Posted on 24 September 2011 with categories: Higurashi no Naku Koro ni, OVA Impressions



I’m a fan of Studio Deen…. but not this year. So far, I consider them to be even worse than AIC, because at least AIC delivered Hourou Musuko and Persona 4 this year. Something really needs to happen to them, because in the past they have delivered plenty of classics.

This episode thankfully was not as abysmal as the first episode of Higurashi no Naku Koro ni Kira. At least stuff happened. Instead, this was just boring. It was pretty much like the silly episodes of Higurashi Rei, only worse. The reason why they worked well with Rei and not here is simple:
1) those episodes were simply better executed. They did what the TV-series did, only more over the top. It was varied, the characters had fun with each other and the timing and delivery was good. Instead though, you can really see how much the new director hurts here. This episode felt lackluster, the characters one sided and its scenario was just dull and predictable.
2) In Higurashi Rei, the silly episodes were wrapped around an amazingly written storyline focused on Rika. They juxtaposed well because of that: on one hand you have the characters just having fun, and other other hand there are the hard hitting storylines that made this show big. Take away the latter, and you have just random episodes that try to be funny, but because of reason 1), aren’t.

Here’s the thing: the silly episodes of the previous installments of Higurashi added to the characters. This however reduces the cast to caricatures. The preview to the next episode suffers from this as well: it on purpose focused on the caricatures of the cast.
OVA Episode Rating: 6/10

Posted on 23 July 2011 with categories: Higurashi no Naku Koro ni, OVA Impressions



Oh god no, it’s as I feared! This episode was horrible. Studio Deen, for God’s sake why!? Hideki Tachibana is an abysmal director. Why the heck did you put him on one of your most successful and popular series?

Look, an episode that would have shown the cast randomly goofing off is something that I would have understood. Higurashi had episodes like these in the past, and they were a lot of fun to watch. It would have been a pity that there wasn’t going to be a serious story, but at least I would have been able to get behind that. This thing however… I did not expect such a horrible premise for an episode.

This episode was an insult. It wasn’t about the characters having fun. It ENTIRELY consisted out of IMAGINATION. This episode just kept going on and on with Keiichi, Irie, Ooishi and Tomitake imagining the female cast in sexy situations and drooling over it. And it just kept going ON and ON, it’s unbelievable. Imagine that this episode was half an hour long! At a certain point the creators run out of females, and that’s where the episode really loses it and just delves into random gay and slaughter jokes.

Oh, and the new OP and ED are absolutely terrible as well. Did the creators even listen to the OPs that were created for the other Higurash-series?

The most shameless part was Tomitake taking pictures of Rika in his imagination and everyone getting a blood nose out of it. This like, completely misses every single point of Higurashi’s light-hearted episodes.
OVA Episode Rating: 5/10

Posted on 10 September 2009 with categories: Higurashi no Naku Koro ni, Higurashi no Naku Koro ni Rei



Well, I guess that with this, Higurashi finally comes to an end, and I have to say that the creators couldn’t have chosen a better way to close it off than with Rei. It really made excellent use of the OVA format to surpass itself, in terms of comedy and silliness in regards to episodes 1 and 5, and in terms of solid scriptwriting for episodes 2, 3 and 4. I’m really going to miss this series.

Anyway, I’m not going to write a review for this OVA, because I know from experience that I’m terrible at those kinds of reviews, especially if I don’t marathon them. What I do want to say though, is that everyone who finished the TV-series should really also give the OVA a chance. It’s one of the very few cases in which the OVA is as good as the series it’s based on.

Anyway, this episode closes off Higurashi with another silly chapter, in which Rena swallows a “Magatama” which makes her fall in love with whoever holds an identical “Magatama” in a different colour, which shows Rena spooning up to Tomitake, Takano, Oshii and eventually Keiichi through a hilarious episode. I liked it better than the first episode of Higurashi Rei, because even though it was very silly, it also showed a new side of Rena: the side of her that wants to be close to others, and so is very easy to adapt her hobbies to others.

This also leads to an awesome Mah-Jong match, and at that point you could really see that it was a wise decision to put the director of Shion no Ou on the director’s position, rather than Chiaki Kon. The Mah-jong match in this episode which probably only took up 5 minutes was more exciting and creative than anything I’ve seen in Saki for the past half five months. It really reminded me that there can be game-based series that don’t have to rely on god-mode powers and Deus ex Machina.
Rating: ** (Excellent)

Posted on 28 June 2009 with categories: Higurashi no Naku Koro ni, Higurashi no Naku Koro ni Rei


Pure awesomeness. I really have to say, that this OVA couldn’t have been done better. These past three episodes were right up there with the most memorable moments from the Higurashi series. I’d definitely rank this among the best OVAs I have ever seen, along with Rurouni Kenshin Tsuioku-hen and Hunter X Hunter’s OVA. All of them were just incredible: intelligent, inspired and focused.

Most of this episode was just lots of dialogue, but that’s exactly what I liked about it. Rika, who was tortured with the choice whether or not to kill her mother, and abandon the world in which nobody was plagued by sin. This exactly showed the irony of good endings: sure, you may have everything happening perfectly; you may have nobody suffering from the past, and deeply haunted by some of the wrong decisions they made, and that were made for them. But does that make them better persons?

It may all have just been a dream by Hanyuu, but who cares? Thinking back it made sense: how else would Hanyuu have known about the fate of everyone who wasn’t there? The way Rika let herself go and get caught up in the accident really showed her how she has unconsciously taken her own death and rebirth for granted, and how she began to forget how important her mother was.

If I had to mention a down-side, then it was the continuity error of Keiichi’s sin. In the original series, Keiichi’s sin was left out, and I had to read about it in the Higurashi TIPS, about how he ran around with the plastic gun. Those who haven’t read the TIPS will probably feel left out a bit, because that event was crucial to why this episode was so incredibly powerful. It’s still a shame that we never got to see that scene animated, by the way. It would have been damn intense.

In any case, Umineko no Naku Koro ni is about to begin now, and even though I’ve heard that it’s going to be completely different from Higurashi, I’m really looking forward to it, because 07th Expansion has shown himself to be an incredible writer. My only concern is going to be Chiaki Kon; I’m not sure whether she is the right person for this series. Especially considering how she’s also currently working on Hanasakeru Seishounen, and considering the mess that that turned into. On the other hand, Toshifumi Kawase is returning for the series composition. I absolutely love what this guy has been doing for the past few years (he was the one who directed the Higurashi Rei OVA), so perhaps he was the biggest reason why Higurashi was the only thing that didn’t disappoint out of Chiaki Kon’s work.

Rating: *** (Awesome)
Amazing conclusion to an already amazing OVA.

Posted on 27 May 2009 with categories: Higurashi no Naku Koro ni, Higurashi no Naku Koro ni Rei



Apologies for the lateness, but I’ve been quite buy for the past week.

Still… wow. Just wow. I don’t think that I’ve ever watched an OVA that contributed as much to its original series as Higurashi Rei (the only one that comes close is the Rurouni Kenshin OVA). This is really why I like Studio Deen so much: at first sight they seem like your average overly cute production company, but SO many of their stories are just SO DEEP and meaningful. Now that the director has become the director of Shion no Ou, this series can really show its true potential now.

What a bunch of awesomeness this episode was. Rika once again demonstrates that she is a truly unique character and really, the way the events unfold in this episode is just amazing, even though this really was a very quiet episode. Again the themes of friendship are explored: it turns out that Rika was very much acting like a princess before she ended up in this world, and this caused the mysterious distance between her and her other classmates: she used to have so many friends, and when they disappeared she always felt alone.

And it makes SO MUCH damned sense. The original Rika was cursed from the point where her mother died, and there was no way that she would have grown up to be a normal girl if she knew about her identity, not to mention that Oyashiro-Rika would never start acting like a stuck up princess, but now that she had nothing to fear, nor wasn’t involved with the whole Oyashiro-sama, she’d indeed grow up to be a very normal girl, and since she was a member of one of the three great families, she probably was quite spoiled as well.

There are two episodes left, and in these two episodes Rika is going to have to kill her mother. When the episode started, she very nonchalantly said that she’d have to kill her own mother if she had to (and I really could see her commit a murder easily, considering all of the things she has been through, which is just shown by the downright brutal way she attacked Satoko), but later this episode, she finally after centuries learns of the feeling of having a caring mother. I believe that in the earlier arcs when Rika’s mother was still alive, she was too busy with the dam and started losing interest (judging by the way how Rika says that her mother never believed her stories).

I’m really not sure what happened to Toshifumi Kawase. He directed some really crappy series in the past, like Beyblade, Dragon Drive and Tenjou Tenge… but then at one point he suddently became incredibly good, churning out Shion no Ou, writing the series composition for Higurashi, the Law of Ueki, and now successfully directs this Higurashi Rei OVA. I don’t know what made him see the light, but I really hope that he can keep this up for the future. At the same time, I’m getting more and more worried about Chiaki Kon. When Higurashi aired, I used to think that he was a great director, but his following series have gotten progressively worse: Junjo Romantica went nowhere in the end, Nodame Cantabile Paris, while good, raped the original series, and Hanasakeru was a complete and utter cheese and emo-fest. Is he really going to be the right guy to direct Umineko no Naku Koro ni?

Rating: *** (Awesome)
A quiet episode, but the sheer depth of it still amazes me.

Posted on 27 March 2009 with categories: Higurashi no Naku Koro ni, Higurashi no Naku Koro ni Rei



Short Synopsis: Rika dies again…
Episode Rating: 8,5/10 (Awesome)
Now THIS is more like it! This episode forms such an incredible contrast to that very silly first episode. This was exactly that paranoid atmosphere that that first series was so incredibly good at. Ah, the idea has so much potential, I’m really glad that it got the chance to be animated into an OVA.

So, what basically happens: Rika gets into an accident, and dies, reincarnating herself again into a different dimension. This dimension lacks Irie, Takano and Keiichi, leaving her as just about the only main actor left. There is no Oyashiro-Sama, no string of deaths or the plan to kill Rina, no Hanyuu, even. Instead, many characters once dead are now alive, Satoko hates Rika now because the two of them grew up much less together and the construction of the dam hasn’t been stopped. Oh, the potential!

I absolutely loved this episode, especially considering how that pool episode pretty much made me lose my faith in this OVA. Still, in the end it proved to be just another light-hearted intro before the real meat of the story begins. I really liked how we, along with Rika, were basically thrown into the complete dark of what was going on. I’m especially looking forward to Rika, meeting her mother again. I’m not sure whether she actually realized that her parents are still alive (she probably had enough on her mind to care about the parents she hardly even knew). Suddenly, I’m a whole lot more positive to seeing Shion no Ou’s director taking charge of this. :)

Posted on 27 February 2009 with categories: Higurashi no Naku Koro ni, Higurashi no Naku Koro ni Rei



Short Synopsis: Keiichi and the others go to the pool
Episode Rating: 7,5/10 (There are going to be five episodes of this!?)
Uh… yeah. Here I was expecting Higurashi no Naku Koro ni Rei to deliver some more background information about the series, flesh some more characters out and all… yeah.

In the end, this turns out to be more Arusu The Adventure: random stories involving the lead characters. This one had everyone and his dog chase after Keiichi’s swimming trunks because it was supposedly cursed. In the end, the only clue that we have that it was indeed cursed was the word of the one who sold it to him.

In any case, the episode was as hilarious as it was disturbing (try to imagine Tomitake and Oshii in the pool….), and the thing turned into a huge self-parody. Interestingly, the original director didn’t return to the director seat, but instead the one who did the series composition created this… thing. And to think that there are four more episodes left!

On a completely different note, though: that OP rocked. It doesn’t quite beat the original OP of the first season, but I’m glad to see that it’s still experimenting with different exotic instruments and sounds. It works really well in this case.

Posted on 24 December 2007 with categories: Anime Reviews, Higurashi no Naku Koro ni


Some reviews are easier to write than others. With Higurashi, it’s going to be difficult, though, simply because of the huge contrast between the first and the second season. The fact also remains that this is one of these series that’s better than the sum of its parts. First, let me say that if you were interested in the concept of Higurashi, just to see “killer lolis” and cute girls, killing each other, then you will be disappointed. Sure, this is a disturbing series, but Higurashi no Naku Koro ni is so much more than a bunch of random massacres.

The first season is basically one incredibly well-developed mystery-series with lots and I mean lots of horror. Throughout six arcs, you see the different characters, as they discover more and more of the complex, multi-layered plot that forms the foundation of this series, while countless false tracks and red herrings are put on the screen, in order to confuse the viewer. You’ll never know who to trust at this point, and the same goes for the characters. There may be a few annoying moments here and there, including some pacing-issues, but overall it’s an intense and diverse thriller that keeps you hungry for more amidst the brutality.

And then the second season comes, and it’s completely different. The first season went so fast that it often didn’t leave any time for quiet moments and character-development; it sometimes went too fast that it nearly tripped, and then the second season comes and fixes this. The pacing continues at a very slow pace, but because of this, there is enough time to flesh out the different characters, to explain everything that need to be said about the story, and to build up for an incredibly solid finale. The characters actually start to realize that their bloodstained hands were a huge mistake, and they try to escape the horror. There’s also an incredibly huge emphasis on friendship and trust.

Obviously, the second season is less exciting to watch, but instead, the first season is less heart-warming. The second season is quite slow, while the first season thunders through its storyline to get it finished in time. Obviously, when you look at the individual elements, things feel strange, and for most people, it’s going to be hard to get used to the completely new road that the second season went into.

But boy, if you start looking at it from a distance, the entire package becomes so much better. In terms of storytelling, the story is closed off perfectly, even though there still is a third season on the way. It knows exactly how to build up well, and the storytelling for especially the second season has been flawless.

All in all, Higurashi is inconsistent, but it’s one heck of a special series. The cast of characters and the setting is definitely memorable, and there are more than enough different moments that make you care about them. Just one piece of advice: when watching episode 17, try not to eat or drink anything. You’ll understand when you watch it.

Posted on with categories: Higurashi no Naku Koro ni


Ah, and so it has ended. Like expected, this ending is much better than the ending of the first season. It did everything that was needed to close off the story well, with no signs of rushing. While the first season would have tried to add an extra twist, everything went just as expected, but I still ended up really liking it. Especially Takano has improved a lot, and finally she too has become an engaging character, and I loved her scenes with Okonogi, to see her being betrayed by everyone she took for granted.

The obvious question now remains: what the heck is going to happen in the third season? I mean, there are three arcs left, and from all we know, the story and everything around it has been resolved. The final moments of the episode showed how a grown-up Rika went to visit the young Takano. How did she end up there? I can also imagine that there still needs to be found a cure for the Hinamizawa-syndrome. After all, Rika still can’t leave the village without everyone going berserk within 48 hours. It would also be interesting if Nomura made a larger appearance, though on the other hand, I’d love to see more development on Keiichi, Mion and Rena.

Has the new airdate of the third season already been confirmed? My money is on that it’ll arrive somewhere in the Summer 2008-Season. In any case, it’s something to look forward to.

Posted on with categories: Higurashi no Naku Koro ni


Haha! I loved this episode. It was fun, sad, exciting and inspirational. I now understand a bit why the Yamainu didn’t use their guns in the previous episode. They may not look like it, but they’re scared as well. I can imagine how up till now, they’ve never had to deal with the unexpected. That’s why they became careless and forget to properly prepare. And that’s why they were easily pwned by Keiichi and the others in the wood. I loved how Okonogi actually admitted his defeat, and is now thinking of the survival of the Yamainu, instead of following Takano’s orders. The next episode should promise to be an awesome one: Takano’s screwed, but yet she’s going to do something that delivers the twist for the introduction of the third season.

Ah, and the things that happened in the clinic were excellent as well. Satoshi really seems to have been sick, ever since he was taken in, and I think it’s thanks to Irie that the guy survived. Tomitake is now free as well, and all that’s left now is to reach the next city. One thing I do hope for the third season is to provide more development for Keiichi, Mion and Rena. It really feels like the three of them have been incredibly ignored in the past season, while Rika, Satoko and the others did get their moments.

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
Total users: 32

Star Crossed Anime Blog

8 User(s) Online Join Server

Featured Posts

Dororo – 2 [The Story of Bandai]

Hello and welcome to show number two for me of the new season! Dororo is an interesting one, based on a 1960’s manga, with this being its second adaptation. This week we meet another demon, learn our leads name and that not all spirits are bad. Let’s dive in! Visually, Dororo is sort of a […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Mob Psycho 100 Season 2 – 2 [Urban Legends ~Encountering Rumors~]

Hello and welcome to the first outright perfect episode of anime of 2019! Mob Psycho 100 knocked it out of the park this week in every respect, so let’s just jump right in! Right off the bat, Bones is out in full force animation wise. Everything about this episode, visually, was fantastic. Even in drab, […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

Boogiepop wa Warawanai (2019) – 02/03 (Boogiepop Does Not Laugh 2/3)

Welcome to Boogiepop, one of the hallmark franchise in the history of this medium. The Light Novels itself dated back in 1995 and is still considered as one of the earliest Light Novels ever released and is often credited as starter of the Light novem trend in Japan. The anime adaptation in 2000 remains one […]

Zombieland Saga – 10-12[NO ZOMBIE NO IDOL SAGA/A One-of-a-Kind SAGA/Good Morning Again SAGA]

And so Zombieland ends…or more that it just decided to drop off for a bit. The last few episodes decided to focus on Sakura with the first being her overzealous preparation for a big concert and Kotaro’s efforts to just get her to chill out and relax, the second being the return of her memories […]

Kaze ga Tsuyoku Fuiteiru – 12 [Summer Prank]

Ah, the break is over, the New Year is here and Kaze Fui has returned once more! This week a few more of our boys get qualifying times, Kurahara loves his team and everyone goes camping! Lets dive in! Starting off, I have to make it known how happy I am for our boys in […]

Mob Psycho 100 II – 1 [Ripped Apart ~Someone Is Watching~]

Winter 2019 hype! The new season has begun, First Impressions are going up, and me? I’m writing about the second season of Mob Psycho 100, one of my favorite series of 2016. So everyone, lets dive in! Mob Mob Mob! Right off the bat let me say I loved this premier. It hit a little […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai – 09-13[Sister Panic/Complex Congratulations/The Kaede Quest/Life is a Never-Ending Dream/The Dawn After an Endless Night]

It’s hard to believe that I so easily forgot that this series was written by the same person who wrote the The Pet Girl of Sakurasou but these last few episodes really gave me a solemn reminder of that. The Sakurasou series had a pendant for serious melodramatic antics and while I did appreciate the […]

Latest Reviews

Planetes Anime Review – 89/100 – Throwback Thursday

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]

Castlevania Season 2 Review – 73/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]