Posted on 26 September 2006 with categories: Anime Reviews, Simoun


In my more recent reviews, I always tried to classify the anime I reviewed in some kind of genre. Strangely enough, I can’t seem to do this with Simoun. There is just not one typical category it fits in. It’s got some yuri-romance, it’s got action, it’s a character study, it deals with heavy themes, it’s got all of these tiny elements which somehow form this beautiful result.

I really mean it when I say that Simoun is an awesome anime. Probably one of the best who aired during the spring season. It’s mostly because of the characters. These characters are so incredibly fleshed out that as the anime progresses, it’s able to invoke their deepest emotions. The anime, however, starts out a bit fragile. The first episode is not necessarily a bad one, but it did turn many viewers away. After this first episode, the anime picks up in a steady pace, already giving the viewer small tastes of the awesomeness which is about to come.

The best of this series appears in episodes 14, 15 and 16. Seriously, at those episodes, this anime will have you clinging to the screen in order not to miss even a single millisecond. These scenes are just too good to be described. Afterwards, the series continues with an excellent average level, until another very good climax comes at episode nineteen and twenty.

From that point, the anime takes an incredibly original turn. It’s something only very few anime attempt. The overall theme suddenly gets shifted from the action and tension towards a more thought-provoking one: saying goodbye and living on. A great deal of time is spent on this, in comparison to other anime, and if I have to say so myself, the last episodes give Simoun a very fitting ending.

This anime shines because of its characters. Each and every single one of them is unique. Each has her own struggles, and when you combine these struggles, tensions can rise incredibly high. It’s also one of the very few anime who doesn’t mess up with the love-theme, and this makes the romance-aspect also one huge success, significantly contributing to the overall mood of the show.

The soundtrack which comes with this anime also is superb. There are certain tracks which will really help bring the best out of the scenes. In the graphical department, this series also shines. Especially with the character design. Each character looks absolutely gorgeous. The battles also are a very nice watch.

Still, like I said, the character-driven episodes are awesome. But they do make the story-driven episodes rather bland in comparison. That’s about the only down part of this anime. The characters are far more interesting that the general story behind all of this. That’s about the only bad point.

Posted on with categories: Simoun

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And so, I’m afraid to say it, but Simoun has come to an end. And it certainly has been one of the most unique endings ever. It was nothing that could have blown me off my chair, but instead, this ending did leave me with a warm, fuzzy feeling. I can happily say that this ending succeeded. Still, the ending was puzzling, and there are a small number of questions left unanswered.

Anyway, the episode takes place a few years in the future, in order to show what happened to each of the members of the chor tempest. Extra focus is put on Limone and we also see a flashback of what happened with Aaeru and Neviriru before they got to perform their Emerald Ri Maajon.

What happened to Aaeru and Neviriru afterwards wasn’t really spectacular. They headed off, a spokesman of the Highlands sends some Simoun to retrieve them, though the priestesses have no intention of capturing them. They perform the Emerald Ri Maajon, and disappear. It’s not the huge spectacle with Limone and Dominüra. Still, the fact that the only scenes we see of them is at the end of the episode, in which they’re dancing in the debris of the Arcus Prima does make you wonder what happened with them afterwards. It’s one of the few unanswered questions. I’m suspecting that they travelled a lot of different worlds.

Surprisingly, we never get to see Amuria. We never know what happened to her. Same with Mamiina’s body. She’s been shot down. What happened to it? Those are the only bad points of this episode.

Limone was awesome in this episode. She looks beautiful when she’s grown up, and it seems that her arrival triggered other people of her age to try flying with the Simoun as well. We never find out whether she’s in the future, or in the past. If I had to guess, it’s the future. Don’t know why. Dominüra hasn’t been willing to fly the Simoun ever since she arrived in this timezone. Limone, however, wants to fly again, though not if it means forcing her will onto Dominüra. She’s been bothered by quite an amitious Sybilla, who aims to be paired with Limone, but Limone refuses to fly with anyone other than her beloved pair. How cute. The last scene we see of them is Dominüra, who finally agrees to fly again. She and Limone happily walk off, while Limone casted off the same strange stuff Onashia did. Does this mean what I think it means?

Next up, the characters who remained in the current world. First up: Morinasu. She now works as a female employee under Wauf. She’s been married with Waporifu, and she’s pregnant of her second child now.

Wauf also got a little daughter. The identity of mother is never mentioned. But it does seem clear that he has a very strong bond with both Morinasu and his daughter. He was very cute to see. I also loved him as a minor character in the series.

Remember Eri? Well, of course, he had to end up somewhere as well. He renamed himself to Erifu, and works at the same place as Morinasu and Wauf. It seems that he pilots Simire, in order to transport goods from one place to another. He’s been exceptionally busy, as it seems that the highlands and the archipelago are going into war.

Next up, Paraietta. Talk about character growth. I think that she, along with Dominüra and Mamiina changed the most, out of all of the characters in the series. She’s just so laid back now. She has really learned not to worry so much. She also put her time into a very noble job: providing a home for children who have lost their parents. Surprisingly enough, she ended up along with Rodoreamon.

Rodoreamon seems to have decided to take the management of Paraietta’s orphan home. It seems that they’ve got some problems with the upcoming war. She’s a bit worried, but determined as well. Also a HUGE difference with the way she was before.

Kaimu and Aruti decided to live together after all. After they grew up, they just returned to their original home, in order to spend their days quietly. Cute, very cute. ^_^

Yun still is at the spring, though she did decide to choose her gender. In the end, she became a female. Right now, she’s still standing at the spring, devoting her entire life to changing genders. In a way, that’s really sad. But she did choose for it. I remember noting that Jun was a tough nut to crack, back when she was just 100% objectivity. Well, in the end, she definitely had her moment of glory.

Furoe changed the most in terms of appearance. But that’s only logical, as she had the most feminine looks of the entire cast, and she suddenly switched to being a male. He named himself Furoefu. He’s been working as a farmer, right next to the debris that was once the mighty Arcus Prima. I can imagine that it works quite nostalgic. He even visits it some times, on a Helios Motores-powered boat.

Vyura (or Vyurafu) looks so cool as a man. He’s got a really laid-back attitude. And it seems that he’ll be fighting on the side of the enemy. I think that’s one of the messages of this final episode. “Ah well, that’s life.”

Anubitufu and Guraghief look so totally badass, in their new outfits. ^^;

And of course, I knew it was coming when around the final moments of the episode, the creators decided to show a few last shot of the ruins of the Arcus Prima. It really had it coming, and indeed. It’s a perfect way for a finale. We first see Aaeru and Neviriru dancing a bit, symbolizing the journeys they made. Then we switch to one of the hallways, in which Paraietta was doodling on the walls, two episodes ago.

Really, she was more enthusiastic than I thought she was. She made an incredibly cute chibi-drawing of every single Simoun Sybilla. That was so cute to see. A fitting ending for such an awesome series.

Posted on 20 September 2006 with categories: Simoun


Ooh, that was so exciting. After seeing this episode, it seems that the creators are planning to go all out for the final episode, while they used the last couple of episodes as preparations. I still have no idea what’s going to happen. Okay, Aaeru and Neviriru will be performing the Emerald Ri Maajon. But what will happen afterwards? Will they meet with Limone and Dominüra or Amuria? And what may have happened with Mamiina’s corpse which was blown out of the air a couple of episodes ago?

In any case, final episodes are always tricky to perform the right way. Many anime have trouble with this, and only a handful managed to do it in the end. I’m hoping that Simoun will be one of those. In any case, it won’t be one of those rushed endings, as it’s had enough time to prepare. Let’s hope that it’ll be able to deliver.

Anyway, about the episode. We start where we left off after the previous episode: Paraietta, Furoe, Aruti, Kaimu, Vyüra, Morinasu and Rödoreamon entering the spring. This is surprisingly painful for Yun, as we see her in agony once the ritual starts. (On a side-note: the background tune they used for this worked perfectly). The results are quite interesting.

Kaimu: Female
Vyüra: Male
Furoe: Male
Paraietta: Female
Aruti: Female
Rödoreamon: Female
Morinasu: Female

Especially Morinasu, Furoe and Paraietta are surprising. Both Furoe and Morinasu were seen, claiming to become the opposite of what they actually became. I think love had a lot to do with this. And Paraietta so seemed the type to become male. Everyone just assumed that she’d choose this. It’s also interesting if you realize that they aren’t priestesses any more. Especially when they saw a little kid, coming up to them and praying in front of them, just like nothing happened.

The second part of the episode basically features getting Aaeru and Neviriru in a Simoun. For some reason, the Plumbum officials are insisting that they go to the spring as soon as possible. In the end, with a bit of help from everyone, they manage to do this. Aaeru and Neviriru say goodbye and the episode ends.

Posted on 13 September 2006 with categories: Simoun


Okay, that was deep.

This episode went so incredibly deep. It’s so different from the direction I hoped for, but that doesn’t mean that I didn’t love it.

The major part of this episode deals with the fact that the Chor Tempest will be disbanded, which means that its members will have to go to the spring, which means that they’ll have to say goodbye to their previous lives. Topics like these always do well, so you’d wonder why so little anime are trying it. In any case, every member, except Aaeru, Neviriru and Yun, will be going to the spring. The way the creators displayed this was awesome. On their last day, they all have just a last bit of fun, before they leave. Kaimu and Aruti also get a bit closer together, and Paraietta was scratching something on the wall near the dormitories. We don’t get to see what exactly it was that she scribbled on it, though.

Aaeru and Neviriru stay on the Arcus Prima, however. Both still are unsure which sex they should choose, and Neviriru keeps bugging Aaeru to do the Emerald Ri Maajon. This eventually ends in Neviriru confessing to Aaeru. I think the two now officially are in love with this. We get to see the results at the next episode. ^^

Yun gets a very surprising role. Remember her during the previous episode? She keeps getting haunted by what she saw. In the end, she decides to leave the Arcus Prima, and accept Onashia, and forgive her for the sins she committed when she didn’t choose a sex, wishing to stay an eternal maiden forever. Onashia then disappears, while Yun takes over her role. The other members of the Chor Tempest find this out in a very interesting way.

Seriously, I never expected that the creators were going for an ending of this kind. You would expect a lot of action, though for the previous two episodes, there hasn’t been any fight scene at all. And due to the fact that peace has been made, I don’t think more action scenes will be coming. At first, I was a bit startled by this, though now I’m beginning to see how incredibly awesome it can become. We still have the problem of Limone and Dominüra. What will their role be in the final two episodes?

Posted on 6 September 2006 with categories: Simoun


An intermezzo. It’ll probably the intermezzo before the big finale of Simoun. Let us hope it’ll be able to deliver the long-awaited bang.

The important characters this time were Aaeru, Neviriru, Paraietta, Yun, Onashia, The Temple One and a bit of Harukonfu. The Peace treaty has been signed. It’s not a trap. But there is a catch: the Chor Tempest will be disbanded. The Priests from the highlands will be taking over the Sibylla’s duties. This worked exceptionally well to put time pressure on our characters. Especially and surprisingly The Temple One shows this, as she isn’t happy with this decision at all. After all, if the Chor Tempest will be disbanded, it’ll almost be impossible to perform the Emerald Ri Maajon. She freaks out and begs Neviriru and Paraietta, who she happened to run into, to perform it.

Yun has meanwhile left the Arcus Prima, and headed towards the ruins. There, she has a very interesting discussion with Onashia. Onashia once was a member of the Chor Dextra. She could understand Yun, as she lost a lot of former friends herself. Onashia then shows her something very interesting: the result of what happens if you don’t choose your gender. If that’s the case, you’ll end up like her. Your eyes get a weird colour, and your body turns blue and starts shedding away strange sparks, which don’t really look healthy. This also explains how Onashia managed to get such a high position. As she never went to the spring, she remained a holy priest for her entire life. Of course that would give her status.

Aaeru is getting more and more confused. It seems that she really wants to see another world. It seems that she had another reason to become a Sibylla than just not being able to make up her mind. Her grandfather also influenced her, making her wanting to travel to another world. That’s why she joined the Chor Tempest. In any case, later in the episode, we see her getting a bit annoyed and confused with Neviriru. She thinks it’s because Neviriru’s been talking more and more, though I (and Furoe as well) think that she’s still jealous with the possibility of Amuria still existing.

Harukonfu still doesn’t know what he can do. He can’t protect his daughter, he lost his status, he’s nothing. Maybe we can expect some interesting things from him in the latest episodes. Paraietta and Neviriru also finally seem to have understood each other.

It seems that everything is set now for the finale. I’m wondering how it’ll go. It’s got some good ingredients, now all that’s left is how to use them.

Posted on 29 August 2006 with categories: Simoun



Interesting. An Anubitifu/Guraghief episode. Didn’t see that one coming. It’s an interestingly paced episode, one you wouldn’t expect at this point of the anime.

The thing starts when Anubitufu makes some decisions Guraghief doesn’t agree with. Remember when Mamiina was shot out of the air? Anubitufu also realized something was wrong when the Sybilla transporting her coffin never returned. Anubitufu sees this as a sign that they don’t have control anymore over their own airspace. He also orders Guraghief not to tell the members of the Chor Tempest about this. That’s where Guraghief doesn’t agree. And he gets angry.

Later, we see them in the church, and Guraghief surprises himself over the fact that Anubitufu would hide things from him, and he no longer understands what he desires. Was this only over the fact that Anubitifu told Guraghief not to tell the Sybilla about Mamiina, or did something happen which we don’t get do see. After all, it’s unlikely to make such a fight because of this. In any case, we later see Anubitifu make a little talk with Wauf. Wauf seems to know that the two of them are hostile to each other. Anubitufu reckons that Guraghief’s too earnest. Wauf makes a comment about how it’s such a pity that he’s a man and he advices Anubitufu to make up with him as soon as possible. After all, you never know, don’t you?

Anubitufu tries to make up in a very original way: by piloting a Simire and commanding the Simoun from the battlefield itself. It works in the end, and it seems that Guraghief has also forgot his grudges with this.

Other interesting characters were Aaeru, the Official, especially Paraietta and a bit of Rödoreamon, Morinasu, Kaimu and Waporifu.

Morinasu gets a small injure after a rather reckless attempt to stop an enemy flyer from being able to hit the capital. It’s not often that you think of such a radical method to stop them. Rodoreamon, meanwhile, shows that she’s not good at all with first aid, and she offers Yun Mamiina’s braid. She seems to have put her trust in Yun to take care of her. Waporifu, meanwhile shows that she’s very good with first aid.

The official’s temper keeps going worse and worse, as the Sybilla keep annoying him more and more when they go against his orders. I think that he isn’t used to people disobeying his orders. He’s probably had a lot of experience in wars, in which everything was strictly regulated. The member of the Chor Tempest must be really new for him, making him unable to deal with them.

Aaeru and Neviriru, meanwhile, spend a part of the episode giving their blessings to the common people who seem to have lost their homes. For Aaeru, this is totally new. We know that she doesn’t believe in Tempus Patiem, but still she’s giving out her prayers. It must’ve felt really weird for her to do. But Neviriru tells her that she remains a Simoun Sybilla, a priest of Tempus Patiem. It’s an interesting view on religion. Teh fact remains that Aaeru’s giving a lot of people the placebo-effect. That’s why religions arrived in the real world in the first place. To give people hope and reassurance. Only later, people began to misuse this, resulting in some bloody events.

Paraietta was awesome. Suddenly, she seems to have realized her importance, and she has made a huge change to herself. She’s decisive, serious. Everything a good leader should be. Kaimu’s reaction to this also was too cute, as she actually started fangirling over her. ^_^;;

Speaking of cute, on a side-note, the eye-catch for this week actually showed Guraghief and Anubitufu in their younger years.

Anyway, about the story, an unexpected twist happens. Both the highlands as the archipelago are actually proposing a peace treaty. That, while they can annihilate Simulacrum any minute now if they want to. For some reason, they also attack after they proposed peace. It seems that this was some kind of warning from them, to put more pressure on Simulacrum and make sure it accepts peace.

I’m wondering what the last four episodes will be about. As of right now, it seems that there won’t be much material left. After all, nobody in the Chor Tempest seems to have any problems, peace has been made, that takes away some big plot holes. But still, there are so many details which still haven’t been solved yet. Why was peace proposed? What happened to Amuria? Will Dominüra and Limone come back? What about the sparkly stuff from Onashia?

Still, I have to admit that Simoun’s reached its height at episodes 14, 15 and 16, in which almost each of the characters was feeling unstable. Right now, it hasn’t been able to reach the awesomeness of these scenes. Mamiina’s death was a very good attempt. It worked perfectly. But there are just too many moments outside of this which, while they are very good, are in no way awesome. I’m hoping for the final four episodes to deliver a bang.

Posted on 23 August 2006 with categories: Simoun



A story-driven episode for once, instead of the character-driven ones. I actually like the latter more. that’s really the department in which Simoun shines like no other. Still, that doesn’t mean that this episode wasn’t good. ^^

The most important part of the episode definitely is Onashia explaining the Emerald Ri Maajon. It’s used to travel from one time to another. We also see Dominüra and Limone back. This also gives us suspicions that Amuria is still alive as well, though in yet another time. I’m not sure whether Limone and Dominüra have landed in the future, or in the past. I personally think that they ended up in the past, as the village is filled with ancient Simoun. Still, they’re all overgrown with vines.

In any case, there was a civilization in the past which was much more advanced than the current ones. It’s interesting that Onashia speaks of “civilization” as singular, instead of plural. It’s said that the Simoun came from those days. In the end, countless wars eradicated the civilization, along with the true purpose of the Simoun. At one time, the Simoun just became useless.

Then, from the sky, it seems that a Simoun from another world, or time in this case. It was being driven by children, sent from god. These girls introduced themselves as Simoun Sibylla. Then, they informed everyone of the Emerald Ri Maajon. The Chor Dextra, which was led by Aaeru’s grandfather, by the way, was created just for the completion of the Emerald Ri Maajon. Dominüra is the only living member of it.

Dominüra also reveals something interesting in her thoughts: the reason she freaked out so horribly in episode 14, when seeing the Simoun. Well, it seems that she was one of these children, sent from god, who originally came from the other world. It seems that she forgot this, and seeing the dismantled Simoun forced her to remember again. This is indeed extremely sad, as she was the one who started the entire war for the control of the Simoun.

However, this brings up so many questions. How old is Dominüra anyway? If Aaeru’s grandfather used to pilot a Simoun, then it must mean that that Dominüra arrived in her Simoun quite some years ago. Still, she looks extremely young. I have a theory, though. Nothing has ever been said about what happens to those who refuse to go to the spring for their entire life, right? The fact that nobody speaks about it must mean that every single person went to the shrine, no exceptions. What if Dominüra is this exception? What if she just didn’t go to the spring, which made her body refuse to age for years and years to follow?

Dominüra also starts singing in front of the people who live in the time they arrived in. I think that that’s one of their rituals, they do every day, in order to give these people hope. I have no idea what started it, though I think that the villagers managed to convince them. They’re indeed living very peaceful. Interesting note: the Simoun appear to make a buzzing sound when they’re inactive.

I also noticed that Limone’s hair grew. This really reminded me of a strange pattern I noticed a while ago and which all anime seem to follow. Most anime don’t even know about hair growth. Half a year passes, and each character still has the same length of hair. Nothing grows. There have been a number of anime, though, which do feature characters who grow their hair. The strange thing, however, is that every single one of these anime has only one of these characters. No more. Simoun has Limone. All of the other characters seem to be spending a lot of time at the barber. The Law of Ueki has Rinko and I’ve heard that Haruhi Suzumiya also had this. It’s a pity that so little characters have this, as I like spotting the differences in character design that way. (That’s why I also like characters who like to change hairstyles)

In any case, the fact that this was a story-driven episode doesn’t mean that we didn’t have any character-development. This time, it came from Yun, Limone, Dominüra, Onashia and a bit of Aaeru and Paraietta.

Notice how Paraietta was very determined when the Chor Tempest was scolded for going out unauthorized (eheh, so what? Aaeru used to do this lots of times. :P). Also, notice how Aaeru gets uncomfortable when Neviriru suddenly gets hope of Amuria being alive? I wonder what kind of reasons she has for this. Does she think that she’ll lose an important pair, or an important friend to Amuria?

Both Limone and Dominüra have changed. Limone has told herself never to say “I dunno” anymore. That’s why she tries to find a suitable answer for each question asked to her. Dominüra, on her turn, has become extremely relaxed, cheerful and optimistic. We also see a surprisingly weak side of Onashia. For some reason, she became extremely exhausted on the journey back to the ruins. When she arrived, however, this weakness was gone. She also shredded off some strange, sparkling substance when she walked.

The most interesting one, though was Yun. She goes along with Aaeru and Neviriru in their mission to escort Onashia back to the ruins, as she wants to ask Onashia about her fallen comrades. Onashia told Yun the previous episode that she could hear Mamiina’s voice, so Yun was hoping that this would be the same for her former friends. She wonders whether their souls have been set free. Yun gets a response she doesn’t like. The one who desires to be set free his Yun herself. Not only does this suggest that her comrades have yet to be set free, but it also means that Yun has indeed been keeping all of her feelings inside of her. Onashia reveals that Yun wants to escape to a place far away. She’s been fooling herself all along.

Posted on 17 August 2006 with categories: Simoun



Simoun really continues its path of awesomeness. This episode was meant for the death of Mamiina to really sink in. It’s interesting to see the different reactions from the different Sybilla.

Rödoreamon tries to act strong. In the end, though, when she finds out that Mamiina cut her own braids, she breaks down. Aaeru can’t take it from the beginning, Neviriru gets to be the one to comfort her. Paraietta also breaks down even more, but surprisingly Aruti talks some sense back into her. Aruti herself seems to be planning to disappear from Kaimu, in order to make her smile again. For Furoe, this was the last drop, and she decided to go to the spring. I don’t know whether at the end of the episode, she still thinks like that, though. Neviriru keeps doubting even more, as she was one of the factors who killed Mamiina in the first place, though Aaeru’s crying makes her realize that she indeed has to survive. It really seems that everyone’s having trouble with this, though Yun, Morinasu and Kaimu seem to be the least affected.

One of the advisors also remained on the Arcus Prima, and he doesn’t really help to comfort the Sybilla. He keeps thinking of war and winning, not caring about Mamiina at all. Onashia also paid a visit to the Arcus Prima, in which she gave Yun Mamiina’s braid. I don’t know whether she had more purposes, though. In the end, a carrier is seen, transporting Mamiina’s coffin to the place she was born, before even a funeral was helt. At the end of the episode, one of the ancient Simoun comes, and shoots this carrier down. The last thing we see is Mamiina, lying in a field full of flowers.

Overall, this episode was nothing short of amazing, even though it was meant as an intermezzo. Simoun really is, apart from The Third, perhaps, the best series to have arrived in the Spring-Season.

Posted on 8 August 2006 with categories: Simoun



This episode was so incredibly sneaky. Mamiina is screaming, along with the other priestesses, you hear gunfire and the screen freezes. It’s a typical cliff-hanger. The episode was nice, the developments were okay. Until it seems that that was everything BUT the cliff-hanger, and the scenes which followed totally blew me away! That was SO awesome!

In any case, the episode starts as a standard Simoun episode. It’s centred around one character this time: Mamiina. She’s grown so much, ever since she showed up for the first time. In any case, during the previous episode, both Aaeru and Yun were thinking the same thing, and they went after the others in their Simoun, despite all orders. It’s something you really expect them to do, especially from Aaeru. ^_^

This also places the problem with the government officials in the back, an focuses on what’s really important again: the characters. That really is the thing Simoun’s good at: it’s immensely huge cast of extremely well developed characters. That’s what makes this anime work.

Meanwhile, the others have reached the Messis, and it seems that the two remaining members of the Chor Riboru will be replacing Limone and Doninüra: Vyüra and an unnamed Sybilla. Vyüra is also someone who’s changed a whole lot. She gets surprised when she learns that Aaeru and Yun are gone. Wauf then gives the Chor Tempest a chance to rest. We then switch to the dormitories, in which Mamiina sits on her own. Rödoreamon then enters, wondering why she’s taking so long. As Mamiina’s braids are starting to get loose, Rödoreamon offers to redo them. This only shows how close the two of them have become, despite their incredibly different personalities.

We then switch to a meeting between Wauf and the Chor Tempest, in order to come up with a strategy. Vyüra and her unnamed companion will be guarding the rear of the Messis, and be in charge of the communication relays, while the Chor Tempest will handle the offensive part. Aruti then says something which upsets Furoe a bit (one of the few times she talks) Paraietta joins in and Mamiina needs to calm them a bit. They also mentions the fact that everyone ate from the same pot, something only she and Rödoreamon can understand, seeing that she put some mice on the menu. ^_^

Later, the mission has started. The Simoun will be divided into two teams: Neviriru, Mamiina, Furoe and Aruti and Paraietta, Kaimu, Morinasu and Rödoreamon. Both teams are searching the skies. Meanwhile, Vyüra wonders why the Chor Tempest was used for this mission. Wauf answers with something Dominüra used to say: because the headquarters understand nothing. Looking at the previous episode, I agree with her as well.

Furoe, meanwhile, gets a bit agitated when Neviriru wants to talk to Mamiina a bit alone. About the fact that she’s changed. I think that Furoe’s the only one whom Aruti actually talks to. It’s very interesting, maybe this gets used later on in the series. Then the two Simoun run into the airbase. Neviriru gives orders to examinate the thing very carefully, as patrols might be lurking.

Paraietta, meanwhile, continues to act spaced-out, and people have to ask her twice in order to get a reply. Yun and Aaeru have meanwhile caught up with the Messis, and they immediately advance to the front lines. Wauf also gives the Messis the order to go full speed. I guess he was waiting for the two of them before he wanted to take action. ^_^

Meanwhile, Neviriru and the others have been spotted, and waves of patrols emerge from the air platform, including the stolen Simoun from episode 17, the two which managed to escape. Aaeru and Yun meanwhile have passed Paraietta and the others and head for the other group. Neviriru, does her utter best in order to defeat the enemies, though the enemy Simoun prove to be tricky to defeat with just Ri Maajons. But then again, this is logical. The Simoun are the only crafts which have total freedom in the air. The other airplanes have to obey rules, which makes them predictable, which in turn makes them quite easy targets for Ri Maajons.

Neviriru then tells Furoe and Aruti to escape, while she distracts the enemies. In the end, they get hit by one of the flying planes, and they manage to crash on the air platform. Mamiina is okay, though Neviriru is unconscious. The enemy Simoun are the soonest to be near them, and they approach Mamiina, and point their guns at her.

A very nice plot twist follows when it appears that the priests are actually good guys! They do view the Sybilla as the persons highest to Tempus Patium. In the end, they do seem to have acknowledged that Tempus Patiem and their god remain the same. They also claim to be different from the people from the Archipelago, and that they wish to help Mamiina and Neviriru. The latter recognizes no lies in their words, so the former agrees. Sortof. :)

Mamiina then activates the Simoun again, along with one of the Priests, and they take off. The priests jump off, though Mamiina then realizes that the Priests will be executed if they remain. She then cuts off one of her breads, says farewell to Neviriru and jumps on the platform, along with the priests. Meanwhile, the forces of the Archipelago come rushing in. Mamiina then screams with all of the others the infamous word: “Aaeru”.

And when you think things are already amazing, just wait till the next scenes, in which the other Sybilla discover that Mamiina has been shut! Especially Aaeru and Rödoreamon have it hard. Wauf meanwhile arrives, and blasts the air platform down with the Messis. He works really well as a captain. He really earned that job. ^_^

Mamiina immediately gets taken to intensive care, while Rödoreamon and Aaeru can’t take it anymore. Neviriru, meanwhile, is nowhere to be found. Then the Messis retreats and the episode ends.

And what an episode it was! I’m SO glad that the focus on the characters didn’t disappeared along with Dominüra and Limone! I was a bit worried, as things seemed to have been settled down. But this episode proved that I had nothing to worry about. I can’t wait for even more awesomeness from Simoun.

I’m also wondering what’ll happen to the Priests from Plumbum. They obviously had their reasons to fight against the Simoun, and Angurasu showed that they aren’t afraid to blow down an airship from Simulacrum. Did Angurasu actually agree with their views?

Memorable Moment: Aaeru, after seeing Mamiina.

Posted on 1 August 2006 with categories: Simoun



This episode felt like an intermezzo. The atmosphere wasn’t as heavy as it was before, though the episode remained incredibly worthwhile. Some new problems get introduced, older problems get brought back, and Paraietta, Aaeru, Neviriru, Mamiina, Rödoreamon, Yun and Harukonfu get a healthy dose of character development.

Firstly, regarding the plot. We begin the episode with the funeral of Angurasu. It’s being helt in the Arcus Prima. Apparently, I was wrong in my conclusion at the end of the previous episode. The enemy has managed to capture a number of Simoun from the Chor Caputo and Riboru, but it hasn’t discovered their secrets yet. What happened in the previous episode was Angurasu, along with two other priests, sneaking into the ruins, trying to steal one of the Simoun of the Ancients. There isn’t that much info about them, but I do suspect that they formed the base for the normal Simoun. The previous episode was meant to show that the enemy indeed is capable of piloting Simoun.

Later, Neviriru and Aaeru speculate about what happened with Angurasu, Limone, Dominüra and Amuria. They reach an interesting conclusion. The Simoun are able to bend even time and space. Angurasu, at the moment she shot her bombs, went to some kind of special place. That explains why she didn’t die that time. Aaeru’s grandfather also suspected something like this. This episode also suggests that in his Sibylla-years, he seemed to have been quite important, or in any case famous.

He also knew quite a lot about the Simoun, as it seems that he used to tell Aaeru that the Simoun can see what’s ahead, which indeed confirms that they do have the ability to mess with time. He also reveals that the Simoun can bring you to a different world. Aaeru’s grandfather has always yearned for this other world. Aaeru and Neviriru then realize that Limone and Dominüra indeed are alive somewhere. And Amuria as well.

The interesting question, of course, remains: is there just one other world, or are there more? Were Dominüra and Limone sent to the same place as Amuria? And how about Angurasu? Was she also sent towards the other world, or did she just teleport to a random place in the normal world? If she didn’t, and really got sent to the other world, then how did she get back? And why haven’t Dominüra, Limone and Amuria come back? I’m suspecting that Onashia’s playing a significant role in this one. I’m also wondering what the trigger is for being sent off. So far, the things that both Amuria as Limone as Dominüra as Angurasu shared in common was that they felt themselves incredibly close to god, and a loud explosion followed. Aaeru and Neviriru decide to keep the things they found out a secret for each other.

Meanwhile, it seems that yet another nuisance has appeared, in the form of a bunch of highly placed government officials. They’ll be playing the role Harukonfu had in the earlier episodes. Only ten times worse. These people also don’t believe that the Simoun are god’s crafts, which results in quite some snide remarks and arrogantic behavior. Aaeru and Neviriru manage to pwn them at first, when they ask the Simoun for their strongest Ri Maajon, and they display the Dandelion Ri Maajon, otherwise known as the one who only gets performed during ceremonies due to its huge symbolism and history. But fortunately (am I getting sadistic?) these guys don’t give up that fast. They even knock Yun against the wall when she hinders them when they try to take away Angurasu’s body and they order Waporifu to dismantle a Simoun once again.

The Sky Fortress from episode twelve is still an issue, though. Ever since we saw it that episode, it has been unfindable. The officials want to find it. This all gets mentioned during a meeting with the officials, Harukonfu, Anubitufu, Guraghief and the high priests of the Arcus Prima. During the same meeting, the fact that Neviriru is piloting Aaeru gets mentioned. The high priests become a bit startled when they realize something her grandfather seems to have done. Then, the scene ends, suggesting something which happens later in the episode.

Yun, meanwhile encounters the officials carrying Angurasu’d dead body away, and gets pushed away violently, like described before. Later, the Sybilla get information about their upcoming missions. It seems that they’ll be heading back to the Messis, in order to locate the Sky Fort, as the Messis works better for these kinds of missions. Everyone also gets surprised when Mamiina is forced as Neviriru’s pair, while Aaeru and Yun don’t get to participate in the mission at all. The events preceding these scenes, combined with Harukonfu’s reaction suggest that the reason for Aaeru not being able to participate is her grandfather, while Yun can’t participate because of her behaviour against the officials. But is that all there is to it? Especially the way this episode ended made me see this.

The Sybilla head off, and Aaeru and Yun are left behind. (Just wondering: where were the Simoun heading to? Were they heading for the Messis first, in order to search for the Sky Fortress based on it, or are they just on a single mission, planning to return to the Arcus Prima later that day, or the day after? There’s quite a significant difference between these two options) Both Aaeru and Yun rush off, in order to do something. What are they planning? Are they planning the same thing? We’ll have to wait till next week in order to find these ones out.

Neviriru is starting to get more and more friendlier with Aaeru. This episode, she also made the initiative of starting a conversation with her. She also looked quite happy along with Aaeru, when they had to perform her Ri Maaju in the Maaju Pool. I don’t think I can believe her when she claimed not to trust Aaeru, and that she only faced Aaeru in order to be able to face Amuria, and so herself.

Aaeru’s reasons for refusing to choose her gender are also explained a bit more, during a flashback of her and her grandfather. In there, her grandfather uses an analogy of a river. The young Aaeru is able to cross it, though the old grandfather isn’t. He can’t go any further. He then tells Aaeru that in order to grow old, you have to make decisions to get there. That means that if you make one, you will be left out on the other options you’ve chosen not to take. This means that you lose tons of opportunities if you make a decision. (interesting note: what happened to Aaeru’s cheek in the flashback? Was it meant as a symbol, to show that Aaeru liked to run off to dangerous places, or did something specific happen to her?)

Paraietta, meanwhile, begins to get more and more doubts. Seeing Aaeru and Neviriru together doesn’t really make her feel comfortable either. Neither is the fact that they seem like the perfect team. Then there’s also the matter that she believes that she can’t make any good decisions at all. Then, during this episode, she finally loses it. She finally realizes that she has to protect Neviriru forcefully. Not quite the best idea ever, though the results were very entertaining. During the evening, when the two of them are alone, Paraietta grabs her chance, in trying to forcefully win Neviriru over her. Of course, Neviriru doesn’t agree with this.

Mamiina reveals that she enjoyed the time she had on the Messis quite a lot (unlike a certain Furoe ^^). Everyone seemed equal at that time, even eating mouse stew. Mamiina did realize, however, that everyone was different. This became clear after they got back to the Arcus Prima again. Later in the episode, when it seems that she finally gets her chance to pair with Neviriru. She then reveals to Rödoreamon that she still wants to be on the same level as the others, but this time it’s because she truly wants to be friends with everyone.

Rödoreamon also showed that she can be strong. This became clear when Mamiina showed her her weakness. The two are living towards each other more and more.

Waporifu, meanwhile, still has Dominüra’s reaction after seeing the dismantled Simoun on her mind. She seems quite against the fact that she has to dismantle a Simoun yet again. She wonders what to do, and eventually reaches the conclusion to do what she believes in. She didn’t get featured too long during this episode, though I don’t think that that was the last thing we’ve seen of this.

Yun finally begins to show signs of weaknesses and determination. We had to wait for this for a long while, but finally, she’s also beginning to break out of her shell. The first sign we see of this is when she looks at a miniature boat-like item with a very nostalgic look. Though I have no idea what this might be. It could be a cradle as well. For some reason, she also was heavily offended by the fact that Angurasu was carried away, and she attempted to stop the officials. Later in the episode, she also can’t get any sleep at all.

Harukonfu seems to have lost the spark he once had. I think that seeing the peace negotiations end up with the initiators killing themselves wasn’t good for his health. It’s like Mamiina said: he’s become an old man now. He’s not able of acting with the confidence and charisma he once had. Therefore, he loses influence. Still, he was quite sad in which he begged Neviriru not to make his job even more difficult.

I’m also wondering about Kaimu. Obviously, her role still isn’t over, as she’s still in love with Paraietta. As the latter is way too busy with getting angry over Neviriru and Aaeru, she fell in the background a bit. Still, the fact that she looked up hopefully to Paraietta when the two of them were assigned to remain in the same Pair, does suggest that she hasn’t lost any of her feelings yet. Paraietta, however, didn’t notice anything.

I’m also wondering about Aruti. For now, it seems that her only reason to be in the Chor Tempest is Kaimu, but I want to see their relationship get even more developed. For now, they act like strangers, while their case really remains interesting. Furoe has gotten some subtle changes, though she remains the most cheerful members of the Chor Tempest. I think that, because of her personality, that she’s able to handle more than the average member of the Chor Tempest. Morinasu also isn’t seen near Waporifu, this time. It seems that the two have made up, though their relationship has changed (I couldn’t help but wondering: how exactly would you define their relationship? Straight, as Morinasu is a woman, while Waporifu is a man? Yaoi, as Waporifu is a man, and Morinasu’s planning to become a man as well? Yuri, as technically, they’re both women? Or a combination of the three of them?)

Memorable Moment: Seeing Yun act differently from her usual self. I’ve been waiting for that. :)

CHANGE USERNAME
Kaiser-Eoghan
That caught my attention, some kind of suspense manga set in world war II, for obvious reasons you don't often see manga/anime set in that time often enough so thats interesting at least.
Anonymous1124748
KTravlos here: On RE-Creators Saouto. Remember we are talking about a 14? year old kid who believed made his girlfriend commit suicide. I get the point and frustration, but do keep that in mind.
Lenlo
@Mario, for Hero Academia, just wait. The hype is real for Shouto vs Midoriya.
SuperMario
This is one of Saekano's biggest issue: while there are 5 main casts, the show seems to care to develop 3 of them. When that rival-guy begs Tomoya to continue the circle, and stresses that "Don't lose Eriri and Utaha". I just feel... dishearten. No recognition for Kato and Michiru then
SuperMario
Another 2 shows that I want to mention this week: My Hero Academia's last episode fight between Ecchan and Urarawa is my favorite match out of this Tournament arc. Saekano's last episode actually frustrated me. When it's obvious that this is the time for Kato's conflict, the show still spends too much time on Eriri and Utaha.
SuperMario
KTravlos: based on the content I thought it's you as well. I actually enjoyed Virgin Soul. It's an important episode actually, where all of out mains are locked up/ imprisioned. Yep, Re:Creators was great as well. But hell, Souta... his character's annoying. The creations, on the other hand, are developing quite nicely
Anonymous1123421
KTravlos here. Hmm wordpress has cast me out :p
Anonymous1123392
what a great RE:Creators episode. I do not know how Mamika will end up. But manly tears shall be shed. A great character.

Virgin Soul had a so-so to disappointing tonning down episode. Expected. Still they are smart to put Favoro there as a "sorry for that mates".
AoT, knowing what I know from the manga, made this episode all that more striking.
Anonymous1123296
Woah, Alice n' Zokuro has some of the most amazing writing I've seen this decade!
Kaiser-Eoghan
@Mario: And because of the negative space in the picture and guy in the background, it might also emphasize distance.
SuperMario
@Kaiser: This was an obvious shot choice (come on, because they KISSED), but the one I liked the most was the top right one. The characters aren't in the center of focus, and a bit too close to the screen tell us how much Chinatsu wanted to get close to Kotarou, at the same time we feel a bit uncomfortable just like him (too close). Smart visual telling there
Kaiser-Eoghan
I should start giving attention to shots in anime as I do in art films. You've chosen a good one for tsuki ga kirei on the bottom right.
Kaiser-Eoghan
@Mario: Speaking of shots....some of the static photography is Tsai ming liangs Goodbye dragon in is stunning. I saw an Ozu film where the framing was absolutely masterful.
Kaiser-Eoghan
@Mario: The eyeball scene in the restaurant OMO, scenes like that had very good way of creeping up on the viewer.
SuperMario
... and the fireworks in the end. Emotionally satisfied for that bleak film
SuperMario
Thanks Kaiser. Still think Black Coal is a very stylish and well-done neo-noir. One shot in particular still stick with me is the one long, unbroken shot that combine the past with the present.
Kaiser-Eoghan
*reviewing
It was your review that got me interested in the film mario.
Kaiser-Eoghan
Ah, I know that feeling, having to get out all my thoughts immediately. I also stream of consciousness what I write whether it be a poem or review then go back to edit, shows the passion a person has for what they're review.
SuperMario
It was just 3 years ago. I think I MUST review everything as soon as I finish, otherwise I will forget. Getting old now. Dang it
SuperMario
It was a great review, Kaiser. I also feel comparing Black Coal to Memories of Murders don't do this film justice too (although to be hinest I don't see the comparison). Your review just reminds me that I did review that film on Letterboxd, thou for the life of me, when I read ny own review I had no clue that i did write it
Kaiser-Eoghan
@K-off: Constantine was really the only reason I would have considered seeing the film, as I enjoyed some of the comics he appeared in.
Lenlo
Yaaay! Favaro is back!
Kaiser-Eoghan
@Mario: Ah, now I remember, I stopped watching ghost hound at around episode 14 or 15 years ago.
K-Off
Justice League Dark ended up being one of the weakest among the recent animated dc films. The opening was intriguing but it drops the ball as soon as it focuses on Zatanna and Constantine...The demonic manipulation of people isn't tied well enough to the villain, so that premise ends up feeling pointless, everything is inconsequential by the end. Why was this even made?
SuperMario
And for once, I feel that developing the characters isn't a appropriate choice for this type of show. The main cast need to develop, yes, but most of the supporting cast was presented as ambiguous and mysterious, thus making them change in the end feel just wrong
SuperMario
The main kidnapping was never addressed thoroughly, and it should be the main overarching arc, instead of this ending.
SuperMario
So... I've just binged through Ghost Hound. It starts as a compelling psychological mystery series, and ends up being... thriller of sort? The first half, building up stage was its best, and then unfortunately it run out of steam
KTravlos
Hey Favoro is like a good whiskey. You gotta drink it slow and enjoy it :)

I liked Predators.
Spike
8 episodes in we finally get to see who we were all waiting for in Bahamut! ...for 2 seconds.
Vonter
I did watch the version with the alien coming out of the ox. I haven't watched Predators, AVP1 was ok, like the newer movies its just the human element that has consistently gotten worse and unmemorable. I think that element in particular made me enjoy watching Alien 3 now, than if I had watched it in order, considering how it begins.
Kaiser-Eoghan
Thankfully the franchise can never fall as low as the predator reboot or alien vs predator.
Kaiser-Eoghan
@Vonter: Be sure you're watching the extended version.
Vonter
I liked 3/4s of this film, as the plans to kill the alien got more cumbersome the film got more tiring. And I think it was obligated to annihilate the cast considering they take the time to take out a whole bunch of them. I also think it's very noticeable the tiring production this had, and while people praise practical effects now, this movie sadly didn't integrate well the alien puppet.
Vonter
I've just watched Alien 3, the only Alien movie I hadn't seen do to the diviseness towards it. I think I went with the best expectations considering now on hindsight newer movies have made it look more competent, having more weight. This movie has characters, integrates the religious motiffs better, the Alien more than a closet monster is a formidable force of nature.
Kaiser-Eoghan
.....It just dawn on me looking through my letterboxd account...I have never seen afro samurai...
SuperMario
@Kaiser: I'm on hold with SukaSuka as well after 5 episodes. Ejoyable so far but its LN's tendencies hurt the show
SuperMario
@Kaiser: yeah, like I said in one of my weekly post, Tsuki ga Kirei is simple, but isn't easily obtained. At this point, I'm truly invested in these kids that it makes me tense just to see how they keep up with their relationship, haha.
Kaiser-Eoghan
I have yet to catch up with sukasuka and don't care about bahamut all that much.
Kaiser-Eoghan
I feel its sweet and sensitive approach has a rhythm to it that I started going along with.
It’s obviously slow but I began not noticing the time go by as I watched more.
The art makes me think of Shimura Takako’s and makes me wonder what the series might have been like if she wrote it.
The dub is mediocre so after 3 episodes I switched to subs.
Kaiser-Eoghan
The relative quietness and how scaled back in comparison to other anime romances is welcome and it never becomes dramatically or comedically obnoxious which I think is in its favour.
Kaiser-Eoghan
I decided to catch up on tsuki ga kirei. We said this before, but that scene where he meets the publisher about his writing is a stand out one.
For the show overall so far itself, above all I see it as something simple, un-demanding to watch, its good a break from all those old/art films I have to concentrate on harder to follow.
Kaiser-Eoghan
Maybe Goth would count but its more o a mystery manga.
Kaiser-Eoghan
Not familiar with shibito or sugar life. May as well recommend everything by Kazuo Umezu and Junji ito. 6000 ended disappointingly, I fell behind in dead tube. Does sugar dark count?
Lenlo
I am a Hero is a personal favorite of mine
AidanAK47
@Anon: Uzumaki, Shibito no Koe o Kiku ga Yoi, Happy Suger Life, 6000 and Dead Tube. I suppose.
Anonymous1116992
What is some good horror manga
K-Off
@Mario I also noticed that korean thrillers are way too obnoxious with shakycam.
Lenlo
@Mario, about LWA, that was how I felt. Its just not as magical, as special, as the original OVA was to me. I suppose thats to much to ask for a 25 ep series, but it turned me off
AidanAK47
@Mario, TV Diana has some charm points but I think OVA Diana provided a better dynamic. I mean sure, She was essentially female Draco Malfoy but her attitude made reveals like her being a secret Chariot fan more impactful. Plus her tsundere act torwards Akko was rather adorable.
SuperMario
about LWA again, unlike Aidan I actually enjoy this version of Diana. I know she's one note, too perfect but she's charming. Too charming haha which serves well as a contrast to Akko
SuperMario
...just pop one random film from him. His films are not without its bad side thou, in particular I find the dialogues shapeless and dragging. But well it does add to the naturalness of his films
KTravlos
on LWA I would also recommended it. It is a fluffy show, with a sense of wonder. Some episodes are better, some are more flat, and the over-arching storyline leaves me bored. But it does have that sense of childlike wonder, which I had missed among all the "grim" shows.
SuperMario
@Kaiser: I have a bit of problems with Korean movies lately as now they're heavily thriller style-over-substance films, so films that have very simple style like Hong-Sang-Soo's joints are the welcome change of air. One thing about his films thou, If you watched one of his film, you've watched them all. They're so similar in tones and concepts that I reckon if you feel like watching his films...
SuperMario
So I say it's still worth finishing. It's good but I don't feel the sparks that made it so great from the OVAs anymore
SuperMario
@Lenlo: about LWA. Plus side: Those hijinks. I mean the show is fun and magical. Negative side: I wish the show's storytelling is a bit tighter, each episode feels so loose it doesn't add up much and more like different variations of Akko + one member of the cast's hijink. Doesn't help either that the other casts just disappeared until they have an episode for 2 for themselves
SuperMario
@Anon1113829: I "enjoyed" Beyond the Boundary, but that show was a mess. The episode 10 was stand out for me, and the ending was kinda... a wreck. Certainly interesting but quality-wise I wouldn't reccommend it
Anonymous1113829
@SuperMario KyoAni fan? What did you think of Kyoukai no Kanata? I really wanted to like it, I thought it had some potential, but IMO nothing worked right.
AidanAK47
@Lenlo, It's good. Fun to watch certainly. Though sadly it falls short of being great.
Lenlo
So question: Is Little Witch Academia worth finishing atm? I started it last season, but for some reason it just fell off my radar
Kaiser-Eoghan
@Mario: Thankfully, while not entirely satisfying, day he arrives is just the Korean film I've been looking for, refreshingly more low key, quieter and I enjoyed the new wavy combined with raw style, making it all feel very natural.
Kaiser-Eoghan
@Mario: Well then, thanks for the rec on Hong-sang-so, I looked at The day he arrives. Y'know the reason I sometimes dread going into films featuring romance is because I'm conditioned from seeing the bad ones.
Kaiser-Eoghan
....I may actually read this, the last time I read a manga steeped in politics was Sanctuary: https://en.wikipedia.org/wiki/Eagle:_The_Making_of_an_Asian-American_President
Kaiser-Eoghan
@Aidan: I actually have very limited experience with Ellis as a comic book writer, only read Transmetropolitan, I know he's writing the Castlevania adaptation.
SuperMario
@Aidan: I heard the same thing; can't help being a completist though so I'll eventually get to them
AidanAK47
@Mario, From what I heard, it doesn't get better.
SuperMario
@Kaiser: that scene from the 1st episode of Phantom world lost me... but even then I'm willing to give the show another chance. That's how far I would go ^^ https://mobile.twitter.com/aaapodcast/status/687148875052892160/photo/2
AidanAK47
@Kaiser, Looks like they are putting some real effort into it. May actually turn out pretty good after all.
@K-Off, Under the Red hood is a damn fine movie. Likely one of the best of the DC animated universe. Though try Superman vs the elite out. It's pretty good.
Kaiser-Eoghan
Even phantom world Mario...even phantom world ? =)
Kaiser-Eoghan
Just the teaser trailer, not much to go on, but heres a short preview of that netflix castlevania thing that got mentioned on here a while back, up the quality to 360p:
SuperMario
At this stage, I'm pretty much KyoAni fanboy now so with every new material, I'll hype it up to the sky ^^
Kaiser-Eoghan
@Mario: I did follow it up with The spy who loved me though to cheer myself up =P Given that Rodger Moore just died =)
SuperMario
@Kaiser: just looked through what Short Men Behind the Sun is about: "human experiments carried out by Japanese army during WW2?" Already sound grim and too real. Then "a graphic depiction of the human experiments" haha no wonder you felt unsettled Kaiser
VyseLegendaire
My favorite Exploitation Flick is An Inconvenient Truth 2.0
Kaiser-Eoghan
@Mario: Long story short men behind the sun is finally the exploitation flick that defeated me and actually made me unsettled.
Kaiser-Eoghan
@Mario: I remember you talking about how Salo really affected you as an exploitation film, generally exploitation films don't shock or disturb me, but I just watched the cantonese dubbed version of Men behind the sun.
Kaiser-Eoghan
And the worst thing about beyond the boundry and phantom world, it discolours my opinion of kyoani as a whole, making me negatively reflect on older work they did .
AidanAK47
Yep, that's the new KyoAni one. Like Puran I don't have any expectations of it. The premise certainly seems like the closest they have come to breaking out of there usual format but I am sure they will find a way to shove in Moe antics. Though based on what is seen so far it looks like they are trying to emulate Key.
Puran
Is that a new KyoAni anime?.. I have lost faith in them a long time ago. Last Anime from them that I cared about was probably Hyouka
SuperMario
Bring you some news, Violet Evergarden will be aired as an anime TV. Though many sources saying it gonna air this year, it has a better possibility to air next year
SuperMario
Well, aesthetically, he's pretty much on par with Yang and Wong. It's just that his films are often emotionally distant, feel more like watching the paint dry hahaa
Kaiser-Eoghan
@Mario: I connect more emotionally with Yang and Wong.
Kaiser-Eoghan
@Mario: I went in expecting Edward Yang and Kar-wong-wai levels of quality, which may have been quite unfair standards to put him up against.
SuperMario
I myself find his films difficult to watch, but when the films end they usually hold up very very well. Both The Assassin and 3 Times in particular are my favorite of the year
SuperMario
@Kaiser: I completely understand your reaction because his films are demanding as hell. I remembered watching The Assassin in big screen, 3 people next to me fall asleep, one of them snoring and the other one fall asleep within the first 10 mins. That Hou Hsiao's movies for you
Kaiser-Eoghan
@Mario: Its such a shame because he makes gorgeous cinema and City of sadness is actually pretty informative account of the times....I just can't jive with him and I actually like "slow cinema" but watching his work is insanity inducingly boring for me.
Kaiser-Eoghan
@Mario: ....I'm really sorry, I don't mind long slow even spiritual, talky, non-narrative, old, complex,meditative , art films but I'm really really finding it hard to watch Hou Hsiao's work, I've tried time to live and the Assassin and I just bailed after 2 out of 3 hours on city of sadness.
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
Total users: 26

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