Posted on 24 December 2006 with categories: Anime Reviews, Asatte no Houkou


Wait, an actual slice-of-life series that I actually enjoyed? Yes, it is possible. While I normally find pure slice-of-life series rather boring, sometimes one appears which adds something extra. In the case of Asatte no Houkou, the result turned out amazing. This is one of those rare anime which creates a very strong mood and atmosphere, and stays in this atmosphere for its total number of 12 episodes.

First of all, the concept is brilliant. Everyone who’s seen either anime or American cartoons probably has run into one of them: filer episodes in which two characters switch bodies, grow older, grow younger, etc. Still, all of these episodes focus around comedy. So, what happens when a series actually comes and takes a serious look at it? Well, that’s what you get with Asatte no Houkou. It focuses two characters, living normal lives, and shows how their lives are affected when something supernatural happens to them. Karada is a child, who longs to be an adult. Shoko is an adult who longs to be a child. Their wishes get fulfilled, and they learn that their wishes may not have been too smart.

For this anime, some wonderful characters were created. Shoko and Karada react entirely different to the things that happen to them, and that’s the beauty of it. Each of the episodes are so incredibly touching, you can’t help but feeling along with the characters, and if you’re a bit of a fast crier, this anime will probably leave you crying at multiple times.

It’s actually very hard to pinpoint some kind of bad point to this series. It has been so incredibly well developed, that it doesn’t seem to have any obvious flaws. If I had to name one thing, then it would be that at times, this anime likes to let characters run into each other through a deus ex machina, though unlike shows as Wolf’s Rain, this doesn’t really hurt the series. I’d say that if you’re looking for a sad, realistic story, you’ll definitely want to try Asatte no Houkou out. :)

Posted on with categories: Asatte no Houkou

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And so it has ended. Phew, it surely has been one great ride, from start to finish. Like I said, so far Asatte no Houkou is standing on the #1 spot for the shows released in the fall season. All that’s left is to see whether another show can take its place. Heh, it surely won’t be easy.

Regarding the ending, it was a great ending, another one of those heavily emotional ones. Still, how great the individual scenes may have been, the ending didn’t have anything special. But then again, a special ending is extremely hard to do. I’ve only seen a handful of shows which really managed to impress me with their endings. Still, Karada really shined during her scenes with both Shoko, Tetsu and Hiro. Shoko also reveals that she hasn’t really been honest with herself, and that when she saw Karada, she indeed longed back to her childhood. Hiro also managed to cut his hair, and it seems that Kotomi has found the wishing stone. She kept it with her all this time, and at the end of the episode, she returns it to Shoko, after she understood everything that had happened. Because of this, Karada and Shoko get returned to normal. I’m having sortof mixed feelings about this. On one hand, it’d be interesting to see how Karada and Shoko live the rest of their lives, though on the other hand, it does provide closure.

Also, this has been the first series I managed to watch entirely raw (not counting Himawari and Sasami Mahou Shoujo Club, I still don’t consider their seasons individual seasons). It’s been quite interesting, and I managed to enjoy most of the series, even though I didn’t understand the literal meaning of each of the sentences. Still, the show used fairly simple dialogue and more often than not, I could understand the meaning behind the characters’ sentences fairly well. Still, there were also disadvantages. I did miss the small details, for example, I missed the entire story about Kotomi’s father. Only after he called her again, I realized that she had troubles with him. Remembering names also went a bit tougher than usual, and even while writing this entry, I had to look up Kotomi’s name. Still, I did find that it’s good to read up on either episode summaries by other people, or watch the show subbed after a few weeks. Especially with the latter, though, I’ve noticed that I’ve been getting lazy with that. ^^;

Still, now that I’ve been watching raws for longer and longer, I do have to say that my Japanese skills are making progress. Okay, it isn’t much, but I can understand the dialogue much better than half a year ago.

Posted on with categories: Asatte no Houkou

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Great pre-ending episode. Even though nearly everything it’s been doing is build up for the final episode, we do get to see Karada telling Tetsu about what happened to her. Unlike Hiro, however, he doesn’t believe her. Asatte no Houkou has really been the best anime to air in the fall-season so far. But then again, most other shows have yet to even reach their halfway mark, so there’s still a lot to happen.

It’s interesting to compare the time when Shoko told Hiro with this episode. Why didn’t Tetsu believe Karada, while Hiro did? One of the major factors probably is the fact that Tetsu’s an idiot, just like his sister says. Though the circumstances also aided a bit. An angry Shoko is much more imposing than a shy Karada. Still, I think the message needs to sink into Tetsu for a small while. The final episode will definitely do something with this.

Shoko was awesome when Karada phoned her again. Her reaction was SO different from the first time she called. She acted extremely calm this time, and actually listened to Karada, instead of yelling out of surprise. I think that she also realized that isn’t the proper way to tell someone to come home. The end of the episode also shows the two of them, going on the train to try and recover Karada. The final episode will probably show the confrontation between the two of them and Karada.

Posted on 9 December 2006 with categories: Asatte no Houkou


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Just when I thought that this series couldn’t get any better! That was such a lovely episode, fully centred around Tetsu’s and Karada’s relationship. I’ve seen many reactions on the fifth episode by other people, claiming that that they expected Karada to reveal herself to Tetsu, but I’m SO glad she didn’t, as because of this, episode ten turned into a real masterpiece. :)

Tetsu actually confessed! In front of Karada, who he thinks is just a girl named Satou. This must have hurt Karada a lot, seeing as she tried to run away desperately, only to find out that Tetsu still keeps searching for her. I also nearly cried after Tetsu collapsed in the rain, got carried to bed and had a small conversation, half awake. That was such an emotional part, I couldn’t help but love it. :)

I must praise Asatte no Houkou for being able to deliver an actually good love-relationship. There are so few anime which actually manage to do this. I think that so far, this really is the only one who appeared during the fall-season. Other series with romance elements, like Kanon, Yamato Nadeshiko Shichi Henge and others really try to force this relationship onto the viewer (although I do admit that the latter did have some creative moments, like the ping-pong-kissing-scene). Asatte no Houkou really succeeded in making me sympathize with its characters.

As the episode focused on Karada and Tetsu, there wasn’t much of Shoko and Hiro in this episode. They just appeared in one scene, where Shoko packed her bags, and went off, to live on her own. This means that Hiro will be living on his own, if things keep up. I think that he still doesn’t know what to do, after Karada just ran away from him, two episodes ago.

Oh, and Karada was just way too cute in the few flashbacks we saw. ^_^;

Posted on 1 December 2006 with categories: Asatte no Houkou

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No Shoko-episode this time, surprisingly. Most of the episode actually follows Tetsu, when he hears that Karada has disappeared, and starts to search for her. His part in the episode was fairly light. He runs into Kotomi, the two of them start to pass out folders with Karada’s picture on it till the sun goes down. As Tetsu doesn’t have anywhere to sleep, Kotomi mentions a hotel which a few of her acquaintances are running, and suggests Tetsu to spend the night over there. And guess what? It appears to be the same hotel Karada found herself a job in. The next episode is promising to be very interesting. Remember that Tetsu still doesn’t know what happened to her. ^^

But the great moments of the episode were the ones in which Tetsu wasn’t involved. In contrast, Shoko’s and Hiro’s worries are everything BUT light, which made the scenes in which they appeared very emotional. At one point, Karada also gives Shoko a phone call, in order to make her stop worrying about them, and at the end of the episode, the two of them have a rather heavy conversation. It seems that Shoko also realized that Karada knew that Tetsu wasn’t her real brother. It’s interesting. Hiro seems to have convinced himself of the fact that he is the big brother. He’s always convinced himself that Karada never knew about her true parents. Shoko makes him see that in a rather emotional moment.

The past few episodes have also been focusing a lot on Karada. What about Shoko? She’s really been on the sidelines for the past few episodes. Does she also get into problems in the final episodes? Something does tell me that she still has a role to play in this wonderful anime. :)

Posted on 25 November 2006 with categories: Asatte no Houkou

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That was truly excellent. This really has been one of the more awesome episodes of Asatte no Houkou, and that has to say something, with such a high-quality series. It mostly follows Karada, who has run away from home, because she discovered a picture of Hiro and Shoko together. Therefore she figured that she’s a hindrance in their relationship. I also must warn you. The next paragraph contains a spoiler you do not want to find out before watching the episode. If you haven’t seen episode eight of Asatte no Houkou, close this window NOW. Seriously.

The plot twist in the middle of the episode was a beauty. At one point, Karada also thinks back of the time when she was still living with her parents, and this shows us something very interesting. Karada KNEW that Hiro wasn’t her real brother, she just never told him that she knew. The reason she was crying when she saw Hiro for the first time also isn’t because she was extremely scared or sad that her parents died, like Hiro suspects. It’s because she knew she had nobody left, and then suddenly, a person who isn’t related to her in every way arrives and plans to take care of her. This also SO explains why she’s trying to be so independant. There’s this guy, who she isn’t related to in every way who sacrificed everything in order to take care of her. He has no obligation to do so, so she felt like she was a huge bother to him. That’s why she started to do the housework on her own. Brilliance. :)

The actions which take in present time also were a great to see. As Karada is now on her own, she has to find a job and a house, though as she never solicited before, she has no idea how things go, and she’s probably extremely scared of talking to random people. I can indeed imagine how scary it must be, especially when you don’t have any house or telephone, or you have to lie about your date of birth.

In the end, Karada spends the night in a child’s playground. But then the cliffhanger comes. You’d think that Hiro would be able to get Karada back without any problems, though then the opposite appears to be true. Karada may be scared and inexperienced, but when she makes a decision, it really becomes clear that she’s not backing down from that decision easily, instead of running around in circles indecisive.

Also, what about the next episode? The cliff-hanger definitely focused on Karada, and it only made the problem bigger. Still, by the rules of Asatte no Houkou, the next episode will be another Shoko-episode. What will it focus at? Will Shoko get angry at Hiro, at his constant desire to chase after Karada? Will she help him? And what will become of Karada? Will she turn better, or will she turn worse? This definitely was an awesome episode. It’s very rare for me to really like a slice-of-life series, though somehow, Asatte no Houkou is currently leaving a huge impression on me.

Posted on 18 November 2006 with categories: Asatte no Houkou

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The first four episodes of Asatte no Houkou have been really emotional. Right now, we’ve got ourselves three episodes, which are about the opposite, as they’ve been really peaceful, and because of that really great to watch. The next episode, the emotional scenes will probably return again, as Karada discovered that Shoko and Hiro were once lovers. Right now, she’s boarding a train. Probably because she wants to leave the two of them alone.

Following the usual pattern, this episode again is a Shoko-episode. It’s centred around Hiro’s birthday, which, of course brings back memories. Karada also spends about three quarters of the episode, baking a cake for her brother. Shoko is encouraged by this and helps her out a bit, even though she’s horrible at cooking (and really shows that this episode).

It’s another highly atmospheric episode, in which not much happens. Though for some reason, Asatte no Houkou turns keeps to amaze me. It also made the perfect use of the small bits of comedy, involving the different character’s quirks. ^^

Posted on 11 November 2006 with categories: Asatte no Houkou


This was such a warm episode. I couldn’t help but love it. It’s strange, as usually, I’m not really into slice-of-life series. But when they actually turn out good, they really turn out GOOOD. And Asatte no Houkou proves that once more in this episode. Like expected, it deals with Karada and Tetsu meeting each other again. Surprisingly, Karada actually does not reveal her identity. Instead, she follows Tetsu around a bit, the two get a bit familiar, and Tetsu shows her a place the two of them used to often visit. (I loved the flashback, in which small Karada refused to accept help, it just shows how much she’s changed after the incident).

There’s one thing that I finally noticed during this episode: this anime likes to play with shadows. There aren’t many anime which actually show the shadows of trees, or other objects, on the characters. In fact, I can’t remember any anime who attempted the same. They either use fancy light effects or don’t bother giving their characters shadows at all. The way Asatte no Houkou deals with these shadows really makes the environment part of the anime. I like it. :)

I wonder when Tetsu will find out what happened to Karada. During their little date, there were enough of subtle resemblances between the small Karada and the grown-up Karada, though at the moment, he believes they’re related, and Karada finished the episode with writing him a letter, explaining that she was currently at her mother’s for a while. Still, this doesn’t solve the problem. At one day, he will find out.

Asatte no Houkou is a wonderful anime, in my opinion. The fact that it’s featured around such a small concept allows it to fully explore it. Still, that does give it the same problem as .Hack//Sign: it’s a slow series. There’s nothing wrong with slow series. In fact, the slow pacing really is what makes these series awesome. But the fact remains that it might be too slow for some people. If you’re looking for a series in which lots of things happens at the same time, stay away from Asatte no Houkou. Far away.

Posted on 3 November 2006 with categories: Asatte no Houkou

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After the previous episode focused on Karada, this is another episode focused on Shoko. I think I’m starting to see a pattern. If things go right, the next episode will focus on Karada again, and she probably has to confront Tetsu with the way she’s become. It’s a choice the creators made, and it does make sense. So far, it’s worked out extremely well.

Like I said, the current episode focuses on Shoko. It’s a light episode, compared to the previous ones, but that doesn’t make it less awesome. Karada, Hiro and Shoko now are living in one house, and they’re starting to turn into a family. The episode focuses on Shoko, getting used to the lifestyle of a child again. For starters, Karada now sees her as a little child, and treats her that way, trying to place as less of a burden on her shoulders. You can see that Shouko’s rather pissed off because of that.

We also see Shoko, visiting a child’s playground, trying to imagine what the life as a child would be like. When she used to be a child, she never played with the other children, as they’d often say that she was a boring girl who’d never play with them. During her first visit, she runs into a new side-character. Kotomi. She seems to be an acquaintance of Tetsu, and, as she just thinks that Shoko’s a cute little girl who doesn’t have any friends, she actually asks a couple of playing kids whether Shoko can play along. So cute. ^_^

In the end, Shoko ends up playing till sunset with a bunch of children, and actually haves fun at it. Then it also seems how much Karada has attached herself to Shoko, as she actually starts to get very worried when Shoko doesn’t return home. This’ll probably be used in the later episodes. I can’t wait. ^_^

Posted on 28 October 2006 with categories: Asatte no Houkou

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Seriously, there were a lot of garbage-shows in the autumn season, though the anime that actually were good, really turned out extremely well. Asatte no Houkou is no exception to this rule, and this episode only strengthened this. It focuses on Karada this time, and her relationship with Hiro. It was in one word, beautiful.

Last episode, we left off with Shoko telling Hiro about the new Karada. It takes about half an episode for this message to sink down into his mind, much to the annoyance of Shoko and sadness of Karada. The second half of the episode takes place during the summer festival, at which Shoko attempts to bring Karada and Hiro back together. She lets the two of them be alone for a while, and Karada starts to cry in front of Hiro. So sad. Ah well, it did bring the two closer together, and it seems that they’ll be living together again.

Shoko, also definitely changed. You can definitely see this when she’s alone with Karada. In the first episode, all we see of her is her cold side, as she’s constantly reminded of the sad memories Hiro left her. But she’s so cute when she attempts to calm down and comfort Karada.

The question now remains: how will this anime continue? There will probably be some time dedicated to allow Karada’s classmate to accept what happened (dammit… what was his name again?), and the next episode will probably also focus on Karada and Shoko, picking up their lives again. But then what? There’s still lots of time that has to be filled. And remember that the “however…”-part from the description of this anime has yet to happen. =)

Also, notice Karada’s ribbon on her Yukata? That was so cute. ^_^

CHANGE USERNAME
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

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