Posted on 31 March 2011 with categories: Anime Reviews, Hourou Musuko




The past season had three series that really stood with head and shoulders above the rest. They were all genuinely good and took their genres into new and fresh directions. Hourou Musuko takes a look at cross dressers. Most of time when they’re portrayed in a medium, they’re portrayed for laughs or flamboyance. Hourou Musuko however is entirely built around showing the issues that boys who feel like they are girls (and vice versa) run into while growing up. And it does so brilliantly.

For starters, this is one of those series that has a slow pacing, yet somehow manages to make a ton of stuff happen in each episode. It’s full of subtlety, and because of this it can get a ton of genuine drama out of the characters using its limited time of only 11 episode excellently.

This show actually made quite a bold statement by not animating the first X volumes of the manga it’s based on, but instead starting somewhere in the middle. The great thing about this show is that despite this, it still doesn’t feel incomplete. Characters sometimes refer to things that have happened to them in the past, but it’s apparent enough to the viewers to figure out what happened. This method gave the characters both a rich past and future and it gives the impression that there really is much more to them than what we see in the series. It’s a terrific way of characterizing them, and the entire cast of this series pretty much feels incredibly genuine and believable. Oh, and finally we’ve found another show that takes a realistic look at romance, as opposed to the overly sappy view you see in nearly every anime.

It’s a series for which I’ve had hardly anything to criticize for. The story is perfectly balanced, the plot twists are amazing in their subtlety, the cast is amazing, the animation brings both the cast and setting come alive and there is hardly anything that this show does wrong. If I had to nitpick at something then it’s that the characters are portrayed a tad too mature for their age. But so what? This is a wonderful portrayal of growing up. The cross-dressing is only a tiny part of this series. There’s so much to this show, and it’s only 11 episodes long.

Storytelling: 9/10 – Wonderfully subtle, with some amazing plot twists.
Characters: 10/10 – Amazing portrayal of young teenagers growing up,and their issues dealing with it. Wonderful development.
Production-Values: 8/10 – This show is really good at far away shots, with restrained animation, still bringing its cast to life.
Setting: 8/10 – Excellent portrayal of a school in japan. This show knows how to ring its environments to life.

Suggestions:
Aoi Hana
Asatte no Houkou
Sasameki Koto

Posted on with categories: Hourou Musuko



Okay, so this was supposed to be episode 12, even though it was labelled everywhere in the episode as episode 11. It contained no recycled material whatsoever however, so I guess it’s safe to assume that it was really episode twelve. I’m not the only one who is a bit confused, right?

In any case, this was an excellent closure to an excellent series. Even with an episode cut out, Hourou Musuko felt like it had no weaknesses whatsoever to me. It consistently engaging, from start to finish. This episode really ended at the perfect point, with Nitori’s voice changing. It denotes the start of a huge change for him. The time where his body starts changing has finally arrived, and within a few years, he’s going to make the decision whether or not to get surgery.

And yet there was so much more that happened in this episode that developed so many other characters: Doi, Chiba, Takatsuki, Anna: this show took its chance to give all of them even more development than they already had.

Overall, Hourou Musuko understood what it means to be a Noitamina series: you only get 11 or 12 episodes, and that’s the length that you have to work with. They took an excellent part of the manga and made it feel like a complete story: characters have lives that continue on both before and after this show takes place, and yet the series feels complete. I especially loved that talk that Nitori and Anna had, right before the play started.

I’m looking forward to next year’s Noitamina. C is bound to be awesome. Even Kuchuu Buranko, Kenji Nakamura’s least impressive work, was really enjoyable and interesting. Anohana meanwhile is one of those shows that doesn’t seem to belong in Noitamina at first sight. Along with Hana Saku Iroha, it’ll have to take Hourou Musuko’s place as the serious teenaged slice of drama of the season. If they’ll end up as well balanced and written as Hourou Musuko, we’re really in for a treat here.
Rating: *** (Awesome)

Posted on 25 March 2011 with categories: Hourou Musuko



I am confused here. Basically, this link explains how this week showed a compilation of episodes 10 and 11, with the real episodes 10 and 11 being released when their DVDs get released. that’s nice and all, but what the heck is next week’s episode going to be about? The preview says that it’ll be episode 11 again. If I had to guess, then that will probably be a compilation of episodes 11 and 12. AIC probably ran into some delays in the same way that Madoka Magica has been delayed.

Setting that aside though, this episode was brilliant. It was just an amazing aftermath to last week’s episode and made even better by a time skip along the way that showed Nitori actually growing up. The condensed nature of this episode left out quite a bit, but the added a whole bunch of new stuff to this series. Never did this series address Nitori’s anxieties and the people who make fun of him so directly. This episode rocked because it did a truckload of new things for this series, and yet nothing felt out of place. Or apart from those guys who confessed to Takatsuki, perhaps.

Overall though, this has been an excellent season, and it has set the bar for the rest of 2011 very high in terms of romance, comedy and mahou shoujos. Hourou Musuko, Madoka Magica and Level E: all have just been brilliant. Hourou Musuko took a while to get going, but it can really call itself equal to Aoi Hana: they’re both amazing series, but both are in their own distinctive ways.
Rating: *** (Awesome)

Posted on 18 March 2011 with categories: Hourou Musuko



The drama in this episode was just utterly brilliant. It’s where everything comes together, the build-up is really paying off and the characters start to change even more. Doi turned out to be a wonderful addition to the cast here.

This was a terrific example of the heights that subtle drama can reach. The entire episode was quiet, but so much was going on. The red thread was Nitori doing the impossible and coming to school in his girl outfit, being nudged by Doi in order to do this. It brilliantly made use of his insecurities as a girl in a guy’s body. It all culminated wonderfully until the climax of this episode.

Now, there still is the matter of that ending. This is a manga adaptation after all and I still haven’t forgotten the cheap way in which Kuragehime ended its run, but if that ending is good then this really is an excellent experiment of Noitamina to try and focus on series with a different group of lead characters (unlike Fractale for example). Noitamina is a very double-edged sword, but those who understand its limits (like the creators of this series seem to do) can use it to air some of the most wonderful series.
Rating: *** (Awesome)

Posted on 10 March 2011 with categories: Hourou Musuko



This is something that has been baffling me for years now: why are romance shows so scared to show people in an actual relationship? I mean, the climax of 60% of all romance series is the confession, and 30% just refuse to end without anything happening between the lead couple, having them remain forever in this “yes we’re in love but not actually dating so that we can have harems and love triangles forever”-type ending. That, while you can definitely get some good drama out of a relationship, which is what this show is currently doing brilliantly.

Nitori vs. Anna made this into a really excellent episode. There is some uncomfortable tension between them, but it’s the healthy kind of tension that still leaves plenty of room for them to grow either closer or further away from each other. It’s not cheesy in the slightest, and it’s definitely been one of the most down to earth portrayals of romance in quite a while, even though we’re talking about middle schoolers here.

That little shot of Chiba, Takatsuki and Nitori together when they were younger was a great little addition, by the way. This really was an episode of nostalgia as well, with both Nitori and Takatsuki trying to move on in their own ways. Nitori by exploring other sides of romance, Takatsuki by growing her hair a bit and trying to make up with Chiba again. If I have to critique the creators for one thing, it’s that they show a tad to little of Chiba when she’s not near Nitori. In this episode for example Takatsuki told Nitori that chiba was behaving normally again, but we unfortunately didn’t get to see those scenes.

Instead, we got this former bully. Now, with the way in which bullies are usually portrayed in anime, this guy is a HUGE improvement. He’s bratty, but in a subtle way and he’s definitely having an impact on Nitori. Whether it’s wise to introduce a new character three episodes before the ending is a different story, though.
Rating: ** (Excellent)

Posted on 3 March 2011 with categories: Hourou Musuko




Hourou Musuko… just surpassed itself. Seriously, this episode was better than any of the previous episodes so far, and convinced me that the creators know what they’re doing. Finally we have another romance that tries to portray love realistically, and FINALLY we have another series that subverts the “lead characters are soul mates” trope.

While Fractale is currently showing just how much of a double edged sword the Noitamina timeslot can be, Hourou Musuko just nailed it. This is the part where we really get to the interesting character development. Nitori suddenly deciding to date Anna was a brilliant move. He’s actually moving on, after being rejected by Takatsuki and exploring the different sides of love, with someone completely different from the one who was first made out to be his soul mate.

It’s here where the power of this show really shines. This show has lead characters, but beyond that the creators make sure to give each of the characters a down to earth portrayal, and it’s not unfair towards anyone: the scenarios are written so that nobody really gets the chance to devolve into a stereotype, even the energetic girl has subtle different sides, miles away from your usual cliched energetic girl. This episode showed the subtle side of this show at its best.

The oddball here is Chiba, who seems to have a lot of issues throughout the series. She’s a great source of drama, and yet she doesn’t devolve into cheese. It’s hard to make a character like her believable, but I think that the creators did it by having her constantly tell how she feels, and what she thinks.
Rating: *** (Awesome)

Posted on 24 February 2011 with categories: Hourou Musuko



Usually when an anime shows its characters perform a play, it’s a real highlight. This time though, it’s the aftermath that really caught my attention. The play itself was rushed through and didn’t have much impact, but the impression it left on the different characters was what really caught my attention in this episode.

The big strength of this show is how it’s able to breathe life in a relatively large cast in a relatively small amount of time, and this all came together in that aftermath: just about everyone had something different to say about it and experienced something different, from Saori’s subtle compliment to her co-star to Nitori’s sister commenting how he just wrote himself into the story.

As for the “school festival”-part of this episode, it really was the standard fare that you always see in those kinds of episodes: a huge crowd, a cafe and a haunted house. It’s more realistic than usual, but still it reminded me how the slice of life isn’t why I’m watching this show. Instead, this is all about its characters, and whenever this episode built further upon them, it was really excellent.
Rating: ** (Excellent)
On a side-note: I’m currently experimenting with a new imagehost: upl.co. Has anybody ever had any bad experiences with them? Like, them deleting images or something?

Posted on 17 February 2011 with categories: Hourou Musuko



I do think that this series is overestimating the acting capabilities of children. I remember when we at elementary school (elementary school in the Netherlands usually lasts from the age of five till the age of eleven or twelve) got to participate in the school plays, we didn’t really know anything about proper acting and understanding your character. We mostly practiced saying all of the lines correctly and the choreography (a lot of the plays we did back then were musicals), while practicing this over and over again. Seeing people completely caught up in their role with even the right theatrical gestures, intonations and movement is perhaps a bit beyond random kids.

The creators nailed the drama, though. The scene in which that guy randomly blurted out Nitori’s secret was really well done and involved a lot of different characters who were at the scene. It also really shedded some more insight about how Nitori feels about his identity, and how Takatsuki helped him in the chapters that the series skipped over.

Saori meanwhile got the bitchy character right. Throughout the entire series she’s being strange and trying to stand out, but she does it in this subtle way that doesn’t make her annoying, yet uses the drama that she created well. And at the same time, her character is far from one-dimensional so she doesn’t end up as your typical stereotype weirdo.

As for the Romeo and Juliet play.. yeah, it had it coming that some lead characters would end up playing Romeo and Juliet. Seeing two random classmates play those roles would perhaps have been interesting in a longer series, but with eleven episodes this series really needs to take every chance it has to build further upon the main characters. At the very least we didn’t get the corny solution of Nitori and Takatsuki playing the lead roles, and the current state of events did lead to some interesting drama that again brought some more life to the characters.
Rating: ** (Excellent)

Posted on 3 February 2011 with categories: Hourou Musuko



I’m also watching Kimi ni Todoke at this moment. And really, the difference here shows when a series actually has characters who openly know that people have a crush on them. It makes for much more interesting drama here, beyond the usual “when in God’s name will they ever find out that they’re into each other!?”

This episode was mostly building up. Those episodes are rather dangerous in a Noitamina series of only eleven episodes, but this episode still added a lot of stuff to the series here. It established that both Saori and Shuuichi are too stubborn to give up their crushes. I also like how they are constantly talking about this and their feelings, instead of keeping it all cropped up. And I mean, they’re teenagers so they’re bound to be impulsive and strange at times, but in the same time I like how Nitori wants to be a girl, not just for the sake of this crush, but because he really feels like he is born in the wrong body.

I also like how the problems that Yoshino has aren’t some kind of mirror of Shuuichi here. They both have to deal with growing up physically, but she is far less bothered with hormones and love than Shuuichi is.
Rating: * (Good)

Posted on 27 January 2011 with categories: Hourou Musuko




Most of the time when anime use far-away shots, this is to save budget: after all, it’s easier to draw something smaller because you don’t need as much detail. Hourou Musuko however puts a great amount of detail into these shots, making them look just great. It’s really something that could not be done before the era of HD. On top of that, I also love the attention this series spends on its backgrounds. I don’t mean the regular background art: that’s just some art with a watercolour filter over it. Instead, I love how this show draws all of the people in the background, with all sorts of realistic poses and make them more than a bunch of cardboard copy-pasted cut-outs that are just there to fill space.

This episode, among many others, also introduced a staple of school-based series: the school festival. Interestingly, with some help from Saori the thing that the class ended up doing was a gender-bender play. Interestingly, the students get to write the play themselves (by Shuuichi and Saori, to be exact). It’s here where Shuuichi shows that he’s actually a capable writer, but like most writers of his age, he’s very much into self-insert fan-fiction.

Oh, and this series broke another big taboo here as well: some people actually have a relationship with each other. Maho (Shuuichi’s sister) actually has a boyfriend; romance isn’t limited to a bunch of love triangles surrounding the main couple! And even the lead couple is more than just “will they won’t they”: while it’s true that it’s still uncertain whether or not they will end up together, it does seem like they actually both considered to go into a relationship, but chose to just stay as friends. That’s actually much better compared to all of those character that are oblivious to their own feelings and refuse to take their relationships anywhere.

Probably the biggest question-mark of this episode was: who actually knows about Shuuichi wanting to be a girl, and who actually knows about about Yoshino wanting to be a girl? I’m suspecting that very few know about the latter, but at this point I’m not quite sure why exactly Mahou didn’t want her boyfriend to see her brother, because Riku seemed more surprised at Maho wanting to strip her brother than that brother actually walking around in girls’ clothes.

Overall it’s a great depiction of middle schoolers, though. Their actions at times are a bit irrational, like when Saori tried to dress up Shuuichi despite earlier telling him not to, and at the same time it’s not like this show is caught up in its own angst at all: the tension comes and goes very quickly and naturally. Is it as good as Aoi Hana, though? At this point, I’d say not yet: Aoi Hana brought in even more layers in making its characters feel alive. At the same time though, I don’t see it doomed to remain in Aoi Hana’s shadow: if the rest of the episodes are good enough, I can really see this show getting progressively better as it goes on.
Rating: ** (Excellent)

CHANGE USERNAME
Lenlo
Castlevania actually has good action scenes too. Very pretty.
Lenlo
The Netflix Castlevania series, one episode in so far, is actually pretty good. It does justice to the old series, more than any other videogame adaptation ive seen.
SuperMario
And I know this is way off the mark but whenever I hear Baltimore I'm thinking of Beach House band
SuperMario
@Lenlo: I feel you that the action scenes feel no weight.
Lenlo
Three degrees of Nazi. We always get there somehow
Lenlo
The story seems setting up to repeat to me as well, with the mutant/normie racial problems. Hopefully the Reflection event/mystery over takes that though.
SuperMario
@Kaiser: Vatican's mysteries have gotten to a ridiculous level. This week throws up sexual abuse, drug use, corruption and somehow Nazis are involved as well. It's just too much for me
Lenlo
They could have kept the comic book feel though by doing what Ping Pong did, with the panel layouts. I feel the low framerate did nothing but hurt it. Had the action scenes been done differently it could have worked, but it was a traditional fight scene so it didnt work.
SuperMario
Speaking of 18if, I still consider that show an experiment wreck, but a fascinating wreck it will
SuperMario
I don't really mind the low frame rate in the Reflection. I think the choice is deliberated to resemble the comic motion. I'm more worried about the story as they have some random fights that I feel even more dreamy than 18if
Lenlo
@Kaiser, I quite liked the Reflections art but the animation, or lack thereof, held it back.
Kaiser-Eoghan
Once again my anime taste falls in with Marios =P
Kaiser-Eoghan
Though you can only imagine if shinbo or Yuasa were to work on 18...if.
Kaiser-Eoghan
Although I do think 18..if is exactly what I need right now, I am not certain it will top flipflappers.
Kaiser-Eoghan
The premise for ballroom is of no interest to me.
I’m hearing Vatican is quite silly in a campy horror way
which appeals to me.
Kaiser-Eoghan
While visually the show seemed to improve with episode 3, I wasn’t all that emotionally invested with that story.
I would take this protagonist over IdiotMCx100 any day.
Kaiser-Eoghan
18..if is the most interesting thing I’ve looked into so far, largely due to it being the most un-conventional/abnormal, the concept interests me and poor as the animation is , the worlds it shows/creates, the imagination of the show gets close to forgiving that, as it was the most macabre, episode 2 has been my favourite so far.
Kaiser-Eoghan
I’ve begun (at last)checking out some of the series airing this season.
The reflections style is complete push away/turn off for me. I feel made in abyss could grow into something and I’d like it to actually properly get going/start, the buildup is slightly dull.
K-Off
@Vonter Graces is nothing compared to the pandering mess that Symphonia 2 was. Just embarrassing.
SuperMario
"There's a white house waiting for us in Casablanca" haha, can't help but laugh at its wordplay
Lenlo
Im planning on mentioning it, but yeah. Alot of the combat didnt really have an 'impact' to them. There are other shows, like Ping Pong, that I think do this sort of style better, if alittle differently.
Anonymous1283104
I think the main issue was the animation being kind of simple, the scenes didnt have 'motion'
Lenlo
@Anon, yeah The Reflection moved at the pace of a glacier. The art style was unique and should have lead to good looking fights, but instead it moved at the pace of a glacier. Ill have a write up on it later today
KTravlos
very nice episode of Virgin Soul. Really liked seeing Favoro look like Favoro again.
Vonter
Tales of Graces sadly might have the most childish, and pandering story of the series.
Vonter
AidanAK47 - Tales of Graces worked around having to both attack and defend to continue attacking. If just attacked you made less and weaker attacks. It was a way of cooldown that was more reliant on the player thinking about the attacks it used. Later games followed a more typical cooldown and combined special attacks with the regular ones.
Anonymous1282493
Reflection was kinda painful to watch, I didn't expect anything in the first place and was disappointed nonetheless.
Lenlo
I cant snowboard or ski at all so its ok.
SuperMario
I did hit my head on the ground (for the first time) but I was lucky that I was wearing helmet. I curse S turn
SuperMario
@lenlo: it's fun but it's a lot of pain as well.
Lenlo
Sounds like fun
SuperMario
I'm literally covered in snow right now with my butt numbed. Will get back home in few hours to catch up on 18if
Lenlo
Havnt had the chance to watch it yet, but Reflection apparently looks like a comic book but has weird fight scenes? Ill get that write up tomorrow once I watch it tonight.
Kaiser-Eoghan
*hear
Jesus Christ what happened to my spelling
AidanAK47
That's one of the things that mainly turned me off. The battle system is essentially button mashing.
Kaiser-Eoghan
The regular complaint I here from Tales of naysayers is a dislike of the battle mechanics/system.
Kaiser-Eoghan
I avoided the anime adaptations of the tales games mostly because I assumed they presumed previous knowledge of the games. I actually only saw Phantasia due to having been familiar with the games story when I was younger.
HelghastKillzone
No Re:Creators this week. I get a week off which is good since I'm stuck on an army base.
AidanAK47
@K-Off, A lot of people say Vesperia is their favorite as well. I only have played Abyss so far and was really not impressed with it.
K-Off
@Kaiser Damn, Detective Conan has a long way to go then.
K-Off
Phantasia was my first Tales game (and its anime is the best amongst anything after) but Symphonia really did take it to another level. In general I think most fans will agree with Symphonia, Abyss, and Xillia in their favorites.
Kaiser-Eoghan
I believe Kochikame is the longest running manga of all time 1,960 chapters, 200 volumes, actually does have a record.
K-Off
@Aidan I remember you saying how it's funny that no two fans of Tales will have the same favorite title. But that's definitely because Tales has changed very little over the years, and they've always been solid games, and so for most fans they'll remember the first title they played.
K-Off
@Vonter With you there. The art direction in Tales hasn't been really that exciting since Xillia, and as a long time fan of the series I finally got sick of the gameplay after Vesperia.
K-Off
Jeez, detective Conan is reaching its 1000th chapter. Pretty sure it's a milestone for some Guinness record.
Kaiser-Eoghan
*Embarassing
**Here
Kaiser-Eoghan
I also agree about complaints made about the mumbled dialogue when it does occur.
Kaiser-Eoghan
I think thin red line is a good thing to bring up hear as throughout much of Dunkirk I was thinking about how much more Mallick's film did for me, how I should have been re-watching that instead.
Kaiser-Eoghan
Yet at the same time I couldn't connect with it, it became repetitive, disjointed and the shots/Zimmer score towards the end were embaeassing.
Kaiser-Eoghan
There were definitely aspects to praise, to be fair there is no shortage of action, it eschews exposition and tries to visually immerse the viewer to make them feel as if they are present.
Lenlo
Im ready. Reflection comes on tomorrow, so heres hopin its worth it
Anonymous1279803
it was trash. just british propaganda
Vonter
I finished Tales of Berseria. And I'm conflicted. I really liked the story and the characters, essentially a Tales of were the story is told form the perspective of the villains. I also saw the episodes Ufotable made of the beginning of the game, and I want moar. It's was a waste as game, considering the archaic and dull game design. It mainly came up to buying time in regards to things to play.
KTravlos
I also watched it. I thought it was a great war film. Very intense and unrelenting, but still at points the images reminded me of Thin Red Line. My only quip was the end. The film did a great job in getting me to feel the hopelessness the soldiers felt. So great that the attempt at making a "happy" end was forced and fell flat. Beyond that I liked it.
Anonymous1279184
I already lost interest when I saw Inception which I didn't really like. My favorite Nolan movie will always be Memento.
Kaiser-Eoghan
Eh, saw Dunkirk, I think at this point I'm done with giving Nolan any more chances, this like his other works, I can appreciate them to some extent but come away honestly not giving a damn.
SuperMario
and this week's Sakura Quest is damn great as well... This backstory of Chitose and Kadota rocks
SuperMario
Just watching the 2nd episode of Gamers, It was actually pretty good. I can't believe they fleshing out that annoying hot guy into such a relatable guy.
Kaiser-Eoghan
I recall the extent of my interest in Linkin park in my early teens was strictly the breaking the habit video and that was it.
SuperMario
The frontman of Linkin Park commited suicide by hanging himself... sad news. Never been his fan but I feel sad nonetheless
AidanAK47
Actually forgot with all the impressions and whatnot but I do believe we said we would review the Castlevania Netflix series. Now that everything has calmed down I will see if I can do a write up next week.
AidanAK47
I was busy trying to discern whether the story had any point besides "Life is shit"
Kaiser-Eoghan
Again, while I enjoyed punpun, the excessive internal narration, when marathoned, I had to take a break.
Kaiser-Eoghan
Come to think of it, I don't even have a phone that does that, haven't bought a new one since 2004.
Kaiser-Eoghan
Ah, you see I could never force myself to browse/type/use the internet on a phone, too used to using a desktop exclusively for that.
AidanAK47
Oh bloody hell. Stupid phone autocorrect. Yeah I meant Punpun.
Kaiser-Eoghan
@Aidan: Read Freesia.
Kaiser-Eoghan
umi no onnanoko is probably the exact thing ninjarealist would be interested in.
Kaiser-Eoghan
*oyasumi punpun
I found it alot more accessible than nijigahara holograph. deded-demon-destruction while enjoyable, is beneath him. Solanin is probably his easiest work.
Kaiser-Eoghan
I assume you man oyasui punpun. Its been about five years since I read in, the final couple of volumes stay in my mind the most, all the stuff with him, the girl and his uncle also, I love Asano Inios art and the surreal elements but I got lost/bored somewhere in the middle and most of the other side characters and the cult thing I didn't really care about.
AidanAK47
Finished reading Goodnight Pumping. Really not sure on what to think of it. The story kept me reading but it just felt really empty.
Anonymous1276500
There are 2 Nyaa's now. This one is considered the 'real' one: https://nyaa.si
Kaiser-Eoghan
Looks like anirena is down for me. Although it looks like nyaa went back up as this: https://nyaa.pantsu.cat/
SuperMario
Aidan: Fate/Apocrypha, Made in Abyss, Kakegurui
Mario: Princess Principal, 18if, Youkoso
Lenlo: Touken Ranbu, The Reflection
Wooper: Ballroom, Shoukoku no Altair
Helghast: Re:Creators
SuperMario
Note: I'm deciding to take Classroom of the Elite as my third show to cover. So, for this season we are covering 11 shows.
Vonter
Just to end, it kind of shows than even if a story is predictable on where it is going. Characters can make up for that, if they're funny, interesting, and perhaps not agreeing all the time and having different agendas and points of view despite all sharing the same boat.
Vonter
Yet as a game Tales hasn't felt deep since Symphonia, (at least from the ones I've played). I'm wondering if it'll leave me wanting check the anime of Zestiria, since apparently Berseria is a prequel to that game. And many say the anime is better than the game. (I can see why).
Vonter
I also like the reused Tales beats from Phantasia and Berseria. It those have moments like when Lloyd was exiled and Cless had his village attacked. It has clear antagonists unlike Vesperia, and trying harder than the cartoony villains of Graces.
Vonter
I've been playing Tales of Berseria, and it seems to be the anti Tales of Graces. In which I'm caring about the story and characters, but the gameplay is a drag. This is the first time I've been autoplaying an JRPG. But unlike Gravity Rush 2, I'm not dropping it because I'm liking the interactions of these characters even if it gets, campy, overdramatic, or edgy.
Kaiser-Eoghan
I mean I watch anime and films subtitled but sometimes my reading speed can be slow if theres a lot of dialogue.
Kaiser-Eoghan
Eh, I do that sometimes, mostly to check for message updates or on occasion to read reviews of what I am watching or to download more/check downloads.
SuperMario
For instance, I watched Okja yesterday and I had to take 15', 20' minute break in between for snack, surfing webs and playing mobile games...
SuperMario
I watched Fanny and Alexander... don't really remember which version I watched thou. I think it's a TV version since it divides into 4 separate parts
SuperMario
@Kaiser: it just that... my attention span has shortened greatly and I just can't stay focus on movies over an hour mark. In cinema, it's alright since you can't move anywhere but now it's abig task to finish a 2 hour and a half movie for me
Kaiser-Eoghan
And is good enough to keep up the quality for that long.
Kaiser-Eoghan
I'll say this, for every medium, to me the length of something isn't so much the issue, if you have a writer good enough to keep something going for ages then the length shouldn't be an issue.
Kaiser-Eoghan
@Mario: If something goes over three hours I treat it as a miniseries and watch one hour or two a day.
Kaiser-Eoghan
@Mario: lol if you thought thats long, have you seen the extended versions of scenes from a marriage and fanny & alexander by Bergman? I can't wait to get my hands on the tv versions I hear they're completely different.
SuperMario
Okja is pretty entertaining with pointed social commentary. I don't really feel Tilda Swinton's double roles add up much but everything else is great. Bong has never disappointed me
SuperMario
@Kaiser: good luck with Satantango then. I guess now if I watch an 8-hour long film it would take me a whole week to finish it :/
Kaiser-Eoghan
Made in abyss and vatican keep staring at me. Although I'm not chancing them yet or anything else until I hear a bit more.
Kaiser-Eoghan
My once massive film backlog is nearly cleared. I can try watching stuff this season hopefully.
K-Off
Same boat here. For the first time in a long time I spent almost half the day catching up on all of my manga.
Kaiser-Eoghan
@Mario: I'll have two weeks leave, I will finally watch Satantango, all eight hours of that film.
AidanAK47
I did a double take when I saw this. One of these things is not like the other.... http://gematsu.com/2017/07/blazblue-cross-tag-battle-announced
SuperMario
Well, finally have a bit of precious free time to watch something else and I have too much things to watch. Castlevania, the final Kizumonogatari movie, live-action Okja and some books planned to read... I guess I'll go with Okja today
Ninja
Looking forward to that Dies review
Lenlo
Yaaay! Time to enjoy your blogging time
AidanAK47
And now we are up to date. Just need to finally get that Dies Irae Review posted.
Kaiser-Eoghan
Then again I'll watch almost every horror film I can, don't even mind the awful acting most have.
Kaiser-Eoghan
Pet cemetary was a guilty pleasure of mine when I was a teenager.
Kaiser-Eoghan
I don't know how I'd feel if I rewatched salems lot, although a positive is that it did have James Mason in it and it was done in that 70s style of slow burn horror that I love.
Kaiser-Eoghan
The IT film has aged horribly and thats one case where I would advocate a remake.
Kaiser-Eoghan
Stand by me was a perftly watchable coming of age film and it surprised me, seeing a non-horror King story.
Kaiser-Eoghan
Okay theres one way to settle this =P Lovecraft > all of them ;) I have actually enjoyed some King adaptations even though I know the Shining took liberties , I also enjoyed Carrie and Apt Pupil.
Lenlo
@Kaiser, please. Early King > Richard Matheson > Modern King. Kings early works were good.
Lenlo
@Aidan, its true that Monty was the mind behind the fights. Sad, but I think the other directors are starting to come into their own instead of trying to copy Monty.
Kaiser-Eoghan
But we all know Richard Matheson > King.
Kaiser-Eoghan
He did some collabs with Stephen King I believe.
Kaiser-Eoghan
Like the dead films he's trying to be thematic, although this one is clumsily put together, I kind of like how it hybridizes the 50s with 70s style exploitation, it has its moments.
Kaiser-Eoghan
hmmm the only non Dead trilogy film I've seen by Romero is the Crazies, feels like he's still finding his voice with it.
AidanAK47
@Lenlo, Part of the reason is that they started using better animation software. But despite that there was a downgrade in fight chorgraphy when Monty died. Though the story I find is getting better.
AidanAK47
@Kinseryu, I think it's ridiculous to everyone but there are those that choose to ignore it.
@Anon, That's a bit harsh. It is true that his later works never truly panned out but he did pretty much popularise the zombie apoc. Even if Day of the Triffids did it before him.
Lenlo
Every season RWBY gets just a little bit prettier. Rooster Teeth really does have some of the better 3D animation skills out there.
Anonymous1272531
goerge romero was a hack trying desperate to stay relevant.
Kinseryu
Tenshi3P... I thought it was just me that this show was just ridiculous by putting three ten years old girl that knows how to play electrical instruments. They are insulting the people who plays these. But good thing I found this site with your first impression. I laughed and I feel better. Lol.
SuperMario
@Kaiser: he passed away? damn. He was the Father of Zombie genre. So like him or hate him, he was influential to say the least. RIP.
Kaiser_Eoghan
...holy shit George A Romero died? Now I have to watch the rest of his films.
Kaiser_Eoghan
Rei Hiroe is really dicking around with black lagoon lately, he's still releasing wasted chapters, just like re:creators, the most recent chapter of black lagoon was a slog.
Kaiser_Eoghan
Maybe the conversation and lives of others could sort of count as espionage stories to an extent.
Kaiser_Eoghan
If you're interested in spy fiction, Spy who came in from the cold, most wanted man, Smiley's people, deadly affair and tinker tailor soldier spy are your best bet.
SuperMario
@Travlos (regarding yoir earlier comment): yeah, it hit me as well that most of regular readers have been here even longer than myself. So thanks for sticking around mates
SuperMario
@Travlos: playing catch up with both Re:Creators and Virgin Soul yesterday. Agreed that last week's Re:Creators was weak because it focused on the Creators (they're not good) but last episode was on par again. Virgin Soul, I loved that episode that the girls go bacl to Nina's hometown
SuperMario
@anon1272074: I still haven't had the time to watch Pripri yet (probably in few more hours), but you bet I'm looking forward to it
Anonymous1272074
Then again, James Bond does count as a spy. I meant not a realistic one.
Anonymous1272074
Princess Principal 2 was pretty good. Still more James Bond via little girls than spies, but this episode was more about intrigue and stuff than action.
Lenlo
Started catching up with Kakegurui. The OP is the sort of mind games I remember from Mob Psycho. Dunno what that means for the show, but I like it.
KTravlos
Quite happy with this week's RE:Creators. Blitz is cool, Aliceteria looked so scary. It washed out the taste of last week's episode.

Bahamut is going interesting places.
BTW. Speaking of spies from Princess Principal. I watch TURN. That is a good spy show.
KTravlos
I mean you see the use of those heavy revolvers as clubs in westerns. Mythbusters did a experiment, and being hit by one could kill you just fine. But in anime, I do not remember seeing it often
AidanAK47
Homura used Gun-kata in the fight against Mami in Rebellion. Can't think of anyone who exclusively uses it though. After all Gun-Kata is more or less a flashy art that has no real benefit.
Anonymous1270604
amazing!
Vonter
Is Gun Kata the fighting style of Noel Vermillion from BlazBlue? I suppose I'm mainly thinking about how guns are handled in fighting games. Where the shots are mainly concussive. I suppose those are mainly energy blasts.
Lenlo
Ranbu took a step in the right direction I feel. Used the morals of whether or not to change history and it focused in on one of its characters.
Lenlo
Final Fantasy has had some gun swords. Cant think of any with guns in melee though. There are some with gun-kata like cowboy bebop though
Vonter
Just for curiosity, have anyone watched an anime, movie or game that uses a gun as a melee weapon. Or one in which the gun is mainly concussive but still has impact?
Spike
18if ep2 was a bit wacky... main character seems to be off his rocker.
AidanAK47
Alright. Time to finally play catch up with those series I need to blog.
Kaiser-Eoghan
But at the same time acknowledging love for creativity is more important in the end than making a profit.
Kaiser-Eoghan
I think I was using death of artist/deceased artist as a term to suggest peoples careers in the area are too often killed before they get a chance.
Kaiser-Eoghan
Moreso also to save the guy the embarrassment of misinterpreting it so awkwardly.
Kaiser-Eoghan
@Puran: Nothing too extreme , moreso that the piece itself feels inappropriate/tainted to have up/leave around/submit. Ended up taking it down out of taste.
Puran
Did that change how you feel about your writing? I had a somewhat similar experience, where something I was writing was similar to a real situation some I knew was going through. After I found out I stopped writing it. Not sure why.
Kaiser-Eoghan
I wasn't all that close to either of them much but yeah, weird coincidence.
Kaiser-Eoghan
He thought I already knew the guy was dead.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
Its all okay now...but fuck that was was awkward.
Kaiser-Eoghan
....Oh jesus christ...oh christ this is a creepy creepy coincidence...I showed an acquaintance a bit of writing I did early, it mentions death of an artist, thing is I was writing something based on a conversation with my editor friend, turns out said acquaintance's artist friend died (who he knows that I've spoken to in the past) and he thought the piece I showed him was about the dead guy.
Kaiser-Eoghan
I believe I began visiting this site in 2008.
As for humanity has declined, I found it bizzare and darkly funny for a while but felt it ran dry in its second half and I kind of fell out of following it.
KTravlos
You know it hit me. I think I have been following this blog for a decade now, perhaps more. Cool that it is still around.
Total users: 36

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