Posted on 19 September 2011 with categories: Anime Reviews, Ikoku Meiro no Croisée




Here is a slice of life series with a twist: instead of focusing on the same old setting, Ikoku Meiro no Croisee focuses on a Japanese girl who starts to live with a French blacksmiths in the Nineteenth century. If you’re like me, and you like slice of life series, but not the ones where just nothing happens, then this is one for you.

This show has two focuses. The first is its cast of characters. The second is celebrating both French and Japanese culture, and the difference between them. The studio behind this series, Satelight, has a lot of French roots and connections, and they were utilized wonderfully for this show. Throughout the series, this show examines all kinds of differences between the culture of the French and the Japanese of the 19th century, ranging from food, weather, gestures, customs: a very wide variety. Supported by that is a team of absolutely wonderful background artists, who give a gorgeous depiction of Paris in those days. The setting in this series is amazingly portrayed.

In terms of the characters meanwhile, you get very heart-warming slice of life. Especially Yune and Oscar are great character. Yune incredibly adorable, while Oscar feels very refreshing, standing miles away from the usual “grandfather”-stereotypes. The rest of the cast also has a great chemistry with each other, though there are a few issues with them individually. Claude, the main character can get a bit too angsty for the sake of drama. He acts too unfriendly and bossy a bit too much for it to be really believable. Alice meanwhile will annoy a lot of people in her first appearance, because of how spoiled a brat she is. Both get better over time, though.

This summer season really was lucky to have two such good slice of life series with Ikoku Meiro no Croisee and Usagi Drop. The big difference between them is that with Usagi Drop the drama was very realistic, while with Ikoku Meiro no Croisee it’s a bit forced, while at the same time Croisee succeeded more in creating a heart-warming atmosphere.

Storytelling: 8/10 – A bit forced with its drama, but very heartwarming and relaxing.
Characters: 8/10 – Yune is absolutely adorable, great chemistry, though a few characters that take a bit getting used to.
Production-Values: 8/10 – Satelight has really improved: consistent and the background art is great.
Setting: 9/10 – Amazing depiction of France of the 19th century, full of cultural differences.

Suggestions:
Hourou Musuko
Ristorante Paradiso

Posted on with categories: Ikoku Meiro no Croisée



What an absolutely adorable final episode. This was just perfect to close off this series with a heart-warming feeling. At first the episode started off a bit uninspired, with Claude getting angry yet again, and Yune getting lost yet again, but as soon as Yune got on the roof of the Galerie, this episode never lost its charms.

It really forced Claude and Yune to talk to each other, and Claude to finally talk about his father, and the way the creators did it was incredibly charming. Throughout most of the series, my main issue with it that Claude might have been a tad too angsty was also pretty decently explained.

Overall, the big difference between this series and Usagi Drop: Usagi Drop was more realistic, while this series was better at creating its atmosphere. Because of that I believe that I like this series a bit better, and its charms hit me more.

Next season, it’ll be time for Tamayura. From the OVAs, we already know that it’s going to be a charming slice of life series, but it’ll be interesting to see whether it can surpass this series. The key will be the fact that it’s anime original: with that, you can make it do things that just won’t be possible in an adaptation, and I really hope that Sato Junichi will make use of that.
Rating: ** (Excellent)

Posted on 12 September 2011 with categories: Ikoku Meiro no Croisée



This episode increased Yune’s charms even more. It started with all kinds of hints towards Claude’s father, but eventually moved on to Yune confessing some bad experiences she had with her sister… while being rather tipsy. It was a really heart-warming scene. And at the same time we also pretty much know what the finale of this series will focus on.

Speaking of performances, Alicealso showed an interesting side of her when she wasn’t allowed to take Yune to the Grand Magazin. In fact, I have to give the overall cast a lot of praises for doing such a wonderful job of acting out the characters throughout the series. I think the only weak spot at this point is Claude, who has the tendency to just be a bit too angsty at some points. It’s up to the finale to make up for that.

An interesting part about this episode was also the theme of eye color. I actually was under the impression that Japanese people just had brown eyes, but Yune and her sister in particular seem to debunk that myth. I watched this episode raw so I might have missed something, but it’s still quite interesting that there are Japanese with such eye colors.
Rating: ** (Excellent)

Posted on 6 September 2011 with categories: Ikoku Meiro no Croisée



Now, this was just heart-warming. This entire episode felt just like a warm blanket in the middle of winter and it was incredibly charming. It basically showed two parts right through each other: Claude’s father, and Oscar entertaining first Yune and Alice, and then the whole neighborhood. They meshed together wonderfully.

There really seem to be a lot of hints that Claude is as cold as he is thanks to his father. In those flashbacks, he actually hardly ever talked to Claud. I actually felt that Claude also grew a tiny bit in this episode, especially after how fast he calmed down after he got offended after being compared to his father by that customer of his. It’s subtle, but he would not have been that diligent at the beginning of the series.

What has also surprised me about this series is Satelight’s animation quality, and how consistent it turned out to be. Two years ago, especially when they were working on both Guin Saga and Basquash at the same time, they really had this trouble to keep their faces consistent and keep their art crisp. Heck, even Macross Frontier had a lot of strangely drawn faces and inconsistencies. Nothing of that shows here: nearly every part of this show is detailed.
Rating: ** (Excellent)

Posted on 29 August 2011 with categories: Ikoku Meiro no Croisée



Now, don’t get me wrong, this episode was wonderful. However, it did feature the big one; the cliche of cliches: the childhood friends. Instead of having Claude and Camille dating at their fifteenth or sixteenth, the creators consciously chose to show a romance between young kids of around ten years old. Here it makes sense: the theme of this episode would not have worked with older characters, but this is really something that lazy anime just keep using over an dover again.

This is something that has always baffled me about Japanese culture: how serious they view the romance between children. Instead of just playing tag, with everyone going his own way afterwards, anime seem to place a huge value on the memories they made as a kid. Instead of looking back at those childhood romances as an adorable quirk, every anime seems to believe those memories will decide your fate for your entire life. With this episode I was originally planning to question the Japanese culture again, only we’re talking about French kids here. But then again, I’m not French either. Are the French obsessed over childhood romances as well?

Anyway, the reason why I consider it to be such a bad twist is because it’s forced and overused. The big problem being the former, and the latter is the thing that made it worse. Nine times out of ten, when a childhood friend becomes involved, this is just reduced to a flashback, and a cheap excuse to get the main couple dating. It’s like saying: “I’m too bland for you, but we used to play tag together!” – and anime just keeps using that as an excuse.

In this episode things are different, though. It definitely had its purpose; this is a series about cultural differences. Not just between the French and the Japanese, but also between generations and between social classes. The childhood romance wasn’t used as a cheap romance, but instead to give Claude and Camille even more character. It added a ton of things to both the cast and the setting, on top of being adorably executed. And seeing Claude’s father was a plus too.

Here’s the thing with this show: it’s forcing me to reconsider the stereotypes I have in my mind about anime cliches. It’s not like Ao no Exorcist, which just has a bunch of cliches and executes them well, no this is really thought-provoking and it’s forcing me to take a different look at things I took for granted. Now that’s great storytelling.

Also, the tea ceremonies immediately gave me flashbacks to Hyouge Mono. I can not watch those anymore without picturing these overly obsessive faces along with it. It was quite good though: again it was a neat way to show how different something simple like tea can be. Plus, the way in which the Japanese sit. Because the bodies of Asians are slightly different from Europeans, they can sit like that much more naturally. I find it particularly murderous for my legs when I’m forced to sit like that for more than ten minutes.
Rating: ** (Excellent)

Posted on 22 August 2011 with categories: Ikoku Meiro no Croisée



We’re now really getting down to the characters. This episode had a lot less cultural differences, but instead it spent a lot of attention on giving its characters some depth. And it looks like that this wasn’t even the background episode (that’s for next week).

The talk between Claude and Camille started off okay, but it all was rather predictable. As it went on though, that air of predictability vanished. There seems to be something interesting behind their break-up, though when this episode really got going was when Camille started talking with Yune. Comparing the way both think of him was an excellent touch. In fact, this episode really shined because of how it underlined the differences and similarities between the different characters. I talked down on Alice when we first saw her, but she really turned out much better than expected.

Overall, Sato Junichi is going to be one of the most interesting creators of the second half of 2011, due to his involvement in three different series. Two of which original. Ikoku Meiro no Croisee will probably have more drama than Tamayura, but I’m still really interested in how it’s going to treat its story: we will have one of the first actual slice of life original stories since ages (not dramas like Anohana or Hana-Saku Iroha, but actual slice of life). It’s a genre I tend to dislike because of repetition and no incentive for the characters to really show their characters off, but if anyone can do the genre justice, it’s him. And then there’s going to be Phi Brain, in which we finally get to see him outside of this genre again, where he’s even better.
Rating: ** (Excellent)

Posted on 16 August 2011 with categories: Ikoku Meiro no Croisée



And here we have the first time where this show really gets something wrong: the dreaded cold!

I’m really not sure where this trend started. I know that back in the days of Perrine Monogatari (1978) they also portrayed diseases in the same way, but back then it was believable: when Perrine got sick, she slept outside in the rain for an entire night: of course that would terribly mess up her system. Nowadays characters spend a second out in the rain and immediately collapse. And everybody in the anime business seems to believe that that’s the accurate way to represent a cold. Even the great Sato Junichi doesn’t seem to realize this.

Having said that though: this was a really heart-warming episode. Everyone in this episode was just totally adorable, but also the drama that the creators got out of the cold was just wonderful. This is where the clash between cultures really shines, comparing the reserved Japanese to Europeans who much more like to speak their minds. They used the young boy really well for that. I applaud this series.

What also really surprised me was the nonchalant way this episode dealt with kisses. In Japan it really seems to be something intimate (just look at all of the teenaged couples who. REFUSE. TO. FREAKING. DO. IT), while in Europe it’s a greeting, though it definitely got a bit strange when these two interpretations clashed with each other. With some great results.

Oh, and we’re past the halfway point in the series, and there has been a significant amount of character development already. That’s great to see!
Rating: ** (Excellent)

Posted on 7 August 2011 with categories: Ikoku Meiro no Croisée



Alice stopped getting on my nerves. Quite a pleasant surprise.

Instead, this episode was completely adorable again. Alice mostly swooned all over Yune, but her enthusiasm is feeling more and more genuine, and her quips towards Claude were actually quite funny. The only part I have to complain about is the part where Oscar came in with the line “oh, you’re fighting. you must be in love with each other!” – seriously, stop using that.

Oh, and this episode was all about dress up and Japanese and French clothing. Again, surprisingly detailed about how these dresses work. The photography part was also really cute, though I do wonder why the creators didn’t explain why Yune’s image of photographs is different. The characterization of this episode overall was really subtle and nicely balanced, with a lot of great chemistry and a good, relaxing atmosphere to boot. And yeah, this was also the episode that hinted at something that happened between Claude and Alice’s older sister. It’s good for a nice bit of drama here.

Oh, and I believe that this is the first anime in which I’ve seen living statues appear.
Rating: ** (Excellent)

Posted on 1 August 2011 with categories: Ikoku Meiro no Croisée



This was quite the interesting episode. For one, Alice made no appearance whatsoever, so the creators aren’t trying to overuse her, but this episode also went another step further in its analysis of the cultural differences between France and Japan. Previously it discussed things like different foods and climate,but this time it really looked at the people: how they act towards each other and strangers.

Beyond that, Yune also had the bad luck to get lost in the middle of a rainy day where everyone would be rather pissed off, but I’m actually surprised at how she thought that talking to strangers with a smile will catch their attention: my impression of Japan (and do correct me if I’m wrong here) was that it’s very difficult to talk to strangers, in an “everyone’s minding their own business”-kind of way, even more than what’s common in Europe.

The shop scene pretty much nailed it though: I was also really surprised when I first found out that Japanese shop keepers tend to really flock to you and try to assist you in every way. Beyond that, this episode also addressed the poverty in the area quite subtly as an introduction: we’ve seen that young boy before, and only now he just makes his move, actually taking advantage of Yune’s niceness.

Oh, and in the meantime this show is also doing quite a good job in fleshing out its characters. The Aria-esque parts where Claude explains how important his grandfather is to him also really worked here, and this episode pretty much did that with the rest of the cast as well
Rating: ** (Excellent)

Posted on 26 July 2011 with categories: Ikoku Meiro no Croisée



Ah, Alice. This episode showed an episode fully dedicated to her… and I guess that she got better. It’s not like she’s an entirely typical spoiled brat, because she actually has a bit of a character beyond being conceited and all, but she still feels rather out of place. So I have to admit that I have no clue how the bourgeosie acted back in those days, but I really often feel like anime misses the mark while portraying really rich characters: they’re either perfectly flawless or conceited bastards with no middle ground. That lack of middle ground really is a problem.

This episode again was really adorable. For once we have a “running into bathing”-scene that actually makes sense and feels different from pure fanservice. Claude also is the first protagonist since ages who actually looked away as soon as he realized what happened instead of just gazing like an idiot. It’s a good way to show the differences in bathing. For more cultural differences, this episode also showed Yune introducing some Japanese food to Claude, after the previous episode’s onslaught of French cuisine.

And I guess that Alice does spice up this series a bit. As long as she doesn’t take over the series it’ll probably be fine. This, because I do wonder what this series has planned for the long run: how does it want to end? How far will the characters develop? Alice did do a bunch of great things to flesh out the main cast, and without her the whole picture of this series would be incomplete. Really the only problem with her that I have is the way she acts, not how she is.
Rating: * (Good)

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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Featured Posts

Dororo – 2 [The Story of Bandai]

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Goblin Slayer Anime Review – 60/100

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Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

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