Posted on 19 September 2010 with categories: Anime Reviews, Uragiri wa Boku no Namae wo Shitteiru




Uragiri wa Boku no Namae wo Shitteiru (henceforth abbreviated as Uragiri) is a series that doesn’t start out as anything special. Its first ten episodes don’t really stand out aside from a few well written action scenes and overly campy dialogues. Still, it managed to pull itself together as a solid character-study in the end.

Uragiri is restrained, but it knows what it’s doing in terms of characters. Their development throughout the second half is well worth the wait, especially because the creators know how to use it in its action and exposition scenes. This goes for both the main and side characters, who manage to grow together into a neatly packaged whole.

There really is hardly a boring moment in the second half because of this. The entire series has this slow atmosphere, but the series never drags on: it is always exploring its characters, showing new things about them and fully detailing their worries, motivations, and the bonds they have with each other.

The action scenes get surprisingly badass as time goes on thanks to their excellent scenario, the unique visuals for this series (this show is especially good at blending in CG effects with 2D animation in order to give the whole series a very gothy feeling) and a soundtrack that on top of being excellently used, also only continues to get better and better as the series goes on.

Now, this series is technically based on a shounen ai story. To the people who are scared of gays: don’t worry, this show is nowhere near yaoi, and the gay undertones never end up taking over the show. Having said that, though, this series does have an array of very campy characters, ranging from the very eccentric dress sense that the demons in this series have, how underdeveloped the villains are compared to the lead characters and there is matter that the lead character Yuki may be a tad too much of a heaven-descended flower-child at times. There is of course being nice, but there are points in which the creators play a bit too much on his good-natured character.

This series however still has an excellent sense of build up (except for the ending; don’t ask me why, but somehow this show ends with a Deus ex Machina without resolving anything while preparing for a second season that is never going to come) and it skillfully builds its characters throughout its 24-episode run. It’s a very nice example of those series that start off without much of a fuss, but actually get pretty damn awesome near the end (emphasis on near!).

Storytelling: 8/10 – Starts off unimpressive, but gets much better as time goes on. Well balanced, a solid script and knows how to build up save for the ending.
Characters: 8/10 – A solid cast: well analyzed and developed. The bonds between them are very important in this series, and quite a bit of meaning has been put into them.
Production-Values: 9/10 – The character animation may not be much special and the characters-designs may be a bit too bishiefied, but the background art and CG are utterly gorgeous, and the soundtrack is really excellent.
Setting: 8/10 – Does what it needs to do, there are interesting concepts behind the setting and it forms a solid base for the characters to work with.

Suggestions:
– Shingetsutan Tsukihime
Night Head Genesis
Kobato

Posted on with categories: Uragiri wa Boku no Namae wo Shitteiru



I often see people hoping that anime creators don’t pull an anime original ending and adapt their source material faithfully, but this would really have been a case in which the series would have been better off with an anime original closure: just have a battle between everyone, like what was set up in the previous episode, and have those battles resolve everything. I really would not have minded the few questions that would be left after that (like Reiga’s motivation, or how Luka and Yuki met).

Instead, Yuki starts glowing and forces everyone to retreat with some last minute slapped on powers in which he suddenly has the powers to completely eradicate the darkness and make people realize their mistakes. Um, where did that come from? On top of being a bit too close to a Deus ex Machina for comfort, this episode also introduced a rather large plothole in Reiga’s reasoning.

Because in this episode Reiga also claims that he kidnapped Yuki because he believes that Yuki’s light has the power to make his darkness stronger. A bit silly at first, but I guess that in terms of symbolism when you combine light and dark with yin and yang, it makes sense. If it weren’t for the fact that that theory completely backfired when Yuki turned on his god-mode. And survives with pretty much the same exhaustion as the other times in which his powers went out of control.

So no, I can’t call this ending good. It didn’t do what it was supposed to, it hardly resolved anything, and it failed to use the build-up that the previous episodes worked so hard for to set up. For an ending of a series that was hoping for a second season that’s never going to come, I’d call this one average, though: it didn’t ruin itself, it did neatly to prepare for the second season (that is never going to come), and the final fight before Yuki flipped out was excellent.

I can see the potential of a power that shows everyone their mistakes. A second season would have been able to do neat things with that. However, there is no way in hell that that second season will arrive. As a result, we’re stuck with a Deus ex Machina ending. Such a shame, considering how this series was doing so well. Unfortunately, this series couldn’t fully follow in Kobato’s footsteps.
Rating: – (Disappointing)

Posted on 12 September 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Ah, you know the cliches: a character is certain to die: there’s some kind of deadly projectile heading in his direction, and only a miracle can save him, which indeed happens as he is saved at the last moment by a friend of his. Or take the cliche in which the lead villain has lost most of his powers, only for suddenly another end boss to get introduced. This episode had both of these cliches, yet it did not, if that makes any sense.

This show has fun playing with these cliches, strangely enough. I really thought that Takashiro at the end saved Yuki there. But nope, it’s a completely new character. This character however isn’t anything like Reiga’s boss: he’s just another one of his subordinates. His intervention makes perfect sense as someone who prefers to work in the background, realizing that Reiga is overpowered with his emotions. Speaking of which, I really thought that Reiga’s emotions would cause him to turn into one of the good guys. Instead, they end up trying to kill Yuki. I mean, this was just subversion after subversion after subversion.

At the start of this show, I tended to laugh at it. But really: this episode had two FREAKING DRAGONS duking it out. Now if that isn’t awesome, then I don’t know anymore. This finale is really progressing smoothly so far: it uses these semi-cliches, but it also shows how the characters have developed, it is well paced and takes its time without dabbling in endless quiet before the storms (this episode again took 5 minutes for everyone to catch their breath, only to move over to the real finale: the storming of Reiga’s castle). I mean, the second half of this series has been really skillfully written.

I only have two beefs with this episode. The first I’m a bit iffy about is introducing a character, right at the end of the SEMI-FINAL episode. I mean, I know Luka’s brother versus him is going to make for an awesome final episode that will very likely delve into Luka’s past in order to explain how he left his clan (to save that for the final episode… excellent idea), but couldn’t his introduction have happened a tiny bit sooner?

Also: Reiga’s motivation. Humans are evil, they pollute the planet. Copied and pasted directly from the Evil Handbook of Generic Villains. I expected better from you!
Rating: ** (Excellent)

Posted on 5 September 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



For a moment, I thought that the creators here were building up to one of those “final final bad guys”-twists, in which the guy who had been built up as the final bad guy throughout the series actually turns out to be someone completely different, with the final bad guys someone either his subordinate or employer, hidden somewhere in the shadows throughout most of the series (which is a nice idea of course, if it weren’t for the fact that those new bad guys often have nowhere near the depth of the original bad guys). I’m glad I was wrong with that.

So yeah, Reiga remembers his time as Kanata. At first I found this rather cheesy, but after second thought this makes for a pretty interesting plot twist, because he actually consciously decided to live as Reiga, rather than Kanata, rather than this being a matter of mere brainwashing. This makes me even more interested in whatever the hell it was that Reiga hates so badly.

So here’s the thing: there are two episodes left, and we end this episode with Yuki in an actual position to talk to Reiga. Sure, he’s kidnapped and all, but I really like what the creators are doing here: on one side they’re building up to an interesting set-up for a final battle, in which the characters, especially Luka and Takashiro, promise to go all out. On top of that, a major theme of these final two episodes will also be an attempt of Yuki to get through to Reiga, while Reiga needs to explain whatever the hell he’s been trying to do, along with try and successfully carry out this plan. If well balanced, it will make for an excellent ending.

The biggest roadblock will be Reiga himself: the way he develops will be crucial whether the ending will be great or just dull. What the creators need to avoid at all costs is another one of those cases of “talking the monster to death”. I want to see some genuine tension between him and Yuki, without having him magically changes sides because of some cheesy speech that Yuki holds at the end.

Oh, and about this episode: I’m glad that the creators didn’t waste an entire episode as a calm before the storm here, but instead kept it to about half an episode, while immediately putting more pressure on the cast. It shows that those general classes aren’t just sitting on their chair waiting for nothing, but actually are willing to act on their own beliefs and agendas. Not because they’re simply whimsical like a cliched anime protagonist, but because they don’t trust Reiga.
Rating: ** (Excellent)

Posted on 29 August 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Holy crap, here is one series that suddenly became just better and better. Seriously, these past two episodes have far surpassed anything else this series had offered up to that point. And this episode ended with yet another cliffhanger, as if to say that it’s still nowhere near done yet. I keep wondering how many parts of the soundtrack the creators haven’t shown yet.

In a way though: I love these kinds of series: those who for their majority aren’t anything special aside from a few scenes here and there, and suddenly as they enter their final quarter flick the awesome switch and finish with one heck of a finale. Uragiri looks to be well on this path with only three episodes left, same with Kobato half a year ago. The disadvantage is of course that it’s impossible to pick these kinds of series out when they first start. I’m REALLY glad that I took the few hints of episode two and continued to blog this series, because I recall having laughed quite a bit at this series for how silly it looked at times.

One of the things I especially liked here was the way in which Reiga continues to set off hints to Yuki that Kanata was still out there, only to completely trash Yuki afterwards, telling him to get off his high horse. It’s a very interesting way of showing Yuki’s flaws, this naivety in which he keeps hoping for Kanata to magically return really adds to his character, and yet this doesn’t take his naivety over the top like what you see with most naive characters who too often degenerate into utter stupidity.

With three episodes left (according to ANN at least, don’t take my word on that because they still seem to believe that this show is only 13 episodes long), I do hope that the creators still have enough time to put girl Yuki’s background in it. Right now, that’s my biggest question mark along with the reason why Reiga protected Yuki in this episode. If the creators can pull that off, while making these three episodes as good as the past two, then I’ll be entirely happy.
Rating: *** (Awesome)

Posted on 22 August 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Holy crap! I’m impressed here. This could pretty much be the best episode of Uragiri so far. It’s really amazing how this episode stood out when it mostly involved characters we only really got to know one episode ago.

When Yuki ran off for Luka I expected another silly conflict. But instead this episode just kept building up its tension more and more. Every time at which I thought that the episode hit its climax, it just went even further. The build-up here was absolutely terrific, there was no minute wasted. The episode started out really quiet with actually some really effective piano music. After that point, there was hardly any break to allow the viewer to catch a bit of breath.

Looking back, the point at which Kuroto told Senshiro to quit was really powerful. After four years of hardships. This choice between protecting someone or protecting yourself from getting involved is nothing new in anime, but because it’s such a major theme in this series it’s really working here. I mean, half the cast in this series is struggling with that exact question, but all under different circumstances.

Also, during the second half, I really like how the creators subverted the “sudden save”-cliche. I’ve seen so many of those scenes in which characters are driven to the brink of defeat, only for someone who was looking for them to arrive at the exact right time. The second half of this episode had three or four of those moments, and yet Luka arrived too late to do anything here. Every time, the save was made by either Yuki, Kuroto, Senshiro or Reiga; all of which were fairly believable. Reiga’s appearance at the end. He may have just been sitting in the shadows. Really: what were his intentions back then? Doesn’t he want Yuki to die or something?
Rating: *** (Awesome)

Posted on 16 August 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Whoa, this was a really good episode. I mean, suddenly out of nowhere Kuroto comes and starts talking about his back-story. Of course this adds even more depth to the cast than it already had, but the episode itself also was really well executed, despite how filled it was with death and destruction.

This episode was mostly about Kuroto, but it also fleshed out the people around him, like his grandfather, Senshiro and Yuki’s aunt. He actually received quite a bit of character-development throughout this episode: it’s not like he was the same kid throughout his entire youth, and instead the way that he grew to trust Senshiro and his family progressed bit by bit.

I’m also beginning to think that Luka isn’t exactly being kept away from the main house because of how it would be disrespectful. It’s not like Takashiro hates him or anything, and this episode shows that Kuroto trusts him a great deal. Who would then be left? I can hardly imagine the butler or Yuki’s aunt to hate him with passion. It’s probably some sort of precaution of a power that hasn’t been explained yet, or something similar.

In the past, I used to compare this show with Night Head Genesis. Yeah, so that turned out to be completely wrong. While both series are gothic and have great soundtracks (especially NHG had one of the best soundtracks I’ve listened to), Night Head Genesis was all about its story, while Uragiri is all about its characters. The two series get their depth at completely different points. Of course, I’m still hoping for more series to come along that have plots as tight and interesting as Night Head Genesis, but that has absolutely nothing to do with Uragiri. The plot of this one is simple, but the characters more than make up for it.
Rating: ** (Excellent)

Posted on 8 August 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Whoa, Luka. This was quite an episode for him, and it had a really good atmosphere here. This episode shed a big light on what actually happened to this guy, and the relationship between him and his kin. The exact reason for this is still left for the flashback that’s going to show the past between him and Yuki, but this episode really showed his loyalty towards his decision to betray his own kind.

Interestingly this episode also explains why Luka kicks so much ass with his powers, and it turns out that in-breeding Duras only leads to stronger species, with him being the best example of this, safe for perhaps Reiga. I really suspect that he hated this kind of upbringing.

At a certain point the villainess also pulled the “I can create illusions and therefore transform into your loved one and you completely fall for it”-card. This was one of those few cases in which it actually worked. Usually you’d see completely through such a trick with enough common sense, but Luka did have his nostalgia to blame for falling for it. I mean, how many hears has he been waiting to see the girl Yuki back?

Also, I really want to praise the background artists of this episode. The use of colours and CG really made for some beautiful artworks. Elegy herself didn’t have the best character-designs, but heck, that could be just the creator’s intentions. All of the Duras have looked rather silly in this series, so it might just be that the demons in this series have a strange taste in fashion.
Rating: ** (Excellent)

Posted on 1 August 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Now that the background of Takashiro finally is told, it’s great to see that this series is so good at revealing its mysteries. After all of the build-up, the flashback itself was surprisingly short and to the point (it only took up half an episode), and at the same time it did more than answer questions. In fact, this episode created even more questions than it answered.

I really expected this episode to, like, serve all of the answers on a silver platter. Instead, it turns out that Takashiro himself doesn’t even know why Reiga set fire to his village and killed half of its residents, along with Takashiro’s fiancee (I guess). This episode made a few things clear, especially Takashiro’s motivation, but in terms of Reiga we still don’t know a lot. Could it be that he pulled the same thing that he pulled with Yuki? That he was just another reincarnation who went berserk the minute he awakened? Or is there more.

What’s also interesting here is Yuki’s parents, especially how this episode hinted that they’re still alive (the golden rule of anime: characters aren’t dead unless confirmed so). Now, there’s a good chance that this father is Takashiro, although that wouldn’t fit in everywhere, as people don’t seem to treat Yuki as an important heir, so my money is on another character who has already been introduced. Oh, and Yuki actually finally got to meet genuine family of his with his aunts. That was quite a touching scene.

Now, the manga is still on going, right? That’s going to be the major challenge for the creators of the anime right now. So far they did a great job to adapt the source material, but let’s face it: this show ain’t going to get a second season. It’s nowhere as popular to warrant one. The creators are therefore going to have to come up with their own ending that really makes use of the build-up of the past few episodes, or in some other way create a decent closure for this series. I don’t expect a fully wrapped up plot, but I do want to see a conclusion that makes use of this build-up.
Rating: * (Good)

Posted on 25 July 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



So, here we finally get to the background episode. Or to be more specific: the start of the background arc. The creators really wanted to give this its time to unfold, and so this episode merely deals with the introduction: we get to know what’s up with Takashiro, we get to know exactly what everyone is, and what has been causing the reincarnations. The actual past is left for the next episode.

But seriously though, this did exactly what I hoped, and it solidified the characters even more. The depth of these characters really prevented this episode from turning into a dull exposition episode, and instead it filled in the blanks in the storylines really well. I also now understand why this series is named the way it is: before this series started, I thought that that somehow was some sort of spoiler to the relationship between Luka and Yuki, but instead it refers to the nature of Takashiro: in which he’s forced to reincarnate everyone in order to stand a chance at taking down Reiga.

I guess that the whole reason for Takashiro to be infused with a Dumas, it is probably to make him able to actually kill Reiga, without reincarnating him, but that will probably be answered in the next episode. We already know that Reiga did something really bad, and Takashiro was probably the cause of that. The question now remains where Yuki ties into this: was she just “there”, or she also have an important part in that tragedy? Beyond that, we also have Luka, who seems like the only character who doesn’t seem to fit here so far. I doubt that he was there when Takashiro got his scar, and my guess is that he met Yuki at a later stage.
Rating: ** (Excellent)

CHANGE USERNAME
Vonter
Or are the 50s the new late 30s or early 40s?
Vonter
Are japanese people vampires? https://ultra.fandom.com/wiki/Toru_Furuya
Kaiser-Eoghan
@Vonter: If you look at the voice list, that Japanese voice actor for Mario in that anime movie is the same voice actor for Amuro Ray from the original Gundam.
Vonter
Also considering Baby Bowser was raised by Kamek. I suppose those beings could be made by magic.
Vonter
@Kaiser-Eoghan - My head canon is that Bowser made them himself. Kinda Lord Zedd or Rita from Power Rangers.
Kaiser-Eoghan
I still subscribe to the headcanon that Peach is the mother of Bowsers children.
Kaiser-Eoghan
I remember growing up with the relatively poor American cartoons, none of them featured Wario.
Kaiser-Eoghan
I have committed videogame genocide apparently.
Kaiser-Eoghan
Everytime I broke or hit a brick in the Mario games I was probably murdering a toad.
Vonter
The ending it's "interesting" considering the relationship Mario and Peach have isn't something as close, as Link and Zelda.
Vonter
@Kaiser-Eoghan - It's weird but at the same time it does use elements from the game. Like the music, and story bits from the manual from the original Super Mario Bros. (Where it mentioned Bowser uses magic to turn Toads into the bricks, clouds and other objects of the game).
Kaiser-Eoghan
I never did end up watching the Mario anime movie that came out in the 80s.
Vonter
Also someone is putting the effort of making a Bowsette adventure doujin. This is the type of stuff that could be it's own original thing since it strays far from what's Mario. Despite the occasional mild nudity it's quite fun so far, despite also how weird it is.
Vonter
@Kaiser-Eoghan - At the very least it'll be interesting to see where it goes. It happens also every time something comes back. Times change and so the way we make stories. Also the original run had a curtain call chapter, so this is more a new story.
Kaiser-Eoghan
Which is often what happens with episodic stuff for me.
Kaiser-Eoghan
I essentially read Fraken Fran until I got my fill of it.
AidanAK47
@Vonter, I feel that Franken Fran pretty much ran it's course though. Not sure what a new series could bring.
Vonter
Latest news: Franken Fran will get a new manga series. After it was cut short, it seems this little horror manga will get another chance: https://imgur.com/a/ypjtI4c
Vonter
I also read a bit ahead on Shield Hero. And I like it is character driven, but the cast isn't as big as other Isekai, like in Overlord where there are too many characters to easily keep track of what's happening (ever since it started Overlord feels like the most attached to its light novel origins).
Vonter
The monster town growing and expanding into it's own country reminded me of Digimon World. A game which you allied with Digimon to expand your town, add shops and other services. I've heard Xenoblade X was also like that.
Vonter
I watched during the weekend, the Slime Isekai. It's fine, though it lacked more conflict, the MC feels like its too powerful. Maybe this would have been great as a videogame since the concept of how this Slime evolves reminds me of the SNES game: E.V.O. The Search of Eden. It was about your character evolving through the ages and the player choosing how it adapts to it's environment.
Animosh
Also nice to see some love for LOGH in your personal lists (especially Aidan's). I guess it's too much of a niche series (a political epic in space) to score highly in the overall list, but I loved it. It retained much of what made the OVA so great while providing a much-needed update to its visuals and arguably better pacing.
Animosh
I also hadn't heard of the Kase-san OVA. Not sure whether enough can really happen in a one-hour OVA to make it worthwhile (it gives the impression of being promotional material more than a full-fledged adaptation), but I've been looking for another good yuri series after Bloom into You, so it can't hurt to give it a try.
Animosh
Nice to see Kaze ga made it on the list, even with just one cour out. I've seen most of the stuff that's won positive awards, but I've always avoided Pop Team Epic because of how silly it seemed to me. But given all the positive reviews (here and elsewhere) maybe I should give it a chance after all.
Kaiser-Eoghan
Yu-no can go fuck itself.
Kaiser-Eoghan
There's also Yuasa's new thing.
Kaiser-Eoghan
Maybe the thriller shows will be worthwhile but I'm not really as interested.
Kaiser-Eoghan
Yeah spring looks packed for me, there's also that throwback ova to riding Bean and some creature horror ova.
Kaiser-Eoghan
I notice that Index gets an annoying amount of episodes/adaptations, one of those shows that keeps going away for a while then keeps coming back.
Kaiser-Eoghan
We might get dororohedero and Vinliand saga at years end. I would like for pluto to air this year.
Kaiser-Eoghan
Definately looking forward to the josei and shoujo stuff in Spring 2019, nothing of interest for me thats on the summer 2019 list yet.
Vonter
Like you wrote, seems like it's the start for new ways to stream anime. With Crunchyroll making simulcasts and Netflix putting some anime in the spotlight considering the audience it has (and it also helps it has better dubs, at least in spanish). Finally I felt last year the criticism of fanservice got more loud, also summed with how tumblr and facebook politics are putting restrain on sex conten
SuperWooper
@Anon, Netflix is getting Watanabe's new series, Carole & Tuesday, next season. It might not have the mass appeal of Crybaby (violence and sex) or Aggretsuko (cute animals), but it ought to do well for them if they slap "FROM THE DIRECTOR OF COWBOY BEBOP" all over the Internet.
Vonter
Last year I also didn't watched a lot of drama or slice of life, which is a shame since a lot of what's listed reads like it fits those genres.
Vonter
Kind of a lukewarm year 2018 was in terms of anime series. Although I admit I watched a lot of trash as well. Most of the good stuff I watched last year was on Netflix. In terms of bad I already an issue on the list because disappointing, bad and trash are different degrees of badness.
Kaiser-Eoghan
Sorry for being so long and overdramatic, I'd normally stay quiet but I had to get my feelings out.
Kaiser-Eoghan
I don't want to say anymore about this show anymore, I know those who did watch it generally emotionally connected with it or thought it was some kind of epic, if anything I felt it was an epic ruined by being chopped down. I hated it.
Kaiser-Eoghan
Nothing seems settled on long enough and nothing registers.
Kaiser-Eoghan
As Hateable as Jomy is in the beginning, I would at least liked to have seen proper flow of plot structure allowing for some natural progression of character.
Kaiser-Eoghan
As an idea and I think if explored with more episodes/more it could be something, this also includes Keith.
Kaiser-Eoghan
The timeskip and general pacing annihilate anything that could be anything approaching reaching close to working with this series, resulting in an un-compelling cast I feel nothing for that ruins and undersells any drama which is far too overdone when it occurs.
Kaiser-Eoghan
I can't complete this, don't care if I've watched the first half.
Kaiser-Eoghan
I didn't like the couple of episodes of Terra e I watched a some years ago, unfortunately this second attempt, over halfway through the show only illustrates further just how much I utterly despise this show.
Kaiser-Eoghan
As I've said before, I do think re-watches are important, especially years later after watching a show you disliked, if only to see if you'll enjoy it on the second run, lately thats been mostly successful for me, however....
Anonymous3325300
Meanwhile, I do expect that this year will be much stronger in terms of quality. Of course, I had the same assumptions last year based on the winter shows, but I do feel like this could be a stronger year full of great shows, instead of a lot of merely "good" ones.
Anonymous3325300
I predict that Netflix this year probably won't have a Devilman/Aggretsuko-level hit in terms of new anime. Evangelion is probably all they need, even though it's an old series.
Lenlo
If anyone thought that wasn't getting on this list, they either didnt watch it or have really low standards
Kaiser-Eoghan
@Lenlo: Its so catharctic that you listed steins;gate 0 I remember how we essentially lived and watched it together.
Lenlo
I think thats what the most pleasant surprise category is supposed to be. Didnt wanna double up on to many cats
Kaiser-Eoghan
No biggest surprise category?
Kaiser-Eoghan
I can understand including bunny-senpai as a runner up, I'd have trouble picking between it and sorayori.
Lenlo
Episode 7 is so damn good, I don't care that its American.
Kaiser-Eoghan
@Aidan: How do you think I feel, I'm not far off 35.
Kaiser-Eoghan
Glad you actually made room for a movie category aswell.
Kaiser-Eoghan
Based Lenlo, cheating with American anime cartoon.
Lenlo
Im just happy I got Castlevania on this list at all
Kaiser-Eoghan
Dropped planet with, hinamatsuri and violent evergarden though, didn't see Hisone.
Kaiser-Eoghan
I probably would have replaced planet with with happy sugar life or banana fish though or yagate ga kimi.
Kaiser-Eoghan
In any case, I am glad my wife Kanna Hanazawa won an award on your list and that Devilman got featured more than once.
Kaiser-Eoghan
Ah, I though you would be splitting the voice actor category into voice actor and voice actress, though I suppose that's probably cheating a bit.
SuperWooper
You're not alone - of the four of us, I was the only one who watched it.
Kaiser-Eoghan
I must have missed ASAGAO TO KASE-SAN. Hadn't heard of it until now, I should have paid more attention.
Anonymous3324478
Oh and the music was pretty good too I guess. Another episode is airing in March.
Anonymous3324478
Masa also recovered from his car accident from a few episodes ago. It was totally unneeded in my opinion.
Anonymous3324478
The last episode of Tsurune was a decent ending to an otherwise formulaic sports show with some great animation on par for the course with KyoAni. Minato overcame his target panic and won it for the team. Twins got owned big time.
Animosh
There's a new episode out of the Gridman voice drama: https://barnnn.blogspot.com/2019/01/ssssgridman-voice-drama-episode-6n.html. It's a pretty good one too.
Animosh
My only worry is if the series will be able to get to its logical stopping point (the end of the Claw arc) in 12 episodes. But I suppose I should trust Bones over my vague memories of how much content there is left to cover.
Animosh
Yeah, I agree a split cour could be good. It would allow the series to maintain its high levels of animation, and given how stacked next season looks to be (anime aside, there's also American Gods and the Game of Thrones madness to keep up with), and with another ONE show airing, a break wouldn't be so bad.
SuperMario
Split cour of Mob Psycho would be awesome. I don't want to watch 2 ONE's adaptation in one season
Lenlo
Not for bloggin
Lenlo
While I love Mob, I am a bit happy its only 1 cour. I couldnt do 3 2 cour series
Animosh
Assuming we do get 12 episodes, a split cour would still make sense ... but I guess we'll just have to wait for the official confirmations
Animosh
As far as I can tell the only source is some guy in Twitter, so not sure how reliable it is
Vonter
@Kaiser-Eoghan - Devilman Lady is what comes to mind on how to do this type of show better. That one had also a special agency for supernatural incidents, has a simple but compelling main character, uses it's time to build atmosphere and mood and even the action while a bit stilted had better monster design and the violence it's graphic but entertaining like Robocop.
Vonter
@Kaiser-Eoghan - Ok I will check. I'm also curious where it goes in terms of tone. Because it's all over the place.
Vonter
Ok. Last time I tried the login in feature didn't respond. This time it worked.
Kaiser-Eoghan
@Anon: Keep me posted of magical girl spec ops in case it does turn into the kind of guilty pleasure shlock it should.
Kaiser-Eoghan
@Anon: Is this vonter? If you register an account you can keep the name.
Anonymous3321080
But I think what gets me the most its how it beats the dead horse of the 80s action hero arc. Van Damme, Arnold and Stallone had more or less these type of lines. Its kind of funny this anime pretends these aren't tropes we don't use anymore because of how corny they come off. It'll definitely work better as an abridged series since it can be very boring when it tries to add the school life moment
Anonymous3321080
Also Mahou Spec Ops... Is interestingly bad. It tries to be exploitative and shocking but feels very sloppy, kinda like that meme of *slow heavy metal music plays* It also wants to play it like a dark shoujo anime, but the cute monsters are just distracting.
Anonymous3321080
Reading your conversations about idols, despite being mediocre Gokudolls and Ore Mahou Shoujo made jabs at that culture. At least painting some aspects that may be true of how exploitative it is. I suppose because those are subpar, over the top and cheap is what they can do that. Can't remember one aside from Perfect Blue which criticizes that industry.
Kaiser-Eoghan
But only if there was more anime noirs.
Amagi
Reminds me of that stalin vs hitler comic. Think it was russian. They're attacking each other with magical super powers there. And yeah, I love noir now that you mention it.
Kaiser-Eoghan
@Amagi: That'd make for a great noir story.
Kaiser-Eoghan
@Amagi: Imagine Stalin and Hitler trolling each other on twitter.
Amagi
It's easy to construct superiority when you never have to show your private face and never participate in mundane chat talks or so.
Amagi
I bet a lot of people who had some aura of authority back then due to only ever appearing in books or for very rare (scripted) speeches would probably laughing stocks now if we'd see them commenting on daily stuff and news on twitter or reddit.
Amagi
I personally have given up upon having heroes. I still find a lot of historical people interesting but let's be real the few of them that weren't blatanly bad in some way were different then we imagine them to be (even if they're good). Just look how different people feel now that you see them tweeting on twitter VS policians etc decades ago.
Amagi
I like the idea of a main character longing for a dead friend and role model he had and still idolizes. Then at some point he starts reconstructing his friend's past to cherish his memories about him even more but finds out that the friends wasn't the hero he believed him to be and maybe even the own memories of him were idealized a lot over the years after his death without him even noticing.
Amagi
Yeah we are always searching for some sort of über-ich or perfect being that symbolizes the goal of some personality growth we're trying to achieve.
Kaiser-Eoghan
Or the reason why some people need to have so many things or idols they probably don't need.
Kaiser-Eoghan
I think there is a genetic/mental inadequacy in humanity that makes us susceptible to following "higher people who we forget are actually human" because of our own desire for an avatar or general inadequacy as human beings.
Amagi
Yeah this. It's probably also why they defend them so eagerly. Because it's actually true that "their" version of that person would never do that.
Kaiser-Eoghan
@Amagi: And that probably creates a much stronger blow to them when the actor is found guilty of a crime.
Kaiser-Eoghan
@Amagi: Very good response.
Amagi
It's kinda weird how almost everything we know about others is actually just interpretation to some degree.
Amagi
The weird thing is that I think that many fans of acrots/celebrities rather create their own versions of them they fall in love with rather than loving the actual person, whom they barely even know. It's fun because the concept of a waifu sounds extremely weird to normal people, but many normal people kinda do this too but with real persons (but imaginary personality).
Kaiser-Eoghan
I think thats where it starts getting obsessive or where it gets too close to the next level, such as what the anon mentioned.
Kaiser-Eoghan
I also can't bring myself to get too attached to a celebrity or to a character. I do look at hentai doujins yes but, I've probably had thoughts about certain actors or what not, but I never actually want to sleep with them, again I think that's taking fantasy too far.
Amagi
I never know if these are serious celebrations or rather some fun memes they do to post, I always assumed the latter. Kinda.
Kaiser-Eoghan
I think the fans celebrating the idol's birthday thing is taking it to far too, especially if its an anime character.
Amagi
Yeah I was never an idol fan either, and I don't just mean the idol genre in anime but anything similar to idol stuff in general, like being a fanboy/girl of some celebrity or something. Was never able to get into that.
Kaiser-Eoghan
Its all too superficial.
Kaiser-Eoghan
Don't like the ideas it gives teenage girls either .
Kaiser-Eoghan
Certain topics just set me off =<
Amagi
The third episode of Wake Up girls was pretty good in that regard. I think it was the third one.
Kaiser-Eoghan
But yes, thats a pretty bad story what happened to the woman you mentioned.
Kaiser-Eoghan
@Anon: Might be a good idea to catch some documentaries on that topic .
Kaiser-Eoghan
But that was just a sentence from some guy on a podcast though.
Kaiser-Eoghan
Now though I didn't see it, I do recall someone saying some of that Wake up girls idol anime slightly brought up seedier parts of the industry if not much.
Kaiser-Eoghan
The hallow shallowness of the idol industry I mean.
Kaiser-Eoghan
I also dislike the shallowness of it.
Kaiser-Eoghan
I love how Perfect blue takes influences from those gialli/giallo style films from the 60s/70s to an extent, while also spitting on the industry.
Kaiser-Eoghan
But you know what sucks? A part of me, both in regards to those women (and probably some of the male idols) whether it be in reality or animation, I can't actually deny finding some of these men/women actually physically attractive.
Kaiser-Eoghan
Music industry has its seediness just about everywhere and of course victim blaming going to appear everywhere, not just Japan.
Kaiser-Eoghan
*commodification-consumerist
Kaiser-Eoghan
@Anon: I hate capitalism, I hate the idol communication-commercialist industry and the willing self-aware slaves and their masters who perpetuate it, the music is largely awful aswell. I don't watch most of the idol anime, I think the idea of 30 something men throwing cash it is awful.
Anonymous3319279
Wonder if there will be some modern equivalent of Perfect Blue? That was a scathing critique of the idol industry back in the late 90s. Although given how shows that are flat out glorifying the industry are the best-selling shows on BD every year, I doubt it.
Anonymous3319279
In short, she was assaulted by two men at her home who were then arrested. Then she was pressured by her managers into claiming that she was to blame for this, not the men and apologizing to an audience.
Anonymous3319279
Hearing about what happened to some idol named Mahohon seriously makes me wonder if idol culture in Japan seriously needs an overhaul and if media needs to stop glorifying the industry so much.
Anonymous3319260
Ok. No pressure, just asking.
AidanAK47
@Anon, we are working on it. It's nearing completion and should be posted soon.
Anonymous3318799
I don't know if I missed it. But have you put the overview of 2018? Of best show, best character, etc. Did 2018 had a good anime villain?
Masky
Anyhoo, surprisingly Lovecraft's books have some really faithful manga adaptions
Masky
A story set in world post "Cthulhu"(or whatever is setting equivalent) awakening and transcending humans into "savage" inhuman world that he is supposed to bring forth
Masky
Ya know, speaking of lovecraft here is what I really want to see:
Kaiser-Eoghan
Well I guess Die Farbe and whisperer in the darkness count and the cthulu one, the latter two were done by the Lovecraft society.
Kaiser-Eoghan
The closest we got with an actual adaptation was Dreams of the witchhouse , but they left out Nyarlathotep.
Kaiser-Eoghan
Those films were fun, but none of them dated well either.
Kaiser-Eoghan
I have to seperate my knowledge of the books from Stuart Gordon and Brian yuznas films that borrow elements and titles from Lovecrafts works, once I accept their takes on him are just body horror a black comedies I can kind of accept it more.
Lenlo
I think Junji Ito's manga works have come the closest to Lovecrafts brand of horror, and we all saw how that adaptation went.
Lenlo
Yeah, Lovecraft is a hard one. Even his own books are hit or miss, because it is a very fine line for his brand of psychological horror. Would make for an interesting and unique anime if done well though
Kaiser-Eoghan
A lovecraft themed world would find some difficulty in getting the atmosphere right as he has proved difficult to adapt.
Lenlo
Ah. Yeah, a non-traditional setting like that would be good. I think Isekai, to really change it up, should start going for non-traditional settings. Sci-Fi, Lovecraft, etc. I think this was mentioned before yeah?
Kaiser-Eoghan
@Lenlo: I believe the anon was saying it in relation to making a good setting for an isekai show.
Lenlo
Its why I standby Sakaki in this that, even if he was a dick about it, he is right to be angry at how it all placed out. Just not at Kurahara.

Also @Anon, I loved Bloodborne! No idea what the convo is about, but saw it mentioned
Lenlo
They should Kaiser, I agree. Just look at American college football right now. ITs coming out all over the place, and people wonder why teams dont speak out against it. Its because they are kids, they think "This is how its SUPPOSED to be. Only the best make it. Its not the coaches fault, he makes us win". etc etc.
Kaiser-Eoghan
There is a spinoff anthology for bloom into you's manga.
Kaiser-Eoghan
Or other big issues relating to sports such as performance enhancing drugs.
Kaiser-Eoghan
Lenlo, a thought popped into my head there, more sports shows should focus on abuse.
Kaiser-Eoghan
I think flipflappers is one of my favourites in years, but it was definately at its best when it wasn't really about wrapping up its story.
Amagi
Space Dandy and Kaiba had this to some degree too. Liked both series.
Amagi
@Kaiser: Kinda sad that the latter half of Flip Flappers was rather weak because it started with this different worlds idea.
Amagi
I think Matsumoto stuff might actually be the very first anime I have seen in my life, not regularly though and usually when I was in Italy.
Kaiser-Eoghan
The noir world could be in black and white.
Kaiser-Eoghan
How about another world that has different sections that follow different genres?
Kaiser-Eoghan
@Anon: Helped greatly by his use of artistic cinematography and use of dramatic stills.
Anonymous3316528
Old anime has very bitter stories. Despite the old drawings, several had harsh live lessons. Osamu Dezaki had such a talent to direct drama.
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Winter 2019 Summary – Week 2

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