Posted on 20 March 2017 with categories: 3-gatsu no Lion, Currently Watching:

We get to an end of 3-gatsu run but it feels more like a new beginning. Like what I feared last week the last episode doesn’t really have a conclusive ending, instead offers us the new semester of Rei and his childhood and his shogi, which in all fairness are the weaker parts of 3-gatsu. In part I understand it’s tricky to make a conclusive ending point when you’re in the middle of the story, especially for a slice-of-life drama like this one, and the series does attempt to bring some out of order material to shows us how Rei has maturing up to that point. Fortunate for us, they greenlighted the second season which will air in this Fall season (I will be there blogging) so I’m not that dread over this “ending”; but they totally could turn last-week episode into the final episode and I’d be completely content with it. Okay, I’m done rambling now so let see what this episode has offered us.

Rei starts a new semester and again he finds himself unable to make new friends. Hayashida-sensei (becoming my favorite teacher that is) suggests him to form a shogi club, so that Rei can make new friends and he can still be Rei’s adviser. In all honesty, I would love to see his shogi club instead of the “shogi science club” and I find that students have zero interest in the old game kind of stretching it a bit (I’d join myself, especially if I know a professional player is the club president). But the merging of the club make sense narratively: if you want result, you need to take action. Rei still wants to go back to study because he wants the feeling of not running away, and lately he actually enjoys himself a bit more so I’m sure joining with those guys will be a great experience for him. Also, Noguchi’s moustache is great.

While this first half is generally light-hearted, the second half delves into Rei’s personal problems from way back: the feeling of a lone wolf that doesn’t feel belong to anywhere and scare that the sit next to him will forever be empty. That little trip in his childhood underlines his loneliness. He hides himself from everyone and eating bento all alone, looking at the ants and reading shogi all by himself. There’s also a sad feeling concerning his childhood, so he devotes himself to shogi. With him, shogi is not only the place to belong, but also the place that offers him his companions, offers him the seat where he knows for sure would be taken by his opponents. Then we have a metaphor of he’s riding a train of shogi, with all the shogi players tagging along into the great shiny shogi paradise. But here lies an interesting bit, the show has constantly showed us that the path of shogi is a path that people keeps wandering ahead in the wasteland-like, lonely and suffered; here we have the totally opposite visual metaphor. I guess it just depends on perspective, on how you choose to look at it huh?

In the end, I still have plenty of good time with this episode but it isn’t among its great ones, let alone be worthy enough to be a final episode of this season. I mean, there’s no three sisters, no Kyouko, even no shogi match this week. Normally I would give the show a proper full review, but since it’s confirmed that we will have a second season, plus the fact that I believe with this kind of story we’re better reviewing it as a complete story, I will hold off my full review for now. Overall, I still believe Shaft did a great job of adapting it, and while the shows still have some tonal issues and problems of adapting too faithfully to the source material, the show really shines whenever it digs deep to the characters and fleshes out their relationships. Rarely a show can write characters that deep and heartfelt so I feel overall pleased that we have the next season to look for. Until then.

Posted on 13 March 2017 with categories: 3-gatsu no Lion, Currently Watching:

I have a serious recall on the first episode while watching this episode. Like that premiere, this episode is divided sharply into two half, one focuses on Rei with his shogi life, the other pays attention to three sisters and Rei; and also like that premiere, each half is compelling on its own and brings out the feels that make the whole episode so rewarding. I could go so far to say that this episode IS the warmest episode of 3-gatsu we have encountered yet, to the point that this episode’s warm-heartedness might be the best way to end this season (but then again, we still have 1 more episode). Almost every character has a happy, joyful times. Well, they pretty much deserve to have a rose-color moments once in awhile, especially after weeks after weeks of depressions from Rei and then Shimada.

Coming back to Shimada’s hometown for a shogi festival, which many fun events like Human Shogi or 100 Move events, Shimada can’t help but feeling that he let people in his town down. He expects the old folks would cheer him up, tell him it’s alright despite him losing straight matches, and that make him feel even more guilty. What he doesn’t expect is that the old people in the town don’t even really mind about that title match. They love him and support him in different ways, not by the mere win – loss that Shimada always pushes himself to. The last part when the old men tell him to not rush forward make him realize that he has been pushing himself a little too much. The support from his hometown is always meant to give him strength, not as a pressure that he needs to achieve. It’s great if he can succeed on the road he choose, but either way they will always love him all the same, because simply he means much more to them than the shogi master title. And it’s so warming to hear the extend he goes to provide his old folks a community that they can share time together, playing shogi, eating food and getting daily necessities back home.

Seeing Shimada have a moment of relaxation and smiling with his folks are rewarding on its own, but Rei again is pretty in sync with the place as well. “I felt connected to it”, this might be one of those rare times that Rei really feels like he belong to somewhere, and it’s great to see him passionately talk about Shimada in front of the reporter. Although threatened by the “unexpected” rain, the Shogi festival turns out to be a lot of fun. Harunobu fits this festival so well and you can really see the pride of all people emerge themselves to this events. Every Human Shogi player has their face high up, every person in the 100 Move event waits excitingly, yet patiently to play with the professionals. This might be strictly my own preference but this kind of events I prefer much better than the professional shogi tournaments. This is the kind of events where fun is FUNdamental, where everyone just need to enjoy themselves to the fullest and worry about nothing else.

And I’m glad the Kawamoto sisters are back. I missed them so much to the point that I wouldn’t really mind if the entire second half just focus on them and their own little cute problems, be it their struggle over the new sweet creation, or their bigger struggle of staying away from sweet cake; but then it ties with Rei in the end so well that it brings the most heartfelt moments in this already-solid episode. In this episode, they recalled the sisters’ mom again with such achingly fond memory, and that tender moment really tugs my heartstring. The comedy in the second half mostly works well, Momo again steals the scene and Hina still shines with her directness persona, and I swear if they selling that Puffy Daruma I will be the first in line to try it. In the end, I get out of this episode feeling wholly satisfied and warm, something that I never expect the show could achieve so flawlessly. Now if only the last episode could give me that satisfaction. And a conclusive ending point (with the next chapter named “The New Semester” though, I do have my worry).

Posted on 6 March 2017 with categories: 3-gatsu no Lion, Currently Watching:

With this episode we come to an end of Shimada’s title challenge matches against Souya, and somewhat close his arc down. Shimada time has been very effective and touching time and he proves to be a very worthy addition to the cast. In this episode we get to see his dream: the dream sequence depicted the life Shimada could have been had he given up on shogi. In that dream, he lives a normal, happy life in his village with all the smiling and warmness from his hometown people. While this sequence sure is bittersweet, I can’t help but feel it was a tad heavy-handed. Now, “heavy-handed” is a term that I don’t normally use for 3-gatsu, even I don’t mind those sequences about Rei’s depression, as it lays bare the emotions Rei has been struggling to live his life. But the reason I find this dream a bit forceful is because when you make a career out of something, anything really the feeling of burden and “just stay on your feet and keep walking slowly ahead” are bound to happen. Not just shogi. Here the show tried to paint us that it was the life he sacrificed for his shogi professional path. Well, it’s not like his girlfriend left him because he chose shogi for one thing; moving to the big city to make ends meet and trying to survive is the very struggle of majority of people out there, and shogi career isn’t that bad. It could’ve been much worse. My point is that his dream feels like a wishful dream, and maybe that is the show’s point. Just like any sweet dream, it’s just too bright and too perfect to be real. In this life though, the stomach pain he got represent the responsibility he been carry through from the people from his village. He has to carry that weight and that pain for the rest of his life; but like he acknowledges later on, he embraces that pain because the pain makes him feel alive.

The match between him and Souya ends up in another straight loss for Shimada. Boy, here I thought with all that build-up, the show would just make him win this match so that he could play in his hometown; guess I was underestimated the show’s writing. One interesting thing (and how true) I noticed is that doesn’t matter how Shimada tried his best to climb his way up slowly and steady; in public eyes, at least for now he will be remembered as “the challenger who loss straight matches”, “a loser whose skills ain’t that great to be in the title match”. It’s a shame though the way publicity works, sometimes you just see the ice tips on the surface and ignore the rest of the iceberg. And he comes this close to win that match without even realizing it. The same thing. “Almost winning” still doesn’t mean anything to others but maybe himself, Souya and Rei. All his efforts weren’t rewarded this time, but now he knows that he still has a potential to actually beat the master.

Rei, on the other hand, has become really active lately and I believe he has matured a lot in this trip. It’s great to see him actively feel concern for someone he cares, and moreover express his feeling towards Shimada in the final moments of the match, something that the timid Rei in the beginning of the series wouldn’t dare to do. Witnessing Shimada struggling through matches, his will to play, and finally that “last move” have given him a lot of valuable lessons as well. After he sees the weathered Shimada sleeping soundly on the train back home, he learns that what lies on the other side of the storm is just more furious and non-stop storms. Pretty deep stuff here. At the same time, it reaffirms that our Rei is, in fact, special (surprise surprise! He’s our protagonist after all) to find the final move that only Souya could see afterwards. Kidding aside, it draws the parallel between Souya and Rei, as in term of shogi, they pretty have the same style and the same instinct. The real difference is that while Souya is always portrayed as a perfect inhuman being (time stop around him, snow falls, he doesn’t age), it comes with a price too: he’s so far removed from the rest of the world. With Rei thought, he’s human, he’s imperfect and although he feels lonely at times he has others who actually care for him. They’re not the same in the least. With only 2 episodes left (meaning 4 more chapters), all I can really hope is for 3-gatsu to have a proper ending point. But I really doubt that, since like in real life; we, and life itself, just keep moving on.

Posted on 27 February 2017 with categories: 3-gatsu no Lion, Currently Watching:

This week we have an episode that dedicated to Shimada the 8th Dan and overall it was a satisfying episode. Looking back to his first introduction, I’m even more amazed how the show pulled his character off by purposely made him insignificant when we first met him both by his plain appearance and by Rei’s occupied thoughts on Gotou; until he demanded Rei’s and our full attention. He might be plain and always seems to be lurking in the background (and the show keep pointing that out as well), but as this episode proves magnificently, even ordinary everyday man has his own personal compelling tales to tell, just like real people we meet in our lives. Chica Umino is a masterclass when it comes to character writing and I’m in overall happy with what she accomplished to Shimada’s character here.

Starting off by Shimada’s flashback on his rural hometown and how he gotten into shougi, we followed his perspective on the struggle he had to stand on his own in the shogi world. We usually find this kind of flashback in other anime as well, the whole episode focused on certain character’s backstory to flesh out the character, but in this case I would argue this flashback is an example on how to use it right. Because in addition of giving more depth to Shimada, this flashback never at once feel out of place or even disrupt the flow of the story. Everything they showed in that flashback was just deepen what we already know about Shimada. That night bus keeps squeaking as it runs through the night perfectly sum up thematically his struggle towards just barely make it there to shogi, become “a small fish in a sea of sharks” and keeping the hope from the people in his town (man, how I love this writing). I had been in night buses before (and night planes that took forever) so I can relate to it all to well. Waking up and there’s a different, unfamiliar world awaiting you; but the moment when you’re alone in those buses waiting to get there was the loneliest time ever. His stomach pain also represents his pressure towards the kindness and hope of the people in his village; but those hopes (and that heartfelt banter) are something that keep him going, that make him try harder and harder in his shogi path.

I’m honestly quite surprised about Rei, as he takes a very good care of Shimada in this episode; because let me tell ya, taking care of a person is a freaking demanding job. He felt a bit responsible for Shimada’s current stomach pain so he decided to accompany him to Kyoto (that place! One of my favorite place that is). Rei has gotten more active roles lately and I’m glad that he starts to take care (AKA giving his support) to others because then people can rely back to him. It’s the right step in the right direction for our protagonist. It’s interesting to note that he’s actually shared the same thinking with Souya regarding shogi, because mostly they play the same all-rounder style and both relatively “genius” among his peers. Well, the Souya comparison will get more apparent as Rei’s getting better at his game I’m sure, but it’s still nice to see that Shimida acknowledged it sooner than anyone else. Also, we learn a bit more about Souya. He’s like an outcast, I don’t think he feels belong to this shogi world, but he keeps getting forward without looking back and apart from that he doesn’t care for anything else at all, just wandering around places with his mind in the sky. There’s really a thin line between a genius and a fool after all. Next week, we gonna see how the title match in Kyoto progress and I hope this time Shimada can break through so that he could play shogi in his hometown. You have my full support Shimada.

Posted on 20 February 2017 with categories: 3-gatsu no Lion, Currently Watching:

We have a fairly typical 3-gatsu this week, in which its level of quality is what we come to expect now. Its awkward shift in tone and the lack of big thematic plot points are still prominent in this episode, but we also have many heart-warming little moments, occasional touch of visual greatness and the plot that focus balancedly on Rei in his professional shogi life, his social life and his personal life. The notion of hometown, in particular, plays a big theme in this episode. As Shimada talks about his hometown to Rei, there’s really nothing in his town, just farmland, yet he tries his best so he can play the title match in that town again. Doesn’t matter where you end up living, the place where you spend childhood will always give a special, nostalgic feeling to you. And where is the place that Rei consider his home anyways? His true life was taken away from him when he was too young; spending 10 years in a house with little to no happiness; and now living alone in an empty apartment? Is it the sisters’ house then, the house he was just accustomed himself to recently? That song “Hometown” in the end really brings the sad, quiet feeling and it was one hell of a way to end the episode. Nice craft, Shaft!

Although I would be more interested to see the title matches between Souya and Gotou instead, bringing Shimada to face Souya actually benefits the story better. Shimada is still at the level that isn’t out of Rei’s reach, so to see the man’s commitment to face off the top shogi player is a valuable experience for Rei. While I feel that they overplayed the part where Darth Vader and Yoda shogi fighting and the endlessly shogi rambling (still, steamed bun joke was very good), I like the way Rei feel unsettling about the situation in the workshop. He’s the allrounder type, so he tends to focus more on the overall situation than the specific puzzle, unlike those two. The water motif again is very on point this week, depicting Shimada’s spirit and his will through the influx of water that nearly swept Rei away. I’m glad that Rei has gotten really over his depression few episodes ago and now keeps trying to improve his game, both tactically and mentally.

It’s his time with Hayashida-sensei, however, gives the episode a lot of heart. Hayashida has become more and more important to Rei’s current life and he feels like one of a prominent character now, the way he makes his best effort to keep Rei engaging his school life socially. He is one of the best sensei Rei could’ve had (on a second thought, not really, since he actually encourages Rei to skip class and nearly cost the poor boy another year), not only helping him get along with his study life, but moreover gives him many valid advices and heartfelt comments. Rei always has a feeling that he’s currently in a standstill: he doesn’t get along well at school, barely make it pass the year, his ranking isn’t improving… but Hayashida pointed out correctly how he has been fighting all this time at an age that normally shouldn’t be bothered to try. While I’d would give the exact opposite advice if I were him- someone in Rei’s age needs to go get out more and explore the world- his sincere comment at least reaffirm Rei’s worth, his life isn’t empty as he think it is. He carries a big burden especially for someone his age and it’d be much better if he understands that his friends are more than happy to carry the load along with him.

And here comes more Hina and Momo moments. I was a bit afraid that having the sisters meet Kyouko would disrupt the balance of the tone of the series, but thank god it didn’t. The three sisters are always brimming with light and warmness, while Kyouko’s always surrounded by dark nights and cold detachments, so how can they mesh together on the same screen? After all, how often you see the sun and the moon together? And isn’t it those times when they are together a special occasions? This week, it’s nice to see Hina and Momo get into Rei’s apartment for the lamest excuse (yeah, like they need that bento box that urgency!), but Hina’s emotional directness always work for someone who always hide his feeling like Rei. Rei makes that moment even sadder when he admitted that Kyouko is his sister, but clearly they don’t share any siblings chemistry at all. It’s perfectly normal when siblings having a fight with each other once in awhile. It isn’t when they having a fight every single time. In fact, the only close-to-sibling-ly moments they shared together was when Kyouko teased Rei about the three sisters. Only Arika sees through this complex relationship and I hope we have a more touching moments the next time Rei encounter the three sisters. Now, allow me to end this post here so I can watch some Squirrely-sensei programme and go to that Mouseland for some adventure!!

Posted on 13 February 2017 with categories: 3-gatsu no Lion, Currently Watching:

Wow, this episode! This is one of the strongest 3-gatsu episode that we’ve encountered so far, both rich in effective little moments, strong characters interactions and smart visual executions. Speeding up to three chapters per episode might be this episode’s most successful trick, because 1) these 3 chapters are interconnected by the same narrative themes and 2) it allows strong moments to sink in faster, and much sharper and 3) the amount of solid characters moments is definitely much higher than normal 3-gatsu episode and this is one of the rare times in 3-gatsu experience that I do feel like I’ve been sink at the bottom of the sea with too much of a good things, for good reasons. The episode produces one of the most breathtaking visual that directly convey the mood and themes of the story. The water motif have been applied effectively throughout the series’ run, but here it adds another layer: both Rei and Kyouko are lost deep within the sea of life, suffocated by the pressure of everything around. The dim lights of her phone to create that light waves of sea is one of the show’s most sensitive visual-storytelling for me. Or the moment the rain just stop after Rei noticed Souya is equally impressive. Shaft carries this show with style, and this episode especially they brings out the best from its source, even the lighter scenes are brimming with finely-tuned touch.

Harunobu, as long last, has catched up with Rei, not only in their professional ranking sense, but also about their maturity. As Rei struggled with his forms and several depressions, Harunobu makes one steady step forward at a time, while fixedly aim at his goal ahead. Harunobu has gained a lot of strong material here and as of now I don’t mind to have his accompany at all. On the other spectrum, the sudden appearance of Souya gives the show the almost dreamlike quality. Souya here is portrayed as someone out of this world, the one who can stop the time, who is unchanged in his appearance after 10 odd years, an angel that so pure and powerful that it brings the force of destruction instead. When people compare him to demon, guess what really remind me of? The old shogi player Matsunaga commented about Rei himself as a “beautiful reaper”. Guess there’s not much difference between Souya and Rei then.

Kyouko also makes the most out of her screen time this week and this might be the first time we have a full picture of Kyouko and her relationship with Rei. In this episode, she’s in her usual spiteful mood at one time, become spirited and playful at other and then deeply vulnerable the next. Her bashing out on the sisters is heavy and malicious, yes, but it comes from her own pain and belief that Rei was the one wrecking her family. What she said isn’t entirely wrong though, As Rei found himself very much at home at the sisters’ house, but still hearing those intentions from a dark and mean perspective certainly is hard. Afterwards, after staying over Rei’s house though, Kyouko amps up her playfulness and really that light tone between them isn’t something we see very often, if at all. The comedy mostly works here and they give off a great chemistry with each other. Kyouko then breaks down, she’s unsure about how to deal with her life. At heart, both of them are pretty insecure individuals, sharing almost the same pain of trying to figure out the way through life. Their relationship, moreover, become much complex and Rei remarks so true in the end “we also haven’t been able to become siblings nor remain strangers”. This was a beautiful chapter.

But the greatest moments for me was when the sisters appearing while Rei and Kyouko having an arguments. At long last, the two forces of nature: the warm, light side from the sisters and the dark, destructive side from Kyouko finally collided and the result is a weird mixed of raw, dark feeling with surprisingly warm-hearted touch. Momo again steals her scene, Hina again is the voice of “follow your heart” sentiments and watching Hina fighting Kyouko might be the greatest pleasure ever (also: Momo calling her “witch”). Those contrasted forces produce such unique sparks that in my book this is one of the show’s brightest and most effective moments. 3-gatsu no Lion is going stronger than ever, and this solid episode comes totally expected because it draws from the current strengths the show has been well established throughout its run. The only downside with it is that now I won’t expect less from it. I know I have been spoiled with too much Kyouko’s and three sister’s moments but give me more doses of excellent characters writing please. Otherwise I would get really pissed-off, just like Hina-chan.

Posted on 8 February 2017 with categories: 3-gatsu no Lion, Currently Watching:

3-gatsu had another solid episode this week, which for now was exactly what you would expect from this show. Rei’s getting more social life, and this episode demonstrates the importance of the tutors’ roles, as both Hayashida-sensei and Shimada continues to guide him to improve himself, both in his personal life as well as his professional shogi life. But “solid” and “expected” also means that I don’t really have a lot to delve into, so instead of doing an usual format, I will try something different this time, running the episode down by key moments and giving you my thoughts on those. Notes that this is just one-off, mostly for the sake of trying something different.  

If you really think about it, this “arson club” is the kind of club that Rei would never be a part of. They are as different from Rei as chalk and chesse. The club is noisy, active and silly, Rei isn’t. They try to make soap to attract girls, the kind of thing that Rei would never dare to try. Yet, they’re getting along well, because the club is determined to help Rei out. This section gets as silly and light-heart that it could get, but this is the light-heartedness that I wanted to see. Like Hiyashida-sensei, just watching Rei enjoying himself with other people is rewarding enough.

But here, we have one of the most satisfied life lesson that one could learn from his sensei for a long while. Heck, this life lesson still resonates well even to me, more than 10 years older than Rei right now. You need to rely on others sometimes in things that otherwise difficult when you do it alone, because then people can rely back to you. Rei is the kind of person who doesn’t want to trouble his friends for his personal problems, which is fair enough, but by doing that he creates a border that others can’t cross, and in turns they keep their distance with him. I haven’t really talked about him in details before but Hiyashida-sensei proves to be one of the most reliable tutor Rei could’ve had for guiding him to be more open in his social life. Rei needs more friends, that’s a given, and seeing him slowly realize the significance of opening up to someone else is really satisfying.

(more…)

Posted on 31 January 2017 with categories: 3-gatsu no Lion, Currently Watching:

Let me get off track for a bit, but the truth is that I’ve always been fascinated by moonlight. Moonlight gives me a warm presence, moonlight (especially in full-moon) gives me the bright feeling that there’s no more worry in the world. Sit there and watch the moonlight is one of those rare moments where I truly “enjoy my moments of nothingness”. Coincidently, many media involving moonlight have a special connection to me: “Moonlight Shadow”, “Dancing in the Moonlight”, even last year’s indie gem “Moonlight” gave me a certain feeling that resonate strongly to me. This week in 3-gatsu we start with the chapter named “Moonlight” and again this proves to be a special episode to me, one of my favorite chapter out of 3-gatsu in fact. The ambiguous relationship between Kyouko and Rei has been one of the show’s strongest material, and this episode manages to take that relationship up a notch.

I will forever remember the image of that young Kyouko; there she stands, beyond the moonlight by the window, demanding Rei’s and our attention. If there were moments that best captured the relationship between Rei and Kyouko, that would be the moment she sneaks into his bed, whispering those words “Don’t touch me. But don’t move away from me”. Kyouko, just liked the way Rei described her, is a strong-willed but deeply insecure girl. The girl who has everything that she doesn’t need, and ‘fails’ the only thing that profoundly mattered to her. To her eyes, she’s always the inferior one compared to Rei, both in shogi and in their father’s attention. Rei isn’t any better when it comes to self-doubting though, as a result we encounter one of the most heartbreaking moments when the only way those two know how to comfort the other is by ways of showing that insecurity, but even then Kyouko still gets hurt really bad. That is Kyouko, love and hate someone with the same intensity.

And when it comes to her loving someone with full force, we also see her and Gotou together for the very first time, and this relationship is still pretty much blurred at this time, but fascinating nonetheless. Gotou is oblivious to Kyouko’s feeling, even calling her “stalker”, but of course Kyouko doesn’t back down just because of that. We saw them together twice this episode, and while the first time he allowed her to walk side by side with him, the second time he ditched her like a bastard. Except when you think about it, this is the best kind of actions when dealing with someone as bombastic as Kyouko. He’s a married man anyways. People seems to agree that Gotou has been using her but from what I see it might not be the case; it’s Kyouko who clearly steps out the line right now. I have a feeling he still cares very much about his sick wife but I know we will see more about his relationship soon enough so let’s wait and see.

The rest of the episode also follows the best-of-three matches to determine title-challenger between Gotou and Shimada. They are basically equal in terms of skills level so the matches are long and worn-out ones and resulted in one slightly beaten out than the other, which the first match goes to Gotou and the second goes to Shimada. I’m glad to see that Rei really invests in those matches. Yes, to learn from the people who are higher than you and get inspiration from those matches are the right way to get out of his own depression now. Speaking of that, Hina has an adorable moment of sitting in the chair and worrying for Rei, just so that the grandfather gives her his wise advices of basically come down to “let him deal with his issues himself”. At the same time, Harunobu offers his insight on how Rei changed his attitude towards shogi and the very reason he cares deeply for his “best friend”, this is a sweet little material for Harunobu, but I can’t help but feel that we already know that Harunobu felt that way even before he tells it, so the result gives us very little impact; which is a shame. As now a tradition with 3-gatsu no Lion, if I have to recommend the series, I’d just recommend certain chapters out of the show because when the show hits, it hits real hard, like this week’s Moonlight chapter. Other chapters though aren’t as strong or memorable and I guess with the intention of adapting faithfully to every chapters of the manga by Shaft, we will have to bear with it for the long, long term.

Posted on 24 January 2017 with categories: 3-gatsu no Lion, Currently Watching:

This week in 3-gatsu no Lion, we again witness another one of Rei’s depression, which is fine I guess because this is what the show does best anyways; but seriously it didn’t leave much of an impact on me, both because those depression thoughts start to wear out on me, and this section drags out for too long. Here lies the issues: the way Shaft decided to adapt every double chapters per episode mean that sometimes we suffer the disconnect in tones between two chapters like last week’s, or we have to go through their lesser materials like this one. In manga medium, this is totally acceptable because one volume has multiple chapters, so it doesn’t distract the flow of the story as severe as in adaptation form. This episode is where its deliberated pacing doesn’t benefit the story at all and if they speed up a bit to the next chapter the story would flow so much smoother.

I have to note that this is the first time ever that we witness him lost right in front of our eyes. Kudos for the sharp writing that building up the big match to come between Rei and Gotou before crushing that anticipation from Rei and us apart. We’re pretty much in the same mind as Rei expecting an easy win for him. Except it isn’t. Rei loses and he loses hard. The loss strips Rei down pretty hard that he loses faith in his own ability and even looks for job hunting. It’s pretty understandable for someone his age; young and talented but inexperienced; misjudged the capability of his opponent. This isn’t come from his own arrogant though, but more like he hasn’t give much thoughts about his opponent and he certainly paid his price. The very solid depressing visuals (as expected from Shaft) were conveyed through water bubbles again, and through his own dehydration. If there is one thing we certainly learn after this episode, it’s Rei is even bad of being depressed.

It’s tough to carry all these self-doubting thoughts on his own, so what does he decide to do next? Go to school and keep carry on of course. But kiddo, if you don’t feel okay from the inside, carry on with life like normal won’t do you anything good. He feels like he doesn’t belong at school, so he’s even more depressed and cries out of solitude. Thankfully, there are lights of hope at the end of the road, in the name of Hayashida-sensei who give him a much-needed advice and the workshop by Shimada which will help him improve his game. In a way, Rei needs to take 2 steps back before moving few steps forward, and this loss is something that someone his age need to realize the sooner the better; thus I get the narrative. But the episode lacks the final punch, moreover the male casts can’t handle the atmosphere or carry the emotions as good as the female counterparts (call me sexist. I’ll take it.), as a result this episode is a big meh. Give me more Kyouko, give me more of the 3 sisters please. In the end, characters-wise, the show still rocks (how it gives much personalities to Shimada despite a very unremarkable introduction for example) but I really hope the show doesn’t waste its time for some minor chapters like this and end up not having enough time to cover the main thread.

Posted on 17 January 2017 with categories: 3-gatsu no Lion, Currently Watching:

This week we have 2 disjoined chapters, which are different in tones and more importantly in their point of view. We go through the first section from Smith-san perspective detailing his own thoughts towards the match against Gotou, and the latter part Rei took the stage, being on his way to challenge Gotou in next match, except things weren’t go according to plan either. If there is any mutual theme out of these two chapters, it’s this: know your own place in the shogi world.

3-gatsu no Lion sure has a very slow pace, and it’s most apparent here in the first 6 minutes when all the actions can be displayed in one brief sequence in other anime, but the show goes on and on, both in a good and bad ways. Look, for a show that relies heavily on building up and tender atmosphere, it makes sense that some scenes they need to drag out a bit longer to provide the mood; but truthfully, I don’t get the recap here. We don’t need that, tell me something else instead. The latter part, in contrast, followed Smith-san having breakfast (eating fresh, whole tomato!) played like a gif animation with its jerky movement and upbeat music and I’m digging it very much. If you decide to go off the track, then make it with styles. Thank you Shaft.

But to be honest, spending an entire chapter focused on Smith-san feel like a filler, side story because at the end of the day it doesn’t add up much to the mother narrative. Smith-san has never been anything other than Rei’s shogi-mate before so it’s hard to relate to him more than that. Telling the story in his point of view, however, still has its purpose because one-part of 3-gatsu is still stories about the life of shogi profession players anyways, and Smith-san’s perspective provides a more mature look at shogi than Rei’s, as he’s now in the middle of his career path. It’s true that when one becomes a professional, the only thing he knows best is his own ability comparing to others. This isn’t simply the lack of confident, but more in terms of actual level, the actual talent that separate those great players and the rest. Here in this chapter, Smith-san went all he got despite knowing full well that gap; but in the end what he found really was that he still has a long way to reach to the top, to perfect his style. It’s fine though, since not only he found these things, but a black tray cat in need of aid as well. Kudos for the show’s consistency of providing the world full of cats. Hungry cats, stray cats, owl cat, warrior cats, you name it.

It’s Rei, on the other hand, who needs to learn a hard lesson about knowing his own place in this shogi world. As his mind was occupied by the provocation of Gotou, he steps into the match against Shimada the 8th dan with his head in the cloud. The show smartly conveys that sense of thoughts as we see Shimada as a shadow, unimportant figure until Rei pays full attention to him. I love the smart storytelling that later fleshing out Shimada in his best possible way in just few details, both underlines how he truly cares about the kid Harunobu (“I want you to split Rei’s head in half”. What a great friend Harunobu is), and how good he’s actually is in shogi (well, he’s in 8th dan for a reason); leading Rei all the way to his destruction without him realizing it. Rei does need something like that (I don’t mean that splitting head in half metaphor. Too graphic! I’ll go with slapping in the face) for him to know that he isn’t that talented to underestimate other players and there is a long way for him as well to be ready for that fateful match. This is a minor 3-gatsu episode, but even so there’s still plenty good moments to recommend.

CHANGE USERNAME
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
Lenlo
Scums Wish, 4 episodes in, has been the perfect little dose of depression I crave from each anime season.
Lenlo
I have to say, its a pretty fun break from super srs anime discussion sometimes
Anonymous1014938
There's so much sass in this chatbox sometimes I can't even. :.D
AidanAK47
Also please note that if data gathering results do not support your hypothesis that there will be no refunds
AidanAK47
I will have you know my data gathering services are quite expensive and I don't operate until paid.
Anonymous1014125
Aidan is providing the data for us.
Lenlo
You do know that for the scientific method, you make a hypothesis and then you run experiments to produce data to prove or disprove said hypothesis. It cant just sit in limbo and then you go "I was right". You have to provide data at some point. At this point, you have yet to provide any data to support what you say.
Sir Robin
You seem to have never heard of the scientific method then Aidan. You don't need proof before you formulate an hypothesis. Fortunately this most recent development of you being wrong supports it.
AidanAK47
I am sure Sir Robin would be delighted to hear this but I think I was wrong in my assessment of SukaSuka(Shūmatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?) That insert song at the begining of the episode was masterful and a number of things have changed my mind about it. It may be more interesting than I first expected. First novel was still pretty boring though.
AidanAK47
Should have another impressions post up today. As for what I am covering that's Little Witch Academia, Attack on Titan and Sekaisuru Kado.
AidanAK47
At least we never have to fight tooth and nail to cover something as what we want to cover never clashes.
SuperMario
Which mean 2 PA Works, 2 original shows and 3 slice-of-life shows. Well done Mario for being predictable and consistently boring as ever
Total users: 30

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