Posted on 31 March 2011 with categories: Anime Reviews, Hourou Musuko




The past season had three series that really stood with head and shoulders above the rest. They were all genuinely good and took their genres into new and fresh directions. Hourou Musuko takes a look at cross dressers. Most of time when they’re portrayed in a medium, they’re portrayed for laughs or flamboyance. Hourou Musuko however is entirely built around showing the issues that boys who feel like they are girls (and vice versa) run into while growing up. And it does so brilliantly.

For starters, this is one of those series that has a slow pacing, yet somehow manages to make a ton of stuff happen in each episode. It’s full of subtlety, and because of this it can get a ton of genuine drama out of the characters using its limited time of only 11 episode excellently.

This show actually made quite a bold statement by not animating the first X volumes of the manga it’s based on, but instead starting somewhere in the middle. The great thing about this show is that despite this, it still doesn’t feel incomplete. Characters sometimes refer to things that have happened to them in the past, but it’s apparent enough to the viewers to figure out what happened. This method gave the characters both a rich past and future and it gives the impression that there really is much more to them than what we see in the series. It’s a terrific way of characterizing them, and the entire cast of this series pretty much feels incredibly genuine and believable. Oh, and finally we’ve found another show that takes a realistic look at romance, as opposed to the overly sappy view you see in nearly every anime.

It’s a series for which I’ve had hardly anything to criticize for. The story is perfectly balanced, the plot twists are amazing in their subtlety, the cast is amazing, the animation brings both the cast and setting come alive and there is hardly anything that this show does wrong. If I had to nitpick at something then it’s that the characters are portrayed a tad too mature for their age. But so what? This is a wonderful portrayal of growing up. The cross-dressing is only a tiny part of this series. There’s so much to this show, and it’s only 11 episodes long.

Storytelling: 9/10 – Wonderfully subtle, with some amazing plot twists.
Characters: 10/10 – Amazing portrayal of young teenagers growing up,and their issues dealing with it. Wonderful development.
Production-Values: 8/10 – This show is really good at far away shots, with restrained animation, still bringing its cast to life.
Setting: 8/10 – Excellent portrayal of a school in japan. This show knows how to ring its environments to life.

Suggestions:
Aoi Hana
Asatte no Houkou
Sasameki Koto

Posted on with categories: Hourou Musuko



Okay, so this was supposed to be episode 12, even though it was labelled everywhere in the episode as episode 11. It contained no recycled material whatsoever however, so I guess it’s safe to assume that it was really episode twelve. I’m not the only one who is a bit confused, right?

In any case, this was an excellent closure to an excellent series. Even with an episode cut out, Hourou Musuko felt like it had no weaknesses whatsoever to me. It consistently engaging, from start to finish. This episode really ended at the perfect point, with Nitori’s voice changing. It denotes the start of a huge change for him. The time where his body starts changing has finally arrived, and within a few years, he’s going to make the decision whether or not to get surgery.

And yet there was so much more that happened in this episode that developed so many other characters: Doi, Chiba, Takatsuki, Anna: this show took its chance to give all of them even more development than they already had.

Overall, Hourou Musuko understood what it means to be a Noitamina series: you only get 11 or 12 episodes, and that’s the length that you have to work with. They took an excellent part of the manga and made it feel like a complete story: characters have lives that continue on both before and after this show takes place, and yet the series feels complete. I especially loved that talk that Nitori and Anna had, right before the play started.

I’m looking forward to next year’s Noitamina. C is bound to be awesome. Even Kuchuu Buranko, Kenji Nakamura’s least impressive work, was really enjoyable and interesting. Anohana meanwhile is one of those shows that doesn’t seem to belong in Noitamina at first sight. Along with Hana Saku Iroha, it’ll have to take Hourou Musuko’s place as the serious teenaged slice of drama of the season. If they’ll end up as well balanced and written as Hourou Musuko, we’re really in for a treat here.
Rating: *** (Awesome)

Posted on 25 March 2011 with categories: Hourou Musuko



I am confused here. Basically, this link explains how this week showed a compilation of episodes 10 and 11, with the real episodes 10 and 11 being released when their DVDs get released. that’s nice and all, but what the heck is next week’s episode going to be about? The preview says that it’ll be episode 11 again. If I had to guess, then that will probably be a compilation of episodes 11 and 12. AIC probably ran into some delays in the same way that Madoka Magica has been delayed.

Setting that aside though, this episode was brilliant. It was just an amazing aftermath to last week’s episode and made even better by a time skip along the way that showed Nitori actually growing up. The condensed nature of this episode left out quite a bit, but the added a whole bunch of new stuff to this series. Never did this series address Nitori’s anxieties and the people who make fun of him so directly. This episode rocked because it did a truckload of new things for this series, and yet nothing felt out of place. Or apart from those guys who confessed to Takatsuki, perhaps.

Overall though, this has been an excellent season, and it has set the bar for the rest of 2011 very high in terms of romance, comedy and mahou shoujos. Hourou Musuko, Madoka Magica and Level E: all have just been brilliant. Hourou Musuko took a while to get going, but it can really call itself equal to Aoi Hana: they’re both amazing series, but both are in their own distinctive ways.
Rating: *** (Awesome)

Posted on 18 March 2011 with categories: Hourou Musuko



The drama in this episode was just utterly brilliant. It’s where everything comes together, the build-up is really paying off and the characters start to change even more. Doi turned out to be a wonderful addition to the cast here.

This was a terrific example of the heights that subtle drama can reach. The entire episode was quiet, but so much was going on. The red thread was Nitori doing the impossible and coming to school in his girl outfit, being nudged by Doi in order to do this. It brilliantly made use of his insecurities as a girl in a guy’s body. It all culminated wonderfully until the climax of this episode.

Now, there still is the matter of that ending. This is a manga adaptation after all and I still haven’t forgotten the cheap way in which Kuragehime ended its run, but if that ending is good then this really is an excellent experiment of Noitamina to try and focus on series with a different group of lead characters (unlike Fractale for example). Noitamina is a very double-edged sword, but those who understand its limits (like the creators of this series seem to do) can use it to air some of the most wonderful series.
Rating: *** (Awesome)

Posted on 10 March 2011 with categories: Hourou Musuko



This is something that has been baffling me for years now: why are romance shows so scared to show people in an actual relationship? I mean, the climax of 60% of all romance series is the confession, and 30% just refuse to end without anything happening between the lead couple, having them remain forever in this “yes we’re in love but not actually dating so that we can have harems and love triangles forever”-type ending. That, while you can definitely get some good drama out of a relationship, which is what this show is currently doing brilliantly.

Nitori vs. Anna made this into a really excellent episode. There is some uncomfortable tension between them, but it’s the healthy kind of tension that still leaves plenty of room for them to grow either closer or further away from each other. It’s not cheesy in the slightest, and it’s definitely been one of the most down to earth portrayals of romance in quite a while, even though we’re talking about middle schoolers here.

That little shot of Chiba, Takatsuki and Nitori together when they were younger was a great little addition, by the way. This really was an episode of nostalgia as well, with both Nitori and Takatsuki trying to move on in their own ways. Nitori by exploring other sides of romance, Takatsuki by growing her hair a bit and trying to make up with Chiba again. If I have to critique the creators for one thing, it’s that they show a tad to little of Chiba when she’s not near Nitori. In this episode for example Takatsuki told Nitori that chiba was behaving normally again, but we unfortunately didn’t get to see those scenes.

Instead, we got this former bully. Now, with the way in which bullies are usually portrayed in anime, this guy is a HUGE improvement. He’s bratty, but in a subtle way and he’s definitely having an impact on Nitori. Whether it’s wise to introduce a new character three episodes before the ending is a different story, though.
Rating: ** (Excellent)

Posted on 3 March 2011 with categories: Hourou Musuko




Hourou Musuko… just surpassed itself. Seriously, this episode was better than any of the previous episodes so far, and convinced me that the creators know what they’re doing. Finally we have another romance that tries to portray love realistically, and FINALLY we have another series that subverts the “lead characters are soul mates” trope.

While Fractale is currently showing just how much of a double edged sword the Noitamina timeslot can be, Hourou Musuko just nailed it. This is the part where we really get to the interesting character development. Nitori suddenly deciding to date Anna was a brilliant move. He’s actually moving on, after being rejected by Takatsuki and exploring the different sides of love, with someone completely different from the one who was first made out to be his soul mate.

It’s here where the power of this show really shines. This show has lead characters, but beyond that the creators make sure to give each of the characters a down to earth portrayal, and it’s not unfair towards anyone: the scenarios are written so that nobody really gets the chance to devolve into a stereotype, even the energetic girl has subtle different sides, miles away from your usual cliched energetic girl. This episode showed the subtle side of this show at its best.

The oddball here is Chiba, who seems to have a lot of issues throughout the series. She’s a great source of drama, and yet she doesn’t devolve into cheese. It’s hard to make a character like her believable, but I think that the creators did it by having her constantly tell how she feels, and what she thinks.
Rating: *** (Awesome)

Posted on 24 February 2011 with categories: Hourou Musuko



Usually when an anime shows its characters perform a play, it’s a real highlight. This time though, it’s the aftermath that really caught my attention. The play itself was rushed through and didn’t have much impact, but the impression it left on the different characters was what really caught my attention in this episode.

The big strength of this show is how it’s able to breathe life in a relatively large cast in a relatively small amount of time, and this all came together in that aftermath: just about everyone had something different to say about it and experienced something different, from Saori’s subtle compliment to her co-star to Nitori’s sister commenting how he just wrote himself into the story.

As for the “school festival”-part of this episode, it really was the standard fare that you always see in those kinds of episodes: a huge crowd, a cafe and a haunted house. It’s more realistic than usual, but still it reminded me how the slice of life isn’t why I’m watching this show. Instead, this is all about its characters, and whenever this episode built further upon them, it was really excellent.
Rating: ** (Excellent)
On a side-note: I’m currently experimenting with a new imagehost: upl.co. Has anybody ever had any bad experiences with them? Like, them deleting images or something?

Posted on 17 February 2011 with categories: Hourou Musuko



I do think that this series is overestimating the acting capabilities of children. I remember when we at elementary school (elementary school in the Netherlands usually lasts from the age of five till the age of eleven or twelve) got to participate in the school plays, we didn’t really know anything about proper acting and understanding your character. We mostly practiced saying all of the lines correctly and the choreography (a lot of the plays we did back then were musicals), while practicing this over and over again. Seeing people completely caught up in their role with even the right theatrical gestures, intonations and movement is perhaps a bit beyond random kids.

The creators nailed the drama, though. The scene in which that guy randomly blurted out Nitori’s secret was really well done and involved a lot of different characters who were at the scene. It also really shedded some more insight about how Nitori feels about his identity, and how Takatsuki helped him in the chapters that the series skipped over.

Saori meanwhile got the bitchy character right. Throughout the entire series she’s being strange and trying to stand out, but she does it in this subtle way that doesn’t make her annoying, yet uses the drama that she created well. And at the same time, her character is far from one-dimensional so she doesn’t end up as your typical stereotype weirdo.

As for the Romeo and Juliet play.. yeah, it had it coming that some lead characters would end up playing Romeo and Juliet. Seeing two random classmates play those roles would perhaps have been interesting in a longer series, but with eleven episodes this series really needs to take every chance it has to build further upon the main characters. At the very least we didn’t get the corny solution of Nitori and Takatsuki playing the lead roles, and the current state of events did lead to some interesting drama that again brought some more life to the characters.
Rating: ** (Excellent)

Posted on 3 February 2011 with categories: Hourou Musuko



I’m also watching Kimi ni Todoke at this moment. And really, the difference here shows when a series actually has characters who openly know that people have a crush on them. It makes for much more interesting drama here, beyond the usual “when in God’s name will they ever find out that they’re into each other!?”

This episode was mostly building up. Those episodes are rather dangerous in a Noitamina series of only eleven episodes, but this episode still added a lot of stuff to the series here. It established that both Saori and Shuuichi are too stubborn to give up their crushes. I also like how they are constantly talking about this and their feelings, instead of keeping it all cropped up. And I mean, they’re teenagers so they’re bound to be impulsive and strange at times, but in the same time I like how Nitori wants to be a girl, not just for the sake of this crush, but because he really feels like he is born in the wrong body.

I also like how the problems that Yoshino has aren’t some kind of mirror of Shuuichi here. They both have to deal with growing up physically, but she is far less bothered with hormones and love than Shuuichi is.
Rating: * (Good)

Posted on 27 January 2011 with categories: Hourou Musuko




Most of the time when anime use far-away shots, this is to save budget: after all, it’s easier to draw something smaller because you don’t need as much detail. Hourou Musuko however puts a great amount of detail into these shots, making them look just great. It’s really something that could not be done before the era of HD. On top of that, I also love the attention this series spends on its backgrounds. I don’t mean the regular background art: that’s just some art with a watercolour filter over it. Instead, I love how this show draws all of the people in the background, with all sorts of realistic poses and make them more than a bunch of cardboard copy-pasted cut-outs that are just there to fill space.

This episode, among many others, also introduced a staple of school-based series: the school festival. Interestingly, with some help from Saori the thing that the class ended up doing was a gender-bender play. Interestingly, the students get to write the play themselves (by Shuuichi and Saori, to be exact). It’s here where Shuuichi shows that he’s actually a capable writer, but like most writers of his age, he’s very much into self-insert fan-fiction.

Oh, and this series broke another big taboo here as well: some people actually have a relationship with each other. Maho (Shuuichi’s sister) actually has a boyfriend; romance isn’t limited to a bunch of love triangles surrounding the main couple! And even the lead couple is more than just “will they won’t they”: while it’s true that it’s still uncertain whether or not they will end up together, it does seem like they actually both considered to go into a relationship, but chose to just stay as friends. That’s actually much better compared to all of those character that are oblivious to their own feelings and refuse to take their relationships anywhere.

Probably the biggest question-mark of this episode was: who actually knows about Shuuichi wanting to be a girl, and who actually knows about about Yoshino wanting to be a girl? I’m suspecting that very few know about the latter, but at this point I’m not quite sure why exactly Mahou didn’t want her boyfriend to see her brother, because Riku seemed more surprised at Maho wanting to strip her brother than that brother actually walking around in girls’ clothes.

Overall it’s a great depiction of middle schoolers, though. Their actions at times are a bit irrational, like when Saori tried to dress up Shuuichi despite earlier telling him not to, and at the same time it’s not like this show is caught up in its own angst at all: the tension comes and goes very quickly and naturally. Is it as good as Aoi Hana, though? At this point, I’d say not yet: Aoi Hana brought in even more layers in making its characters feel alive. At the same time though, I don’t see it doomed to remain in Aoi Hana’s shadow: if the rest of the episodes are good enough, I can really see this show getting progressively better as it goes on.
Rating: ** (Excellent)

CHANGE USERNAME
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
SuperMario
@Topgavin: Agree. Demi-chan was so charming. Definately one of my favorite so far this new season
Topgavin
Demi-chan's first episode was good. Like, really really good. That blonde-haired girl was hilarious, the teacher-student relationship between the MC and the girls is really interesting and the social/practical problems the demi's face make it look like my favorite show so far.
CATski
Ah... ok. Is it really that good or it's just one of those "artsy" animes that tend to get overrated by their ardent fans? I didnt find the rakugo bit interesting.... probably the weakest aspect of the show for me.
Kaiser Eoghan
@Aidan: Why did I read that chapter. Why did I do that to myself.
Kaiser Eoghan
Admittedly yes the premise is not for everyone, but if you stick with it, the flashback arc had some good character work in there.
CATski
Rakugo has a season 2? I watched ep 1 - 3 of season 1 then promptly deleted it. The loud "yankee" dude was annoying. And the anime was boring.
Kaiser Eoghan
Oh man, I've been thinking lately of trying to start some kind of youtube channel. I did a few trial run videos. Its much much harder than it looks, didn't realize how nervy being in front of a video camera was.
Kaiser Eoghan
*a declining art and rakygo halls are closing down
Kaiser Eoghan
As the show continues to mention how "its declining art", that got me thinking of the modern day, how while things like tv and cinemas probably hurt attendances for rakugo performances, the internet has replaced theaters .
Kaiser Eoghan
Ah, now I've watched it. It'll be interesting to see Yotaro's relation to sukeroku's daughter develop. By all intents he should be an irritating character and not as interesting a yakumo based on his personality, but I can't help but like him, example of a goofball character done right.
Anonymous654016
ElDlive is looking good
Kaiser Eoghan
I haven't gotten around to rakugo's second seasons first episode yet =<
Kaiser Eoghan
Just looking at masamunes female protaganist I want to punch her.
Kaiser Eoghan
Vapid would be how I'd describe it, I didn't care about Masamune no revenge but at least there was some life to it.
Kaiser Eoghan
Ah, suzuka I remember a friend telling me when I got halfway through the anime to literally run from it and not continue. I flicked through fuukas first two episodes and played count the cliches.
Kaiser Eoghan
While I definitely got something out of Yojo senki's manga, I found the first episode easier to get through than the manga, in terms of pace and exposition.
AidanAK47
@Masky, Fuuka chapter 135. Read and be amazed.
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