wonders whether their souls have been set free. Yun gets a response she doesn’t like. The one who desires to be set free his Yun herself. Not only does this suggest that her comrades have yet to be set free, but it also means that Yun has indeed been keeping all of her feelings inside of her. Onashia reveals that Yun wants to escape to a place far away. She’s been fooling herself all along.

Posted on 17 August 2006 with categories: Simoun



Simoun really continues its path of awesomeness. This episode was meant for the death of Mamiina to really sink in. It’s interesting to see the different reactions from the different Sybilla.

Rödoreamon tries to act strong. In the end, though, when she finds out that Mamiina cut her own braids, she breaks down. Aaeru can’t take it from the beginning, Neviriru gets to be the one to comfort her. Paraietta also breaks down even more, but surprisingly Aruti talks some sense back into her. Aruti herself seems to be planning to disappear from Kaimu, in order to make her smile again. For Furoe, this was the last drop, and she decided to go to the spring. I don’t know whether at the end of the episode, she still thinks like that, though. Neviriru keeps doubting even more, as she was one of the factors who killed Mamiina in the first place, though Aaeru’s crying makes her realize that she indeed has to survive. It really seems that everyone’s having trouble with this, though Yun, Morinasu and Kaimu seem to be the least affected.

One of the advisors also remained on the Arcus Prima, and he doesn’t really help to comfort the Sybilla. He keeps thinking of war and winning, not caring about Mamiina at all. Onashia also paid a visit to the Arcus Prima, in which she gave Yun Mamiina’s braid. I don’t know whether she had more purposes, though. In the end, a carrier is seen, transporting Mamiina’s coffin to the place she was born, before even a funeral was helt. At the end of the episode, one of the ancient Simoun comes, and shoots this carrier down. The last thing we see is Mamiina, lying in a field full of flowers.

Overall, this episode was nothing short of amazing, even though it was meant as an intermezzo. Simoun really is, apart from The Third, perhaps, the best series to have arrived in the Spring-Season.

Posted on 8 August 2006 with categories: Simoun



This episode was so incredibly sneaky. Mamiina is screaming, along with the other priestesses, you hear gunfire and the screen freezes. It’s a typical cliff-hanger. The episode was nice, the developments were okay. Until it seems that that was everything BUT the cliff-hanger, and the scenes which followed totally blew me away! That was SO awesome!

In any case, the episode starts as a standard Simoun episode. It’s centred around one character this time: Mamiina. She’s grown so much, ever since she showed up for the first time. In any case, during the previous episode, both Aaeru and Yun were thinking the same thing, and they went after the others in their Simoun, despite all orders. It’s something you really expect them to do, especially from Aaeru. ^_^

This also places the problem with the government officials in the back, an focuses on what’s really important again: the characters. That really is the thing Simoun’s good at: it’s immensely huge cast of extremely well developed characters. That’s what makes this anime work.

Meanwhile, the others have reached the Messis, and it seems that the two remaining members of the Chor Riboru will be replacing Limone and Doninüra: Vyüra and an unnamed Sybilla. Vyüra is also someone who’s changed a whole lot. She gets surprised when she learns that Aaeru and Yun are gone. Wauf then gives the Chor Tempest a chance to rest. We then switch to the dormitories, in which Mamiina sits on her own. Rödoreamon then enters, wondering why she’s taking so long. As Mamiina’s braids are starting to get loose, Rödoreamon offers to redo them. This only shows how close the two of them have become, despite their incredibly different personalities.

We then switch to a meeting between Wauf and the Chor Tempest, in order to come up with a strategy. Vyüra and her unnamed companion will be guarding the rear of the Messis, and be in charge of the communication relays, while the Chor Tempest will handle the offensive part. Aruti then says something which upsets Furoe a bit (one of the few times she talks) Paraietta joins in and Mamiina needs to calm them a bit. They also mentions the fact that everyone ate from the same pot, something only she and Rödoreamon can understand, seeing that she put some mice on the menu. ^_^

Later, the mission has started. The Simoun will be divided into two teams: Neviriru, Mamiina, Furoe and Aruti and Paraietta, Kaimu, Morinasu and Rödoreamon. Both teams are searching the skies. Meanwhile, Vyüra wonders why the Chor Tempest was used for this mission. Wauf answers with something Dominüra used to say: because the headquarters understand nothing. Looking at the previous episode, I agree with her as well.

Furoe, meanwhile, gets a bit agitated when Neviriru wants to talk to Mamiina a bit alone. About the fact that she’s changed. I think that Furoe’s the only one whom Aruti actually talks to. It’s very interesting, maybe this gets used later on in the series. Then the two Simoun run into the airbase. Neviriru gives orders to examinate the thing very carefully, as patrols might be lurking.

Paraietta, meanwhile, continues to act spaced-out, and people have to ask her twice in order to get a reply. Yun and Aaeru have meanwhile caught up with the Messis, and they immediately advance to the front lines. Wauf also gives the Messis the order to go full speed. I guess he was waiting for the two of them before he wanted to take action. ^_^

Meanwhile, Neviriru and the others have been spotted, and waves of patrols emerge from the air platform, including the stolen Simoun from episode 17, the two which managed to escape. Aaeru and Yun meanwhile have passed Paraietta and the others and head for the other group. Neviriru, does her utter best in order to defeat the enemies, though the enemy Simoun prove to be tricky to defeat with just Ri Maajons. But then again, this is logical. The Simoun are the only crafts which have total freedom in the air. The other airplanes have to obey rules, which makes them predictable, which in turn makes them quite easy targets for Ri Maajons.

Neviriru then tells Furoe and Aruti to escape, while she distracts the enemies. In the end, they get hit by one of the flying planes, and they manage to crash on the air platform. Mamiina is okay, though Neviriru is unconscious. The enemy Simoun are the soonest to be near them, and they approach Mamiina, and point their guns at her.

A very nice plot twist follows when it appears that the priests are actually good guys! They do view the Sybilla as the persons highest to Tempus Patium. In the end, they do seem to have acknowledged that Tempus Patiem and their god remain the same. They also claim to be different from the people from the Archipelago, and that they wish to help Mamiina and Neviriru. The latter recognizes no lies in their words, so the former agrees. Sortof. :)

Mamiina then activates the Simoun again, along with one of the Priests, and they take off. The priests jump off, though Mamiina then realizes that the Priests will be executed if they remain. She then cuts off one of her breads, says farewell to Neviriru and jumps on the platform, along with the priests. Meanwhile, the forces of the Archipelago come rushing in. Mamiina then screams with all of the others the infamous word: “Aaeru”.

And when you think things are already amazing, just wait till the next scenes, in which the other Sybilla discover that Mamiina has been shut! Especially Aaeru and Rödoreamon have it hard. Wauf meanwhile arrives, and blasts the air platform down with the Messis. He works really well as a captain. He really earned that job. ^_^

Mamiina immediately gets taken to intensive care, while Rödoreamon and Aaeru can’t take it anymore. Neviriru, meanwhile, is nowhere to be found. Then the Messis retreats and the episode ends.

And what an episode it was! I’m SO glad that the focus on the characters didn’t disappeared along with Dominüra and Limone! I was a bit worried, as things seemed to have been settled down. But this episode proved that I had nothing to worry about. I can’t wait for even more awesomeness from Simoun.

I’m also wondering what’ll happen to the Priests from Plumbum. They obviously had their reasons to fight against the Simoun, and Angurasu showed that they aren’t afraid to blow down an airship from Simulacrum. Did Angurasu actually agree with their views?

Memorable Moment: Aaeru, after seeing Mamiina.

Posted on 1 August 2006 with categories: Simoun



This episode felt like an intermezzo. The atmosphere wasn’t as heavy as it was before, though the episode remained incredibly worthwhile. Some new problems get introduced, older problems get brought back, and Paraietta, Aaeru, Neviriru, Mamiina, Rödoreamon, Yun and Harukonfu get a healthy dose of character development.

Firstly, regarding the plot. We begin the episode with the funeral of Angurasu. It’s being helt in the Arcus Prima. Apparently, I was wrong in my conclusion at the end of the previous episode. The enemy has managed to capture a number of Simoun from the Chor Caputo and Riboru, but it hasn’t discovered their secrets yet. What happened in the previous episode was Angurasu, along with two other priests, sneaking into the ruins, trying to steal one of the Simoun of the Ancients. There isn’t that much info about them, but I do suspect that they formed the base for the normal Simoun. The previous episode was meant to show that the enemy indeed is capable of piloting Simoun.

Later, Neviriru and Aaeru speculate about what happened with Angurasu, Limone, Dominüra and Amuria. They reach an interesting conclusion. The Simoun are able to bend even time and space. Angurasu, at the moment she shot her bombs, went to some kind of special place. That explains why she didn’t die that time. Aaeru’s grandfather also suspected something like this. This episode also suggests that in his Sibylla-years, he seemed to have been quite important, or in any case famous.

He also knew quite a lot about the Simoun, as it seems that he used to tell Aaeru that the Simoun can see what’s ahead, which indeed confirms that they do have the ability to mess with time. He also reveals that the Simoun can bring you to a different world. Aaeru’s grandfather has always yearned for this other world. Aaeru and Neviriru then realize that Limone and Dominüra indeed are alive somewhere. And Amuria as well.

The interesting question, of course, remains: is there just one other world, or are there more? Were Dominüra and Limone sent to the same place as Amuria? And how about Angurasu? Was she also sent towards the other world, or did she just teleport to a random place in the normal world? If she didn’t, and really got sent to the other world, then how did she get back? And why haven’t Dominüra, Limone and Amuria come back? I’m suspecting that Onashia’s playing a significant role in this one. I’m also wondering what the trigger is for being sent off. So far, the things that both Amuria as Limone as Dominüra as Angurasu shared in common was that they felt themselves incredibly close to god, and a loud explosion followed. Aaeru and Neviriru decide to keep the things they found out a secret for each other.

Meanwhile, it seems that yet another nuisance has appeared, in the form of a bunch of highly placed government officials. They’ll be playing the role Harukonfu had in the earlier episodes. Only ten times worse. These people also don’t believe that the Simoun are god’s crafts, which results in quite some snide remarks and arrogantic behavior. Aaeru and Neviriru manage to pwn them at first, when they ask the Simoun for their strongest Ri Maajon, and they display the Dandelion Ri Maajon, otherwise known as the one who only gets performed during ceremonies due to its huge symbolism and history. But fortunately (am I getting sadistic?) these guys don’t give up that fast. They even knock Yun against the wall when she hinders them when they try to take away Angurasu’s body and they order Waporifu to dismantle a Simoun once again.

The Sky Fortress from episode twelve is still an issue, though. Ever since we saw it that episode, it has been unfindable. The officials want to find it. This all gets mentioned during a meeting with the officials, Harukonfu, Anubitufu, Guraghief and the high priests of the Arcus Prima. During the same meeting, the fact that Neviriru is piloting Aaeru gets mentioned. The high priests become a bit startled when they realize something her grandfather seems to have done. Then, the scene ends, suggesting something which happens later in the episode.

Yun, meanwhile encounters the officials carrying Angurasu’d dead body away, and gets pushed away violently, like described before. Later, the Sybilla get information about their upcoming missions. It seems that they’ll be heading back to the Messis, in order to locate the Sky Fort, as the Messis works better for these kinds of missions. Everyone also gets surprised when Mamiina is forced as Neviriru’s pair, while Aaeru and Yun don’t get to participate in the mission at all. The events preceding these scenes, combined with Harukonfu’s reaction suggest that the reason for Aaeru not being able to participate is her grandfather, while Yun can’t participate because of her behaviour against the officials. But is that all there is to it? Especially the way this episode ended made me see this.

The Sybilla head off, and Aaeru and Yun are left behind. (Just wondering: where were the Simoun heading to? Were they heading for the Messis first, in order to search for the Sky Fortress based on it, or are they just on a single mission, planning to return to the Arcus Prima later that day, or the day after? There’s quite a significant difference between these two options) Both Aaeru and Yun rush off, in order to do something. What are they planning? Are they planning the same thing? We’ll have to wait till next week in order to find these ones out.

Neviriru is starting to get more and more friendlier with Aaeru. This episode, she also made the initiative of starting a conversation with her. She also looked quite happy along with Aaeru, when they had to perform her Ri Maaju in the Maaju Pool. I don’t think I can believe her when she claimed not to trust Aaeru, and that she only faced Aaeru in order to be able to face Amuria, and so herself.

Aaeru’s reasons for refusing to choose her gender are also explained a bit more, during a flashback of her and her grandfather. In there, her grandfather uses an analogy of a river. The young Aaeru is able to cross it, though the old grandfather isn’t. He can’t go any further. He then tells Aaeru that in order to grow old, you have to make decisions to get there. That means that if you make one, you will be left out on the other options you’ve chosen not to take. This means that you lose tons of opportunities if you make a decision. (interesting note: what happened to Aaeru’s cheek in the flashback? Was it meant as a symbol, to show that Aaeru liked to run off to dangerous places, or did something specific happen to her?)

Paraietta, meanwhile, begins to get more and more doubts. Seeing Aaeru and Neviriru together doesn’t really make her feel comfortable either. Neither is the fact that they seem like the perfect team. Then there’s also the matter that she believes that she can’t make any good decisions at all. Then, during this episode, she finally loses it. She finally realizes that she has to protect Neviriru forcefully. Not quite the best idea ever, though the results were very entertaining. During the evening, when the two of them are alone, Paraietta grabs her chance, in trying to forcefully win Neviriru over her. Of course, Neviriru doesn’t agree with this.

Mamiina reveals that she enjoyed the time she had on the Messis quite a lot (unlike a certain Furoe ^^). Everyone seemed equal at that time, even eating mouse stew. Mamiina did realize, however, that everyone was different. This became clear after they got back to the Arcus Prima again. Later in the episode, when it seems that she finally gets her chance to pair with Neviriru. She then reveals to Rödoreamon that she still wants to be on the same level as the others, but this time it’s because she truly wants to be friends with everyone.

Rödoreamon also showed that she can be strong. This became clear when Mamiina showed her her weakness. The two are living towards each other more and more.

Waporifu, meanwhile, still has Dominüra’s reaction after seeing the dismantled Simoun on her mind. She seems quite against the fact that she has to dismantle a Simoun yet again. She wonders what to do, and eventually reaches the conclusion to do what she believes in. She didn’t get featured too long during this episode, though I don’t think that that was the last thing we’ve seen of this.

Yun finally begins to show signs of weaknesses and determination. We had to wait for this for a long while, but finally, she’s also beginning to break out of her shell. The first sign we see of this is when she looks at a miniature boat-like item with a very nostalgic look. Though I have no idea what this might be. It could be a cradle as well. For some reason, she also was heavily offended by the fact that Angurasu was carried away, and she attempted to stop the officials. Later in the episode, she also can’t get any sleep at all.

Harukonfu seems to have lost the spark he once had. I think that seeing the peace negotiations end up with the initiators killing themselves wasn’t good for his health. It’s like Mamiina said: he’s become an old man now. He’s not able of acting with the confidence and charisma he once had. Therefore, he loses influence. Still, he was quite sad in which he begged Neviriru not to make his job even more difficult.

I’m also wondering about Kaimu. Obviously, her role still isn’t over, as she’s still in love with Paraietta. As the latter is way too busy with getting angry over Neviriru and Aaeru, she fell in the background a bit. Still, the fact that she looked up hopefully to Paraietta when the two of them were assigned to remain in the same Pair, does suggest that she hasn’t lost any of her feelings yet. Paraietta, however, didn’t notice anything.

I’m also wondering about Aruti. For now, it seems that her only reason to be in the Chor Tempest is Kaimu, but I want to see their relationship get even more developed. For now, they act like strangers, while their case really remains interesting. Furoe has gotten some subtle changes, though she remains the most cheerful members of the Chor Tempest. I think that, because of her personality, that she’s able to handle more than the average member of the Chor Tempest. Morinasu also isn’t seen near Waporifu, this time. It seems that the two have made up, though their relationship has changed (I couldn’t help but wondering: how exactly would you define their relationship? Straight, as Morinasu is a woman, while Waporifu is a man? Yaoi, as Waporifu is a man, and Morinasu’s planning to become a man as well? Yuri, as technically, they’re both women? Or a combination of the three of them?)

Memorable Moment: Seeing Yun act differently from her usual self. I’ve been waiting for that. :)

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Anonymous530138
I like a good dickin
Lenlo
tl;dr, chill its an anime.
Lenlo
Age gap isnt that big, and its not homophobic or arrogant to say a show isnt selling an aspect of itself well in his opinion. Lastly, romance for every person is different, so dont expect him to share your experiences/views on it.
Anonymous529997
Also, how Viktor's choice to become Yuuri's coach might have been initiated by not just Yuuri's skating, but Yuuri himself.
Anonymous529997
@Mario: I agree on the strip dance. Like, holy crap. But overall, I really like how episode 10 reframed the series from Viktor's perspective. Like, at first the whole commemorative photo thing made him seem like a jerk, but now we get to see that he had actually had a great time with Yuuri and was probably being genuine about it...
Anonymous530076
What happened to angry german kid
Anonymous530022
You just want them to identify themselves. You feel as if it's your right to know that they are gay. Well it isn't. It is their life, their story. You are being homophobic. You are being close minded. You are being arrogant. You are, indeed, very arrogant.
Anonymous530022
It is a mixture of admiration and lust and because it is hard to distinguish between the two it is difficult to express your feelings directly or even admit it to yourself.
Anonymous530022
As a gay man I attest that this is how romance works, ESPECIALLY when there is an age and experience gap.
Anonymous530022
This shows romance is actually reaistic, but you are still rejecting it. Yuri literally said he had found love. He said neither way who it's directed towards yet you are SO INSISTENT that it is towards skating. in the episode Victor even expressed admiration to Yuri's own dispositions beyond skating. He clearly was 'watching' him.
AidanAK47
If they planned to take such a hands off approach to romance then it would be better if they just focused on the skating. But well then the fujoshi's wouldn't be buying the Blu-rays now would they?
Lenlo
I can understand that, thats a problem I have with alot of modern romance's. Im just not seeing the backing off that happens in those romances. They just seem to raise it more and more in Yuri, without ever crossing the line, rather than toeing it then backing off.
AidanAK47
@Lenlo, To me I find it aggravating. They go so far to portray them as gay yet when it comes to the final say they keep backing off. Hey I want to be more that friends...just kidding! Hey I love you...just kidding! Hey lets get married...just kidding! It like how harems constantly tease the main getting together with each girl when by shows end you know he's not going to get with anyone.
SuperMario
@lenl: agree. I'm still enjoying the hell of the show. A bit out of the blues thou when it comes to the strip dance (they shoulve planted that before), but it's a joy to watch every week
Lenlo
Eh. As I said, I think its above bait below romance. Either way im enjoying it and thats the important part.
SuperMario
For me they're just too much at the moments but unless they confirm it, nothing changes.
Kaiser Eoghan
Y'know I kind of wish Rorico would just come out and directly say he feels too old for most anime, its not really surprising a man in his 60s would be so cranky when it comes to this stuff.
SuperMario
@lenlo: I think it's more about statements. Yes, we understand the context of rings and engagements but unless they confirm it, nothing set in stones. And "hinting" is what they love to do, you can see just by the 2 shows I've coverage myself: Sound Eupho (Reina & Kumiko), Flip Flappers (Papika & Cocona) and people saying those same underlining context things.
Lenlo
I think its beyond baiting, below full blown romance at this point myself.
Lenlo
Does a show have to confirm and say "They kissed" to make it true? Seems along the same lines as "Fade to black" for sex. Then theres the ED which also made the start of the show much more interesting, as with this ED not its Victor that was jilted at the airport, when Yuri ran away.
Lenlo
See, I dont understand why they have to come out and say "We are gay" for you to accept its an actual romance. I dont see how this is baiting anymore either, as the rings and the "Engagement" seem pretty clear to me. Also, without knowing the current climate on the matter in Japan, this could be the clearest they are allowed to make it, while still fully intending for it to be a real romance.
AidanAK47
@Anon1, Agreed. I said before that I would like to be proven wrong on this but this series doesn't seem to have done that yet. I really will admit I am wrong to Anon2 if it does provide proof but it would need to be far more substantial than this.
@Anon2, Girl, boy, whatever.
Anonymous529668
I'm not a girl.
Anonymous529660
Even that is just grasping at straws though, haha.
Anonymous529660
@Aidan: I think the only thing from that scene that hints at actual romance would be where Viktor says something along the lines of a lot of other people got their L words from Yuuri, which he had earlier stated are "Love" and "Life." Honestly, even this is pushing it though, but the fact that he said it like that suggests that both he and Yuri got "those words" from Yuuri.
AidanAK47
Way I saw that scene was the guy saying "Fuck you, you think Yuri is so great. Well I am gonna be better than Yuri. Just you wait and see" and then Victor remarking on how Yuri awoke his competitive spirit. Aka his love for Skating.
SuperMario
@Kaiser: Although I like both, I always prefer impressionism better. Expressionism for me tend to be a bit overwhelming and a bit subjectively. But mind you Flip Flappers still has moments of Expressionist as well (Episode 6: Irochan's parents)
AidanAK47
@Anon, I got the context you saw fine. About him getting mad over the "Good luck charm". You are being baited girl, hook, line and sinker.
Anonymous529618
You are missing context. You don't know anything. You don't even know why Yuri was mad do you? Why the fuck would he be mad about loving skating.
Kaiser Eoghan
@Mario: I bring up the impressionism vs expressionism thing because I feel that the impressionistic aspects of say a Tarkovsky film, Malick film and flippflappers feel superior to me over expressionistic style because its more emotionally satisfying while ALSO being athmospheric, Whereas expressinistic visuals are ONLY atmospheric.
Kaiser Eoghan
@Mario: Flippflappers has now reached a level where I feel the impressionism has gone beyond simply visual immersive in a way that makes us part of its world and has become more emotional.
Kaiser Eoghan
@Mario: You mention impressionism in your review of flipflappers, in general do you feel on a visual level you respond more strongly to expressionism or impressionism?
SuperMario
I watched the whole thing so I know that in this episode, except the time they're giving rings to each other (in the name of "good luck charm") and Victor somewhat pump Yuri up for the Gold medal by Not Denying it; they still haven't admitted anything.
AidanAK47
Perhaps I am not the one who is in denial.
AidanAK47
Oh I think I see it now. Yeah this is nothing mate. The conversation was about skating from begining to end and Victor mentioned that he wasn't the only one to get his "L words" from Yuri. Pretty clear he means how Yuri helped Yurio awaken a love for Skating. Romantic love doesn't really make sense within the context. But yeah, they admitted nothing.
AidanAK47
Quite frankly if they don't have the balls to admit they are gay by this point they are just not going to.
AidanAK47
Time stamp means the point in the episode he actually said it. Like 18 minutes 20 seconds in or something. You should be able to get one. But maybe you can't find it either. Only thing I found Was about yuri teaching victor through his life and love but that's ambiguous enough to refer to his love for skating.
Anonymous529435
Don't have time stamp
Anonymous529435
Episode is narrated by Victor
Anonymous529435
At the end Victor admits he's in love and mentions the other person is also
AidanAK47
@Anon, Can you give me the timestamp on the episode? Scanning through it I don't see anything that suggests that.
Anonymous529150
Not joked
Anonymous529150
They admitted
Anonymous529150
No those were both me it's just the chat doesn't show it immediately so I posted again
AidanAK47
@Masky, He's denied it before but it's pretty obvious he's trying to make it seem like someone's agreeing with him.
AidanAK47
@Anon, admitted or joked?
Masky
So wait, is that same anon repeating himself or two different anons where second one copy pasted part of first one's post
Anonymous528870
They literally admitted a love triangle between the three main characters. You're in denial.
Anonymous528815
Are you kidding? This episode they outright admitted a love triangle between the three main characters. You're in denial.
AidanAK47
I actually was going to admit that I was wrong when I heard about the "Kiss" and gladly do so. But when I watched the scene in question it's clear what I said is still correct. They will dance around it, sure. But never outright confirm it.
AidanAK47
@Anon, discussed this before when the "Kiss" happened. Despite the series hinting it, and hinting it hard, it still hasn't outright confirmed it. While I am sure it is head canon to the watchers, the series itself is just queer baiting.
SuperMario
Okay... Just watched this week's Yuri on Ice. Haha things got weird again... and they so nailed Barcelona here, I recognized most of the places.
SuperMario
@anon527634: actually about that, I am a bit let down that after that "supposed kiss" in episode 7, no one in the series mentioned it again. Just like that "kiss" never happened.
Anonymous527534
So when is Aidan going to publicly admit he was wrong about the Yuri romance?
Lenlo
I loved the special ED so much.
Lenlo
Alright... Yuri this week was interesting in so many ways.
SuperMario
I'm also planning to catch BBK/BRK before the year end soon. I'm also find that series entertaining despite its obvious flaws
Kaiser Eoghan
But come to think of it, I do know what its like to enjoy something admittedly flawed, the first season of utawerumono was like that for me, I have nothing but criticism of it in all aspects but yet ended up being one of those things I somehow enjoyed watching.
Kaiser Eoghan
Ah, only flippflappers, natsume, drifters on my end.
AidanAK47
I wonder if anyone here is still watching Bubuki Buranki? It's weird but despite how deeply flawed it is I find it fairly enjoyable. Though that fantastic soundtrack certainly helps.
AidanAK47
@Anon, Oh they announced a Sonic movie too. Apparently it's a mix of live action and animation.
Anonymous525559
I am suprised SEGA didn't announce an Sonic movie and went with games like Altered Beast and Crazy Taxi, they probably could have just ripped off one story from the Archie Sonic comics and make an movie based on that, preferably the story where Sonic travels in the multiverse to fight an super powerful Sigma alongside Classic Megaman and Megaman X,Steet Fighter cast,Breath of Fire 3 cast and more
AidanAK47
@Anon, A parody Grindhouse film actually could work. I consider Overkill the best of House of the dead. Thing is there actually is already a house of the dead movie so this would be their second attempt. The first attempt...lets just say it didn't work out.
Anonymous523336
And House Of The Dead: Overkill is probably the best game in the franchise to adapt, i mean, it has Isaac Washington in it and dude's awesome.
Anonymous523336
None of those games have much of a story, but at least House Of The Dead could make for an entertaining silly movie, i mean House Of The Dead: Overkill is freaking awesome and has silly cutscenes at the start and end of every level.
Kaiser Eoghan
At most moonbeam city seems sylistically interesting.
Kaiser Eoghan
Archer I simply lost track of and it ended up getting to long to catch up on it.
Kaiser Eoghan
Relatively old news, although I've been joking with friends about what if scenarios for a streets of rage film. I know there is a cg/live action hybrid sonic film in the works. I kind of want to think a shinobi or streets of rage film could work if they went full on 70s style action film.
AidanAK47
None of these games are played for the story. You would be better off just making a new game for them instead of a movie.
AidanAK47
I haven't even seen Archer. On another note SEGA is planning a bunch of live action movies of their franchises and boy do they all sound like a horrible idea. Shinobi, Golden Axe, Virtua Fighter, The House of the Dead, Crazy Taxi, Streets of rage and Altered Beast.
SuperMario
@Anon522497: hmm, I found Moonbeam City underwhelmed and for Archer up until their last season I actually got a bit tired of the cast (couldn't finish that season 7)
Anonymous522497
If i wanted Archer i would just watch Archer or Moonbeam City like everyone else.
Anonymous522338
Bloodivores
SuperMario
Anyone here watching Pacific Heat? It's an Aussie Archer-ripoff aired in Netflix last week. I actually enjoyed the 1st episode, not that great but everyone panned it like a plague.
AidanAK47
@Anon, Who?
Anonymous521123
#StephanieJaworowiczIsBeautiful
Kaiser Eoghan
@Mario: That'd be the compiliation film. I watched that based on hearing that the film version trimmed back on the shows weaker moments.
SuperMario
@Kaiser: was it the compilation film or the series itself? That scene is the highlight of that first season. I'm always a fan of KyoAni so it's very natural that I enjoy this series a whole lot.
Kaiser Eoghan
I watched the first season of sound euphonium, not much to say for it other than I liked the teacher guy and the scene where the black haired girl tells the main character that she thinks shes hiding behind a mask. Animation was as expected of kyoani good. All of those emotion shots though and some of the melodrama...
AidanAK47
@Kaiser, it does stop if you make an account.
Kaiser Eoghan
Hmmm there we go again, it delayed sending my message for longer than it should have.
Kaiser Eoghan
Anyone notice today and last night that the site has had some loading issues? I kept getting an error page for a while and it was also loading a bit more slowly. A server issue?
Lenlo
Have to say, Flip Flappers ep 5 was pretty good. I love atmospheric settings like that.
Lenlo
Looks like an Epee. The large bell guard, the fact that they are focusing on thrusting attacks instead of slashing (mostly). Fencing is alot of fun. Be prepared for some bruises though, as some people put their full body weight behind their thrusts.
SuperMario
I have one last dumb question, Can you tell what types of blade of Juri in Utena? https://www.youtube.com/watch?v=fGsVSSUv_i0
SuperMario
@Lenlo: the more you described the more I found fencing interesting. I might take a look around my town to see if we have Fencing here (the curse of living in a small town).
Lenlo
Blades are slightly different, yes, but mostly just in their guard and how much they bend. Sabers bend easily, Epee's not so much. Surprisingly Epee is the slowest, because people tend to be more careful. Saber is actually the most aggressive of the blades, atleast at my skill level
AidanAK47
That's all they had to do. Just stay inside and let it pass. But for some weird reason they just keep panicking over nothing.
As far as time/alternate world stuff goes this was ridiculously underwhelming. Just finished another movie called triangle and now that's how you do Time travel mindfuckery.
AidanAK47
@Mario, I am not fond of movies where people make stupid decisions for no good reason. For example:
"We should just stay inside"
"No, staying inside isn't realistic"
WHY IN THE HOLY HELL ISN'T IT REALISTIC.
SuperMario
Showed that movie to a bunch of friends last year and I remembered one of the girl just shut off the movie after 15'
SuperMario
@Aidan: too bad. I found Cohenrent really funny and entertaining. Some of their twists are stupid but I was actually invested in much of their characters. Maybe because I always love movies about a bunch of characters in an isolated setting
SuperMario
@Lenlo: sounds like Epee is the most "all-out-attack" and aggressive one. Their blades are different as well I assume?
AidanAK47
Just watched a movie called coherence and man, what a bunch a pseudo-intellectual garbage that was.
Lenlo
For Right of Way, its basically Person A attacks, Person B parries, Person A hits, Person B hits, Person B gets the point because they took right of way with the parry. Saber and Foil both have that, but Epee does not. Epee is simply "Whoever hits the opponent first, doesnt matter where, whole body is target area"
Lenlo
Theres Saber, Foil and Epee. The main difference is this thing called right of way, but there are other smaller ones like how Saber can hit with the edge and Epee is allowed to hit the entire body, instead of just the chest like Foil
SuperMario
For news, Blood Blockade Battlefront getting second season next year. As it was one of my favorite last year I'm really lokking forward to this second season
SuperMario
@Lenlo: that sounds great. From what I know from fencing there are 3 different types of blade right? So what are the differences between them? (Fencing 101 here)
Kaiser Eoghan
Although a fantasy sports thing could also generate interest, such as combining sports together to create something totally new.
Lenlo
@SuperMario, Fencing was great. Favorite sport ever and it helped me stay in shape in College. I find Epee to be the best blade, mostly cause I fenced it, but its a very intense 3 minutes. Unlike sports like Soccer and such which is alot of sustained running, Fencing is 3 minutes of Dont-Stop-Moving then wait till next match. Gets really fun once you figure out your own style.
SuperMario
haha, I wouldn't mind either if each episode focus on a single sport/ character/ country. Or even the positive aspects like role models, sports inspirations and stuffs
Lenlo
That Olympic anime sounds great.
Kaiser Eoghan
And it would be a good excuse to have characters of multiple backgrounds included too.
Kaiser Eoghan
Could be an 13 episode ova series with 48 minute episodes, and if its to be an ensemble character drama you could have 10 minutes to a each character (the ones being focused on in that episode) in each episode.
Kaiser Eoghan
Ah yes, aswell as cheating it could also get into "stage parenting", "abuse", "Disabilities" and also the general politics of sports, the backroom stuff.
SuperMario
I'll be the first in line if that olympic anime ever come out. Could be interesting to see the interactions between athletes in different sports, and then fans/athletes/coaches relationship, then the gold rush, doping... So much to talk around to
Kaiser Eoghan
I don't think theres ever been a manga about hurling either. Hey heres an idea, someone do an ensemble drama anime that deals with the olympics, fit in multiple sports that way.
SuperMario
Personally I find Australian football much more exciting than rugby. Or crickets.
SuperMario
@Kaiser: ha! Interesting that you mentioned Gaelic football, because in Aus we have AFL (Australian Football League), that really similars to Gealic Football to the point sometimes we have the 2 national teams compete each other with modified rules
Kaiser Eoghan
Hmm, lets see, sport under-represented in anime? Fencing, golf , Gaelic football, bowling, boat racing.
SuperMario
Hey, fencing is actually really cool. How did you like it Lenlo?
SuperMario
You have your point there Topgavin, as I clearly remember many instances where players' legs, backs or even necks got snapped during rugby's tackles. But in regards to Rugby I never really care about it. That and car racing
Lenlo
Its mostly the type of injuries you get that differ I think. Football you get concussions and broken bones and such, while in Rugby you probably get alot of bruises and cuts. Granted I have played neither, I was a Soccer man in highschool and fencing in College
Lenlo
American football has alot of rules, and really is just a bunch of millionaires running around chasing a ball. Rugby however, as Topgavin said, has no pads so when you get hit you get hit HARD
AidanAK47
I never ceases to surprise me just how high and mighty visual novel fans can be over Mosaics present in localized games. I mean they are literally complaining about not seeing genitalia yet the way they phrase it, it's like they are fighting against great injustice. If these VNs were Nukige they might have a point but in most cases the sex scenes in question are pointless and shoehorned in.
Topgavin
@Mario Rugby is more extreme *because* it has no protective gear. No hiding behind helmets and cushioned shoulder pads when ya get bowled over.
SuperMario
@Lenlo: I'm no expert but isn't American football a variation of Rugby? And I believe american football is more extreme, considering they have to wear helmets, protection gears and all that
Lenlo
I dont think theres alot of manga about it because its simply not that popular outside the US. As far as it being a battlefield, eeeeh? Not really? You want a battlefield watch Rugby.
SuperMario
I can think of other cool sports that could be interesting to see in anime: Kick Volleyball (Sepak takraw), Bossaball (combined soccer, volleyball in a trampoline), or in the same vein of skate figures this season, why not pole dancing competition???
Anonymous504493
What other sport is cool and popular that remains original to write about by now? There isn't a lot of manga about it compared to anything else.
Anonymous504493
American football looks like a battlefield with a visible battleline and everything. Id like it if there wasnt so many darn commercials.
Lenlo
I mean, its a sport. Far cry from best, but its definitely a sport.
SuperMario
@Vonter: or maybe because american football IS the best sports ever?
Kaiser Eoghan
@Vonter: Most likely due to the middle section of the original anime being the most popular bit.
Vonter
Can someone explain me how Cobra, is apparently getting an anime around some sort of space american football? https://www.youtube.com/watch?v=54kNWPr43zE
Kaiser Eoghan
@Mario: Its not safe enough a film for me to properly recommend. Even to exploitation fans, they might find it too slow others would be too sensitive to it. Really una vita violenca, mamma roma, accatone, hawks and sparrows are what Pasolini is really about.
SuperMario
Now that you watched Salo, would you recommend the film to other people? I personally think it's a masterpiece but it's one of the title that I think people would break up with me if I show them this movie
SuperMario
@Kaiser: even him as a director, both Braveheart and Apocalypto don't do much to me, will see if Hacksaw Ridge going to change my mind (but I'm not to fond with war movies in general). La Notte is in my sooon-to-watch list for years, haha
Kaiser Eoghan
@Mario: Mel Gibson as a director, not as an actor =)
Kaiser Eoghan
@Mario: Thats why I prefer the neo-realist/quasi-neo-realism stuff as it deals with the worse off in society. But Antonioni was the master of being able to do films about angsty well-off people, L'aventura, the passenger and La notte for example
Kaiser Eoghan
@Mario: Its not so much that I dislike post 50s fellini moreso I feel that his throw everything at the screen and hope what sticks method can be hit or miss.
SuperMario
While I don't really mind his later stuffs because he was masterclass, I have a pretty hard time for Paolo Sorrentino's later works. The thing is I don't care much about the high class society so everything is just ridiculously over the top and glamour and I'm tired of it.
SuperMario
I haven't watched nights of cabiria but I did watch La Strada and boy, I was sad for few days after watching it. Fellini mentioned that he was inspired to make this movie when seeing a woman pushing a cart from behind. The film really carry that sense throughout its running
SuperMario
Michael Haneke put Salo in his top 10 films. Quite understandable when you think about it. Still for me one of the movie that affected me deeply.
SuperMario
I really admire Elle for its ability to maintain its sharpness because under other inexperienced directors it could easily becomes a mess. Mel Gibson, really? He's one of the few actors that I absolutely dislike
SuperMario
@Kaiser: The Red Turtle remains one of the the most refreshing time I had this year in cinema, but then again I haven't watched much films lately. Agree with you on Sonia's performance, and I still think they could cut out the first 20' of the film because it feels out of place compare to the rest of the film
Kaiser Eoghan
Debating whether to bother catching up on I am a hero or watching the film adaptation. I haven't read it since they got rid of that one female character.
Kaiser Eoghan
@Mario: I've a feeling you'll like nights of cabiria, Fellini was cranking out some solidly effective social-realist dramas in the 50s before he fell into self-indulgence.
Kaiser Eoghan
Now I have that sound euphonium compilation film downloaded, I should get to that sometime.
Kaiser Eoghan
@Mario: I also finally watched Salo, I ended up meeting it pretty much halfway. Some parts still retain the ability to effect a modern viewer, having seen his other works though its crazy just how different Salo is to them.
Kaiser Eoghan
@Mario: Seeing I, daniel Blake tomorrow and rogue one in a few weeks.
Kaiser Eoghan
@Mario: I hope Mel Gibson and Isabelle huppert win at the next oscars.
Kaiser Eoghan
@Mario: I liked the red turtle for its visual style of storytelling and animation even if I didn't get as emotionally attached to it as others did. I also watched Aquarius nd was pretty much blown away by Sonia Braga's performance. Elle is now one of my favourite Verhoeven films and its a miracle he managed to maintain such a great balance successfully throughout the film.
SuperMario
I don't care for the sequel of Code Geass at all. Why Spice & Wolf still hasn't got season 3 though is what really bugged me. From what I know their manga and LNs are selling very well
Anonymous494677
I wonder why that is...
Kaiser Eoghan
Ah, they were always milking code geass though what with those bajillion-million-billion manga spinoffs.
Kaiser Eoghan
Still say I was more fond of the character chemistry in spice and wolf as opposed to everything else.
Kaiser Eoghan
I'll likely pass on the code geass sequel, the memory I have of it has already led to its appeal dimishing for me, I don't want to ruin things further watching an un-neccesary followup. Still avoiding utawerumono's second season for same reasons.
AidanAK47
After all there are things which need sequels and things which don't. And Code Geass never needed a sequel after R2's ending. Giving something a sequel can just ruin the conculsion of the orignal series. Case in point. Eureka Seven Ao. Remember that? Cause you shouldn't. Because it was terrible.
AidanAK47
Honestly I would have preferred Spice and Wolf Season 3.
AidanAK47
So...is anyone gonna mention that Code Geass is getting a sequel?
....Because Code Geass is getting a sequel.
Total users: 25

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