Posted on 27 December 2009 with categories: Anime Reviews, Aoi Bungaku



My favourite show of the season? Definitely. Aoi Bungaku provides an awesome closure to this decade in anime with a collection of six beautifully told stories. Every single one with its own director, style, atmosphere, focus, graphics, soundtrack, themes and stories. It’s a really big experiment, that worked out wonderfully well.

No Longer Human is a wonderful character-study with a powerful and well developed main character. The visuals look like a non-action version of Kurozuka in a way, but with even more detailed art. In the Woods, Under the Cherries in Full Bloom proved to be a great combination between comedy and mindscrew, and it really had the director of Death Note and Kurozuka in its element with its Bleach-like character-designs. Kokoro is probably the least impressive of the six shorts. It’s based on a very nice idea of varied perspectives, but it’s a bit cheesy in its execution. It’s certainly not bad, though.

Hashire, Melos! Is just incredible. It’s done by the director of Mouryou no Hako, and the dialogue is just as deep and detailed as it was there. On top of that, the animation is utterly fantastic. Characters move wildly and even the slightest movements are incredibly detailed, and it gives the characters so many powerful emotions. A Spider’s Thread in its turn is a simple but all around enjoyable and tense story with great screenplay. Hell Screen then continues to close off with a huge bang with a great and powerful mindscrew, combined with a really strong direction, soundtrack and visuals.

And seriously, it’s amazing how much talent Madhouse managed to stuff into this series. It has a total of five directors, and four of them are absolutely brilliant in what they do, and have their own styles and their own brilliance. The animation is just amazing, especially in Hashire, Melos!, and definitely the best of this season, and not to mention that every single story looks unique with its own distinct set of graphics. Even Hi no Tori (which had a similar formula) had at least similar character-designs!

The depth of the characters varies from simple (Spider’s Thread) to elaborate (Melos, No Longer Human), but nearly all of them make impact. And heck, even if you don’t like one story, there’s always the next one that turns out to have a completely different focus. As much as the fansubbers will hate it, I’d love to see more series like this (imagine for example if other studios would attempt this as well). This collection of adaptations of literary works manage to fit in the stories pretty nicely in these relatively short amounts of episodes: some of the stories have been changed here and there, but it’s been done with conviction.

Storytelling: 10/10 – Powerful and gripping in six different ways.
Characters: 9/10 – Amazing characters, especially for short stories.
Production-Values: 10/10 – Detailed animation, incredibly imaginative visuals for every six of the stories.
Setting: 8/10 – Not the main focus, but solid.
Posted on with categories: Aoi Bungaku



Wow. What a way to end this series. What an incredible mindscrew of a final episode. Seriously, the visual direction of this episode was the best out of all the Aoi Bungaku episodes, even as the soundtrack. I commented a few weeks ago the the director of the final two episodes was a completely new guy, so it really could get anywhere. During A Spider’s Thread, he already showed that he’s solid as a storyteller, and it was very entertaining and intense to watch. But seriously, with this episode he really showed that Madhouse has yet again struck gold.

The setting for Hell Screen is actually the same as with A Spider’s Thread, only the mood, atmosphere, direction and soundtrack are completely different. This episode was much, much darker, despite the at first misleading dark colours. I like how this episode uses a part of the build-up of the previous episode: in there, the king was shown as a bit cocky, but basically as the good guy. In this episode however, it just turns out that he’s a huge bastard. It’s the same that Kokoro used, although with less cheese.

The main focus of this episode was on the lead painter for the king, who is tasked to draw a chamber that has the essence of the city. He ends up wanting to show his anguish at the king’s actions that he decides to draw hell itself, however he he just can’t seem to get the right inspiration. Eventually this spirals so much out of control that the king burns his daughter, which in turn gives him the right inspiration. It’s a bit hard to believe, but then again, it was written by a guy who apparently afterwards committed suicide.

I personally loved how the build-up throughout the episode eventually culminated into that climax. I wouldn’t call this as good as Hashire Melos, but I’d definitely count it among the highlights of this series.

Overall, there should be more anime like this. This series has been utterly amazing in so many different ways. I’d rank the six stories of Aoi Bungaku like this (from least favourite to most favourite):
6. Kokoro
5. Spider’s Thread
4. In The Woods…
3. Hell Screen
2. No Longer Human
1. Hashire, Melos!
But more on that in the actual review.
Rating: *** (Awesome)

Posted on with categories: Aoi Bungaku



This post is going to be short, since I’ve got a certain episode 12 that I’m really looking forward to, but damn, that was intense. The fifth story, The Spider’s Thread had only one episode to work with, but it used it really well and turned it into not just a visual feast, but also one heck of an intense experience.

For the most part of the episode, I was wondering where it wanted to go, but the final minute everything made sense. Throughout the episode, you really get the idea what’s going on inside the mind of a killer, someone who has no regards for human life, and is just out there to have fun and kill people. He’s very much a person who’s sick in his head.

The main point about this story is that after he dies, he gets one chance to get out of a hell that will probably mean an eternal time of torture for him. And yet he blows it, both by the weight of his sins and because he still doesn’t want to repent for his sins. It’s obvious that the original writer was a devoted christian, but it’s nonetheless an interesting story.

What I liked most about this episode was the screenplay, though. It’s done by a guy who didn’t do anything before this, but the way that the visuals and the music, the poses and the art enhance the story is really well done. It’s that what really impressed me about this episode and made it so powerful for me. It’s not the best instalment of Aoi Bungaku, but really: I don’t have any complaints whatsoever.
Rating: ** (Excellent)

Posted on 6 December 2009 with categories: Aoi Bungaku



That was absolutely amazing. Oh my god, Aoi Bungaku was already my favourite series of this season… and this episode just blew every of its episodes so far out of the water. What a roller-coaster of emotions this turned out to be! Ryosuke Nakamura. That’s one name to remember, because this guy is destined for greatness.

Unfortunately, he’s also destined for unexposure in the western anime fandom because his series are just so damn hard to translate. Why are there still no subs of episode 9 out at this point, even though the previous episodes were subbed without any problems (in fact, even the double-episoded feature of episode 7 and 8 got out faster than this). It’s the same with Mouryou no Hako: we’ve got ourselves an absolutely fantastic director here, and yet because his dialogue is so damn complex it takes much longer for the subs to come out!

In any case, enough ranting and onto this episode. Just when I already thought that the previous episode was full of emotions, it was nothing when compared to this one. The whole story by Osamu Dazai came together wonderfully. Thoughout a majority of the episode, you keep wondering why his friend abandoned him. When the answer finally comes, the shock hits hard, and yet it makes complete sense: the guy was about to die from heart failure. Especially after all of the things that the lead character called this guy for betraying him.

But the visual direction was absolutely amazing. The animation was just incredible, and especially the part where Melos is fighting on the desk, as the main character is writing his story is nothing short of gorgeous. Anime animation cuts corners?! Hah, this episode has so much emotionally powerful movement in it. THIS really shows what you can do with the animation medium.

And to think that Aoi Bungaku still isn’t finished. The wait is going to take two whole weeks, but after that we’re going to see two stories adapted at the same time. I have no idea what to expect from that. The director is going to be someone completely new, and I have no idea what to expect from this guy. Again, this is a great gamble by Madhouse by putting a new guy in front of such a big project, but who knows? Perhaps they found themselves yet another talent here.
Rating: **** (Fantastic)

Posted on 29 November 2009 with categories: Aoi Bungaku



This is it: THE chance for the director of Mouyou no Hako to show that he’s not just a one-trick-pony, but instead an incredible director. And oh my god, he really showed the latter. Madhouse have truly truck gold when they found this guy, because this episode was one of the best episodes of Aoi Bungaku yet!

You can really see his style from Mouryou no Hako flow through into Hashire Melos, the work he’s adapting. The sakura trees are there, the heavy use of lighting, and the protagonists also are quite similar in appearance, and both novel authors. Heck, it even has the same soundtrack as Mouryou no Hako. This episode satisfied my inner Mouryou no Hako-fanboy, while delivering its own strong story that aside from these things, doesn’t rip it off in the slightest and stands strong as a gripping episode.

The scenes in the theatre were a very nice twist: basically this episode told two stories: one story about the author of a novel and his best friend, an actor, and one story, which he’s currently writing. Interestingly enough, Masato Sakai who has been voicing all of the leads of Aoi Bungaku so far, ends up voicing Melos: the lead character of the play. I love how in this way, the creators are playing around with the concepts of “lead characters”.

But yeah, what makes this episode stand out is its sense of dialogue. It’s passionate, detailed and brings out the best of the characters. There’s so much emotion put into it, yet none of the lines are delivered cheesily.

And then the animation! It’s by far the best animation of Aoi Bungaku yet, and that in an already excellently animated series. This episode doesn’t have the best eye-candy, that’s for In the Forest. Instead, the characters move SO incredibly fluently. when they move, their entire bodies move, rather than just a limb, or some very minimal movement during just a short scene. The animation here is detailed and really brings the cast of characters to life.

There was one scene though in which this didn’t apply. I’m not exactly sure what happened there, but the part in which the lead characters’ friend comes crawling from under the bed lacks this detail, and therefore ends up a bit weird.

I’m not sure whether I understood everything in this episode, but the main storyline seems to talk about two friends who live together: one is a scriptwriter, the other is an actor. The scriptwriter is seen writing the story of Melos, the lead character of the play. At a certain point, his friend suggests to go to Tokyo, because his father would not allow him to continue acting. When the lead character is boarding the train, however, he is betrayed. The episode ended a bit too soon for me to actually make out how and why, but I expect the next episode to delve into that one.
Rating: *** (Awesome)

Posted on 22 November 2009 with categories: Aoi Bungaku



Holy crap, a double feature of one of my favourite currently airing series. Can things get any better? Episodes 7 and 8 animate the story of Kokoro. I’m not going to bother making separate entries for these two episodes, because they were bundled together as one. And really, Kokoro is just as good, if not better than the previous stories!

During the first half, it might seem a bit like a step down in comparison to In the Woods and No Longer Human, in which we have this lead character who lives together with a woman he likes, and he then invites a friend of his to live in his house, to study with him. This friend quickly steals the girl he likes away. For the most of the first episode, it’s a bit too one sided.

Then the second episode starts, and the fun begins, and the story gets a completely different dimension.

The second episode actually shows the same story from the perspective of the friend. While he was this big brute who took advantages of women in the eyes of the lead character, his real character is completely different. What an awesome idea, and it’s really well executed. This episode is really about love and prejudices, and what they can do to people who normally would just hang out peacefully together. Because they only know part of the story, people’s imaginations start filling in the blanks. Notice how some details of the story differ from the perspective of both of them: the parts in the first episode in which the tall guy was alone simply are what the lead character thought that he was doing at the time.

The rest of this series’ schedule also seems to be a bit weird. Hashire Melos! seems to air regularly during the next two weeks. After that, there is a break of TWO WEEKS, until the second day of Christmas, at which both the final stories will air. I really love the tight schedule of the past few weeks: sundays have always been a blast thanks to this series, but those two weeks are probably going to be one hell of a wait for the final two stories.
Rating: *** (Awesome)

Posted on 15 November 2009 with categories: Aoi Bungaku



Seriously, are there no bounds to this series’ awesomeness? In this episode, Aoi Bungaku yet again surpassed my expectations, it was nothing like any other series of this show so far, it was full of the most awesome graphics, and the direction was just incredible. And then to think that there still remain four stories left! What the bloody hell do the creators have in store for those?

This episode was just crazy. But when I say crazy, I mean that in a Madhouse sort of way. This ranged from those small jokes as the cow people enslaving the humans and the old lady who thought she smelled her old husband, to the lead character cutting off even more heads, so that the lead female could play with them like dolls. What the hell?1 the final scene, in which the lead character runs into his feared cherry blossoms, freaks out and strangles her to death was incredibly intense. No Longer Human was very subtle in showing the mental decay of the lead character, but here it’s totally different. The mental delusions of this guy are in your face, but also absolutely beautiful and full of eye-candy.

This story really strikes me as a very critical look at the traditional roles of the male and females. It’s overblown of course, but the lead character just keeps killing people for the woman he loves, until the past finally gets the chance to bite back. It portrays these values as utterly ridiculous.

What also makes this series pretty unique is that the longest stories aren’t saved for last. If this already was a mindfuck, then I really don’t know what the creators have in store for the final two episodes, which if I’m not mistaken are going to be two stories of just 20 minutes.
Rating: *** (Awesome)

Posted on 8 November 2009 with categories: Aoi Bungaku




Oh, I love this. The various adaptations are really all going to be completely different: different graphics, different soundtrack, different OP. The only thing that’s the same is the ED. This episode was awesome, but for totally different reasons as No Longer Human was. What he hell have I just been watching?

This arc features the adaptation of “In the Woods Beneath the Cherry Blossoms in Full Bloom” (which I’ll just keep abbreviated as “In the Woods” from now on. Instead of the serious No Longer Human, this short takes a more light-hearted approach. At first this worried me a bit, but the deadpan humour of the lead guy was hilarious. You hardly ever see good deadpans in anime, but I really like that type of humour.

The story in this was just… weird. Which made it even better. Here we have a rugged bandit whose skills are second to none. He lives with a bunch of women he captured. His latest addition is very spoiled and bratty, so she doesn’t want to live together with them. However, the lead guy is in love with her. so what does he do? He kills off every woman but one. What?!

This episode just oozed style. Is this really an adaptation of classic literature? I can really hardly tell. The creators of the anime added the funky atmosphere, a terrific set of voice actors, a bunch of insert songs, seamlessly integrated with the story and an MP3-player. I’m not kidding. Beats me where this guy got the batteries from.

And the graphics! This episode was a visual orgasm beyond belief, and Madhouse have truly outdone themselves yet again! Some of the backgrounds looked truly fantastic here, and this definitely was the prettiest episode of this season.

Seriously, why aren’t there more series like Aoi Bungaku?? This is just utter brilliance, and you can see that the creators are throwing in lots of stuff and ideas to spice up this episode. You could see that they had a lot of fun adapting this work. I love the idea of the little specks of blood on the camera when one of the guys was killed. The pacing, the timing, just about everything felt right in this episode.
Rating: *** (Awesome)
OP: Funky, catchy and gorgeous visuals. Fits the story perfectly.

Posted on 1 November 2009 with categories: Aoi Bungaku




What an amazing conclusion to the No Longer Human story. The past four episodes have really been storytelling at its finest. This episode yet again pushes the characters into an entirely different direction, and it’s really been character-development after character-development for the entire story.

This episode fast-forwards a number of years. So the lead character? He got married to the girl with the red umbrella. His friend? He has grown up a lot. He’s no longer the punk who drags the lead character into the wrong business, but instead has decided to join the army, leaving his wild years behind.

At first sight, the lead character seems saved right now. He has stopped drinking and fooling around with women thanks to his new wife. The seemingly limitless amount of trust she has for him really helped him get himself together. Or so it seems. I’m not sure whether she got raped or whether she was fooling around with someone behind his back, but nevertheless, their balance gets broken abruptly when he finds out.

But even before that, it becomes clear that even though he may have left his old habits behind, he still hasn’t fully healed. Especially when he finds out that his father died, he doesn’t care in the bit, and it becomes painfully clear that he’s still living inside a fantasy world, refusing to simply grow up because his profession as an artist and storyteller doesn’t require him to do so. Eventually however, he breaks down and takes an overdose of some sort of strange type of pills. Again, he survives. But barely.

The part that impressed me the most comes next. Despite how the guy has broken down, and proven that he’s a huge failure as a human, the two women he lived with still don’t mind. What they see is a guy who definitely has problems, but despite that is an incredibly nice guy. Even though they probably know nothing about him, yet want to be with him again, that was so heart-warming.

Okay, so No Longer Human was amazing. What’s next? The rest of the series is going to be filled with three more stories of two episodes, and two of only one. Their short length is either a blessing or a curse, but let’s see what they can do with their limited airtime. I really like the set-up of random stories though: you’ll never be able what to expect, but the writers are totally free in what they can do with it, or in this case which stories they can adapt. This is another reason why this series is superior to Kuchuu Buranko: those random stories all were written by the same guy, based on the same formula. With Aoi Bungaku however, this series is promising to become incredibly varied.
Rating: *** (Awesome)

Posted on 25 October 2009 with categories: Aoi Bungaku



Oh my god, No Longer Human just keeps getting better and better. This isn’t just a great adaptation, but also an adaptation that makes optimal use of the fact that it’s adapted in a media that also uses music and graphics. From the perspective of someone who hasn’t read the novel, setting aside some of the scenes that were cut, I think that this really was the best possible adaptation that it could have hoped for.

It’s also amazing how much stuff the creators managed to squeeze just into one episode. It feels like the creators got two episodes’ worth of content in just twenty minutes. This series just hopped from one tense situation to the next, with an eerie silence in between. This episode really was a roller-coaster ride.

The plot of this episode was also far more subtle than I imagined. I originally thought that this episode would see the beginning of a mass murderer, but instead it’s about someone who’s struggling with his own sense of humanity: he still blames himself for having survived that double suicide back then, and because of that he never really allows himself to bond with his new wife and daughter that he found, who were really nice enough to take him in.

While he’s got a great daughter, and a girlfriend who supports him all the way (she even managed to find him a job as a manga author), he instead hangs around in bars, visits prostitutes and gets drunk. Especially after the rumours start floating around that he’s a killer he starts to get out to drink even more. On top of that, his old friend keeps returning to remind him of the past he’s trying to leave behind.

And then comes that saleswoman, who meets him as he lies in the snow after a particular rough night. Here I thought that the entire setting was trying to be as dark and gritty as possible, and then she comes. She refuses to believe the words of a hopelessly drunk guy, and instead fully trusts in his kind nature. That his story about having failed a double suicide was just a story he made up because of his talents as a storyteller as a manga author. While on one hand, she;s obviously wrong, but what counts is that trust she has in him, at a time and place you’d normally suspect people to just turn a blind eye and walk away…

Anyway, long story short: awesome series; watch it. Especially now that subs are actually coming out fairly steadily, against all my expectations.
Rating: *** (Awesome)

CHANGE USERNAME
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
Kaiser-Eoghan
I will listen to the podcast more in full later. But I was surprised after asking/suggesting it on the discord, that it came so soon.
Kaiser-Eoghan
I am thinking of re-watching gasaraki and ai yori aoshi.
Kaiser-Eoghan
@Niello: Perhaps after a while of watch the anime I will simply jump on to the manga.
Vonter
I watched Resident Evil: Vendetta yesterday. It's incredible dumb but kind of fun. I do wonder if in terms of entertainment are like the best videogame based movies. Since it plays like a videogame, it's based on a videogame and is more or less in line with the tone the series has had for a while.
niello
It's such a shame that Golden Kamuy art direction is such a train wreck.
KTravlos
and for the sake of Clausewitz there is clinical term for what Reinhard did. It is called "defeat in detail". Napoleon was a master of it. Proper way to defeat it , is to order the threatened force to retreat to a point where other allied forces are converging. The enemy will either have to retreat, or fight at a disadvantage. The 1813 and 1814 campaigns against Napoleon are examples of that.
KTravlos
Episode 2 of LOGGH: Der Neue Thesis was much better than the first. The music is still an issue, but Yang was well portrayed. I do think there is lack of the directors in showing the cruelty of war, like the first one did. We will see.
Kaiser-Eoghan
@Mario: Still need to see his short films and black Peter.
Amagi
@Anon: I already know the manga and enjoy it, think the anime is a good adaption so far. Feels good to see a series about video games that are actually just games and romance without tsunderes, tons of blushing or unworldly naive harem girls.
Anonymous2016456
the anime
Anonymous2016456
how do you guys think of wotakoi?
SuperMario
@Kaiser: Hereditary sounds pretty promising here
Kaiser-Eoghan
Forman's an interesting case, when you look at the huge disconnect from his early films from the 60s and then what he went on to make.
Kaiser-Eoghan
Ah, unfortunately I am not a fan of country music so Nashville didn't appeal to me =<
Kaiser-Eoghan
@Mario: And before Jack kept playing the same role over and over.
Kaiser-Eoghan
@Mario: Aside from Courtney Love's presence, Larry Flynt is an excellent film. I love the custom camera tricks Kubrick used in Lyndon , dog day afternoon suceeded for me because it did so much more than being just a bank rob film. I wish Spielberg would return to his pre-90s films .
SuperMario
Cuckoo's Nest reminds me of the great 1975 Oscar Best Picture, which for me was Oscar's greatest line-up. The line-ups for that year were: Cuckoo Nest (winner), Nashville, Barry Landon, Dog Day Afternoon and Jaws
SuperMario
@Kaiser: RIP the man. I've seen 2 of his, Amadeus and Cuckoo Nest. Both great but they were more because of the strength of the source
Kaiser-Eoghan
@Mario: Milos forman has died =<
Kaiser-Eoghan
Indeed the character designs in steins; gate have seen changes....shockingly mayuri's chest is larger than Daru's ;)
KTravlos
I can live with that. Interested to see what made you reserved.
SuperMario
@KTravlos: you won't agree with my series review then. I have a lot of reservations on VE
KTravlos
Also I finished Violet Evergarden. This was an exceptional series in my book.
KTravlos
the two characters. Finally the battle soundtrack was simply wrong.

I am going to watch it because it is LOGH. And frankly after watching the new one I felt the fact that the old one was dated technical wise (but not in music). But at least on comparison of first episodes, the old one did a better job at giving depth to Reinhard and Keircheis.
KTravlos
well I watched the first episode of the new LOGH and then watched the first episode of the older version. The update in the art is good..but. If the old one was too talky, this one is too boom boom. I also felt that they did not sue the time well to establish Reihard and Kircheis well. Especially the removal of some lines that were in the first episode of the original, really took away a lot from
SuperMario
@Amagi: I can see your point but what a premise for Golden Kamuy.
Kaiser-Eoghan
Although golden kamuy is labeled seinen, which gives me some more hope for it.
SuperMario
@Amagi: agree with you about remembering stuffs you've watched. For me, it's always until the second watch that I can remember the plot or characters clearly. Otherwise, all will get hazy like a dream
Anonymous2011116
@Anon Watch a few eps and then male an informed decision based on that; I find the storytelling to be a bit weak but you might not feel the same
AidanAK47
@Anon, If you can ignore the rather odd fanservice and sex symbolism it's actually a pretty enjoyable show with good animation whose story has been getting better.
Amagi
Think it's always the best to watch the first episode since other people might hate something you will love or vice versa.
Amagi
@Anon: For me it still feels like Kiznaiver but I think it really depends on how much you care about the characters and teen relationship deama.
Anonymous2010671
Hey is Darlin the Franxx actually good? It looked kind of just like an ecchi mecha series, but just kind of glancing at the reviews over here makes me think it's more than I'm giving it credit for
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