Posted on 5 October 2009 with categories: Natsu no Arashi, Some Quick First Impressions

Sora no Otoshimono

Short Synopsis: Our lead character gets his own god-mode android angel servant.
Well hello… fanservice. Well, at least this shows knows its target audience, but it still puzzles me why they don’t just turn these concepts into hentai-series. Here we have a series in which an android angel servant falls from the sky, and the lead character just happens to be at the right time and place to have her bump into him so that she makes a contract with him and fulfills every of his wishes. The guy is your typical teenager, so you can imagine how he ends up abusing these powers. The series has the typical flaws of a harem-series: lots of clichés (he gets woken up by a cute childhood friend, there’s a huge magical sakura tree near where they live, et cetera), pointless fanservice and a male lead of who you wonder why he’s even popular with girls. I think the biggest flaw of this series is the lead character himself. Sure, there have certainly been worse versions of him, but his attempts at being funny just end up as annoying and his voice-acting is pretty annoying to listen to. I liked the white-haired guy, but overall this is just a waste of a perfectly good budget.
ED: I presume that the animation is going to be filled in the next episode. The song is nothing special, but not particularly bad.
Potential: 10%

Miracle Train

Short Synopsis: Our lead character tries to help troubled ladies along with his team of bishies.
Aha, Iyashi-kei! It’s been a while since we had one of those. This episode really had that typical calming atmosphere of the Iyashi-kei series, but at the same time it also has a lot of issues. Most notably, the bishies. I like the idea of personified subway stations helping passengers through their worries, but did they really have to look like a bunch of ugly bishies with ridiculous hairstyles? Most of the time they’re acting like stereotypes as well, especially that yellow-haired guy was obnoxious. Especially the scenes in which they talk to each other are cringe-worthy. Nevertheless, when push comes to shove it does manage to pull off a nice down-to-earth story for the troubled passengers. If the future episodes can focus more on those passengers and less on the bishies, we could have something very interesting here.
OP: Cheesy J-rock. Move on.
ED: Slightly better, but still generic J-rock
Potential: 50%

Natsu no Arashi! Akinai-Chuu

Short Synopsis: Our lead character is surrounded by lots of cute girls.
Like White Album, I’ve been heavily debating whether or not to blog the second season of Natsu no Arashi. Sure, the first season was very good, but this is Shinbo, after all. No matter how good the source material, I have this feeling that he’s going to take its style to extremes again while forgetting what’s really important. And really, it didn’t help that this episode was probably the worst of the entire series. It was a beach-episode, but the thing is that it just wasn’t funny. The whole episode was just a string of random fanservice-jokes, and lacked the wit or subtlety from the first season. Among the rest of the jokes were also lots of recycled ones (the creators are still going on about Hajime vs Jun, the salmon-thing returned yet again and the creators were even desperate enough to recycle a joke from Sayonara Zetsubou-Sensei and the Samurai-Jokes from Pani Poni Dash!). Sure, this series might pick back up, but this episode just showed too many signs that the creativity of Shinbo has run out, and I don’t want to blog this series just for the sake of finding out whether I’m right or not in this. Also, why the heck are the creators hinting at a romance between Jun and Hajime?!
OP: Like expected from Shaft, at least it has a pretty good OP. Creative visuals and nice music.
Potential: 30%

Posted on 29 June 2009 with categories: Anime Reviews, Natsu no Arashi



After all of the shows that he’s been directing and will be directing in 2009, it’s safe to say that Akiyuki Shinbo has been the most prolific director of the past decade: I can’t think of anyone who directed as much series as he did, especially in the past five years. Natsu no Arashi started out as one of the many dark horses of the past Spring Season. At first sight it looked to be full of your usual shounen clichés and all, but it turned into a very interesting and engaging series.

At first sight it’s easy to label Natsu no Arashi as one of those moe comedies around high-school girls, but that’s only half of the series. The other half is a surprisingly serious and deep storyline about time travel, World War II and people who are deeply affected by the past. For once in one of Shinbo’s series, the characters have strong personalities and yet are more than a bunch of paper bags. Hajime may seem like a bit of an oddball here, but his purpose in the series really is to act as the straight man, compared to the issues and stories that the rest of the cast has, and he pulls this off really well as the main character.

On top of that, this series also has a very inspired sense of humour. As this is a series about time-travel, it really makes the most of it by including jokes that can only be shown in this kind of series. This leads to priceless discussions about a rotten fish, among others. It also likes to poke fun at one of its on-going plot threads, in which one of the characters (Jun) is a cross-dresser. A number of absolutely hilarious episodes are centred around all sorts of crazy situations in which she has to try and keep her secret and pretend to be a guy.

Overall, this series is really well balanced, with the serious and silly episodes alternating so that the end result is a very varied series that grabs the best of both. The only downsides are the first and last episode. The first episode really gives a wrong image of what the series is going to be about, while the last is mostly a rehash of jokes (something that the other episodes managed to avoid so well), and carries Shaft’s style a bit too far. nevertheless, if you’re looking for a series that has both light and dark parts with engaging characters, then this is a show you should check out.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Natsu no Arashi



Ah, so there’s going to be a second season this fall. That’s a good thing, because this episode pretty much was the weakest episode of this show so far. Especially the first half was just a rehash of already used jokes with all of the characters somehow dressed in swimwear (including Jun in clothing that would obviously reveal her gender to Hajime, yet nobody noticed), while the second half had some new and funny material, it also seemed to be trying too hard.

However, I am also very wary of the “Curse of the Shaft Sequel”. I KNOW Shinbo, and I’m just certain that he’s going to carry this show’s style way beyonds its limits, making it lose its substance like how Zoku Sayonara Zetsubou Sensei and a tale of melodies were ruined. Especially this episode was a very bad sign, if every episode of he second season is going to end up like that. That’s why I’m not going to guarantee that I’m going to blog season 2 as well. It’s all going to depend on how awesome the rest of the upcoming Fall Season is going to be.

And don’t get me wrong, barring this episode, I really loved Natsu no Arashi. I just feel that it would have been better if everything was wrapped up in just these thirteen episodes. The past two episodes would have been much better if they took the stories from the manga that explained why the ghosts came back, and the part where Jun finally comes out of her shell, and combine those into an anime-original conclusion.

Rating: (Enjoyable)
Enjoyable to watch, but mostly just a rehash of previous jokes with some really un-subtle references to other shows.

Posted on 22 June 2009 with categories: Natsu no Arashi



If you consider this episode as a regular episode, it rocked. It closed off the Yayoi and Kanako arc really nicely: in the end all the conflict came from a simple misunderstanding: the two of them simply didn’t know that they can remain in existence as long as they remain close to a person from the current age, and so they decided to steal Arashi’s existence as a means to keep existing. It then proceeds with a little more Jun-jokes when one of her friends protects her secret by claiming to be her girlfriend, and the rest of the episode develops HajimeXArashi by bringing a bit of tension in their relationship by introducing a guy who turns out to have been saved by a future Arashi in the past. All in all, a pretty good episode.

However, this was supposed to be the semi-final episode, and there was no hint of a conclusion in it, or even a build-up for that conclusion, meaning that either the creators are going to stuff the entire conclusion into just one episode, or simply going to end the show by ending with just another manga-chapter without concluding anything. It’s such a shame, really. This would have been a perfect opportunity for the creators to go with an anime-original ending. I know that Shinbo can do it if he wants to, but to do it all in just one episode is really going to push it.

But ah well, who knows whether or not it’s going to turn out awesome or not. Who knows, Shinbo is so unpredictable that he might actually pull it off. In any case, this episode was heaps of fun as usual, and that ending is going to have to be really bad if it wants to completely ruin this series.

Rating: * (Good)
Not the most perfect semi-final episode, but standalone it rocked.

Posted on 15 June 2009 with categories: Natsu no Arashi



I’m really glad that I ended up picking this show back up, because boy, was this episode awesome! For this episode, I feared a bit for Kanako and Yayoi’s lack of airtime, but this episode worked out really well. This episode was full of nice and clever touches. When I watched Tsukuyomi Moonphase about half a year ago, I really was tired Shinbo’s style, and the subsequent Shaft-series of a tale of Melodies and Maria Holic only made this worse for me. But I really have to say, that with Natsu no Arashi, I’m back to being a Shinbo-fan. Of course, I still believe that the third season of Sayonara Zetsubou-Sensei is going to suck unless proven otherwise, but I’m also pretty much looking forward to Bakemonogatari.

Anyway, in this episode we really got the chance to get to know some of the characters better. Since Hajime never got to meet the original Arashi, he of course had to use the chance to check up on her. It’s also a nice touch to see before whatever horrible happened to the foursome, they really were trying to live their normal lives as much as possible: Arashi and Kaaja were still trying to cheer up the mood by singing together, and Kanako was simply in the middle of a fight with Yayoi at the time Hajime and her Yayoi’s ghost version popped up.

It really was cute to see that Kanako, who was built up as such an evil-looking character in the past two episodes, was suddenly portrayed as a shy young school girl who regretted having fought with her best friend. I loved how she got all embarrassed when Hajime called out her name at the performance, in order to get her to come in.

What I also loved about this episode is that the creators put some real thought in what the ghost Kanako must have been doing in the meantime. It’s just too easy to make her stand in one place without having her do anything, but even though we never actually saw her through most of this episode, by the time we saw her again we knew exactly that she had been frantically searching for a way to get Yayoi back, and eventually just jumped on Hideo to get a contract with him. Hideo’s reaction to this was of course priceless.

This episode also nicely used a paradox in order to explain why Arashi chose Hajime of all people: because she saw Hajime when she was still alive, he must have seemed like the perfect guy to become friends with when she returned as a ghost. Speaking of paradoxes: why were there pictures of Hajime hanging in the old mansion of Yayoi?

Okay, so now there are two episodes left, and I really wonder what the creators have planned for that ending. In any case, we can expect to see the event that brought everyone back as ghosts. The past few episodes have shown that this story is planned out really well, but endings and finales are always something different, and even the best shows can trip over these unfinished endings. I’m curious to see whether this show can pull it off.
Rating: *** (Awesome)
Clever, subtle and yet packs one hell of a punch as it closes off the Yayoi and Kanako arc.

Posted on 8 June 2009 with categories: Natsu no Arashi



Well, so my assumption the last episode was indeed wrong: Kanako was simply one of Arashi and Kaja’s classmates. In this episode, Hajime goes to stalk them inside their house (with a little help from Hideo), after which Yayoi tells him about who the two of them are. I’m not really that much of a fan of the fact that they seemed to be the only cute girls in their entire school, but then again just about every anime suffers from this, and the rest of this episode really was as top-notch as ever.

For as little time that has been devoted to her, I quite like Kanako as a villain. She’s got this evil look on her, she is sure what she wants and makes sure that she gets it. I’m curious to see whether the creators can pull off her defeat well. She has deeply rooted motivations for her actions, so it’s going to be a shame if she’s just going to end up being talked out of her actions.

Speaking of Shinbo, I am getting worried about one thing here. In the next season he’s supposed to come with Bakemonogatari, and while I don’t know and don’t want to know what it’s going to be about, there seems to be a lot of hype around it, and how this can be one of his best series so far. But at the same time he also has a third season of Sayonara Zetsubou-Sensei slated for the same series, right after a spring-season in which he churned out Natsu no Arashi, which was right after the winter-season in which he had Maria Holic, and don’t forget that Pani Poni Dash OVA that popped up about a month ago. I mean, is it me or doesn’t this just look like overkill? How many series can one guy direct before being completely burnt out? There’s no doubt that Zetsubou-Sensei is going to be rushed as hell, but it’s going to be a shame if Bakemonogatari would also end up suffering from this.

In any case, I’m at least glad that Natsu no Arashi turned out so well. Now if it only can give a nice conclusion I’m really going to be happy.
Rating: ** (Excellent)
This episode again shows that this show rocks when it wants to get serious.

Posted on 1 June 2009 with categories: Natsu no Arashi



I must say that my big fear for this series would be its conclusion. This show has already proven that it’s good, but even good shows have a hard time with their conclusions (take Kurenai for example). This is a series about the past, and how it can influence the present, but that black-haired woman was really being set up as your stereotypical evil villain. This episode only fueled my suspicions when they portrayed her even more like some overused bad guy who was planning to kidnap Arashi and use her powers in order to help a loved one of her. Yawn. Been there, done that, and it completely doesn’t fit in with the rest of the themes.

Or so I thought…

The end of this episode really pleasantly surprised me.I never imagined that that woman would actually be a grown up version of Arashi! Now this really puts things into a different perspective that’s totally in line with what the rest of the series has built up for. Especially this episode spent a lot of time talking about time paradoxes, which is exactly what happened at the end of this episode. It was some clever foreshadowing that at the same time you really recognize unless you’ve seen the rest of the episode. Especially since they used a rotten fish as example.

So yeah, this episode rocked. There was a lot of talking in it, but it did exactly what it was supposed to: delve into the details of time travelling. This really allows the series to go in-depth into its setting, rather than compared to series with relatively little dialogue. This is also why I’m such a big fan of series with lots and lots of dialogue. On top of that, we also got some very nice development between Arashi and Hajime, which is always welcome. That hug/kiss scene worked really well.

I’m also intrigued by that scar on the bar table. It just keeps returning over and over, and there’s always someone who’s trying to clean it. The obvious meaning is symbolism: no matter how hard you try, that past ain’t gonna erase itself. And yet I have a feeling that there’s more to it. I have no bloody idea how the creators are going to do it, but something is telling me that the origin of that scar is going to be central to the plot.

Rating: ** (Excellent)
Great HajimexArashi chemistry, nice surprises, the beginning of the end that is promising to be very exciting.

Posted on 25 May 2009 with categories: Natsu no Arashi



Well, there you have it: another one of those advantages of having a series directed by Shinbo is that he can be really funny when he wants to. Especially with this series, which is just going to last for 13 episodes, has no chance whatsoever of milking itself out, you can be sure that the comedy is going to be really funny, and that’s exactly the case for this episode. I laughed really hard, and I loved how this episode used Jun’s character to draw out every last bit of comedic potential out of her.

Jun really has been a constant source of laughs, and because of this series’ good development it has yet to feel dull at all, and this episode was probably the funniest episode I watched this season. The idea of switching Jun and Hajime’s bodies was pure comedic gold. I especially loved how Hajime believed that he dropped his balls somewhere.

There’s nothing much else to say with such an episode of course, apart from how I’m pleased to see that the creators are also making good use of the running-joke about salt. This really is the kind of episode you need to watch for yourself.

Rating: *** (Awesome)
The funniest episode I have seen this spring season. With a length > 20 minutes in any case.

Posted on 18 May 2009 with categories: Natsu no Arashi



What started out as a seemingly silly episode in which Hajime and Arashi break the metal bird on top of the cafeteria and muscle guy being ordered to buy women’s underwear, it gradually turned out to be an episode that added even more depth to Kaja and Jun’s characters. I really must say that Jun is one of the most convincing cross-dressers out there, because for once she has a very solid reason to act as a boy, compared to most of the other cross-dressers, who seem to be only there for fan-service.

In this episode you could really see that she feels insecure about regular girls: she doesn’t like their style and fears that she might end up as the same. While the source of it is still unknown, but it seems to be strong enough for her have to endure the other side of the coin: Hajime’s abuse. It’s also strange that Jun’s classmates didn’t feel like stereotypes at all.

And at the same time we learn that Kaja is very uncomfortable among men, due to the way she was raised in her time. She’s probably fine with Hajime because he only has eyes for Arashi, but when those students showed up she really came into a situation she never was in before. The episode then continues as she tells how she believes that she appeared in this time for no reason, and that they’re just there to relive their summer. Jun then however, realizes that they’re both just thinking too much of others, and refuse to think about themselves. Basically, what Hajime and Arashi have been doing all along.

There also was a lot of building up in this episode. We now know that Arashi and Kaja died on the same day. It probably was because of a bombing, but I doubt whether it was that simple. We also know now why Kaja came back, but what about Arashi? We have yet to see what her regrets are, and she’s very good in hiding this. On top of that, there has to be some sort of role for the muscle-guy, has there?

This series will probably be only thirteen episodes long, since Shinbo seems to have yet another show scheduled for Summer, plus the original manga only seems to have released three volumes so far. If this is true, then we’ve just passed the halfway point of this series, and there are actually lots of ways for the creators to settle this series. Let’s hope that everything can come together.

Rating: ** (Excellent)
Very nice episode for Jun and Kaja and the visuals still are very good.

Posted on 11 May 2009 with categories: Natsu no Arashi



Okay, that’s it. With this, you can consider Valkyria Chronicles dropped and Natsu no Arashi picked back up. Not only was the past episode of VC incredibly bad, but the current episode of NnA was also incredibly good. We’re really talking about a wolf in sheep’s clothing here: after the silly first episode, did anyone expect that five episodes later, we’d see the characters in the midst of a sea of fire after a bombing in the second world war? Thought so.

And seriously, before this season started I really didn’t expect that I’d like the next series by Shinbo this much. After Zoku Sayonara Zetsubou-Sensei, Maria Holic and watching Tsukuyomi Moon Phase, I really was through with the guy, and especially that announcement of him trying to regurgitate yet another season of Sayonara Zetsubou-Sensei, which really hit its expiration date long ago made me worried. And yet here he comes, picks out a great manga and adapts it really well so far. The storyline has been getting really interesting in its focus of past vs present, and the filler episodes are a lot of fun to watch (like last episode’s cross-dressing bit).

This episode was much more serious, in which we for the first time see Jun and Kaja go back in time for the first time (making interesting use of the fact that Jun’s actually a girl), and we turn to the place in which she herself grew up, and we get to know her first love right before he died in a bombing. Since Kaja is less confident than Arashi, a large par of this episode is spent on her wondering whether or not to change history.

And poor Jun gets dragged around all the way, but we really get more insight into ‘her’ character in this episode as well as she sees Kaja struggle with her past love. I also like the reason she has for cross-dressing, how she holds some sort of grudge against the average female.

Rating: ** (Excellent)
Wonderful art style, a really dark and deep episode for such a seemingly innocent series.

CHANGE USERNAME
KTravlos
And to sum it up. I think this was a great series. All its episodes were good.
KTravlos
I actually am ok with the PP ending. The 12 episode series is self contained. Sure there are many future potential stories to pursue, but I felt there was enough closure to make the series a good series. This is because the next step of the narrative is really so long term as being more LOGH material than PP (the story of the ascension of Princesss to the throne, and then the story of her reforms)
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
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