Posted on 22 September 2012 with categories: Anime Reviews, Hyouka



Kyoani annoy me at times. I mean, they employ some fantastic animators and they’re superb at keeping up a crisp and consistent animation quality, but they just keep making shows I don’t care about. I just don’t like pure slice of life series in which nothing happens or that just keep repeating themselves. Thankfully with Hyouka, they went for a series that had a dash of mystery, so for the first time in years I finally could really enjoy their work again.

And Hyouka still has a ton of slice of life. It aims to be very down to earth, and create believable characters. The difference here with K-On, Lucky Star and Nichijou is that there is something going on other than random slice of life. Each of its episodes is dedicated to the characters trying to solve some sort of mystery. And the mystery aren’t the regular ones that you’ve gotten used to in anime. The characters here are o crime solves, but instead the mysteries are all very mundane and simple, especially the episodic stories. Think of a kimono that is missing, or some other detail that just doesn’t fit right. It’s all about speculating and coming up with theories, while the characters live their daily lives.

The series is laid out with basically three major arcs, and all kinds of random episodic stories inbetween them. The episodic stories are nice and creative, but this series really sets itself apart in its multi episode arcs. The stories around them are simple, yet have very complicated stories behind them. They are full of people speculating different theories, and often getting things wrong. The storytelling takes a while to get going due to all of the slice of life put into it, but that allows it to put a ton of detail in these stories, examine everything on multiple layers, and the pay-off really manages to make use of its build-up.

And if it’s an attention to detail you want, then Hyouka really delivers on that. Whether it’s in the relationships between the characters, or the different environments. Kyoani’s animation really brings those to life. The characters themselves are all teenagers who at first sight seem like the usual stereotypes, yet develop into completely different directions. There is one character who will probably get on people’s nerves a lot though: Chitanda. She’s well fleshed out in some areas, but also rather forceful. Or make that very forceful.

Hyouka is just a very well made shows that loves to use its own simplicity as a smokescreen for a detailed cast of characters and setting. It’s subtle in a lot of different ways, so if you like these kinds of series, then definitely give it a show, because it has a lot to deliver in that area.

Storytelling: 8.5/10 – Slow-paced, but very detailed and subtle.
Characters: 8.5/10 – Relatively little character development, but it’s made up for it by likable acting and excellent characterization.
Production-Values: 9/10 – Kyoani managed to really bring the characters alive with their animation here.
Setting: 8.5/10 – Loves the mundane type mysteries. Doesn’t really make for an epic series, but it’s most definitely very interesting to watch.

Suggestions:
Hourou Musuko
The Melancholy of Haruhi Suzumiya
Hana-Saku Iroha

Posted on with categories: Hyouka

So Hyouka’s finale isn’t a big arc, but instead a collection of small stories. There’s a lot of character development in them, but nothing is definitively resolved. Pretty much a life goes on ending due to there still being a novel left unanimated, which I suspect will be saved for a movie if the sales go well enough. Kyoani has the tendency to announce those much later after finishing the series, so who knows when that will come, if it’ll come at all, so right now, I’ll just conisder this as the ending of Hyouka.

And while it wasn’t the best episode, both in terms of content of how far it pushed the relationship between Oreki and Chitanda, I still quite liked it. The parade was a very nice way for the animators to show some of their skills, and it was very well directed there, and it does serve as an interesting closure. The mystery itself was probably one of the simplest yet, and I feel like the creators could have done more during the cherry blossom scene at the end. I like how the creators toyed with the cherry blossom tropes by using Oreki’s imagination there… but it’s not quite there yet.

The one thing I also liked a lot about this episode is the detail it put in local customs, and the things it takes to organize them, the people who are all involved with them and the effort it takes to make everything go without a hitch. I didn’t care much about the mystery of who was behind the bridge, but the stress that this created was very well portrayed.

So yeah, Kyoani really need to so a non- moe slice of life series, however Hyouka was a very good compromise. Next season they’ll have Chuuninbyou, which unfortunately looks much more generic in terms of formula. But it has a great director, so who knows what’ll happen?
Rating: 5/8 (Great)

Posted on 10 September 2012 with categories: Hyouka

This was an interesting episode. I mean, movie or no movie: the series is ending next week, so Kyoani can pour even more budget than usual into it. The result is a really well animated episodic story with weird build-up.

I mean weird build-up in the way that this episode on one hand develops Satoshi, it explains his actions of some of the previous arcs, and on the other hand it suddenly turns Mayaka and Satoshi into a couple. Now, I know that my memory isn’t the greatest with these kinds of things… but have we ever seen hints to that twist before? I mean, it’s not something that blossomed overnight: they’ve apparently been going on for more than a year now. And with the incredible attention to detail that this series has, I find it hard to believe that they’d never hint at this. So did I miss something?

But whatever faults Hyouka may have had there, it made up for it by giving a very different meaning to his part in the school festival arc. What he did there wasn’t jealousy, it was a battle of him trying to win from his obsession. He allowed himself to dabble a bit with trying to solve things, but he never went far into it like Oreki did. It makes much more sense: if he’s such a large sherlock-fan, then why doesn’t he try to formulate theories or brainstorm? Well, that’s why. And that’s also why Oreki’s plan last week went wrong.

Also weird was Chitanda. I mean, the usual progression for a character like her is to done down: as she grows up she becomes more mature in the process. She however is completely different and after the school festival arc, she suddenly got more extreme, acting more and more on her feelings than she already did before. The animators really liked to exemplify that with a particular few scenes.
Rating: 5.5/8 (Excellent)

Posted on 3 September 2012 with categories: Hyouka

You know what? There is one volume of the light novels left, right? And it’s one continuous story, right? With this episode something dawned to me: Kyoani could be toying with the idea of making a movie for this show, couldn’t they? I mean, I’m not sure how their policy with movies is after they made one for Haruhi, K-On and… Munto, but Hyouka would actually work perfectly in movie-format with its slow pacing. I mean, I’d love to see it, but they’re not going to do a climax of only two episodes.

As for this episode, the mystery in it was completely different from any other episode so far. Oreki didn’t have to solve something weird that was going on, but rather he had to find something to get the attention of a specific person. His final solution was quite creative. It was also a realistic look at symbolism: what kind of symbols would someone understand if one spotted this randomly, and which symbols would just be too obscure?

But this episode was really there to flesh out the cast some more. Oreki and Chitanda got to spend a lot of time together, and Satoshi finally was useful for something. The whole set-up of this episode was also great and down to earth, in the way that everyone had different agendas throughout the whole episode beyond just the main plot. Touches like this show once more that the rest of the cast also have lives and things to do.
Rating: 5/8 (Great)

Posted on 27 August 2012 with categories: Hyouka

Once again a really nice standalone episode for Hyouka, so close to the end. I have to say: I’m really enjoying these episodes more compared to the individual episodes of the first half of the series. It’s not just because we now know the characters and that this show is now able to use this in its storytelling (most notably the interplay between Oreki and Chitanda), but the mysteries themselves also have gotten more interesting. I relaly liked the idea of piecing a story together from a random strange announcement over the school intercom.

This was just two people sitting in a room, trying to piece together something that happened, and I like episodes like this, especially considering how much detail the writers managed to put into it and how everything just started with one simple sentence: Oreki picked apart every single detail of it in order to get to his conclusion. Satoshi and Ibara were completely absent, so this was just about Oreki and Chitanda.

Now, I wouldn’t actually mind if the show ended on random episodes like these, or even a short arc of three episodes. In fact, it’s great for the variety in this series to play with the set-up like this, especially after the long school festival arc. Having a series in which the arcs are all the same length does get a bit boring, but here they are able to switch things up, and especially this episode was significantly different from the others. That’s great! Yay for variety!
Rating: 5.5/8 (Excellent)

Posted on 21 August 2012 with categories: Hyouka

We’re back to episodic stories again for a while, though this episode was slightly different from these kinds of episodes that we saw in the first half of this series. Instead of some small incident happening with Oreki having to solve it, it turned into a bit of a character-study for one of the teachers that the characters had when they were in middle school.

On top of that, this was a really interesting episode for Oreki and Chitanda. The two got to spend a lot of time together, and on top of that they both showed different sides of them in this episode: Oreki for finally being a bit mildly curious on his own accord, and Chitanda for sacrificing a lot of her time to just be with him in this. The end of the episode, in which Oreki explained why he went to the library to check things up really brought out something good out of both of them.

On a side-note: this has piqued my interest after that really long school festival arc: it looks like next episode will be a standalone story as well. That means that the conclusion arc for this series will just be three episodes long (Hyouka only has 22 episodes). So yeah, it’ll be short and sweet for this series’ standards, but I wonder: is it just going to be another arc like the previous ones, or one that actually feels like a really good conclusion?
Rating: 5.5/8 (Excellent)

Posted on 13 August 2012 with categories: Hyouka

Well done, Hyouka. I applaud you. This episode brought things together perfectly and it gave everyone a conclusion after so much time of build-up.

Chitanda had her part with the broadcasting club, followed by that interesting advice Irisu gave her. After so long trying to advertise the club, she indeed ended up doing things a bit ham-handedly, and got pointed out for it, and I like that she too realized that she’s not going to do that again and that it was just something necessary to sell all of those anthologies.

Ibara meanwhile had this really genuine conclusion with that one girl, and I like how it indeed was true that there was a reason for her acting like that. That on its own was perhaps nothing special, but it removed so much stress from Ibara that it was really charming to see her, after how well the previous episodes portrayed her state of mind.

The real stars of the episode were Hotarou and the actual culprit: the vice president of the student council. My guess turned out to be half-right, I guess. Hotarou just went with his hunch speculated a bit and successfully managed to unmask the guy. And I think that that is the difference between him and Satoshi: imagination. Hotarou is really able to think between the lines. And the story behind everything was awesome, in which the whole plot was used as a way to ask a really good writer to continue with what he was doing.

This is really how you create a slow-paced series right. Instead of dragging things out, you use the extra time to give mode detail to the setting, characters, storyline. It’s because of all that build-up that this episode was so good, and I really like how believable the cast turned out here. If the creators can take this even further for the final arc, then it’ll really become amazing.
Rating: 6/8 (Awesome)

Posted on 8 August 2012 with categories: Hyouka

This arc still is going on? I thought that by now, the characters would have solved things by now, but they really are teking their time solving everything.

So this episode did something very interesting in terms of mystery: it toyed with its conventions. What I mean by that is that in this episode it provided the clues needed for the audience to figure out the culprit of the Juumonji case, but they did not show him whatsoever. They basically fleshed a guy out really well without ever showing him. Now that takes a very good writer to pull off.

So yeah, my theory: the student council president is behind everything, with the goal to spice up the school festival and have a bit of fun. Oreki’s sister probably talked to him last year when she bought that manga and figured out that he had something planned. That’s all pretty clear now, it’s just that the guy himself is an enigma.

Beyond that there also was some really good characterization on the rest of the cast. Mayaka’s reaction when that girl spashed water over her was particularly well done. Chitanda was as fun as ever, but who really caught my surprise was Satoshi. Is it me, or did this episode show a different side of him: a side that’s jealous of Oreki for being able to solve everything he can’t.
Rating: 5.5/8 (Excellent)

Posted on 30 July 2012 with categories: Hyouka

This episode returned to the mystery, mostly to building up everything for what will probably be the climax next week. For the first time, we’re also looking at a thriller, rather than solving a mystery that has already happened, because the classics club will be the last one on the list of clubs to be robbed. I have to give it to Hyouka: every major arc is distinct and different: the first was about solving a mystery of more than 40 years ago, the second about writing a mystery plot and Oreki being wrong, and now this.

I’m especially curious how this series will end up using the really slow build-up of the past arc. I mean, this episode diligently continued that: it shed more light on that annoying club member for Sayaka, it subtly developed Chitanda’s attempts to reach out to other clubs, and Satoshi’s classmate returned, on top of him trying out a few things to catch the culprit.

At this point, I can only think of how someone just stole things for the heck of it. Either to make some sort of statement, to entertain a bunch of people by spicing up the school festival or something. Beyond that I can’t think of why someone would steal these random things, and leave notes about them in the process.
Rating: 4.5/8 (Nice)

Posted on 24 July 2012 with categories: Hyouka

I was surprised that out of all people who Chitanda managed to find to help her, it was that one upperclassman of the previous arc. It made for quite a strange scene with Chitanda being intimidated and all by the tips she gave. Beyond that, this again was a very enjoyable episode in which the characters did all sorts of events. I have to give it to this series: it brought something new to the overused school festival.

This had this degree of detail that is just missing in all of the other school festival arcs I’ve seen. The pacing may be a bit slow, but because of that it could show as much as possible, with the crown being the cooking competition, which showed new things about all four main characters and showed a lot of detail in all of the different dishes that were made and how they were made. This is something that only Kyoto Animation can do, so I’m glad that they at least made use of their talents, as much as I’d like them to do something different from a school series.

I also like how Sayaka pretty much made a big fuss last episode for nothing. As for Oreki, he actually raised his voice. On top of that, I liked how creatively the creators tied in his whole trading subplot with the cooking contest. The next episode will finally be about actual mystery, but heck: this arc already served its purpose to flesh out just about everything in this series. The question now will be to actually use this. It’s of course one thing to have a well fleshed out cast, but what would make that even better is actively using all of that.
Rating: (Excellent)

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
Total users: 34

Star Crossed Anime Blog

7 User(s) Online Join Server

Featured Posts

Dororo – 2 [The Story of Bandai]

Hello and welcome to show number two for me of the new season! Dororo is an interesting one, based on a 1960’s manga, with this being its second adaptation. This week we meet another demon, learn our leads name and that not all spirits are bad. Let’s dive in! Visually, Dororo is sort of a […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Mob Psycho 100 Season 2 – 2 [Urban Legends ~Encountering Rumors~]

Hello and welcome to the first outright perfect episode of anime of 2019! Mob Psycho 100 knocked it out of the park this week in every respect, so let’s just jump right in! Right off the bat, Bones is out in full force animation wise. Everything about this episode, visually, was fantastic. Even in drab, […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

Boogiepop wa Warawanai (2019) – 02/03 (Boogiepop Does Not Laugh 2/3)

Welcome to Boogiepop, one of the hallmark franchise in the history of this medium. The Light Novels itself dated back in 1995 and is still considered as one of the earliest Light Novels ever released and is often credited as starter of the Light novem trend in Japan. The anime adaptation in 2000 remains one […]

Zombieland Saga – 10-12[NO ZOMBIE NO IDOL SAGA/A One-of-a-Kind SAGA/Good Morning Again SAGA]

And so Zombieland ends…or more that it just decided to drop off for a bit. The last few episodes decided to focus on Sakura with the first being her overzealous preparation for a big concert and Kotaro’s efforts to just get her to chill out and relax, the second being the return of her memories […]

Kaze ga Tsuyoku Fuiteiru – 12 [Summer Prank]

Ah, the break is over, the New Year is here and Kaze Fui has returned once more! This week a few more of our boys get qualifying times, Kurahara loves his team and everyone goes camping! Lets dive in! Starting off, I have to make it known how happy I am for our boys in […]

Mob Psycho 100 II – 1 [Ripped Apart ~Someone Is Watching~]

Winter 2019 hype! The new season has begun, First Impressions are going up, and me? I’m writing about the second season of Mob Psycho 100, one of my favorite series of 2016. So everyone, lets dive in! Mob Mob Mob! Right off the bat let me say I loved this premier. It hit a little […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai – 09-13[Sister Panic/Complex Congratulations/The Kaede Quest/Life is a Never-Ending Dream/The Dawn After an Endless Night]

It’s hard to believe that I so easily forgot that this series was written by the same person who wrote the The Pet Girl of Sakurasou but these last few episodes really gave me a solemn reminder of that. The Sakurasou series had a pendant for serious melodramatic antics and while I did appreciate the […]

Latest Reviews

Planetes Anime Review – 89/100 – Throwback Thursday

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]

Castlevania Season 2 Review – 73/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]