Posted on 26 September 2006 with categories: Anime Reviews, Simoun


In my more recent reviews, I always tried to classify the anime I reviewed in some kind of genre. Strangely enough, I can’t seem to do this with Simoun. There is just not one typical category it fits in. It’s got some yuri-romance, it’s got action, it’s a character study, it deals with heavy themes, it’s got all of these tiny elements which somehow form this beautiful result.

I really mean it when I say that Simoun is an awesome anime. Probably one of the best who aired during the spring season. It’s mostly because of the characters. These characters are so incredibly fleshed out that as the anime progresses, it’s able to invoke their deepest emotions. The anime, however, starts out a bit fragile. The first episode is not necessarily a bad one, but it did turn many viewers away. After this first episode, the anime picks up in a steady pace, already giving the viewer small tastes of the awesomeness which is about to come.

The best of this series appears in episodes 14, 15 and 16. Seriously, at those episodes, this anime will have you clinging to the screen in order not to miss even a single millisecond. These scenes are just too good to be described. Afterwards, the series continues with an excellent average level, until another very good climax comes at episode nineteen and twenty.

From that point, the anime takes an incredibly original turn. It’s something only very few anime attempt. The overall theme suddenly gets shifted from the action and tension towards a more thought-provoking one: saying goodbye and living on. A great deal of time is spent on this, in comparison to other anime, and if I have to say so myself, the last episodes give Simoun a very fitting ending.

This anime shines because of its characters. Each and every single one of them is unique. Each has her own struggles, and when you combine these struggles, tensions can rise incredibly high. It’s also one of the very few anime who doesn’t mess up with the love-theme, and this makes the romance-aspect also one huge success, significantly contributing to the overall mood of the show.

The soundtrack which comes with this anime also is superb. There are certain tracks which will really help bring the best out of the scenes. In the graphical department, this series also shines. Especially with the character design. Each character looks absolutely gorgeous. The battles also are a very nice watch.

Still, like I said, the character-driven episodes are awesome. But they do make the story-driven episodes rather bland in comparison. That’s about the only down part of this anime. The characters are far more interesting that the general story behind all of this. That’s about the only bad point.

Posted on with categories: Simoun

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And so, I’m afraid to say it, but Simoun has come to an end. And it certainly has been one of the most unique endings ever. It was nothing that could have blown me off my chair, but instead, this ending did leave me with a warm, fuzzy feeling. I can happily say that this ending succeeded. Still, the ending was puzzling, and there are a small number of questions left unanswered.

Anyway, the episode takes place a few years in the future, in order to show what happened to each of the members of the chor tempest. Extra focus is put on Limone and we also see a flashback of what happened with Aaeru and Neviriru before they got to perform their Emerald Ri Maajon.

What happened to Aaeru and Neviriru afterwards wasn’t really spectacular. They headed off, a spokesman of the Highlands sends some Simoun to retrieve them, though the priestesses have no intention of capturing them. They perform the Emerald Ri Maajon, and disappear. It’s not the huge spectacle with Limone and Dominüra. Still, the fact that the only scenes we see of them is at the end of the episode, in which they’re dancing in the debris of the Arcus Prima does make you wonder what happened with them afterwards. It’s one of the few unanswered questions. I’m suspecting that they travelled a lot of different worlds.

Surprisingly, we never get to see Amuria. We never know what happened to her. Same with Mamiina’s body. She’s been shot down. What happened to it? Those are the only bad points of this episode.

Limone was awesome in this episode. She looks beautiful when she’s grown up, and it seems that her arrival triggered other people of her age to try flying with the Simoun as well. We never find out whether she’s in the future, or in the past. If I had to guess, it’s the future. Don’t know why. Dominüra hasn’t been willing to fly the Simoun ever since she arrived in this timezone. Limone, however, wants to fly again, though not if it means forcing her will onto Dominüra. She’s been bothered by quite an amitious Sybilla, who aims to be paired with Limone, but Limone refuses to fly with anyone other than her beloved pair. How cute. The last scene we see of them is Dominüra, who finally agrees to fly again. She and Limone happily walk off, while Limone casted off the same strange stuff Onashia did. Does this mean what I think it means?

Next up, the characters who remained in the current world. First up: Morinasu. She now works as a female employee under Wauf. She’s been married with Waporifu, and she’s pregnant of her second child now.

Wauf also got a little daughter. The identity of mother is never mentioned. But it does seem clear that he has a very strong bond with both Morinasu and his daughter. He was very cute to see. I also loved him as a minor character in the series.

Remember Eri? Well, of course, he had to end up somewhere as well. He renamed himself to Erifu, and works at the same place as Morinasu and Wauf. It seems that he pilots Simire, in order to transport goods from one place to another. He’s been exceptionally busy, as it seems that the highlands and the archipelago are going into war.

Next up, Paraietta. Talk about character growth. I think that she, along with Dominüra and Mamiina changed the most, out of all of the characters in the series. She’s just so laid back now. She has really learned not to worry so much. She also put her time into a very noble job: providing a home for children who have lost their parents. Surprisingly enough, she ended up along with Rodoreamon.

Rodoreamon seems to have decided to take the management of Paraietta’s orphan home. It seems that they’ve got some problems with the upcoming war. She’s a bit worried, but determined as well. Also a HUGE difference with the way she was before.

Kaimu and Aruti decided to live together after all. After they grew up, they just returned to their original home, in order to spend their days quietly. Cute, very cute. ^_^

Yun still is at the spring, though she did decide to choose her gender. In the end, she became a female. Right now, she’s still standing at the spring, devoting her entire life to changing genders. In a way, that’s really sad. But she did choose for it. I remember noting that Jun was a tough nut to crack, back when she was just 100% objectivity. Well, in the end, she definitely had her moment of glory.

Furoe changed the most in terms of appearance. But that’s only logical, as she had the most feminine looks of the entire cast, and she suddenly switched to being a male. He named himself Furoefu. He’s been working as a farmer, right next to the debris that was once the mighty Arcus Prima. I can imagine that it works quite nostalgic. He even visits it some times, on a Helios Motores-powered boat.

Vyura (or Vyurafu) looks so cool as a man. He’s got a really laid-back attitude. And it seems that he’ll be fighting on the side of the enemy. I think that’s one of the messages of this final episode. “Ah well, that’s life.”

Anubitufu and Guraghief look so totally badass, in their new outfits. ^^;

And of course, I knew it was coming when around the final moments of the episode, the creators decided to show a few last shot of the ruins of the Arcus Prima. It really had it coming, and indeed. It’s a perfect way for a finale. We first see Aaeru and Neviriru dancing a bit, symbolizing the journeys they made. Then we switch to one of the hallways, in which Paraietta was doodling on the walls, two episodes ago.

Really, she was more enthusiastic than I thought she was. She made an incredibly cute chibi-drawing of every single Simoun Sybilla. That was so cute to see. A fitting ending for such an awesome series.

Posted on 20 September 2006 with categories: Simoun


Ooh, that was so exciting. After seeing this episode, it seems that the creators are planning to go all out for the final episode, while they used the last couple of episodes as preparations. I still have no idea what’s going to happen. Okay, Aaeru and Neviriru will be performing the Emerald Ri Maajon. But what will happen afterwards? Will they meet with Limone and Dominüra or Amuria? And what may have happened with Mamiina’s corpse which was blown out of the air a couple of episodes ago?

In any case, final episodes are always tricky to perform the right way. Many anime have trouble with this, and only a handful managed to do it in the end. I’m hoping that Simoun will be one of those. In any case, it won’t be one of those rushed endings, as it’s had enough time to prepare. Let’s hope that it’ll be able to deliver.

Anyway, about the episode. We start where we left off after the previous episode: Paraietta, Furoe, Aruti, Kaimu, Vyüra, Morinasu and Rödoreamon entering the spring. This is surprisingly painful for Yun, as we see her in agony once the ritual starts. (On a side-note: the background tune they used for this worked perfectly). The results are quite interesting.

Kaimu: Female
Vyüra: Male
Furoe: Male
Paraietta: Female
Aruti: Female
Rödoreamon: Female
Morinasu: Female

Especially Morinasu, Furoe and Paraietta are surprising. Both Furoe and Morinasu were seen, claiming to become the opposite of what they actually became. I think love had a lot to do with this. And Paraietta so seemed the type to become male. Everyone just assumed that she’d choose this. It’s also interesting if you realize that they aren’t priestesses any more. Especially when they saw a little kid, coming up to them and praying in front of them, just like nothing happened.

The second part of the episode basically features getting Aaeru and Neviriru in a Simoun. For some reason, the Plumbum officials are insisting that they go to the spring as soon as possible. In the end, with a bit of help from everyone, they manage to do this. Aaeru and Neviriru say goodbye and the episode ends.

Posted on 13 September 2006 with categories: Simoun


Okay, that was deep.

This episode went so incredibly deep. It’s so different from the direction I hoped for, but that doesn’t mean that I didn’t love it.

The major part of this episode deals with the fact that the Chor Tempest will be disbanded, which means that its members will have to go to the spring, which means that they’ll have to say goodbye to their previous lives. Topics like these always do well, so you’d wonder why so little anime are trying it. In any case, every member, except Aaeru, Neviriru and Yun, will be going to the spring. The way the creators displayed this was awesome. On their last day, they all have just a last bit of fun, before they leave. Kaimu and Aruti also get a bit closer together, and Paraietta was scratching something on the wall near the dormitories. We don’t get to see what exactly it was that she scribbled on it, though.

Aaeru and Neviriru stay on the Arcus Prima, however. Both still are unsure which sex they should choose, and Neviriru keeps bugging Aaeru to do the Emerald Ri Maajon. This eventually ends in Neviriru confessing to Aaeru. I think the two now officially are in love with this. We get to see the results at the next episode. ^^

Yun gets a very surprising role. Remember her during the previous episode? She keeps getting haunted by what she saw. In the end, she decides to leave the Arcus Prima, and accept Onashia, and forgive her for the sins she committed when she didn’t choose a sex, wishing to stay an eternal maiden forever. Onashia then disappears, while Yun takes over her role. The other members of the Chor Tempest find this out in a very interesting way.

Seriously, I never expected that the creators were going for an ending of this kind. You would expect a lot of action, though for the previous two episodes, there hasn’t been any fight scene at all. And due to the fact that peace has been made, I don’t think more action scenes will be coming. At first, I was a bit startled by this, though now I’m beginning to see how incredibly awesome it can become. We still have the problem of Limone and Dominüra. What will their role be in the final two episodes?

Posted on 6 September 2006 with categories: Simoun


An intermezzo. It’ll probably the intermezzo before the big finale of Simoun. Let us hope it’ll be able to deliver the long-awaited bang.

The important characters this time were Aaeru, Neviriru, Paraietta, Yun, Onashia, The Temple One and a bit of Harukonfu. The Peace treaty has been signed. It’s not a trap. But there is a catch: the Chor Tempest will be disbanded. The Priests from the highlands will be taking over the Sibylla’s duties. This worked exceptionally well to put time pressure on our characters. Especially and surprisingly The Temple One shows this, as she isn’t happy with this decision at all. After all, if the Chor Tempest will be disbanded, it’ll almost be impossible to perform the Emerald Ri Maajon. She freaks out and begs Neviriru and Paraietta, who she happened to run into, to perform it.

Yun has meanwhile left the Arcus Prima, and headed towards the ruins. There, she has a very interesting discussion with Onashia. Onashia once was a member of the Chor Dextra. She could understand Yun, as she lost a lot of former friends herself. Onashia then shows her something very interesting: the result of what happens if you don’t choose your gender. If that’s the case, you’ll end up like her. Your eyes get a weird colour, and your body turns blue and starts shedding away strange sparks, which don’t really look healthy. This also explains how Onashia managed to get such a high position. As she never went to the spring, she remained a holy priest for her entire life. Of course that would give her status.

Aaeru is getting more and more confused. It seems that she really wants to see another world. It seems that she had another reason to become a Sibylla than just not being able to make up her mind. Her grandfather also influenced her, making her wanting to travel to another world. That’s why she joined the Chor Tempest. In any case, later in the episode, we see her getting a bit annoyed and confused with Neviriru. She thinks it’s because Neviriru’s been talking more and more, though I (and Furoe as well) think that she’s still jealous with the possibility of Amuria still existing.

Harukonfu still doesn’t know what he can do. He can’t protect his daughter, he lost his status, he’s nothing. Maybe we can expect some interesting things from him in the latest episodes. Paraietta and Neviriru also finally seem to have understood each other.

It seems that everything is set now for the finale. I’m wondering how it’ll go. It’s got some good ingredients, now all that’s left is how to use them.

Posted on 29 August 2006 with categories: Simoun



Interesting. An Anubitifu/Guraghief episode. Didn’t see that one coming. It’s an interestingly paced episode, one you wouldn’t expect at this point of the anime.

The thing starts when Anubitufu makes some decisions Guraghief doesn’t agree with. Remember when Mamiina was shot out of the air? Anubitufu also realized something was wrong when the Sybilla transporting her coffin never returned. Anubitufu sees this as a sign that they don’t have control anymore over their own airspace. He also orders Guraghief not to tell the members of the Chor Tempest about this. That’s where Guraghief doesn’t agree. And he gets angry.

Later, we see them in the church, and Guraghief surprises himself over the fact that Anubitufu would hide things from him, and he no longer understands what he desires. Was this only over the fact that Anubitifu told Guraghief not to tell the Sybilla about Mamiina, or did something happen which we don’t get do see. After all, it’s unlikely to make such a fight because of this. In any case, we later see Anubitifu make a little talk with Wauf. Wauf seems to know that the two of them are hostile to each other. Anubitufu reckons that Guraghief’s too earnest. Wauf makes a comment about how it’s such a pity that he’s a man and he advices Anubitufu to make up with him as soon as possible. After all, you never know, don’t you?

Anubitufu tries to make up in a very original way: by piloting a Simire and commanding the Simoun from the battlefield itself. It works in the end, and it seems that Guraghief has also forgot his grudges with this.

Other interesting characters were Aaeru, the Official, especially Paraietta and a bit of Rödoreamon, Morinasu, Kaimu and Waporifu.

Morinasu gets a small injure after a rather reckless attempt to stop an enemy flyer from being able to hit the capital. It’s not often that you think of such a radical method to stop them. Rodoreamon, meanwhile, shows that she’s not good at all with first aid, and she offers Yun Mamiina’s braid. She seems to have put her trust in Yun to take care of her. Waporifu, meanwhile shows that she’s very good with first aid.

The official’s temper keeps going worse and worse, as the Sybilla keep annoying him more and more when they go against his orders. I think that he isn’t used to people disobeying his orders. He’s probably had a lot of experience in wars, in which everything was strictly regulated. The member of the Chor Tempest must be really new for him, making him unable to deal with them.

Aaeru and Neviriru, meanwhile, spend a part of the episode giving their blessings to the common people who seem to have lost their homes. For Aaeru, this is totally new. We know that she doesn’t believe in Tempus Patiem, but still she’s giving out her prayers. It must’ve felt really weird for her to do. But Neviriru tells her that she remains a Simoun Sybilla, a priest of Tempus Patiem. It’s an interesting view on religion. Teh fact remains that Aaeru’s giving a lot of people the placebo-effect. That’s why religions arrived in the real world in the first place. To give people hope and reassurance. Only later, people began to misuse this, resulting in some bloody events.

Paraietta was awesome. Suddenly, she seems to have realized her importance, and she has made a huge change to herself. She’s decisive, serious. Everything a good leader should be. Kaimu’s reaction to this also was too cute, as she actually started fangirling over her. ^_^;;

Speaking of cute, on a side-note, the eye-catch for this week actually showed Guraghief and Anubitufu in their younger years.

Anyway, about the story, an unexpected twist happens. Both the highlands as the archipelago are actually proposing a peace treaty. That, while they can annihilate Simulacrum any minute now if they want to. For some reason, they also attack after they proposed peace. It seems that this was some kind of warning from them, to put more pressure on Simulacrum and make sure it accepts peace.

I’m wondering what the last four episodes will be about. As of right now, it seems that there won’t be much material left. After all, nobody in the Chor Tempest seems to have any problems, peace has been made, that takes away some big plot holes. But still, there are so many details which still haven’t been solved yet. Why was peace proposed? What happened to Amuria? Will Dominüra and Limone come back? What about the sparkly stuff from Onashia?

Still, I have to admit that Simoun’s reached its height at episodes 14, 15 and 16, in which almost each of the characters was feeling unstable. Right now, it hasn’t been able to reach the awesomeness of these scenes. Mamiina’s death was a very good attempt. It worked perfectly. But there are just too many moments outside of this which, while they are very good, are in no way awesome. I’m hoping for the final four episodes to deliver a bang.

Posted on 23 August 2006 with categories: Simoun



A story-driven episode for once, instead of the character-driven ones. I actually like the latter more. that’s really the department in which Simoun shines like no other. Still, that doesn’t mean that this episode wasn’t good. ^^

The most important part of the episode definitely is Onashia explaining the Emerald Ri Maajon. It’s used to travel from one time to another. We also see Dominüra and Limone back. This also gives us suspicions that Amuria is still alive as well, though in yet another time. I’m not sure whether Limone and Dominüra have landed in the future, or in the past. I personally think that they ended up in the past, as the village is filled with ancient Simoun. Still, they’re all overgrown with vines.

In any case, there was a civilization in the past which was much more advanced than the current ones. It’s interesting that Onashia speaks of “civilization” as singular, instead of plural. It’s said that the Simoun came from those days. In the end, countless wars eradicated the civilization, along with the true purpose of the Simoun. At one time, the Simoun just became useless.

Then, from the sky, it seems that a Simoun from another world, or time in this case. It was being driven by children, sent from god. These girls introduced themselves as Simoun Sibylla. Then, they informed everyone of the Emerald Ri Maajon. The Chor Dextra, which was led by Aaeru’s grandfather, by the way, was created just for the completion of the Emerald Ri Maajon. Dominüra is the only living member of it.

Dominüra also reveals something interesting in her thoughts: the reason she freaked out so horribly in episode 14, when seeing the Simoun. Well, it seems that she was one of these children, sent from god, who originally came from the other world. It seems that she forgot this, and seeing the dismantled Simoun forced her to remember again. This is indeed extremely sad, as she was the one who started the entire war for the control of the Simoun.

However, this brings up so many questions. How old is Dominüra anyway? If Aaeru’s grandfather used to pilot a Simoun, then it must mean that that Dominüra arrived in her Simoun quite some years ago. Still, she looks extremely young. I have a theory, though. Nothing has ever been said about what happens to those who refuse to go to the spring for their entire life, right? The fact that nobody speaks about it must mean that every single person went to the shrine, no exceptions. What if Dominüra is this exception? What if she just didn’t go to the spring, which made her body refuse to age for years and years to follow?

Dominüra also starts singing in front of the people who live in the time they arrived in. I think that that’s one of their rituals, they do every day, in order to give these people hope. I have no idea what started it, though I think that the villagers managed to convince them. They’re indeed living very peaceful. Interesting note: the Simoun appear to make a buzzing sound when they’re inactive.

I also noticed that Limone’s hair grew. This really reminded me of a strange pattern I noticed a while ago and which all anime seem to follow. Most anime don’t even know about hair growth. Half a year passes, and each character still has the same length of hair. Nothing grows. There have been a number of anime, though, which do feature characters who grow their hair. The strange thing, however, is that every single one of these anime has only one of these characters. No more. Simoun has Limone. All of the other characters seem to be spending a lot of time at the barber. The Law of Ueki has Rinko and I’ve heard that Haruhi Suzumiya also had this. It’s a pity that so little characters have this, as I like spotting the differences in character design that way. (That’s why I also like characters who like to change hairstyles)

In any case, the fact that this was a story-driven episode doesn’t mean that we didn’t have any character-development. This time, it came from Yun, Limone, Dominüra, Onashia and a bit of Aaeru and Paraietta.

Notice how Paraietta was very determined when the Chor Tempest was scolded for going out unauthorized (eheh, so what? Aaeru used to do this lots of times. :P). Also, notice how Aaeru gets uncomfortable when Neviriru suddenly gets hope of Amuria being alive? I wonder what kind of reasons she has for this. Does she think that she’ll lose an important pair, or an important friend to Amuria?

Both Limone and Dominüra have changed. Limone has told herself never to say “I dunno” anymore. That’s why she tries to find a suitable answer for each question asked to her. Dominüra, on her turn, has become extremely relaxed, cheerful and optimistic. We also see a surprisingly weak side of Onashia. For some reason, she became extremely exhausted on the journey back to the ruins. When she arrived, however, this weakness was gone. She also shredded off some strange, sparkling substance when she walked.

The most interesting one, though was Yun. She goes along with Aaeru and Neviriru in their mission to escort Onashia back to the ruins, as she wants to ask Onashia about her fallen comrades. Onashia told Yun the previous episode that she could hear Mamiina’s voice, so Yun was hoping that this would be the same for her former friends. She wonders whether their souls have been set free. Yun gets a response she doesn’t like. The one who desires to be set free his Yun herself. Not only does this suggest that her comrades have yet to be set free, but it also means that Yun has indeed been keeping all of her feelings inside of her. Onashia reveals that Yun wants to escape to a place far away. She’s been fooling herself all along.

Posted on 17 August 2006 with categories: Simoun



Simoun really continues its path of awesomeness. This episode was meant for the death of Mamiina to really sink in. It’s interesting to see the different reactions from the different Sybilla.

Rödoreamon tries to act strong. In the end, though, when she finds out that Mamiina cut her own braids, she breaks down. Aaeru can’t take it from the beginning, Neviriru gets to be the one to comfort her. Paraietta also breaks down even more, but surprisingly Aruti talks some sense back into her. Aruti herself seems to be planning to disappear from Kaimu, in order to make her smile again. For Furoe, this was the last drop, and she decided to go to the spring. I don’t know whether at the end of the episode, she still thinks like that, though. Neviriru keeps doubting even more, as she was one of the factors who killed Mamiina in the first place, though Aaeru’s crying makes her realize that she indeed has to survive. It really seems that everyone’s having trouble with this, though Yun, Morinasu and Kaimu seem to be the least affected.

One of the advisors also remained on the Arcus Prima, and he doesn’t really help to comfort the Sybilla. He keeps thinking of war and winning, not caring about Mamiina at all. Onashia also paid a visit to the Arcus Prima, in which she gave Yun Mamiina’s braid. I don’t know whether she had more purposes, though. In the end, a carrier is seen, transporting Mamiina’s coffin to the place she was born, before even a funeral was helt. At the end of the episode, one of the ancient Simoun comes, and shoots this carrier down. The last thing we see is Mamiina, lying in a field full of flowers.

Overall, this episode was nothing short of amazing, even though it was meant as an intermezzo. Simoun really is, apart from The Third, perhaps, the best series to have arrived in the Spring-Season.

Posted on 8 August 2006 with categories: Simoun



This episode was so incredibly sneaky. Mamiina is screaming, along with the other priestesses, you hear gunfire and the screen freezes. It’s a typical cliff-hanger. The episode was nice, the developments were okay. Until it seems that that was everything BUT the cliff-hanger, and the scenes which followed totally blew me away! That was SO awesome!

In any case, the episode starts as a standard Simoun episode. It’s centred around one character this time: Mamiina. She’s grown so much, ever since she showed up for the first time. In any case, during the previous episode, both Aaeru and Yun were thinking the same thing, and they went after the others in their Simoun, despite all orders. It’s something you really expect them to do, especially from Aaeru. ^_^

This also places the problem with the government officials in the back, an focuses on what’s really important again: the characters. That really is the thing Simoun’s good at: it’s immensely huge cast of extremely well developed characters. That’s what makes this anime work.

Meanwhile, the others have reached the Messis, and it seems that the two remaining members of the Chor Riboru will be replacing Limone and Doninüra: Vyüra and an unnamed Sybilla. Vyüra is also someone who’s changed a whole lot. She gets surprised when she learns that Aaeru and Yun are gone. Wauf then gives the Chor Tempest a chance to rest. We then switch to the dormitories, in which Mamiina sits on her own. Rödoreamon then enters, wondering why she’s taking so long. As Mamiina’s braids are starting to get loose, Rödoreamon offers to redo them. This only shows how close the two of them have become, despite their incredibly different personalities.

We then switch to a meeting between Wauf and the Chor Tempest, in order to come up with a strategy. Vyüra and her unnamed companion will be guarding the rear of the Messis, and be in charge of the communication relays, while the Chor Tempest will handle the offensive part. Aruti then says something which upsets Furoe a bit (one of the few times she talks) Paraietta joins in and Mamiina needs to calm them a bit. They also mentions the fact that everyone ate from the same pot, something only she and Rödoreamon can understand, seeing that she put some mice on the menu. ^_^

Later, the mission has started. The Simoun will be divided into two teams: Neviriru, Mamiina, Furoe and Aruti and Paraietta, Kaimu, Morinasu and Rödoreamon. Both teams are searching the skies. Meanwhile, Vyüra wonders why the Chor Tempest was used for this mission. Wauf answers with something Dominüra used to say: because the headquarters understand nothing. Looking at the previous episode, I agree with her as well.

Furoe, meanwhile, gets a bit agitated when Neviriru wants to talk to Mamiina a bit alone. About the fact that she’s changed. I think that Furoe’s the only one whom Aruti actually talks to. It’s very interesting, maybe this gets used later on in the series. Then the two Simoun run into the airbase. Neviriru gives orders to examinate the thing very carefully, as patrols might be lurking.

Paraietta, meanwhile, continues to act spaced-out, and people have to ask her twice in order to get a reply. Yun and Aaeru have meanwhile caught up with the Messis, and they immediately advance to the front lines. Wauf also gives the Messis the order to go full speed. I guess he was waiting for the two of them before he wanted to take action. ^_^

Meanwhile, Neviriru and the others have been spotted, and waves of patrols emerge from the air platform, including the stolen Simoun from episode 17, the two which managed to escape. Aaeru and Yun meanwhile have passed Paraietta and the others and head for the other group. Neviriru, does her utter best in order to defeat the enemies, though the enemy Simoun prove to be tricky to defeat with just Ri Maajons. But then again, this is logical. The Simoun are the only crafts which have total freedom in the air. The other airplanes have to obey rules, which makes them predictable, which in turn makes them quite easy targets for Ri Maajons.

Neviriru then tells Furoe and Aruti to escape, while she distracts the enemies. In the end, they get hit by one of the flying planes, and they manage to crash on the air platform. Mamiina is okay, though Neviriru is unconscious. The enemy Simoun are the soonest to be near them, and they approach Mamiina, and point their guns at her.

A very nice plot twist follows when it appears that the priests are actually good guys! They do view the Sybilla as the persons highest to Tempus Patium. In the end, they do seem to have acknowledged that Tempus Patiem and their god remain the same. They also claim to be different from the people from the Archipelago, and that they wish to help Mamiina and Neviriru. The latter recognizes no lies in their words, so the former agrees. Sortof. :)

Mamiina then activates the Simoun again, along with one of the Priests, and they take off. The priests jump off, though Mamiina then realizes that the Priests will be executed if they remain. She then cuts off one of her breads, says farewell to Neviriru and jumps on the platform, along with the priests. Meanwhile, the forces of the Archipelago come rushing in. Mamiina then screams with all of the others the infamous word: “Aaeru”.

And when you think things are already amazing, just wait till the next scenes, in which the other Sybilla discover that Mamiina has been shut! Especially Aaeru and Rödoreamon have it hard. Wauf meanwhile arrives, and blasts the air platform down with the Messis. He works really well as a captain. He really earned that job. ^_^

Mamiina immediately gets taken to intensive care, while Rödoreamon and Aaeru can’t take it anymore. Neviriru, meanwhile, is nowhere to be found. Then the Messis retreats and the episode ends.

And what an episode it was! I’m SO glad that the focus on the characters didn’t disappeared along with Dominüra and Limone! I was a bit worried, as things seemed to have been settled down. But this episode proved that I had nothing to worry about. I can’t wait for even more awesomeness from Simoun.

I’m also wondering what’ll happen to the Priests from Plumbum. They obviously had their reasons to fight against the Simoun, and Angurasu showed that they aren’t afraid to blow down an airship from Simulacrum. Did Angurasu actually agree with their views?

Memorable Moment: Aaeru, after seeing Mamiina.

Posted on 1 August 2006 with categories: Simoun



This episode felt like an intermezzo. The atmosphere wasn’t as heavy as it was before, though the episode remained incredibly worthwhile. Some new problems get introduced, older problems get brought back, and Paraietta, Aaeru, Neviriru, Mamiina, Rödoreamon, Yun and Harukonfu get a healthy dose of character development.

Firstly, regarding the plot. We begin the episode with the funeral of Angurasu. It’s being helt in the Arcus Prima. Apparently, I was wrong in my conclusion at the end of the previous episode. The enemy has managed to capture a number of Simoun from the Chor Caputo and Riboru, but it hasn’t discovered their secrets yet. What happened in the previous episode was Angurasu, along with two other priests, sneaking into the ruins, trying to steal one of the Simoun of the Ancients. There isn’t that much info about them, but I do suspect that they formed the base for the normal Simoun. The previous episode was meant to show that the enemy indeed is capable of piloting Simoun.

Later, Neviriru and Aaeru speculate about what happened with Angurasu, Limone, Dominüra and Amuria. They reach an interesting conclusion. The Simoun are able to bend even time and space. Angurasu, at the moment she shot her bombs, went to some kind of special place. That explains why she didn’t die that time. Aaeru’s grandfather also suspected something like this. This episode also suggests that in his Sibylla-years, he seemed to have been quite important, or in any case famous.

He also knew quite a lot about the Simoun, as it seems that he used to tell Aaeru that the Simoun can see what’s ahead, which indeed confirms that they do have the ability to mess with time. He also reveals that the Simoun can bring you to a different world. Aaeru’s grandfather has always yearned for this other world. Aaeru and Neviriru then realize that Limone and Dominüra indeed are alive somewhere. And Amuria as well.

The interesting question, of course, remains: is there just one other world, or are there more? Were Dominüra and Limone sent to the same place as Amuria? And how about Angurasu? Was she also sent towards the other world, or did she just teleport to a random place in the normal world? If she didn’t, and really got sent to the other world, then how did she get back? And why haven’t Dominüra, Limone and Amuria come back? I’m suspecting that Onashia’s playing a significant role in this one. I’m also wondering what the trigger is for being sent off. So far, the things that both Amuria as Limone as Dominüra as Angurasu shared in common was that they felt themselves incredibly close to god, and a loud explosion followed. Aaeru and Neviriru decide to keep the things they found out a secret for each other.

Meanwhile, it seems that yet another nuisance has appeared, in the form of a bunch of highly placed government officials. They’ll be playing the role Harukonfu had in the earlier episodes. Only ten times worse. These people also don’t believe that the Simoun are god’s crafts, which results in quite some snide remarks and arrogantic behavior. Aaeru and Neviriru manage to pwn them at first, when they ask the Simoun for their strongest Ri Maajon, and they display the Dandelion Ri Maajon, otherwise known as the one who only gets performed during ceremonies due to its huge symbolism and history. But fortunately (am I getting sadistic?) these guys don’t give up that fast. They even knock Yun against the wall when she hinders them when they try to take away Angurasu’s body and they order Waporifu to dismantle a Simoun once again.

The Sky Fortress from episode twelve is still an issue, though. Ever since we saw it that episode, it has been unfindable. The officials want to find it. This all gets mentioned during a meeting with the officials, Harukonfu, Anubitufu, Guraghief and the high priests of the Arcus Prima. During the same meeting, the fact that Neviriru is piloting Aaeru gets mentioned. The high priests become a bit startled when they realize something her grandfather seems to have done. Then, the scene ends, suggesting something which happens later in the episode.

Yun, meanwhile encounters the officials carrying Angurasu’d dead body away, and gets pushed away violently, like described before. Later, the Sybilla get information about their upcoming missions. It seems that they’ll be heading back to the Messis, in order to locate the Sky Fort, as the Messis works better for these kinds of missions. Everyone also gets surprised when Mamiina is forced as Neviriru’s pair, while Aaeru and Yun don’t get to participate in the mission at all. The events preceding these scenes, combined with Harukonfu’s reaction suggest that the reason for Aaeru not being able to participate is her grandfather, while Yun can’t participate because of her behaviour against the officials. But is that all there is to it? Especially the way this episode ended made me see this.

The Sybilla head off, and Aaeru and Yun are left behind. (Just wondering: where were the Simoun heading to? Were they heading for the Messis first, in order to search for the Sky Fortress based on it, or are they just on a single mission, planning to return to the Arcus Prima later that day, or the day after? There’s quite a significant difference between these two options) Both Aaeru and Yun rush off, in order to do something. What are they planning? Are they planning the same thing? We’ll have to wait till next week in order to find these ones out.

Neviriru is starting to get more and more friendlier with Aaeru. This episode, she also made the initiative of starting a conversation with her. She also looked quite happy along with Aaeru, when they had to perform her Ri Maaju in the Maaju Pool. I don’t think I can believe her when she claimed not to trust Aaeru, and that she only faced Aaeru in order to be able to face Amuria, and so herself.

Aaeru’s reasons for refusing to choose her gender are also explained a bit more, during a flashback of her and her grandfather. In there, her grandfather uses an analogy of a river. The young Aaeru is able to cross it, though the old grandfather isn’t. He can’t go any further. He then tells Aaeru that in order to grow old, you have to make decisions to get there. That means that if you make one, you will be left out on the other options you’ve chosen not to take. This means that you lose tons of opportunities if you make a decision. (interesting note: what happened to Aaeru’s cheek in the flashback? Was it meant as a symbol, to show that Aaeru liked to run off to dangerous places, or did something specific happen to her?)

Paraietta, meanwhile, begins to get more and more doubts. Seeing Aaeru and Neviriru together doesn’t really make her feel comfortable either. Neither is the fact that they seem like the perfect team. Then there’s also the matter that she believes that she can’t make any good decisions at all. Then, during this episode, she finally loses it. She finally realizes that she has to protect Neviriru forcefully. Not quite the best idea ever, though the results were very entertaining. During the evening, when the two of them are alone, Paraietta grabs her chance, in trying to forcefully win Neviriru over her. Of course, Neviriru doesn’t agree with this.

Mamiina reveals that she enjoyed the time she had on the Messis quite a lot (unlike a certain Furoe ^^). Everyone seemed equal at that time, even eating mouse stew. Mamiina did realize, however, that everyone was different. This became clear after they got back to the Arcus Prima again. Later in the episode, when it seems that she finally gets her chance to pair with Neviriru. She then reveals to Rödoreamon that she still wants to be on the same level as the others, but this time it’s because she truly wants to be friends with everyone.

Rödoreamon also showed that she can be strong. This became clear when Mamiina showed her her weakness. The two are living towards each other more and more.

Waporifu, meanwhile, still has Dominüra’s reaction after seeing the dismantled Simoun on her mind. She seems quite against the fact that she has to dismantle a Simoun yet again. She wonders what to do, and eventually reaches the conclusion to do what she believes in. She didn’t get featured too long during this episode, though I don’t think that that was the last thing we’ve seen of this.

Yun finally begins to show signs of weaknesses and determination. We had to wait for this for a long while, but finally, she’s also beginning to break out of her shell. The first sign we see of this is when she looks at a miniature boat-like item with a very nostalgic look. Though I have no idea what this might be. It could be a cradle as well. For some reason, she also was heavily offended by the fact that Angurasu was carried away, and she attempted to stop the officials. Later in the episode, she also can’t get any sleep at all.

Harukonfu seems to have lost the spark he once had. I think that seeing the peace negotiations end up with the initiators killing themselves wasn’t good for his health. It’s like Mamiina said: he’s become an old man now. He’s not able of acting with the confidence and charisma he once had. Therefore, he loses influence. Still, he was quite sad in which he begged Neviriru not to make his job even more difficult.

I’m also wondering about Kaimu. Obviously, her role still isn’t over, as she’s still in love with Paraietta. As the latter is way too busy with getting angry over Neviriru and Aaeru, she fell in the background a bit. Still, the fact that she looked up hopefully to Paraietta when the two of them were assigned to remain in the same Pair, does suggest that she hasn’t lost any of her feelings yet. Paraietta, however, didn’t notice anything.

I’m also wondering about Aruti. For now, it seems that her only reason to be in the Chor Tempest is Kaimu, but I want to see their relationship get even more developed. For now, they act like strangers, while their case really remains interesting. Furoe has gotten some subtle changes, though she remains the most cheerful members of the Chor Tempest. I think that, because of her personality, that she’s able to handle more than the average member of the Chor Tempest. Morinasu also isn’t seen near Waporifu, this time. It seems that the two have made up, though their relationship has changed (I couldn’t help but wondering: how exactly would you define their relationship? Straight, as Morinasu is a woman, while Waporifu is a man? Yaoi, as Waporifu is a man, and Morinasu’s planning to become a man as well? Yuri, as technically, they’re both women? Or a combination of the three of them?)

Memorable Moment: Seeing Yun act differently from her usual self. I’ve been waiting for that. :)

CHANGE USERNAME
Kaiser-Eoghan
Even though fruits baskets manga does have alot of bishounen characters, only one of them is actually seriously attracted to the protaganist. The manga actually has multiple couples.
Kaiser-Eoghan
Now, someone please greenlight a full gunslinger girl adaptation.
Kaiser-Eoghan
@Vonter: However I would have preferred a full adaptation of Kare kano.
Kaiser-Eoghan
@Anon: Funimation is also going as far as to get the original English voice cast back.
Kaiser-Eoghan
@Vonter: People are going to mistake fruits basket for a bargain bin otome harem. As for why its being re-done, apparently it will adapt the whole manga this time, the first one focused more on he comedy/filler/weakest earlier parts of the manga.
Anonymous3455554
And I guess it does have some resonance with some NA fans as it was Funimation's first non-action/shonen property they licensed.
Anonymous3455554
@Vonter Well, the author hated the original adaptation because she butted heads with the show's director. Sounds like she'd love to see an adaptation that does her manga justice, hence this new version of Fruits Basket.
Anonymous3455554
@Anon You mean the founder of the site?
Vonter
I also don't know if that review may be one of the earliest in this blog, it says January 2006. And has no screenshots.
Vonter
I'm a bit baffled why Fruits Basket is getting a new adaptation. Perhaps I'm out of the loop, but I haven't felt that show has been as mentioned as many other shows since.
Anonymous3455246
What happened to psgels?
SuperWooper
Is it Japan time?
Lenlo
Posts for the week done! I am freeeeee! Time to pack
Firechick
@Kaiser-Eoghan: They are. Trust me. The Les Mis anime is really good. I've seen a bunch of anime adaptations of classic books and they're amazing. The review in question is here: http://psgels.net/2007/12/30/les-miserables-shoujo-cosette-review-94100
Kaiser-Eoghan
@Vonter: I'm not wholly against fillers if they are done correctly, sometimes they can be a short moment of peace in a characters hellish life, sometimes they can be amusing or flesh out characters or allow good character chhemistry.
Kaiser-Eoghan
That time I got reincarnated an daikmura in another world =)
Kaiser-Eoghan
@Vonter: I remember there is a review somewhere on this blog of an anime adaptation of Les Miserables, I've only seen the film 1990s adaptation though. I wonder if any of those classic book anime adaptations are actually worth watching?
Kaiser-Eoghan
@Vonter: I may have sounded like I was being down on Mahou Asuka, the manga became a decent guilty pleasure, I agree with you on action and pace but I prefer the anime designs, though I stopped watching the anime because of the speedlines/animation/pace, the dub is hilarious though.
Vonter
I do wonder if there has ever been stated how much time or pages you have in either medium. Since that was mentioned in the adaptation of Les Miserables, 300 pages to fit all one could of that novel, even joking about how a character only appeared in one page because of that limitation.
Vonter
Overlord is another one I wonder if it might work better as a visual novel. Mainly because the anime is dialogue heavy and where I think it has stumbled is that it has a lot of characters to ever give the needed time to develop each of them. Season 2 had several episodes focusing on a weak lizardman tribe.
Vonter
Mahou Asuka, I think it might work better in manga format. The anime while not the worst thing, drags a lot for what it has delivered. The manga I think it has better art, composition, but it mainly comes and goes way faster. Because it supposed to be more action than narrative in this case. It could be said the same thing of Triage.
Vonter
I've been thinking about the use of time and narrative time in both manga and anime. I suppose the anime studios have to hit a certain number of episodes which demand stretching the run of a story in any way. Filler episode? Several episodes to build up a dramatic scene? Bringing something that doesn't add anything important?
Kaiser-Eoghan
@Lenlo: Actually I can sort of understand how you feel, after I read the flashbacks to dororo's parents , the some chapter after felt a bit inferior to that.
Lenlo
I appreciate the keepin me in check though! Sometimes writing these posts makes me feel I have to be "critical" and I think that can skew my writing at times.
Lenlo
Like I said Kaiser, I feel that whatever Dororo did this week would have to live up to episode 6, and that was a nigh impossible task. I still enjoy the series, it just had a bit of a hitch for me is all.,
Kaiser-Eoghan
@Lenlo: Dororo's anime will give you a confrontation with the brother, curb your expectations with Daigo, Dororo's past is excellent. But it will still do episodic stuff.
Lenlo
been*
Lenlo
Glad to hear about the laptop! Sounds like its bee rough
Kaiser-Eoghan
@Vonter: I actually watched it alongside reading those mahou shoujo Asuka chapters due to you putting both in the same sentence.
Vonter
Kinda like the Batman series of the 90s. Which happens to have better stories and characters plus the dark atmosphere.
Vonter
Yeah, it's hard to explain but it's a series I'll recommend in regards to the mood and atmosphere it conveys, moreso than the story or characters. It makes me wish that some other anime with better stories had a bit more weight in terms of atmosphere since I think this one does it with very few elements.
Kaiser-Eoghan
@Vonter: I remember a mazinger reference in there too, also one of the buildings says Dagon on it, which fits very well I think.
Kaiser-Eoghan
@Vonter: It felt like a full series take on a ova that I always wanted.
Kaiser-Eoghan
@Vonter: the 90s artstyle/lighting/atmosphere definitely helped and there was some of the psychological bit in there.
Vonter
Also I might be wrong, but I can't recall a female counterpart that has ever exceeded the original. So by design Devilman Lady has an uphill battle, but I do like that she's not an Akira 2.0 the character has her own conflicts and ore than the monsters it seems to be a duality between her supermodel job and her actual self. Which at least its something.
Vonter
@Kaiser-Eoghan - I'm glad at least it kept your interest. Devilman Lady while not as infuential it's an interesting time capsule of the type of horror in the 80s. It's a bit sci fi and a bit supernatural like the Guyver. What standed out to me was the mood, it sort of leaves you in a trance when it just let the visuals and music immerse you.
Kaiser-Eoghan
Also, Return of the king/Kaiser and stuff, new computer arrived early.
Kaiser-Eoghan
@Amagi: I read the recent beastars chapters, though I hope they eventually get back to focusing on Haru x legosi soon.
Kaiser-Eoghan
They finally translated another 7 seeds chapter, I think its nearing its endgame.
Kaiser-Eoghan
@Vonter: There was a hilariously dumb scene where one of the mascots pull out double guns.
Kaiser-Eoghan
@Vonter: Some 4channer posted further on scans from magical girl spec ops, I read 5 volumes, doesn't have much of plot, they explained who cyborg guy was and introduced another magical girl villain with a shitty childhood and some obvious hinting as to who The queen is.
Kaiser-Eoghan
@Vonter: That is isn't the original devilman, nor does it exceed it.
Kaiser-Eoghan
@Vonter: My spare laptop managed to survive long enough for me to marathoned devilman lady, albeit in SD quality, I enjoyed it for what it was and that it never made a joke of its trashiness, Nagai's imagination in creature design continues to be fun. The only thing I can really call it out n is....
Kaiser-Eoghan
I've been continuing that manga by the author of aku no hana, the one about the kid with the psycho mother, its increasingly threatening.
Kaiser-Eoghan
Also, regarding dororo, there was a chapter in the manga with some lord and a moth woman he unknowingly fell in with, this week was anime original but kind of had a human/monster relation thing going on, the manga was less sympathetic.
Kaiser-Eoghan
I liked the part between yuki and Kakeru , additionally, I'm looking forward to seeing the full background for Haiji aswell. I'm running out of things to say about the show.
Lenlo
Cant wait to watch it tonight!
Anonymous3444196
This last stretch of episodes is going to be good, so I heard from that novel reader. As long as the production doesn't derail itself, we're in for a treat.
Anonymous3444196
It's pretty obvious that with Haiji being the one running the final section of the Ekiden, that this might be his last.
Anonymous3444196
I do think that there'll be an episode of downtime between the episodes covering the 1st and 2nd days of the marathon. And maybe we'll finally get to see Haiji's past prior to his leg injury.
Anonymous3444196
So there's 5 episodes left, and it'll cover both days of the Ekiden since it's split into two sections. I heard from the novel reader that the 10th and final chapter is over 100 pages long, so having 5 episodes should be enough to cover everything. Shindo's running last in the 1st half but he's got a cold, which does bring some concern.
Anonymous3444196
Seems like a pretty slow week here. Anyhow, in this Kaze ga ,we're at the final stretch before the Ekiden next episode. Really liked Fujioka's speech at the start. They're also starting to unravel more on Haiji's past as well.
Anonymous3437600
dragon ballsy
one piece
one piece
Kaiser-Eoghan
ahahahaha so that was it, she is voiced by Kana Hanazawa.
Kaiser-Eoghan
Something that came to mind when watching that quintuplets show, somehow the archetype I ended up going for was Ichika's character somehow. Never usually the case.
Kaiser-Eoghan
Y'know usually its fairly consistent, traits I notice/like/am attracted to most in a character's appearence and then there are those odd cases where I somehow end up finding a character attractive or something that I'd usually never.
AidanAK47
Search box is up there ^^
Anonymous3433242
overlord
Anonymous3433242
overlord
SuperMario
Glad to here you have brand new one coming up Kaiser
Kaiser-Eoghan
New computer on its way now, 24 inch screen, wireless everything, 1000gb, got it for only 800 euro.
Kaiser-Eoghan
The current laptop I've got on loan I'm using is kind of a pain to use, makes doing anything including typing/posting/watching slow, its a ropey old windows millenium edition laptop that I'd stopped using years ago.
@Amagi: Also a sequel to legend of koizumi has been translated.
Amagi
@Kaiser: thanks for the links!
Amagi
Just bought the parts for a new gaming PC and assembled them. Love my old PC but modern shooters and HD rpgs are lagging too much as well as drawing programs. Welp.
Anonymous3430884
Get well soon, Kaiser’s CPU!
Kaiser-Eoghan
Dammit, my main computer crashed suddenly, see you all in a few days to a week maybe =< borrowing someone elses laptop.
Anonymous3429052
Dororo or Durarara. That is the question
Vonter
The cutscenes in that game kinda look a bit off, like with the Dragon Prince show they look a bit choppy.
Anonymous3425269
Personally, I'm really hoping that Orange did them so they can gain more recognition working on a big franchise.
Anonymous3425269
I'm guessing Orange, Polygon or GEMBA did the CG cutscenes for the new Fire Emblem. They look too different from Echoes' CG cutscenes to come from Khara.
Kaiser-Eoghan
It was always the second Zelda game I never played, that one is frowned upon.
Vonter
I see Majora's Mask and Ocarina of Time as two halves of a single whole. Ocarina had the standard story but expanded from what was set in A Link to the Past. Majora's Mask has more in common to Link's Awakening being more about the characters you meet, and even Link himself. I think one has what the other doesn't. Ocarina had better dungeons, but Majora had more involved and menaningful sidequest.
Kaiser-Eoghan
The remastered ocarina of time soundtrack is some of my favourite videogame music out there.
Kaiser-Eoghan
I also loved the freaky-ass whip arms final boss too.
Kaiser-Eoghan
It seemed darker too.
Kaiser-Eoghan
I hold the unpopular opinion of liking majoras mask more than Ocarina, it was a harder game and it felt bigger, there was more side quest stuff to do aswell.
Kaiser-Eoghan
@Vonter: Similarly, its be so very long since I played it, it was all the way back in 1993.
Vonter
I don't remember disliking it but I don't recall a lot of things. I mainly remember the ending, the animals and bit with a Goblin king that reminded me of The Hobbit.
Kaiser-Eoghan
I remember loving the end theme music too.
Kaiser-Eoghan
I know its not ranked among the best Zelda games, but links awakening was the first zelda game I played in the early 90s, I also remember they re-released a colour version of it too that allowed you to do extra stuff with the gameboy camera and printer.
Vonter
So Nintendo had a Direct. A sequel to Mario Maker, a remake to Link's Awakening, a Tetris Battle Royale game, a new game from Platinum games called Astral Chain, a school type Fire Emblem, etc.
Kaiser-Eoghan
@Amagi: Also new Putin isekai chapter is out.
Vonter
Apparently there's gonna be another iteration of Bem. With whole new character redesigns. I suppose at some point they felt they needed to update them, since 4 iterations looked very similar and may come off as too retro for today. https://www.animenewsnetwork.com/interest/2019-02-11/twitter-user-compares-latest-yokai-ningen-bem-designs-to-previous-installments/.143177
Lenlo
I just hope they actually do something with the leg. Its been used as a cliffhanger 1 to many times for me
Kaiser-Eoghan
@Anon: It was good seeing a more serious side to the twins and I think Haiji's leg issues will provide some good drama.
Anonymous3421320
lol I think it's more like an orthopedic check-up. That strain from the race must've gave him concern about if he's able to run the Ekiden or not under this condition.
Kaiser-Eoghan
*Ahem* excuse the gory joke =P
Kaiser-Eoghan
Oh my God! Imagine if it like got cut and amputated off or something like that scene in gone with the wind! It'd be like....GONE with the run with the wind.
Kaiser-Eoghan
Looks like we're getting more on Haiji's leg again.
Kaiser-Eoghan
I guess if I was asked why I did anything, including if it was some game/sport or if I was a runner I'd probably answer the question by saying I was in it for a laugh or for a genuine good time because it'd be something I'd be enjoying.
Lenlo
@Kaiser, Dororo was awesome. This was a great week and arc. Mio is best girl.
Lenlo
Look, if the ending can make it work, I will forgive the CGI runners. But you have to admit, they don't look good
Anonymous3419991
@Lenlo But for now, you'll just have to grin and bear it when the next preliminary races prior to the Ekiden use CG for the background runners.
Anonymous3419991
I heard from a novel reader that the book is 10 chapters long, and this is currently adapting chapter 8. Chapter 10 covering the Ekiden is the longest part of the novel and will probably be covered in 3 episodes. Hope IG is saving all their resources on this finale judging by the CG used in previous episodes.
Anonymous3419991
It's also great to see how far Kurahana has come since the start. Even when confronting Sakaki being arrogant and all.
Anonymous3419991
And so this episode of Kaze ga is a breather episode, but we do get some more character development with the twins. It's nice to see Fujioka again.
Kaiser-Eoghan
@Lenlo: I would happily have watched two more episodes of this arc in dororo.
Lenlo
Well alright
Fuurophausiyuder
Speaking of loving hell fonts, I notice that the review body text, and this text here are both sans-serif; which sort of princess of variable typefaces is not present for this readability bit to land?
Fuurophausiyuder
Dororo is awesome for just the hell fonts. I kind of expect on-brand gazebos (the temple to the 10 demons) to sell well this summer at Lowe's, Restoration Hardware, RH, wherever it is actually okay stuff derives, etc. I was kind of hoping the transitional story would lift all transitional boats, but that storyline has gone to soil microbes in the USA diaspora (though you know, stay classy PR.)
Fuurophausiyuder
Kemurikusa is like Kemeko DX if all the chemicals were fentanyl and the promise of a plot muted by lingering death were only ever expected to be a possibility. What had anyone watching ep. 3...5? Clinical use?
Kaiser-Eoghan
I'm also glad that tv anime like this is allowed to be so violent in this day and age.
Kaiser-Eoghan
To be honest it really is the only new show this season I currently especially care about.
Kaiser-Eoghan
I decided to read the whole Dororo manga and I think this weeks episode was every bit as moving as the manga was while building on it. I think if adapted correctly dororo (the character)'s backstory, the stuff with Daigo's son will be a highlight. I do think they could get rid of shounen shark guy though later on and not bother including him.
Anonymous3415569
The other thing, is how both this and She Ra have the same premise of the main character changing from the villain to the heroic side. I don't know if that's a good pattern but it's and interesting way to build a female character in which the relationship with their old friends is a way to add pathos.
Anonymous3415569
It felt like a new version of inspector Gadget could be do like this. Considering how it frames the criminal organization (for kids). And also maybe a crossover could work?
Anonymous3415569
I watched the Carmen SanDiego Netflix series. It was ok. I did like the simple visual style and Saturday morning vibe. It's clearly more for a younger audience, yet it wasn't that boring. Still all I could think about while watching it were 2 things:
SuperMario
Kaiser, make sure to check your inbox
Kaiser-Eoghan
@Bothanons: Issues on both sides of the spectrum.
@Wooper: Its the politest take you could get on that premise.
@Mario: I think the anime skipped some stuff from the after the rain manga, I should probably read the manga.
Anonymous3412482
Edgy 14 year olds everywhere
Anonymous3413183
moralfags everywhere
SuperWooper
I heard that show was about a teenage girl's crush on an older man. Sounds pretty problematic to me. I'm with the rest of the Internet on this one.
SuperMario
Apparantly the other side of anime fandom (the internet) doesn’t watch Koi wa Ameagari
Lenlo
The reddit anime awards are done! I did it! I was on stream! Oh joy. Can talk about this now.
Kaiser-Eoghan
@Niello: I have decided to adopt the same approach for the new True detective season also.
niello
@Eoghan: Exactly my thought three episodes in. I wish I realise it before I picked up the show, because I definitely need to watch those three episodes again.
Kaiser-Eoghan
I want to watch new boogiepop at some point, but I'm just hoping it ends so I can just marathon the show, it'd be too confusing to watch once a week, instead of straight through in one go.
Amagi
Oh I just realize it's the same team as HnK well that explains that.
Amagi
@Aidan: Unsure too about the trailer but it reminds me more of Houseki, qualitywise, and less of all the other bad CGI shows. I have hope. Same with Vinland. Trailer had some CGI and Thorkell's design feels a bit different but aside from that it was good.
Anonymous3402245
sangatsu
SuperMario
@Kaiser: The selection isn’t out until April. Heck, they haven’t annouced the head jury yet
Kaiser-Eoghan
I should really watch Shirobako one of these days and on the manga end, read Kurozuka as I remember the bit I did read was quite different from the anime (which I loved).
Kaiser-Eoghan
@Mario: I don't know if the film selection for Cannes this year is out yet. Though it'll be a while before I get to see them.
SuperWooper
Noice.
SuperMario
Is it OK to brag here? I’ve just got the acrreditation to Cannes Film Fest this year baby. Will look forward for that one
Kaiser-Eoghan
@Anon: I watched it years ago and thought even though the first half was poor it picked up in the second. Maybe if I rewatched it my thoughts would change.
Anonymous3400512
Majestic prince is really bad man
Anonymous3399383
kemurikusa
SuperMario
Damn, just looked at the teaser of Beastars and I’m hooked. I’m hyped for the show
Kaiser-Eoghan
@Niello: Beastars is a good choice for them yes, as was Houseki no kuni, Majestic prince which they co-made was really underated back when it aired.
niello
I like how Orange Studio seems to have good eyes for manga. And it looks as if they are trying to go for stories that lets them avoid animating normal humans. So, ones that are more compatible with their CG visual. It'd be nice if this lead to some manga adaptation that won't happen otherwise.
Vonter
I think people get too worked up on Shield Hero. While not a great show, I have found it entertaining. I suppose the underdog aspect also got meta. With that said, I think if instead of the heroine reapplying the slave contract they should have made a contract or something like that, that felt one-sided.
Kaiser-Eoghan
I actually have more confidence in the cgi if its done by the houseki team.
Kaiser-Eoghan
@Aidan: When I talked to amagi about Beastars I don't think I ever heard your views on it. Also from what I recall you haven't read Vinland?
AidanAK47
Yep, full CGI for Beastars. I am somewhat half and half on it as the clip isn;t bad but I am a bit too used to the style of the manga.
https://youtu.be/S6H1qskbEIg
Lenlo
I dont expect the CGI to be bad. WIT has experience because of AoT now, and the boat/open ocean can profit from it a lot more than character models.

For Beastars, if its the Houseki no Kuni team, I wouldn't worry until we see a PV
Vonter
Maybe CGI wouldn not be as distracting if characters aren't humans? I mean the Star Fox Zero short was very good looking and it was full CGI.
Kaiser-Eoghan
Full cgi I think for beastars adaptation, although done by the people who did houseki no kuni so there could be exceptions made.
Kaiser-Eoghan
@Lenlo: I didn't expect them to try and cover his post childhood. They will probably stop at the farm arc. There will be cg, I hope it won't be intrusive.
Lenlo
Ey Vinland pv is out! Looks good! I cant wait
Animosh
@Kaiser: I'm pretty sure Yuki's family issues will be addressed later on, this just wasn't the time for it. So far the show has always followed up on the character arcs it has introduced.
Kaiser-Eoghan
Something that feels very different about huge detailed art aswell on the other end more simpler styles, in comparison to alot of the generic moe style we mostly see now.
Kaiser-Eoghan
And while I am on different artstyles, I bloody love Ryoichi ikegami and Suehiro murao also.
Kaiser-Eoghan
Complete different art too, cartoony even.
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Featured Posts

Kemurikusa – 06/07

Welp, I’m back to the normal schedule now so my blogging will be back to normal from now on. My apology for those who waited for my weekly blogs for the last few weeks. For Kemurikusa, episode 6 was a slow one, even slower than its standard (and that says a lot), but the latest […]

Paranoia Agent – 5 [The Holy Warrior] – Throwback Thursday

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Paranoia Agent – 4 [A Man’s Path] – Throwback Thursday

This week, once again, Paranoia Agent takes another interesting turn. This time we follow the cop who caught Shounen Bat, see a bit into organized crime and watch a man fall apart at the seams. Lets go! So in general, while this episode was interesting and explored some more aspects of society, I wasn’t big […]

Mid-Season Review of Kakegurui××

For all of you who are disappointed that we didn’t cover the sequel to the show that even Elon Musk watches, I felt that this season of Kakegurui would benefit more from an periodic overview rather than following it week from week. Kakegurui was never about the mechanics nor tense stakes as it relies on […]

Kaze ga Tsuyoku Fuiteiru – 17 [Searching for the Answer]

Welcome to the feel good relaxation week of Kaze Fui! This time the Twins confront Haiji, they see the track and Sakaki continues to be a dick. Lets jump in! Starting off, this episode was a very subdued one. Similar to Mob, Kaze Fui slowed down this week. Giving the characters room to breathe again […]

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Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

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In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

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