Posted on 5 May 2018 with categories: 3-gatsu no Lion, Finished Series: Slice of Life/Drama

Alright guys, here’s my last post: a series of short takes on the final four episodes of 3-gatsu no Lion. These are a month late, as usual – it wouldn’t do to break tradition just before my departure. I might pop in for joint film reviews or special occasions, but apart from that, this is the end. Thanks for reading!

41: After the big showdown between Yanagihara and Shimada, 3-gatsu opted to decompress by focusing on its side stories for a bit. I’m of two minds about this episode. Everything involving Chiho-chan is a home run for me, so working her plum syrup into the festival story gave me a reason to care about the Kawamotos’ sweets business. Hinata’s determination to support her friend, plus her growing satisfaction at helping the family financially, are taking her character in a good direction. All the plans she has for special confections hint at a future where Hina takes over Crescent Moon, relieving her big sister of the burden left by their departed mother. Rei pitches in at the festival, too, and there’s even a cameo from Takahashi, lending a sense of community to the first chapter of this episode. As for the scenes from Hinata’s school near the end, I remain unimpressed by the series’ unwillingness to tackle Takagi’s character in detail. As her prospective homeroom teacher says, she doesn’t feel remorse for her actions, but if your goal is that she feel remorse, you won’t get through to her by instructing her to conquer her anxiety. See my post on episodes 35/36 for more on my issues with this subplot.

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Posted on 22 April 2018 with categories: Anime Reviews, Violet Evergarden

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter 2018 season. As with my first impression, I left the show feeling a bit torn about it. On one hand, the production is top notch and when the show hits right, it sweeps you right away. On the other hand, I don’t buy much of Violet’s central conflicts and the show has a tendency to go over-soapiness and try to explain too much, which I never fond of. To be fair, Violet Evergarden has never known for its subtlety, its intend is always to pull as many punch as possible. Violet Evergarden, therefore, is at its strongest when it uses Violet as an observer, to put her as a background for characters with their own struggles have to finds ways to overcome. When she stays in the spotlight, however, the amount of predictable development and cheesy moments always overwhelm the show’s own emotions.

Let’s begin our journey with the way KyoAni adapts these Light Novels into anime form. The Light Novels start with Violet as an already established Memory Doll, and makes it ambiguous as to whether Violet is a robot or a human. Throughout many encounters with clients should we learn more about the violent pass of Violet, and her super-soldier self. To put it another way the Light Novels uses her more as a reporter with set personality. In the anime version however, KyoAni decides to shift the focus to the whole character arc of Violet. Make her vulnerable at first, and then build her character gradually. I appreciate the intention (in fact about half of their episodes are original material. Impressive), since anime medium works different than written form so it’s always a wise move to modify the content, so it’d fit with the visual medium; BUT I’m not sure if these changes improve the narrative. The thing is, Violet as a central narrative is a boring lead and she’s utterly unrelatable. She doesn’t possess any personality traits and repetitive responses get pale really, really fast.

But to build Violet the character from ground zero also means that when she changes, the changes will be massive. Violet is suppose to be a robot, at least in terms of narrative sense. Everyone regards her as a killing machine, she sees herself as someone’s royal dog, the show visualizes her as a bleeding doll, and the novel purposely frames her as a robot, anything but a human. It’s also the show’s narrative that Violet needs to learn these emotions in order to truly become a full-fledged human. There are some neat ideas behind it, namely the way she realizes the bad deeds she has done in the past. When she doesn’t realize, it’s okay to live on, but when she does, the fact that she ends many people’s lives comes back to hurt her. Relying on someone else to live (in this case, Gilbert), is as sad and unbalanced as it might get, and her own arc has to do with her coming to terms with the fact that Gilbert is no longer there for her and raise independent on her own. It comes to episode 8 and 9 which feature one huge flashback to the day Gilbert died and Violet experiencing her grieving process. While I personally feel this flashback a huge waste of time given we don’t learn anything new, it feels like a complete arc for Violet. That is the reason why the real climax in the end doesn’t do much to me since we already see her arc done in previous episodes.

Violet Evergarden’s best parts are the standalone episodes where Violet doing her jobs – reciting or writing letters for their clients. At heart, these letters represent the desire to connect between people, they represent all those raw feelings that can’t be said out loud, and Violet is in middle of its own trying to translate those feelings into written words, and learn about emotions in the process. All these little stories, from a playwright making a new children-play, to the sick mother write future letters for her daughter, to write love letters from the heirs of two nations, each of them adds more layer to the concept of ghostwriting and her job of connecting the hearts of people together and most of them give a satisfying emotion to their story. The best episodes amongst them are episode 10 (sick mother and her daughter) and episode 7 (playwright).

The production by and large is impressive with detailed character designs (it’s one rare production where all the background characters are fully portraited with their own costumes and figures), consistent animation and striking background designs. Each story where Violet performs her jobs has different kind of settings, and Violet Evergarden really gives it their own on breathing life to those places. The lighting, however, doesn’t give the show a justice here. All interior scenes feel too dark, for one thing, and the way Violet Evergarden uses their focus lenses which make the centre of focus detailed and the rest blurred) hurts the show more than support it. It’s one of the case where I consider they over-playing with post-production. Such a shame since it feels like they don’t have enough confidence to their raw production.

As for characters, it pains me to say that the supporting cast doesn’t reach their full potential either. There are many anime original characters, and most of them have their own episodes to shine. But Hodgins and Cattleya are surprisingly underdeveloped despite appear almost in all episodes. Gilbert is just a vessel for Violet’s personal growth and the appearance of Dietfried in the end doesn’t leave much impact either. There is a hint of the aftermath of postwar era, which I somewhat enjoy but I don’t feel that it reaches its full potential. And all the drama is over-blown, which kind of bang me hard in the head.

All in all, Violet Evergarden is a roller coaster of emotions, in more ways than one. It either sweeps you away with its grandeur approach, or it doesn’t (like myself). The central development is a conventional and predictable one, and the show’s best moments are the ones where they move away from Violet as the central conflict. Despite my grumpy it’s still a solid made and worth watching at least one, if only for the beautiful CG-animated mechanical hands of Violet.

Posted on with categories: A Place Further than the Universe, Anime Reviews

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this crowded pack. Enters Universe, an original show from Madhouse that has both of these. The show’s concept, after all, is about a group of high school girls making their trip to Antarctica, also known as the place further than the universe. Universe isn’t without its issues, the pacing in particular takes the girls way too long until they reach the destination. But to its defense this show is always more about the journey than the destination. It’s about experience life to the fullest and make friends who share the same interest in the process. The “friendship” bits can be contrived at times, but even with me (who isn’t that enthusiastic about it) realizes that the drama in this series is done quite well, as it always gives a satisfying emotional response to the conflicts it creates.

If there is one thing that I’m sure this show will be remembered for years to come, it’s the concept. Touring oversea isn’t that difficult nowadays compare to say, 20, 30 years ago, but a trip to Antarctica? Really? High school girls you say? What’s there to see in that icy place? How the hell do they get in there? Money? Lots of questions bound to come up upon hearing this premise and I’m happy to say that Universe never glosses over those issues, but instead approach them with a thoroughly research. Every stage of the trip is planned carefully, they never make light comments about high-school girls going for such harsh trip and indeed, they point out many times how extreme this trip can be. The expedition ship and the Antarctica place are so detailed that it’s easy to see the staffs made the same trip for their own research. It’s a joy to watch and know more about this little unheard place, to the point sometimes I feel this show is an advertisement for Antarctica (well, I’m sold). Moreover, a show that gives a detailed treatment to Singapore is always a plus (and I love durian!!).

What Universe also sells us is the way they frame this trip as a self-discovery, as a way to embrace the youth to their heart’s content. Mari, the show’s protagonist, is the perfect character for this trip. She worries about how she steps out of her comfort zone, and this trip makes a life-changing event, not necessary in terms of the specialty of Antarctica, but more about maturity. It also helps that the girls’ goal to reach the South Pole is much more than just “follow your own dreams”. Shirase is a girl that had her Mother disappeared in that very place, and it’s one of her resolve to go there just to be closer to her Mom. There’s also Hina who takes high school off but wants to experience something before college and most importantly, there’s Yuzuki, an idol who gets caught up with this trip and just tag along because she wants to travel with her new friends. And those make this trip a bit richer because doesn’t matter their own intention is, it’s the experience that they share together is the most important factor.

The girls make up a great central cast for us to follow. All 4 of the girls have different personalities, they have their own goals and their own backstories, and they have their own voices. Shirase, for example, is a no-nonsense but extremely unstable girl, whereas Mari is cheerful and acts like the emotional force of the group. Hina, my favorite character, has a wise (and bullying) side of her and Yuzuki somehow feels much more relatable through the way she loathes her “star” identity. Moreover, they bounce off extremely well and it’s a blast just to see the four girls interacting with each other. But most important of all, each of them has their own arc to overcome, and while some it I felt were made for the sake of creating conflict (in other words, unnatural), they always have a satisfying ending that elevate the shortcomings of the conflicts.

While the main theme is about self-discovery, I was a bit surprised to find out most of the show’s episodic conflicts are about the notion of friendships. Mari’s drama with her best friend, Megumi, for example, cuts unexpectedly but it cuts deep, mind you. Or Yuzuki’s little drama about “When will we know if we are friends” or Hina’s past issues with her secondary school friends. As a whole, I find the concentration to friendships theme a bit overplayed. Granted, their friendships in a nutshell are interesting ones. They haven’t known each other for so long and apart from this trip, they have very different lives. Yet Universe argues that as long as they share something together – be it getting seasick, eating a thousand-year-old snow corn or enjoying a view of mystical Southern light– they will always have a special place in each other’s heart.

The character designs and the production in general are in the more conservative side, but taken as a whole it fulfils its jobs nicely. There is a large amount of insert songs – most of them pretty heart-warming- so the music of Universe is solid overall. The pacing remains its biggest issue, as it takes until the end of episode 9 for the crew to finally takes their feet onto Antarctica icy ground. They could do it much better if they cut a bit of a transit section (Singapore and Australia, as well as on a ship section – another 2 episodes). Ultimately, Universe is a journey itself. It remains a feel-good show with relatable message of enjoying youth to the fullest and the girls make the most of their time on-screen. Certainly amongst the top tier of its cute girls pack.

Posted on 3 April 2018 with categories: 3-gatsu no Lion, Currently Watching:

Another month, another 3-gatsu post for episodes that aired a month ago. And what a couple of episodes they were – the “Burnt Field” chapters are among my favorite in the manga, and though the anime treatment didn’t stun me as the source material first did, it still managed to create an emotionally dense hour of television for which Shaft can be proud. The title of this miniature arc comes from the mouth of Yanagihara’s old friend Gan-chan, who describes his post-layoff sense of purposelessness as being in the middle of a burnt field. Something I’ve always appreciated about 3-gatsu is its presentation of diverse perspectives, and that continues here as the story chronicles the Kishou Championship fought between two older men, one of whom is the most senior Class A player in their region, if not all of Japan.

The night before the last game of their best-of-5 match, Shimada (the challenger) complains of the “away game feeling” that Yanagihara creates by inviting so many of his friends and contacts to drink at the championship venue. Despite the apparent advantage gained from that warm, lively environment, however, both Gan-chan and Yanagihara himself feel isolated by their age and circumstances. Gan-chan is uncertain of what his future will look like in the wake of his forced retirement, but Yanagihara has the opposite problem; as the oldest remaining player of his caliber, he is forced to carry the hopes and dreams of countless retired professionals. Umino-sensei visualizes these burdensome dreams as tasuki, best translated as “sash,” and that’s the word that Crunchyroll used in their translation of the anime. Seeing Yanagihara swallowed up by these white sashes is striking enough when you consider what they represent in 3-gatsu, but understanding their common use gives the scene a new dimension. Tasuki is (among other things) the term used for a sash passed between runners in long-distance relays, so Yanagihara’s possession of so many sashes indicates that he’s the only man still running in a race he once shared with dozens of competitors and friends. Contrast this lonely sense of duty with the fun party about which Shimada gripes, and it becomes clear that the older man is struggling with a burden his opponent can’t yet understand.

The tasuki metaphor isn’t the only sign of weariness that the show provides for us. We get an intimate look at Yanagihara’s morning routine, which includes the taking of various pills, medicines, eye drops, and the application of pain patches to his shoulders and back. He moves slowly through the entire process, and later, once the fifth and final game is underway, he slumps forward onto an armrest, his body wracked with pain and exhaustion. Though Shimada also lives with debilitating physical pain, he plays the role of young upstart in this fight, and seems at multiple points to have the upper hand. But the turning point comes when Yanagihara inwardly embraces his role as a representative for his generation, clutches the tasuki that once constricted him, and turns to run in the opposite direction (calling the “race” idea to mind once more). 3-gatsu has always done well at leveraging these metaphors so the uninitiated viewer can follow its shogi matches, and this episode was no exception. As Yanagihara brought his king further up the board, I was excited to see which player would triumph, even though I don’t possess an ounce of knowledge about the game. The poster for the Kishou Championship may have been on the dull side, but the contest itself was anything but.

After 169 moves, Yanagihara wins the game and the title of Eternal Kishou, having defended his position for ten consecutive years. With his legacy cemented this way, the moment must have been among the proudest of his life, and he opts to share it with all the people whose faith in him was rewarded. If I had been under that much external pressure, I can confidently say that my decision would have been to sit for the post-mortem and make everyone wait for me, their new shogi god, rather than spend that time justifying their abandonment of the game of the game I love. The thing about Yanagihara, though, is that he plays not just for the love of the game, but for the love of others, difficult as that may be. He even invites Shimada to be in the photo commemorating his big win – but he’s not so gracious that he won’t bitch to the Chairman over drinks that everyone expects too much of him. It’s an interesting way to end the episode, given how profound his moment of acceptance was, but that’s another thing I really like about this series; nearly all of its characters are made to suffer at some point, but rather than escaping their pain and revolutionizing their lives, they must settle for merely continuing to live. Yanagihara’s aching bones won’t heal as a result of his victory, nor will the solitude of his position in the shogi world be abated. Instead, he’ll keep complaining to his close friends about whatever’s bothering him, and keep fighting for the people and things he believes in.

Posted on with categories: 3-gatsu no Lion, Random Posts

3-gatsu no Lion has just finished its 2nd season (on that notes, rest assured that Wooper will cover it till the end of this season and I’ll chime in to give a full post). After Burnt Field mini-arc – which was a solid arc by all means – it came rather natural that the last few episodes focus more on low-key drama instead of focus on another arc. All the better in my opinions since these last episodes elevate Hinata as one of the best girl on Earth and one side chapter that hit me hard on a personal level. So much that despite my laptop is currently broken and I still have two full reviews to write (that’ll come, I promise), I just wanna let this all out first. Keep in mind this is not a review, nor does this reflection piece have any point to make; just merely what I feel about it.

Consider how the second season ends in a satisfying note, I was quite surprised the show follows very closely to the manga’s structure, with only one chapter was adapted out of its order, and that chapter was “Other Home”, and for me it’s probably the best choice that Shaft made. Other Home sheds some more light to the crippled relationships and between him and the family members and the breakdown of the family. The trick here is the shift of perspective. This chapter gives a voice to the voiceless member of the his foster family. Damnit it’s such a brilliant character study in display here. The first notion that really grabs me personally is how this family represents accurately the family dynamic of Asian culture (East Asia to be more specific), so much so that it reminds me a great deal of my own and the one that the more I grow apart from it, the more I can look at it with different perspective. We have a Father who decides the best method to teach his own kids how to face their problem is to smirk “haha” and does nothing. We have a Wife who does housework everyday, stands there in the kitchen making dinner and wait for her husband and kids come home, even without anyone contact her. We have a Mother who constantly blames herself for raising her kids the wrong way, as if the way they turn out HAS ANYTHING TO DO with the way she raises them. And we have the only one member that tries her best to hold everything together since everyone else just stuck up in their own little worlds.

The framing device is pretty on point as well. We don’t hear any conversation between her and Rei, as if their conversation is just merely a facade, the mask that both of them put on. Throughout the chapter we rarely see her face, we see mostly behind her back, when she’s busy doing housework. Those motifs match with the way she smiles, and all the formal lines she about to say, but holds back. Here they sit, opposite to each other, afraid to look at each other’s eyes, and words come out their mouth are pointless. The home that never feels like a home. And it certainly shreds my heart when I realize that the only member Rei feels like his real family is their old dog.

And that comes to another brilliant part of this chapter, the chemistry (or the lack thereof) between Rei and her. I am always find one of the most intriguing relationship is the one like this. The one that always rely on other factors to work, and then when you pull these factors out of the equation, what’s left between them? From her perspective, her husband just agrees to bring another boy to live as a family, so what she’d do best is to support him. Then she sees her own children crumbled right before her eyes because of the presence of that boy, and the family keeps falling apart beyond her hands. Underneath all that she knows it all and she knows that Rei understands it too. What kind of emotions and what kind of behaviour will she act when she meets Rei alone, then? I love it that she has a dream that night that Rei were her own child. That maybe the closest distance that she ever regards him to be.

Posted on 1 April 2018 with categories: Currently Watching:, Violet Evergarden

Violet Evergarden finally reaches its finale arc, and unsurprisingly, the Peace-opposition rebel and Gilbert’s brother Diethard come into play. In an essence, Violet is fighting two wars: the war against the bad guys who want disrupt the peace, and a war against Diethard to recognise her as something more than a war tool, as a human being. Not to say this episode totally won me over, but I can say at least I am invested enough to see how it all turns out. It’s inevitable to put Diethard as the main obstacle for our Violet here, as he has always seen Violet as a killing machine, and that conflict now is peppered with the pain that his brother died while she’s still alive. Diethard repeatedly regards her as “a tool”, and further despises her for her Doll job. He blames Violet for the loss of his brother, but we can see a lot more of emotions in him going on beneath the ground. Through the course of the mission, however, he can see that Violet has changed in a lot of ways. She’s more expressive, and now she refuses to kill anyone anymore. That is when the show lost me a little. Violet is basically going through Rurouni Kenshin’s arc now, and that makes sense. But the reason she gives, the reason why she doesn’t take orders from Diethard anymore, is because it’s an order from Gilbert entails that she had to live. WHAT? So all her development from previous episodes come down to this conclusion? That she still rely to some dead man’s words to live? Yare Yare

Putting that aside, I have a slight concerns with how Violet Evergarden portraits the Anti-Peace army. Most of them turn out just as ruthless, pathetic soldiers who can’t get on with the Peace because they stay too long at war. The bad guy from the last episode returns, and guess what, he’s even more merciless. It’s such a clear cut between good and bad that it leaves the ambiguity out the window. Nevertheless, the fights at the end really got me. For once, Violet decides not to kill any enemy, and it’s clear that it does her more harm than good. In a battlefield, basically everyone is an enemy and if she doesn’t kill them, they will all come fighting back at her. The way Diethard saves her was good because at a glimpse I almost think that it was Gilbert who saved her (thank God it’s not the case), and finally the closing shot where Violet saves him by her robotic hands really hit its powerful notes. It takes the mechanical hands to remind Diethard that Violet has grown into a fully-formed human. It takes the hands that write letters and save people in its own ways to save him. It’s certainly one of Violet Evergarden’s best moments.

Certainly not a bad way to start off the final arc, now that the anti-Peace soldiers are gone, the stakes might raise higher with the peace treaty (that might need someone’s letter here), together with Diethard and Violet’s own fights. She has done a tremendous development throughout the series, so it’s now the time for everyone to fully acknowledge it.

Posted on 31 March 2018 with categories: A Place Further than the Universe, Currently Watching:

And Universe wraps up the best way it can. This finale, in truth, feels more like a victory lap where the plot can be simply summarized as the girls enjoy their last days in Antarctica before heading back home. Almost all the cast makes an appearance in some ways, and the girls have a chance to reflect how much this trip mean to them, how much they mean to each other and how much they have grown since the start, and of course, many goodbyes along the way. The first half turns out to be the most cute girls do cute things moments out of this entire show, where our girls go through the routine, enjoy the thousand year old snowcone, and play baseball with the rest of the team. There isn’t much arc for the girls anymore, consider that they have all gone through some kind of conflicts and have grown ever since. But nearly the end of the journey, Mari voices her (unreasonable) request: should they stay over during the winter as well? Of course, she knows better and Hinata quickly points out why they need to return to their world: they still have their own lives back in Japan, but nevertheless, all of them don’t want this journey to end. So they make a promise. A promise to go back here again, and a promise that their lives will cross again when that time comes.

Shirase, after the tearful arc last week, really grows up this time. She’s both mature enough to give a heartfelt speech to the expedition team (that brings the cold Gin to tears), the speech about the place further than the Universe make people face-to-face with their own selves, the thing that she had indeed experienced. In addition, Shirase manages to loose herself a bit. She manages to smile. A bright and worry-free smile, unlike her creepy smile at the start of the series. Shirase has always been a bit broken character, but now she’s truly embraces it and let her Mommy issues finally to rest. She moves on to the next stage, stressed by the way she cuts her hair short. At the end on their way back home, Universe proves once again they still have some tricks left to play. The aurora view is truly mesmerizing and otherworldly, but the emotional bang comes from the unsent message her mother left, probably hours, or even minutes before she disappeared. The view of the Southern night sky come into display, and for that very moment, I bet Shirase’s Mom felt that it was all worth it. And now the girls all know that for sure. A bit too much of a coincidence, perhaps, but it’s still well earned.

As the girls head back home, like Yuzuki afraid they may not have the time to be together again. They will go back to their normal lives, with some new old worries and some plans to overcome. But now they depart each other with the understanding that they had shared something unique to each other, and that won’t never change. The last moment, Universe finishes with a nice, pleasant surprise: Mari’s friend Megumi is in the up North Arctic now, enjoying the aurora just like Mari did. Isn’t it nice to see a side character still grows and matures outside the scope of this narrative? As a whole, while Universe doesn’t really win me over, I don’t deny they are pretty good with building up and resolve their little arcs, and the trip along them to the end of the world is pretty rewarding. The full review will come up soon so stay still, folks, and thank you for join in with me for the ride.

Posted on 24 March 2018 with categories: Currently Watching:, Violet Evergarden

It’s time for our doll Violet confronts the past with the present: accepting the job in the midst of the war zone. Seeing the war caught up to her while she begins to move on could serve as an interesting character study case, but in truth this episode runs much more straight-forward than that. She accepts the job (against the company’s decision) to meet the guy who happened to be named AIDAN whose whole unit, including himself, was ambushed right before Violet arrives. Violet Evergarden makes damn sure to tug your heartstring, I tell ya, and one of the easiest and most effective way is to make the characters likable and then kill them off. The only problem is, we don’t spend that much time to know this Aidan guy so it’s hard for me to feel for him on a personal level. To make a matter slightly worse, the whole time this guy was thinking about Maria, his childhood-turn-lover back home, but then when it comes to the time of writing letters, the show pulls stuff out of its ass and include his parents, whom we never have any proper introduction before. At first, the way he addresses it, I assumed that the parents are deceased but in the end, they have the same amount of screen presence as Maria, which for me is a bit weird on how Violet Evergarden decides to focus his feeling on only Maria beforehand.

At least Aidan experienced the true terror of war before he himself becomes a dead meat. Staying in busiest war zone, his team got ambushed and being killed one by one. Suddenly, Violet descends from the sky to save the day, defeating the whole enemy team without much sweat. If you have a feeling that Violet is playing a superhero type, let me inform you that the Light Novel does it in a way flashier fashion. In the book, she kills the enemies, writes the letter in the middle of the burning forest, and carries Aidan while killing the army units that surround them. This anime version tones down a lot of over-the-top set-piece, including the bits where Violet faces the enemies unarmed and manages not to kill any of them, and I’d argue it’s for the better. Having her transcript what he says in the abandoned shed at night, air-type his words work much quieter and more effective than if they go all out. The way the letters are formed, in a bit of stream of consciousness way where Aidan slowly slips away and where his memories blurs in with the present help transfer the emotional weight successfully. Aidan is also the first person to comment positively to Violet’s mechanic hands and asks for her hands in his final moments for a… ahem… human warmth. I believe the message here is that Violet has transformed from in robot in human body into a full-fledge human with emotions, and even now her mechanical hands have the warmness of human heat.

Violet Evergarden again makes a good use of it post-war backdrop. This week they delve on the anti-peace faction, which was first introduced on episode 8. I have a feeling they are going to be more prominent in later episodes, but for now I don’t like the way the show handles those characters. They’re one-dimensional as best and the only thing we learn from them is how ruthless they are. Maybe the existence of Violet the super-soldier mode was there for a reason: to kill those war-loving un-remorse bastards. But in here, we can see how far Violet has transformed. She’s not a soldier anymore (but these skills certainly help), she’s a Doll who would go ANYWHERE to meet the clients; and would do her upmost to write letter and deliver them. The last scene where she delivers the letters to Aidan’s parents and Maria, she meets with grief. She feels vulnerable because she can’t save life (she used to only taking lives), but as she learns from the thankfulness of the receivers, she has done enough. Without her, there will be no message and Aidan’s sentiments towards the ones he loves will be lost forever. Another job well done for Violet, and the show itself.

Posted on 23 March 2018 with categories: A Place Further than the Universe, Currently Watching:

For a show that sells on the idea of turning your normal life upside down and enjoy the youth to the fullest, the second half of Universe instead delved a bit too much on the friendship side that don’t speak much to that central theme. In this episode, the theme comes back with a bang, results in arguably its most emotional effective episode yet. Appropriately, the title of the episode is the same as the series’: A place further than the universe. The last place of Shirase and the expedition’s team’s goal. The place where Shirase’s Mom disappeared 3 years ago. The final destination. It’s also appropriate that Shirase is the main focus of this, because she’s the main drive for this trip to happen after all, and I’m glad that Universe pulled it off. For Shirase, the moments she got call out of class and received the news of her Mom disappearing, it all happens like a dream. A long dream she couldn’t wake up. I can relate to that not only because I’ve gone through this before, but also because it marked a point of no return for Shirase. Nothing would ever be the same for Shirase after that and ever since then, she pushed herself hard so that she can come to the place where the spirits of her Mom is still around.

But there’s also this other fear in Shirase, the fear the she would feel nothing. The fear that once she reaches the goal, there won’t be anything special and there won’t be any thing left to reach. Like, what’s next after that? Chasing her Mom dream to Antarctica has always been her own goal, probably to escape the pain of losing her at such young age and being left alone. If she can’t find anything there, will she be in that dream forever? She admits that she doesn’t feel anything special or overly connected to Antarctica, it’s just… like in a picture book. I like the way Universe acknowledges this. The most alluring aspect of a trip to Antarctica is the idea of going to a place faraway, not necessary the place itself. If you aren’t prepared, you’d end up disappointing, and even if you are, like Shirase, there’s no guarantee that you’d end up enjoying the place. That said, Mari offers a valid counterpoint to Shirase’s crisis. It’s about the journey rather than the destination. It’s about going together and experience these things together that make this trip worth it. Admittedly, that message is nothing new, every other show does this but I prefer the way it presented here. Mari’s point isn’t meant to change the way Shirase feel, it’s only serves as one’s perspective. Just like the way Gin told Shirase that she wanted to come back to Antarctica is for herself, “But when we run around on the injustices of reality, they’re the only things that can break through, make the impossible possible, and allow us to proceed on.” Shirase ultimately is the one who has to overcome her doubts herself.

And the girls, plus Gin and that other girl go to the inland trip to build an observatory deck, the idea that was originally from Shirase’s mom. In there, the girls experience the weather condition that I would have expected when I hear about Antarctica: extremely cold, vast ice of nothingness, and blizzard that could easily claim one’s life and change many other’s lives, and godlike sun pillar. The closer to the place where her Mom disappeared, the more Shirase sees fragments of her Mom here and there. It’s just like these moments still linger there, stuck in times. Everyone would claim (and rightfully so) that the episode’s climax where Shirase opens her Mom’s laptop is the most effective moment, but for me, it was the sequence before that. It was when the other four girls rush out to find out something, anything that could tell them the past existence of Shirase’s Mom. Now it isn’t her own journey anymore, but her goal is aligned with other girls. Now it is when the friendship theme merges together flawlessly with “finding goal and achieve goal” theme. The moment from Shirase saw their own photo sticking in the laptop, to when she types correctly the password the second times (it’s her birthday) and her own emails keep flooding up the screen, together with that soft, tender song are such a great way to conclude in high notes. Those unread emails are the statement that her efforts in those 3 years are indeed, real, and now she has to face the fact that Tanako is truly gone, and its’s the more heartbreaking when you notice that the reason her Mom went back to the base and disappeared might be because of this laptop and those emails (one thing though that bugs me is that they have wifi there in the middle of nowhere?). Also appropriately for an episode that feel like a closure, we don’t have any OP or ED this week. Everything ends in such tender note, and… we still have one more episode left. Now, what’s next?

Posted on 18 March 2018 with categories: Currently Watching:, Violet Evergarden

It’s a neat (and cruel) trick Violet Evergarden pulled this week. I always have a soft spot for mature undertone story from a point of view of kids (that’s why I am always fond of To Kill a Mockingbird, for instance) so this story is right within my wheelhouse. Violet Evergarden’s melodrama approach can be a hit or miss but when it hits, it sweeps you away. This episode is one glaring example of melodrama that done right and it’s up there along with “the play” episode as one of my favorite chapter of the series so far. I must say though, bedridden character, KyoAni is in its comfort zone here. From Anne’s perspective, the appearance of Violet is nothing but bad news. Anne feels that our titular doll stole away her mother – all the amount of time that should have spent with her instead. What Violet Evergarden done right, however, is that this feeling never drives her narrative. She’s still a kid and she wants someone, especially her mother, to play with. Despite considering Violet “a bad news”, she grows on Violet and spends a great deal playing with Violet. I consider her one of my favorite character out of this series.

Ann’s furious comes from an understandable ground. She knows that her Mother will leave her someday and she wants to spend little time they have left to be together. Who cares about these letters anyway but it frustrates her that not only her mother sacrifices the time with her, she sacrifices her heath to do so. Violet assures her that writing those letters is for greater cause, but frankly, it sounds like an excuse since she refuses to tell the kid the content of the letters. Violet’s job, as it turns out, is to ghost-write letters for “someone faraway”, and as we learn later on, for Anne for the next 50 years on her birthdays. Those letters serve as the messages for Anne to carry on with life, but more specially, for her to know that loved one won’t never truly leave you away, that they will always by your side, spiritually. That is such a heart-warming message.

The visual motif is another winning factor of this episode. I like the repetitive nature displayed in many scenes, from Anne repeatedly calls out Violet name, to her mother says her name and to Anne stays in the middle of the field and she sits on the chair reading the letters as time passes. The match cuts of several background in different time frames also serve the same purpose to show the passage of time and it speaks very well to the unrequired love and loss and growing up. As Anne continues to grow up, meet a boy and have kid, those letters are still there, the place is still there and the feeling from her Mom is still apparent there. I am also affected by fact the that while Anne is someone special to her Mom and to Violet, she grows up to be a perfectly normal girl with a normal life. A girl that you might pass on the street or someone you always say hi to.

After her own arc for the last two episodes, I’m glad to see that the focus this week isn’t about Violet, yet we can still see how much she has grown since the beginning. Violet cries, and better yet, she shows empathy. Maybe what it takes is the smile of a young kid to crack this tough nut, but I don’t lie when I say I prefer this version of Violet than the robotic Violet or the moping Violet. At least now she feels like an actual human. I have been quite harsh about the show, but this episode marks a nice transition to it.

CHANGE USERNAME
Kaiser-Eoghan
*allows us
I will probably watch shojo kageki dubbed.
Kaiser-Eoghan
I've fallen behind on shoujo kageki and sirius.
Kaiser-Eoghan
....was lovingly semi-oneric.
Kaiser-Eoghan
That kids backstory is so depressing in happy sugar life. Nail pulling scene messed me up. I also watched the new satsuriku no tenshi episode, this is definately going at a quicker place, they skipped a whole character and by doing so, also a flashback involving Cathy. Though I'm not too bothered by it as it also us to get to the big bad quicker and focus on Zack/Rachel. First bit of this episode
Anonymous2592902
This is Sash by the way, name keeps changing back to anonymous
Anonymous2592902
@Kaiser-Eoghan: yes... I meant that...
SuperMario
Talking about being born in a digital age huh?
Lenlo
@Kaiser, for my old roommate maybe. I dont think ive ever bought a magazine in my life
Kaiser-Eoghan
@Sash: Do you mean visual novel?
Kaiser-Eoghan
Admit it Lenlo, you would buy that magzine with Ash and Eiji on it.
Sash
@AidanAK47: i have recently read the light novel of Fate Stay Night and, though I don't share your sentiment, I do see why you love it so much
Kaiser-Eoghan
Sword art is one of those things that everywhere you look you'll see it hated, yet in rolls in the money.
Lenlo
Well, its hated by certain parts of the community. Usually western parts.
AidanAK47
@Mitsuko, yep we are well aware. But as an FYI, SAO is hated heavily in the anime community. So another season isn't exactly a cause for celebration but rather a dejected sigh.
Lenlo
Banana Fish, back on track. Also, this ED is my favorite of the season.
Mitsuko
@Lenlo i agree that was one of the best i cried in that part
Lenlo
Oh I know it is. Doesnt mean I have to acknowledge it. Mothers Rosario was the only SAO arc I actually liked, and Kirito had almost no involvement in it
Kaiser-Eoghan
@Mitsuko: Its gone on for too long.
Mitsuko
i dont know if anyone said this already or that you know but sword art online is coming out with a season 3 in october right
Adimar
i miss Shino god i hope there is another season were she gets out of her coma and haseo and Shino get together if that happens then god it will be amazing
Kaiser-Eoghan
Don't think I brought this up, but I've only seen one season of Bleach, random episodes of DBZ, few episodes of Naruto and two volumes of one piece, most I got was 32 episodes of hunter x hunter.
Kaiser-Eoghan
Another example is I can't get into most shounen because it isn't seinen. Too often I can't separate shounen jump stuff from each other in my head even if I know they are different.
Kaiser-Eoghan
I suppose I do experience exceptions , I could probably find one dark moe show that'd work for me like Happy sugar life, but in general I utterly despise mixing moe cute girl antics with horror.
@Anon: Its because often the time travel/reset thing is used in those stories as an extra lives/chances cheat.
Lenlo
I can agree that, largely, avoiding a genre or style you dont like is fine. It just means you will miss the occasional exception. Because there is always an exception that fits the mold, but is good enough you enjoy it anyways.

Like im not normally a fan of rom-coms or melodrama, but I enjoyed Toradora. Never would have watched it under normal circumstances either
Anonymous2585479
@Aidan, Well Evangelion was a bad example as I had read a bit of the manga version at one point.
A better example would have been Steins Gate which I avoid for the simple reason that time travel stories annoy me, especially if they involve changing the past.
Thing is though, I don't agree that this is any different from avoiding fanservice or "standard crap", even those can surprise rarely.
Lenlo
There were some I knew I wouldnt like and tried anyways, like Clannad, but some that pleasantly surprised me like Space Dandy.

@Aidan, yeah. I had to experience it. I just... there was so much wrong in the episode I am having a hard time writing it up without feeling like im just ragging on it non stop
AidanAK47
@Anon, I don't really argee with that mindset as I feel you don't really know if something is for you until you see it for yourself. Not saying you have to plough though it even if you hate it. But giving it at least one episode I think is needed. Well unless it's something like a fanservice show or standard crap.
AidanAK47
@Lenlo, I was thinking about warning you when I seen you got excited about that but decided it would just be better to see for yourself.
Anonymous2584737
Happens to me with plenty of things, for example I refuse to touch Evangelion since I know enough about it say that I have no interest.
Kaiser-Eoghan
There has to be a moment where you just accept somethings just not going to click for you.
Kaiser-Eoghan
For example I will never watch darling in the Franxx because of kill la kill.
Kaiser-Eoghan
Have you reached the point where you no longer care when you hate something popular or refuse to watch it out of sheer disinterest?
Kaiser-Eoghan
Do you all think there comes a time, where you get to where you know you don't need to even bother watching a certain show because you know yourself enough to know there is no hope it'll be your thing? To where you simply pass on it, not even watching the first episode.
Kaiser-Eoghan
@Mario: The Hanebado death stare is real, the eyes THE EYES man the eyes =O
Kaiser-Eoghan
Stupid steins; gate, why must it bully Lenlo. Although I've not watched the episode yet....am I right in saying things may be heading in the direction we feared?
Lenlo
*sigh* Steins;Gate physically hurt me this week. I am disappoint
Kaiser-Eoghan
In general I tend to turn my mind off to scientific inaccuracy in fiction and because honestly, I have a fairly poor memory for much of the facts.
Kaiser-Eoghan
I remember school biology classes, couldn't bring myself to cut an animal heart/frog/worm and tapped out of doing it. I remember being told, someone thinking it was all a laugh and they threw one of the hearts into a bush somewhere on the school grounds.
SuperMario
Then again, biology is amongst my least favorite subject :(
SuperMario
@Vonter: I'm still following Cells at Work but I have long since given up on making a real life connection. But let's see, i think your first statement was right but I'm not sure about the second one
Vonter
I've been watching Cells at Work! And I'm not sure if I get the analogy of an allergy. The allergens makes the body counter act with a chemical that in turn makes the body over release another chemical that irritates and produces sneezes. And an steroid counteracts the allergy by breaking down in a small degree that section of they body?
Lenlo
Honestly, im not sure if its intentional or not, because the rest of the english in the paper is actually pretty good.
Lenlo
The Dairy Cod? Oh yes
Kaiser-Eoghan
Did you happen to notice the L/R error/ no differentiation in the top left screenshot in your banana fish post? Sayss Dairy Cape cod instead of daily cape cod.
Kaiser-Eoghan
*these
Kaiser-Eoghan
I keep listing to those mixtape and vaporwave things on youtube very frequently.
Kaiser-Eoghan
Oh so that was the name of that show where I saw Urasawa and Itou being interviewed.
Lenlo
Look up Manben on youtube. Its basically where they do an hour long episode on a Mangaka, film their process, and talk about their philosophies while making it
Lenlo
If your interested in the manga process
Kaiser-Eoghan
Now that I remember, there was a part where they were praying for the idols. Someone said it has become like a pseudo-religion.
Kaiser-Eoghan
I'd love to see some documentaries about anime/manga and more about Japan .
Kaiser-Eoghan
Adding to what I said though, as bad as Japans idol thing is, the music industry everywhere has its awfully sleazy side.
Kaiser-Eoghan
In a way, I sort of feel like I can't fully judge the guy who paid for 100s of idol concerts....when admittedly I've spent my fair share over the years on hentai.
Kaiser-Eoghan
I saw that documentary I talked about a few comments ago, because the post would have been 500 words long, I put it on pastebin: https://pastebin.com/D7CuaA4F
Lenlo
I dunno, I quite enjoy the characters. Endeavor had an arc recently that was particularly good.
Kaiser-Eoghan
Actually I want to specify on that comment, I'm not looking down on hero academia, more suggesting the broadness of its appeal.
Kaiser-Eoghan
In terms of planet with, I've only seen the first episode of it.
Kaiser-Eoghan
I have found though that Academia, much like titan, is partially an anime for people who don't watch anime.
Kaiser-Eoghan
On Hero academia, on my end it would probably be more accurate to say that its not a case of hating it, moreso not my thing.
AidanAK47
I don't hate Hero Aca. My problem is that it really isn't doing anything new. Every beat traced from shounen legacy. It's executed well no doubt and I am sure animation wise it trumps old shounen. And if it can avoid the trap of every long running shounen of going past it's due then it could end up the most polished. But it's still a new dog doing old tricks.
Kaiser-Eoghan
But in all seriousness. Regarding Planet with, sometimes you have to care for whats been subverted before you can get anything out of the subversion.
Kaiser-Eoghan
@Aidan: If you don't like my one-liners, you should sea my ocean liners, they're practically to drown for.
AidanAK47
On Fate GO, yeah I really think that some banners are more generous than others. Hoping the Prisma banner is generous because I need to get together the Emiya family.
Lenlo
Really? I quite like Hero Aca, its probably my favorite current shounen, granted this current arc isnt the best. Granted I also keep up with the manga so know how it all plays out.
AidanAK47
And subversion in a good way. Not like Fate Extra over here which subverts expectations by having the endboss leave the show offscreen but instead subverting to keep you on your toes while keeping the satisfaction of a well conculded fight. That moment when he pulled out the clog for a finisher was unexpected, hilarious and amazing.
AidanAK47
@Amagi, Yep. To me Boku hero is how to use tropes and settings wrong, essentially recycling them wholesale. Planet With uses them but uses them to subvert your expectations when you think things will go according to the trope but NOPE.
AidanAK47
UGH.
I am close to banning you for that pun.
Kaiser-Eoghan
Everyone is watching planet with....
......

....WITH each other
Masky
I'm watching Planet With!
Amagi
We all know the cliffhanger fight between Takashi and * +revelation of you know what wouldn't have happend before episode 10 in any other anime. This show manages the time perfectly and it doesn't feel rushed.
Amagi
It's exactly how I want a show: you are allowed to use tropes and generic settings but be creative, switch the roles, turn stereotypes upside down and make every episode unique and non-repetitive. It's what this show is doing and it's doing this perfectly.
Amagi
@Aidan: I love it too. I am pretty surprised how few people are watching this considering that it is still shounen'ish and how hyped Bisquithammer is.
Amagi
Ehhh-? Now got summer Marie with 3 quartz in FGO and Martha with 12 a few days ago Aidan was right about the second summer rate up banner.
AidanAK47
Such a shame that nobody seems to be watching Planet With.
AidanAK47
Damn, Planet with pretty much concluded and there is still six episodes left. This episode was damn satisfying and it seems the training wheels are off here..
Anonymous2563449
How do you expect men and women to act when they reach the end of economic growth
Anonymous2563449
The idol industry is just a reflection of the broken social contract/financial repression
K-Off
It'd be interesting if the documentary talks about the effect on men as well, that kind of obsession driven culture can't be healthy.
K-Off
Still remember that idol (was it akb48?) who filmed herself crying on film with a shaved head because she was caught with a boyfriend
Kaiser-Eoghan
Also planning on picking up A drifting life soon, biographical manga about the 60s gekiga manga period.
Kaiser-Eoghan
Going to watch some Japanese documentary tomorrow that goes into wide detail about how terrible their idol industry is and the effect it has on women.
Lenlo
The only thing I really liked out of Ahin was the villain. That dude was quite intimidating, running around shooting himself every time he got tranqed.
AidanAK47
And though I didn't mention it in the review it is rather annoying how the series shafted both Tamamo and Hakunon.
AidanAK47
@K-Off, It was a series that had good ideas, I give it that. But it was a mighty dull watch. Some better protagonist could have helped a bit at least.
K-Off
Speaking of which, I picked up an Astolfo plushie at anime expo and this alone is making me want to play FGO
K-Off
Yea Ajin flows really strangely and there's really no overarching story, plus nobody has much motivation to do anything. But that's also its appeal, for people interested in an insane antagonist who wants nothing but chaos
K-Off
Ah Fate Extra sounds disappointing, I STILL haven't watched any of the series and was hoping it'd be a good entry
Kaiser-Eoghan
Ajin is one of those things I just ended up completely forgetting about, although for pretty much no reason.
K-Off
Also: Ajin is getting pretty freaking crazy with the recent chapters, I love how Sato is so Joker-like and he's actually succeeding at every thing he's doing
K-Off
The manga is fantastic, feels pretty quaint as comedy manga go nowadays. Also the chapters flow really well with its comedic timing, love the pacing
Kaiser-Eoghan
I'm actually intending to move on to the manga sometime, as I was using the anime as an introduction/taster for it.
AidanAK47
Yeah I find Grand Blue just isn't working for me like the manga did. I feel like it needed better animation and a better director. I thought the Gintama director would do good but didn't take into account that with such a long running series he's likely accustomed to doing comedy within a small budget.
K-Off
Feels like manga with great comedic timing don't translate very well animated, or maybe it's because I've already read the same joke before the adaptation
K-Off
Woops forgot i wasn't logged in on mobile
Anonymous2559865
So far in the season pretty sad to see Grand Blue not living up to the manga
K-Off
(i also updated my email on my profile, if you need me for anything let me know there)
K-Off
Ahaha nah, its the real McCoy, last time we talked was about the backend server iirc
AidanAK47
...hmmm is this a fake Psgels situation I wonder.
K-Off
Ive been too hooked on Azur Lane lately
K-Off
Hello everyone, feels like its been a while!
Kaiser-Eoghan
Budget really shows in grand blue now, I wasn't really into the first half of this episode, but by the second half it got me laughing again.
Kaiser-Eoghan
@Lenlo: Including shots AT Mayuri =)
Kaiser-Eoghan
And yet, somehow I will find a way to someway forgive the show as hard as I can be on it I can never be 100% mad at the series.
Lenlo
And if it cops out with Mayuri's death, I agree. I wont be happy
Lenlo
@Kaiser, I mean, there are OTHER Mayuri shots I could have posted this week
Kaiser-Eoghan
Godammit Kana Hanazawa, just destroy me already OWO;;;
Kaiser-Eoghan
Be sure to skip past the credits in this weeks satsuriku no tenshi as there's a scene after them. Also Btfo Cathy, this was the part in the manga where I was surprised what Rachael and Zack did in this episode.
Kaiser-Eoghan
@Lenlo: Posting those shots of best girl looking sad =<.
Kaiser-Eoghan
@Lenlo: I'm being cynical about it because I don't want to be overly disappointed is such a cop-out occurred.
Kaiser-Eoghan
And it would probably bother me somewhat if the show decided to cop-out.
Kaiser-Eoghan
As much as I got the feels from that final scene with Mayuri and yes, I would, for the sake of drama, wish for it to remain that way. I'm not entirely convinced that the series won't pull a convenient twist to cancel it out, even though now it seems impossible.
Kaiser-Eoghan
@anon: Shinsekai sorayori shiratori.
Anonymous2553705
sora yori
Lenlo
Lentahlo? Ill take it
Kaiser-Eoghan
@Mario: Apparently this guy gets compared to Wong-Kar-Wai: https://letterboxd.com/director/lou-ye-1/
Kaiser-Eoghan
>Lenlo-tahlo
>Revolutionary girl Utensil
>Obersteins; Gate ;)
Kaiser-Eoghan
*all
And the modern setting rears its head, filthy iphone in muh Bananna fish.
Kaiser-Eoghan
Also its ll out on the table now, regarding banana fish itself, the series continues to connect everything together quite well.
Kaiser-Eoghan
And I felt the so far, the combining bleakness and the violence was at its best here so far. One of the kills being particularly cold.
Kaiser-Eoghan
Even though criticized for being too much of a Chinese stereotype Yau-say (or however you spell it) was still one of the more developed villains in banana fish, he'll be appearing soon. I love how this series never lingers and with only a few scenes between Jim and Ash we don't need tonnes of infodump/flashbacks to get their relation to each other across.
Kaiser-Eoghan
I don't even consider most of what the academy worship to even be real films.
AidanAK47
Not as if it makes that much of a difference. The Oscars are already a joke.
SuperMario
It's so absurd it feels unreal. Just a desperate attempt from the Academy to pander the mass. Duh
Kaiser-Eoghan
@Mario: I thought that wasn't real at first.
SuperMario
The Oscar just announced a brand new category this year: Best Popular Film. Holy cow. They want to become another MTV awards? Can't take them serious anymore
Lenlo
Oh thank goodness, Steins;Gate 0 has finally committed.
Kaiser-Eoghan
I had this stupid idea when I was a kid of Robotnick swinging bowser around like he does with that ball and chain thing in Sonic ones Green hill boss fight.
Anonymous2550388
I wonder if Boss Rush returns given the stage the Rathalos was shown doesn't have anything. Also that segment with Dracula also didn't had the platforms and the stage looked flat. If that's the case I hop Eggman and Dr. Wily get a chance to be bosses.
Anonymous2550388
Smash games regardless of look and modes always feel different. Each version feels a bit different.
Anonymous2550388
I use Kirby in 64. Samus in Melee. Metaknight and ROB in Brawl and I'm playing more with Dark Pit and Palutena in Smash 4.
Kaiser-Eoghan
>Want to play as Dracula
> Can't
> OmO
Kaiser-Eoghan
I think we all disliked the scrolling stages though, it always felt like being killed by the level.
Kaiser-Eoghan
I remember my brother and friends wouldn't let the items be turned on though =<
Kaiser-Eoghan
Being able to use the miis was kind of cool, my brother made an IRA Mii and Gerry Adams one.
Kaiser-Eoghan
My brother always used mewtwo, wolf, falco or fox . Friends would always play as link or Kirby.
Kaiser-Eoghan
I remember douchey players exploiting DKs grab moves to walk off screen with them.
Kaiser-Eoghan
Smash bros N64: I always played as luigi or DK
Melee: Either Marth, Roy or Ike
Brawl: Lucina or Marth.
AidanAK47
That said, chances are there will be more Smash games but this game won't be topped. It's got pretty much every character wanted, most if not all of the stages and them quailty of life improvements and new modes look damn sick. Give it a story/single player and it's prefect.
AidanAK47
@Anon, It truly is Smash Bros ultimate. With Smash 4 the series had pretty much reached the highest it could. Graphics can;'t really get better, Mecanhics are fine tuned to perfect and pretty much can only add stages and characters to it. Smash Ultimate honestly feels like a swan song of the series taking everything great and putting it in one package.
Amagi
What's up with all series ending in a cliffhanger this week
Anonymous2548623
I just don't know how much more they could add to Smash Bros. Other than some sort of story mode. 71 characters, 103 stages, over 800 songs. It's just too much. I don't know if a videogame could ever be tapped in terms of valuable content, but it feels this game is getting closer and closer to doing so.
Lenlo
Bout to watch it. Hoping it keeps everything up
Kaiser-Eoghan
The episode was fairly free of antics.
Kaiser-Eoghan
Steins;gate 17: Mayuri gets brought up to speed, Leskinen (pressumably) makes his move involving Amadeus , also *feelsfistclench*
Amagi
@Kaiser: Planning on reading SnT as well, but most likely after the anime has ended. There is also an untranslated LN as far as I know.
Amagi
@Aidan: ha, got Martha Ruler now at least (30 sq/10 tickets). Will either stop now or use ~20 other quartz at best so she's probably my only summer servant. I liked her the most though.
Masky
Huh. Odd to see anime adaption that uses LN designs and realizing "Huh. Manga version of designs was much better than original LN"
Kaiser-Eoghan
Looking back, I never finished Ai yori aoshi, last exile, Eureka 7 or Shangri-la , I'm thinking of rewatching last exile which I dropped halfway through when I was a teenager, I never saw the sequel. Part of me wants to give it a second chance.
Kaiser-Eoghan
What I read does explain itself.
Kaiser-Eoghan
I ended up deciding to read the manga adaptation of satsuriku no tenshi, 8 volumes if you include the prequel. I like the art style more in the manga, the manga also adds some small backstory scenes not in the anime. The main bad guy will probably show up in a few episodes. I won't say anything but I was surprised by three scenes the anime hasn't gotten to yet.
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Planet With – 05/06[Paladin Break 1/Paladin Break 2]

Well that’s the end of Planet With and what a satisfying ending it was. I mean that final fight was something that would do Gurren Lagann proud and while there are some loose ends the majority of things were tied up quite nice…what do you mean this is only episode six? Hold on, there are […]

Hanebado! – 07 [I’ll Mop the Floor With Her]

I was wrong. I don’t enjoy this dead-eye expression of Ayano at all. It feels as though we’re watching a completely different Ayano characters compared to the first few episodes. That just means in no way I’m identified with this anti-hero version of Ayano. Again, I understand the intention. Ayano has that unhealthy obsession of […]

Shoujo☆Kageki Revue Starlight – 05 [Is Sparkle Even Possible]

Revue Starlight is back to business this week with its bizarrely entertaining duel. In a way, this duel is a long way coming as this is one of the development I expected to happen sooner or later. What I didn’t expect, however, is the overall light-hearted tone with cartoonish paper cut-out design and Mahiru -Karen […]

Banana Fish – 6 [My Lost City]

Banana Fish, Banana Fish, does whatever a crime drama does. Drives a van, shoots a father-figure, lookout its Banana Fish. Simpson’s references aside, this week Banana Fish gives us a dark look into Ash’s past and both starts and completes our road trip. Lets jump in! Starting off, this week was probably the weakest so far […]

Chio-chan no Tsuugakuro – 06 [Everyone’s Own Path – Chio-chan Eludes]

Chio-chan… well… doesn’t go well this week. Not necessary because of the reappearance of crash fanservice gags – which for now I pretty much roll with, but because it’s a replication of Chio-chan’s previous (and better) segments. It adds up with the fact that both segments this week feel longer than they needed be. Take […]

Fate/Extra Last Encore – 11-13[Resurrected Sword of Victory – Excalibur Galatine -/Turner of the Wheel – Chakravartin -]

It’s been a while but the final episodes of Fate/Extra are out and I thought that I couldn’t really add anything to what I previously said about this series. The last three episodes did nothing to change my opinion on the series as a whole, if anything it solidified my previous opinion and pretty much […]

Steins;Gate 0 – 17 [Altair of the Hyperbolic Plane -Beltrami Pseudosphere-]

Finally, Steins;Gate 0 has fully committed. There’s no going back from here. This week we have the continued fallout of episode 16, Daru being a good father, and a Mayurii sized dose of suffering. Buckle in, because this is a long one. Lets jump in! First, some obvious stuff. Steins;Gate 0 continues to not be […]

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