Posted on 23 June 2011 with categories: Anime Reviews, Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai




Moe in Noitamina. It was a risk. Especially after how Fractale screwed up so badly, seeing A-1 try again in a timeslot whose audience has always been at older audiences with the same teenagers that anime is filled with… I definitely had some doubts right before this series started. And then Ano Hana aired and turned out one of the best written shows of the season.

Ever heard of the phrase “short but sweet”? This is the key to the best Noitamina-series out there: most of them can only be eleven or twelve episodes long, so they really need to know how to use their time, and this series is a brilliant example of how this timeslot should be used. It leaves no moment wasted, it never drags, and it’s always developing its characters, delivering heavy drama, and moving back and forth between showing new things about its characters and fleshing them out.

The show follows six teenagers as they deal with their pasts. All six of them end up as well rounded characters, with their strenghts and flaws: one is an airhead, another is an asshole, another is socially awkward. This series juggles all of them together brilliantly. The acting is excellent and this show is even able to breathe life into the side characters of this series.

Now, this is the kind of series where the characters write the plot. If you like series that have a complex storyline, you don’t need to go for this series: this is just a coming of age drama, but it’s amongst the best I’ve seen. It is very dramatic though: this series really pushes to get as much drama into 11 episodes as possible without making itself shallow: all of the drama here is meaningful and brings out the best of the characters, but if you like series with more restrained and composed acting, you might want to look elsewhere.

If you are looking for an emotional roller coaster however: watch this. Few series can boast to be this well laid out, especially when so small. Everything fits just perfectly. I’m not a fan of moe, but this show is so good that it immediately won me over.

Storytelling: 9/10 – Brilliant at juggling around its drama, never leaves a moment wasted, although the drama can get a little heavy-handed for some.
Characters: 10/10 – A complete tear-jerker; wonderfully rounded characters that play off each other amazingly.
Production-Values: 9/10 – No still frames, no recycled scenes, fluid animation, detailed art, excellent soundtrack. An overall job really well done in every aspect.
Setting: 9/10 – A soothing village back in a forest. Down to earth.

Suggestions:
Asatte no Houkou
Clannad After Story
True Tears

Posted on with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



And it’s finally the time of the season again to review the large batch of series ending. The first one is Ano Hana, and really: I don’t expect any of the other series in the next few weeks to come even close to this one. There is just no way. This episode was completely amazing and it pretty much cemented this series as my favourite series of 2011 so far.

the creators really wanted this to end with a tear-jerker, and BY GOD, they succeeded! It’s not the kind of episode that tries to be as sad as possible, but god dammit it was emotional. Just about every character unleashed the final bits of his or her development. Every character got the chance to vent his or her lungs and confess about his or her problems. Everything came together magnificently. I cried more at this episode than at any other episode of this show so far.

This show… this show really knew how to save the best for last. Menma’s wish is so simple, yet brilliant. It ties everything about Jinta together. It wasn’t something epic, but just a small detail about one of the friends she grew up with. Or Poppo, who finally revealed that… he actually saw what happened in that river. It was clear that he had a secret, and this episode made such a wonderful use of that. THIS is how you build up plot twist and make them hit as hard as possible!

The ending also was just bittersweet. Sure, it still remains unclear why Menma was a ghost, or why everyone was able to see her at the final time, but really: who cares. Ghosts just work that way, and it didn’t go against anything that this series built up for. It was truly excellent as the emotional climax of this series.

There’s just one overused cliche in this episode: Menma’s airheadedness, or “I like everyone as friends”. This is a bad twist because anime often use it to sneak their way around having to seriously develop romance. Can we really fault Anohana for that, though? With Menma, she just feels like a kid who just isn’t bothered with romance, even though everyone around her is. In terms of that, she was a great character. It’s perhaps not exactly realistic, but even then it has some of the most natural characters of the season, aside from perhaps Showa Monogatari that nobody watches.

Overall, A-1: we couldn’t have asked for a better apology for Togainu no Chi and Fractale. I love these people, and this is the second time they produced something of classic material, after Birdy the Mighty. Not since Asatte no Houkou have I watched a teenaged drama without anything else that I liked this much (and with Asatte no Houkou only half the cast was actually teenager). Just about everything fits here and nothing feels wasted or out of place. This really was a wonderful watch.
Rating: **** (Fantastic)

Posted on 17 June 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



What a wonderful penultimate episode. Everything is just culminating to that final climax of this series. Once again, this episode was just full of emotions and it continued to push its characters forward.

It was clear that the fireworks arc was going to be an anti-climax: there was no way in which that really would be Menma’s wish, but damn: this episode nearly made me believe that ti was. The build-up to the eventual launch was really quite sad, especially with Jintan not wanting her to go away. Yet at the same time, his personality would never have made him actually stop the launch. Beyond that though, everyone was somehow deeply emotionally involved in the launch. The climax, now that Menma didn’t disappear, is looking out to be amazing.

Overall, I’m going to wait until next week before claiming whether or not this was my favourite show of the year. This season also has a lot of series that go past 13 episodes for once, so I also can’t say yet whether it’s going to be the best series of the season. But what I can say is that it has the best eleven episodes of the past season. It left no moment wasted, it always sought to give more depth to its characters and the characters always made sure for hard-hitting and confronting drama. It’s exactly the kind of story that belongs in Noitamina.
Rating: *** (Awesome)

Posted on 10 June 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



Ah, it’s almost a shame that there are just two episodes left, but that’s the strength of a good Noitamina-series: they’re short, but really, really sweet. This episode was the calm before the storm: preparing everything for that finale, and it’s promising to become an awesome one that is going to involve every single character significantly.

I really liked how both Jinta and Poppo nearly broke their character. Unlike Yukiatsu who isn’t afraid to show his personal feelings or Naruko who is terrible at hiding them, both of them have been quite good at dodging these things. This time, even that composure broke. Especially Jinta, who right now is the one threatening to screw everything up.

As to the “big plothole” of this series, I think that it has a lot to do with this. While it remains questionable why Menma waited so long on announcing her presence, it is clear now why Jinta didn’t push her to do that: it’s pretty much as Yukiatsu said; Jinta wants to stay with Menma and wants to have her for himself, while at the same time he still has parts of the attention whore that he was when he was younger.

Meanwhile, Tsuruko also finally showed some new things of herself. She really is going to be a big mystery for that ending as well: she’s the most composed member of the cast so she really had relatively few scenes to show her character off compared to the more unstable characters, but with Yukiatsu getting stranger and stranger (he’s also hitting on Naruko now? Is this because he’s interested in her or because he just wants to take everything away from Jinta?) we finally get to see that she too has at least a crush. Her character was invaluable to the series, though. It showed that the cast wasn’t entirely made up out of people with issues. It was exactly what the cast needed here for variety.
Rating: ** (Excellent)

Posted on 3 June 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



Even for Ano Hana standards, this episode was amazing. I mean, how much can you stuff into an episode anyway? This episode went from heart-wrenching scene to heart-wrenching scene, and it just kept going! Each time showing new things about the cast, sharp dialogue and a huge heap of sincerity.

First there was Menma’s mother who actually lashed out at the group as a whole, then Yukiatsu forced Jinta to just go on on his own, Anjou confessed the feelings she had when she was younger, Jinta had a great scene together with his father, then Menma’s brother came along and as a desert Menma finally had the guts to make her presence known to the others. Heck, every single part here would have made for an amazing episode, but this episode found a way to put them all in the same episode. Now THAT’s how you take advantage of Noitamina!

I always found it a bit of a plothole that Menma didn’t just make stuff float in front of the group. Still, this episode showed that she can probably only bump into stuff, and probably thought that that wouldn’t be enough to convince people of her existence (she’s good at running away and all).

In any case though, this episode was also really good for one of the biggest strengths of this series: the way in which it puts so much meaning into its dialogue. The script in this series is masterfully written, in order to get as much out of the characters as possible. The characters here are both big liars, and surprisingly true to their feelings: they’re really able to express what they’re feeling, and this series does that in a way that I haven’t seen in a long, long while.
Rating: **** (Fantastic)

Posted on 27 May 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



This probably is the moe-est show that I’ve ever considered as my favourite of a season. I mean, I have enjoyed teenaged drama romances before and all, but not to the point where they were done this well in such a short time. More than any other series this season, this series really nails the feelings of its lead characters and it continues to push their relationships forward. This episode was slightly special, though: for once it focused especially on Jinta and Menma.

Instead, I can only see this episode as a build-up red herring. That’s nothing bad, by the way. Some of my favourite stories use these red herrings. Rather than pointless, I love it when done well, they are excellent in fleshing out the characters and story, and the same pretty much happened here: the whole rocket story has nothing to do with Menma’s wish and all, but this episode really stressed the bond and the memories that the main characters made with each other.

By the way, it’s great that Noitamina has been pretty much consistently amazing for the past five seasons here: for the past five seasons and eight series since the timeslot turned into an hour long, there pretty much has been an amazingly well written series on, with the best still being Spring 2010. 2010 was overall a mediocre year, but THAT was the best season that Noitamina ever had). Heck, pretty much the only mistake during this period was Fractale. As for Anohana, I’d probably put it somewhere in the bottom of the top 8 of my favourite Noitamina series. Where exactly entirely depends on the ending.
Rating: ** (Excellent)

Posted on 20 May 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



I absolutely love how this show delves into the minds of its characters. This episode yet again had me teared up, and again it’s not just because of one character, but a whole bunch of them. I mean, most series pick one or two characters do develop each episode: this show does this with nearly every character for nearly every episode. Even Yukiatsu and Chiriko, who had a relatively small role in this episode, were great. I especially love how honest Yukiatsu has become.

The real meat of the episode though was about Jinta finally going to school, Naruko suffering through endless gossips about what happened in the previous episode and Menma only worrying about others. With all these, this show has a nice habit of not just showing characters, but it also keeps showing characters telling how they feel about other characters. Whether right or wrong, it’s actually a great way to flesh them out by showing how they seem in the eyes of someone else.

As for Menma, this episode could have given a really big hint as to why Menma is staying behind as a ghost. Running away is a huge concept of this series. The most apparent is of course Jinta, but the rest of the cast also tends to have this. Menma keeps avoiding talking about herself. I mean, did Jinta ever apologize for what he said to her, right before she died? It’s of course not going to be this simple, but I do think that something in that direction is her wish.
Rating: *** (Awesome)

Posted on 13 May 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



That was yet again amazing. Again, every character played a major role in this episode and nobody was left out. This series really never fails to pull at my heartstrings.

I love how the creators actually made Yukiatsu work as a character despite his cross-dressing antics. The way he composes himself right after his little break down makes him much more than just another insane character, and this series brilliantly combined these crazy plot twists with the down to earth setting here. I also loved how he acknowledged how cliche it was that he saved Naruko from being taken advantage to, even though the way in which he did it wasn’t cliched at all.

And heck, this episode did touch upon a very important issue in this series: why did Menma appear in front of Jinta? I mean, okay she was in love with him and all, but it probably isn’t this shallow: throughout the series we kept seeing how she wanted to be together with everyone; her crush on Jinta seems completely gone now.

By the way, I really have to say that, leaving the episodes she wrote of Simoun and Red Garden aside, that this is the best original screenplay that Mari Okada has written so far. There is just so much emotion put into it and everything is just so incredibly balanced. And that while she’s working on two other series this season as well!
Rating: *** (Awesome)

Posted on 6 May 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



What makes an amazing 11~13-episoded series is completely different from what makes an amazing 24~26 episoded series. The latter has time to build up and flesh out characters. The former however doesn’t need that luxury, and needs to deliver right from the start. And Anohana did that wonderfully: all four episodes so far have delivered, and all have been amazing so far.

The strength of this episode was that it took the heart-wrenching formula and added even more to it: a completely weird plot twist. When Hana-Saku Iroha did this with its third episode, it lost part of its charm, but this episode retained the tension and the emotional connection, while it also showed how Jinta isn’t the only guy member of the cast who completely lost it.

The awesome thing about this episode was that just about every character shined: Matsuyuki for insulting himself, Jintan for having the guts to actually try and talk to him, Chiriko for getting tired of him, Menma for consistently encouraging Jinta, Tetsudo for joining her and trying to keep the group together and Naruko for still trying to get Jinta to go out more. These characters all have their flaws, but this show always makes them play with these flaws.
Rating: ** (Excellent)

Posted on 29 April 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



It’s been a long, long while since I watched a series that made me teary-eyed on such a consistent basis as Anohana. It’s got the most amazing cast of characters that consistently try to develop each other. These people feel real and the acting is absolutely amazing. I mean, even Hourou Musuko needed a number of episodes to get going!

Anohana is really about growing up: some of the characters here already have, while Jinta refuses to do so and Poppo just doesn’t care. The same goes with the rest of the cast, and this friction between the ones who have grown up and the ones who didn’t is amazing to watch, especially with such detailed characterization. These characters just keep telling more about themselves and becoming more rounded and versatile. This was an especially good episode for Tsurumi.

Three episodes in, and I only managed to spot one cliche: the dead mother. It’s a bit unnerving that BOTH Noitamina series this season have the dead mother syndrome, but Anohana even makes good use of that one. Living in a dysfunctional family had a massive impact on Jinta and probably even strengthened his trauma, let alone seeing him first lose his mother and then one of his best friends. The thing remains though that the easiest way for a character to have a dysfunctional family is hardly ever used: we hardly ever get to see people with divorced parents. Out of the top of my head, I can only think of two that did that: Noein and Kuragehime. Oh, and Hana-Saku Iroha.
Rating: *** (Awesome)

CHANGE USERNAME
SuperMario
@Amagi: they better have a second season. The way it ends now I don't even have any motivation to write a full review. I'm not really optimistic over it having a second cour because if the producers were confident about its chance, they would've greenlit it already.
Amagi
@SuperMario: Seems like the official radio confirmed PriPri might get a second season if the BD and/or game sales are good enough. - BD sales seem to be around 7k at the moment, but it looks like many only ordered them now, after the last episode, so it might be more.
KTravlos
@Aidan. Oh I did. Thank you for reminding me. I will write the review.
AidanAK47
@Travlos, Just in case you missed it, there is a reply to you earlier in the chatbox.
KTravlos
Kakeguiri also ended. In the end the anime original ending was not really an ending, but just a fan pleasing excursion. The integrity of the manga story remains. It was a good adaption, and I liked it as it brought to life the parts of the manga that make it interesting to me. Also a great Opening and Ending. Good show.
KTravlos
And to sum it up. I think this was a great series. All its episodes were good.
KTravlos
I actually am ok with the PP ending. The 12 episode series is self contained. Sure there are many future potential stories to pursue, but I felt there was enough closure to make the series a good series. This is because the next step of the narrative is really so long term as being more LOGH material than PP (the story of the ascension of Princesss to the throne, and then the story of her reforms)
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
Total users: 26

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