Posted on 13 September 2012 with categories: Anime Reviews, Natsuyuki Rendezvous



The Noitamina timeslot started back in 2005, as an attempt to air series aimed at an older audience than usual. It was a wide success and spawned many awesome series. Then, in 2011 something happened: Fractale aired. It was alongside Hourou Musuko of course, but Fractale is the best symbol for the timeslot as it headed into a completely different direction, making shows about teenagers like what every other anime was doing. There were exceptions like Usagi Drop and Un-Go, but the general new shift in style was definitely noticeable. Until the Summer of 2012, that is. The past three months, we got to see Noitamina return back to its roots. And it was awesome.

Setting aside Moyashimon, Natsuyuki Rendezvous pretty much delivered one of the two best shows of the year, leaving every other series miles behind. It’s just so well made. The production company may be Dogakobo, these guys manage to deliver the best animation they’ve ever done. The characters are drawn incredibly expressive and they come wonderfully to life. And that can be added to the fact that this series is directed by Kou Matsuo, whose series often have this interesting habit of recording the voices before the animation is made. The result is fantastic acting with voice actors who instead of focusing on matching the flaps, can focus on interacting with each other. This show has brilliant characterizations overall.

And realyl, the story knows what it is. It’s deceptively simple from the outside, with very little unneccessary twists. It knows exactly what kind of story it wants to tell and has paced this out perfectly with hardly any moment wasted or rushed turing its 11-episode run. Instead of random twists, it thrives on letting the characters just interact with each other and create their own tension. It has nailed their background and gradual development, and it really succeeded in creating an awesome romance based on the three main characters who feel real and down to earth.

The thing also is, that I can’t think of any real criticism for it. Perhaps there are times at which one of the characters, Hazuki, becomes a bit too forceful, but really: we’re givern plenty of explanation for him to act that way and his acting is really consistent thoughout the series. Heck, if there is anything such as perfection, then this series comes closest to it this year. It’s a must-watch if you’re into realistic drama. It’s not for everyone obviously: if you want action, then don’t bother. However, I do believe that this is the kind of series that can attract people who normally aren’t into romance, but are interested into the genre.

Storytelling: 9/10 – Goldilocks pacing: neither too fast nor too slow. Really manages to let its characters tell its story.
Characters: 10/10 – Fantastic voice acting, amazing chemistry, wonderful drama.
Production-Values: 9/10 – Very expressive and detailed animation throughout the entire series.
Setting: 8.5/10 – Down to earth and very believable, with a great idea to base its romance on that it uses really well.

Suggestions:
Aoi Hana
Sakamichi no Apollon
Hourou Musuko

Posted on with categories: Natsuyuki Rendezvous

And here we have the ending of one of the top shows of 2012. I mean, back during the Spring season I already was very impressed with Sakamichi no Apollon, but that series had its flaws: it at times tried a little too hard, and as a result the characters forced themselves a bit too much into romance and drama. This series however was just perfect. It made brilliant use of its length and its story was simple, yet so effective. My favorite shows usually are complex series with huge storylines, but this was done so well that it completely won me over.

The ending here was no different. Screw trying too hard, this was just perfect: Atsushi got his time to say goodbye to Rokka properly, pissed off Hazuki one final time with his threat to kill her, and afterwards Rokka and Hazuki officially become a couple. Atsushi really shook up both of them in his attempt to leave a lasting impression, and I love how well the animators captured their emotions at just that moment. Hazuki’s utter surprise and Rokka’s hopelessly sad face were incredibly genuine.

And after that, this series picked a very interesting epilogue. Usually we skip forward to a few years later. This time however, we turn to the point where Hazuki dies, living his life happily. We got to see his daugthter with Rokka all grown up, which really is not something you see often. In fact, I can’t remember any other epilogue that did that. Beyond that, we never see Hazuki or Rokka in the epilogue other than in pictures. Again, a wonderful idea.

At this point I can’t say whether Natsuyuki Rendezvous will be my top pick for 2012. I can however say with quite a bit of certainty that it’s in the top 2 of the year. Its exact placement depentds on how Space Brothers fares in its third quarter, and whether it keeps up the pace it created. Space Brothers has slightly better characters, but on the other hand its pacing and animation just aren’t as good as this series. Nevertheless, these two shows stand miles above anything else this year.
Rating: 6/8 (Awesome)

Posted on 6 September 2012 with categories: Natsuyuki Rendezvous

Natsuyuki Rendezvous! That was amazing! This is what a penultimate episode should be. It’s finally time to see where all that build-up went.

I love the twist in this episode. For a long time we just saw Hazuki interacting with various versions of Rokka acting as various fairy tale figures. Only for it to turn out that that indeed was the subconsciousness of Atsushi, resulting in Hazuki really trading places with him and becoming a helpless ghost himself.

The moment in which he found out what all happened was wonderful. His reaction was priceless. I really admire how the creators pretty much pulled him away from all action for so long. Right now a ton of stuff has happened outside of his knowledge (including that new look of his, but also the change in feelings from Rokka), and it’s awesome to think how he’s going to react and adapt to all that.

And as for that final episode, Rokka’s final like is just the perfect lead up to that. This is where she addresses her worries for Hazuki, and very likely it will become clear that Atsushi has done something with him. It’s going to be a perfect climax for all three of them together. All at a place in which nobody can bother them and which has a huge value for both Rokka and Atsushi. The ending I’m looking forward to the most this season definitely belongs to Natsuyuki Rendezvous.
Rating: 6.5/8 (Amazing)

Posted on 31 August 2012 with categories: Natsuyuki Rendezvous

Natsuyuki Rendezvous, I applaud you! That was magnificent!

Now this is really how you do a dramatic climax. There was so much emotion in it, yet it was wonderfully restrained. The acting here was just brilliant. Everything in this episode was just leading up to that one moment in which Rokka would realize that for some reason Atsushi is back in Hazuki’s body, and they did so brilliantly.

The way they built it up also was amazing. Whilst Rokka was catching up to Atsushi (which is believable considering his mind has no affinity with being fast in any way), this episode kept showing flashbacks of the most memorable moments that the two of them shared together, which this series very nicely saved specifically for just this moment (now that I mention it: we never saw the flashback of the actual moment in which Atsushi died, right? That’s a wonderful touch right there for this series).

Beyond that I also really want to applaud the dialogue for this episode: that was some really well written stuff, miles away from the usual cliches. It felt fresh and captured the characters perfectly in how it described them. It also flowed so well with the actual animation. This episode didn’t feel like “okay, and now we have a bit of exposition”, but all the scenes flowed into each other, and did so incredibly smoothly. Dogakobo, where have you been hiding this talent for all this time?
Rating: 7/8 (Fantastic)

Posted on 23 August 2012 with categories: Natsuyuki Rendezvous

When it was revealed that Atsushi could move objects, I did find myself thinking “now what?” Well, the creators answered that question brilliantly, and at this point it has become clear that the main plot of this show is all about that body takeover, and the conclusion of this series will very likely also be the point where this will get resolved, and no sooner. This episode was meant to build up for that, and what brilliant build-up it was!

Clearly something happened between Atsushi and Rokka that involves mountains. The first half focused on this from Rokka’s perspective as she tried to puzzle what on earth was going on, and what I really loved was how well her acting was when she called up Hazuki. Talk about restraint! It said so much with so little dialogue!

The second half of the episode then moved over to Hazuki as he realized that there was a slight danger that he didn’t anticipate to the body swapping: not being able to return, with as the highlight that part that had the best track of the soundtrack of this series (the one with the bass-like guitar and piano: a simple yet wonderful combination).
Rating: 5.5/8 (Excellent)

Posted on 16 August 2012 with categories: Natsuyuki Rendezvous

After compiling the preview for the next season, at this point I’m about 90% sure of this: my favorite series of 2012 will be either Uchuu Kyoudai or Natsuyuki Rendezvous. Both series stand far above the other series this year in terms of characterization and acting. This episode of Natsuyuki Rendezvous only reaffirmed this.

It went on even longer with the body takeover: this episode still didn’t resolve it, but instead it was entirely dedicated to Atsuhi coming ot terms with his own death, and Rokka moving on. This episode didn’t pull the soap opera card by hammering on that Rokka was falling in love with him again, but rather it was about how he realized that she had fallen in love with someone else. Something that both of them couldn’t imagine for years.

Even at the end of the episode when Rokka realized the hints of Atsushi, this again wasn’t with a soap opera in mind, but again with the themes of goodbye. I love how the creators used that small potted plant thingy as the way for him to leave Rokka, in order to “correct his own mistakes”. I have no clue what that means, the way in which it symbolizes his character-development was really well done.

What’s more: this series really was made for Noitamina. 11 episodes is the perfect length for this story, and that makes it also very easy to pick up and just watch for those with little time. And really: this series wastes no minute of its airtime: every scene feels like it contributes subtly to the cast.
Rating: 6,5/8 (Amazing)

Posted on 9 August 2012 with categories: Natsuyuki Rendezvous

So, this is the direction the story went with. Taking over the body really turned out to be a huge plot point for this series, rather than a random gimmick. This entire episode was building up to the big twist at the end, after which there still was no sign of Hazuki getting his body back. Instead, Rokka ended up confesing her feelings while his body still was occupied. Now that’s going to be awkward.

This really was a slow episode, especially after the bath scene. I really like that it focused on Rokka sorting out her feelings, and how this episode took its time for that to let everything just play out. It’s likely that she had feelings for Hazuki before the whole body switching went on, but Atsushi definitely contributed to them afterwards. What I’d like to know is: would she also have confessed this way if the switch didn’t happen? How would things have progressed if Hazuki never got into that drunk mood?

What’s also interesting for Atsushi here is the use of the story of Thumbelina, in terms of symbolism I mean. For those who don’t know about the general story (I couldn’t remember either until I read up on it), it’s the story of a tiny girl who escapes all sorts of shady marriages and friendships (symbolized by various animals). She then meets a swallow and heads off to a far away land to meet her tiny flower fairy prince, after which she transforms and receives a pair of wings and a new name. Atsushi actually put Hazuki, right at the moment where she meets that swallow. Despite what he might say or do, he actually supports Rokka moving on. And yet this episode came and complicated things again by using that confession, getting his feelings all jumbled up again. The wait is for what the creators intend to be the “far away land” of the story of thumbelina. That will be the key here.
Rating: 5.5/8 (Excellent)

Posted on 3 August 2012 with categories: Natsuyuki Rendezvous

Last week we left off with Hazuki finally giving off his body to that ghost in a drunk mood. This episode carries that further, and it’s definitely different from usual anime, in which such a possession only lasts a few minutes: at the end of this episode there still was no sign of him being content with leaving Hazuki’s body. In fact, things only seem to have just started yet.

In the meantime we have a wonderfully subtle portrayal of Atsushi in Hazuki’s body. It was emotional, but not melodramatic. It was sad, but not consistently sad: it actually balanced his feelings for finally being able to talk to Rokka again with his attempts of getting used to Hazuki’s new body, getting a better understanding of the guy in the process. I like how he tried to cut his own hair as a way of dealing with his frustrations, but he didn’t exactly end up ruining the guy’s image in front of Rokka. Of course she thinks he’s a horrible drunk right now, but he did nothing that would make her outright hate him, interestingly.

Hazuki meanwhile… didn’t really do anything. His part in this episode was mostly building up as he ran around in this dream world along with ythe younger Rokka, although she did provide a few hints about Atsushi when he was younger. The actual meat of that subplot will probably be revealed next week, although it is surprising to see this series beat around the bush a bit. But that’s something that I also find that this show does really well: it’s really well balanced, on top of its excellent voice-acting, script, music, characters, timing, etc.
Rating: 5.5/8 (Excellent)

Posted on 26 July 2012 with categories: Natsuyuki Rendezvous

This episode really shined in how well it balanced showing what went on in the minds of the characters. For Hazuki it has two ways to show his thoughts: his long inner monologues, and his fast inner quibs in the middle of conversations. Rokka has them too, but the difference is less extreme. In contrast, we didn’t get so see into the mind of Atsushi for most of the episode, though at the end it was perfectly clear what he had been thinking throughout most of the episode.

Most of this episode was about the date in the amusement park. And it felt very awkward, but that was entirely the intention of the creators: Hazuki really wanted to use this opportunity to make his move on Rokka, forcing his way through everything. It’s interesting how the only impression he has of the past amusement park is one photo that in no way showed what was going on in the rest of the trip. At the end, this was suppored to be the catalyst to the big moment at the end of the episode: him giving up his own body in a drunk mood. This depended a lot on the right emotional portrayal of the characters, and really: the creators nailed it.

After this, it’s all going to depend on where the creators take this next. There are a ton of ways they can to after the next episode. It all depends on the meaning that they’ll give of Atsushi’s short meeting with his wife.

Also, I think that right now we’re at a historical junction: 20 years from now, people can somewhat differentiate some of the series from before 2012 and after. From today, the big landmark of Tokyo is the Sky Tree, and not the Tokyo Tower anymore. The next terror that will land upon the city will choose to smash up the Sky Tower, and from now on, the Tokyo Tower will just be seen as its small brother.
Rating: (Excellent)

Posted on 20 July 2012 with categories: Natsuyuki Rendezvous

If it was just the voice acting in this series that was as great as it was, this series would already be amazing. But it’s not just that: the music is brilliant, and in fact got even better in this episode with its combinations of piano and string pieces. And on top of that the expressions are wonderfully drawn in this series: its ability to convey emotions also is completely unrivaled in this season. And the bizarre thing is: this is Dogakobo. What really surprises me is how they suddenly got themselves some awesome producers who could bring together some people who really know what they’re doing. What triggered that? I mean, these are the guys who are behind the many seasons of Koihime Musou. They only did one series once that didn’t involve blatant moe: Ryoko’s Case File, but that was nowhere as well executed as this series is.

I mean, there is also the way in which they got Ryo-Chimo to direct the OP, but what also surprises me is how tightly everything is produced: Kou Matsuou is involved everywhere: he directs, he writes the script, he even directed the ED. On top of that, every episode director so far also personally wrote the storyboard. I know that originally these roles were pulled apart in order to allow for more consistency in the anime production process, so that even with an average staff you could produce a great episode because the workload is divided, but it’s still good to see that the people who have the time and skill to do both at once are still there, because this in my opinion allows for a more creative control over each episode.

What the creators did in this episode brilliantly was show how hopeless Atsushi’s situation is. He’s pretty much forced to watch some random guy start hitting on what he still considers to be his girlfriend, and being sick for his entire life he really became a sympathetic character here after his charades last episodes. And really: Hazuki is one of the most flawed main characters out there, but in a completely different way from usual. This guy is cold and brash, not polite at all. Yet at the same time, he’s very sharp-witted which despite him being an asshole at times, makes him really great to watch. My one nitpick about this episode was that we got to see very little inside the head of Rokka herself. That was what made her so interesting in the first two episodes.
Rating: (Awesome)

CHANGE USERNAME
Kaiser-Eoghan
And its quite natural.
Kaiser-Eoghan
@Mario: Florida project succeeds through its free flowing nature/narrative and manages to be hilarious all the while managing to never allow you forget its also a kitchen sink drama, the best performances come from William Dafoe and the girl. At the end it gut punches the audience emotionally.
SuperMario
@Kaiser: also expecting Florida Project, 3 Billboards, and The Shape of Water in my end
Kaiser-Eoghan
Eh, Kino was a bit too slight this week.
Kaiser-Eoghan
@Mario: Just Lu, disaster artist and happy end left now for the year. Maybe the new Godzilla.
Kaiser-Eoghan
@Mario: I felt that Sion Soni's Noriko's dinner table did the irl acting thing better.
SuperMario
@Kaiser: I'm going to watch The Killing of a Sacred Deer. Consider I regarded The Lobster as one of the best film of that year and Dogtooth and Alps impressed me a lot; I have high hope for this one
Kaiser-Eoghan
Mooooommm, I want my Lu over the wal subs and I want them now OMO!
Niello
...Can't torrent where I am, grrrr.
Kaiser-Eoghan
I'm quite fond of Go Nagai's devilman, so I'll be interested in seeing Yuasa's adaptation of it whenever it comes out.
SuperMario
@Kasier: ha! thanks Kaiser. Finally it's out... gonna download it now
Kaiser-Eoghan
@Mario: Here is a link to Night is short walk on girl English subbed: https://nyaa.si/view/979508
Kaiser-Eoghan
@Mario: OR JUST MONIKA Amirite =P
SuperMario
in all seriousness though, I hope they can use one week break to smooth out their production.
SuperMario
so Just Because's taking a break this week. The reason: just because
Lenlo
Mhmhmm Inuyashiki was great this week. I just love this show.
Amagi
The hell- no didn't know that. I really wouldn't have expected tribute songs to this series
Niello
@Amagi: Did you know this exists? And it's by Igorrr no less. https://www.youtube.com/watch?v=yhQQ57N-9ys&list=PL9ku-W0xIzd4EYUL9bUG2CZXBIy7cCiSk
Niello
And yes, I'm just waiting and waiting for the day the anime get announced. No doubt it'll becomes a classic.
Niello
@Eoghan, I don't think it becomes a mess though, the story threads all come together amazingly well.
KTravlos
I too recommend at least watching 2nd episode of Tanya before passing judgement.

Looking forward to the Urasawa manga as well!
SuperWooper
@Anonymous: Thanks! Reading blog posts used to be my go-to distraction when I took breaks at work. Now I have to take breaks from writing them. It's a grind at times, but Star Crossed ought to be alive for a while yet.
Amagi
Adaptions for series like these only work when they're passion projects. If they're not they end up like the Dies Irae anime.
Amagi
It's another one of those series I really wish to see as an anime with music, movement and so on. But same as with Made in Abyss, it needs a cometent director and one that is in love with the work or else it will be a letdown
Amagi
@Niello: Yes and I fucking love it. The gritty style, the setting, the characters and designs and so on. @Kaiser didn't know she was under Nihei that's cool. I love these sketchy styles
Kaiser-Eoghan
@Niello: yes and more people I believe should so, despite that its kind of become a mess, I take the thing as one big black comedy. The woman who drew it interestingly enough apprenticed under Tsutomu Nihei.
Niello
Anyone here read Dorohedoro?
Anonymous1566521
Just passing by to say like the place, it's kinda perfect to read for whenever I take a break. And most importantly I haven't read anything stupid. Hopefully it won't die anytime soon:0
Vonter
Masky - Overlord has an OP isekai, yet I find that series compelling do to the world building, and how even with power and influence, the MC plays like a chessmaster and not brute force his way into doing something.
AidanAK47
@Masky, I wouldn't write off Tanya so fast. Make it to episode 2 at least.
Kaiser-Eoghan
I feel I need to actually properly get into Godzilla for some frame of reference before the anime film, I've only seen the new one and the original.
Amagi
Or the Hiroshima movie
Amagi
I know you can't have everything but considering that we currently have Blame, the Itoh movies, Lu over the Wall, Godzilla or Napping Princess this is rather a let down
Amagi
Meh, not really happy about the anime film festival decision here - a few good movies are there: heaven's feel, motherfucka (from the tekkonkinkreet guy) and another one that sounds great but other than that a lot specials like conan movie #718 or something, the third part (why?) of persona 3 and other movies that are just specials of series I dropped at some point
Masky
*WWI
Masky
I mean, op isekai mc is boring whether they are hero or villain, thats how tired I'm of that trope at least
Masky
So was wondering what was up with that Tanya the Evil show and was disappointed to find out its "Isekai were MC is evil and WWII esque fantasy setting"
Anonymous1566013
dragon ball kai
Anonymous1566013
dragon ball z
Kaiser-Eoghan
@Mario: That Godard biopic you mentioned is showing tonight and on sunday afternoon, at the very least I'll be checking out Le Chinoise in preparation for it.
SuperMario
@Kaiser: and right after I just watched Loving Vincent in theatre, it's available online
Kaiser-Eoghan
@Amagi: Blame! got released ages ago and no one watched it.
Kaiser-Eoghan
@Mario: Out in cinemas in Dublin in 3 weeks though, might aswell wait.
SuperMario
Also Lu over the Wall is out, with Russian subtitle. So anyone here who can understand Russian, you're in luck
Amagi
@Kaiser: Thanks, I love quite many anime movies. Guess I have something to watch this weekend.
AidanAK47
Not many I am afraid. Though I do like it's music.
Anonymous1565678
who is fairy tail fan here
Kaiser-Eoghan
For those interested anime Godzilla is out in a few weeks. Also Genocidal organ, napping princess and in this corner of the world are out as is the Fate/ilya movie.
Kaiser-Eoghan
I'm interested enough to read more of that Urasawa manga.
Kaiser-Eoghan
I don't point out errors (although its part of my job at work to lol) but I feel that one thing was noticeable in the Kino review, soap instead of soup is mentioned.
Kaiser-Eoghan
Eh, I quite like it when anything deals with religion or conviction in a mature way, it makes me feel things.
AidanAK47
Not really keen on following a Urasawa manga while it's ongoing considering how much of a slow burn his stories usually are.
Amagi
To the English only people: the Urasawa manga is translated into English now - it's on Mangastream (so beware of the watermark, but better than nothing)
Anonymous1565136
The anime?
SuperMario
... still on course with the anime (my phone acting up again)
SuperMario
@afgm: welcome back mate. It has been awhile. Hope you're
Anonymous1564565
@Amagi, The sign post with Iyami's teeth symbol read something like Buddhist reseach facility, which only makes it weirder.
Amagi
Also that Iyami clone seems to be the same as the running guy on page 2 (which was also the promo page posted on sites like ANN)
Amagi
Thank you very much anon. I love how international this chat is. But what you said makes the story feel even weirder. Really wonder what this is about but I can't say I am not interested now
Anonymous1564565
This is weird, really weird.
Anonymous1564565
[spoiler] As expected, now he's in another trouble. ...He mistook a crow for a blue bird that will bring happiness. And then we go back to the scene at the beginning when he hallucinate about someone calling. ...Is that Iyami from Osomatsu-san?
Anonymous1564565
[spoiler]Then because Trump is currently popular, their plan to is mass produce the mask with the guy's factory? (He's totally getting dupe isn't e?)
Anonymous1564565
[spoiler] The wife won a lottery and got a free vacation ticket to a luxurious cruise ship. She then left the husband with another guy. The Trump parody hag person is Beverly Duncan. Then one of the husband coworker put on a mask of Trump and start mocking.
afgm
I feel like the site is finally coming back into its own :)
afgm
(and great old writers)
afgm
Great new writers on the site
Anonymous1564565
[spoiler] He's trying to look at tax avoidance and discuss it to his fam. The turns out the gov start checking so that plan was a bust. Now they are looking at potential confiscations, including their flip flop factory.
Anonymous1564565
[Spoiler] So the guy seem to be having some kind of hallucination of someone calling him, even though there's no one in that direction.
Anonymous1564565
@Amagi "but it's in Thai", :)
Amagi
I am really looking forward to the Pluto anime. But I guess it won't come earlier than spring 2018 or something.
Amagi
If it was Japanese I'd at least understand a few parts (and almost everything if it was French) but now I have not the slightest idea what this is about but it does look interesting. I also liked Urasawa's earlier one shot. The one after Billy
Amagi
Not sure if I am allowed to link scans so here an indirect (last post) one I found, but it's in Thai (I hope someone who understands it will translate that chapter into English) https://www.reddit.com/r/manga/comments/780rve/sl_how_long_until_we_see_the_1st_chapter_of_naoki/
Anonymous1564517
It shows a lot of shots though that bring back memories of Urasawa's earlier works. Its great that he's going weird; Urasawa is one of the best at producing unique series, even if his methodical writing and storytelling style is always evident.
Anonymous1564517
Is it Mujirushi? I saw some French advert for it, (nothing said except that it's launching soon), but I can't find anything else on it.
Amagi
There is a (sadly, non-English) scan for Urasawa's new manga and it looks weird. Hundreds of masks of some presidential candidate that looks like a female Trump and a weird and shady guy at the end.
Lenlo
That said, why is PUBG on any of these lists. Its still in beta
Lenlo
Horizon on the other hand is easily understood and fits the open world mold well. I like Nier more, but Horizon is still a really good game.
Lenlo
Everyone knows it exists, but not everyone likes it/could finish it/understands it.
Lenlo
Thats the thing, it still is a niche. Its in the same category of Souls games now
Niello
Nier may not be a new IP, but it's an IP that finally rise from obscurity after being a really niche cult hit for years.
Niello
Why would being weird a negative for Nier? Doesn't that imply creativity?
Vonter
I suppose because Horizon is a new IP and also less weird than Nier. I haven't played it, but presentation alone has marked a great impression of that game.
Niello
Why is Nier in only 3 categories and Horizon Zero Dawn so many even where it's not deserve?
Niello
I still think Maho Yome is super overrated. The show so far has been more about spectacles than anything. I get it, the manga is pretty good, still not one nearly even one of the best though.
Vonter
PUBG I feel its an odd choice. Mainly because it's the only game listed that I wasn't aware it existed.
Vonter
The game awards are near, and so here are the nominations for all categories:
http://thegameawards.com/awards/
Anonymous1562244
KT Here. they did not force it. They let the circumstances do the talking and it was powerful.
Anonymous1562244
KT Here: Yes psgels is a man, yes for a long time I was under the impression he was a woman. Now and Then, Here and There is indeed excellent. The thing was exactly that, a frank depiction of what child soldiers go through. Considering how most shounen shows are essentially about kids engaging in war, the frank and gritty depictions was welcome if dis-concerning. And as Super pointed out they did
SuperMario
Yeah, I can give the show a full review (says the guy who is currently behind on his weekly post). But be mindful that as this show is in my top 10 anime, my rating might be even higher than psgels' (Usually my taste is different than his but in Now and Then we are pretty much on the same page)
SuperMario
The shounen element is for me, intentional as Now and then plays by the typical shounen rules (with a bery typical shounen protagonist) entirely in its first episode before slaming every brutal things towards him. Yep, they imply many dark contents make it much more disturbing. That girl (I think her name is Mary)'s circumstance ripped my heart
Nielllo
@Mario: I'd be interest in that! The atmosphere to me is like Jing the Bandit King but less surreal and more shounen.
Kaiser-Eoghan
@Mario: The scene where the girl is raped/abused in the prison. It stands out for the fact they imply it rather than showing.
SuperMario
Actually, I can re-watch it over the weekend and give it a full review. Again, it has been awhile so I'm intrigued to see how the show's holding up for me now
SuperMario
They're brutal but not for the sake of being brutal, I never feel the show as heavy handed on its brutality, or sugarcoating the optimistism of the main character. The show is about the scar of war and for that imo they really deliver the message
SuperMario
That's what happen when I prepared to write a long comment, but work held me up so I had to cut it short. It's been awhile since I last saw Now and Then, but I feel the show has a frank and down to earth depection of the terror of war...
Nielllo
@SuperMario, You'll need to explain it to me man...
Anonymous1561608
@Psgels is woman
Anonymous1561597
Really???
SuperMario
@Niello: i love Now and Then. One of the rare series that I rated 10/10. I feel all the drama is raw, and effective
Nielllo
The last time I check, the scanlation group doesn't have the translator position filled up. At this point I'm probably going to order the remaining volumes at some point and just try to read it in Japanese. The worse thing is it's a josei so the text doesn't have furigana and I'll be stuck with just Kanji.
Nielllo
That sums up my feeling for Now and Then, Here and There really well.I took a look at the raw of the last chapter and it pretty much ended like how I think it would (mostly the epilogue, so not much spoiler)
Kaiser-Eoghan
With how slow the updates are for Amatsuki's manga I will probably re-re-read the whole thing again when it ever finishes. I disliked the protaganist of now and then here and there , while I did enjoy the misery the characters went through as it made for good drama and that dictator guy was suitably effective, I never got the FEELs watching it.
Nielllo
My taste generally align well with psgels (hurray for seeing potential in Amatsuki? that one surprised me, really didn't expect a 90/100, not complaining of course), but can someone explain to me, the appeal of Now and Then, Here and There?
Kaiser-Eoghan
*are many
Kaiser-Eoghan
I suppose we do live in the introvert age, so there probably are who have plenty of time to burn.
Kaiser-Eoghan
I agree about the having more time when your young thing definitely though, I'd argue I probably had too much of it, we probably don't use that time as well as we should come to think of it looking back.
Kaiser-Eoghan
Which means I also have more time because I'm not in a relationship.
Kaiser-Eoghan
I know this will sound terrible, but I don't really bother associating with women beyond necessary interaction.
Kaiser-Eoghan
*or hikkimori
Kaiser-Eoghan
I'm not upset about this, just means theres extra time to be filled because everyones too pre-occupied in their spare time.
Kaiser-Eoghan
I save well and don't have many people to buy for , I also pirate everything.
Kaiser-Eoghan
I wouldn't call myself a NEET of hikkikomori, but genuinely do have absolutely no life, so I pretty much only leave my home for part time work/food/cinema trips. I don't party or drink and I see old friends once or twice a year (They've all moved), maybe my brother slightly more but not as often as most people would.
SuperMario
@Vyse: haha, you have a wild imagination. I'm pretty sure he's man
SuperMario
@anon1561372: pretty much what Kaiser said. He did came back a few months ago for monthly summaries but it seems life's swallowing him again. Would love to see him back to be honest
SuperMario
@Aidan: well, I'm at a stage where I don't have either enough time or money or anything concrete for my life. So I envy those who have plenty times to burn
Kaiser-Eoghan
Psgels professional and social life became more demanding and had a bout of writers block. Going by the photograph and voice on some of the podcasts he did, psgels is very much a man.
VyseLegendaire
psgels is a female
Anonymous1561272
@SuperMario Where did he go? Did he just stop completely?
AidanAK47
Well his posts were not as long as ours and I think he did them mostly in his secondary school years and you have plenty of time to burn back then. I remember I used to make a point of finishing games 100% back then and I replayed a ton of them over and over again.
SuperMario
And back in the day, psgels could blog like 3 or 4 posts per day, many of them on the same day of its airing. How the hell could he do that consistently for almost 10 years?
SuperMario
Fell asleep yesterday while writing Houseki review. Now that bastard will have to wait until later tonight (It's morning here). Apologize for that
Niello
Really? I thought the manga art is gorgeous. The beginning, not so much, but her art really improved. I love how whimsical it is. Other characters not so much, but Mahmut's design is really a step down from the manga.
KTravlos
ah you will hate me. Much as I love the story, I just cannot find the character art pleasing. On that one point for me the animated version was better. For example I much preferred the depiction of Einstein in the anime than in the manga. Now this is a personal thing, but I am shallow, and I do read manga partly for the art. So I am torn. I prefer the manga for the story but the anime for the art
Niello
@KTravlos: As a fan of the manga, I wouldn't say it's for us manga reader at all. I dropped this abomination long ago, I just can't stand it. It got butchered just like Amatsuki was, and tha's by the same director. I really really hope he never get to touch on an adaptation ever again.
KTravlos
also the Altai episode this week showed all the problems of the series. The pace was just too fast. Essentially this was just an episode for manga readers. Very very problematic
KTravlos
@SuperMario. I actually think that a double review of Altiar and AS would work better, as a way to talk a bit more expansively on the whole genre
Kaiser-Eoghan
Oh hey awesome, new black mirror episodes in December.
Anonymous1558371
it's not really a plot twist, but it is a drastic change.
Anonymous1558371
I honestly don't know how well the anime will handle it. I'd like to think they will surpass the manga because they put a lot of care into the scene. It involves a fight scene and they have been handling those well, so I'm hopeful.
SuperMario
@anon1558097: will that shock plot twist whatever-it-is even make it this season? I'll be honest but if I have to compare the current anime to what I've read from the manga so far (first few chapters), The manga is more inventive and awe-inspiring for me
Anonymous1558097
@Mario: DON'T. I'm having a much better time enjoying the show ever since I stop comparing it to the manga. Still a shame I won't be getting the initial shock reaction from what's going to happen in the second half though.
SuperMario
Now you guys are really tempting me to read on the houseki manga, but I WON'T
Kaiser-Eoghan
I really wish that we could see more of the snail race things in houseki , the Gems and moon people have had their turn.
Kaiser-Eoghan
Honey and clover had a much stronger balance of humour and drama, with sugatsu I feel its the drama that stands out best.
Kaiser-Eoghan
Okay major major MAJOR houseki spoilers....sensei is really....
.....
.....Saitama from onepunch man.
Kaiser-Eoghan
@Mario: I've only seen the first season.
Kaiser-Eoghan
@Mario: And anyone who breaks your Dia(mond) must be destroyed.
SuperMario
@Kaiser: just look at the lastest episode (27), juggling, bouncy, silly in the first half and then emotional depth in the second. Well, that's a 3-gatsu's tone we pretty come to expect now
SuperMario
@Kaiser: ANYONE DARE TO MAKE MY HINA CRIES WILL HAVE TO PAY. I share the exact same sentiment with Rei
Kaiser-Eoghan
I will say this...it is...an un-evenly paced series...but always jolts you before you get too bored with it.
Kaiser-Eoghan
*Looks at 3-gatsu screenshot*
Hina =< ; _ ; QmQ *cry**tears*
Kaiser-Eoghan
I am reasonably satisfied with how the houseki manga is in its latest chapters, coming together and the answers it gave.
SuperMario
@Nielo: wow, thanks. I'll definately pay more attention to that. Love to pick up those little details like that so I'm all ears if you pick up something else
Kaiser-Eoghan
I noticed that discord button. If more show up on it I'd consider joining it.
Kaiser-Eoghan
@Amagi: What will happen is that I'll end up marathoning it when more episodes get released, much like I did with first. The guy from the first series (Germain his name was) was a hard act to follow , so far I do think this is more enjoy than the little of the second season I saw.
SuperWooper
LOL, thanks for catching that.
SuperMario
@Wooper: I always enjoy "deep-friend" chicken as well. Tasty, taysty
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Featured Posts

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