Posted on 4 April 2008 with categories: Anime Reviews, Ghost Hound


If you’re looking for a standard anime with a standard storyline, then you should stay well away from Ghost Hound. This is one series that tries to be different, and it’s at the same time after Shion no Ou my favourite series to have aired during the past Autumn Season. It does feature a bunch of fourteen/fifteen year old boys, but this series manages to use them to their full extend.

One of the major themes of Ghost Hound is psychology. You can see that the creators are very knowledgeable about the subject, because this series really delves into the details of this subject. All main characters have run into their own kinds of traumas due to various things that happened in their childhood, and everyone has reacted to this differently. Ghost Hound shows how these people can be cured, and how just a small push in the wrong direction can lead to disaster.

There’s another thing that really sets this series apart from most others: it’s been directed by the director of Serial Experiments Lain, and it shows. Apart from that series, there is no other anime I can think of that puts more focus on its sound effects than Ghost Hound. The result is an continuously tight atmosphere as the events slowly develop.

And yes, this is a slow series, but don’t make the mistake that nothing happens. In fact, every episode builds up for the next one, and it keeps you on your toes, because you’ll never know when a sudden plot-twist might arrive. In this series, it’s not the destination that matters, but the road at which you get there. Because of this, the ending ended up being a tad rushed, but thankfully entertaining enough to keep interesting.

I didn’t have much series to look forward to at the previous Autumn Season, but this one really stood out, and it’s along with Shion no Ou my top-recommendation amongst the shows that aired back then. Don’t worry that it’ll start off slow, it’ll pick up its pace quickly enough and deliver a great storyline, an interesting cast of characters that develops very natural-like and a feast for the senses.

Posted on with categories: Ghost Hound


It’s strange. This episode was far from perfect. Like expected after the previous episode, a lot of things indeed had to be crammed in one episode. We still don’t know where Masayuki’s mother went (either that, or it was mentioned somewhere in a previous episode and I didn’t pick it up), and just happily reappeared again at the end of this episode. Makoto’s mother also didn’t show up at all, and this episode yet introduced all kinds of new concepts. Compared to the extremely solid series, this episode wasn’t careful in its building up at all. So why did I like this episode so much?

I think that there are a couple of different endings a series can choose. Endings often used in comedies and light-hearted series are the “life goes on”-ending, the “there is no ending”. There’s also the “aftermath ending”, where nothing exciting happens and instead the series closes off with a quiet episode. Then there are the series who want to end with a bang, and they can usually be divided into three categories.

In the least exciting of the three, the final episode just takes the end of the semi-final episode and wraps up all the threads that were still left hanging from it. Most of the series from the past fall and winter-season belong in this category, and while it’s nice and all, I don’t really see such an ending as anything special. Shion no Ou is one of the few series who actually made such an ending really work, but that series was awesome to begin with.

In the second category, the creators basically solve all of the problems in the semi-final episode, apart from one major thing. Think of it as, the evil emperor’s plans have all been destroyed, and now all that’s left is to defeat the evil emperor himself. These endings are usually very solid ones, take Clannad’s ending, or one of my favourites: Bokura no. These endings, however, also have a tendency to get quite boring if you’re not into the series.

And then the third, which is my personal favourite but also an incredibly double-edged sword: introduce new things in the final episode. And this is exactly where Ghost Hound’s ending belongs. There were only four series for the past season who did this, I think: Mokke, Ghost Hound, Hakaba Kitarou and Wellber no Monogatari. While Wellber’s ending was a string of bad ideas, the other three contained some of my favourite endings of the past season, simply because you really won’t know what to expect. A lot of my favourite endings are also of this type (Ooedo Rocket, The Third, Night Head Genesis, Noein), and now I finally see the resemblances.

But yeah, endings like these can also go horribly wrong, simply because there’s so much that happens in just one episode. Ghost Hound barely avoided this, and thankfully it more than made up for this by resolving more than I thought it would. Hirata gets a very nice closure, and in the end, it didn’t leave a bad taste behind.

Strangely enough, my favourite character in this episode ended up Michio. He was really fun to watch as he tried to use the ghosts of the deceased bioids to get rid of the strange typhoon. The old guy in the woods got a very interesting role as observer, along with a bunch of psychics who were alarmed by Noriko’s actions. And of course Tarou looked awesome in his priestess-outfit.

And really, what was up with that sudden landslide that destroyed the Oogami house? I guess that the spirits must have been pretty angry at Noriko. ^_^;;

The thing about this episode was also that it lets the viewer figure out what happened, and gets away with it pretty well. Either that or I didn’t pay attention during the previous episode in which everything about that typhoon got explained. Makoto suddenly summoned his ghost hound in front of a bunch of goons, at first sight this may have come from nowhere, but I guess that with the typhoon, certain spirits that would have been invisible otherwise appeared for everyone to see.

The same goes for that green-haired guy. I’m still surprised that he featured such little screen time. He was just there, never said anything, stole the completed bioid and threw it in the lake. After that, he’s gone! With no traces left behind. Did that guy work for Noriko as well, or did he have his own plans in the end?

And in the end, Tarou has managed to figure out what happened to his sister’s spirit. Miyako wasn’t the reincarnation of her at all, it indeed seems that the two just looked alike. Instead, she has been inside Tarou all this time. This episode also ended on an interesting note, with a picture being taken, just like what happened with Makoto’s parents.

Posted on 28 March 2008 with categories: Ghost Hound


This episode was a rather strange one for a Ghost Hound-episode. It’s probably one of the quietest ones of the entire series, which is very strange with just one episode to go, and it ended with plans to dress Tarou as a girl. I’m seriously wondering what the creators have in store for us for the final episode, especially now that Tarou is going to cross-dress on such a short-notice. As much as I’d love to see Tarou in a dress, will that episode be more than just “beat Noriko save Miyako”? Well, that’ll all depend on what the side-characters will be doing.

I wonder whether this series will answer all the questions it left behind, though. Two particular ones that I’m still waiting for are why Makoto’s father committed suicide, and how Hirata’s visions of Tarou’s dreams have affected him. I’d love to see a lot of this guy in the aftermath, because his development still feels rather incomplete.

There were also a lot of hormones in this episode. So in the end, while Tarou is into younger girls, Masayuki fancies grown-up women. Ah well, at least it’s different from the usual high-school girls. I don’t know who found it a good idea to not include any girl between the ages of 13 and 17 in this series, but this guy should be praised.

Here’s also a surprising discovery: Makoto can’t have out-of-body experiences anymore. Now that he mentioned himself, he’s indeed right. The last thing we saw of Makoto’s Ghost Hound-form is somewhere around ten episodes ago. You’d think he’d go more and more out of control, but for the past two episodes, he’s been calmer and laid-back than ever. After what happened to his mother, and meeting Tarou really saved this guy, and for the past few episodes, I think that he just needed some time for himself.

We also learn that Makoto’s father used to play guitar, just like Makoto did. As it turns out, he left his guitar in the possession of Tarou’s father, which makes for quite a nice scene.

About half of the shows this season have ended now, and I’m quite surprised at how some series significantly improved in quality for their final episodes (Mokke, Clannad, Spice and Wolf all had excellent final episodes. Ironically, all three of them are slow ones), others just closed off their series nicely without any bad feelings (Shion no Ou, Shigofumi, Hakaba Kitarou), others went out with a fizz (Kimikiss, Kekkaishi, Dragonaut, Wellber), and there is of course Suteki Tantei Labyrinth, where the final episode was at the same time one of the cheesiest ones.

Still, I haven’t really been able to find what I’m really looking for in an ending: originality, and series that try to be different. I’ve seen a lot of great final episodes this season, but no real outstanding endings. If there’s one series left this season that still can deliver such an ending, it’s this series. I’m not putting up my hopes too high, but in the next episode, it’s really time for the creators to make all the building-up of the previous 21 episodes come together.

Posted on 21 March 2008 with categories: Ghost Hound


There are two episodes left, and we finally know the intentions of the “bad guys” of this series. Heh, it’s about time. There are basically two “villains”, each completely unrelated from the other. The first one is Noriko. In this episode, she basically talks Miyako’s mother into taking care of her while her father remains in the hospital, which gives me a lot of reasons to believe that she was the one who stabbed him in the first place.

Noriko’s intentions were indeed to take over the cult that Makoto’s grandmother started. This episode shows that she too has some connections to the spirit-world, and she apparently knew that Miyako was possessed by some kind of spirit. If she indeed stabbed Miyako’s father, then she would have hit two flies with one blow: first Miyako would be too weak to suppress the spirit that possessed her, and second of all, it would eliminate her father, who obviously would never allow Miyako to be used for some kind of weird cult.

The second villain is the green-haired guy whom we still don’t know a lot about. He shows his true colours in this episode, though. Reika and Masayuki were apparently working on some kind of homunculus. An artificially created living being, which was, if I understood things correctly, was made possible through the strange spirits that Masayuki saw in the lab a few episodes ago. In any case, villain #2 steals this homunculus and dumps it in the dam, so that it can be food for the spirits.

The question: where does Hirata fit in all this? I didn’t quite understand what he told Reika in this episode, and what it signified. It seems that he found out something, but what?

Makoto, meanwhile, is doing fine with his mother. She’s been released from the hospital, but her memory is still a bit jumbled up. It’s interesting how the previous episode made such an impression on him that he’s now fully taking care of her, and protecting her.

Tarou, meanwhile, has it tough. Notice how he’s unable to even utter the word “Miyako”? In the meantime, his mother’s having visions of her dead daughter. Whether she saw the spirit of her dead daughter, or if it was just in her mind, the fact remains that she’s hasn’t been cheerier. And this is the first time I’ve seen her genuinely smile in the entire series.

Oh, and to those who believed that the person in Masayuki’s house who kept gaming was his mother: you were right, and I was wrong. It indeed seems that Masayuki’s mother has disappeared off to somewhere, and her husband doesn’t even seem to care (which is of course rather logical, after he’s been walking after Reika like a young puppy).

Posted on 14 March 2008 with categories: Ghost Hound


What an awesome episode!! Seriously, now that the finale is nearing, this series is more and more coming together. If you thought that the first half of this series was already impressive, you haven’t seen anything yet. This episode was all about the characters and their development, and especially about Makoto.

So basically, this series has taken four children with a trauma or similar mental disorder, but all of them from very different causes and cases. Masayuki has managed to recover. Tarou has been struggling with his feelings, but basically turned out fine. Miyako, however, ends up possessed and Makoto nearly killed off the rest of his entire family indirectly. A big key is the people around them. I think the reason why Masayuki managed to recover was because of the trust he placed in both Makoto and Tarou, and how he ended up saving Michio from his bullies. That’s why he was the only one who didn’t turn into a Ghost Hound. Tarou got better because he could talk to someone who resembled his sister.

Unfortunately, he took this too far, and called Miyako the reincarnation of his sister. This caused the spirits that have been possessing Miyako to grab their chance and posses her for real. Makoto, in the meantime, only had Tarou and Masayuki, and Tarou basically abandoned him when he ran away from his mother. After that, he didn’t have anybody to trust, which is why his mental state turned out so horrible. It’s an interesting message, which basically a mental illness can be cured through careful nurture, but it can very easily escalate into something much worse.

So in this episode, this all comes together. In the end, even though her partner seems to have died, Makoto’s mother doesn’t die. Instead, she loses part of her memory, and returns to her 17-year old version. To make things even better, she now seems to mistake Makoto for his father when he was seventeen!!! Imagine the shock this must be to Makoto, to see the woman he loathed so much talk to him, energetically like nothing ever happened!!

And that’s just the first part of this episode. In the second half, Tarou finds out that Miyako has a very strange smirk on her face after visiting her father, Makoto finds out that Mei used to have a crush on Makoto’s mother’s partner (explaining why she ended up so worried during the last episode), Tarou ends up trailing Miyako, Masayuki finds Makoto and then leaves, Makoto returns to the hospital, only to find Makoto and finally gets put at ease a bit. When he wakes up in his mother’s hospital-room the next day, he finds out that she regained her memory. I ask you, can a Ghost Hound-episode get any more awesome? Well, it’s up to the final three episodes!

Posted on 7 March 2008 with categories: Ghost Hound


Oh my god… the building-up is finally starting to pay off now, and yet this series still continues to build up with just four episodes left. I also must say that this is going to be one very interesting climax. I can’t imagine ANY cliché or stereotype that would fit as an ending for this series. There’s no clichéd antagonist, there’s no real goal where this series centres around. Instead, there are just characters, all with their own issues. The final episodes will probably focus the most around Tarou and Miyako, but how it’ll end… I still have no idea.

Still, I do wonder: who was it that knocked Miyako’s father off the stairs? The only possible candidate would be his former friend, the guy running for mayor. Something happened in the past between him and Makoto’s father, so perhaps this involved Miyako’s father as well.

And dear god… I never imagined that Makoto’s mother would be so depressed to actually set her own house on fire! Did she survive the thing, or was it a suicide? According to Makoto’s reaction, I’m edging to think that that indeed is the case, even though this goes against one of the big laws of anime (a character is only dead if he or she is confirmed dead).

It’s also interesting how Masayuki and Tarou finally realize that something’s wrong with Makoto, but what was that thing that Masayuki mentioned, that it might be related to Tarou’s kidnappers? In any case, it’s also interesting how the first car they ran into was the one of the female scientist. I think that she knows fully well that it was Masayuki who spied on her last episode, so now the two or them too get a chance to settle their differences.

Also, I wonder… why haven’t we seen Masayuki’s sister for the past few episodes?

Posted on 29 February 2008 with categories: Ghost Hound


Another terrific episode. I’m still surprised at how each episode starts pretty quietly, with usually a bunch of flashbacks, only for a few intense-plot-twists to happen in the second half. There’s nothing wrong with series that alternate between building-up and climax-episodes, but after Kaze no Shoujo Emily, Shion no Ou and Ghost Hound, I have found that I like series that can combine both building-up and climaxes in the same episode, making every single episode worthwhile much more than that, as it really takes skills to make everything come together. You also have every week something to look forward to, as you just know that a series will deliver in this way.

In any case, the major vent in this episode was how Tarou finally got the courage to tell Miyako how he believes that she’s the reincarnation of his sister. Miyako, who had met with her mother, whom she obviously didn’t like, having abandoned her and her father after all, was already in a rather bad mood, so Tarou’s rather blunt statement must have upset her even more. And really, Tarou looked so realistic when he tried to speak his mind to Miyako. I could really feel ho much trouble he had to get his words all together, and how speaking into complete sentences must have been the most difficult task in the world back then.

Surprisingly, there’s hardly anything about Hirata, apart from the fact that his dreams and Tarou’s dreams are starting to merge with each other… Because of this, Tarou now has nightmares where his sister talks her final worlds to the councillor, instead of him, and suddenly she turns into Miyako. I’m finally beginning to see one of the major themes of this series: the influence that your psychological state has on others. Tarou, Masayuki and Makoto are of course extreme examples, but the way they can interact with their environment within their own minds has some great symbolic values.

Oh, and I had to laugh when Ootori caught Masayuki in the act. She’s smarter than she looks, and can form an interesting villain (which I assume she’s going to be, after the previous episode and all).

Posted on 22 February 2008 with categories: Ghost Hound


God, that was intense. I really love how this series has progressed so far, and this is another major episode. Makoto and Tarou finally meet Makoto’s mother, after her new husband introduces them to her. Makoto really was planning to stab her, though it seems that he didn’t realize what kind of mental efforts it would cost to pull off such a stunt, so he runs away. After that, Tarou spends the night at Makoto’s mother’s house, while Makoto himself still didn’t return.

I like how this episode turned Makoto’s mother and her new husband into real characters, and we finally get to know them a bit. Makoto’s mother seems really nice at first sight, and she seems to feel genuinely sorry for abandoning her son right after her original husband committed suicide, but later that night, Tarou sees a whole different side of her, and she seems to be suffering from huge mental problems. Something tells me that they too need to pay the councillor a visit.

Meanwhile, things get just as interesting with Michio and Masayuki. It seems that their attempts to find out the password of Masayuki’s father’s computer failed, and while Michio attempts a few more things, Masayuki falls asleep, and finds out that he too has left the monkey-stage in his out-of-body experiences. He’s also ended up at the research laboratory where his father and the female scientist work.

The next part was a tad hard to understand, but it seems like the female scientist has manipulated Makoto’s father so that he’ll do whatever she wants. He seemed like a little lap dog at times. For some reason, there also seem to be ghosts floating around certain areas of the research centre, ad they start to attack Masayuki at one point, showing him strange signs I didn’t understand. In the end, none other than Michio saves him. I still don’t quite understand what triggered Michio to have out-of-body experiences as well, though if I had to guess then hanging out with Masayuki was probably the reason.

Posted on 15 February 2008 with categories: Ghost Hound


There was even more talking than usual this episode, which put me in a rather disadvantage. I’d guess that apart from Saiunkoku Monogatari, Ghost Hound is the hardest to understand of the anime I currently watch raw, though so far this hasn’t caused that much problems. This also was a clear build-up episode, after the major events of the last one, though this is the first time where I felt that I missed some important information about what happened to Makoto and his mother, after his grandmother died and all.

He basically runs into Tarou in the bus, and the two of them spend the episode together as first Tarou heads to Kei to apologize for what he did to her experiment, a few episodes ago (it seems that this experiment failed because of his meddling), and afterwards they meet up with the new partner of Makoto’s mother, and for some reason Makoto decided to bring along a knife for this. Things will probably get clearer the next episode, when we see what he actually planned to do with it.

In the meantime, Michio and Masayuki are on their own investigation, to figure out what Masayuki’s father is up to. It turns out that Michio’s skills are quite useful, and at the end of the episode he probably found out the password to Masayuki’s father’s laptop. They also contact the mysterious journalist. I thought that I remember someone in the comments who noted that he might be Tarou’s father, but the two of them are different people. He’s been investigating Makoto’s family, especially how Noriko has been inviting random people to come over.

The real treat of this episode was Hirata, though. It was a really interesting way to reveal the things that Tarou’s sister said to him, right before she died. Instead of Tarou, gradually finding out by recalling his memories, it was Hirata-sensei’s semi-out-of-body experiences that brought him in a part of Tarou’s memory, and he could understand her perfectly fine. What she basically said back then was meant to comfort him. She told him not to cry and survive, as she probably thought that she’d end up dying. In any case, it was pretty interesting to see Hirata freak out like that.

Posted on 8 February 2008 with categories: Ghost Hound


Apologies for the lateness on this entry. I’ve both been busy, and some wise-guy on Share thought that it was a good idea to disguise a random music-file as the latest Ghost Hound episode. In any case, if you were waiting for the major plot-twists, then this episode is not to be missed, because the plot-twists at the end of this episode were more exciting than ever. The building-up is really starting to pay off, and I don’t know about others, but the creators have managed to fully draw me into the atmosphere of this season.

I think I’ve said it before, but what I really like about Ghost Hound is how it manages to put building-up and major climaxes in the same episodes, compared to most other series, which basically have to make use of entire arcs to just build up enough for one climax that takes a few episodes. Because of that, I just know that a Ghost Hound episode will end up satisfying, because it took so much time in the beginning of its run to carefully place all of the pieces.

In any case, to give a short summary of things that happened: Miyako finally has some therapy from Hirata-sensei. Hirata-sensei seems to be quite a famous academic in Tokyo, which seems to point out how important he believes that Tarou’s case is. Meanwhile, Masayuki finds out that the woman who has been dating his father is the female scientist. Michio (who has really warmed up now that the bullies are gone, by the way), reveals in a library book something about the “Kotosaka no Kami”, they seem to be some kind of gods or spirits.

For the counselling, Miyako gets put under hypnosis. Then, Tarou sees his sister’s image in the unconscious Miyako. It could be very well possible that right now, the spirit of Tarou’s sister has possessed Miyako. In any case, the spirit takes over her again, even worse than last time. Luckily, Komori makes sure that she forgets everything that happened. On the way back, Noriko yet again turns up, and starts going after Miyako this time. It also turns out: Makoto’s grandmother died.

These were some really interesting developments. I wonder what’s going to happen to Makoto now. Is he going to start living with his mother? Or will Noriko still take care of him? Speaking of the devil, what the heck is she up to? She was seen making several phone-calls as well, when Makoto’s grandmother called out for her help.

I’m also not yet sure whether Tarou’s sister is really the spirit that took hold of Miyako, but if this was the case, then it would explain a lot. Of course, the reason why Tarou is so interested in her could just as well be because she resembles his sister so much. :P

CHANGE USERNAME
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
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Thunderbolt Fantasy 2 – 06-07 [A Poisoner’s Pride/ Bewitching Whispers]

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Kaze ga Tsuyoku Fuiteiru – 7 [Bear Your Fangs at the Summit]

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