Posted on 22 April 2018 with categories: After the Rain, Anime Reviews

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep insight and offers us two of the more well written characters out there. Originally billed as a romantic drama, the last third of Ameagari steers away from any romantic tension to deliver something more profound. It explores the complexity of human emotion by examining the unlikely relationship between two individuals with broken dreams and how they influence each other to reach back their goals. While I’d love for the conclusion to be more impactful (the ending suggests their relationship is like… ahem… after the rain: fleeting, soft, momentary – I’d prefer for more storming here), this show remains one of the most intimate, sensitive – and ultimately – complex portrayal of bonding, and human relationship. This solid material is further elevated by the understated and strong visual storytelling, aesthetically pleasing visual presentation and color palette and one of the best soundtrack in recent years. Ameagari is pretty much excellent as a whole package.

Any decent romance story has to start with well-grounded and relatable main leads, and Ameagari offers us two characters that worth caring for. Both Tachibana and Kondou are complex characters, especially Kondou who first appears as a goofy likable old man, but through the course of its run, their personality, and their own dreams are revealed slowly. Behind their composure, there lies a huge disappointment of their current lives, and as we know them better, we learn that they have left behind the path they used to treasure the most – Tachibana with her injury that prevents her from running track again and Kondou with his passion for Japanese literature – and gradually lose the essence of who they really are, becomes a shell that has no more dream or desire (in one of the show’s most clever symbolism: he touches the shell of a cicada while speaking that lines).

Meanwhile, Ameagari follows mostly through the point of view of Tachibana. While the show’s never shy from exploring Kondou’s inner thoughts (and what poetic thoughts this guy has), we follow Tachibana mostly through visual cues: her gestures, her “sparkling moments”, the looks from her eyes. Why this difference in treatment? By giving Kondou an inner voice, we become certain that his feeling for Tachibana isn’t romantic or sexual interest, but more about how her reminds him of his own youth and his current lifeless life. For Tachibana, it’s more about fleeting first crush and the show more than nails it underlining those feelings with sensitivity of how first crush is like. As you can guess from the title, rain is the show’s motifs here, and it chronicles the progression of this romance, from gentle, quiet rains in the beginning, then “she comes like a rain” in the middle and bright in the end like a love after the rain.

The main selling point of Ameagari is undoubtedly the amazing chemistry between Tachibana and Kondou. Their back-and-forth exchanges always spark with so much dynamic that every time those two together, they’re bounce to have special moments together – a praise that you won’t hear me say often, especially in anime medium. We have The Confession, The Hug, the Kiss, The Final Confrontation… These moments are the highlights of not only this season, but for my money for the entire 2018 year. They’re impactful. They’re powerful. They’re just perfect. But even in those slower moments, whenever Tachibana and Kondou are seen together, they deliver a natural and positive influence on each other.

The supporting cast help expanding the lives of our two characters, although in retrospect, they still leave a lot to be desire. Chief among them is the inclusion of Kase in one particular episode that leaves a sour taste in the mouth for most of us, but what bad is the way he reverts back to background character and we never learn much about him again. Tachibana best friend, Haruka, receives more attention in the second half and she provides a welcomed conflict to Tachibana’s current crisis, but it feels unfocused when we have a section about her and the ex-captain of the football club (it’s as important as the second copy of the second will). Kondou’s long-lost friend Chihiro, on the other hand, provides an excellent supporting role by the way he counters Kondou about his writing’s passion or reflects further to the path of life that Kondou left behind.

The visual presentation of Ameagari furthers elevate this sensitive love story and makes it a total feast to the eyes. I admit that I didn’t have a high opinion to Wit Studio, mostly because the production approach in Attack of Titan was my least favorite, but I have totally changed my mind with this subtle yet gorgeous visual styles of Ameagari. The reason I bring up Wit studio in particular is because they have their own “make-up animation” team, which is a team who apply special effects to certain important scenes and they sure did the job marvelously here with downright impressive visual palette and strong direction. The soundtracks are simply mesmerizing. They not only bring out the best emotionally from these moments, listen to them alone can transfer you right back to these certain scenes. I could totally picture Tachibana in the rain, or moment when Kondou sees himself in his teen self or the moment they hug each other. I also enjoy the way the show leaves their characters a space to breathe. There are many wordless sections just to record simple daily activities of Tachibana, like when she misses a bus, walks to the train station or when she offers a stranger to walk them with her umbrella.

In conclusion, I know the word “done right” can justify anything but Ameagari is a glaring example of a show that done right in every aspect, from its concerning romance premise, to its visual approach and the way it handles the developments of these characters. What makes it raise above everything else this last season is that, all these excellent components are all in the service of its theme. As a result Ameagari feels like a complete product with no real weakness, as the same time delivers special relationship that reminds us once again about the complexity of our own emotions.

Posted on 31 March 2018 with categories: After the Rain, Currently Watching:

So what happens after the rain? The sun will shine again, and the sun after the rain is the most beautiful. _quoted by me.

But it’s exactly a sentiment this show manages to pull off. For fans of romance or for those who wish the two of them will be together, well, you’re about to be disappointed. I don’t know if it was Amaegari’s intention all along (because I don’t think it is), but in the end it’s clear that romance between them is always an illusion. Apart from the Hug and Tachibana’s confessions, there isn’t much of a romance at all, but instead about the bond they share together. Ameagari has shifted its focus squarely to their own ambitions for the last couple weeks now, so it’s natural to see that the show ends on this note. But still, they manage to pull off beautifully. At first, I was a bit afraid that the first half was too slow that Ameagari might not have time to make any meaningful impact. But boy, they did it with style. At this moment, Tachibana and Kondou has established such a strong, solid chemistry that every moment between them feel like a treasure, and that precise moment when Tachibana turns back and sprints into him is amongst its finest. I’m already tearing up as I write this, damn it. That’s the moment where everything comes together perfectly, a moment where all the motifs the show has been set up so far come rushing in together in the best possible way. Tachibana running. Kondou embracing and accepting her love, all the while acknowledges his love. After the rain. Tachibana in her work uniform. That soothing score. That gorgeous visual. Everything was flawless.

The rest of this episode isn’t that flawless, however. Here, in the final episode, Ameagari wraps up an unnecessary side story and produces many – for me at least- over-sentimental and obvious moment. Chief among them is the romance between spikey and blonde, the former doesn’t have much of a voice in an entire story. Its heart is in the right place, mind you, but when Nishida the blonde tears up after his not-confessions, it just becomes a little too much. The same can be said for the two freshman girls who reminds Haruka of her pass (isn’t it way too obvious? Look, they even sharing scarf like they used to) or the little flashback of Tachibana on the ground during the track competition, but still manages to finish the line. I had been watching real track competition before so I can certainly say to you that this is totally soap opera (This is how real life works). It’s nice to say the rest of restaurant’s members gathered together in this last episode, but it does raise me 2 concerns. First, we don’t get to see other faces beside this cast, makes me wonder how this restaurant can survive with the staffs this thin. And second, Kase’s role in the show is pretty under-used. I mean, Ameagari uses him up that one time for mainly negative impact, and then put him back to the background characters that doesn’t amount much. These are, for me, Amaegari’s most notable shortcomings.

Tachibana is again put into test how much running means to her, by ways of teaching Yuuto how to run properly. Witness her swinging her arms to show Yuuto how to run correctly is heartwarming and satisfying. Moreover, Yuuto has a chance to tell her about his promise with his Dad, the promise not to give up halfway and give everything his own. In other spectrum, Kondou put his best efforts to write. His matter now isn’t to write a good novel, but to dedicate his life to writing novels. Make it his poison (and cigarette ashes, it seems). Both Tachibana and Kondou have realized their fire and each of them has sparked that fire to the other. As they embrace, they promise to let each other know once they fulfil their own promises. A mature, lovely if a bit indecisive way to make a proper stop to this story, but then again life and relationship are indeed messy and indecisive that way. At least for Kondou and Tachibana, now they know what they want to do and try their best to achieve it. That’s a beauty.

Posted on 25 March 2018 with categories: After the Rain, Currently Watching:

What does it mean to be special to someone else?

That question just bugs me when I watched the recent development of Ameagari. Maybe it has more to do with what I experience in my real life, but Tachibana and Kondou’s relationship has gotten to that “special” category so I might as well delve into it. The question, to be more precise, is about the extent of letting some stranger become a great part of your life, be it best friends, lover or somewhere in between. Most of these developments come natural, you don’t question it, it just happens. It takes a situation where it doesn’t work, or in this particular case, where the two seem to be in two different world, for us to really question the very nature of what ‘relationship’ entails. I am certain that this episode pretty much confirms that Ameagari won’t make them a couple, in fact last couple of episodes the show moves away from the romance into “friend” territory. But how have their relationship been shaping so far? It’s clear that Tachibana sees Kondou as someone special to her. I’m most impressed with Tachibana’s recent actions, she moves from aggressive, clearly invading Kondou’s comfortable space in the first few episodes to pushing him towards his most comfortable but long forgotten space – writing the novels. She has changed from a slightly negative to become a positive force for Kondou.

But what’s about Kondou? Is Tachibana someone special to him? I can’t tell since he’s always the one who goes with the flow, who is content with whatever direction he finds himself heading. The two impressions that he does feel about her though, that she reminds him a great deal to his own youth, and that she’s willing to read his novel. I reckson it makes sense that the last development Ameagari want to explore, is him telling her how special she is to him, and gets her literally back on the track. At this point, they produce such a strong and unique bond to each other that everytime they’re together is a feast to watch.

That is to say that the real magic of Ameagari is when the two of them together, so naturally this week, when the show digs into each character’s story, doesn’t impact me much like when they’re together, but it’s still a well-developed one nonetheless. On Tachibana’s side, after seeing another girl breaks her own personal record who had the same injury as Tachibana, Haruka visits Tachibana while she’s working, and lays everything down to the table. She wants her back. And when she’s back, they can be close friend like they used to. I don’t agree with Haruka’s method at all, but it does affect Tachibana, since she still isn’t quite sure what she likes better. Running or her love affair. Or even more pointedly, she’s afraid of going back and experiencing that loss again, the feeling of young hope crushed down by injury and disappointment. This for me is a grounded, albeit a bit late to the game, issues that Tachibana has to face.

Kondou’s side is a whole lot brighter, Chihiro visits his home uninvited and from there, they share a great times together reviving their old passions. Kondo always looks at his old pal as a more successful version of his, but in truth, Chihiro is far from happy. The install success of his book (that makes its way into film adaptation) makes him feel vary, both because he himself doesn’t regard it as his best, but also the on-going pressure from his publication and his fans. Visiting Kondou is a way for him to revisit his own passion, why he wanted to write in the first play. Once again, another people encourages him to write. The reason he has put writing off is not because he doesn’t have anything to write, but because he’s afraid that his writing will let his young, passionate-self down. But like his friend Chihiro said, the only solution to this is just write.

From what I gathered, there are still 40 plus chapters yet to adapt and we only have 1 episode left. There is a high chance that the anime (plans) and goes for original route, with honestly I think for the better. Whichever way the two end up going, I’m sure I will remember them fondly.

Posted on 19 March 2018 with categories: After the Rain, Currently Watching:

At this point I can safely say that I will enjoy whatever direction Ameagari will wrap up. It has transformed from a merely love story between two adorable individuals with a huge age gap into something much deeper, more refine and more poetic. This episode is another stellar showcase in a way it feels entirely real, the compliment I can’t say in most of anime out there. Many moments from the show reminds me of real life through the way people interacting with each other and in many subtle glances and gestures. Maybe I’m at the same wavelengths with these characters, or maybe I’m just the same sad sack who let the things I love slowly slipped away, but I can relate all to well with both Tachibana and Kondou’s current situation. Kondou mentioned in the past that he regarded himself as “a 45-year-old boy with no hope or dream”, but in truth it’s not that he doesn’t have any dream, it’s that he had a long-lost dream. He devoted himself to literature and write novels until he got marriage, and the pressure of both pursuing his dream and maintaining his role in the family ended up at him losing both, and like the cicada shell he saw in the park, Kondou loses the nature that makes him “Kondou”.

The same can be said for Tachibana and her track career. The doctors mention that with a proper rehab, she could get back on track, but she decides not to. We know that running used to be her passion, we know that she still cares about running through her frustration when seeing other teammates practice, or through her buying a “Running” photobook. In an essence both Kondou and Tachibana try to look away from the passions, one keeps hanging on with life, the other pursues another (unhealthy) path. As the story progresses, the love story has evolved from “girl gets boy” into them support each other finding what they really love, and in turns, who they really are.

And I still haven’t mentioned some wonderful moments between them. First with the book fair where Kondou meets his old bookseller, wanders around mindlessly by himself and exchanges the shortest texts ever with Tachibana. I do find them repeating the same symbols kind of obvious, but well, the message is still rewarding. You can also see the more Kondou loses himself to his own thoughts, the more impressed Tachibana has for Kondou. She comes to the point of knowing him AND still love everything about him. Their exchanges towards the book she read, the swallow and then her speech in the end play out near flawlessly. Let’s delve a bit into Kondou’s own thought on the last swallow who has trouble flying. The manager comments that even if the bird can’t fly, he’d find happiness in the place he stays, but still looks up to the sky sometimes. It’s no doubt that there is a parallel between the bird and Kondou’s own feeling about his life. He accepts the life he’s living now, although he knows he’s leading a boring life with lost dream and no future, and maybe it’s Tachibana who can crack this and makes him write again.

This episode also addresses the on-going fallout of Tachibana and Haruka, as the two of them clearly still care for each other, as they check out each other’s posts but feel awkward to even make a move. Last episode, I took it as they need some time off (10 years!) like Kondou and Chihiro before they can feel comfortable to talk to each other again, but the way I see it now, they will get back sooner; and I hope Ameagari gives us a satisfying ending for both this plot thread, Tachibana’s running, Kondou’s writing and most of all, Kondou and Tachibana’s relationship. They might not be together in romantic sense at the end of the day, but they come to understand each other more and giving each other a necessary push to embrace life again. And for me that relationship is hundred time more precious than they’re romantically interested in each other.

PS: just the other night I listened to Ameagari’s scores on Youtube (what little of them anyways), and the soundtrack is mesmerizing. I could totally picture Tachibana in the rain, or moment when Kondou sees himself in his teen self. It’s not often a piece of music can carry you to such a specific place and time and mood so I treasure every second of it. Certainly one of the finest soundtrack in recent years. And to think that it’s just one part that makes Ameagari so excellent: the story, the direction and the visual (for those of you who aren’t aware, Wit Studio has their own “make-up animation” team, which is a team who apply special effects to certain scenes, as you can see in one of the screenshot) are all special in its own ways. This show is truly exceptional.

Posted on 10 March 2018 with categories: After the Rain, Currently Watching:

We take a side road from our main romance between Tachibana and Kondou in this last two episodes, instead focus on each own friendship, short story Rashomon and pimple. Not that I consider Ameagari anything less than stellar, the show moves with confident pace with so much lovely subtle details. After the unforgettable event where Tachibana “somehow” caught a flu from her manager (or should I put it, an unforgettable night where the two umbrellas fall on top of each other), Kondou tries his best to keep their relationship in the safe “just friends!” zone, and throughout the course of these two episodes we come to learn what true friendship really entails. As much as I consider Ameagari a lean product, as there isn’t much fat in the storytelling and everything onscreen is there for a reason, I do find focusing on Haruka and the ex-captain football ace Yamamoto a bit off-focus. Haruka is a tertiary character so I don’t necessary care much about her inner emotions beside her chemistry with Tachibana. Granted she comes to learn about Tachibana’s mindset through Yamamoto, but consider the drama unfolds afterward, I have a feeling that both her, and Tachibana’s understanding of each other have taken a step aback.

And then we have Tachibana doing her literature homework. With Kondou’s fondness for writing, it’s a good opportunity for more quality time between those two. And indeed, we have. There are cute awkward reactions from both Tachibana and Kondou during that time, but moreover, the way the Rashomon short story weaves together to the main plot, ala their romance is rather impressive. The story is a moral tale about the young servant, while witnessing an old woman stealing hair from dead body, decides to steal rather than stay righteousness in order to survive. The lenses of focus here is the young servant’s attitude, and both Kondou and Tachibana say their own thoughts on how they feel about the servant’s action. Kondou asserts that if he were the servant, he’d stay out of the rain, out of all the trouble – signifies that when he has to deal with sensitive issues (like certain age-gap relationship), he would not do anything risky.  Tachibana, on the other hand, just contents with whatever decision the servant is about to make – signifies that she’s okay with whatever Kondou chooses for their relationship, that she puts his well-being over her own wish. The pimple, in addition, represents the youthfulness. The youthfulness that Kondou thinks he had lost a long the way, the gap between him and Tachibana; as a result; I bet everyone found it whimsical to see the manager got a pimple himself. He can always feel young again, it seems.

Coming to the festival, Haruka and Tachibana seems to be perfectly fine with each other until Tachibana spots Kondou, and things get out of control pretty quickly. Haruka feels hurt not because that all Tachibana’s attention is squarely to the old guy, she feels hurt because Tachibana won’t talk about her issues to Haruka like they used to, a clear sign of a broken friendship. I can see where Haruka comes from, when their friendship used to be that intimate, it’s tough for her to know there is something going on with her best friend, but that friend refuses to open up. Tachibana puts more salt to that open wound with “we can’t go back to how we used to be” speech. Insensitive maybe, but it’s the truth nonetheless.

Still back on the topic of friendship, Kondou meets his old friend, turns out to be the author Chihiro we learned for the past few weeks. And things were nice. The night was warm, the food was oishii and they picked up where they left off after 10 plus years like nothing ever happened. Kondou has a chance to open up about writing books, in which he still manages to not entirely giving up, and a further reminder of his long-lost passions. They get along well, and Chihiro’s declaration that got to me the most. “We’re not adults, but classmates”. Like the fight between Tachibana and Haruka, we learn later that there was a rift between them: Kondou ditched his friend on the trip to India in order to marriage his now ex-wife. The decision that singlehanded separates them into two different lives, and make them unable to talk to each other. But like how Kondou said later to Tachibana in a glorious super-Moon fashion, the friendship may grow apart, but what happened before still exist. Those precious moments they did share to each other never going to disappear, and friendship might come back around when they grow apart, and sometimes relationship needs time and space to grow apart to make it stronger. Maybe that could apply to this rather special relationship, as well.

Posted on 24 February 2018 with categories: After the Rain, Currently Watching:

Dang it, this episode. Before you know it, a typhoon comes right in sweeping everything away. At first few minutes no one would never have guessed Ameagari evolve in such a complex way, even though we still know next to nothing about that Chihiro person. How should I take on the action of Kondou hugging his underaged employer while they’re alone in his house? I don’t know and none of the main duo seems to know either. But first, let’s tackle the episode’s earlier conflict. When Kondou is increasingly bothered by the book by that Chihiro person, Tachibana keeps blurting out about how wonderful a person Kondou is. Kondou knows he is everything but, so he straight up cuts their conversation short with “you don’t know anything about me”. He doesn’t mean any ill, but there’s a lot of truth behind that statement. The truth remains that they live in a different lifestyle that it feels like they live in two different worlds: Tachibana with her high-school life and lives in the centre of Yokohama, and Kondou lives alone in the crappy apartment trying to make ends meet and raise a kid. Even such a simple topic like a chatroom apps for staffs would remind her how difference a gap between her and the middle-aged Koudou is.

Moreover, Tachibana for the first time feels some resistance from her manager, and it pains her that she might become a nuisance to her crush. That thought totally wrecks the poor Tachibana (and I always think Tachibana isn’t the kind who let her personal feel affects her work) to the point she comes into his apartment, in the freaking typhoon, to… what exactly does she come into his house for? The depressed girl announces that she wants to know more about him, echoing her lines in last few episodes. But Kondou has his own reasons for feeling irritated with all the praises Tachibana says about him. For him, Tachibana holds the idealized version of him that he knows he never going to be. The version that everything about him, although flawed, is kira kira in her eyes. But maybe it’s her who sees through him, it’s her who see many great characteristics from the wear-down, failed and awkward middle-aged man. He doesn’t feel that Tachibana is a nuisance. Quite the opposite that it’s her youthfulness reminds him of many feeling he thought he had forgotten, in which he’s grateful.

Seeing the crying Tachibana, in the moment of brief black out (which unassumingly creates a perfect mood), he hugs her – the first physical contact between them, all the while thinking to himself that he “will close my umbrella and get wet in your rain” – whatever that means. Is it then, the fleeting feeling of love from Kondou? It’s hard to pinpoint, and I’d argue that it’s best not to delve into it too much. The hug, even as a friend or more than that, is still just a hug (we just know one thing for sure that’s is how Kondou transferred his cold to poor Tachibana). Everything in that moment is perfect, from the music, to the lighting and the atmosphere. Definitely one of Ameagari’s best moments to date. We also have quite a treat to see Tachibana again fantasying about that moment hugging Kondou… naked. Gosh, those developments could easily become distasteful and too much in other series, so why on earth Ameagari delivers them so heartfelt and graceful here? As our commenters point out last week, the manga will end soon so there is a high chance Ameagari will finish as the manga approaches its last few chapters. Completed story is always a plus for me and judging how Ameagari performs so far (in other words, flawlessly), I have my high hope that we will have a satisfying ending waiting ahead.

Posted on 18 February 2018 with categories: After the Rain, Currently Watching:

This week is another light week in terms of central romance development between our leads, as the first half spends its time to Haruka, Tachibana’s childhood friend. Thank God, even with this segment that feels more like a side story, Ameagari still continues to hold up very well. Haruka always feels that she is left behind Tachibana, both in the field and in their relationship. It’s not just a figure of speech, as in one flashback we can clearly see Tachibana running ahead while poor Haruka following behind. Their relationship has been stalled since Tachibana left the track team duo to her injury. For Tachibana, she temporary shuts everything that reminds of track team, of the life she once felt belong to. Haruka feels the distance growing between them, and while there is argument on whether or not Haruka has a “romantic feeling” to Tachibana, it’s clear that she’s hurt that Tachibana seems to only regards her as “running friend”, and nothing more. From those flashbacks from Haruka (which are lovely, by the way, given we are treated to see Tachibana the middle-scholler and Tachibana the primary schooler), she has been admiring Tachibana from a long time, and their relationship had been tested once, briefly after she had to move to another school. And now she feels like it’s being tested again.

In defence for Tachibana though, I think she doesn’t think that much. She’s just too occupied to win the heart of Kondou. She again moves on to the new direction, leaves Haruka behind, and she’s afraid of Tachibana’s slipping out of her hands again. I guess both of them now are dealing with their own pains, Tachibana from not be able to run again and see everyone enjoys the things she once loved. In order to keep their friendship together, they just need to be honest together and the letter in the end (with the lucky but ugly charm Mukihiko to boost) is the right step into the right direction of being honest to each other. On other notes, I greatly appreciate the visual-storytelling of Ameagari, showing us the normal day of Tachibana missing her bus and walking all the way to the station, and later her sharing an umbrella with a stranger in a silent, quiet manner. The show is confident enough to just let the visual do the talking, assisted greatly by the wonderful violin score that I swear I could listen to all day. Even in the slow episode like this, there’s so much to love in this beautiful and tasteful show. Rain in Yokohama has never been this attractive.

In the latter half, we’re back to our duo Tachibana and the manager as she spots him in her local library. Her attempt to know more about Kondou’s taste proves to be in vain as he refuses to recommend books to Tachibana, prompt her to pick Botchan (arguably one of the most popular novels in Japan), and photobook about running (love it!). But his attitude changes when he sees the book written by Chihiro Kujo, which my guess for now is his ex-wife, or the person who had the same writing dream some twenty years ago. The latter especially could prove to be interesting, as this episode once again forces our main leads to look back on their past relationships, about their own shattered ambitions, in order to make sense of who they are now and what they really want to do. I am pretty much on board with that.

Posted on 10 February 2018 with categories: After the Rain, Currently Watching:

It’s a bit of a slow episode this week, with the appearance of the show best character (Tsubu!), Tachibana becomes a pepping Tom, Kondou’s unexpected popularity amongst his staff and Tachibana plays a motherly role to Kondou’s son. Well, I said “slow” in regard to the romantic development between our two leads compare to last few episodes, but the central romance still progresses gracefully. This episode splits into two parts, one we have Tachibana visits the manager’s house and the other one involving our cute little hamster. At first, Tachibana finds a chance to voluntarily take his son to his house, without any ulterior motive I’m sure. She even gets into the house while he was away, and comes hiding in the closet when he gets back home in the Blue Velvet fashion (“She wears blue velvet”). While in there, we see her fascination to know more about Koundou’s private place: the messy bed, the empty fridge, the bookshelf that has all the books about being a successful manager or “How to do an install trick” (great details here as you can see how Kondou thinks about his position within his choice of book), and the work room where there are papers lying around.

While hiding in the closet, Tachibana both overhears and overheats the conversation between him and Tachibana. It’s the time like this when his personality can be shown the clearest: he doesn’t have to pretend to please someone else, he doesn’t need to make any formal gesture, but the guy behaves earnestly, just like the way we see him in early episodes. Yuuto tries to get him into take care of a little hamster, on a ground that he can visit him more often. The manager reluctantly accepts it, and reveals that he loves reading books. I noticed in the closet where Tachibana was hiding, there’s a box that said “1990”, makes me wonder if they’re his manuscript from way back. I like the smart visual motifs when Ameagari cuts to the manager waving his hand in rejection, match-cut to Tachibana waving her hand out of the heat, to Yuuta waving his spoon while eating. I also like the way Ameagari underlines many Tachibana’s actions this week as sensual (like how the tea spilled over her shirt revealing her bra, or how she is physically blush when wearing her crush’s oversized shirt; and other of her activities with the father and son as part of a family (she was cooking for his son, they were walking together in the rain), both of these affect Kondou, obviously, further challenging him on what her role is gonna be in his life.

But both the lovebirds could never have guessed is how suddenly Kondou regains his popularity through the staffs’ mutual love for our little hamster. Tachibana is jealous with this newfound recognition where she finds it difficult to reach him anymore, and jealousy has never been this adorable. In fact, look more closely and you might realise that Tachibana is walking a thin line between showing her affection to the man she likes, and manipulating his life with her sheer determination. For now, I’d rather say she never cross the other line, but it’s a close call. She snaps the high-spirited mob to back to their work, while announces to the manager that she’s the first source regarding any hamster-related issue; an act of monopolize him I would figure. Ameagari almost reaches halfway point, but the execution to this sensitive romance drama still remains thoughtful, quiet and graceful as ever.

Posted on 2 February 2018 with categories: After the Rain, Currently Watching:

NO. I don’t like this third wheel development at all. Obviously, this romance is going to meet heaps of obstacles along the way, but it’s better not this. Suddenly, a side character having a creepy treatment, force the plot moving forward right before the two having a date together? One thing that upset me is how Ameagari makes it pretty clear about the conduct of this character Kase. He’s anything but nice. Plain and simple. He’s manipulated and dirty and annoying. No, Ameagari. You don’t brute-force the plot to squeeze out some drama like this, and you don’t make a guy evil so that we have to root for the main duo, ever. But for what it takes, Ameagari succeeds on making me worried for Tachibana and her forced date. Although received a clear signal from Tachibana, this dude keeps on pestering her to extend the date, including forcefully grabs her hand and later kisses her. Dirty little bastard! He even goes so far to say that the romance between her and Kondou will never work. And by his behaviour I’m sure that this creep will do his best to make his claim true, whatever it takes. I’ll be honest that I don’t like this Kase dude as a character and as a role in this story. Such a pity but I consider this as Ameagari’s first major misstep so far.

That date also serves as a parallel to Kondou and Tachibana’s date, as it happens in the goddamn same place, with the same sequences: horror zombie movie first (anyone noticed the same man in suit in front of their row?), then a sip of coffee and later a walk on a bridge. Such repetitiveness is meant to highlight the differences in Tachibara’s mood and the contrast between two dates. When she’s with Kondou, a “downfall of mankind” type of film suddenly becomes entrancing, coffee feels sweeter (well, literally) and the outside background is bathed with such pink and dreamy color palette. The time feels longer (like it’s stopped) and the linger for those moments feel much stronger. Kondou, on the other hand, thinks that the date would bore her so fast (wrong!) and there is a beautiful moment when he is again taken back to his youth self with his first black coffee experience before realizing that he was the only middle-aged man with a young girl in the shop. It sure is the taste of bittersweet youth. Last week, his excuses had always been about the reception of other people and Tachibana’s own well-being, but this time it’s all about his own feeling: that he would feel uneasy seeing her youthfulness because he can’t stand the fact that he isn’t young anymore. Pretty neat development here.

This episode is light on rain, but fear not since there are a whole leg fetishes going on here. Ameagari is excellent of underlining small body movements to convey the mood of the characters and in this episode, the focus on legs not only tell you the temporary state of mind a character is in, but also the distance (or lack thereof) between Tachibana and certain characters, signifies their intimacy. Ameagari still has its chops for sensitive visual storytelling, especially the sequence on the bridge takes my breath away for its beauty and moody atmosphere, but at the same time I consider this episode my least favorite episode so far, given that it opens to another conflict that I’m not fond of. Remember Ameagari, the drama works best when it comes from the struggles within the characters themselves, not from some outside creepy force that tries to blackmail AND then spill out their romance to everyone.

Posted on 28 January 2018 with categories: After the Rain, Currently Watching:

Gosh, the romance tension sure escalated quickly, which for my money is for the better. This week we have Tachibana in both her lowest and highest (AKA entirely in her unstable mood), the 45-year-old clueless victim who tries his best to brake the relationship from going too far, and a coming date of the two at the end. The last part stands to me as the only sour (last) note to this extraordinary episode. You see, that “date” is obviously a plot device so that the two of them can spend more time together, and it breaks the established mood although by that point I was already invested in the two of them and their romance to let it pass. The factor that I appreciate the most out of this episode is of course, Kondou’s reactions to Tachibana’s confessions. Ameagari skates the thin ice in this sensitive issue but the show manages to pull it off with even more sensitive approach. The guy not only act like a normal 45-year-old guy would do, but he convinces her with many sounding, sensible reasons and appropriate actions. Responding straight to Tachibana about her confession, for one thing. Giving her two main reasons to reconsider her options, one of them because of the huge age-gap (which she couldn’t care less), and the other because of his own empty self (an empty middle-aged boy with no dream or hope – so much honesty here). The second reason is important here, he feels himself unfit for someone like Tachibana, whose life is just at the beginning of her stage, and she’s attractive on top of that.

But it’s the emptiness that seemingly bring the two together. That brings me back to the first half of this episode, Tachibana meeting the track club members. After seeing them enjoy running and making progress, she’s deeply frustrated and left. A brief montage of the events led to her injury further demonstrate the fact that 1) now that her track career is gone, Tachibana feels empty, thinking that she has hit the thick wall ahead. And 2) she meets Kondou in the exact time when she was at her lowest point, the moment really gets into her that she finds the spark in the man. Many could say that it’s unrealistic, but I totally believe that’s how young people fall in love, especially the love at first sight. That frustration from seeing her being left behind by the wheel of present and the track field which once made her special lead her to pursuits the love to Kondou AGAIN, in the rain (it sure rains like hell in Ameagari). And when the message is out there’s no holding back there, for both of them.

This third episode makes it the first time we entirely see the events play out from Kondou’s point of view. After he tries his best to avoid the love message from Tachinaba in every possible way he can think of: first seeing it as a formal compliment from the girl, then taking it as a dream, then as a prank (there are nice little sequences play out in his head there); he deals with her the best way anyone could. What really sells me is the way Ameagari displays his perspective in an insightful and subtle manner: we could see his nervousness through his drinking the can that had cigarette ash in (he experiences the true bitterness of that love, as some might say), or through him searching for cigarettes but couldn’t find it. His thoughts as well, are so personal but well-placed and honest. Despite all the “you should reconsider this” stuffs, I can see how her confessions affect him in a good way. He feels flattered by the thought of someone attracted to him, he feels young again (with the smart visual of him in his teen self), he feels love and being loved again. And honestly, what is wrong with two people falling in love?

My bottom line: this is the best episode not only for Ameagari, but I consider it the best of episode I’ve seen so far this Winter season. I’ve heard someone compare this to Wong Kar Wai’s romance films. While at first I thought this’s too early a game to make any concrete statement, with this episode I do feel a resemblance here, especially the way they develop well-grounded characters we care for and their mature love relationship.

CHANGE USERNAME
Lenlo
Who is this one? Dont think I know him, or I willingly forgot him
AidanAK47
In a age where all the most prolific anime bloggers gave up, it's surprising that the only one to survive is a dude who does nothing but spew bile and express his hatred of the medium.
SuperWooper
Can't believe that guy is still going.
Amagi
I have to admit that I enjoy reading Tenka*eiha whenever I hate an anime.
SuperWooper
>discussing anime with other people
Absolutely disgusting
AidanAK47
Hey! Want to join an exciting desert where you can count the tumbleweeds. Check out the Star Crossed anime Blog Discord. You will likely regret it!
Amagi
Iennar should watch anime instead of being a bot
Iennar
Hey! Want to join an exciting fast growing anime forum/discord. Check out anime.sh you won't regret it!
Amagi
I love the ED song for Tonegawa
Lenlo
I recommend it. Its the best gambling anime out there
Kaiser-Eoghan
I will watch Kaiji someday...someday...just keep forgetting to get around to it.
Anonymous2419710
@Kaiser-Eoghan He's working on a new anime film, not sure when it's coming out
Anonymous2419539
Gyakkyou Burai Kaiji
Anonymous2417730
Can't say that I'm interested in a Jin-Roh remake with the plot transplanted to a near future Korea instead of the 1950s alternate history setting of the original.
Kaiser-Eoghan
I still need to see his patlabor show and the first Patlabor film he did.
Kaiser-Eoghan
@Mario: Need to rewatch the original. I recently did a rewatch of Oshii's works. They benefit from second viewings...and sometimes it better to just to run with some of them/let them wash over you largely because he isn't a particularly accessible director, wish he would return to making animated films though.
SuperMario
So Netflixe acquires a korean reanke of Jinroh huh? I guess it's just a matter of time
Kaiser-Eoghan
Dvd of the new, 6th Gundam origin ova came out last Friday but I can't find it on nya =<
Amagi
It's ongoing, two volumes out in Japan. Mangadex seems to be pretty fast with scanlations.
Masky
Ye have any idea whether its already finished one that hasn't been translated or on going series? Like I said, it seems macabre in fun way so would be disappointing to know it didn't do well
Amagi
@Masky: I found this Marry Grave manga coincidentally while browsing a board. It's really oldschoolish but in an entertaining way. It seems to be weekly or biweekly, but not sure.
Amagi
The idea of how this story is told is completely fresh and unused although I don't wanna spoil anything for people who don't know anything about it. And as if the whole mainstory wasn't nice enough there was a little hint at the end of the game that was a quite shocking reveal. Some people even missed this since the hint was pretty inconspicuous and not directly related to the main plot/character.
Amagi
It's real. Wow. This could easily become the best drama anime of the year if done right. The game was (IMO) fantastic despite being a pixelish RPG maker style game.
Amagi
@Kaiser: Holy shit really? To the Moon?
Amagi
Speaking of Urasawa there was announcement of a Pluto adaption last year, I guess they're still working on it. A good choice IMO, Pluto was not only my favorite Urasawa aside from 20thCB so far, it's one of the few that might be easier to adapt and it isn't too long.
Amagi
@Kaiser: Haven't read Chicago yet, maybe I will look into it. Kinda curious what series this mangaka will do next, same with Urasawa.
Masky
Huh? Found weird manga named Marry Grave. It feels like older manga but I'm not sure what its release date is.. Has rather interesting art and premise though first chapter is bit clunky on exposition
Kaiser-Eoghan
slightly disappointed to see happy sugar life not being covered =<
Lenlo
Oh man, 57? Franxx must have really gone down hill, because you seemed pretty into halfway through or so Aidan
Kaiser-Eoghan
<Crazy aunt in happy sugar life will have Belldandy's voice actress
<Terror the terror OMO
Kaiser-Eoghan
How do I save Chi no Wadachi's protagonist =< Manga giving me post traumatic stress ;M ;
Kaiser-Eoghan
@Aidan: And that game, to the moon is getting an adaptation. I haven't played it nor know anything about it though.
Kaiser-Eoghan
@Aidan: It seems you were onto something when you said in your satsuriku no tenshi impressions/posts that other freeware games might see a chance at an adaptation. I recall you talking about a game called To the moon on here a few years back.
Vonter
I did like how they decided to use a Halo aesthetic for the lack of a better term. Bases and alien ships have this Halo like design and color schemes to them. Also when I though a harem could only be depicted in one way, this series proves me wrong.
Vonter
But after season 2. Oh boy, the series becomes a really intriguing and exciting sci fantasy journey, with lots of motivations, hillturns and mystery.
Vonter
I catch up to the Voltron series in Netflix and man. It might the best anime-like series I've watched all year. I was having doubt after season one because while not awful at the start, it's very typical Voltron good versus evil and the like.
Kaiser-Eoghan
@Amagi: Chicago was one of the first Manga I read when I was 11, by the same author as 7 seeds.
Kaiser-Eoghan
@Amagi: A 7 seeds adaptation would be preferable, its the more mature of the two. My favourite parts of that manga is everything relating to Hana and also the flashbacks to Ango's team's past, also that flashback side arc which was set in that shelter centered on that guy who had nothing to do with the cast.
AidanAK47
For Mahou, I just wanna see the first VN translated.
Amagi
We will never see the Mahou sequel VN either
Amagi
Theoretically ufotable but I think they'd prefer to wait for the updated story of the new VN sooo never ever
AidanAK47
Op was pretty good for an anime that didn't exist. Honestly wonder what would come first. The remake of the VN or an anime adaption by Ufotable.
Amagi
Just as the Tsukihime anime doesn't exist (liked the OP of that nonexisting anime though)
Kaiser-Eoghan
@Lenlo: The original Basara anime doesn't exist, only the manga does.
Amagi
@Lenlo: I really loved it and as far as I know most people who didn't read it refused it due to its drawing style not the content. The style could get an improvement as anime and I think the story is something most people would enjoy. The side characters were all awesome and pretty diverse too, which is kinda worthy of mention because the series had a ton of them.
Amagi
Arisa might get a decent fanbase as well considering it's some sort of mystery-thriller shoujo despite it's appearance.
Lenlo
Oooh Basara would be one I would want to see
Amagi
@Kaiser: I wish we'd get an actual Basara or 7 Seeds adaption some day. But guess it's impossible in the age of 12-episode series.
Lenlo
Yeah, the Marvin reveal was done in as tasteful a way as I could see it being done. It was just creepy enough without being voyeur
Kaiser-Eoghan
**Done
Kaiser-Eoghan
*superficially
Kaiser-Eoghan
While I have never read this, LetDai is sometimes compared superficial to banana fish.
Kaiser-Eoghan
More fantasy/horror shoujo/josei manga, old ones, not otomeshit or school lifeshit could be adapted.
Kaiser-Eoghan
And wasn't the reveal regarding Marvin down in a tasteful/restrained enough way while still getting the point across?
Kaiser-Eoghan
Akimi Yoshida is actually quite diverse, aside from banana fish, she also wrote Our little sister.
Kaiser-Eoghan
"and NOT with naked muscular men. That’d be depressing!" Thank fuck we still have the slender ones then lol
Kaiser-Eoghan
By the looks of it Sugar life's only getting 12 episodes, which means it'll stop just before it really gets going.
Kaiser-Eoghan
@Lenlo: I think 2 volumes of the manga have been covered so far.
Kaiser-Eoghan
@Lenlo: "However its spelt" and there I am, realizing how rubbish I am with names and remembering/spelling them.
Lenlo
Oh man, Banana Fish is 24 episodes? Oh awesome. All the time in the world
Kaiser-Eoghan
@Lenlo: In small doese, small doses he would be tolerable.
Kaiser-Eoghan
An anime about all of us would be fucking magnificent and I will hear nothing to the contrary of this fact.
Lenlo
However that name is spelt
Lenlo
Hmm, Steins;Gate 0 Okabe, or what? Cause Hyoin Kyoma would drive me up a wall.
Lenlo
Oh Grand Blue has some great reaction faces.
Kaiser-Eoghan
Not slice of life, but outside of all the dark stuff, I'd probably think Okabe Rintaro would be a fun guy to be around.
Kaiser-Eoghan
Actually that brings up something, in all of the slice of life dramas/comedies out there, a good measure for how worthwhile some of them are could be "Which ones would I actually like to hang out with the characters in"
Kaiser-Eoghan
I remember when Free! aired, joking with another guy on here who would be who.
Kaiser-Eoghan
You could probably get great reaction faces of the manga/show.
Kaiser-Eoghan
I don't think I could keep up with the drunkening though.
Lenlo
Wait, ive been psychic robbed? When? How?
Lenlo
Ive known people like them before, though less cartoonishly dude-bro. They are fun in bursts. Made for some good experiences. Luckily the ones I knew, also knew when I was at my socializing limit.
Kaiser-Eoghan
Jokingly we'd all be blond otaku-t-shirt guy though =P
Kaiser-Eoghan
@Lenlo: I have committed un-intentional psychic theft of your thoughts.
Kaiser-Eoghan
Mario has to be the skinny dark haired Asian guy because it fits.
Kaiser-Eoghan
As funny as these characters are, I probably wouldn't hang out with then if they were real, I'd probably be iritated by them.
Kaiser-Eoghan
I actually hadn't thought it as far as the personalities .
AidanAK47
For I am the one that trolls
AidanAK47
@Kaiser/Lenlo, Wait then whose who in that screenshot. Cause looks wise I would likely be Iori but personality wise I would be closer to the burly dudes.
Lenlo
As for the updated setting, I think it will work out. Keeps it sorta relevant for modern audiences. I'm curious if the changes will be obvious or not, but the story should still work
Lenlo
As for Banana Fish, after this episode, Im not to worried about the fetishizing of homosexual relationships. Unlike alot of Shoujo/Yaoi-lite/bait stuff, it actually seems to condemn some aspects of the trope in manga.
Lenlo
@Kaiser, I had the exact same thought for that screenshot and the writers.
Kaiser-Eoghan
@Mario: lol Now imagine each of the characters in the screenshot representing a writer on this blog =P
SuperMario
Fixed
SuperMario
@Kaiser: I posted using my phone so that was the best I could do
Kaiser-Eoghan
I want to state, regarding banana fish, for those avoiding it because of shounen-ai vibes or because its aimed at women, even though its listed as shoujo, its really the female equivalent to a seinen manga, it also created, even in Japan a massive crossover audience that also included heterosexual males.
Kaiser-Eoghan
Whew lad, might want to center/neat-en up the screenshot on the latest post =<
Kaiser-Eoghan
See lenlo, while I love the adaptation, I'm still worried about the updated setting.
Kaiser-Eoghan
The manga had something about American foreign policy and the Mafia boss having to do with anti-communism, I wonder will the anime commit to that.
Lenlo
So far, Banana Fish is ony of my favorites. Im gonna make it very clear why tomorrow when I post on it, but boy I wasnt expecting it to commit so fully.
Kaiser-Eoghan
Okay, my ranking so far of the premieres: -Angels of death
-Happy sugar life
-Banana fish
-Grand blue
Shichisei and planet with are dropped, will only watch sirius until I get bored. Don't like shounen action so I'm not continuing Angolmeh.
SuperMario
I know he's a good writer, hence I was looking forward to Dog eat dog. That film made me think he passed his prime
Kaiser-Eoghan
@Mario: Raging bull and mishima also he wrote those.
Kaiser-Eoghan
@Mario: Nicholas Cage is awful and so was Dog eat dog I can agree to that.
Kaiser-Eoghan
@Mario: Its alot better than that I can tell you. Also he wrote the affliction, taxi driver and hardcore, all great films.
SuperMario
@Kaiser: you mean First Reformed? I watched Schraders' previous work Dog Eat Dog and absolutely hated it. Hated it with a passion
SuperMario
@Kaiser: I don't even know that until you pointed out
Kaiser-Eoghan
*movie blog
Kaiser-Eoghan
@Mario: How amusing, you uses "red blood moon" on your movie blood as a section for bad anime, and have the AKA abbreviation right next to it and that has the same spelling as the Japanese word for Red.
Kaiser-Eoghan
@Mario: I've got a feeling you might be a fan of Paul Schraders new film, its a mashup of Ordet, Winter light, diary of a country priest and Taxi driver. It is speechy, but it has alot to say and Ethan Hawke is great in it.
Kaiser-Eoghan
I don't think i'd be able to stop myself pulling an animal ears girl's ears if they were real. I'd have to know.
Kaiser-Eoghan
@Mario: I think I needed to watch it, just so I could have the feeling of getting away from the world while not needing to think.
SuperMario
@Kaiser: that's basically the appeal of Cgdct shows. They're hardy deep or even have that much conflict, but they're adorable and fluffy. Good enough for me ^^
Kaiser-Eoghan
The filter/visual style angolmis was going for initially completely took my concentration away from the show.
SuperWooper
(which includes a review of the inevitable AOTS) :^)
SuperWooper
Only one more First Impressions post to go.
Kaiser-Eoghan
Grand blue is funny but like with wotaku I'm not sure there'll be an incentive to watch every episode.
Kaiser-Eoghan
@Mario: Maybe every season or so I will try to fit in a cute girls doing cute things show. I watched Konohana Kitan yesterday and while hardly essential, it was actually sort of adorable.
Amagi
A bit new info about the next When they Cry. Guess the release date will be the winter comiket. Really wonder how it will be, I have to admit I enjoyed the endless arguments in the Umineko VN a lot. Also it seems it will get the same music composers again.
AidanAK47
@Anon, That airs on July 22.
Anonymous2394727
were is attack on titan 3???
SuperMario
I'll still write a post once the first impressions' over, along with my general thoughts on this season.
SuperMario
Meanwhile, we already decided which shows to blog for this season. The coverage is as follows:
Aidan: Grand Blue, Planet With, Satsuriku no Tenshi
Mario: Chio-chan, Shoujo Kageki, Hanebado
Lenlo: Steins;Gate 0, Banana Fish
SuperMario
Just an update to you, dear readers. We're working on finishing these 1st impressions posts and try to finish it in few days time (3 more posts).
Kaiser-Eoghan
*Harry not Eddie
**Gundam F91
Kaiser-Eoghan
Have the blurays of 08th ms team downloading now to re-watch. Never seen Gundam F91 one . Really looking forward to the final origin ova and whenever more of Thunderbolt is coming out.
Kaiser-Eoghan
Eddie was a bit crap though, especially when you stand him up against other Char-esque characters and some of the other characters aren't quite as compelling. Loved the old American style setting though, crazypants main baddy was fun.
Kaiser-Eoghan
I finally finished/rewatched Turn A Gundam lately. It delivers strongly on its spectacle Heim and Soleil were great and my favourite gundam girls , the artstyle grows on you and because of that art style, it gets away with being one of the weirder phase gundamns, where G Gundam wasn't so lucky in that regard.
Amagi
Highscore Girl is way more annoying than I exptected it to be.
Amagi
Haven't played it (yet) but AFAIK they stay there and only move from floor to floor, I guess it's why they shortly mentioned these murders on the different floors.
Kaiser-Eoghan
Does the entirety of satsuriku no tenshi stay in the building? I could seen the sense of claustropohbia for the audience disappearing if they left it.
Kaiser-Eoghan
Looking back on that comment, I should say, I have not read grand blues manga, so its entirely possible why the animes presentation made me laugh a bit because I've no comparison.
Kaiser-Eoghan
Also, that blonde muscular guy in Grand blue made me laugh.
Kaiser-Eoghan
I like how we have very little idea of the buildings layout in satsuriku no tenshi.
Amagi
Not really looking forward to Gridman as I see the typical warning signs I noticed for Kiznaiver and Franxx as well here. The only positive thing is that the series seems to have an actual villain for once. The lack of that was one of the problems that bothered me with Franxx (not counting literal faceless aliens as "actual villain").
Amagi
I hope next actual Imaishi anime will be a good Trigger again. Honestly didn't really like any of their series done by other directors, Promare would be the first series done by the TTGL team again after KlK and Luluco. My only fear is that it might be a TTGL clone but it's too early to for that.
AidanAK47
I am gunning for Kyohime Lancer and Mordred Rider. Thankfully I don't really care about the five starts so my odds are not quite as bad.
Amagi
@Aidan: Yes I am happy I got her with just one ticket since I am saving for the upcoming rate ups as well, especially Summer. Hell I need Martha.
AidanAK47
@Amagi, Had a few moments like that which were not related to Fate go. Anyhoo I didn't bother rolling Da Vinchi as I got no real interest in him/her(Hard to decide when their reason for genderbending has more to do with beauty rather than gender.) Instead saving my Quartz for either the summer servants for the Knights of the round.
Amagi
Not lying but I had I dream yesterday about getting FGO's Da Vinci with one ticket, woke up, spent one ticket and got her (Yes. "Her"). I am so far into that anime stuff guess I am now developing esp powers just for that.
Amagi
Finally new Sirius subs I hope they are tolerable.
Amagi
Chio-chan is relatable
SuperMario
She's one of the actress I'm really fond of. But of course given how big a status she is
Kaiser-Eoghan
@Mario: If voices could be married I'd marry hers =P
SuperMario
Other 2 shows are Cells at Work and Phantom in the Twilight
SuperMario
Kana Hanazawa's extremely busy this season. She's also voicing for 2 other shows. Give me a minute so I can check up these other shows
Kaiser-Eoghan
The most recent I've heard Kana Hanazawa's voice was in 3-gatsu no lion where she voiced Hina, hearing her voice psychochick from happy sugar life makes it all the eerier =P Also watching this feels like less of a slog than reading the early chapters.
Kaiser-Eoghan
Scanners/photocopier machines however are the greater satan.
Amagi
What kind of cosmic rule forbids printers to ever work properly?
Kaiser-Eoghan
I've heard that satsuriku no tenshi's manga adaptation apparently is paced better and more effective at immersing the reader.
Kaiser-Eoghan
I think my time with shichisei subaru stops here, the cliffhangers just feel liked bad bait and while I hate jumping to buzzwords, this was just really generic and hamfisted. Its like I'm watching a crap adaptation of a bad moe datesim visual novel.
Kaiser-Eoghan
Yeah this is also a pretty stilted translation.
Kaiser-Eoghan
I ended up watching it with mediocre subtitles also.
Amagi
Wait is Sirius subbed? Nonmeme subs I mean.
Kaiser-Eoghan
Banana fish succeeds in making itself work as an action series all the more stronger, because it allows itself to have a good emotional backing. I'd forgotten how much of prick that one cop was in that scene in the manga.
Kaiser-Eoghan
If you want a reasonably quick boredom killer thats gorier than some modern anime allows you could probably do worse than Sirius.
Kaiser-Eoghan
Okay, regarding Happy sugar lifes manga, Late volume 6-volume 8, we're kind of getting somewhere, especially with one particular flashback relating to Shio.
Kaiser-Eoghan
I too am not even impervious to cute and huggable things.
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And it’s time for Darling in the sorry I just can’t bring myself to care anymore Franxx. Well once again my previous assertions of what this episode was to be turned out half true and half false. For one they actually did show the final confrontation against VIRM and it was just as disappointing as […]

Hisone to Masotan – 12 [We Are Unstoppable]

And we come to a close of this Dragon Pilot show and I’m still indifferent on how this anime wraps up. It’s not a bad ending per se, it has a good emotional payoff and it does somewhat wrap up the story. The more it gets into the conclusion, however,  the more I see inconsistencies […]

Darling in the Franxx – 23[DARLING in the FRANXX]

The longer this series goes on, the faster my goodwill disappears as this episode was terrible on many fronts. At this point I think we can admit that this series has been on a downward spiral since episode 19 and has only worsened with each subsequent episode. Part of the problem was 19 spilling all […]

Full Metal Panic Invisible Victory – 10[Onward, Onward]

Oh no. Well I suppose this was coming with all the news of this series troubles but it is disheartening to see it come to worst case scenario with the quality of this episode. This is the episode that announces without a doubt that this team is at the breaking point. Characters go off model […]

Latest Reviews

Darling in the Franxx Anime Review – 57/100

In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and […]

Hisone to Masotan (2018 Spring) Review – 73/100

Coming off as one of my most anticipated anime out of this last Spring Season, based solely on staffs involved alone – after all, an original anime written by Mari Okada and produced by Bones (which I regarded as one of the best anime studio working right now) – I can’t help but feel let […]

Megalo Box – 86/100

Ah boxing, the quintessential manly man sport of beating each other unconscious. In anime, the sport was first forged in the fires of Ashita no Joe, and some would say later perfected by Hajime no Ippo. Both fantastic series in their own right. Both filled to the brim with epic clashes of wills, phenomenal characters and […]

Legends of the Galactic Heroes Die Neue These Anime Review – 80/100

This is a remake of a series made way back when which is one of the most highly acclaimed anime in the medium. It is of legendary status but you would be hard pressed to recommend it as to many the barrier of entry is too high to consider. A 110 episode OVA with dated […]

Hinamatsuri (2018 Spring) Review – 79/100

Comedy anime doesn’t always yell out confidence, so imagine our hype when there’s one that been on everyone’s lips since the manga come out, Hinamatsuri. The show starts with simple premise: a girl with supernatural power unexpectedly drops into the house of a yakuza, hilarity ensues. This concept sums up very well the source humors […]

Fate/Stay Night Heaven’s Feel – I Prestige Flower Anime Review – 90/100

We have seen an influx of Fate adaptations over the last year and sadly each has proven to be disappointing except for a cooking slice of life short series which is weirdly better than it has any right to be. This movie was the last of the Fate adaptations that I needed to see but […]

Violet Evergarden (2018 Winter) Review – 76/100

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter […]

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep […]