Posted on 28 September 2010 with categories: Anime Reviews, Rainbow



Madhouse is at its best when it’s dealing with mature series, boasting a refined execution and storytelling. Rainbow is not that. It’s bloody intense to the point of melodrama, and it wants everyone to know about it as it tells about a group of youths as they spend time in prison.

And it’s indeed easy to look at Rainbow and get annoyed by its cheese and melodrama. Storytelling is a balance between trying to tug your emotions, and showing restraint. Rainbow instead just attempts to show the intense suffering in prisons with as much drama as possible by either being overly dramatic, overly sappy or overly cheesy. Having said that though, this show does pack an excellent plot and the characters are more than charming and developed enough to make up for it.

Because as overdramatic as they are, the heavy scenes in this series make one hell of an impact. This series shies away from nothing to prove its point, and this can be seen as early as episode two. As overblown as some of the scenes are, prisons in the years following the second world war were a pure hell, and the creators really succeeded in getting this effect. One guard in particular is just a complete and over the top nutcase that is both easy to hate and love, especially as this guy develops.

Speaking of development: the biggest reason why this series is so memorable is because of the huge amount of time it spends on showing the characters growing up. The entire second half takes place a year after the lead characters leave prison, and try to pick up their lives again. We get to see their troubles fitting into society, chasing after their dreams, and dealing with the pasts they grew up in. Whereas the first half of the series is dark, depressing and hopeless, the second half is bright, heart-warming and hopeful. Throughout both, the themes of friendship remain a red thread throughout the entire series, and together the two halves, as different as they may be, form an excellent whole, leaving behind a very well developed cast.

Whether or not you’ll be able to enjoy this series depends entirely on how you’ll be able to stomach the overly sappy and dramatic nature of this series. Especially psycho guard (as I’d like to call him anyway) will be… hard to swallow at times. It’s never going to be a masterpiece, and Madhouse has certainly done much better in the past. Nevertheless, for those who don’t mind there is a lovable and heart-warming cast, well thought out and planned plot and a great soundtrack.

Storytelling: 8/10 – The plot itself is really excellent: perfectly paced, makes optimal use of its 26 episodes, throws in plenty of twists and turns. It’s just the delivery that will tug your suspense of disbelief with how over the top it is.
Characters: 9/10 – Wonderfully developed, each character has his own strengths and flaws.
Production-Values: 8/10 – Average for Madhouse standards. Lots of still frames that do look quite pretty at times. The soundtrack is excellent, though.
Setting: 9/10 – A very interesting twist on “old versus young”, this series shines in portraying the lead characters’ attempts to fit into society, and the darker sides of the period after the second world war.

Suggestions:
Death Note
Gambling Apocalypse Kaiji
Red Garden

Posted on with categories: Rainbow



Aww. What a heart-warming way to close off this series and the past half year of anime. Really, the creators resisted the urge to force in some last-minute overly ambitious climax, and instead chose a wonderful little story that brings perfect closure to this series. In one way it’s a bit of a shame that Heitai didn’t get the time to show off his arc, but Mario undergoing surgery in order to go back to boxing, it fits exactly with the sappy nature of the series, and at the same time it was the perfect excuse to bring the focus back to An-chan. And we actually got to meet his mother, that was a very pleasant surprise!

The thirty percent success of the surgery of course did not matter in terms of plot: the surgery would be successful. The creators indeed wisely decided not to create any fake tension by dragging out the surgery scene. Mario just enters the surgery room, and then we cut to a boxing match. That’s not rushed, that’s perfectly paced, and I love the guts of the creators to actually do that. Instead, the thirty percent was mostly meant to show Mario’s resolve to continue with An-chan’s dreams: even if it would have been one percent, he would have gone with that chance if it meant a chance to continue An-chan’s dreams.

Overall, yes the second half of this series was sappy. But at the same time it was just incredibly heart-warming. It’s in the same way that the first half was melodramatic, yet incredibly intense. It’s the combination of the two that really made this series memorable, though. The direction for this series is flawed, but by god, the story is so well rounded that it perfectly makes up for this.

This show really got me thinking on how to evaluate first impressions, because I nearly didn’t blog this show… in favor of Kaichou wa Maid Sama (yeah). After the first episode, I remember not seeing any future in this series because of the hopeless overacting of this series. That overacting of this series was indeed the reason why this show never had the chance to become a masterpiece, but in the end it brought enough to the table to make up for this. That’s something I’ve got to remember when doing the upcoming first impressions of the new Autumn Season.

I can blog seven new series, and yet there are ten shows that I’m really interested in covering. There’s only one show that I’m guaranteed to blog (Letter Bee), plus the series that you’re going to force me to blog (only two days left on that one, by the way!), leaving me to choose five series out of eight potentially very interesting ones, which makes choosing the ones that will be the most fun to blog, rather than failing to see potential between flaws.
Rating: ** (Excellent)

Posted on 21 September 2010 with categories: Rainbow



I love series that try to do something different with their endings. There is of course a fine line between adaptations that end somewhere in the middle, and adaptations that have been carefully planned out to form a whole. Rainbow finally is another case of the latter: there probably is much more manga around, but who cares: the creators really selected the most essential parts of the 22-volume manga, and condensed those into 26 episodes, and yet the series ends completely unlike any other series I’ve seen.

Oh, it’s been a while since I’ve seen a series end with a final arc that was only one or two episodes long, without being rushed. Those are the endings that usually stand out. I’m a bit sad to see that we won’t get the Heitai-arc, but Mario’s boxing career still is very important in the series, and yet it’s so much from what creators would usually chose as a final episode: the bad guys in this series are long gone, all of the biggest drama has been resolved at this point, and instead the final episode is a simple one that will allow Mario to overcome his crippled hand, which very neatly ties his story together.

And heck, even the Suppon arc is so fresh as a semi-final arc. Suppon is one of the most stable members of the cast, who knows very much what he wants, so the drama around him doesn’t involve some dumb mistake he made, but instead it’s all about his huge desire to take care of his new family, after he lost his previous one in the atomic bombings, and coming to terms with the fact that he doesn’t have to be alone. The part in which he single-handedly got that guy to come along to pay his debt really shows that there is nothing wrong with his will power, and it really made for an awesome scene that really turned out to be the opposite of what I expected.
Rating: ** (Excellent)

Posted on 14 September 2010 with categories: Rainbow



Okay, so contrary to what I first thought, the Suppon arc is going to take up three episodes. That makes me all the more curious to that mysterious final episode through which the creators are going to close off the series (please! Heitai!), but as the final multi-episode arc of this series, Suppon’s story works really well. For the biggest amount of drama, the creators could have chosen to save Mario or Joe for last. Instead, they chose the much more mellow and melancholic Suppon: a guy who really embodies the major theme of this show through and through.

And frankly, I like it that the creators used the least sappy story for last. This series always had its cheese problem: despite its excellent plot, it’s the reason why I’m never going to rate this show as a masterpiece. Still, it is one of those examples which really makes up for its cheese. Out of all of the arcs of the second half though, I find the Suppon arc the most interesting. That’s not to say that the other arcs didn’t stand out, though: Mario’s was the most intense, Joe’s was the most heart-warming, Cabbage’s was the funniest and Baremoto’s made the best use of the flaws of its character. They all had their own way in which they stood out, and that’s what made this second half work so well.

As for the Americans… yeah, they were decent I guess. The biggest problem was that they were portrayed like most thugs in anime: without much of a personality (except for that one boxer guy perhaps). The voice actors actually got their accents quite right and it wasn’t like the usual Engrish here. But at the same time, you can really hear that this dialogue was written by a Japanese, and then translated to English without trying to make it sound natural from the mouth of an American. But yeah, this is just me, saying things. I have no idea how natural anime sounds in the ears of Japanese people.
Rating: ** (Excellent)

Posted on 8 September 2010 with categories: Rainbow



Awesome to see that alongside Suppon, the creators also took their time to show Lily’s story here and have her develop. Again, it’s an arc completely different from the previous ones so far, in the way that Suppon doesn’t really have any problems fitting in. The only thing that’s seriously getting in his way is the trauma from 13 years before, in which he lost his entire family.

The fact that he still hasn’t gotten over it was pretty sad, and that combined with Suppon’s usual maturity made this quite an effective episode. As for Lily, I like how this series really doesn’t try to avoid sensitive subjects here. The childrape of the earlier episodes were much worse, but I can very much imagine of how the problem of foreign soldiers having their way with local women, only to abandon them afterwards, is addressed here, as usually anime are too politically correct to talk about it. Really, 2010 has been an interesting year for the portrayal of WWII with this series and Senkou no Night Raid. This series takes care to show the horrors of that time period, while also showing that every side had its share of assholes.

And I know that I’ve been saying this often enough, but damn, I’m really impatient for that Heitai-arc. This guy is one heck of an interesting guy, so I really hope that the final two episodes, or at least the semi-final one, will be his.
Rating: ** (Excellent)

Posted on 1 September 2010 with categories: Rainbow



With the arcs around Mario, Joe and Cabbage, their story was all about trying to make their dream come true, or finding their place in adult society: they all had their goals and worked towards making them come true. The big difference with Baremoto’s arc s that his goal was impossible to begin with. His personal growth was all based on a big mistake, rather than a struggle to get rid of his own past.

Baremoto probably is the character who developed the most throughout the series, having the most amounts of flaws of the entire cast that he had to deal with. And this episode really was a great conclusion for him, in which his thoughts of being able to buy women with money is completely trashed. This episode again was very dramatic, like with Joe and Mario’s arc, but this time all of the drama was centred around Baremoto, realizing what an idiot he had been, and coming to the decisions to make up for the things he did wrong. I liked that a lot.

Also, the next episode will be the Suppon-arc, excellent to hear that. With four episodes left, the arc after that will probably the conclusion and I’m really curious to how the creators are planning to end it. Really, could we get a small arc for Heitai to close off this series? That really would make the entire series complete.
Rating: ** (Excellent)

Posted on 24 August 2010 with categories: Rainbow




It’s Baremoto’s turn now, and by god is it an awesome episode. The episode may have started a bit slow, in which Baremoto slowly showed Suppon his family, but as the episode revealed more and more about what was really going on, the episode only got better and better. I also loved the background song that the creators used at the end of the episode. Talk about epic.

I’ve said this plenty of times by now, but I really like what the creators are doing here. You can really see how the characters are trying to continue their lives, but with their background and within this setting… they are bound to run into problems, for which they have their own behavior to blame. Mario had his violence problems, Joe was the one exception because his goal was stronger than any other. Cabbage had his innocence, and now Baremoto is about to throw away his entire future because of a prostitute he fell in love with.

Heitai. He really stole the show again at the end of this episode. I really hope that he and Suppon will get their own arcs as well. Both of them have been pretty much the most stable members of the cast, and key side characters throughout the entire series, but it will be awesome if they could step into the spotlights so that we can see them shine on their own.
Rating: *** (Awesome)

Posted on 17 August 2010 with categories: Rainbow



Ah, finally we get the long awaited Cabbage episode. It probably was the funniest episode of Rainbow yet, but that doesn’t really say much since this has probably been the most light-hearted episode so far. Cabbage is just so adorable with his genuine personality. He’s simple, and I guess that that’s why he’s the character with the least amount of depth of the six lead characters, but he definitely has his charms.

This also was an interesting place for this show to explore the yakuza of those days a bit. And thankfully, the yakuza here are well portrayed: they’re neither the stereotypical punks who can only yell, and neither the over the top manly men here. Aside from the guy who randomly burst in with a sword, of course, but that made sense. ^^;

This episode also had a nice anti-climax. It had it coming, but it was still pretty funny how Cabbage explained what happened to him when he stood face to face with that sword. To think that he actually called an ambulance in the middle of a yakuza-building.

Throughout all of the episodes though, there has been one theme that’s been huge, no matter what the series is focusing on: friendship. It sounds cheesy, but when the characters time and time again show how far they’re willing to go to protect this friendship that was build up in their time of jail, it has really worked as a red thread that keeps the different arcs together.

On a side-note: it’s a nice touch that the insert-songs here sound pretty authentic for the time this takes place in. We first had the rock and roll in the Joe arc, but the insert song at the end of this episode also feels part of the fifties and the early sixties. It’s a shame that the OP and ED couldn’t be the same. Although granted, that OP is great in its own way.
Rating: * (Good)

Posted on 14 August 2010 with categories: Rainbow



With the rather stereotypical evil band going on and on, leading to a rather predictable gunfight that reduced them into people that are too stupid to pull a bloody trigger, I was expected the end of this episode to be this over the top as well. And yet, the actual scene where Joe and his sister reunite just takes what? A minute? And it worked perfectly !

It’s a very humble climax, especially for this series, but it really was worth it. the evil guys did what they needed to do, without creating some cheap drama that would cause Joe to miss meeting his sister. Instead, his sister really was smart enough to stay around for a bit longer instead of just returning home. In the meantime, it was meant to develop the struggles that the characters are in, trying to fit back into society. These guys weren’t exactly related to the prison, but that fight did show that they’re still living amidst violence.

Joe’s decision in the end, to just not give up and start back from scratch, was awesome because of that. He wasn’t just doing the singing in order to find his sister, but he also really enjoys doing it. He has his background, and he’s just going to have to live with it, while working hard.

I’m very curious to see what the final episodes are going to be about. I mean, at this point there pretty much aren’t any threads left hanging. Instead, the creators can just pick any character and give him an extra arc of development. While it definitely was heavy, the third quarter of this series really was less extreme than the first half of this series. But really, it has been an amazing “epilogue”, if you can call it that. Without it, this series would just have been an over the top prison series. This epilogue really made me forgive the overacting in this series.
Rating: *** (Awesome)

Posted on 3 August 2010 with categories: Rainbow



Well, this episode was one heck of a build-up. Not necessarily because Joe is still getting bugged by those assholes who were jealous of his talents, and therefore at the end of the episode were about to put a bullet between his eyes. That’s just something the creators used to spice up this arc. Instead, we’re about to get to the point where Joe is going to meet his sister again! Based on the past episodes of this series, the creators are bound to make a fantastic spectacle out of this moment.

In this episode, there really was a ton of support for Joe, as he tried to achieve his goals and was visibly having a hard time. The tension just came from one bunch of assholes, but I like how the creators wanted to show that there were plenty of people in their time with good intentions who didn’t want to make the lives of everyone around them miserable. The pianist and his son especially were quite charming.

The problem here is obviously those five lemons who may have been a bit too obsessed over trying to kill Joe here. But of course, this is just me who doesn’t know how bands used to operate back then, and how fierce the competition was for fame. Plus, if they really wanted to kill Joe, then I doubt whether that kid will make it in time to warn Mario about it. Still, this is just minor stuff. As long as in the next episode, it doesn’t get in the way of Joe’s and Megu’s development then I’ll be happy.
Rating: ** (Excellent)

CHANGE USERNAME
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
Amagi
I mean there are parts I like. I enjoyed the first episode, and the part about the country of liars. But many other things annoy me and the last episode was the worst. I also feel like the edgy bomb loli and slapstick Kino don't fit to the rest of the show somehow. Maybe I forgot everything, but the "old" Kino felt like a better character to me somehow, this one is more faithful to the LNs though
Amagi
@Kaiser: I honestly gave up on Kino and I think it's only partly the fault of the new series. I am just so tired of how stupid most of the episodic-characters are unless their are friends of Kino, how everyone gets bent being irredeemable evil for plot's sake and how everything Kino and her friends do gets justified. Maybe I am just too old or boring for this fairy tail like moral bending.
SuperMario
Still have Night is Short review to write... i will get there. I will get there
Anonymous1612237
It's like having potty mouth characters. If you have one, it can be funny and a good comedic relief. If everyone does it, it can come out as mean spirited or trashy.
SuperMario
@Kaiser: I haven't watched A Bad Idea Gone Wrog, as for now my top priority is to catch up with 2017 anime for the Yearly summary. But I will get on to it when I have some free time
Anonymous1612237
Amagi - Chibi stuff I've seen it mainly work in anime comedies with low budgets like Those Who Hunt Elves, Ranma, Excel Saga, Arakawa Under the Bridge, Nanbaka, etc. I think if you really have to use it in a more serious anime, I think it might work if it was part of one character's gag.
SuperMario
Children of the Whales, along with Juuni Taisen, keep falling out on me. Kino is pretty a hit-or-miss at the moment. I don't mind the last episode's multiple tales though
Niello
Problem about AMB chibi jokes are that they arwn't funny in the first place nor do they have a punch line.
Niello
@Eoghan, Really surprise you put Children of the Whales so high, I'm falling behind on some shows but it is still near the bottom of my list (the absolute bottom remains Kino).
Kaiser-Eoghan
The latest Kino episode was a real slap in the face/insult, really really thought that one segement would carry on for the whole episode and be a redemptive one/getting the series back on form but then it followed it up with crap comic relief segement.
Kaiser-Eoghan
@Lenlo: For now yes.
Lenlo
Droppin Mahou Kaiser?
Kaiser-Eoghan
I no longer care what Dia's gender is, no longer I will lie to myself and deem them female.
Kaiser-Eoghan
5. would be juuni taisen
Kaiser-Eoghan
My rankings for the season based on what I am following: 1. Houseki no kuni 2. Children of the whales 3. inuyashiki 4. girls last tour dropping mahou and Kino.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

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Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

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