Posted on 31 March 2011 with categories: Anime Reviews, Hourou Musuko




The past season had three series that really stood with head and shoulders above the rest. They were all genuinely good and took their genres into new and fresh directions. Hourou Musuko takes a look at cross dressers. Most of time when they’re portrayed in a medium, they’re portrayed for laughs or flamboyance. Hourou Musuko however is entirely built around showing the issues that boys who feel like they are girls (and vice versa) run into while growing up. And it does so brilliantly.

For starters, this is one of those series that has a slow pacing, yet somehow manages to make a ton of stuff happen in each episode. It’s full of subtlety, and because of this it can get a ton of genuine drama out of the characters using its limited time of only 11 episode excellently.

This show actually made quite a bold statement by not animating the first X volumes of the manga it’s based on, but instead starting somewhere in the middle. The great thing about this show is that despite this, it still doesn’t feel incomplete. Characters sometimes refer to things that have happened to them in the past, but it’s apparent enough to the viewers to figure out what happened. This method gave the characters both a rich past and future and it gives the impression that there really is much more to them than what we see in the series. It’s a terrific way of characterizing them, and the entire cast of this series pretty much feels incredibly genuine and believable. Oh, and finally we’ve found another show that takes a realistic look at romance, as opposed to the overly sappy view you see in nearly every anime.

It’s a series for which I’ve had hardly anything to criticize for. The story is perfectly balanced, the plot twists are amazing in their subtlety, the cast is amazing, the animation brings both the cast and setting come alive and there is hardly anything that this show does wrong. If I had to nitpick at something then it’s that the characters are portrayed a tad too mature for their age. But so what? This is a wonderful portrayal of growing up. The cross-dressing is only a tiny part of this series. There’s so much to this show, and it’s only 11 episodes long.

Storytelling: 9/10 – Wonderfully subtle, with some amazing plot twists.
Characters: 10/10 – Amazing portrayal of young teenagers growing up,and their issues dealing with it. Wonderful development.
Production-Values: 8/10 – This show is really good at far away shots, with restrained animation, still bringing its cast to life.
Setting: 8/10 – Excellent portrayal of a school in japan. This show knows how to ring its environments to life.

Suggestions:
Aoi Hana
Asatte no Houkou
Sasameki Koto

Posted on with categories: Hourou Musuko



Okay, so this was supposed to be episode 12, even though it was labelled everywhere in the episode as episode 11. It contained no recycled material whatsoever however, so I guess it’s safe to assume that it was really episode twelve. I’m not the only one who is a bit confused, right?

In any case, this was an excellent closure to an excellent series. Even with an episode cut out, Hourou Musuko felt like it had no weaknesses whatsoever to me. It consistently engaging, from start to finish. This episode really ended at the perfect point, with Nitori’s voice changing. It denotes the start of a huge change for him. The time where his body starts changing has finally arrived, and within a few years, he’s going to make the decision whether or not to get surgery.

And yet there was so much more that happened in this episode that developed so many other characters: Doi, Chiba, Takatsuki, Anna: this show took its chance to give all of them even more development than they already had.

Overall, Hourou Musuko understood what it means to be a Noitamina series: you only get 11 or 12 episodes, and that’s the length that you have to work with. They took an excellent part of the manga and made it feel like a complete story: characters have lives that continue on both before and after this show takes place, and yet the series feels complete. I especially loved that talk that Nitori and Anna had, right before the play started.

I’m looking forward to next year’s Noitamina. C is bound to be awesome. Even Kuchuu Buranko, Kenji Nakamura’s least impressive work, was really enjoyable and interesting. Anohana meanwhile is one of those shows that doesn’t seem to belong in Noitamina at first sight. Along with Hana Saku Iroha, it’ll have to take Hourou Musuko’s place as the serious teenaged slice of drama of the season. If they’ll end up as well balanced and written as Hourou Musuko, we’re really in for a treat here.
Rating: *** (Awesome)

Posted on 25 March 2011 with categories: Hourou Musuko



I am confused here. Basically, this link explains how this week showed a compilation of episodes 10 and 11, with the real episodes 10 and 11 being released when their DVDs get released. that’s nice and all, but what the heck is next week’s episode going to be about? The preview says that it’ll be episode 11 again. If I had to guess, then that will probably be a compilation of episodes 11 and 12. AIC probably ran into some delays in the same way that Madoka Magica has been delayed.

Setting that aside though, this episode was brilliant. It was just an amazing aftermath to last week’s episode and made even better by a time skip along the way that showed Nitori actually growing up. The condensed nature of this episode left out quite a bit, but the added a whole bunch of new stuff to this series. Never did this series address Nitori’s anxieties and the people who make fun of him so directly. This episode rocked because it did a truckload of new things for this series, and yet nothing felt out of place. Or apart from those guys who confessed to Takatsuki, perhaps.

Overall though, this has been an excellent season, and it has set the bar for the rest of 2011 very high in terms of romance, comedy and mahou shoujos. Hourou Musuko, Madoka Magica and Level E: all have just been brilliant. Hourou Musuko took a while to get going, but it can really call itself equal to Aoi Hana: they’re both amazing series, but both are in their own distinctive ways.
Rating: *** (Awesome)

Posted on 18 March 2011 with categories: Hourou Musuko



The drama in this episode was just utterly brilliant. It’s where everything comes together, the build-up is really paying off and the characters start to change even more. Doi turned out to be a wonderful addition to the cast here.

This was a terrific example of the heights that subtle drama can reach. The entire episode was quiet, but so much was going on. The red thread was Nitori doing the impossible and coming to school in his girl outfit, being nudged by Doi in order to do this. It brilliantly made use of his insecurities as a girl in a guy’s body. It all culminated wonderfully until the climax of this episode.

Now, there still is the matter of that ending. This is a manga adaptation after all and I still haven’t forgotten the cheap way in which Kuragehime ended its run, but if that ending is good then this really is an excellent experiment of Noitamina to try and focus on series with a different group of lead characters (unlike Fractale for example). Noitamina is a very double-edged sword, but those who understand its limits (like the creators of this series seem to do) can use it to air some of the most wonderful series.
Rating: *** (Awesome)

Posted on 10 March 2011 with categories: Hourou Musuko



This is something that has been baffling me for years now: why are romance shows so scared to show people in an actual relationship? I mean, the climax of 60% of all romance series is the confession, and 30% just refuse to end without anything happening between the lead couple, having them remain forever in this “yes we’re in love but not actually dating so that we can have harems and love triangles forever”-type ending. That, while you can definitely get some good drama out of a relationship, which is what this show is currently doing brilliantly.

Nitori vs. Anna made this into a really excellent episode. There is some uncomfortable tension between them, but it’s the healthy kind of tension that still leaves plenty of room for them to grow either closer or further away from each other. It’s not cheesy in the slightest, and it’s definitely been one of the most down to earth portrayals of romance in quite a while, even though we’re talking about middle schoolers here.

That little shot of Chiba, Takatsuki and Nitori together when they were younger was a great little addition, by the way. This really was an episode of nostalgia as well, with both Nitori and Takatsuki trying to move on in their own ways. Nitori by exploring other sides of romance, Takatsuki by growing her hair a bit and trying to make up with Chiba again. If I have to critique the creators for one thing, it’s that they show a tad to little of Chiba when she’s not near Nitori. In this episode for example Takatsuki told Nitori that chiba was behaving normally again, but we unfortunately didn’t get to see those scenes.

Instead, we got this former bully. Now, with the way in which bullies are usually portrayed in anime, this guy is a HUGE improvement. He’s bratty, but in a subtle way and he’s definitely having an impact on Nitori. Whether it’s wise to introduce a new character three episodes before the ending is a different story, though.
Rating: ** (Excellent)

Posted on 3 March 2011 with categories: Hourou Musuko




Hourou Musuko… just surpassed itself. Seriously, this episode was better than any of the previous episodes so far, and convinced me that the creators know what they’re doing. Finally we have another romance that tries to portray love realistically, and FINALLY we have another series that subverts the “lead characters are soul mates” trope.

While Fractale is currently showing just how much of a double edged sword the Noitamina timeslot can be, Hourou Musuko just nailed it. This is the part where we really get to the interesting character development. Nitori suddenly deciding to date Anna was a brilliant move. He’s actually moving on, after being rejected by Takatsuki and exploring the different sides of love, with someone completely different from the one who was first made out to be his soul mate.

It’s here where the power of this show really shines. This show has lead characters, but beyond that the creators make sure to give each of the characters a down to earth portrayal, and it’s not unfair towards anyone: the scenarios are written so that nobody really gets the chance to devolve into a stereotype, even the energetic girl has subtle different sides, miles away from your usual cliched energetic girl. This episode showed the subtle side of this show at its best.

The oddball here is Chiba, who seems to have a lot of issues throughout the series. She’s a great source of drama, and yet she doesn’t devolve into cheese. It’s hard to make a character like her believable, but I think that the creators did it by having her constantly tell how she feels, and what she thinks.
Rating: *** (Awesome)

Posted on 24 February 2011 with categories: Hourou Musuko



Usually when an anime shows its characters perform a play, it’s a real highlight. This time though, it’s the aftermath that really caught my attention. The play itself was rushed through and didn’t have much impact, but the impression it left on the different characters was what really caught my attention in this episode.

The big strength of this show is how it’s able to breathe life in a relatively large cast in a relatively small amount of time, and this all came together in that aftermath: just about everyone had something different to say about it and experienced something different, from Saori’s subtle compliment to her co-star to Nitori’s sister commenting how he just wrote himself into the story.

As for the “school festival”-part of this episode, it really was the standard fare that you always see in those kinds of episodes: a huge crowd, a cafe and a haunted house. It’s more realistic than usual, but still it reminded me how the slice of life isn’t why I’m watching this show. Instead, this is all about its characters, and whenever this episode built further upon them, it was really excellent.
Rating: ** (Excellent)
On a side-note: I’m currently experimenting with a new imagehost: upl.co. Has anybody ever had any bad experiences with them? Like, them deleting images or something?

Posted on 17 February 2011 with categories: Hourou Musuko



I do think that this series is overestimating the acting capabilities of children. I remember when we at elementary school (elementary school in the Netherlands usually lasts from the age of five till the age of eleven or twelve) got to participate in the school plays, we didn’t really know anything about proper acting and understanding your character. We mostly practiced saying all of the lines correctly and the choreography (a lot of the plays we did back then were musicals), while practicing this over and over again. Seeing people completely caught up in their role with even the right theatrical gestures, intonations and movement is perhaps a bit beyond random kids.

The creators nailed the drama, though. The scene in which that guy randomly blurted out Nitori’s secret was really well done and involved a lot of different characters who were at the scene. It also really shedded some more insight about how Nitori feels about his identity, and how Takatsuki helped him in the chapters that the series skipped over.

Saori meanwhile got the bitchy character right. Throughout the entire series she’s being strange and trying to stand out, but she does it in this subtle way that doesn’t make her annoying, yet uses the drama that she created well. And at the same time, her character is far from one-dimensional so she doesn’t end up as your typical stereotype weirdo.

As for the Romeo and Juliet play.. yeah, it had it coming that some lead characters would end up playing Romeo and Juliet. Seeing two random classmates play those roles would perhaps have been interesting in a longer series, but with eleven episodes this series really needs to take every chance it has to build further upon the main characters. At the very least we didn’t get the corny solution of Nitori and Takatsuki playing the lead roles, and the current state of events did lead to some interesting drama that again brought some more life to the characters.
Rating: ** (Excellent)

Posted on 3 February 2011 with categories: Hourou Musuko



I’m also watching Kimi ni Todoke at this moment. And really, the difference here shows when a series actually has characters who openly know that people have a crush on them. It makes for much more interesting drama here, beyond the usual “when in God’s name will they ever find out that they’re into each other!?”

This episode was mostly building up. Those episodes are rather dangerous in a Noitamina series of only eleven episodes, but this episode still added a lot of stuff to the series here. It established that both Saori and Shuuichi are too stubborn to give up their crushes. I also like how they are constantly talking about this and their feelings, instead of keeping it all cropped up. And I mean, they’re teenagers so they’re bound to be impulsive and strange at times, but in the same time I like how Nitori wants to be a girl, not just for the sake of this crush, but because he really feels like he is born in the wrong body.

I also like how the problems that Yoshino has aren’t some kind of mirror of Shuuichi here. They both have to deal with growing up physically, but she is far less bothered with hormones and love than Shuuichi is.
Rating: * (Good)

Posted on 27 January 2011 with categories: Hourou Musuko




Most of the time when anime use far-away shots, this is to save budget: after all, it’s easier to draw something smaller because you don’t need as much detail. Hourou Musuko however puts a great amount of detail into these shots, making them look just great. It’s really something that could not be done before the era of HD. On top of that, I also love the attention this series spends on its backgrounds. I don’t mean the regular background art: that’s just some art with a watercolour filter over it. Instead, I love how this show draws all of the people in the background, with all sorts of realistic poses and make them more than a bunch of cardboard copy-pasted cut-outs that are just there to fill space.

This episode, among many others, also introduced a staple of school-based series: the school festival. Interestingly, with some help from Saori the thing that the class ended up doing was a gender-bender play. Interestingly, the students get to write the play themselves (by Shuuichi and Saori, to be exact). It’s here where Shuuichi shows that he’s actually a capable writer, but like most writers of his age, he’s very much into self-insert fan-fiction.

Oh, and this series broke another big taboo here as well: some people actually have a relationship with each other. Maho (Shuuichi’s sister) actually has a boyfriend; romance isn’t limited to a bunch of love triangles surrounding the main couple! And even the lead couple is more than just “will they won’t they”: while it’s true that it’s still uncertain whether or not they will end up together, it does seem like they actually both considered to go into a relationship, but chose to just stay as friends. That’s actually much better compared to all of those character that are oblivious to their own feelings and refuse to take their relationships anywhere.

Probably the biggest question-mark of this episode was: who actually knows about Shuuichi wanting to be a girl, and who actually knows about about Yoshino wanting to be a girl? I’m suspecting that very few know about the latter, but at this point I’m not quite sure why exactly Mahou didn’t want her boyfriend to see her brother, because Riku seemed more surprised at Maho wanting to strip her brother than that brother actually walking around in girls’ clothes.

Overall it’s a great depiction of middle schoolers, though. Their actions at times are a bit irrational, like when Saori tried to dress up Shuuichi despite earlier telling him not to, and at the same time it’s not like this show is caught up in its own angst at all: the tension comes and goes very quickly and naturally. Is it as good as Aoi Hana, though? At this point, I’d say not yet: Aoi Hana brought in even more layers in making its characters feel alive. At the same time though, I don’t see it doomed to remain in Aoi Hana’s shadow: if the rest of the episodes are good enough, I can really see this show getting progressively better as it goes on.
Rating: ** (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
And its quite natural.
Kaiser-Eoghan
@Mario: Florida project succeeds through its free flowing nature/narrative and manages to be hilarious all the while managing to never allow you forget its also a kitchen sink drama, the best performances come from William Dafoe and the girl. At the end it gut punches the audience emotionally.
SuperMario
@Kaiser: also expecting Florida Project, 3 Billboards, and The Shape of Water in my end
Kaiser-Eoghan
Eh, Kino was a bit too slight this week.
Kaiser-Eoghan
@Mario: Just Lu, disaster artist and happy end left now for the year. Maybe the new Godzilla.
Kaiser-Eoghan
@Mario: I felt that Sion Soni's Noriko's dinner table did the irl acting thing better.
SuperMario
@Kaiser: I'm going to watch The Killing of a Sacred Deer. Consider I regarded The Lobster as one of the best film of that year and Dogtooth and Alps impressed me a lot; I have high hope for this one
Kaiser-Eoghan
Mooooommm, I want my Lu over the wal subs and I want them now OMO!
Niello
...Can't torrent where I am, grrrr.
Kaiser-Eoghan
I'm quite fond of Go Nagai's devilman, so I'll be interested in seeing Yuasa's adaptation of it whenever it comes out.
SuperMario
@Kasier: ha! thanks Kaiser. Finally it's out... gonna download it now
Kaiser-Eoghan
@Mario: Here is a link to Night is short walk on girl English subbed: https://nyaa.si/view/979508
Kaiser-Eoghan
@Mario: OR JUST MONIKA Amirite =P
SuperMario
in all seriousness though, I hope they can use one week break to smooth out their production.
SuperMario
so Just Because's taking a break this week. The reason: just because
Lenlo
Mhmhmm Inuyashiki was great this week. I just love this show.
Amagi
The hell- no didn't know that. I really wouldn't have expected tribute songs to this series
Niello
@Amagi: Did you know this exists? And it's by Igorrr no less. https://www.youtube.com/watch?v=yhQQ57N-9ys&list=PL9ku-W0xIzd4EYUL9bUG2CZXBIy7cCiSk
Niello
And yes, I'm just waiting and waiting for the day the anime get announced. No doubt it'll becomes a classic.
Niello
@Eoghan, I don't think it becomes a mess though, the story threads all come together amazingly well.
KTravlos
I too recommend at least watching 2nd episode of Tanya before passing judgement.

Looking forward to the Urasawa manga as well!
SuperWooper
@Anonymous: Thanks! Reading blog posts used to be my go-to distraction when I took breaks at work. Now I have to take breaks from writing them. It's a grind at times, but Star Crossed ought to be alive for a while yet.
Amagi
Adaptions for series like these only work when they're passion projects. If they're not they end up like the Dies Irae anime.
Amagi
It's another one of those series I really wish to see as an anime with music, movement and so on. But same as with Made in Abyss, it needs a cometent director and one that is in love with the work or else it will be a letdown
Amagi
@Niello: Yes and I fucking love it. The gritty style, the setting, the characters and designs and so on. @Kaiser didn't know she was under Nihei that's cool. I love these sketchy styles
Kaiser-Eoghan
@Niello: yes and more people I believe should so, despite that its kind of become a mess, I take the thing as one big black comedy. The woman who drew it interestingly enough apprenticed under Tsutomu Nihei.
Niello
Anyone here read Dorohedoro?
Anonymous1566521
Just passing by to say like the place, it's kinda perfect to read for whenever I take a break. And most importantly I haven't read anything stupid. Hopefully it won't die anytime soon:0
Vonter
Masky - Overlord has an OP isekai, yet I find that series compelling do to the world building, and how even with power and influence, the MC plays like a chessmaster and not brute force his way into doing something.
AidanAK47
@Masky, I wouldn't write off Tanya so fast. Make it to episode 2 at least.
Kaiser-Eoghan
I feel I need to actually properly get into Godzilla for some frame of reference before the anime film, I've only seen the new one and the original.
Amagi
Or the Hiroshima movie
Amagi
I know you can't have everything but considering that we currently have Blame, the Itoh movies, Lu over the Wall, Godzilla or Napping Princess this is rather a let down
Amagi
Meh, not really happy about the anime film festival decision here - a few good movies are there: heaven's feel, motherfucka (from the tekkonkinkreet guy) and another one that sounds great but other than that a lot specials like conan movie #718 or something, the third part (why?) of persona 3 and other movies that are just specials of series I dropped at some point
Masky
*WWI
Masky
I mean, op isekai mc is boring whether they are hero or villain, thats how tired I'm of that trope at least
Masky
So was wondering what was up with that Tanya the Evil show and was disappointed to find out its "Isekai were MC is evil and WWII esque fantasy setting"
Anonymous1566013
dragon ball kai
Anonymous1566013
dragon ball z
Kaiser-Eoghan
@Mario: That Godard biopic you mentioned is showing tonight and on sunday afternoon, at the very least I'll be checking out Le Chinoise in preparation for it.
SuperMario
@Kaiser: and right after I just watched Loving Vincent in theatre, it's available online
Kaiser-Eoghan
@Amagi: Blame! got released ages ago and no one watched it.
Kaiser-Eoghan
@Mario: Out in cinemas in Dublin in 3 weeks though, might aswell wait.
SuperMario
Also Lu over the Wall is out, with Russian subtitle. So anyone here who can understand Russian, you're in luck
Amagi
@Kaiser: Thanks, I love quite many anime movies. Guess I have something to watch this weekend.
AidanAK47
Not many I am afraid. Though I do like it's music.
Anonymous1565678
who is fairy tail fan here
Kaiser-Eoghan
For those interested anime Godzilla is out in a few weeks. Also Genocidal organ, napping princess and in this corner of the world are out as is the Fate/ilya movie.
Kaiser-Eoghan
I'm interested enough to read more of that Urasawa manga.
Kaiser-Eoghan
I don't point out errors (although its part of my job at work to lol) but I feel that one thing was noticeable in the Kino review, soap instead of soup is mentioned.
Kaiser-Eoghan
Eh, I quite like it when anything deals with religion or conviction in a mature way, it makes me feel things.
AidanAK47
Not really keen on following a Urasawa manga while it's ongoing considering how much of a slow burn his stories usually are.
Amagi
To the English only people: the Urasawa manga is translated into English now - it's on Mangastream (so beware of the watermark, but better than nothing)
Anonymous1565136
The anime?
SuperMario
... still on course with the anime (my phone acting up again)
SuperMario
@afgm: welcome back mate. It has been awhile. Hope you're
Anonymous1564565
@Amagi, The sign post with Iyami's teeth symbol read something like Buddhist reseach facility, which only makes it weirder.
Amagi
Also that Iyami clone seems to be the same as the running guy on page 2 (which was also the promo page posted on sites like ANN)
Amagi
Thank you very much anon. I love how international this chat is. But what you said makes the story feel even weirder. Really wonder what this is about but I can't say I am not interested now
Anonymous1564565
This is weird, really weird.
Anonymous1564565
[spoiler] As expected, now he's in another trouble. ...He mistook a crow for a blue bird that will bring happiness. And then we go back to the scene at the beginning when he hallucinate about someone calling. ...Is that Iyami from Osomatsu-san?
Anonymous1564565
[spoiler]Then because Trump is currently popular, their plan to is mass produce the mask with the guy's factory? (He's totally getting dupe isn't e?)
Anonymous1564565
[spoiler] The wife won a lottery and got a free vacation ticket to a luxurious cruise ship. She then left the husband with another guy. The Trump parody hag person is Beverly Duncan. Then one of the husband coworker put on a mask of Trump and start mocking.
afgm
I feel like the site is finally coming back into its own :)
afgm
(and great old writers)
afgm
Great new writers on the site
Anonymous1564565
[spoiler] He's trying to look at tax avoidance and discuss it to his fam. The turns out the gov start checking so that plan was a bust. Now they are looking at potential confiscations, including their flip flop factory.
Anonymous1564565
[Spoiler] So the guy seem to be having some kind of hallucination of someone calling him, even though there's no one in that direction.
Anonymous1564565
@Amagi "but it's in Thai", :)
Amagi
I am really looking forward to the Pluto anime. But I guess it won't come earlier than spring 2018 or something.
Amagi
If it was Japanese I'd at least understand a few parts (and almost everything if it was French) but now I have not the slightest idea what this is about but it does look interesting. I also liked Urasawa's earlier one shot. The one after Billy
Amagi
Not sure if I am allowed to link scans so here an indirect (last post) one I found, but it's in Thai (I hope someone who understands it will translate that chapter into English) https://www.reddit.com/r/manga/comments/780rve/sl_how_long_until_we_see_the_1st_chapter_of_naoki/
Anonymous1564517
It shows a lot of shots though that bring back memories of Urasawa's earlier works. Its great that he's going weird; Urasawa is one of the best at producing unique series, even if his methodical writing and storytelling style is always evident.
Anonymous1564517
Is it Mujirushi? I saw some French advert for it, (nothing said except that it's launching soon), but I can't find anything else on it.
Amagi
There is a (sadly, non-English) scan for Urasawa's new manga and it looks weird. Hundreds of masks of some presidential candidate that looks like a female Trump and a weird and shady guy at the end.
Lenlo
That said, why is PUBG on any of these lists. Its still in beta
Lenlo
Horizon on the other hand is easily understood and fits the open world mold well. I like Nier more, but Horizon is still a really good game.
Lenlo
Everyone knows it exists, but not everyone likes it/could finish it/understands it.
Lenlo
Thats the thing, it still is a niche. Its in the same category of Souls games now
Niello
Nier may not be a new IP, but it's an IP that finally rise from obscurity after being a really niche cult hit for years.
Niello
Why would being weird a negative for Nier? Doesn't that imply creativity?
Vonter
I suppose because Horizon is a new IP and also less weird than Nier. I haven't played it, but presentation alone has marked a great impression of that game.
Niello
Why is Nier in only 3 categories and Horizon Zero Dawn so many even where it's not deserve?
Niello
I still think Maho Yome is super overrated. The show so far has been more about spectacles than anything. I get it, the manga is pretty good, still not one nearly even one of the best though.
Vonter
PUBG I feel its an odd choice. Mainly because it's the only game listed that I wasn't aware it existed.
Vonter
The game awards are near, and so here are the nominations for all categories:
http://thegameawards.com/awards/
Anonymous1562244
KT Here. they did not force it. They let the circumstances do the talking and it was powerful.
Anonymous1562244
KT Here: Yes psgels is a man, yes for a long time I was under the impression he was a woman. Now and Then, Here and There is indeed excellent. The thing was exactly that, a frank depiction of what child soldiers go through. Considering how most shounen shows are essentially about kids engaging in war, the frank and gritty depictions was welcome if dis-concerning. And as Super pointed out they did
SuperMario
Yeah, I can give the show a full review (says the guy who is currently behind on his weekly post). But be mindful that as this show is in my top 10 anime, my rating might be even higher than psgels' (Usually my taste is different than his but in Now and Then we are pretty much on the same page)
SuperMario
The shounen element is for me, intentional as Now and then plays by the typical shounen rules (with a bery typical shounen protagonist) entirely in its first episode before slaming every brutal things towards him. Yep, they imply many dark contents make it much more disturbing. That girl (I think her name is Mary)'s circumstance ripped my heart
Nielllo
@Mario: I'd be interest in that! The atmosphere to me is like Jing the Bandit King but less surreal and more shounen.
Kaiser-Eoghan
@Mario: The scene where the girl is raped/abused in the prison. It stands out for the fact they imply it rather than showing.
SuperMario
Actually, I can re-watch it over the weekend and give it a full review. Again, it has been awhile so I'm intrigued to see how the show's holding up for me now
SuperMario
They're brutal but not for the sake of being brutal, I never feel the show as heavy handed on its brutality, or sugarcoating the optimistism of the main character. The show is about the scar of war and for that imo they really deliver the message
SuperMario
That's what happen when I prepared to write a long comment, but work held me up so I had to cut it short. It's been awhile since I last saw Now and Then, but I feel the show has a frank and down to earth depection of the terror of war...
Nielllo
@SuperMario, You'll need to explain it to me man...
Anonymous1561608
@Psgels is woman
Anonymous1561597
Really???
SuperMario
@Niello: i love Now and Then. One of the rare series that I rated 10/10. I feel all the drama is raw, and effective
Nielllo
The last time I check, the scanlation group doesn't have the translator position filled up. At this point I'm probably going to order the remaining volumes at some point and just try to read it in Japanese. The worse thing is it's a josei so the text doesn't have furigana and I'll be stuck with just Kanji.
Nielllo
That sums up my feeling for Now and Then, Here and There really well.I took a look at the raw of the last chapter and it pretty much ended like how I think it would (mostly the epilogue, so not much spoiler)
Kaiser-Eoghan
With how slow the updates are for Amatsuki's manga I will probably re-re-read the whole thing again when it ever finishes. I disliked the protaganist of now and then here and there , while I did enjoy the misery the characters went through as it made for good drama and that dictator guy was suitably effective, I never got the FEELs watching it.
Nielllo
My taste generally align well with psgels (hurray for seeing potential in Amatsuki? that one surprised me, really didn't expect a 90/100, not complaining of course), but can someone explain to me, the appeal of Now and Then, Here and There?
Kaiser-Eoghan
*are many
Kaiser-Eoghan
I suppose we do live in the introvert age, so there probably are who have plenty of time to burn.
Kaiser-Eoghan
I agree about the having more time when your young thing definitely though, I'd argue I probably had too much of it, we probably don't use that time as well as we should come to think of it looking back.
Kaiser-Eoghan
Which means I also have more time because I'm not in a relationship.
Kaiser-Eoghan
I know this will sound terrible, but I don't really bother associating with women beyond necessary interaction.
Kaiser-Eoghan
*or hikkimori
Kaiser-Eoghan
I'm not upset about this, just means theres extra time to be filled because everyones too pre-occupied in their spare time.
Kaiser-Eoghan
I save well and don't have many people to buy for , I also pirate everything.
Kaiser-Eoghan
I wouldn't call myself a NEET of hikkikomori, but genuinely do have absolutely no life, so I pretty much only leave my home for part time work/food/cinema trips. I don't party or drink and I see old friends once or twice a year (They've all moved), maybe my brother slightly more but not as often as most people would.
SuperMario
@Vyse: haha, you have a wild imagination. I'm pretty sure he's man
SuperMario
@anon1561372: pretty much what Kaiser said. He did came back a few months ago for monthly summaries but it seems life's swallowing him again. Would love to see him back to be honest
SuperMario
@Aidan: well, I'm at a stage where I don't have either enough time or money or anything concrete for my life. So I envy those who have plenty times to burn
Kaiser-Eoghan
Psgels professional and social life became more demanding and had a bout of writers block. Going by the photograph and voice on some of the podcasts he did, psgels is very much a man.
VyseLegendaire
psgels is a female
Anonymous1561272
@SuperMario Where did he go? Did he just stop completely?
AidanAK47
Well his posts were not as long as ours and I think he did them mostly in his secondary school years and you have plenty of time to burn back then. I remember I used to make a point of finishing games 100% back then and I replayed a ton of them over and over again.
SuperMario
And back in the day, psgels could blog like 3 or 4 posts per day, many of them on the same day of its airing. How the hell could he do that consistently for almost 10 years?
SuperMario
Fell asleep yesterday while writing Houseki review. Now that bastard will have to wait until later tonight (It's morning here). Apologize for that
Niello
Really? I thought the manga art is gorgeous. The beginning, not so much, but her art really improved. I love how whimsical it is. Other characters not so much, but Mahmut's design is really a step down from the manga.
KTravlos
ah you will hate me. Much as I love the story, I just cannot find the character art pleasing. On that one point for me the animated version was better. For example I much preferred the depiction of Einstein in the anime than in the manga. Now this is a personal thing, but I am shallow, and I do read manga partly for the art. So I am torn. I prefer the manga for the story but the anime for the art
Niello
@KTravlos: As a fan of the manga, I wouldn't say it's for us manga reader at all. I dropped this abomination long ago, I just can't stand it. It got butchered just like Amatsuki was, and tha's by the same director. I really really hope he never get to touch on an adaptation ever again.
KTravlos
also the Altai episode this week showed all the problems of the series. The pace was just too fast. Essentially this was just an episode for manga readers. Very very problematic
KTravlos
@SuperMario. I actually think that a double review of Altiar and AS would work better, as a way to talk a bit more expansively on the whole genre
Kaiser-Eoghan
Oh hey awesome, new black mirror episodes in December.
Anonymous1558371
it's not really a plot twist, but it is a drastic change.
Anonymous1558371
I honestly don't know how well the anime will handle it. I'd like to think they will surpass the manga because they put a lot of care into the scene. It involves a fight scene and they have been handling those well, so I'm hopeful.
SuperMario
@anon1558097: will that shock plot twist whatever-it-is even make it this season? I'll be honest but if I have to compare the current anime to what I've read from the manga so far (first few chapters), The manga is more inventive and awe-inspiring for me
Anonymous1558097
@Mario: DON'T. I'm having a much better time enjoying the show ever since I stop comparing it to the manga. Still a shame I won't be getting the initial shock reaction from what's going to happen in the second half though.
SuperMario
Now you guys are really tempting me to read on the houseki manga, but I WON'T
Kaiser-Eoghan
I really wish that we could see more of the snail race things in houseki , the Gems and moon people have had their turn.
Kaiser-Eoghan
Honey and clover had a much stronger balance of humour and drama, with sugatsu I feel its the drama that stands out best.
Kaiser-Eoghan
Okay major major MAJOR houseki spoilers....sensei is really....
.....
.....Saitama from onepunch man.
Kaiser-Eoghan
@Mario: I've only seen the first season.
Kaiser-Eoghan
@Mario: And anyone who breaks your Dia(mond) must be destroyed.
SuperMario
@Kaiser: just look at the lastest episode (27), juggling, bouncy, silly in the first half and then emotional depth in the second. Well, that's a 3-gatsu's tone we pretty come to expect now
SuperMario
@Kaiser: ANYONE DARE TO MAKE MY HINA CRIES WILL HAVE TO PAY. I share the exact same sentiment with Rei
Kaiser-Eoghan
I will say this...it is...an un-evenly paced series...but always jolts you before you get too bored with it.
Kaiser-Eoghan
*Looks at 3-gatsu screenshot*
Hina =< ; _ ; QmQ *cry**tears*
Kaiser-Eoghan
I am reasonably satisfied with how the houseki manga is in its latest chapters, coming together and the answers it gave.
SuperMario
@Nielo: wow, thanks. I'll definately pay more attention to that. Love to pick up those little details like that so I'm all ears if you pick up something else
Kaiser-Eoghan
I noticed that discord button. If more show up on it I'd consider joining it.
Kaiser-Eoghan
@Amagi: What will happen is that I'll end up marathoning it when more episodes get released, much like I did with first. The guy from the first series (Germain his name was) was a hard act to follow , so far I do think this is more enjoy than the little of the second season I saw.
SuperWooper
LOL, thanks for catching that.
SuperMario
@Wooper: I always enjoy "deep-friend" chicken as well. Tasty, taysty
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Featured Posts

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