Posted on 21 March 2008 with categories: Anime Reviews, Hakaba Kitarou


The original Hakaba Kitarou (later renamed to Gegege no Kitarou) was one of the original pioneers in anime and manga, even before the legacy of Osamu Tezuka. Ever since it was serialized in 1959, it’s spawned five lengthy television-series, eight movies and one live-action movie. The problem is that all of these reduced the Kitarou-franchise to a kiddie-series. Enter Hakaba Kitarou, in its Noitamina time-slot as it attempts to remove all of the “kiddie”-roots from the franchise. And believe it or not, but it succeeds pretty well.

The result is a very rare combination between horror and comedy. But this series mostly stands out because it’s so refreshingly different from usual anime. The art really tries to go its own way, with character-designs in an original style, and a continuous filter, reminiscent of Mononoke. There are lots of interesting camera-angles and monster-designs, which make sure that this series turns into a visual feast that doesn’t rely on moe whatsoever.

This is also one series that completely shatters the boundaries between good and evil. It may seem like that Kitarou is the main character, and therefore the good guy, and yet he likes to play cat-and-mouse games with his victims, and he doesn’t even seem to care whether these victims end up dead or not. Nezumi Otoko, on the other hand, may be the series’ villain (he acts mostly out of greed and for money), and yet he stands so far away from the stereotypical anime villain. This guy is often rational and he doesn’t try to look as cool or evil as possible. He’s also often friendly, although he’s ready to betray any friend in favour of his well-being.

The same goes for all other side-characters that appear in one the different stories that have been put into the eleven episodes that this series consists of. Everyone is somewhere in the grey spectrum between good and evil. And all of the major side-characters have multiple sides and hardly have any chance to get boring. I’d also like to mention the ease at which this series seems to be able to kill off its characters. Seriously, some deaths really come from nowhere.

And that brings me to another good point of this series. Not every episode may have one, but the plot-twists will leave you guessing, and some will come as a huge shock, exactly what a horror-series should be. You can see that the writers have a lot of fun while writing this series, and building it up. Hakaba Kitarou has a delightful air of unpredictability that you hardly ever see in anime.

Overall, if you’re looking for something different, then Hakaba Kitarou is the way to go. Don’t get fooled into thinking that this is a series for kids. Simplistic character-designs don’t automatically make a series a kiddie-one. At eleven episodes, there’s hardly any chance to get bored. This is one reason why I like winter-seasons. Because not many popular series air, it’s the perfect chance for the less popular and under-looked anime that try to be different to get a chance. 2007 had Master of Epic, and 2008 continues this tradition with Hakaba Kitarou.

Posted on with categories: Hakaba Kitarou


Like expected, this episode feels nothing like a standard final episode. There’s no aftermath, or anything that hints at a closure of the series (heck, Caroline and her father are completely gone now), and instead this episode brings us back to the essence of this series: Kitarou and Nezumi Otoko trying to make money, other people dying because of it, and Kitarou’s father cleaning up the mess a bit.

It wasn’t the best episode of the series, but most definitely not the worst. Nezumi Otoko makes some kind of youth-serum out of his whiskers, while Kitarou sells the manga-artist of last week and others some kind of special holidays to the underworld (of course, with one-way tickets). I’m still surprised at the ease at which this series is able to kill off its characters, with as little melodrama as possible. In the first case, an old mafia-boss gets rescued by the medicine, and grows younger again (with whiskers added). He then gets greedy and starts searching after Nezumi Otoko. When he tries to capture him (in a locked safe, of all things), Nezumi Otoko releases his usual gasses and takes back his whiskers, killing off the guy.

In the case of the manga-artist, he gets brought to the underworld, where he sees the remaining scenes that were in the OP. As he tries to get back, he realizes that another guy has taken his place, and he’s turned into a ghost. What I really liked about this episode is that things aren’t as they seemed. The guy or ghost who took over the mangaka’s place suddenly finds out what kind of a busy life his counterpart was leading, and he wasn’t used to the pressure at all. His wife then drags him and orders him to work until his death. Nice wife, isn’t it? Meanwhile, in the underworld, the real mangaka is quietly enjoying the local wonders, along with all a bunch of other people who were tricked by Kitarou. In the meantime, Kitarou as usua notes how hard it is to work and gain money in the human world.

So it’s finally over. This series really has served its purpose in making me appreciate Noitamina even more. That timeslot is really perfect for showcasing all kinds of short series with original ideas and premises. And the fact that it’s been the most popular late-night timeslot for years only makes this better. There’s going to be a good chance that I’ll be blogging the upcoming Library wars, that’ll be taking over this timeslot, but I’ll leave that final decision to when the series actually airs.

Posted on 14 March 2008 with categories: Hakaba Kitarou


Quite an interesting set-up for the finale. Mostly because I have no idea what’s going to happen. This episode was basically another story on its own, yet it did leave various threads open (for example what happened to Kitarou his father, a newly introduced girl named Caroline and her father?). On one hand these threads will most likely be resolved in the next episode, but on the other hand that these threads alone are by far not enough to fill one episode, so the creators still must have some trump cards left.

In any case, this episode was definitely a Hakaba Kitarou-style build-up episode, simply because like the other two, it wasn’t as exciting as the other episodes. It basically tells the tale of a powerful Youkai who has settled into the house of a manga-artist so that he and his henchmen can take the first steps to conquer the world or something similar. He also has a daughter, whom Kitarou has fallen in love with. The entire thing eventually gets solved when Kitarou’s father gets eaten by this Youkai, and Kitarou’s father in his turn wrecks the brains of the guy like he did with many before. It was really too straightforward to be a regular Kitarou-episode.

The great thing about this episode was that I had no idea what it was building up to. One great point about this series is its unpredictability. You will have no idea what’s going to happen next, apart from Kitarou surviving and the “bad guys” losing. Everything in between, you’ll be completely in the dark. Because of this, I’m really glad that Noitamina has continued its tradition of staying away from the very overused high-school girls, and focused on creative series instead. Not to say that all series with high-school girls are bad (there are quite a few very good series that feature high-school girls), but I’d much rather see series experiment and try out new things than to stay with the “tried and true”-formula.

Posted on 7 March 2008 with categories: Hakaba Kitarou


This episode was about the smiling guy that we saw in the OP. He turned out to be a vampire who can hypnotize his victims by playing the guitar. He has put a local politician on his possible-victims-list, and he recruits Nezumi Otoko for this, while the politician hires Kitarou to get rid of said vampire. Yet again it’s an episode where Kitarou hardly does anything, as quite quickly the Vampire injects him with a strange drug that liquefies the guy’s flesh and separates it from his bones.

It was another very solid episode for this show, with lots of twists, as Kitarou’s father tried to get his son back together. It’s especially interesting when we say him hiding in Kitarou’s skull, being an eye on legs and all. For the first time, Nezumi Otoko also plays the role of good guy, as he too gets scared of the things that the vampire can do. The best thing about this episode, though, was the same refreshing scriptwriting of this series. It’s hard to explain what’s different, but I think it’s how the creators manage to keep a semi-serious tone throughout the entire episode.

It’s a shame that there are only two episodes left, and I’m quite curious as to how the creators were planning to end this series. Kitarou is still in liquid-form at the end of this episode, so his father will probably spend the next episode to try and get him back on his bones. According to the OP, we still miss the scenes with the three-eyed priest, the scene with the armed generals that shows up very briefly in the OP, the scene with the strange guy in the middle of a field of rocks, and the strange flashlight creature. It’s not really the things you’d expect for a big climax, but then again this series has never really listened to the general guidelines of anime. :P

Posted on 29 February 2008 with categories: Hakaba Kitarou


Now this is what I call a good horror-story! Twisted, full of plot twists, and most of all: creative. This definitely was one of the best episodes of this series along with episode one. You just have to think of Kitarou’s hand getting cut off and taking on a mind of its own. :P

Basically, two men set out to check out the rumours on a haunted building where an acquaintance of them is about to live. Obviously, any ghosts or people pretending to be ghosts have to be removed from this house, but unfortunately this “ghost” turned out to be Kitarou. What follows is a really interesting battle, where both parties try to get each other out of the house. You’ve got to love how Kitarou likes to play with his victims.

One thing I also liked about this episode is how the first half perfectly builds up the mood for the second half, by already hinting at how strange the house is that the two guys have settled in. Especially with the creature with four legs, no head and five arms who suddenly appeared from out of nowhere. Actually, Kitarou works best as a character when he doesn’t play the role of the main character, and only appears once in a while in his usual, mysterious form. But I can understand the need for episode four and six, as they’ve really served their purpose in fleshing out his character, and giving it a bit of development.

Posted on 22 February 2008 with categories: Hakaba Kitarou


I must say, this series is a master of surprises and twists. It really feels refreshing from the usual anime. If you’re looking for something different then Hakaba Kitarou is definitely recommended, because there are very few series that combine mystery and horror with comedy. :P

I originally believed that this entire episode would be devoted to getting rid of the water-spirit. Well, turns out it didn’t. The only thing that was really needed for the story of this episode is that Nezumi Otoko captured Kitarou’s father and put him in a jar. The water-spirit story gets wrapped up nicely after only five minutes, it first swallows up Kiterou’s clone, after which a newly introduced character drenches it in gasoline and ignites it.

I think this also means that two recurring characters have now been killed off for good, because we don’t see any signs of bad Kitarou and Mizuki returning. In fact, Kitarou doesn’t even seem to remember that the one who took care of him for years is gone now. All he seems to care about is his father, apparently.

In any case, this newly introduced character turns out to live two doors next to Nezumi Otoko. In between, there lives a “beautiful”(*ahem*) woman who both of them fall in love with. Ever since last episode Nezumi Otoko has been blackmailing Kitarou with his father. Because of this, he ends up delivering a love-letter for both Nezumi Otoko and this character (who turns out to be a werewolf, by the way). Then it turns out that the woman is going to be moving out, and Kitarou throws away the love-letters while Nezumi Otoko and the werewolf know nothing about this.

When they find out, they decide to take revenge for this by putting Kitarou in a coffin and dumping this coffin into sea. At least, that was their plan. Instead, Kitarou’s father escapes and enters Nezumi Otoko’s body to confuse him, while Kitarou escapes. The empty coffin then gets dumped into the sea, and then it’s time for Kitarou to play a prank on them. He uses his connection from the underworld to deliver the coffin back to Nezumi Otoko and the werewolf. When they decide to take a trip to the underworld, to check out what went wrong, they instead are taken into a hallucination into an old train that went out of service decades ago.

This part actually drew an interesting parallel to Mononoke, or the Bake Neko arc, to be exact. There we see the mayor jump out of the train and get devoured by the Mononoke. So when the werewolf jumped out of the train as well, I thought he was gone as well, especially when a loud bump followed. Instead, he just landed on a very unfortunate rock outside and got knocked unconscious.

I really must say that the dialogue for Hakaba Kitarou feels refreshing. The bad guys all have a personality and don’t feel stereotyped, and in the meantime the good guys can be considered the bad guys as well, depending on how you look at it. This is one of the reason why I like experimental anime so much. It just feels delightfully different from usual. One of the others is Mahou Shoujotai, of course. :P

Posted on 15 February 2008 with categories: Hakaba Kitarou


It seems that the final stories of Hakaba Kitarou will consist out of two episodes, as this episode yet again ended with a cliff-hanger. This episode was mostly unspectacular, and al it did was set the tables right for the second episode. I’ve got no worries, as episode five showed that this series can turn the entire tables with its second episode.

And there is a lot of potential in this story. Basically, in order to earn some money, Kitarou ends up collecting money from a water-spirit who hasn’t paid back its loan for fifteen years. Kitarou, as mischievous as he is, starts messing around with the spirit after paralyzing it with a special powder. The water-spirit in exchange escapes, and engulfs the entire world with water in order to take revenge on Kitarou. He then gets saved by Nezumi Otoko on a hot-air balloon, for the price of his father.

One thing that I did realize with this episode is that Kitarou’s character simply is boring if he isn’t sadistic. But I guess it does have a certain charm. Kitarou is a nice example of an anti-hero, and it’s a bit different from all those noble heroes who want to save the world and stuff. In any case, I’m curious for the next episode. We’re already past the halfway-point of this series, so it’d better have an excellent second half in store!

Posted on 8 February 2008 with categories: Hakaba Kitarou


How awesome. I now fully understand why the previous episode felt so bad and weird. The entire fifth episode was dedicated to explaining the things that happened there, and it provided a wonderful conclusion to a story that started off so horrible. After watching this episode, I completely forgive this series for the disappointments of the previous episode. I’ve said before that I’m a huge mystery-fan, and Hakaba Kitarou knows exactly how to handle it!

The best thing of the episode would of course be the fact that this episode shows a totally new side of the bad Kitarou. It seems that he too was used by Nezumi Otoko. If I understood this correctly, all Nezumi Otoko was after was the part of his head that Neko Musume bit off, but you can only get your hands on it if she’s in hell. However, because of this, bad Kitarou would need a way to return from hell, and that’s why he needed Kitarou’s jacket, which basically was his link to the spirit-world. He got it in the ruckus that he caused when he set off that mouse on Neko Musume during her performance.

In the process, something went wrong, though. I couldn’t pick up exactly what happened, but bad Kitarou ended up on one of the side-paths on his way to hell, and got separated from Neko Musume. Only because of the real Kitarou’s father, he managed to get out of there, into the real hell. Unfortunately, my Japanese isn’t good enough to pick up why Nezumi Otoko ended up on television this episode either, however it was clear that Nezumi Otoko manipulated bad Kitarou to everything, and he betrayed him at one point.

Thankfully, Neko Musume also remains in Hell, even though she did have the option to return. Kitarou may have also been a bit too emo in his lovesickness, but the climax of this episode worked out pretty well because of this, when Neko Musume refused to meet him. Also, it was pretty hilarious to see how Bad Kitarou shaved his head in the end when he turned good. It’s quite impressive that the creators made him go through so much development in just one episode, and actually got away with it. ^^;

Posted on 1 February 2008 with categories: Hakaba Kitarou


Well, that was disappointing. This most definitely was the worst episode of Hakaba Kitarou yet when it half-degrades into a dating-sim series between Kitarou and Neko. What the heck were the creators thinking, turning this series into a cheesy love-drama? When Kitarou fell in love, he totally ruined his own evil anti-hero that I liked so much in the first three episodes.

Thankfully, the cat’s dead now, so thankfully she won’t ruin the series much further, though the preview for the next episode shows Kitarou being angsty and love-sick. And now I realize how this series has one major problem: it doesn’t build up carefully. It does have the shock-value, though this episode showed that building-up is not its strongest point, and that’s really needed to make a love-relationship interesting. Right now, it feels like we’ve temporarily gone down a cheap romantic comedy.

I should have known to be careful with this series when the director only did Kamisama Kazoku before. That series to had some interesting twists, but the romance really felt horribly annoying at times. And the romance is one thing, but I also spotted numerous Deus ex Machinas and badly explained plot-holes during the climax. Writers: what happened?!

Please, Kitarou, go back to horror!

Posted on 25 January 2008 with categories: Hakaba Kitarou


The story for this week was rather bizarre… Remember the little plant that grew from Dracula’s dead body in the previous episode? Well, Nezumi Otoko uses his breath to knock a famous singer unconscious and plants this plant into his right arm. After a while, the plant starts to grow and it consumes its host. In the meantime, the famous singer met Mizuki. Yeah, who else would believe that there’s a demonic plant, growing on your arm?

In any case, the singer turns into a rather strange kind of tree-stump, and soon even loses the ability to speak. Nezumi Otoko then kidnaps the stump and moves into a secluded house, somewhere far away, using the money he stole from Kitarou in the previous episode. ^^; The stump then grows into a tree, and one very large fruit appears. Nezumi Otoko hoped that this would be the reincarnation of his late master, but instead it hatched a small version of said singer. The episode ends with Nezumi Otoko fleeing, the tree burning, and Kitarou, the small singer and a third youkai who just showed up having tea…

Still, I would be lying if I said that I don’t enjoy these kinds of stories. This series manages to combine a quirky feeling with horror-stories, and the result works out pretty well, and this series is really fun to watch.

I think we also saw the beginning of Catgirl in this episode (or Neko Musume, as Gegege no Kitarou named her). She’s just a normal girl right now, but I doubt that remain the same. Especially since Kitarou has fallen in love with the girl because she can sing so well. I doubt that he’d leave her alone. He was really cute in this episode as well. :P What’s also interesting is how Mizuki returned back from hell, to keep an eye on Kitarou. Indeed it would be the best for someone to keep an eye on such a demonic child as Kitarou.

Another thing I like about this series is how all the victims so far have been grown-up men. Usually, an anime would portray some kind of really cute girl in peril at this point, but the fact that Kitarou uses businessmen gives a nice twist to things, especially since they’re portrayed so much away from stereotypes as in this series.

CHANGE USERNAME
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
Vonter
We've seen realistic Pokémon fanart, but how does a movie looks when it attempts it. https://www.youtube.com/watch?v=Q8CKgQFo5U8
Amagi
How are the subs for Maquia? I only heard anons complain about it.
Kaiser-Eoghan
*dealing with
Kaiser-Eoghan
Though you should really torrent it.
Kaiser-Eoghan
There is 1080p stream on kiss anime, if you hate deal with the ads on that site the 4up stream on anilinkz has the best quality of the available links
Lenlo
Where did you see Maquia online? I still need to watch it. PM it to me on discord maybe? Pretty please? <3
SuperMario
One fact that not many people know is that Penguin Highway is penned by Tomihiko Morimi. It indeed has many Morimi's signature inputs
SuperMario
This year, I'm doing well with catching up anime films (kudos for Australian's Madman who always license these titles very quickly). So far, I've watched Mirai, Maquia, Penguin Highway, Let Me Eat Your Pancreas and My Hero Academia the Movie
SuperMario
So I watched two anime movies this last week, Penguin Highway in theatre and Maquia online. Both of them are pretty solid in general, especially Penguin that has magical realism elements and some great chemistry. Whereas Mari Okada's writting still rubs me in the wrong way sometimes
Lenlo
D: He did, back in August actually apparently
Kaiser-Eoghan
@Lenlo: I heard Dino's voice actor died.
Kaiser-Eoghan
If we all took Goblin slayers attitude to trolls, then we would more easily ignore the trolls =P
Kaiser-Eoghan
Big twist in the golden kamuy manga.
Animosh
@SuperMario: remember that in the voice drama Rikka mentioned talking to Yuuta in their classroom during the ball game. Pretty sure it's about that.
SuperMario
@Animosh: i just watched the episode and noticed the lyrics as well. "The Promise" seems vague at the moment. Could be between Yuuta and whoever fits but I agree the "save someone from boredom" is about Akane
Animosh
You learn something every day. ;) Honestly though, I actually skipped the opening, so I hadn't even noticed that it had been translated until others pointed it out. And most of the time the lyrics are just cheesy one-liners, so I usually don't pay much attention to them either. But once in a while there's some nice hints hidden in there...
Kaiser-Eoghan
Y'know I never really ever paid attention to the lyrics in anime openings, I'd never thought to.
Animosh
The Gridman OP has been translated for the first time, and there's some pretty interesting reveals in there: it mentions a "promise" made in a classroom (so now we know how Yuuta and Rikka bonded in the past - glad it wasn't a simple confession), and talks of "rescuing" someone (presumably Akane) from boredom. So I guess she'll join the good guys eventually?
Lenlo
1200 words. I need to stop writing so much.
Kaiser-Eoghan
I haven't seen last weeks episode of Irozuku or this weeks =< I'm waiting now for a bit to see if the series paysoff.
Animosh
Goddamn those magic segments in Irozuku were stunning! It's a shame its humdrum drama can't live up to its visual beauty, but I'll take it.
Kaiser-Eoghan
I think Ash's design is based a bit on River phoneix.
Kaiser-Eoghan
Sorry Eiji but your Ash is in another castle.
Kaiser-Eoghan
@CoolerAnon: I was about to say that. Kidnapping gets used alot in shojo.
Anonymous3072040
Yeah Ash is basically Princess Peach
Kaiser-Eoghan
@Anon: I share your concerns, I don't know what studio is doing it. Some people want it to be mappa, some don't want it to be polygon pictures to adapt it. Its and long and violent manga, with some very funny at times dark humour, it could end up rushed and/or censored.
Anonymous3072021
As much as I love Dorohedoro I'm unsure if I should be happy or worried at it getting an adaptation, it isn't exactly the kind of story I imagine being easy to adapt well.
Lenlo
Yeah, I am touching on that in my writeup as we speak. The compressed story is causing Ash to be captured every other week.
Animosh
I agree Banana Fish was great this week though! My only gripe is that I'm getting sick and tired of seeing Ash get kidnapped again and again. He just escaped a couple of episodes ago! And he's just a lot more fun to watch when he's out there doing stuff.
Animosh
In a way the fights actually feel more realistic to me than those in Banana Fish. Sure, they're fantastical, bizarre even, but its battle system has a clear internal logic, and generally no power is infallible (each has its limitations). In Banana Fish the fights are rather poorly thought out by comparison. Their purpose is more to make Ash look cool than to give him realistic hurdles to overcome.
Animosh
@Kaiser: what sets Jojo apart from other battle shounen for me is how ridiculously creative its fights can get. Part 2 already shows some signs of this, but the introduction of the Stand system in Part 3 pushes it to another level, and in Part 4 the fights are consistently awesome. There are no simple beam struggles here: every fight is a battle of wits, between people with wildly different powers
Niel
Vinland Saga anime, and Now Dorohedoro just got announced. i'm really liking this trend.
Lenlo
Lots to writeup on Banana Fish this week.
Lenlo
Just finished it, I really like Blanca.
Lenlo
Because Jackie Chan and his stunt crew are some of the best in the world. There is a reason he has to insure his guys from his own pocket. No agency will take them
Kaiser-Eoghan
I have no idea how the hell Jackie Chan is still alive.
Kaiser-Eoghan
Action works best for me when I really feel that theres danger involved. Thats why when some actors do their own stunts, you can fear for the actors life, and also the character.
Kaiser-Eoghan
And thats why I'm a big fan of all that Chinese martial arts stuff from the 60s and 70s, that really expertly crafted chereography.
Lenlo
As for action, I like good choreography more than any super powers. Its why Cowboy Bebop, Seirei no Moribito, Sword of the Stranger and some Naruto fights are fantastic.
Lenlo
Im about to watch this weeks episode, so this chat makes me hopeful. I agree Ash and Eiji are the backbone of the series, and yeah me and Kaiser both agreed that the Gang war aspect was pretty weak, though I thought the finish with Arthur wasnt half bad
Kaiser-Eoghan
And I think Banana fish has a great grit to it for this reason.
Kaiser-Eoghan
I'm even more thankful to Banana fish too for that it keeps the action within the bounds of out of fantasy.
Kaiser-Eoghan
I've always been kind of a guns and swords and kungfu gut.
Kaiser-Eoghan
Black lagoons great example of anime action I can get behind.
Kaiser-Eoghan
I always found weapon combat and fist/kicking combat more raw and real,tangible than beamspam.
Anonymous3070972
But yeah if you're not a fan supernatural power fantasy action shounens, then maybe not your cup of tea, and that's totally cool
Anonymous3070972
Oh also if I'm recommending a fight from part 4, I'd say check out Highway Star
Anonymous3070972
Kira is a pretty cool villain though; he's always underpowered compared to the main heroes, but manages to somehow get out of the situation with luck or smarts; if nothing else, I'd recommend watching some Youtube clips
Anonymous3070972
*Turn off. lol.
Kaiser-Eoghan
Its more than, even when I was younger supernatural power fantasy action shounen never appealed to me.
Anonymous3070972
Admittedly JoJo always has bad with exposition though, and always will be just due to the style, so that can definitely be a turn on for some people
Anonymous3070972
If you like slice of life with hijinks and a murder mystery combined with cool battles, you'll like part 4
Anonymous3070972
Yeah I can see why you might not like part 1 & 2, they were made in the 80s; I'd recommend part 4 and part 5 (ongoing rn) tbh, I feel like those are better for a modern viewing experience
Anonymous3070972
I used to think that BF's greatest strength was the plot; know I realize it's really about Ash & Eiji's connection first and foremost: as good as the plot can be, Ash & Eiji's relationship is absolutely the backbone.
Kaiser-Eoghan
@Anon: Also that scene where Ash is thinking to himself, looking over Eiji.
Kaiser-Eoghan
Nah, I pretty much gave up on jojo midway through part 2.
Anonymous3070771
Also, anybody notice Blanca's VA is Kira (from Diamond is Unbreakable)? What a wonderful duwang!
Kaiser-Eoghan
@Niello: The producer guy Miyano is voicing, much like the show is irritating because the show has this "look at me look at me" feel to it, it just comes off as desperate to me and this is just going by the one episode I watched and hated.
Anonymous3070771
What's that damn piano song that plays when Ash and Eiji are talking about Japan. It's too good. For some reason, it's really magical
Kaiser-Eoghan
@Anon: I was the one who said that.
@Niello: You don't need to see steins; gate zero, myself and lenlo discussed it to death as it was airing, its all over the place. I like the original too but after a while of the first half being fun, I just wanted it to start.
Anonymous3070771
Phew, great episode of BF; whoever said the gang war stuff was the weakest point was right. this stuff is getting fantastic again.
Niello
Also I agree, Zombieland first episode was amazing, second episode is still rather great, and then the other episodes have just been meh.
Niello
In Zombieland it doesn't help that the character he's voicing with that tone is an asshole, which isn't a good combination because it's making him more annoying by the episode.
Niello
Steins;Gate is pretty good, but I don't think I like it nearly as much as most people do (I gave it a 7/10). I also haven't bothered with Steins;Gate 0. And although I didn't mind Myano in Steins;Gate, I didn't particularly like his voice there either.
Kaiser-Eoghan
I love the sombreness of Blanca's character. Poor Ash, so broken in this episode.
AidanAK47
Yeah after episode 2 it's been a downgrade. Zombieland is still alright to watch but it really has become what it parodied.
Vonter
Zombieland sadly has winded down. I mean it was expected but still I was hoping some more creative attempts to use in the typical genre. It'll have been better if they had waken up more slowly in order to flesh the archetypes a bit more. It still has charismatic moments though.
Lenlo
Really Niello? See, I like it because it's the voice we never got in Steins;Gate 0. Its Okabe's Kyouma voice, and I have a nostalgic love for it
Masky
Wasn't gyary isekai another one that existed?
Niello
I hate Miyano voice in Zombieland Saga and find him annoying tbh.
Kaiser-Eoghan
I am getting sick of self aware humour though. I see this show as something that was fun to make (such as Miyano seems to be feeling based on performances) but not fun for me to watch and that kind of extends to the manager who while I agree would be the best part of the show, I stopped finding funny after the joke was done.
Lenlo
For me, the main selling point of Zombieland Saga was always Miyano. I love this mans crazy voice.

And in regards to Isekai, discounting this most recent one, SAO actually is pretty good this season so far. Kirito is still bland, but its taking things a lot slower and actually building the world. Its taking its time with 52 episodes
Kaiser-Eoghan
By the sound of it, if some who liked the first episodes don't care for the ones beyond those two episode, then I'm glad I stopped watching.
Kaiser-Eoghan
I did flick through episode 2 but the rap battle thing was particularly awful.
Kaiser-Eoghan
@Anon: I couldn't stand the humour and have up on the show after the first half of episode 1.
Anonymous3065780
What Zombieland does have that Ore doesn't is better animation and Miyano hamming it up. But that's all it has going for it at the moment.
Anonymous3065780
You have a few "ha ha look at this" moments scattered here and there like how Ore episode 5 was basically one big middle finger to the nature of anime production, or Zombieland's Tae Yamada. But the parody value from the first two episodes is all but gone.
Kaiser-Eoghan
@Anon: Its in part my own fault , I jumped the gun in the first half of episode one then all goodwill I had for it died after the first couple of minutes.
Anonymous3065780
@Kaiser Same here. Very disappointed that Zombieland is going down the same route that Mahou Shoujo Ore went down: basically becoming what it purported to parody.
Kaiser-Eoghan
Every isekai that pops up in recent seasons, I simply just ignore it.
Kaiser-Eoghan
On another note, surely I'm not the only one who dropped zombieland saga? I'm not alone am I?
Kaiser-Eoghan
I mean, I've never seen an episode of konosuba or rezero and refuse to , no game no life is a series of two halves, I barely watched any of gate .
Kaiser-Eoghan
I think the only one I can say I care about is Tanya.
Kaiser-Eoghan
Y'know I think I've done a fairly good job at avoiding the modern isekai thing, I've never actually cared enough to sit through one fully beyond the first season of log horizon, 4 seasons of zero no tsukaima. Other than that I've seen maybe 7 episodes of sword art . Never seen a single episode of overlord and won't.
Kaiser-Eoghan
@Anon: I'm also glad their mentioning stuff like the peoples will, the historical assassination of the Russian emperor. I enjoy the tidbits of historical reference for the most part.
Kaiser-Eoghan
@Anon: But I don't think the animation is as good as it should be in the anime adaptation and its not as violent as the manga.
Kaiser-Eoghan
@Anon: I am up to date on the manga, the post first scene chapters that have caught my attention most have been Edogai, the big scenes in the prison and that bonnie and clyde duo.
Anonymous3065196
@SuperMario Are you watching GK s2? Any thoughts on it since you aren't covering this weekly?
Anonymous3065196
I think I laughed more from this than most of the comedies airing right now thanks to these bizarre situations and characters they're introducing.
Anonymous3065196
The anime is now covering the parts in the manga where things get a lot more dramatic, and a lot more weird and oddly hilarious.
Anonymous3065196
Wonder if anyone is still watching Golden Kamuy? We're way past the embarrassing CG bear.
Kaiser-Eoghan
A polar bear isekai exists.
AidanAK47
@Anon, it will be after in another world but a polar bear but before the gyarus in another world Isekai.
MaskyAtPublicComputer
Nobody could care about world building not really making sense or being inconsistent if it didn't have the grimderp parts that cause internet flame wars
MaskyAtPublicComputer
So it goes back to what I said: GS at its core is about (at least seemingly) about cool gorey tactical action with some character study of what its like to be broken person like GS is, but rape stuff just kinda ruins it for most people and it doesn't handle subject well
MaskyAtPublicComputer
gear doesn't rust and break down
MaskyAtPublicComputer
Anyhoo, I might remember wrong, but didn't GS purposedly use lower quality gear that has danger of breaking down in middle of combat? Thats kinda what I meant with "apparently using average quality gear is too dangerous", especially since its kinda hard to believe goblins could repurpose armor used by humans for themselves. I'm completely okay with him not using magical gear since D&D wise magical
MaskyAtPublicComputer
Like, you can't be like "Aha, characters think they are in JRPG, but its actually tabletop rpg oh wait no, it still follows realistic logic instead of tabletop rpg rules"
MaskyAtPublicComputer
See, barbarians in D&D don't wear armor because they are stronger without it, sure they have lower AC, but they have lot of health so they can tank a hit. So showing barbarian adventure dying in one hit because they were stupid enough to not wear armor just comes across as "So wait, is this supposed to be realistic, tabletop rpg or JRPG or what?"
MaskyAtPublicComputer
@AidanAK47: That IS actually part of reason why I said GS' author isn't thinking it through with world building. See, I actually think world being gods' D&D campaign does actually explain lot of details about how things don't make sense and it does fit with GS being D&D inspired, but that is another example of how GS is inconsistent.
Kaiser-Eoghan
Perhaps not the strongest episode of honda-san, but the golden kamuy and Brazilian guy bit made up for it.
Lenlo
I might give it a watch after Kaze Fui finishes and write that up, just for you then.
Kaiser-Eoghan
The anime kind of feels a bit live actiony, which I know sounds confusing to hear, what I mean is the character designs.
Anonymous3060338
I'm very interested in doing a comparison between the anime adaptation and the live-action adaptation of Kaze ga once the series concludes next year just because these are two different mediums adapting the same novel. I would really like to know what they had to change or cut to get it down to 2 hours, compared to this two-cour series.
Kaiser-Eoghan
*storytelling
Kaiser-Eoghan
Old films are particularly a coin toss with the huge build up model style of story, the writer needs to be really good to connect all the dots in the last act.
Lenlo
To me, delayed plot points like that are the best, but also dangerous. If it sets it up and pays it off well, its fantastic. However if it falls short, then its a long promise that failed to get fulfilled and it stings.
Kaiser-Eoghan
I'm not a fan of these exposition last minute backstory then the character dies just afterwards "development".
Kaiser-Eoghan
Kaze has created a mood and rhythm thats justified its slow burn, by gradually unveiling rather than one giant infodump, the series seems more natural for it.
Anonymous3060338
A pity that some folks are going to drop Kaze ga just because they're not getting immediate catharsis from seeing Haiji getting what he deserves according to them. We're still likely going to get reasons for his actions eventually, but it will take a while especially when we haven't seen the consequences from the rest of the team. Patience is a virtue.
Anonymous3060338
However, I doubt this sentiment will be shared with most anime viewers who are too used to expecting immediate payoffs because of the episode amount leading to a need to rush through developments.
Anonymous3060338
You know, with most adaptations being required to move quickly to adapt source material from the manga/LNs just to fit in 12/24 episodes, seeing a show like Kaze ga take its time with the episodes it has as a novel adaptation is kind of refreshing.
Lenlo
@Anon, I havnt seen this weeks episode yet, but I am hoping the same. Haiji needs a bit of a reality check. I like him, but he has been very manipulative so far
Lenlo
Yup! I am a fool who keeps covering long shows
Kaiser-Eoghan
Beyond Kakeru's story, I think I'm invested in Kings one aswell. Due to how easily relatable it would be for most.
Kaiser-Eoghan
I wasn't aware Kaze ga was a two cour series.
Kaiser-Eoghan
I haven't read the light night novels, only some of the manga adaptations, is the "its a game of the Gods" thing ever followed up/developed on later in the light novels?
Anonymous3059830
And perhaps show some vulnerability from Haiji, since it seems like other people are getting the impression that we have to sympathize with a manipulative liar and con artist. Granted, I don't think Haiji is exactly that. It's stupid to pidgeonhole Kaze ga's characters under sweeping generalizations.
Anonymous3059830
I'm kinda hoping that during Kaze ga's next episode, that most of the team ends up underperforming during the track meet aside from Haiji and Kakeru. It would show just how unready the team is for the marathon.
AidanAK47
If we are really gonna dig deep into how the GS world functions the big question is how the hell they manage names if everyone is named after their class.
AidanAK47
On another note Masky, part of the game like nature of the world of Goblin slayer is because it literally is a D&D campaign between the gods.
AidanAK47
And I told you lot that it was going to be popular right? Why are you surprised?
AidanAK47
@Masky, That's not the reason he uses lower quality gear. With the amount of goblins he's killing any higher quality weapon would be rendered useless and he doesn't require anything fancy to kill goblins.
Lenlo
Exactly! I loved both of those series as well. I love series where tactics are involved, instead of just yelling louder and getting stronger. Some old Naruto fights had this to, though that fell apart in Shippuden.
Anonymous3059351
@Lenlo - Something like Yuyu Hakusho or Hunter x Hunter were they made a plan for attack through the episode and then do it?
Lenlo
For me, the appeal of GS was, excluding the rape, the attempted realism of the combat. I was hoping for a sort of guerrilla warfare against the goblins esq series. Where a protagonist wins via tactics and knowledge, instead of typical shonen raw power. Sadly that has fallen off a bit since episode 1.
Masky
Thats kinda what I meant though, it wouldnt' be as notable if GS didn't try to be "realistic" aka you know how whole first episode is about how longswords suck in narrow caverns and such. It kinda draws attention to stuff that doesnt' make sense
Anonymous3059351
Even Mirai Nikki was at least bat shit insane on how it played fast and loose with its shock value just for the sake of having a twist.
Anonymous3059351
Still aside from the shock value and the memes I don't get the appeal of this particular series. And I'm saying that as someone who liked Hellsing and Elfen Lied and the shocking parts of Evangelion. And to me I think this isn't as blatant, manipulative or even that edgy. Might just think the intend is perverse but it just hasn't build an atmosphere as let's say Attack on Titan.
Anonymous3059351
I agree there's something off when one puts more thought in what the author intends than what the story does. Because like sexualization and violence is all about how you frame it. The manga I think has more male gaze towards the situation than what the anime has shown, because on one the depiction is centered on the victim and the other at least cuts more towards the attacker.
Anonymous3059351
@Masky - If you think about it. Monsters in fantasy setting rarely are put in depth. How does their populations work? Why several live in dungeons? Beasts, animals and spirits are usually put in the same group.
Masky
Like, Goblin Slayer's wholse speculation about goblin hatred for everyone else being cycle of revenge thing kinda becomes weird when you realize "wait a sec, they can't breed on their own, so even if adventurers never attacked them, wouldn't they still attack villages?"
Masky
Like, if you check the interviews with authors, it seems like only reason he actually chose to include goblin rape was to make checklist of things that make them really horrible/horrifying :P So without really thinking about "is this good idea to include", which kinda pops up lot in the work where author really didn't think "does this make sense"
Masky
t and realize its really dumb logic to increase your chances of dying because you don't want goblins to take average quality gear :P
Masky
Thats my point though, the whole goblin rape thing makes it harder to suspend disbelief because 1) it really clashes with actual tone of the work 2) there are other logical problems with GS. Such as Goblin Slayer's logic of "I use poor quality gear because I know I will one day fightnig goblins so I want to avoid giving them good quality gear" is type of thing that sounds cool until you think a bi
Anonymous3059208
Willingness to suspend one's critical faculties and believe something surreal; sacrifice of realism and logic for the sake of enjoyment.
Masky
Heck on point 3, why the frick side characters treat the world like it is jrpg world. Like, why is there armorless shirtless barbarian character in setting where they can die from one spear to the chest, it doesn't make setting world building wise for that character to have survived to be high ranking adventurer in first place
Masky
I mean, let's face it, in world where goblins like that exist 1) why the heck would they have reputation as harmless pests, they wipe out entire villages 2) what kind of governing body would either let villages be destroyed by "pests" or let villages they can't guard be established 3) why the heck wouldn't all adventures use helmets in world that doesn't follow jrpg logic?
Masky
Anyhoo, my opinion on GS is that it really should have avoided goblin rape thing because it makes people take the show more "seriously" which makes it hard to justify it being popcorn movie level world building.
Masky
Do note though, that over use of rape IS one of things bad about Berserk :P
Anonymous3059052
@Lenlo - Yeah according to Crunchyroll Goblin Slayer has been seen across several places. Being the only unanimous anime I've seen in their infographics. https://www.ign.com/articles/2018/11/05/crunchyroll-reveals-fall-2018s-most-popular-anime-by-region
Lenlo
I also don't care that much. I read Berserk. Rape Horse is a meme in that community. Really, Berserk's trolls did it first. The only reason no one got upset with Berserk's trolls in the anime adaptation is because no one was still watching when it got to that point
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