Posted on 26 September 2006 with categories: Anime Reviews, Simoun


In my more recent reviews, I always tried to classify the anime I reviewed in some kind of genre. Strangely enough, I can’t seem to do this with Simoun. There is just not one typical category it fits in. It’s got some yuri-romance, it’s got action, it’s a character study, it deals with heavy themes, it’s got all of these tiny elements which somehow form this beautiful result.

I really mean it when I say that Simoun is an awesome anime. Probably one of the best who aired during the spring season. It’s mostly because of the characters. These characters are so incredibly fleshed out that as the anime progresses, it’s able to invoke their deepest emotions. The anime, however, starts out a bit fragile. The first episode is not necessarily a bad one, but it did turn many viewers away. After this first episode, the anime picks up in a steady pace, already giving the viewer small tastes of the awesomeness which is about to come.

The best of this series appears in episodes 14, 15 and 16. Seriously, at those episodes, this anime will have you clinging to the screen in order not to miss even a single millisecond. These scenes are just too good to be described. Afterwards, the series continues with an excellent average level, until another very good climax comes at episode nineteen and twenty.

From that point, the anime takes an incredibly original turn. It’s something only very few anime attempt. The overall theme suddenly gets shifted from the action and tension towards a more thought-provoking one: saying goodbye and living on. A great deal of time is spent on this, in comparison to other anime, and if I have to say so myself, the last episodes give Simoun a very fitting ending.

This anime shines because of its characters. Each and every single one of them is unique. Each has her own struggles, and when you combine these struggles, tensions can rise incredibly high. It’s also one of the very few anime who doesn’t mess up with the love-theme, and this makes the romance-aspect also one huge success, significantly contributing to the overall mood of the show.

The soundtrack which comes with this anime also is superb. There are certain tracks which will really help bring the best out of the scenes. In the graphical department, this series also shines. Especially with the character design. Each character looks absolutely gorgeous. The battles also are a very nice watch.

Still, like I said, the character-driven episodes are awesome. But they do make the story-driven episodes rather bland in comparison. That’s about the only down part of this anime. The characters are far more interesting that the general story behind all of this. That’s about the only bad point.

Posted on with categories: Simoun

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And so, I’m afraid to say it, but Simoun has come to an end. And it certainly has been one of the most unique endings ever. It was nothing that could have blown me off my chair, but instead, this ending did leave me with a warm, fuzzy feeling. I can happily say that this ending succeeded. Still, the ending was puzzling, and there are a small number of questions left unanswered.

Anyway, the episode takes place a few years in the future, in order to show what happened to each of the members of the chor tempest. Extra focus is put on Limone and we also see a flashback of what happened with Aaeru and Neviriru before they got to perform their Emerald Ri Maajon.

What happened to Aaeru and Neviriru afterwards wasn’t really spectacular. They headed off, a spokesman of the Highlands sends some Simoun to retrieve them, though the priestesses have no intention of capturing them. They perform the Emerald Ri Maajon, and disappear. It’s not the huge spectacle with Limone and Dominüra. Still, the fact that the only scenes we see of them is at the end of the episode, in which they’re dancing in the debris of the Arcus Prima does make you wonder what happened with them afterwards. It’s one of the few unanswered questions. I’m suspecting that they travelled a lot of different worlds.

Surprisingly, we never get to see Amuria. We never know what happened to her. Same with Mamiina’s body. She’s been shot down. What happened to it? Those are the only bad points of this episode.

Limone was awesome in this episode. She looks beautiful when she’s grown up, and it seems that her arrival triggered other people of her age to try flying with the Simoun as well. We never find out whether she’s in the future, or in the past. If I had to guess, it’s the future. Don’t know why. Dominüra hasn’t been willing to fly the Simoun ever since she arrived in this timezone. Limone, however, wants to fly again, though not if it means forcing her will onto Dominüra. She’s been bothered by quite an amitious Sybilla, who aims to be paired with Limone, but Limone refuses to fly with anyone other than her beloved pair. How cute. The last scene we see of them is Dominüra, who finally agrees to fly again. She and Limone happily walk off, while Limone casted off the same strange stuff Onashia did. Does this mean what I think it means?

Next up, the characters who remained in the current world. First up: Morinasu. She now works as a female employee under Wauf. She’s been married with Waporifu, and she’s pregnant of her second child now.

Wauf also got a little daughter. The identity of mother is never mentioned. But it does seem clear that he has a very strong bond with both Morinasu and his daughter. He was very cute to see. I also loved him as a minor character in the series.

Remember Eri? Well, of course, he had to end up somewhere as well. He renamed himself to Erifu, and works at the same place as Morinasu and Wauf. It seems that he pilots Simire, in order to transport goods from one place to another. He’s been exceptionally busy, as it seems that the highlands and the archipelago are going into war.

Next up, Paraietta. Talk about character growth. I think that she, along with Dominüra and Mamiina changed the most, out of all of the characters in the series. She’s just so laid back now. She has really learned not to worry so much. She also put her time into a very noble job: providing a home for children who have lost their parents. Surprisingly enough, she ended up along with Rodoreamon.

Rodoreamon seems to have decided to take the management of Paraietta’s orphan home. It seems that they’ve got some problems with the upcoming war. She’s a bit worried, but determined as well. Also a HUGE difference with the way she was before.

Kaimu and Aruti decided to live together after all. After they grew up, they just returned to their original home, in order to spend their days quietly. Cute, very cute. ^_^

Yun still is at the spring, though she did decide to choose her gender. In the end, she became a female. Right now, she’s still standing at the spring, devoting her entire life to changing genders. In a way, that’s really sad. But she did choose for it. I remember noting that Jun was a tough nut to crack, back when she was just 100% objectivity. Well, in the end, she definitely had her moment of glory.

Furoe changed the most in terms of appearance. But that’s only logical, as she had the most feminine looks of the entire cast, and she suddenly switched to being a male. He named himself Furoefu. He’s been working as a farmer, right next to the debris that was once the mighty Arcus Prima. I can imagine that it works quite nostalgic. He even visits it some times, on a Helios Motores-powered boat.

Vyura (or Vyurafu) looks so cool as a man. He’s got a really laid-back attitude. And it seems that he’ll be fighting on the side of the enemy. I think that’s one of the messages of this final episode. “Ah well, that’s life.”

Anubitufu and Guraghief look so totally badass, in their new outfits. ^^;

And of course, I knew it was coming when around the final moments of the episode, the creators decided to show a few last shot of the ruins of the Arcus Prima. It really had it coming, and indeed. It’s a perfect way for a finale. We first see Aaeru and Neviriru dancing a bit, symbolizing the journeys they made. Then we switch to one of the hallways, in which Paraietta was doodling on the walls, two episodes ago.

Really, she was more enthusiastic than I thought she was. She made an incredibly cute chibi-drawing of every single Simoun Sybilla. That was so cute to see. A fitting ending for such an awesome series.

Posted on 20 September 2006 with categories: Simoun


Ooh, that was so exciting. After seeing this episode, it seems that the creators are planning to go all out for the final episode, while they used the last couple of episodes as preparations. I still have no idea what’s going to happen. Okay, Aaeru and Neviriru will be performing the Emerald Ri Maajon. But what will happen afterwards? Will they meet with Limone and Dominüra or Amuria? And what may have happened with Mamiina’s corpse which was blown out of the air a couple of episodes ago?

In any case, final episodes are always tricky to perform the right way. Many anime have trouble with this, and only a handful managed to do it in the end. I’m hoping that Simoun will be one of those. In any case, it won’t be one of those rushed endings, as it’s had enough time to prepare. Let’s hope that it’ll be able to deliver.

Anyway, about the episode. We start where we left off after the previous episode: Paraietta, Furoe, Aruti, Kaimu, Vyüra, Morinasu and Rödoreamon entering the spring. This is surprisingly painful for Yun, as we see her in agony once the ritual starts. (On a side-note: the background tune they used for this worked perfectly). The results are quite interesting.

Kaimu: Female
Vyüra: Male
Furoe: Male
Paraietta: Female
Aruti: Female
Rödoreamon: Female
Morinasu: Female

Especially Morinasu, Furoe and Paraietta are surprising. Both Furoe and Morinasu were seen, claiming to become the opposite of what they actually became. I think love had a lot to do with this. And Paraietta so seemed the type to become male. Everyone just assumed that she’d choose this. It’s also interesting if you realize that they aren’t priestesses any more. Especially when they saw a little kid, coming up to them and praying in front of them, just like nothing happened.

The second part of the episode basically features getting Aaeru and Neviriru in a Simoun. For some reason, the Plumbum officials are insisting that they go to the spring as soon as possible. In the end, with a bit of help from everyone, they manage to do this. Aaeru and Neviriru say goodbye and the episode ends.

Posted on 13 September 2006 with categories: Simoun


Okay, that was deep.

This episode went so incredibly deep. It’s so different from the direction I hoped for, but that doesn’t mean that I didn’t love it.

The major part of this episode deals with the fact that the Chor Tempest will be disbanded, which means that its members will have to go to the spring, which means that they’ll have to say goodbye to their previous lives. Topics like these always do well, so you’d wonder why so little anime are trying it. In any case, every member, except Aaeru, Neviriru and Yun, will be going to the spring. The way the creators displayed this was awesome. On their last day, they all have just a last bit of fun, before they leave. Kaimu and Aruti also get a bit closer together, and Paraietta was scratching something on the wall near the dormitories. We don’t get to see what exactly it was that she scribbled on it, though.

Aaeru and Neviriru stay on the Arcus Prima, however. Both still are unsure which sex they should choose, and Neviriru keeps bugging Aaeru to do the Emerald Ri Maajon. This eventually ends in Neviriru confessing to Aaeru. I think the two now officially are in love with this. We get to see the results at the next episode. ^^

Yun gets a very surprising role. Remember her during the previous episode? She keeps getting haunted by what she saw. In the end, she decides to leave the Arcus Prima, and accept Onashia, and forgive her for the sins she committed when she didn’t choose a sex, wishing to stay an eternal maiden forever. Onashia then disappears, while Yun takes over her role. The other members of the Chor Tempest find this out in a very interesting way.

Seriously, I never expected that the creators were going for an ending of this kind. You would expect a lot of action, though for the previous two episodes, there hasn’t been any fight scene at all. And due to the fact that peace has been made, I don’t think more action scenes will be coming. At first, I was a bit startled by this, though now I’m beginning to see how incredibly awesome it can become. We still have the problem of Limone and Dominüra. What will their role be in the final two episodes?

Posted on 6 September 2006 with categories: Simoun


An intermezzo. It’ll probably the intermezzo before the big finale of Simoun. Let us hope it’ll be able to deliver the long-awaited bang.

The important characters this time were Aaeru, Neviriru, Paraietta, Yun, Onashia, The Temple One and a bit of Harukonfu. The Peace treaty has been signed. It’s not a trap. But there is a catch: the Chor Tempest will be disbanded. The Priests from the highlands will be taking over the Sibylla’s duties. This worked exceptionally well to put time pressure on our characters. Especially and surprisingly The Temple One shows this, as she isn’t happy with this decision at all. After all, if the Chor Tempest will be disbanded, it’ll almost be impossible to perform the Emerald Ri Maajon. She freaks out and begs Neviriru and Paraietta, who she happened to run into, to perform it.

Yun has meanwhile left the Arcus Prima, and headed towards the ruins. There, she has a very interesting discussion with Onashia. Onashia once was a member of the Chor Dextra. She could understand Yun, as she lost a lot of former friends herself. Onashia then shows her something very interesting: the result of what happens if you don’t choose your gender. If that’s the case, you’ll end up like her. Your eyes get a weird colour, and your body turns blue and starts shedding away strange sparks, which don’t really look healthy. This also explains how Onashia managed to get such a high position. As she never went to the spring, she remained a holy priest for her entire life. Of course that would give her status.

Aaeru is getting more and more confused. It seems that she really wants to see another world. It seems that she had another reason to become a Sibylla than just not being able to make up her mind. Her grandfather also influenced her, making her wanting to travel to another world. That’s why she joined the Chor Tempest. In any case, later in the episode, we see her getting a bit annoyed and confused with Neviriru. She thinks it’s because Neviriru’s been talking more and more, though I (and Furoe as well) think that she’s still jealous with the possibility of Amuria still existing.

Harukonfu still doesn’t know what he can do. He can’t protect his daughter, he lost his status, he’s nothing. Maybe we can expect some interesting things from him in the latest episodes. Paraietta and Neviriru also finally seem to have understood each other.

It seems that everything is set now for the finale. I’m wondering how it’ll go. It’s got some good ingredients, now all that’s left is how to use them.

Posted on 29 August 2006 with categories: Simoun



Interesting. An Anubitifu/Guraghief episode. Didn’t see that one coming. It’s an interestingly paced episode, one you wouldn’t expect at this point of the anime.

The thing starts when Anubitufu makes some decisions Guraghief doesn’t agree with. Remember when Mamiina was shot out of the air? Anubitufu also realized something was wrong when the Sybilla transporting her coffin never returned. Anubitufu sees this as a sign that they don’t have control anymore over their own airspace. He also orders Guraghief not to tell the members of the Chor Tempest about this. That’s where Guraghief doesn’t agree. And he gets angry.

Later, we see them in the church, and Guraghief surprises himself over the fact that Anubitufu would hide things from him, and he no longer understands what he desires. Was this only over the fact that Anubitifu told Guraghief not to tell the Sybilla about Mamiina, or did something happen which we don’t get do see. After all, it’s unlikely to make such a fight because of this. In any case, we later see Anubitifu make a little talk with Wauf. Wauf seems to know that the two of them are hostile to each other. Anubitufu reckons that Guraghief’s too earnest. Wauf makes a comment about how it’s such a pity that he’s a man and he advices Anubitufu to make up with him as soon as possible. After all, you never know, don’t you?

Anubitufu tries to make up in a very original way: by piloting a Simire and commanding the Simoun from the battlefield itself. It works in the end, and it seems that Guraghief has also forgot his grudges with this.

Other interesting characters were Aaeru, the Official, especially Paraietta and a bit of Rödoreamon, Morinasu, Kaimu and Waporifu.

Morinasu gets a small injure after a rather reckless attempt to stop an enemy flyer from being able to hit the capital. It’s not often that you think of such a radical method to stop them. Rodoreamon, meanwhile, shows that she’s not good at all with first aid, and she offers Yun Mamiina’s braid. She seems to have put her trust in Yun to take care of her. Waporifu, meanwhile shows that she’s very good with first aid.

The official’s temper keeps going worse and worse, as the Sybilla keep annoying him more and more when they go against his orders. I think that he isn’t used to people disobeying his orders. He’s probably had a lot of experience in wars, in which everything was strictly regulated. The member of the Chor Tempest must be really new for him, making him unable to deal with them.

Aaeru and Neviriru, meanwhile, spend a part of the episode giving their blessings to the common people who seem to have lost their homes. For Aaeru, this is totally new. We know that she doesn’t believe in Tempus Patiem, but still she’s giving out her prayers. It must’ve felt really weird for her to do. But Neviriru tells her that she remains a Simoun Sybilla, a priest of Tempus Patiem. It’s an interesting view on religion. Teh fact remains that Aaeru’s giving a lot of people the placebo-effect. That’s why religions arrived in the real world in the first place. To give people hope and reassurance. Only later, people began to misuse this, resulting in some bloody events.

Paraietta was awesome. Suddenly, she seems to have realized her importance, and she has made a huge change to herself. She’s decisive, serious. Everything a good leader should be. Kaimu’s reaction to this also was too cute, as she actually started fangirling over her. ^_^;;

Speaking of cute, on a side-note, the eye-catch for this week actually showed Guraghief and Anubitufu in their younger years.

Anyway, about the story, an unexpected twist happens. Both the highlands as the archipelago are actually proposing a peace treaty. That, while they can annihilate Simulacrum any minute now if they want to. For some reason, they also attack after they proposed peace. It seems that this was some kind of warning from them, to put more pressure on Simulacrum and make sure it accepts peace.

I’m wondering what the last four episodes will be about. As of right now, it seems that there won’t be much material left. After all, nobody in the Chor Tempest seems to have any problems, peace has been made, that takes away some big plot holes. But still, there are so many details which still haven’t been solved yet. Why was peace proposed? What happened to Amuria? Will Dominüra and Limone come back? What about the sparkly stuff from Onashia?

Still, I have to admit that Simoun’s reached its height at episodes 14, 15 and 16, in which almost each of the characters was feeling unstable. Right now, it hasn’t been able to reach the awesomeness of these scenes. Mamiina’s death was a very good attempt. It worked perfectly. But there are just too many moments outside of this which, while they are very good, are in no way awesome. I’m hoping for the final four episodes to deliver a bang.

Posted on 23 August 2006 with categories: Simoun



A story-driven episode for once, instead of the character-driven ones. I actually like the latter more. that’s really the department in which Simoun shines like no other. Still, that doesn’t mean that this episode wasn’t good. ^^

The most important part of the episode definitely is Onashia explaining the Emerald Ri Maajon. It’s used to travel from one time to another. We also see Dominüra and Limone back. This also gives us suspicions that Amuria is still alive as well, though in yet another time. I’m not sure whether Limone and Dominüra have landed in the future, or in the past. I personally think that they ended up in the past, as the village is filled with ancient Simoun. Still, they’re all overgrown with vines.

In any case, there was a civilization in the past which was much more advanced than the current ones. It’s interesting that Onashia speaks of “civilization” as singular, instead of plural. It’s said that the Simoun came from those days. In the end, countless wars eradicated the civilization, along with the true purpose of the Simoun. At one time, the Simoun just became useless.

Then, from the sky, it seems that a Simoun from another world, or time in this case. It was being driven by children, sent from god. These girls introduced themselves as Simoun Sibylla. Then, they informed everyone of the Emerald Ri Maajon. The Chor Dextra, which was led by Aaeru’s grandfather, by the way, was created just for the completion of the Emerald Ri Maajon. Dominüra is the only living member of it.

Dominüra also reveals something interesting in her thoughts: the reason she freaked out so horribly in episode 14, when seeing the Simoun. Well, it seems that she was one of these children, sent from god, who originally came from the other world. It seems that she forgot this, and seeing the dismantled Simoun forced her to remember again. This is indeed extremely sad, as she was the one who started the entire war for the control of the Simoun.

However, this brings up so many questions. How old is Dominüra anyway? If Aaeru’s grandfather used to pilot a Simoun, then it must mean that that Dominüra arrived in her Simoun quite some years ago. Still, she looks extremely young. I have a theory, though. Nothing has ever been said about what happens to those who refuse to go to the spring for their entire life, right? The fact that nobody speaks about it must mean that every single person went to the shrine, no exceptions. What if Dominüra is this exception? What if she just didn’t go to the spring, which made her body refuse to age for years and years to follow?

Dominüra also starts singing in front of the people who live in the time they arrived in. I think that that’s one of their rituals, they do every day, in order to give these people hope. I have no idea what started it, though I think that the villagers managed to convince them. They’re indeed living very peaceful. Interesting note: the Simoun appear to make a buzzing sound when they’re inactive.

I also noticed that Limone’s hair grew. This really reminded me of a strange pattern I noticed a while ago and which all anime seem to follow. Most anime don’t even know about hair growth. Half a year passes, and each character still has the same length of hair. Nothing grows. There have been a number of anime, though, which do feature characters who grow their hair. The strange thing, however, is that every single one of these anime has only one of these characters. No more. Simoun has Limone. All of the other characters seem to be spending a lot of time at the barber. The Law of Ueki has Rinko and I’ve heard that Haruhi Suzumiya also had this. It’s a pity that so little characters have this, as I like spotting the differences in character design that way. (That’s why I also like characters who like to change hairstyles)

In any case, the fact that this was a story-driven episode doesn’t mean that we didn’t have any character-development. This time, it came from Yun, Limone, Dominüra, Onashia and a bit of Aaeru and Paraietta.

Notice how Paraietta was very determined when the Chor Tempest was scolded for going out unauthorized (eheh, so what? Aaeru used to do this lots of times. :P). Also, notice how Aaeru gets uncomfortable when Neviriru suddenly gets hope of Amuria being alive? I wonder what kind of reasons she has for this. Does she think that she’ll lose an important pair, or an important friend to Amuria?

Both Limone and Dominüra have changed. Limone has told herself never to say “I dunno” anymore. That’s why she tries to find a suitable answer for each question asked to her. Dominüra, on her turn, has become extremely relaxed, cheerful and optimistic. We also see a surprisingly weak side of Onashia. For some reason, she became extremely exhausted on the journey back to the ruins. When she arrived, however, this weakness was gone. She also shredded off some strange, sparkling substance when she walked.

The most interesting one, though was Yun. She goes along with Aaeru and Neviriru in their mission to escort Onashia back to the ruins, as she wants to ask Onashia about her fallen comrades. Onashia told Yun the previous episode that she could hear Mamiina’s voice, so Yun was hoping that this would be the same for her former friends. She wonders whether their souls have been set free. Yun gets a response she doesn’t like. The one who desires to be set free his Yun herself. Not only does this suggest that her comrades have yet to be set free, but it also means that Yun has indeed been keeping all of her feelings inside of her. Onashia reveals that Yun wants to escape to a place far away. She’s been fooling herself all along.

Posted on 17 August 2006 with categories: Simoun



Simoun really continues its path of awesomeness. This episode was meant for the death of Mamiina to really sink in. It’s interesting to see the different reactions from the different Sybilla.

Rödoreamon tries to act strong. In the end, though, when she finds out that Mamiina cut her own braids, she breaks down. Aaeru can’t take it from the beginning, Neviriru gets to be the one to comfort her. Paraietta also breaks down even more, but surprisingly Aruti talks some sense back into her. Aruti herself seems to be planning to disappear from Kaimu, in order to make her smile again. For Furoe, this was the last drop, and she decided to go to the spring. I don’t know whether at the end of the episode, she still thinks like that, though. Neviriru keeps doubting even more, as she was one of the factors who killed Mamiina in the first place, though Aaeru’s crying makes her realize that she indeed has to survive. It really seems that everyone’s having trouble with this, though Yun, Morinasu and Kaimu seem to be the least affected.

One of the advisors also remained on the Arcus Prima, and he doesn’t really help to comfort the Sybilla. He keeps thinking of war and winning, not caring about Mamiina at all. Onashia also paid a visit to the Arcus Prima, in which she gave Yun Mamiina’s braid. I don’t know whether she had more purposes, though. In the end, a carrier is seen, transporting Mamiina’s coffin to the place she was born, before even a funeral was helt. At the end of the episode, one of the ancient Simoun comes, and shoots this carrier down. The last thing we see is Mamiina, lying in a field full of flowers.

Overall, this episode was nothing short of amazing, even though it was meant as an intermezzo. Simoun really is, apart from The Third, perhaps, the best series to have arrived in the Spring-Season.

Posted on 8 August 2006 with categories: Simoun



This episode was so incredibly sneaky. Mamiina is screaming, along with the other priestesses, you hear gunfire and the screen freezes. It’s a typical cliff-hanger. The episode was nice, the developments were okay. Until it seems that that was everything BUT the cliff-hanger, and the scenes which followed totally blew me away! That was SO awesome!

In any case, the episode starts as a standard Simoun episode. It’s centred around one character this time: Mamiina. She’s grown so much, ever since she showed up for the first time. In any case, during the previous episode, both Aaeru and Yun were thinking the same thing, and they went after the others in their Simoun, despite all orders. It’s something you really expect them to do, especially from Aaeru. ^_^

This also places the problem with the government officials in the back, an focuses on what’s really important again: the characters. That really is the thing Simoun’s good at: it’s immensely huge cast of extremely well developed characters. That’s what makes this anime work.

Meanwhile, the others have reached the Messis, and it seems that the two remaining members of the Chor Riboru will be replacing Limone and Doninüra: Vyüra and an unnamed Sybilla. Vyüra is also someone who’s changed a whole lot. She gets surprised when she learns that Aaeru and Yun are gone. Wauf then gives the Chor Tempest a chance to rest. We then switch to the dormitories, in which Mamiina sits on her own. Rödoreamon then enters, wondering why she’s taking so long. As Mamiina’s braids are starting to get loose, Rödoreamon offers to redo them. This only shows how close the two of them have become, despite their incredibly different personalities.

We then switch to a meeting between Wauf and the Chor Tempest, in order to come up with a strategy. Vyüra and her unnamed companion will be guarding the rear of the Messis, and be in charge of the communication relays, while the Chor Tempest will handle the offensive part. Aruti then says something which upsets Furoe a bit (one of the few times she talks) Paraietta joins in and Mamiina needs to calm them a bit. They also mentions the fact that everyone ate from the same pot, something only she and Rödoreamon can understand, seeing that she put some mice on the menu. ^_^

Later, the mission has started. The Simoun will be divided into two teams: Neviriru, Mamiina, Furoe and Aruti and Paraietta, Kaimu, Morinasu and Rödoreamon. Both teams are searching the skies. Meanwhile, Vyüra wonders why the Chor Tempest was used for this mission. Wauf answers with something Dominüra used to say: because the headquarters understand nothing. Looking at the previous episode, I agree with her as well.

Furoe, meanwhile, gets a bit agitated when Neviriru wants to talk to Mamiina a bit alone. About the fact that she’s changed. I think that Furoe’s the only one whom Aruti actually talks to. It’s very interesting, maybe this gets used later on in the series. Then the two Simoun run into the airbase. Neviriru gives orders to examinate the thing very carefully, as patrols might be lurking.

Paraietta, meanwhile, continues to act spaced-out, and people have to ask her twice in order to get a reply. Yun and Aaeru have meanwhile caught up with the Messis, and they immediately advance to the front lines. Wauf also gives the Messis the order to go full speed. I guess he was waiting for the two of them before he wanted to take action. ^_^

Meanwhile, Neviriru and the others have been spotted, and waves of patrols emerge from the air platform, including the stolen Simoun from episode 17, the two which managed to escape. Aaeru and Yun meanwhile have passed Paraietta and the others and head for the other group. Neviriru, does her utter best in order to defeat the enemies, though the enemy Simoun prove to be tricky to defeat with just Ri Maajons. But then again, this is logical. The Simoun are the only crafts which have total freedom in the air. The other airplanes have to obey rules, which makes them predictable, which in turn makes them quite easy targets for Ri Maajons.

Neviriru then tells Furoe and Aruti to escape, while she distracts the enemies. In the end, they get hit by one of the flying planes, and they manage to crash on the air platform. Mamiina is okay, though Neviriru is unconscious. The enemy Simoun are the soonest to be near them, and they approach Mamiina, and point their guns at her.

A very nice plot twist follows when it appears that the priests are actually good guys! They do view the Sybilla as the persons highest to Tempus Patium. In the end, they do seem to have acknowledged that Tempus Patiem and their god remain the same. They also claim to be different from the people from the Archipelago, and that they wish to help Mamiina and Neviriru. The latter recognizes no lies in their words, so the former agrees. Sortof. :)

Mamiina then activates the Simoun again, along with one of the Priests, and they take off. The priests jump off, though Mamiina then realizes that the Priests will be executed if they remain. She then cuts off one of her breads, says farewell to Neviriru and jumps on the platform, along with the priests. Meanwhile, the forces of the Archipelago come rushing in. Mamiina then screams with all of the others the infamous word: “Aaeru”.

And when you think things are already amazing, just wait till the next scenes, in which the other Sybilla discover that Mamiina has been shut! Especially Aaeru and Rödoreamon have it hard. Wauf meanwhile arrives, and blasts the air platform down with the Messis. He works really well as a captain. He really earned that job. ^_^

Mamiina immediately gets taken to intensive care, while Rödoreamon and Aaeru can’t take it anymore. Neviriru, meanwhile, is nowhere to be found. Then the Messis retreats and the episode ends.

And what an episode it was! I’m SO glad that the focus on the characters didn’t disappeared along with Dominüra and Limone! I was a bit worried, as things seemed to have been settled down. But this episode proved that I had nothing to worry about. I can’t wait for even more awesomeness from Simoun.

I’m also wondering what’ll happen to the Priests from Plumbum. They obviously had their reasons to fight against the Simoun, and Angurasu showed that they aren’t afraid to blow down an airship from Simulacrum. Did Angurasu actually agree with their views?

Memorable Moment: Aaeru, after seeing Mamiina.

Posted on 1 August 2006 with categories: Simoun



This episode felt like an intermezzo. The atmosphere wasn’t as heavy as it was before, though the episode remained incredibly worthwhile. Some new problems get introduced, older problems get brought back, and Paraietta, Aaeru, Neviriru, Mamiina, Rödoreamon, Yun and Harukonfu get a healthy dose of character development.

Firstly, regarding the plot. We begin the episode with the funeral of Angurasu. It’s being helt in the Arcus Prima. Apparently, I was wrong in my conclusion at the end of the previous episode. The enemy has managed to capture a number of Simoun from the Chor Caputo and Riboru, but it hasn’t discovered their secrets yet. What happened in the previous episode was Angurasu, along with two other priests, sneaking into the ruins, trying to steal one of the Simoun of the Ancients. There isn’t that much info about them, but I do suspect that they formed the base for the normal Simoun. The previous episode was meant to show that the enemy indeed is capable of piloting Simoun.

Later, Neviriru and Aaeru speculate about what happened with Angurasu, Limone, Dominüra and Amuria. They reach an interesting conclusion. The Simoun are able to bend even time and space. Angurasu, at the moment she shot her bombs, went to some kind of special place. That explains why she didn’t die that time. Aaeru’s grandfather also suspected something like this. This episode also suggests that in his Sibylla-years, he seemed to have been quite important, or in any case famous.

He also knew quite a lot about the Simoun, as it seems that he used to tell Aaeru that the Simoun can see what’s ahead, which indeed confirms that they do have the ability to mess with time. He also reveals that the Simoun can bring you to a different world. Aaeru’s grandfather has always yearned for this other world. Aaeru and Neviriru then realize that Limone and Dominüra indeed are alive somewhere. And Amuria as well.

The interesting question, of course, remains: is there just one other world, or are there more? Were Dominüra and Limone sent to the same place as Amuria? And how about Angurasu? Was she also sent towards the other world, or did she just teleport to a random place in the normal world? If she didn’t, and really got sent to the other world, then how did she get back? And why haven’t Dominüra, Limone and Amuria come back? I’m suspecting that Onashia’s playing a significant role in this one. I’m also wondering what the trigger is for being sent off. So far, the things that both Amuria as Limone as Dominüra as Angurasu shared in common was that they felt themselves incredibly close to god, and a loud explosion followed. Aaeru and Neviriru decide to keep the things they found out a secret for each other.

Meanwhile, it seems that yet another nuisance has appeared, in the form of a bunch of highly placed government officials. They’ll be playing the role Harukonfu had in the earlier episodes. Only ten times worse. These people also don’t believe that the Simoun are god’s crafts, which results in quite some snide remarks and arrogantic behavior. Aaeru and Neviriru manage to pwn them at first, when they ask the Simoun for their strongest Ri Maajon, and they display the Dandelion Ri Maajon, otherwise known as the one who only gets performed during ceremonies due to its huge symbolism and history. But fortunately (am I getting sadistic?) these guys don’t give up that fast. They even knock Yun against the wall when she hinders them when they try to take away Angurasu’s body and they order Waporifu to dismantle a Simoun once again.

The Sky Fortress from episode twelve is still an issue, though. Ever since we saw it that episode, it has been unfindable. The officials want to find it. This all gets mentioned during a meeting with the officials, Harukonfu, Anubitufu, Guraghief and the high priests of the Arcus Prima. During the same meeting, the fact that Neviriru is piloting Aaeru gets mentioned. The high priests become a bit startled when they realize something her grandfather seems to have done. Then, the scene ends, suggesting something which happens later in the episode.

Yun, meanwhile encounters the officials carrying Angurasu’d dead body away, and gets pushed away violently, like described before. Later, the Sybilla get information about their upcoming missions. It seems that they’ll be heading back to the Messis, in order to locate the Sky Fort, as the Messis works better for these kinds of missions. Everyone also gets surprised when Mamiina is forced as Neviriru’s pair, while Aaeru and Yun don’t get to participate in the mission at all. The events preceding these scenes, combined with Harukonfu’s reaction suggest that the reason for Aaeru not being able to participate is her grandfather, while Yun can’t participate because of her behaviour against the officials. But is that all there is to it? Especially the way this episode ended made me see this.

The Sybilla head off, and Aaeru and Yun are left behind. (Just wondering: where were the Simoun heading to? Were they heading for the Messis first, in order to search for the Sky Fortress based on it, or are they just on a single mission, planning to return to the Arcus Prima later that day, or the day after? There’s quite a significant difference between these two options) Both Aaeru and Yun rush off, in order to do something. What are they planning? Are they planning the same thing? We’ll have to wait till next week in order to find these ones out.

Neviriru is starting to get more and more friendlier with Aaeru. This episode, she also made the initiative of starting a conversation with her. She also looked quite happy along with Aaeru, when they had to perform her Ri Maaju in the Maaju Pool. I don’t think I can believe her when she claimed not to trust Aaeru, and that she only faced Aaeru in order to be able to face Amuria, and so herself.

Aaeru’s reasons for refusing to choose her gender are also explained a bit more, during a flashback of her and her grandfather. In there, her grandfather uses an analogy of a river. The young Aaeru is able to cross it, though the old grandfather isn’t. He can’t go any further. He then tells Aaeru that in order to grow old, you have to make decisions to get there. That means that if you make one, you will be left out on the other options you’ve chosen not to take. This means that you lose tons of opportunities if you make a decision. (interesting note: what happened to Aaeru’s cheek in the flashback? Was it meant as a symbol, to show that Aaeru liked to run off to dangerous places, or did something specific happen to her?)

Paraietta, meanwhile, begins to get more and more doubts. Seeing Aaeru and Neviriru together doesn’t really make her feel comfortable either. Neither is the fact that they seem like the perfect team. Then there’s also the matter that she believes that she can’t make any good decisions at all. Then, during this episode, she finally loses it. She finally realizes that she has to protect Neviriru forcefully. Not quite the best idea ever, though the results were very entertaining. During the evening, when the two of them are alone, Paraietta grabs her chance, in trying to forcefully win Neviriru over her. Of course, Neviriru doesn’t agree with this.

Mamiina reveals that she enjoyed the time she had on the Messis quite a lot (unlike a certain Furoe ^^). Everyone seemed equal at that time, even eating mouse stew. Mamiina did realize, however, that everyone was different. This became clear after they got back to the Arcus Prima again. Later in the episode, when it seems that she finally gets her chance to pair with Neviriru. She then reveals to Rödoreamon that she still wants to be on the same level as the others, but this time it’s because she truly wants to be friends with everyone.

Rödoreamon also showed that she can be strong. This became clear when Mamiina showed her her weakness. The two are living towards each other more and more.

Waporifu, meanwhile, still has Dominüra’s reaction after seeing the dismantled Simoun on her mind. She seems quite against the fact that she has to dismantle a Simoun yet again. She wonders what to do, and eventually reaches the conclusion to do what she believes in. She didn’t get featured too long during this episode, though I don’t think that that was the last thing we’ve seen of this.

Yun finally begins to show signs of weaknesses and determination. We had to wait for this for a long while, but finally, she’s also beginning to break out of her shell. The first sign we see of this is when she looks at a miniature boat-like item with a very nostalgic look. Though I have no idea what this might be. It could be a cradle as well. For some reason, she also was heavily offended by the fact that Angurasu was carried away, and she attempted to stop the officials. Later in the episode, she also can’t get any sleep at all.

Harukonfu seems to have lost the spark he once had. I think that seeing the peace negotiations end up with the initiators killing themselves wasn’t good for his health. It’s like Mamiina said: he’s become an old man now. He’s not able of acting with the confidence and charisma he once had. Therefore, he loses influence. Still, he was quite sad in which he begged Neviriru not to make his job even more difficult.

I’m also wondering about Kaimu. Obviously, her role still isn’t over, as she’s still in love with Paraietta. As the latter is way too busy with getting angry over Neviriru and Aaeru, she fell in the background a bit. Still, the fact that she looked up hopefully to Paraietta when the two of them were assigned to remain in the same Pair, does suggest that she hasn’t lost any of her feelings yet. Paraietta, however, didn’t notice anything.

I’m also wondering about Aruti. For now, it seems that her only reason to be in the Chor Tempest is Kaimu, but I want to see their relationship get even more developed. For now, they act like strangers, while their case really remains interesting. Furoe has gotten some subtle changes, though she remains the most cheerful members of the Chor Tempest. I think that, because of her personality, that she’s able to handle more than the average member of the Chor Tempest. Morinasu also isn’t seen near Waporifu, this time. It seems that the two have made up, though their relationship has changed (I couldn’t help but wondering: how exactly would you define their relationship? Straight, as Morinasu is a woman, while Waporifu is a man? Yaoi, as Waporifu is a man, and Morinasu’s planning to become a man as well? Yuri, as technically, they’re both women? Or a combination of the three of them?)

Memorable Moment: Seeing Yun act differently from her usual self. I’ve been waiting for that. :)

CHANGE USERNAME
Anonymous1828545
Travlos here: 91 Days was not too bad.
Anonymous1828545
Travlos here: Thanks for those two historical manga's head-up.
Anonymous1828434
Akumestu soo satisfying to read
Anonymous1828321
Thank you
Lenlo
A shame. Kokkoku had the first truly dull episode this week. Suppose one had to come eventually, but this one was mostly an info dump.
AidanAK47
Like lightning, I strike. Junji Ito is basically interesting ideas with deeply flawed execution. It's not scary, doesn't really capture Ito's style and the animation is bare bones. While the stories themselves can have there interesting points, they are often not fleshed out enough. Honestly I am getting rather bored with it.
Lenlo
Holy bejesus Aidan. Nice triple post. :P

So overall how is Junji Ito? From what ive read so far, it seems pretty hit or miss on the horror/gore front. Failing to live up to the manga. I havnt read it though, so im curious what ya think
AidanAK47
Akumetsu?
Anonymous1828142
Wearing a mask
Anonymous1828142
What was the name of the manga where the main character is some superhuman high school student who goes around fighting Japanese politicians
Lenlo
On a side note, I should really start Violet Evergarden at some point...
Lenlo
"Anime is dying" is just a meme that gets thrown around because of Miyazaki.
Lenlo
Maybe. I dont think average score per year is a good metric though, as the cash ins are increasing, but I doubt the passion projects are decreasing. For instance we had /alot/ of duds this year, but people only really remember/care about the good ones of which there was a fair number. It wasnt a bad year for decent/good anime.
AidanAK47
Well yeah, but they didn't have as many Animation studios back then as we do right now. So it's not so much that we lost artistic merit but rather the number of studios cashing in on popular trends for a quick buck have increased. Even then, I am willing to put money on there being just as much harem anime in yesteryear as we have cute girls shows in present.
Lenlo
Perhaps, but I would argue those were on smaller scales, and even then, thats not so different from Western animation or movies. Just look at Warner Bros and their DC push after the success of Marvel. Every industry has those who chase successful trends, yet they arnt failing
AidanAK47
@lenlo, the thing is though that before Moe crap there was eva copy crap and before eva copy crap you had space opera crap and before space opera crap you had hyperviolet OVA crap. The industry has always tried to cash in on a popular trend.
Kaiser-Eoghan
I feel people went apeshit over, say highschool of the dead because they never saw a bunch of old B/exploitation films, thus that show was never special to me and even failed at an imitation of such.
Kaiser-Eoghan
I think people getting to excited for it being unique to a single medium or for, its setting themselve up for disappointment.
Kaiser-Eoghan
I just think its incredibly limited thinking to base it all on just ONE medium, you CAN hold up anime to film when anaylzing anime.
Kaiser-Eoghan
Why should 91 days get a free pass just because its an anime about gangsters? Go watch a film about it instead which theres probably many of, joker game fail you as the mature spy thriller it ended up not being, who cares, Tinker tailor soldier spy exists.
Kaiser-Eoghan
I dislike this "Its unique for an anime/manga to do this, so instantly lets latch on to it, despite fact that same something is already extremely prevalent in other mediums "
Kaiser-Eoghan
Case in point 91 days and Joker game "It has adults, lets pre-rejoice before the show even came out"
Kaiser-Eoghan
I feel though because of the level of dissatisfaction with said moe shows that people are going to leap far too quickly on anything just slightly different, getting their hopes up too high and end up feeling let down.
Lenlo
That, or it all comes crashing down around our ears. With stuff like Houseki no Kuni and Made in Abyss from last year however, I think its going to be ok. We are just getting inundated with crap right now.
Lenlo
I do think that some of the artistic part of it has been lost, its gotten diluted in the never ending river of Moe crap. But that doesnt mean its gone. Just harder to find. Eventually all the random moe shows no one cares about will fail and stop getting made. But the anime audience will still be around, to enjoy the better stuff thats left.
Lenlo
Same thing happened in the mid/late 90's and early 00's to American cartoons.
Lenlo
Eh, I dont think anime is dying. Changing no doubt. Its going through a rough growth stage right now. It has a bigger audience than ever and people are trying to cash in on that with lots of shows that are basically the same
Kaiser-Eoghan
@Mario: Tank you and damn you for posting screencap of loli-tachibana, I now have cuteness overload a diabeetus =<
Kaiser-Eoghan
I realize thats a very minor detail to focus on though.
Kaiser-Eoghan
Thats why I can really really get into a history manga if the art is top quality, the costume designs.
Kaiser-Eoghan
On the historical thing, I have a massive I repeat massive thing for full body medieval armoured characters hacking the shit into things or just the armour in general , especially templar armour designs. I also have an little obsession with male aristocratic army uniforms from the Prussian era and world war 2.
Kaiser-Eoghan
That recent Urasawa manga Travlos mentioned is ending also
@Mario: We might get a complete adaptation of after the rain, the manga is ending.
Kaiser-Eoghan
More historical manga I found, haven't read the second one however, I didn't hear those two mentioned on here either before.
Kaiser-Eoghan
[link src="http://kissmanga.com/Manga/Hawkwood
http://kissmanga.com/Manga/Ad-Astra-Scipio-to-Hannibal"]
AidanAK47
@Anon, yes clearly you know better than everyone else on the planet despite having no evidence whatsoever to back up you claims. Thank you nameless Stranger, we owe you a debt for telling us the same thing we hear every year. Let me congratulate you by kicking you out the door.
Kaiser-Eoghan
I can generally come up with an opinion for what I follow/watch/read , but I don't really have one on kokkuu.
KTravlos
Well we watched the first episode of Kokkuku. Interesting. The ED theme is quite the fanservice.
SuperMario
@Ktravlos: If your like to check out some other shows this season then I'd definitely recommend After the Rain.
SuperMario
@KTravlos: at least Kino is thought-provoking. I can't say the same for Violet Evergarden. In fact I remain skeptical with VE
KTravlos
I am quite enjoying both Violet Evergarden and Mahoutsukai. Violet gives me similar vibes to the first Kio series, though obviously Kino was a better series.
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
AidanAK47
@Anon, Not this crap again. The old "Anime isn't as good as it used to be", how many times have I heard that over the years, and each and every time it proves more untrue.
Kaiser-Eoghan
One point I'm trying to get at is, I don't get throwing the word bad taste around when I know I was probably in the same position as that other fan years ago.
Kaiser-Eoghan
Another thing, for shows we talk up and obviously I've been just as guilty of this, how many of these am I going to be able to recite off by heart years down the line?
Kaiser-Eoghan
I don't like Madoka but thats a good example of a modern classic that'll keep in peoples minds, people still care.
Kaiser-Eoghan
*its a
Kaiser-Eoghan
@Anon: The reason I want to see a new show become a modern classic is because I'm tired of this "fleeting masterpiece" way of thinking, where I a show is super popular during the season and gets talked up as if it'll stick in the mind years on, then weeks later it disappears from memory.
Anonymous1819907
And anime watchers tend to be attracted to series that are just plain boring. The Fate franchise is case and point. The same thing over and over again. It really is a disgrace, to be honest--in my opinion. The first series was great, and I look forward to the movie. But everything in between is trash. But they still get the views, since people are sheep.
Anonymous1819907
The shonen-jump canon, shows like bebop and eva were huge in their time. The industry is just not the same--it's really dying. There isn't the same desire to blow shows up like there used to be. Shonen jump is still at it, but those shows are rarely worth watching, even if they're popular
Anonymous1819907
its a good anime, but it doesn't have the same staying power since it was not an entire industry
Kaiser-Eoghan
Sorry for the long post, I want to get people talking again here.
Kaiser-Eoghan
I would love for this to happen with, say, made in Abyss, that becoming a show that we remember decades from now and still talk about.
Kaiser-Eoghan
Something else I want to bring up, what shows do you all REALLY believe will still be talked about in the future . Bebop and Eva still come up regularly to this day, what new shows do you think will become big classics.
Kaiser-Eoghan
To base taste on things you watched ages ago doesn't really work.
Kaiser-Eoghan
I bring that up because I remember a comment somewhere I read that said, the people who trashed guilty crown, forget geass was 10 years ago and if guilty crown had came out back then instead of geass they would have embraced it instead at the time.
Kaiser-Eoghan
On the bad taste thing, I could easily say Mahouka or sword art are terrible, but back when I watched and loved code geass people where probably bashing it as overhyped shit in the same way people like to do with sword art/mahouka now.
Kaiser-Eoghan
I sure years ago I would have been all over violet evergarden.
Kaiser-Eoghan
For example most anime/manga melodrama has lost its effect on me, I hate Clannad and Kanon now and I won't watch the new code geass season because I want to crop it and death note both up to a teenage error and mistake.
Kaiser-Eoghan
And in some cases it only takes five or so years.
Kaiser-Eoghan
If not that, it’s the show no one gave a shit about that you loved or it’s a recent gem.
Kaiser-Eoghan
And it hit me, the stuff you often end up loving, becoming a measure of your true taste, in my case at least are the re-discoveries, the show you HATED or didn’t get the first time round, maybe you watched it again soon after or years later, but then it does something for you that tops anything you watched in your early days.
Kaiser-Eoghan
Then I remember theres a huge amount of big shounens I never cared for and popular writers that I never liked or if I did found somewhat overated.
Kaiser-Eoghan
Given that I’m in my thirties and have been watching anime, reading manga since I was 11, that’s led to a very very large re-watch list, something things I will NEVER get the time to go back to re-assess , for all I know they could actually be terrible series. Then there’s when I DO go back on shows and let’s face it most DON’T hold up (of course its good when they do hold up).
Kaiser-Eoghan
This has been on my back/mind for a bit now, to where I’m actually somewhat confused by this “tastes” thing in relation to myself.
AidanAK47
@Anon, Out of nowhere comment don't you think? Besides it ain't that I have perfect taste. It's just that my taste is the only one that matters.
Anonymous1819624
@Aidan you don't need to keep pretending you have perfect taste in anime. we are all aware your taste is often questionable, as all of ours are at times.
Kaiser-Eoghan
Its kind of a pity because there were moments where I saw potential in it and thought maybe this would be some kind of exception.
Kaiser-Eoghan
But to more calmly review this, I do think its possible to present topics like this, though in a more accessible way, I think even someone more versed in this would be bothered by this presentation, in addition to this manga never flowing properly, the dialogue just feels it was ripped directly from an article or book.
Kaiser-Eoghan
I suppose in all fairness, its right to say I never studied any of these subjects in much detail that it brings up and never did anything sciencey for more than two years at school so I was probably doomed from the start.
Kaiser-Eoghan
I know the expected response to what I said there is "why do you read/continue to read things you know you won't like" but if I don't come out of my comfort zone theres no chance of me being surprised.
AidanAK47
Hehe..well Kaiser, I don't remember saying it was good. I just said it was an insane ride. I found its concept interesting but the presentation was just terrible.
Kaiser-Eoghan
Sorry for ranting but this makes my blood absolutely seethe and boil.
Kaiser-Eoghan
I got to the last two chapters and just stopped caring, the info dumping, the multiple lives thing, especially the my own father/mother thing and magical girl part....fuck...
Kaiser-Eoghan
And yes I'm talking about Qualia....this...was....abject...punishing headwrecking agony to read.
Kaiser-Eoghan
Okay fuck it, just fuck it, I refuse, absolutely refuse to touch anything involving many worlds interpretation, time travel, shared memory,multiple runthroughs/loops ever again under any any circumstances, this is the worst form of storytelling I can possibly sit through from my perspective , I cannot finish this its impossible.
Kaiser-Eoghan
I've given away/sold/thrown out anime/manga before, including figures and posters while keeping others , can't remember off hand, but it was to free space.
Kaiser-Eoghan
@Mario: Together we make....tiger and dragon....Toradora =O
Kaiser-Eoghan
@Mario: To be clearer, any interesting series/films they threw out?
Kaiser-Eoghan
@Mario: Anything else interesting they threw out?
Kaiser-Eoghan
@Mario: I'm year of the tiger, Aidan is year of the dragon.
SuperMario
And today is the Lunar New Year, happy new year guys! It's a year of the Dog so for those who is born in the year of the Dog... my condolenses since it is supposed to be your bad luck year
SuperMario
I think they move away so they just throw all their dvds there. There were other live action movies and series in there
Kaiser-Eoghan
@Mario: Strange that if he truly didn't want it that he never decided to just sell it.
SuperMario
@Aidan: I tested it and all of the DVDs are playable. The package includes the whole show and the movie. Not a scratch either
Kaiser-Eoghan
pppftt, not leaving it in the trash and instead going out and getting the blurays instead =P
Lenlo
Ha, shouldnt be surprised you read it to
AidanAK47
Everytime I read a newly translated Re:Zero chapter I just hunger for a new anime season. The latest chapter would be fantastic animated
AidanAK47
@Mario, Maybe the discs got scratched and the don't work anymore? Otherwise this is blasphemy if the highest degree.
SuperMario
Don't know how should I feel about that :))
SuperMario
Can you believe it? Someone in my apartment just threw away the Cowboy Bebop boxset. Normally I don't pick up someone's trash but it's a crime NOT TO in this case. %$^&&
Kaiser-Eoghan
I will hearby read Murasakiro Qualia!
Kaiser-Eoghan
@Mario: Very good voice casting decision with hourou musuko, the voice actor for the protaganist was an actual 14 year old and sounds kind of androgynous anyway.
SuperMario
@Kaiser: it comes as no surprise for me if the mangaka of Housou Musuko is a lesbian, since the show has a honest feeling if someone who actually experience those issues
Kaiser-Eoghan
So that probably came after or something.
Kaiser-Eoghan
None of those episodes 30 involved this ant-arc Aidan mentioned as I recall.
Bokusen
0_o What the heck...It must take a long while to get good then.
Kaiser-Eoghan
All I was told by a hunter x hunter fan on here was after I said I'd watched 30 episodes was "I wonder if the next arc will change your mind"
Bokusen
Does Hunter x Hunter really take 40 eps to get good? I've been thinking of watching it since I really liked YYH & it's the same mangaka. I got hooked on YYH by episode 7, but if HxH takes 40 eps to hook me I might get tired of it before then.
Kaiser-Eoghan
And in some cases it can represent an temporary escape from the self.
Kaiser-Eoghan
As an odd, maybe interesting relevant point, in some cases, well I think most a non-mtf , both a physical and psychological male, if they wear female clothing, the body reacts as if its like contact with a woman.
Kaiser-Eoghan
@Anon: Or for a very old manga on that theme: http://mangakakalot.com/chapter/claudine/chapter_0
Kaiser-Eoghan
The anime worked suprisingly well despite the decision to start in the middle.
Kaiser-Eoghan
As much as I absoslutely love hourou musuko I do need to raise some flaws with the manga, the ending is rushed and underveloped and it is true the characters are too precocious.
Anonymous1811397
Is very slow, and I did reach a point of feeling nothing was happening. I did like the anime pacing things faster. Also like with the anime Aoi Hana it did have a poignant line. In Aoi Hana was the response to the tomboy that wanted to reengage with the MC, and in Hourou Musuko was coming out with his girlfriend.
Anonymous1811397
@SuperMario - Yep, it's maybe the most innocent yet mature take on transgender themes I've seen on a manga. I like it also tackles both genders, since we see women can wear more masculine clothing and be fine with it, but a man doing it is still weird, and unfitting. Also I think it's also the first time I've seen someone going to a catholic church to pray in a japanese setting. However, the manga
Kaiser-Eoghan
Although I was reading Qualia as it was being translated then fell behind, something that needs to be read in one go probably.
Kaiser-Eoghan
*musuko
Kaiser-Eoghan
@Mario: I believe the author of hourou mysuko is a lesbian.
Kaiser-Eoghan
@Aidan: I believe that was discussed on here some years back between myself, you and wicked and how the manga could alienate readers with the sciencey dialogue.
AidanAK47
So I read a manga called Murasakiiro no Qualia. And boy, that was one insane ride.
SuperMario
it addresses such a touchy theme with so much grace
SuperMario
boy, just one episode into Housou Musuko and I already fall head over heels for it. Only one issue is the character designs are kinda similar, which took me quite a bit to follow the cast
SuperWooper
Hey, anon. ;)
Kaiser-Eoghan
I feel there's too much pressure on people to watch the "YOU HAVE TO WATCH" because its popular anime.
Kaiser-Eoghan
Just comparing level Es art to hunter x hunter shows how he isn't playing at his A-game with Hunters artwork.
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