Posted on 21 March 2008 with categories: Anime Reviews, Hakaba Kitarou


The original Hakaba Kitarou (later renamed to Gegege no Kitarou) was one of the original pioneers in anime and manga, even before the legacy of Osamu Tezuka. Ever since it was serialized in 1959, it’s spawned five lengthy television-series, eight movies and one live-action movie. The problem is that all of these reduced the Kitarou-franchise to a kiddie-series. Enter Hakaba Kitarou, in its Noitamina time-slot as it attempts to remove all of the “kiddie”-roots from the franchise. And believe it or not, but it succeeds pretty well.

The result is a very rare combination between horror and comedy. But this series mostly stands out because it’s so refreshingly different from usual anime. The art really tries to go its own way, with character-designs in an original style, and a continuous filter, reminiscent of Mononoke. There are lots of interesting camera-angles and monster-designs, which make sure that this series turns into a visual feast that doesn’t rely on moe whatsoever.

This is also one series that completely shatters the boundaries between good and evil. It may seem like that Kitarou is the main character, and therefore the good guy, and yet he likes to play cat-and-mouse games with his victims, and he doesn’t even seem to care whether these victims end up dead or not. Nezumi Otoko, on the other hand, may be the series’ villain (he acts mostly out of greed and for money), and yet he stands so far away from the stereotypical anime villain. This guy is often rational and he doesn’t try to look as cool or evil as possible. He’s also often friendly, although he’s ready to betray any friend in favour of his well-being.

The same goes for all other side-characters that appear in one the different stories that have been put into the eleven episodes that this series consists of. Everyone is somewhere in the grey spectrum between good and evil. And all of the major side-characters have multiple sides and hardly have any chance to get boring. I’d also like to mention the ease at which this series seems to be able to kill off its characters. Seriously, some deaths really come from nowhere.

And that brings me to another good point of this series. Not every episode may have one, but the plot-twists will leave you guessing, and some will come as a huge shock, exactly what a horror-series should be. You can see that the writers have a lot of fun while writing this series, and building it up. Hakaba Kitarou has a delightful air of unpredictability that you hardly ever see in anime.

Overall, if you’re looking for something different, then Hakaba Kitarou is the way to go. Don’t get fooled into thinking that this is a series for kids. Simplistic character-designs don’t automatically make a series a kiddie-one. At eleven episodes, there’s hardly any chance to get bored. This is one reason why I like winter-seasons. Because not many popular series air, it’s the perfect chance for the less popular and under-looked anime that try to be different to get a chance. 2007 had Master of Epic, and 2008 continues this tradition with Hakaba Kitarou.

Posted on with categories: Hakaba Kitarou


Like expected, this episode feels nothing like a standard final episode. There’s no aftermath, or anything that hints at a closure of the series (heck, Caroline and her father are completely gone now), and instead this episode brings us back to the essence of this series: Kitarou and Nezumi Otoko trying to make money, other people dying because of it, and Kitarou’s father cleaning up the mess a bit.

It wasn’t the best episode of the series, but most definitely not the worst. Nezumi Otoko makes some kind of youth-serum out of his whiskers, while Kitarou sells the manga-artist of last week and others some kind of special holidays to the underworld (of course, with one-way tickets). I’m still surprised at the ease at which this series is able to kill off its characters, with as little melodrama as possible. In the first case, an old mafia-boss gets rescued by the medicine, and grows younger again (with whiskers added). He then gets greedy and starts searching after Nezumi Otoko. When he tries to capture him (in a locked safe, of all things), Nezumi Otoko releases his usual gasses and takes back his whiskers, killing off the guy.

In the case of the manga-artist, he gets brought to the underworld, where he sees the remaining scenes that were in the OP. As he tries to get back, he realizes that another guy has taken his place, and he’s turned into a ghost. What I really liked about this episode is that things aren’t as they seemed. The guy or ghost who took over the mangaka’s place suddenly finds out what kind of a busy life his counterpart was leading, and he wasn’t used to the pressure at all. His wife then drags him and orders him to work until his death. Nice wife, isn’t it? Meanwhile, in the underworld, the real mangaka is quietly enjoying the local wonders, along with all a bunch of other people who were tricked by Kitarou. In the meantime, Kitarou as usua notes how hard it is to work and gain money in the human world.

So it’s finally over. This series really has served its purpose in making me appreciate Noitamina even more. That timeslot is really perfect for showcasing all kinds of short series with original ideas and premises. And the fact that it’s been the most popular late-night timeslot for years only makes this better. There’s going to be a good chance that I’ll be blogging the upcoming Library wars, that’ll be taking over this timeslot, but I’ll leave that final decision to when the series actually airs.

Posted on 14 March 2008 with categories: Hakaba Kitarou


Quite an interesting set-up for the finale. Mostly because I have no idea what’s going to happen. This episode was basically another story on its own, yet it did leave various threads open (for example what happened to Kitarou his father, a newly introduced girl named Caroline and her father?). On one hand these threads will most likely be resolved in the next episode, but on the other hand that these threads alone are by far not enough to fill one episode, so the creators still must have some trump cards left.

In any case, this episode was definitely a Hakaba Kitarou-style build-up episode, simply because like the other two, it wasn’t as exciting as the other episodes. It basically tells the tale of a powerful Youkai who has settled into the house of a manga-artist so that he and his henchmen can take the first steps to conquer the world or something similar. He also has a daughter, whom Kitarou has fallen in love with. The entire thing eventually gets solved when Kitarou’s father gets eaten by this Youkai, and Kitarou’s father in his turn wrecks the brains of the guy like he did with many before. It was really too straightforward to be a regular Kitarou-episode.

The great thing about this episode was that I had no idea what it was building up to. One great point about this series is its unpredictability. You will have no idea what’s going to happen next, apart from Kitarou surviving and the “bad guys” losing. Everything in between, you’ll be completely in the dark. Because of this, I’m really glad that Noitamina has continued its tradition of staying away from the very overused high-school girls, and focused on creative series instead. Not to say that all series with high-school girls are bad (there are quite a few very good series that feature high-school girls), but I’d much rather see series experiment and try out new things than to stay with the “tried and true”-formula.

Posted on 7 March 2008 with categories: Hakaba Kitarou


This episode was about the smiling guy that we saw in the OP. He turned out to be a vampire who can hypnotize his victims by playing the guitar. He has put a local politician on his possible-victims-list, and he recruits Nezumi Otoko for this, while the politician hires Kitarou to get rid of said vampire. Yet again it’s an episode where Kitarou hardly does anything, as quite quickly the Vampire injects him with a strange drug that liquefies the guy’s flesh and separates it from his bones.

It was another very solid episode for this show, with lots of twists, as Kitarou’s father tried to get his son back together. It’s especially interesting when we say him hiding in Kitarou’s skull, being an eye on legs and all. For the first time, Nezumi Otoko also plays the role of good guy, as he too gets scared of the things that the vampire can do. The best thing about this episode, though, was the same refreshing scriptwriting of this series. It’s hard to explain what’s different, but I think it’s how the creators manage to keep a semi-serious tone throughout the entire episode.

It’s a shame that there are only two episodes left, and I’m quite curious as to how the creators were planning to end this series. Kitarou is still in liquid-form at the end of this episode, so his father will probably spend the next episode to try and get him back on his bones. According to the OP, we still miss the scenes with the three-eyed priest, the scene with the armed generals that shows up very briefly in the OP, the scene with the strange guy in the middle of a field of rocks, and the strange flashlight creature. It’s not really the things you’d expect for a big climax, but then again this series has never really listened to the general guidelines of anime. :P

Posted on 29 February 2008 with categories: Hakaba Kitarou


Now this is what I call a good horror-story! Twisted, full of plot twists, and most of all: creative. This definitely was one of the best episodes of this series along with episode one. You just have to think of Kitarou’s hand getting cut off and taking on a mind of its own. :P

Basically, two men set out to check out the rumours on a haunted building where an acquaintance of them is about to live. Obviously, any ghosts or people pretending to be ghosts have to be removed from this house, but unfortunately this “ghost” turned out to be Kitarou. What follows is a really interesting battle, where both parties try to get each other out of the house. You’ve got to love how Kitarou likes to play with his victims.

One thing I also liked about this episode is how the first half perfectly builds up the mood for the second half, by already hinting at how strange the house is that the two guys have settled in. Especially with the creature with four legs, no head and five arms who suddenly appeared from out of nowhere. Actually, Kitarou works best as a character when he doesn’t play the role of the main character, and only appears once in a while in his usual, mysterious form. But I can understand the need for episode four and six, as they’ve really served their purpose in fleshing out his character, and giving it a bit of development.

Posted on 22 February 2008 with categories: Hakaba Kitarou


I must say, this series is a master of surprises and twists. It really feels refreshing from the usual anime. If you’re looking for something different then Hakaba Kitarou is definitely recommended, because there are very few series that combine mystery and horror with comedy. :P

I originally believed that this entire episode would be devoted to getting rid of the water-spirit. Well, turns out it didn’t. The only thing that was really needed for the story of this episode is that Nezumi Otoko captured Kitarou’s father and put him in a jar. The water-spirit story gets wrapped up nicely after only five minutes, it first swallows up Kiterou’s clone, after which a newly introduced character drenches it in gasoline and ignites it.

I think this also means that two recurring characters have now been killed off for good, because we don’t see any signs of bad Kitarou and Mizuki returning. In fact, Kitarou doesn’t even seem to remember that the one who took care of him for years is gone now. All he seems to care about is his father, apparently.

In any case, this newly introduced character turns out to live two doors next to Nezumi Otoko. In between, there lives a “beautiful”(*ahem*) woman who both of them fall in love with. Ever since last episode Nezumi Otoko has been blackmailing Kitarou with his father. Because of this, he ends up delivering a love-letter for both Nezumi Otoko and this character (who turns out to be a werewolf, by the way). Then it turns out that the woman is going to be moving out, and Kitarou throws away the love-letters while Nezumi Otoko and the werewolf know nothing about this.

When they find out, they decide to take revenge for this by putting Kitarou in a coffin and dumping this coffin into sea. At least, that was their plan. Instead, Kitarou’s father escapes and enters Nezumi Otoko’s body to confuse him, while Kitarou escapes. The empty coffin then gets dumped into the sea, and then it’s time for Kitarou to play a prank on them. He uses his connection from the underworld to deliver the coffin back to Nezumi Otoko and the werewolf. When they decide to take a trip to the underworld, to check out what went wrong, they instead are taken into a hallucination into an old train that went out of service decades ago.

This part actually drew an interesting parallel to Mononoke, or the Bake Neko arc, to be exact. There we see the mayor jump out of the train and get devoured by the Mononoke. So when the werewolf jumped out of the train as well, I thought he was gone as well, especially when a loud bump followed. Instead, he just landed on a very unfortunate rock outside and got knocked unconscious.

I really must say that the dialogue for Hakaba Kitarou feels refreshing. The bad guys all have a personality and don’t feel stereotyped, and in the meantime the good guys can be considered the bad guys as well, depending on how you look at it. This is one of the reason why I like experimental anime so much. It just feels delightfully different from usual. One of the others is Mahou Shoujotai, of course. :P

Posted on 15 February 2008 with categories: Hakaba Kitarou


It seems that the final stories of Hakaba Kitarou will consist out of two episodes, as this episode yet again ended with a cliff-hanger. This episode was mostly unspectacular, and al it did was set the tables right for the second episode. I’ve got no worries, as episode five showed that this series can turn the entire tables with its second episode.

And there is a lot of potential in this story. Basically, in order to earn some money, Kitarou ends up collecting money from a water-spirit who hasn’t paid back its loan for fifteen years. Kitarou, as mischievous as he is, starts messing around with the spirit after paralyzing it with a special powder. The water-spirit in exchange escapes, and engulfs the entire world with water in order to take revenge on Kitarou. He then gets saved by Nezumi Otoko on a hot-air balloon, for the price of his father.

One thing that I did realize with this episode is that Kitarou’s character simply is boring if he isn’t sadistic. But I guess it does have a certain charm. Kitarou is a nice example of an anti-hero, and it’s a bit different from all those noble heroes who want to save the world and stuff. In any case, I’m curious for the next episode. We’re already past the halfway-point of this series, so it’d better have an excellent second half in store!

Posted on 8 February 2008 with categories: Hakaba Kitarou


How awesome. I now fully understand why the previous episode felt so bad and weird. The entire fifth episode was dedicated to explaining the things that happened there, and it provided a wonderful conclusion to a story that started off so horrible. After watching this episode, I completely forgive this series for the disappointments of the previous episode. I’ve said before that I’m a huge mystery-fan, and Hakaba Kitarou knows exactly how to handle it!

The best thing of the episode would of course be the fact that this episode shows a totally new side of the bad Kitarou. It seems that he too was used by Nezumi Otoko. If I understood this correctly, all Nezumi Otoko was after was the part of his head that Neko Musume bit off, but you can only get your hands on it if she’s in hell. However, because of this, bad Kitarou would need a way to return from hell, and that’s why he needed Kitarou’s jacket, which basically was his link to the spirit-world. He got it in the ruckus that he caused when he set off that mouse on Neko Musume during her performance.

In the process, something went wrong, though. I couldn’t pick up exactly what happened, but bad Kitarou ended up on one of the side-paths on his way to hell, and got separated from Neko Musume. Only because of the real Kitarou’s father, he managed to get out of there, into the real hell. Unfortunately, my Japanese isn’t good enough to pick up why Nezumi Otoko ended up on television this episode either, however it was clear that Nezumi Otoko manipulated bad Kitarou to everything, and he betrayed him at one point.

Thankfully, Neko Musume also remains in Hell, even though she did have the option to return. Kitarou may have also been a bit too emo in his lovesickness, but the climax of this episode worked out pretty well because of this, when Neko Musume refused to meet him. Also, it was pretty hilarious to see how Bad Kitarou shaved his head in the end when he turned good. It’s quite impressive that the creators made him go through so much development in just one episode, and actually got away with it. ^^;

Posted on 1 February 2008 with categories: Hakaba Kitarou


Well, that was disappointing. This most definitely was the worst episode of Hakaba Kitarou yet when it half-degrades into a dating-sim series between Kitarou and Neko. What the heck were the creators thinking, turning this series into a cheesy love-drama? When Kitarou fell in love, he totally ruined his own evil anti-hero that I liked so much in the first three episodes.

Thankfully, the cat’s dead now, so thankfully she won’t ruin the series much further, though the preview for the next episode shows Kitarou being angsty and love-sick. And now I realize how this series has one major problem: it doesn’t build up carefully. It does have the shock-value, though this episode showed that building-up is not its strongest point, and that’s really needed to make a love-relationship interesting. Right now, it feels like we’ve temporarily gone down a cheap romantic comedy.

I should have known to be careful with this series when the director only did Kamisama Kazoku before. That series to had some interesting twists, but the romance really felt horribly annoying at times. And the romance is one thing, but I also spotted numerous Deus ex Machinas and badly explained plot-holes during the climax. Writers: what happened?!

Please, Kitarou, go back to horror!

Posted on 25 January 2008 with categories: Hakaba Kitarou


The story for this week was rather bizarre… Remember the little plant that grew from Dracula’s dead body in the previous episode? Well, Nezumi Otoko uses his breath to knock a famous singer unconscious and plants this plant into his right arm. After a while, the plant starts to grow and it consumes its host. In the meantime, the famous singer met Mizuki. Yeah, who else would believe that there’s a demonic plant, growing on your arm?

In any case, the singer turns into a rather strange kind of tree-stump, and soon even loses the ability to speak. Nezumi Otoko then kidnaps the stump and moves into a secluded house, somewhere far away, using the money he stole from Kitarou in the previous episode. ^^; The stump then grows into a tree, and one very large fruit appears. Nezumi Otoko hoped that this would be the reincarnation of his late master, but instead it hatched a small version of said singer. The episode ends with Nezumi Otoko fleeing, the tree burning, and Kitarou, the small singer and a third youkai who just showed up having tea…

Still, I would be lying if I said that I don’t enjoy these kinds of stories. This series manages to combine a quirky feeling with horror-stories, and the result works out pretty well, and this series is really fun to watch.

I think we also saw the beginning of Catgirl in this episode (or Neko Musume, as Gegege no Kitarou named her). She’s just a normal girl right now, but I doubt that remain the same. Especially since Kitarou has fallen in love with the girl because she can sing so well. I doubt that he’d leave her alone. He was really cute in this episode as well. :P What’s also interesting is how Mizuki returned back from hell, to keep an eye on Kitarou. Indeed it would be the best for someone to keep an eye on such a demonic child as Kitarou.

Another thing I like about this series is how all the victims so far have been grown-up men. Usually, an anime would portray some kind of really cute girl in peril at this point, but the fact that Kitarou uses businessmen gives a nice twist to things, especially since they’re portrayed so much away from stereotypes as in this series.

CHANGE USERNAME
Kaiser-Eoghan
@Aidan: Read Freesia.
Kaiser-Eoghan
umi no onnanoko is probably the exact thing ninjarealist would be interested in.
Kaiser-Eoghan
*oyasumi punpun
I found it alot more accessible than nijigahara holograph. deded-demon-destruction while enjoyable, is beneath him. Solanin is probably his easiest work.
Kaiser-Eoghan
I assume you man oyasui punpun. Its been about five years since I read in, the final couple of volumes stay in my mind the most, all the stuff with him, the girl and his uncle also, I love Asano Inios art and the surreal elements but I got lost/bored somewhere in the middle and most of the other side characters and the cult thing I didn't really care about.
AidanAK47
Finished reading Goodnight Pumping. Really not sure on what to think of it. The story kept me reading but it just felt really empty.
Anonymous1276500
There are 2 Nyaa's now. This one is considered the 'real' one: https://nyaa.si
Kaiser-Eoghan
Looks like anirena is down for me. Although it looks like nyaa went back up as this: https://nyaa.pantsu.cat/
SuperMario
Aidan: Fate/Apocrypha, Made in Abyss, Kakegurui
Mario: Princess Principal, 18if, Youkoso
Lenlo: Touken Ranbu, The Reflection
Wooper: Ballroom, Shoukoku no Altair
Helghast: Re:Creators
SuperMario
Note: I'm deciding to take Classroom of the Elite as my third show to cover. So, for this season we are covering 11 shows.
Vonter
Just to end, it kind of shows than even if a story is predictable on where it is going. Characters can make up for that, if they're funny, interesting, and perhaps not agreeing all the time and having different agendas and points of view despite all sharing the same boat.
Vonter
Yet as a game Tales hasn't felt deep since Symphonia, (at least from the ones I've played). I'm wondering if it'll leave me wanting check the anime of Zestiria, since apparently Berseria is a prequel to that game. And many say the anime is better than the game. (I can see why).
Vonter
I also like the reused Tales beats from Phantasia and Berseria. It those have moments like when Lloyd was exiled and Cless had his village attacked. It has clear antagonists unlike Vesperia, and trying harder than the cartoony villains of Graces.
Vonter
I've been playing Tales of Berseria, and it seems to be the anti Tales of Graces. In which I'm caring about the story and characters, but the gameplay is a drag. This is the first time I've been autoplaying an JRPG. But unlike Gravity Rush 2, I'm not dropping it because I'm liking the interactions of these characters even if it gets, campy, overdramatic, or edgy.
Kaiser-Eoghan
I mean I watch anime and films subtitled but sometimes my reading speed can be slow if theres a lot of dialogue.
Kaiser-Eoghan
Eh, I do that sometimes, mostly to check for message updates or on occasion to read reviews of what I am watching or to download more/check downloads.
SuperMario
For instance, I watched Okja yesterday and I had to take 15', 20' minute break in between for snack, surfing webs and playing mobile games...
SuperMario
I watched Fanny and Alexander... don't really remember which version I watched thou. I think it's a TV version since it divides into 4 separate parts
SuperMario
@Kaiser: it just that... my attention span has shortened greatly and I just can't stay focus on movies over an hour mark. In cinema, it's alright since you can't move anywhere but now it's abig task to finish a 2 hour and a half movie for me
Kaiser-Eoghan
And is good enough to keep up the quality for that long.
Kaiser-Eoghan
I'll say this, for every medium, to me the length of something isn't so much the issue, if you have a writer good enough to keep something going for ages then the length shouldn't be an issue.
Kaiser-Eoghan
@Mario: If something goes over three hours I treat it as a miniseries and watch one hour or two a day.
Kaiser-Eoghan
@Mario: lol if you thought thats long, have you seen the extended versions of scenes from a marriage and fanny & alexander by Bergman? I can't wait to get my hands on the tv versions I hear they're completely different.
SuperMario
Okja is pretty entertaining with pointed social commentary. I don't really feel Tilda Swinton's double roles add up much but everything else is great. Bong has never disappointed me
SuperMario
@Kaiser: good luck with Satantango then. I guess now if I watch an 8-hour long film it would take me a whole week to finish it :/
Kaiser-Eoghan
Made in abyss and vatican keep staring at me. Although I'm not chancing them yet or anything else until I hear a bit more.
Kaiser-Eoghan
My once massive film backlog is nearly cleared. I can try watching stuff this season hopefully.
K-Off
Same boat here. For the first time in a long time I spent almost half the day catching up on all of my manga.
Kaiser-Eoghan
@Mario: I'll have two weeks leave, I will finally watch Satantango, all eight hours of that film.
AidanAK47
I did a double take when I saw this. One of these things is not like the other.... http://gematsu.com/2017/07/blazblue-cross-tag-battle-announced
SuperMario
Well, finally have a bit of precious free time to watch something else and I have too much things to watch. Castlevania, the final Kizumonogatari movie, live-action Okja and some books planned to read... I guess I'll go with Okja today
Ninja
Looking forward to that Dies review
Lenlo
Yaaay! Time to enjoy your blogging time
AidanAK47
And now we are up to date. Just need to finally get that Dies Irae Review posted.
Kaiser-Eoghan
Then again I'll watch almost every horror film I can, don't even mind the awful acting most have.
Kaiser-Eoghan
Pet cemetary was a guilty pleasure of mine when I was a teenager.
Kaiser-Eoghan
I don't know how I'd feel if I rewatched salems lot, although a positive is that it did have James Mason in it and it was done in that 70s style of slow burn horror that I love.
Kaiser-Eoghan
The IT film has aged horribly and thats one case where I would advocate a remake.
Kaiser-Eoghan
Stand by me was a perftly watchable coming of age film and it surprised me, seeing a non-horror King story.
Kaiser-Eoghan
Okay theres one way to settle this =P Lovecraft > all of them ;) I have actually enjoyed some King adaptations even though I know the Shining took liberties , I also enjoyed Carrie and Apt Pupil.
Lenlo
@Kaiser, please. Early King > Richard Matheson > Modern King. Kings early works were good.
Lenlo
@Aidan, its true that Monty was the mind behind the fights. Sad, but I think the other directors are starting to come into their own instead of trying to copy Monty.
Kaiser-Eoghan
But we all know Richard Matheson > King.
Kaiser-Eoghan
He did some collabs with Stephen King I believe.
Kaiser-Eoghan
Like the dead films he's trying to be thematic, although this one is clumsily put together, I kind of like how it hybridizes the 50s with 70s style exploitation, it has its moments.
Kaiser-Eoghan
hmmm the only non Dead trilogy film I've seen by Romero is the Crazies, feels like he's still finding his voice with it.
AidanAK47
@Lenlo, Part of the reason is that they started using better animation software. But despite that there was a downgrade in fight chorgraphy when Monty died. Though the story I find is getting better.
AidanAK47
@Kinseryu, I think it's ridiculous to everyone but there are those that choose to ignore it.
@Anon, That's a bit harsh. It is true that his later works never truly panned out but he did pretty much popularise the zombie apoc. Even if Day of the Triffids did it before him.
Lenlo
Every season RWBY gets just a little bit prettier. Rooster Teeth really does have some of the better 3D animation skills out there.
Anonymous1272531
goerge romero was a hack trying desperate to stay relevant.
Kinseryu
Tenshi3P... I thought it was just me that this show was just ridiculous by putting three ten years old girl that knows how to play electrical instruments. They are insulting the people who plays these. But good thing I found this site with your first impression. I laughed and I feel better. Lol.
SuperMario
@Kaiser: he passed away? damn. He was the Father of Zombie genre. So like him or hate him, he was influential to say the least. RIP.
Kaiser_Eoghan
...holy shit George A Romero died? Now I have to watch the rest of his films.
Kaiser_Eoghan
Rei Hiroe is really dicking around with black lagoon lately, he's still releasing wasted chapters, just like re:creators, the most recent chapter of black lagoon was a slog.
Kaiser_Eoghan
Maybe the conversation and lives of others could sort of count as espionage stories to an extent.
Kaiser_Eoghan
If you're interested in spy fiction, Spy who came in from the cold, most wanted man, Smiley's people, deadly affair and tinker tailor soldier spy are your best bet.
SuperMario
@Travlos (regarding yoir earlier comment): yeah, it hit me as well that most of regular readers have been here even longer than myself. So thanks for sticking around mates
SuperMario
@Travlos: playing catch up with both Re:Creators and Virgin Soul yesterday. Agreed that last week's Re:Creators was weak because it focused on the Creators (they're not good) but last episode was on par again. Virgin Soul, I loved that episode that the girls go bacl to Nina's hometown
SuperMario
@anon1272074: I still haven't had the time to watch Pripri yet (probably in few more hours), but you bet I'm looking forward to it
Anonymous1272074
Then again, James Bond does count as a spy. I meant not a realistic one.
Anonymous1272074
Princess Principal 2 was pretty good. Still more James Bond via little girls than spies, but this episode was more about intrigue and stuff than action.
Lenlo
Started catching up with Kakegurui. The OP is the sort of mind games I remember from Mob Psycho. Dunno what that means for the show, but I like it.
KTravlos
Quite happy with this week's RE:Creators. Blitz is cool, Aliceteria looked so scary. It washed out the taste of last week's episode.

Bahamut is going interesting places.
BTW. Speaking of spies from Princess Principal. I watch TURN. That is a good spy show.
KTravlos
I mean you see the use of those heavy revolvers as clubs in westerns. Mythbusters did a experiment, and being hit by one could kill you just fine. But in anime, I do not remember seeing it often
AidanAK47
Homura used Gun-kata in the fight against Mami in Rebellion. Can't think of anyone who exclusively uses it though. After all Gun-Kata is more or less a flashy art that has no real benefit.
Anonymous1270604
amazing!
Vonter
Is Gun Kata the fighting style of Noel Vermillion from BlazBlue? I suppose I'm mainly thinking about how guns are handled in fighting games. Where the shots are mainly concussive. I suppose those are mainly energy blasts.
Lenlo
Ranbu took a step in the right direction I feel. Used the morals of whether or not to change history and it focused in on one of its characters.
Lenlo
Final Fantasy has had some gun swords. Cant think of any with guns in melee though. There are some with gun-kata like cowboy bebop though
Vonter
Just for curiosity, have anyone watched an anime, movie or game that uses a gun as a melee weapon. Or one in which the gun is mainly concussive but still has impact?
Spike
18if ep2 was a bit wacky... main character seems to be off his rocker.
AidanAK47
Alright. Time to finally play catch up with those series I need to blog.
Kaiser-Eoghan
But at the same time acknowledging love for creativity is more important in the end than making a profit.
Kaiser-Eoghan
I think I was using death of artist/deceased artist as a term to suggest peoples careers in the area are too often killed before they get a chance.
Kaiser-Eoghan
Moreso also to save the guy the embarrassment of misinterpreting it so awkwardly.
Kaiser-Eoghan
@Puran: Nothing too extreme , moreso that the piece itself feels inappropriate/tainted to have up/leave around/submit. Ended up taking it down out of taste.
Puran
Did that change how you feel about your writing? I had a somewhat similar experience, where something I was writing was similar to a real situation some I knew was going through. After I found out I stopped writing it. Not sure why.
Kaiser-Eoghan
I wasn't all that close to either of them much but yeah, weird coincidence.
Kaiser-Eoghan
He thought I already knew the guy was dead.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
Its all okay now...but fuck that was was awkward.
Kaiser-Eoghan
....Oh jesus christ...oh christ this is a creepy creepy coincidence...I showed an acquaintance a bit of writing I did early, it mentions death of an artist, thing is I was writing something based on a conversation with my editor friend, turns out said acquaintance's artist friend died (who he knows that I've spoken to in the past) and he thought the piece I showed him was about the dead guy.
Kaiser-Eoghan
I believe I began visiting this site in 2008.
As for humanity has declined, I found it bizzare and darkly funny for a while but felt it ran dry in its second half and I kind of fell out of following it.
KTravlos
You know it hit me. I think I have been following this blog for a decade now, perhaps more. Cool that it is still around.
Lenlo
I do agree it had alot more western influence than eastern though
Lenlo
Eh nothing wrong with that I think. Astro boy was very much the same after all
AidanAK47
@Lenlo, I personally saw it as more of a Saturday morning cartoon than an anime.
Lenlo
@Masky, Heroman was a decent giant robot show. It looked and sounded good, though the acting was off in places. Alot of people panned it thinking it was the West invading the east when really it was trying to bridge that gap
SuperWooper
@Kaiser: Hey, Humanity Has Declined was great.
KTravlos
need not be

not

need to be
KTravlos
Masky it was not an issue of writing about politics. It is an issue of writing just about your preferred politics. A good political work need to be politicized if you understand what I mean.
Kaiser-Eoghan
...what the hell tsuki ga kirei was directed by Seiji Kishi? He was actually capable of making a good anime?
Masky
Anyhoo, lol. Haven't mentioned Jitsu wa watashi wa in long time, but I really find it hilarious that its only actually evil character's competence is just "they aren't a idiot" xD As in, they don't even seem that diabolically intelligent, they just don't get wrapped into hijinxs.
Masky
@KTravlos: Well, depends on your views. Some people think artists should have their work speak about politics and world instead of just good stories. I'm kinda neutral about that since while stories about nature of world can be great, most of them don't really teach anyone anything new or change anyone
Masky
Huh, another anime work with Stan Lee being involved? I wonder how well Heroman did
KTravlos
Yup. A mangaka that could had been another Urasaw imho is Kawaguchi Kaiji. I really like his art, and it evokes some of the elements that I love in Urasawa. He also has interesting stories. But I fear he has let his political and ideological prejudices get the better of him. Which is a pity. Definitely a missed chance.
Masky
Did Urasawa do that billy bat manga?
SuperMario
As for Urasawa, I mentioned here before but I read 20th Century Boys few months ago and the manga was a straight out masterpiece. Fillers, yes but they are still in service for the main plot. Although out of his work my favorite's still Monster
AidanAK47
Alright. Only one more. Though the two superhero shows won't air for another week. Seeing as one is reflectiona nd the other is that marvel kids show maybe we shouldn't bother covering them in the impressions.
SuperMario
@Amagi: agree with you on the Friday's anime (well, for me it's technically Saturday) but Kakegurui, Fate and Princess Principal are worth following as well
SuperMario
@Kaiser: if you're still deciding if you should check out the manga or novel then I say novel since it's the novel that was influential, not the manga
Kaiser-Eoghan
So based on that fantasy itch I had thought about Altair, but hesitated because it was labeled as a shounen action show.
Kaiser-Eoghan
There was a time where I was hugely into the shoujo fantasy/historical thing. I've actually been thinking of out of curiousity looking into some old obscure ovas such as Books of Y and Crystania.
Amagi
Man as much as I love the Friday's anime this time, and whenever Altair airs, but the rest of the working-week is weak as hell. At least now I will finally have more time for games, VNs and creative stuff I guess.
Kaiser-Eoghan
It was kind of nice to hear an announcer coming in before Genocidal organ started, mentioning that for a few months their cinema will be playing anime and Japanese films.
Kaiser-Eoghan
Surprised to see an anime reference Kafka and Katyn.
Kaiser-Eoghan
I have not yet checked out empire of corpses.
Kaiser-Eoghan
Now, I'll have to consider the manga or the novel as I heard some of the philosophical stuff got chopped. This was however a more successful and accessible film for me than Harmony.
Kaiser-Eoghan
Manglobe was always a bit mediocre when it came to animation and voice actor direction, but this wasn’t a bad film for them to go out on.
It lives up to its name, it gets quite visceral with the action that’s there, if you don’t like seeing child soldiers getting slaughtered there’s your warning, but I appreciated getting this kind of violence I want to see more of again in anime/manga.
Kaiser-Eoghan
I just got back from my local arthouse cinema, from watching a special screening of that anime film, Genocidal organ, this is the sort of thing where you do wish that it had more time to explore its thematics but they at least offer a good enough flavouring to a solid man on a mission scifi thriller.
Kaiser-Eoghan
Just to state I don't hate Urasawa's work, rather I find it sort of difficult , I could say the same about Asano Inio regarding oyasumi punpun.
KTravlos
Urasawa is supposed to be working on Master Keaton Remastered. But it seems to be on hiatus. A pity because I loved Master Keaton (I adore Monster)-in general I love this person's work.
Amagi
20thCB would be my favorite Urasawa I think but I can't imagine it as an adaption. Kinda want to know what Urasawa will do next. He already announced that he's working on a new series months ago.
Amagi
I am really looking forward to the Pluto anime. I wanted this one the most, there is a serious lack of good sci-fi anime out there.
Kaiser-Eoghan
...billy bat is....scattered and directionaless fro what I read but shows interesting historical scenarios.
Kaiser-Eoghan
Pluto was reasonably short, so this wasn't much of a problem.
Kaiser-Eoghan
And while from the film adaptations I could tell that the original manga for 20th century boys likely had a very good storyline , I couldn't get through the manga.
Kaiser-Eoghan
Despite watching monster a few times I feel I've missed or forgotten things about it, largely because although I understand its importance and did like it, its length and pace always made me watch it on and off with gaps in between.
Kaiser-Eoghan
I was surprised by how attached I got to Grimmer.
Kaiser-Eoghan
Monster is a good example of slow burn tension done right and has one of the most memorable villains out there. Though it isn't without its fillers.
Lenlo
You want a mystery, I heartily recommend Monster.
Kaiser-Eoghan
And I also sometimes write impressions/reviews in my spare time, its hard.
Kaiser-Eoghan
Although the first season probably did have just that bit better atmosphere.
Kaiser-Eoghan
I think I may have been one of the few who enjoyed true detective season 2 as much as the first however.
Kaiser-Eoghan
I'm not sure anymore if I'm entirely happy or not with having less time now , yes I can see the frustration, but at the same time it stops me from filling in dead moments with terrible shows/films when there ends up being literally nothing else to do.
Kaiser-Eoghan
Then again I can only enjoy a select crime/mystery things .
Kaiser-Eoghan
It would take a very good writer to make case of the week episodes work, a mystery wrapped up in one or two episodes can just stop it from unfolding naturally or organically.
Kaiser-Eoghan
As I've probably mentioned a few times, I pretty much go by what I'm told to watch and not watch , mostly to play it safe.
Amagi
@Aidan: Same here. If the supernatural feeling is part of a series it's better if it's rather just hinted at to retain the aura of mystery but that the actual cases are just involving "normal" crimes that get resolved by detective work. Something like True Detective or Name of the Rose.
AidanAK47
@Amagi, that's good. I love a good mystery and hate it when it's ruined with magical wizard space ghosts.
Amagi
@Aidan: If people who know the original were telling the truth explanations will be rational and the series is rather an actual mystery instead of anything supernatural.
AidanAK47
@Mario, I haven't even watched the second episode of Apocrypha yet. Also behind on Re:Creators. Wonder if I will leave it. So far planning to get two more impressions out by end of day. Got one wrote up and just need to work on the other. Next up Tenshi no 3P...this is going to be painful.
AidanAK47
@Amagi, truly appreciate it. If Vatican can slow down it could really be something else. But I wonder how much of a supernatural element is going to be present in the series.
SuperMario
And now after I've watched all new shows save Gamers, I'll blog Princess Principal and 18if this season. I will watch second episode of Vatican and Centaur to decide the third choice, if I'm unconvinced by both I'll blog Tsurezure Children
SuperMario
@Amagi: Thanks, it's our pleasures. I like checking out new shows myself buy gosh it's time consuming. Have been behind on both Re:Creators, Virgin Soul because of this.
Amagi
Speaking of it, I also really hope that the pacing of the Vatican's series will slow down. Maybe they wanted to shove in as much as possible for episode 1 to attract more viewers. Love this dark and sacral atmosphere, it would be some wasted potential if they'd kill it by speeding through the story. Music is good as well.
Amagi
Don't blame yourself, your're doing this for free and there are a ton of new series. I also think that most people rather read impressions to know how others felt about the episodes and not in order to decide which series they should check out. You two are usually better at pointing out flaws than me, which is why I quite enjoy reading the reviews.
AidanAK47
Thing is that our impressions are usually late. Purely my fault of course as Mario does his write ups quickly. I am usually late with mine due to a lack of time to check shows out.
Amagi
I am usually fair and watch every first episode but sometimes I just stop after the fifth school series of the same anime season.
Amagi
I like how much Aidan's and Mario's first impressions match my own. This saves me quite some time since I don't even have to check the series that didn't look interesting to begin with.
AidanAK47
Finally getting somewhere with these impressions. God they build up.
SuperMario
@anon1264300: as far as I see the marriage system in Koi to Uso js just a setup for doomed love and whatever. They won't commit to explore that aspect at all.
AidanAK47
@Lenlo, I plan on playing it but first I am going to wait and see if it gets a PC port or remake. I say i will end up playing Taro's other work Drakengard before it.
Lenlo
@Aidan I played it after Nier: Automata, which is another game I missed, and both were just great.
Anonymous1264300
@SuperMario: It kinda weirded me out how the totalitarian(?)- and arranged marriage system was just accepted in Koi to Uso. Like, it's only presented as a problem because MC doesn't seem to get the girl he loves (because of some smile 10 years ago). I guess it gets more serious later but ep1 was really awkward.
AidanAK47
So cruchyroll is gonna co-devlop anime now. Guess that's one way to stop Amazon and Netflix from stealing all the anime licences.
AidanAK47
@Lenlo, still hoping it's remade like they hinted it would. Would be nice if they integrated Automatas combat system.
Lenlo
Finally got around to finishing Nier, and I have to say, it was phenomenal. Still have those soundtracks stuck in my head
SuperMario
I watched the second episodes of Koi to Uso and Isekai Shokudou and... they're not good. Koi to Uso plot gets even more contrived and watching the latter show I have a feeling of watching some advertisment show for a restaurant
Kaiser-Eoghan
@K-off: Hmm, I don't know if you'll see this message, but I remember ages ago we discussed the second reboot film of Planet of the Apes, I reviewed the followup here: https://letterboxd.com/shao_liu_ringon/film/war-for-the-planet-of-the-apes/
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