Posted on 13 September 2012 with categories: Anime Reviews, Natsuyuki Rendezvous



The Noitamina timeslot started back in 2005, as an attempt to air series aimed at an older audience than usual. It was a wide success and spawned many awesome series. Then, in 2011 something happened: Fractale aired. It was alongside Hourou Musuko of course, but Fractale is the best symbol for the timeslot as it headed into a completely different direction, making shows about teenagers like what every other anime was doing. There were exceptions like Usagi Drop and Un-Go, but the general new shift in style was definitely noticeable. Until the Summer of 2012, that is. The past three months, we got to see Noitamina return back to its roots. And it was awesome.

Setting aside Moyashimon, Natsuyuki Rendezvous pretty much delivered one of the two best shows of the year, leaving every other series miles behind. It’s just so well made. The production company may be Dogakobo, these guys manage to deliver the best animation they’ve ever done. The characters are drawn incredibly expressive and they come wonderfully to life. And that can be added to the fact that this series is directed by Kou Matsuo, whose series often have this interesting habit of recording the voices before the animation is made. The result is fantastic acting with voice actors who instead of focusing on matching the flaps, can focus on interacting with each other. This show has brilliant characterizations overall.

And realyl, the story knows what it is. It’s deceptively simple from the outside, with very little unneccessary twists. It knows exactly what kind of story it wants to tell and has paced this out perfectly with hardly any moment wasted or rushed turing its 11-episode run. Instead of random twists, it thrives on letting the characters just interact with each other and create their own tension. It has nailed their background and gradual development, and it really succeeded in creating an awesome romance based on the three main characters who feel real and down to earth.

The thing also is, that I can’t think of any real criticism for it. Perhaps there are times at which one of the characters, Hazuki, becomes a bit too forceful, but really: we’re givern plenty of explanation for him to act that way and his acting is really consistent thoughout the series. Heck, if there is anything such as perfection, then this series comes closest to it this year. It’s a must-watch if you’re into realistic drama. It’s not for everyone obviously: if you want action, then don’t bother. However, I do believe that this is the kind of series that can attract people who normally aren’t into romance, but are interested into the genre.

Storytelling: 9/10 – Goldilocks pacing: neither too fast nor too slow. Really manages to let its characters tell its story.
Characters: 10/10 – Fantastic voice acting, amazing chemistry, wonderful drama.
Production-Values: 9/10 – Very expressive and detailed animation throughout the entire series.
Setting: 8.5/10 – Down to earth and very believable, with a great idea to base its romance on that it uses really well.

Suggestions:
Aoi Hana
Sakamichi no Apollon
Hourou Musuko

Posted on with categories: Natsuyuki Rendezvous

And here we have the ending of one of the top shows of 2012. I mean, back during the Spring season I already was very impressed with Sakamichi no Apollon, but that series had its flaws: it at times tried a little too hard, and as a result the characters forced themselves a bit too much into romance and drama. This series however was just perfect. It made brilliant use of its length and its story was simple, yet so effective. My favorite shows usually are complex series with huge storylines, but this was done so well that it completely won me over.

The ending here was no different. Screw trying too hard, this was just perfect: Atsushi got his time to say goodbye to Rokka properly, pissed off Hazuki one final time with his threat to kill her, and afterwards Rokka and Hazuki officially become a couple. Atsushi really shook up both of them in his attempt to leave a lasting impression, and I love how well the animators captured their emotions at just that moment. Hazuki’s utter surprise and Rokka’s hopelessly sad face were incredibly genuine.

And after that, this series picked a very interesting epilogue. Usually we skip forward to a few years later. This time however, we turn to the point where Hazuki dies, living his life happily. We got to see his daugthter with Rokka all grown up, which really is not something you see often. In fact, I can’t remember any other epilogue that did that. Beyond that, we never see Hazuki or Rokka in the epilogue other than in pictures. Again, a wonderful idea.

At this point I can’t say whether Natsuyuki Rendezvous will be my top pick for 2012. I can however say with quite a bit of certainty that it’s in the top 2 of the year. Its exact placement depentds on how Space Brothers fares in its third quarter, and whether it keeps up the pace it created. Space Brothers has slightly better characters, but on the other hand its pacing and animation just aren’t as good as this series. Nevertheless, these two shows stand miles above anything else this year.
Rating: 6/8 (Awesome)

Posted on 6 September 2012 with categories: Natsuyuki Rendezvous

Natsuyuki Rendezvous! That was amazing! This is what a penultimate episode should be. It’s finally time to see where all that build-up went.

I love the twist in this episode. For a long time we just saw Hazuki interacting with various versions of Rokka acting as various fairy tale figures. Only for it to turn out that that indeed was the subconsciousness of Atsushi, resulting in Hazuki really trading places with him and becoming a helpless ghost himself.

The moment in which he found out what all happened was wonderful. His reaction was priceless. I really admire how the creators pretty much pulled him away from all action for so long. Right now a ton of stuff has happened outside of his knowledge (including that new look of his, but also the change in feelings from Rokka), and it’s awesome to think how he’s going to react and adapt to all that.

And as for that final episode, Rokka’s final like is just the perfect lead up to that. This is where she addresses her worries for Hazuki, and very likely it will become clear that Atsushi has done something with him. It’s going to be a perfect climax for all three of them together. All at a place in which nobody can bother them and which has a huge value for both Rokka and Atsushi. The ending I’m looking forward to the most this season definitely belongs to Natsuyuki Rendezvous.
Rating: 6.5/8 (Amazing)

Posted on 31 August 2012 with categories: Natsuyuki Rendezvous

Natsuyuki Rendezvous, I applaud you! That was magnificent!

Now this is really how you do a dramatic climax. There was so much emotion in it, yet it was wonderfully restrained. The acting here was just brilliant. Everything in this episode was just leading up to that one moment in which Rokka would realize that for some reason Atsushi is back in Hazuki’s body, and they did so brilliantly.

The way they built it up also was amazing. Whilst Rokka was catching up to Atsushi (which is believable considering his mind has no affinity with being fast in any way), this episode kept showing flashbacks of the most memorable moments that the two of them shared together, which this series very nicely saved specifically for just this moment (now that I mention it: we never saw the flashback of the actual moment in which Atsushi died, right? That’s a wonderful touch right there for this series).

Beyond that I also really want to applaud the dialogue for this episode: that was some really well written stuff, miles away from the usual cliches. It felt fresh and captured the characters perfectly in how it described them. It also flowed so well with the actual animation. This episode didn’t feel like “okay, and now we have a bit of exposition”, but all the scenes flowed into each other, and did so incredibly smoothly. Dogakobo, where have you been hiding this talent for all this time?
Rating: 7/8 (Fantastic)

Posted on 23 August 2012 with categories: Natsuyuki Rendezvous

When it was revealed that Atsushi could move objects, I did find myself thinking “now what?” Well, the creators answered that question brilliantly, and at this point it has become clear that the main plot of this show is all about that body takeover, and the conclusion of this series will very likely also be the point where this will get resolved, and no sooner. This episode was meant to build up for that, and what brilliant build-up it was!

Clearly something happened between Atsushi and Rokka that involves mountains. The first half focused on this from Rokka’s perspective as she tried to puzzle what on earth was going on, and what I really loved was how well her acting was when she called up Hazuki. Talk about restraint! It said so much with so little dialogue!

The second half of the episode then moved over to Hazuki as he realized that there was a slight danger that he didn’t anticipate to the body swapping: not being able to return, with as the highlight that part that had the best track of the soundtrack of this series (the one with the bass-like guitar and piano: a simple yet wonderful combination).
Rating: 5.5/8 (Excellent)

Posted on 16 August 2012 with categories: Natsuyuki Rendezvous

After compiling the preview for the next season, at this point I’m about 90% sure of this: my favorite series of 2012 will be either Uchuu Kyoudai or Natsuyuki Rendezvous. Both series stand far above the other series this year in terms of characterization and acting. This episode of Natsuyuki Rendezvous only reaffirmed this.

It went on even longer with the body takeover: this episode still didn’t resolve it, but instead it was entirely dedicated to Atsuhi coming ot terms with his own death, and Rokka moving on. This episode didn’t pull the soap opera card by hammering on that Rokka was falling in love with him again, but rather it was about how he realized that she had fallen in love with someone else. Something that both of them couldn’t imagine for years.

Even at the end of the episode when Rokka realized the hints of Atsushi, this again wasn’t with a soap opera in mind, but again with the themes of goodbye. I love how the creators used that small potted plant thingy as the way for him to leave Rokka, in order to “correct his own mistakes”. I have no clue what that means, the way in which it symbolizes his character-development was really well done.

What’s more: this series really was made for Noitamina. 11 episodes is the perfect length for this story, and that makes it also very easy to pick up and just watch for those with little time. And really: this series wastes no minute of its airtime: every scene feels like it contributes subtly to the cast.
Rating: 6,5/8 (Amazing)

Posted on 9 August 2012 with categories: Natsuyuki Rendezvous

So, this is the direction the story went with. Taking over the body really turned out to be a huge plot point for this series, rather than a random gimmick. This entire episode was building up to the big twist at the end, after which there still was no sign of Hazuki getting his body back. Instead, Rokka ended up confesing her feelings while his body still was occupied. Now that’s going to be awkward.

This really was a slow episode, especially after the bath scene. I really like that it focused on Rokka sorting out her feelings, and how this episode took its time for that to let everything just play out. It’s likely that she had feelings for Hazuki before the whole body switching went on, but Atsushi definitely contributed to them afterwards. What I’d like to know is: would she also have confessed this way if the switch didn’t happen? How would things have progressed if Hazuki never got into that drunk mood?

What’s also interesting for Atsushi here is the use of the story of Thumbelina, in terms of symbolism I mean. For those who don’t know about the general story (I couldn’t remember either until I read up on it), it’s the story of a tiny girl who escapes all sorts of shady marriages and friendships (symbolized by various animals). She then meets a swallow and heads off to a far away land to meet her tiny flower fairy prince, after which she transforms and receives a pair of wings and a new name. Atsushi actually put Hazuki, right at the moment where she meets that swallow. Despite what he might say or do, he actually supports Rokka moving on. And yet this episode came and complicated things again by using that confession, getting his feelings all jumbled up again. The wait is for what the creators intend to be the “far away land” of the story of thumbelina. That will be the key here.
Rating: 5.5/8 (Excellent)

Posted on 3 August 2012 with categories: Natsuyuki Rendezvous

Last week we left off with Hazuki finally giving off his body to that ghost in a drunk mood. This episode carries that further, and it’s definitely different from usual anime, in which such a possession only lasts a few minutes: at the end of this episode there still was no sign of him being content with leaving Hazuki’s body. In fact, things only seem to have just started yet.

In the meantime we have a wonderfully subtle portrayal of Atsushi in Hazuki’s body. It was emotional, but not melodramatic. It was sad, but not consistently sad: it actually balanced his feelings for finally being able to talk to Rokka again with his attempts of getting used to Hazuki’s new body, getting a better understanding of the guy in the process. I like how he tried to cut his own hair as a way of dealing with his frustrations, but he didn’t exactly end up ruining the guy’s image in front of Rokka. Of course she thinks he’s a horrible drunk right now, but he did nothing that would make her outright hate him, interestingly.

Hazuki meanwhile… didn’t really do anything. His part in this episode was mostly building up as he ran around in this dream world along with ythe younger Rokka, although she did provide a few hints about Atsushi when he was younger. The actual meat of that subplot will probably be revealed next week, although it is surprising to see this series beat around the bush a bit. But that’s something that I also find that this show does really well: it’s really well balanced, on top of its excellent voice-acting, script, music, characters, timing, etc.
Rating: 5.5/8 (Excellent)

Posted on 26 July 2012 with categories: Natsuyuki Rendezvous

This episode really shined in how well it balanced showing what went on in the minds of the characters. For Hazuki it has two ways to show his thoughts: his long inner monologues, and his fast inner quibs in the middle of conversations. Rokka has them too, but the difference is less extreme. In contrast, we didn’t get so see into the mind of Atsushi for most of the episode, though at the end it was perfectly clear what he had been thinking throughout most of the episode.

Most of this episode was about the date in the amusement park. And it felt very awkward, but that was entirely the intention of the creators: Hazuki really wanted to use this opportunity to make his move on Rokka, forcing his way through everything. It’s interesting how the only impression he has of the past amusement park is one photo that in no way showed what was going on in the rest of the trip. At the end, this was suppored to be the catalyst to the big moment at the end of the episode: him giving up his own body in a drunk mood. This depended a lot on the right emotional portrayal of the characters, and really: the creators nailed it.

After this, it’s all going to depend on where the creators take this next. There are a ton of ways they can to after the next episode. It all depends on the meaning that they’ll give of Atsushi’s short meeting with his wife.

Also, I think that right now we’re at a historical junction: 20 years from now, people can somewhat differentiate some of the series from before 2012 and after. From today, the big landmark of Tokyo is the Sky Tree, and not the Tokyo Tower anymore. The next terror that will land upon the city will choose to smash up the Sky Tower, and from now on, the Tokyo Tower will just be seen as its small brother.
Rating: (Excellent)

Posted on 20 July 2012 with categories: Natsuyuki Rendezvous

If it was just the voice acting in this series that was as great as it was, this series would already be amazing. But it’s not just that: the music is brilliant, and in fact got even better in this episode with its combinations of piano and string pieces. And on top of that the expressions are wonderfully drawn in this series: its ability to convey emotions also is completely unrivaled in this season. And the bizarre thing is: this is Dogakobo. What really surprises me is how they suddenly got themselves some awesome producers who could bring together some people who really know what they’re doing. What triggered that? I mean, these are the guys who are behind the many seasons of Koihime Musou. They only did one series once that didn’t involve blatant moe: Ryoko’s Case File, but that was nowhere as well executed as this series is.

I mean, there is also the way in which they got Ryo-Chimo to direct the OP, but what also surprises me is how tightly everything is produced: Kou Matsuou is involved everywhere: he directs, he writes the script, he even directed the ED. On top of that, every episode director so far also personally wrote the storyboard. I know that originally these roles were pulled apart in order to allow for more consistency in the anime production process, so that even with an average staff you could produce a great episode because the workload is divided, but it’s still good to see that the people who have the time and skill to do both at once are still there, because this in my opinion allows for a more creative control over each episode.

What the creators did in this episode brilliantly was show how hopeless Atsushi’s situation is. He’s pretty much forced to watch some random guy start hitting on what he still considers to be his girlfriend, and being sick for his entire life he really became a sympathetic character here after his charades last episodes. And really: Hazuki is one of the most flawed main characters out there, but in a completely different way from usual. This guy is cold and brash, not polite at all. Yet at the same time, he’s very sharp-witted which despite him being an asshole at times, makes him really great to watch. My one nitpick about this episode was that we got to see very little inside the head of Rokka herself. That was what made her so interesting in the first two episodes.
Rating: (Awesome)

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Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
Kaiser-Eoghan
I will listen to the podcast more in full later. But I was surprised after asking/suggesting it on the discord, that it came so soon.
Kaiser-Eoghan
I am thinking of re-watching gasaraki and ai yori aoshi.
Kaiser-Eoghan
@Niello: Perhaps after a while of watch the anime I will simply jump on to the manga.
Vonter
I watched Resident Evil: Vendetta yesterday. It's incredible dumb but kind of fun. I do wonder if in terms of entertainment are like the best videogame based movies. Since it plays like a videogame, it's based on a videogame and is more or less in line with the tone the series has had for a while.
niello
It's such a shame that Golden Kamuy art direction is such a train wreck.
KTravlos
and for the sake of Clausewitz there is clinical term for what Reinhard did. It is called "defeat in detail". Napoleon was a master of it. Proper way to defeat it , is to order the threatened force to retreat to a point where other allied forces are converging. The enemy will either have to retreat, or fight at a disadvantage. The 1813 and 1814 campaigns against Napoleon are examples of that.
KTravlos
Episode 2 of LOGGH: Der Neue Thesis was much better than the first. The music is still an issue, but Yang was well portrayed. I do think there is lack of the directors in showing the cruelty of war, like the first one did. We will see.
Kaiser-Eoghan
@Mario: Still need to see his short films and black Peter.
Amagi
@Anon: I already know the manga and enjoy it, think the anime is a good adaption so far. Feels good to see a series about video games that are actually just games and romance without tsunderes, tons of blushing or unworldly naive harem girls.
Anonymous2016456
the anime
Anonymous2016456
how do you guys think of wotakoi?
SuperMario
@Kaiser: Hereditary sounds pretty promising here
Kaiser-Eoghan
Forman's an interesting case, when you look at the huge disconnect from his early films from the 60s and then what he went on to make.
Kaiser-Eoghan
Ah, unfortunately I am not a fan of country music so Nashville didn't appeal to me =<
Kaiser-Eoghan
@Mario: And before Jack kept playing the same role over and over.
Kaiser-Eoghan
@Mario: Aside from Courtney Love's presence, Larry Flynt is an excellent film. I love the custom camera tricks Kubrick used in Lyndon , dog day afternoon suceeded for me because it did so much more than being just a bank rob film. I wish Spielberg would return to his pre-90s films .
SuperMario
Cuckoo's Nest reminds me of the great 1975 Oscar Best Picture, which for me was Oscar's greatest line-up. The line-ups for that year were: Cuckoo Nest (winner), Nashville, Barry Landon, Dog Day Afternoon and Jaws
SuperMario
@Kaiser: RIP the man. I've seen 2 of his, Amadeus and Cuckoo Nest. Both great but they were more because of the strength of the source
Kaiser-Eoghan
@Mario: Milos forman has died =<
Kaiser-Eoghan
Indeed the character designs in steins; gate have seen changes....shockingly mayuri's chest is larger than Daru's ;)
KTravlos
I can live with that. Interested to see what made you reserved.
SuperMario
@KTravlos: you won't agree with my series review then. I have a lot of reservations on VE
KTravlos
Also I finished Violet Evergarden. This was an exceptional series in my book.
KTravlos
the two characters. Finally the battle soundtrack was simply wrong.

I am going to watch it because it is LOGH. And frankly after watching the new one I felt the fact that the old one was dated technical wise (but not in music). But at least on comparison of first episodes, the old one did a better job at giving depth to Reinhard and Keircheis.
KTravlos
well I watched the first episode of the new LOGH and then watched the first episode of the older version. The update in the art is good..but. If the old one was too talky, this one is too boom boom. I also felt that they did not sue the time well to establish Reihard and Kircheis well. Especially the removal of some lines that were in the first episode of the original, really took away a lot from
SuperMario
@Amagi: I can see your point but what a premise for Golden Kamuy.
Kaiser-Eoghan
Although golden kamuy is labeled seinen, which gives me some more hope for it.
SuperMario
@Amagi: agree with you about remembering stuffs you've watched. For me, it's always until the second watch that I can remember the plot or characters clearly. Otherwise, all will get hazy like a dream
Anonymous2011116
@Anon Watch a few eps and then male an informed decision based on that; I find the storytelling to be a bit weak but you might not feel the same
AidanAK47
@Anon, If you can ignore the rather odd fanservice and sex symbolism it's actually a pretty enjoyable show with good animation whose story has been getting better.
Amagi
Think it's always the best to watch the first episode since other people might hate something you will love or vice versa.
Amagi
@Anon: For me it still feels like Kiznaiver but I think it really depends on how much you care about the characters and teen relationship deama.
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Featured Posts

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

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Darling in the Franxx – 13[The Beast and the Prince]

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Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered […]

Darling in the Franxx – 10-12[The City of Eternity/Partner Shuffle/The Garden Where It All Began]

Three episode coverage this week as many things got in the way of my casual blogging, the much late preview being one of them. I must say that the last few episodes of Franxx have been quite strong as we have had a string of character development episodes which have really fleshed out the cast. […]

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