Posted on 30 May 2014 with categories: Mushishi

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did here was highlight the duality of these little critters: they have both their positives and negatives. This episode really focused on the positives, while again not ignoring the negatives.

The woman who is cursed to keep all of the moisture inside her body. It killed a few people due to unfortunate circumstances (again, nobody is at fault here), however it also brings so much joy to the people when she arrives. What made this episode work so well is how well this series characterizes just about everyone: even the minor characters feel real. I mean, have you looked at the animation for this series? EVERYTHING IS SMOOTH AND LIFELIKE. I cannot recall a TV-series that has such consistently detailed animation for characters, and this series can pull it off because it’s not an action series: budget doesn’t need to be spent on elaborate action scenes, so instead it can go into the detail.

Mushishi really is a mature series like no other. Most series when they tell a story, resort to black and whites: there are clear heroes and clear villains, and even when the villains have reasons for their actions, their reasoning is often crazy in some way to the point where you can’t really hold a nuanced conversation with them. Here, everything has multiple sides to it, and it’s done in a really cool way.

And yeah, pretty much now that I’ve seen the preview of the upcoming summer season: I’m currently 95% sure that Mushishi is going to end up as the best show of 2014. There never has been a series that stood so far above all of the others in all other years that I’ve been blogging. It’s just consistently fantastic and detailed and in seven episodes I have yet to spot a weak moment. This show is just THAT special, and it justifies a second season really well: every episode continues to build upon the lore of the mushi, and we still see new stuff.

Posted on 12 May 2014 with categories: Mushishi

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling.

I now know again why Mushishi is such a unique series. Sure, there have been similar series in the past, like Natsume Yuujinchou, telling about creatures who live alongside us with mythical powers, usually youkai or something in the like. Mushishi however, takes the concepts of Shinto, and goes further than any other show has done. In the eight years inbetween the first and second season, I have never encountered a series that did the supernatural as well as what we see here.

But even then, these four episodes were something else. Here we saw people’s arms getting eaten off, suffer from horrible frostbites, people disappearing into nothingness while still being alive, losing all their senses, chopping off heads and swapping them. It’s one thing to be brutal, but Mushishi does it without showing blood, it does it with such variety, and every single time it puts them in the middle of so many moral dilemmas. It goes in deep on the source, and shows how easily uneducated people can fall into these traps despite proper warnings. This show is nearly a medical thriller with its own set of rules.

And yet the beauty in each of these stories, is that you can’t completely blame the mushi. That also was the brilliance of the first season: the Mushi are also just living their lives, which just happens to sometimes clash with that of humans. This is driven forth even more here, with these mushi without a physical form who try desperately to escape that incredible loneliness.

And the presentation of these four episodes. It’s just perfect. Okay, perfect doesn’t exist… er… some frames showed characters with no mouths! There, critiism! Kidding aside: the animation is beautiful: the movement is slow, but you can really feel the characters. The background art is better than ever. The CG that is used is used consistently and only for the mushi, making them look stunning and out of this world, exactly what they are supposed to be.

The end of episode six: that was actually increidly beautiful how everything came together. It was never told that fire was meant to draw out the mushi in the tree, but when you saw it, everything just made sense. If there was ever an example of what I mean by storytelling, characters, animation, pacing and atmosphere all coming together in one moment, then that is a textbook example of how to do it. All stories were beautiful, but my highlight was episode 03. I cried okay! That’s the first time I cried at an anime in probably over a year!

Creators of anime! LOOK AT THIS! This is how you make an anime!

Posted on 17 April 2014 with categories: Mushishi

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode.

I still can’t believe how authentic this series is. The thing is, when I first started watching this series, I was still very young: 18, and I hadn’t even been released in the real world yet. Now that I’m much older I can appreciate the attention to detail even more. This episode was about a fishing village, probably in one of the southern parts of Japan, and what the people there generally had to do to come by. The Mushi here symbolize the tragedies that come with such a life, however I love how they’re only telling a part of the picture: they hint at other big problems, and they’re far from the only thing playing in the world: the world doesn’t revolve around them, they’re just part of it. I have seen no other show that does that better than this series.

What’s also wonderful to see is that the creators really seem to try to fit in character-development into these one-episode stories. I loved how that one guy was finally able to set his grudges aside. And it was done in such a natural way: for once there wasn’t some big life choice that he was forced to make “return or else you’ll die!”. In theory, they could have figured something out with the village, heck he just could have given them the pearl while still remaining isolated. It just was the push he needed to set his feelings aside and become part of the village again.

Another way in which anime has gone down, is how its directors have gotten much less freedom. What I mean by that is this: when in 2005, Mushishi was made, Hiroshi Nagahama was perhaps a well known episode director and storyboard artist, but he never directed a full series. Here he got the chance, and BAM, he gave it the best possible adaptation it could have hoped for. I mean, if you look at some of the other series that Artland has worked on: the animation is completely different, much more generic, their pacing is way off. A debuting director managed to do that and they gave him a lot of freedom here.

Fast-forward eight years, and you can see that the established directors can get the freedom they want: Masaaki Yuasa can just push forward his style like he wants. But really, when was the last time that we really saw a first-time director try to push his own style and stamp on a series? My guess is that as anime has matured since the digital age, it has become more consistent. Consistency is boring! Be ambitious! Take risks! Show your personal style! Be intelligent and show authentic stories!

Posted on 3 March 2014 with categories: Mushishi

Mushishi holds a really special place in my heart. Back in November 2005, when I started up this blog, Mushishi was one of the first shows I picked up to cover weekly. At first I didn’t think much behind it: it just looked interesting and I wanted to cover it, but as it went on I started to enjoy it more and more. But even then it took me a long time, even after the series had finished, to realize what a special series it was, and that we’d never get anything like it again.

Many series tried, but none got as many things right as this show did. That’s something I definitely realized after I watched this OVA, and how we’re in for something really, really special here. I mean, my big fear was that they’d compromise, and that the second season would feel underwhelming. But amazingly, this OVA kept everything that made Mushishi to be one of my favourite shows out there.

And I know that usually, I’m not one of those people who lauds shows who do just the same in their sequels, but Mushishi is one of those series that is the exception to the rule. It knew exactly what it should keep doing, and yet this OVA contained a new story that adds to the Mushishi universe, and that story was amazing. You can see some CG here, but the creators kept it within limits and bounds.

Apart from that, the soundtrack is just amazing as usual. The voice acting is still brilliant and subdued, the atmosphere is still there. It still has the single best ED ever created for an anime, It still knows how to tell a perfect short story. I mean, really. This will be big. If the TV-series is like this then it’s got the potential to be the best series in years. But no, expectations should not be too large. Something’s going to mess up. Something will go wrong.

I mean, seriously. I don’t know whether it’s because of heightened emotions of finally seeing one of my absolute favorites again, but I still cannot believe how much I enjoyed this episode. I actually got teary-eyed from watching it and it made it seem so easy. I mean hell, this is EVERYTHING I’m looking for in an anime. The story wasn’t necessarily incredibly complex or so, but it was told perfectly. The focus was on bringing all of the different characters to life, and the creators really succeeded in showing that this really is about ordinary people living their lives. It’s incredibly relatable as it dealt with simple, but relatable problems.

Now for those who are wondering: Mushishi is a collection of standalone stories. In order to understand everything about this episode, all you need to have watched are episodes 1 and 20 from season one. That’s nothing, especially because these episodes are awesome to watch anyway.

Posted on 15 October 2006 with categories: Anime Reviews, Mushishi


Mushishi is one of those rare series you can only run into once in a long while. it consists out of 26 episodes, and each of these episodes tells a story about ordinary people, living in the quiet areas of medieval Japan and their encounters with the creatures called Mushi. Only a select few can see them, they’re living beings, just like any other animal or plant, though at times, their lifestyles clash with humans, making them sick, or giving them strange abilities.

The story centres around a Mushishi: Ginko. A Mushishi is an expert about Mushi. He knows a lot about them, and how to cure people who are bothered by the Mushi. The message of this anime is that everyone, both humans and Mushi, isn’t really evil. They’re only trying to live their daily lives.

I am happy to say that each and every one of the stories, told in Mushishi turned out to be simply awesome. It’s just one huge chunk of non-stop atmosphere. Each episode takes its time to tell its unique story. The beauty of this is that not every one of the cases can be solved. At times, people are fated to die, or people have to live with a horrible burden for the rest of their lives. At other times, however, only after years and years the problem can be solved.

Another great aspect of Mushishi is that at times, it likes to make time leaps of a number of years, in order to show how characters gradually evolve, along with their problems and issues. Almost each of the stories told in the 26 episodes left me with such a satisfied feeling. And especially the better stories were just one big adventure.

The creators made an excellent use of the music and background tunes in this anime. While standalone, they’re not really special, but when they’re added in stories with such a huge atmosphere, the two only strengthen each other. The character art style used is unique, and really fits, and not to mention that the background art of each of the different landscapes presented is just absolutely gorgeous.

This anime doesn’t have a lot of bad points. Some of the episodes around the end of the anime were not as good as usual, though the final episode is one of the best again. And there are indeed more episodes which are better than others. Still, overall, this is an amazing anime. Definitely worth to be recommended.

Posted on with categories: Mushishi

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Seriously. Mushishi managed to pick an AWESOME story for the final episode. It’s sad to see this anime finally go, one year after it started airing. Hoping for a second season would be rather false hope. Still, this show has been awesome. Definitely something to recommend to anyone.

The story mostly takes place during Ginko’s youth. He’s spending his time living in a certain village, while the main character of this story lives a few mountains further. He’s the son of the owner of the mountain. his father has been protecting the mountain for his entire life, as it, accompanied by a strange, coloured living fog, is full of life. If people were to mess with it, this balance would be disturbed.

That’s what happens when the episode progresses. The boy also gets befriended with the child-version of a certain traveller, which I could swear I’ve seen before. The boy is rather arrogant, being the son of an important person, though this young traveller seems to change his mind. They travel, based on the coloured fog. It’s some kind of way for the mountain to tell how it’s feeling. Then, at one point, the boy’s father dies. Even though his will said that the boy would inherit the entire mountain, his relatives all snatched it away, and made plans to destroy the mountain, for the sake of their village.

Because of this, the fog disappears, and so the young traveller has to top visiting the mountain. His grandfather, whom he travels with, also picked up a suspicious white-haired boy. This white-haired boy also gets abandoned, along with the mountain, and he join another Mushishi as a novice. Before he leaves, he explains a few things to the boy. That the group of travellers consists out of people who were kicked out of their villages because of the Mushi.

Then, we turn to the present. The buy has grown up, and the mountain didn’t do too well after the fog disappeared. Five months after what happened, a volcano erupted, destroying the mountain. The main character has tried to restore the mountain, but things aren’t going too well due to the absence of the fog. Children also are born weakly, because of the Mushi. The episode ends with Ginko and the main character meeting each other again.

I really loved this episode of Mushishi. It definitely was one of the better ones, and that has to say something. Ginko’s role in this also was a great one. He’s really just a bystander, not related to the main story at all. It also takes a time for him to remember the main character of this story, which was a very interesting detail.

Posted on 3 September 2006 with categories: Mushishi


I’ve been looking forward to another episode of Mushishi. It seems that it doesn’t know how to deliver a bad episode. Each of the stories presented works so incredibly well, dealing with a different problem every single time.

This time, we have a little girl, who’s blind. She encounters a mushi, Ganpuku. This mushi gives her sight. At first she’s incredibly happy, but then the mushi starts showing her things that she shouldn’t be able to see. She’d be able to see right through walls, she could see things which happened miles away from her, nothing was a secret for her anymore. But it didn’t end there. Ganpuku then gave her the ability of foresight. The girl grew up, and many people came to her, in order to get their futures told. Obviously, the girl didn’t have any friends at all. When her father died, she moved away from her village and started living as a shamisen-player (which C1 seems to have turned into a lute).

Of course, while it may seem like joy and goodness in the beginning, if you have to live with this for more than fifteen years, you begin to see the disadvantages. Every good thing has a bad thing, and every bad thing comes along with a good thing, and this is no different. The girl may have had the ability of foresight, she had this 24/7. She had no way to turn this off, and she lived her entire life, seeing things in the future. In the end, she became dizzy and unhappy because of it. Around the end of the episode, it seems that Ganpuku has completely taken over her eyes. They then detach from her body, and turn into their real form.

It’s indeed a dilemma for the woman. She has to choose to either see the future continuously or see nothing at all. It’s a choice between two extremes, with not middle way at all. In the end, the woman didn’t care for herself anymore, and was content with living with Ganpuku. But she didn’t want anyone else to suffer the same fate she did. Therefore, she asks Ginko to bury her eyes, somewhere in the forest.

Posted on 3 August 2006 with categories: Mushishi



Mushishi returns with the same outstanding quality of its stories once more. This time has yet another happy ending. I really loved it. The case is like this: we have this village which has its own Mushishi. On one day, they run into a yet to be identified Mushi. It came from a vulcanic rock, and has taken the form of a plant, which can rapidly increase in number. These plants also release a poisonous gas, which appears to kill off the trees.

The Mushishi has tried all sorts of things, but nothing works. Eventually, her last resolve was to burn the entire forest, along with the Mushi. After all, if the plants were to reach the crops of the village, they’d have a very hard time surviving the winter. Ginko’s against this, as not only it burns a lot of innocent trees, but the fact also remains that the Mushi came from a volcanic rock. It would be wrong to give it fire.

In the end, the Mushi appeared to be the premature form of a bunch of Kagebi. It takes refuge in cold places, and survive by sucking the heat out of people who are lured by their warmth. The Mushishi then tells everyone to be extra careful with fire, though you know how humans tend to behave. Most villagers do not immediately see the danger of the Kagebi, and they don’t pay attention to their actions. Only when seven people die and even more suffer from frostbites due to eating food, cooked under Kagebi, the message begins to sink in, and they start to be extra careful.

The Mushishi, however, has another problem. She swallowed one of the Kagebi, and now it’s grown inside of her. Very slowly, it’s sucking away her heat, and makes her cough up leaves, as a means for the Kagebi to reproduce itself. She has already given up hope when Ginko helps her. He lets her drink food, cooked by another Kagebi. This food then causes a frostbite in her stomach, where the Kagebi resides. This makes it unable to suck up heat, so it dies off. At least, that’s what I think that happens.

The way the episode ended was great. We turn to the beginning of the spring, we see a lone Kagebi heading out of the village. I’s looking for colder places, in which to spend the summer. I just loved the symbolism of this scene.

You can wonder, was it right to burn the trees? The fact remains that the plants were the dangerous ones, not the Kagebi. While the Kagebi just took seven lives, just imagine how many people would have died if the plants managed to reach the crops of the village. But still, a lot of animals, plants and trees were killed off during the burning. However, at the end of the episode, you can see the first traces of life appearing again. It’s also part of the symbolism used at the end of the episode. Life goes on. No matter what.

Memorable Moment: The ending.

Posted on 15 July 2006 with categories: Mushishi



The series had normal episodes, and it had awesome episodes. It’s the same with the OVA. Episode 21 was perfect in every
single way. Episode 22 was amazing, despite its flaws. Episode 23 shows us a standard Mushishi-story again. It’s about a disease, which causes limbs and body-parts to become stiff and unmovable. It’s being spread through the voice of one girl. Ever since the girl found out that her voice spread the disease, she’s stopped talking. Though the disease remained. The girl has stopped talking for ten years now. It’s also one of the stories with a more happy end.

Still, that doesn’t mean that I didn’t love the episode. It’s still as calm as always, and the situation gets explained very quietly. It seems that the woman had been screaming at the top of her lungs inside a deserted cave, in order to ruin her voice. By the time this episode plays, she hasn’t quite lost it, though her voice does sound very creepy and sad. It’s probably one of the first times in anime that such a voice was added.

The great thing about this episode was the ending, though it does leave a few bugs. The girl had been isolated, as everyone thought of her as the culprit. There was one man, from another village who didn’t treat her that way. This man then fall off a cliff in the mountains, and she had no other choice than to cry for help, with her already distorted voice. That sounded too sad. It seems that to cure the disease, the woman had to scream towards the village, with the see straight behind her. She’ll probably have to scream for years in order to fully remove the disease, and her voice will most likely die before the disease does. It’s so awesome to see someone willing to give up her own voice in order to save others. Still, the way Ginko came to this conclusion bugs me. We get no clues to his plans until he reveals them. And the things that made him realize the solution don’t make any sense at all. And how come, in fourteen years, nobody has even bothered to go to the see and check what happens?!

Overall, another great Mushishi-episode. Not the best, but definitely enjoyable.

Posted on 6 July 2006 with categories: Mushishi



I’ve got one fundamental problem with the Mushishi OVA. The budget has been increased, in order to be able to display some nifty action-scenes in which Ginko also plays a big role.

NOT. A. GOOD. IDEA. Mushishi’s strength lies in its atmosphere and the heavy drama it introduces. Action doesn’t belong in it, as it also introduces one nasty little bugger: the Deus ex Machina. Why the heck did the storm clear up just in time to save Ginko?! The series at least understood how to put Ginko in at least a bit of a struggle, like letting him drown in quicksand in order to come out of it on his own strength a couple of hours later. Or letting him fall asleep for an entire winter. Ginko’s brilliance lies in the fact that he’s the medium between the Mushi and the real main characters of each story.

That aside, the theme of this episode was once again magnificent. We have this island. Right next to this island, there’s a strange rock formation. Inside that rock lives a Mushi who feeds on the time, lived by creatures. So, let’s say that a dying person gets dumped near that Mushi, the Mushi catches it, and turns it back into the embryo. This way, that person can live his or her life once again.

The people on the island know this. It’s very common to see a person being reborn and people often let family members who are about to die be dumped near the Mushi. Same story with the main character, Mio. She’s given birth of her own mother. She’s probably one of the few people who has troubles with the system on the island. She already said goodbye to her mother, and now she refuses to raise someone who’s already dead. She therefore decided not to see this girl as her mother, but as her daughter.

Still, she’s struggling with this. As she grew up, her daughter began to look more and more as her mother, which really make her think about who she had been raising all this time. Her daughter (she’s too cute, by the way), however, talks about this like it’s nothing at all. When she explains about other cases which happened on the island, you really start to think about what it means to live. After all, you won’t have to be afraid of dying, as you return any time.

But then again, the only thing that remains the same is the embryo. People do get raised differently. People have different memories. The fact that the child looked so much like the mother was just Mio overreacting. She begin to look at every tiny little detail, and then she noticed similarities. So, what if you do get sick, and what if you do decide to go to the Mushi before you die. Can you with 100% certainty say that you will be the one who’s reborn? This is a thing that most of the islanders seem to forget. We even have a guy, who lost his wife in the sea. He then waited for ten years in order to remarry her, and now they’ve been living together for quite a long time. It’s just like Disgaea, in a certain way.

I liked the relationship that the Mio had with her daughter. The daughter was very bright and cheerful. At times, she would be able to talk with her mother on equal level. She was raised very well, as she did seem to understand that she wasn’t the same as her grandmother. The reaction of Mio’s mother when she was about to die also was quite interesting. It seems that she had decided to be reborn again. That she didn’t want to disappear. I wonder, if Mio’s daughter is put in the same situation when she gets old. Would she also react the same way? It totally depends on the things she experienced in her life.

Overall, the theme in this episode was exceptionally well done. Mushishi surely delivers in that aspect. Mio was awesome, her daughter was even more awesome. The only speck on the window was the climax.

Memorable moment: When the daughter jumped recklessly after Mio. It only showed more of her awesomeness. :)

CHANGE USERNAME
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
Vonter
We've seen realistic Pokémon fanart, but how does a movie looks when it attempts it. https://www.youtube.com/watch?v=Q8CKgQFo5U8
Amagi
How are the subs for Maquia? I only heard anons complain about it.
Kaiser-Eoghan
*dealing with
Kaiser-Eoghan
Though you should really torrent it.
Kaiser-Eoghan
There is 1080p stream on kiss anime, if you hate deal with the ads on that site the 4up stream on anilinkz has the best quality of the available links
Lenlo
Where did you see Maquia online? I still need to watch it. PM it to me on discord maybe? Pretty please? <3
SuperMario
One fact that not many people know is that Penguin Highway is penned by Tomihiko Morimi. It indeed has many Morimi's signature inputs
SuperMario
This year, I'm doing well with catching up anime films (kudos for Australian's Madman who always license these titles very quickly). So far, I've watched Mirai, Maquia, Penguin Highway, Let Me Eat Your Pancreas and My Hero Academia the Movie
SuperMario
So I watched two anime movies this last week, Penguin Highway in theatre and Maquia online. Both of them are pretty solid in general, especially Penguin that has magical realism elements and some great chemistry. Whereas Mari Okada's writting still rubs me in the wrong way sometimes
Lenlo
D: He did, back in August actually apparently
Kaiser-Eoghan
@Lenlo: I heard Dino's voice actor died.
Kaiser-Eoghan
If we all took Goblin slayers attitude to trolls, then we would more easily ignore the trolls =P
Kaiser-Eoghan
Big twist in the golden kamuy manga.
Animosh
@SuperMario: remember that in the voice drama Rikka mentioned talking to Yuuta in their classroom during the ball game. Pretty sure it's about that.
SuperMario
@Animosh: i just watched the episode and noticed the lyrics as well. "The Promise" seems vague at the moment. Could be between Yuuta and whoever fits but I agree the "save someone from boredom" is about Akane
Animosh
You learn something every day. ;) Honestly though, I actually skipped the opening, so I hadn't even noticed that it had been translated until others pointed it out. And most of the time the lyrics are just cheesy one-liners, so I usually don't pay much attention to them either. But once in a while there's some nice hints hidden in there...
Kaiser-Eoghan
Y'know I never really ever paid attention to the lyrics in anime openings, I'd never thought to.
Animosh
The Gridman OP has been translated for the first time, and there's some pretty interesting reveals in there: it mentions a "promise" made in a classroom (so now we know how Yuuta and Rikka bonded in the past - glad it wasn't a simple confession), and talks of "rescuing" someone (presumably Akane) from boredom. So I guess she'll join the good guys eventually?
Lenlo
1200 words. I need to stop writing so much.
Kaiser-Eoghan
I haven't seen last weeks episode of Irozuku or this weeks =< I'm waiting now for a bit to see if the series paysoff.
Animosh
Goddamn those magic segments in Irozuku were stunning! It's a shame its humdrum drama can't live up to its visual beauty, but I'll take it.
Kaiser-Eoghan
I think Ash's design is based a bit on River phoneix.
Kaiser-Eoghan
Sorry Eiji but your Ash is in another castle.
Kaiser-Eoghan
@CoolerAnon: I was about to say that. Kidnapping gets used alot in shojo.
Anonymous3072040
Yeah Ash is basically Princess Peach
Kaiser-Eoghan
@Anon: I share your concerns, I don't know what studio is doing it. Some people want it to be mappa, some don't want it to be polygon pictures to adapt it. Its and long and violent manga, with some very funny at times dark humour, it could end up rushed and/or censored.
Anonymous3072021
As much as I love Dorohedoro I'm unsure if I should be happy or worried at it getting an adaptation, it isn't exactly the kind of story I imagine being easy to adapt well.
Lenlo
Yeah, I am touching on that in my writeup as we speak. The compressed story is causing Ash to be captured every other week.
Animosh
I agree Banana Fish was great this week though! My only gripe is that I'm getting sick and tired of seeing Ash get kidnapped again and again. He just escaped a couple of episodes ago! And he's just a lot more fun to watch when he's out there doing stuff.
Animosh
In a way the fights actually feel more realistic to me than those in Banana Fish. Sure, they're fantastical, bizarre even, but its battle system has a clear internal logic, and generally no power is infallible (each has its limitations). In Banana Fish the fights are rather poorly thought out by comparison. Their purpose is more to make Ash look cool than to give him realistic hurdles to overcome.
Animosh
@Kaiser: what sets Jojo apart from other battle shounen for me is how ridiculously creative its fights can get. Part 2 already shows some signs of this, but the introduction of the Stand system in Part 3 pushes it to another level, and in Part 4 the fights are consistently awesome. There are no simple beam struggles here: every fight is a battle of wits, between people with wildly different powers
Niel
Vinland Saga anime, and Now Dorohedoro just got announced. i'm really liking this trend.
Lenlo
Lots to writeup on Banana Fish this week.
Lenlo
Just finished it, I really like Blanca.
Lenlo
Because Jackie Chan and his stunt crew are some of the best in the world. There is a reason he has to insure his guys from his own pocket. No agency will take them
Kaiser-Eoghan
I have no idea how the hell Jackie Chan is still alive.
Kaiser-Eoghan
Action works best for me when I really feel that theres danger involved. Thats why when some actors do their own stunts, you can fear for the actors life, and also the character.
Kaiser-Eoghan
And thats why I'm a big fan of all that Chinese martial arts stuff from the 60s and 70s, that really expertly crafted chereography.
Lenlo
As for action, I like good choreography more than any super powers. Its why Cowboy Bebop, Seirei no Moribito, Sword of the Stranger and some Naruto fights are fantastic.
Lenlo
Im about to watch this weeks episode, so this chat makes me hopeful. I agree Ash and Eiji are the backbone of the series, and yeah me and Kaiser both agreed that the Gang war aspect was pretty weak, though I thought the finish with Arthur wasnt half bad
Kaiser-Eoghan
And I think Banana fish has a great grit to it for this reason.
Kaiser-Eoghan
I'm even more thankful to Banana fish too for that it keeps the action within the bounds of out of fantasy.
Kaiser-Eoghan
I've always been kind of a guns and swords and kungfu gut.
Kaiser-Eoghan
Black lagoons great example of anime action I can get behind.
Kaiser-Eoghan
I always found weapon combat and fist/kicking combat more raw and real,tangible than beamspam.
Anonymous3070972
But yeah if you're not a fan supernatural power fantasy action shounens, then maybe not your cup of tea, and that's totally cool
Anonymous3070972
Oh also if I'm recommending a fight from part 4, I'd say check out Highway Star
Anonymous3070972
Kira is a pretty cool villain though; he's always underpowered compared to the main heroes, but manages to somehow get out of the situation with luck or smarts; if nothing else, I'd recommend watching some Youtube clips
Anonymous3070972
*Turn off. lol.
Kaiser-Eoghan
Its more than, even when I was younger supernatural power fantasy action shounen never appealed to me.
Anonymous3070972
Admittedly JoJo always has bad with exposition though, and always will be just due to the style, so that can definitely be a turn on for some people
Anonymous3070972
If you like slice of life with hijinks and a murder mystery combined with cool battles, you'll like part 4
Anonymous3070972
Yeah I can see why you might not like part 1 & 2, they were made in the 80s; I'd recommend part 4 and part 5 (ongoing rn) tbh, I feel like those are better for a modern viewing experience
Anonymous3070972
I used to think that BF's greatest strength was the plot; know I realize it's really about Ash & Eiji's connection first and foremost: as good as the plot can be, Ash & Eiji's relationship is absolutely the backbone.
Kaiser-Eoghan
@Anon: Also that scene where Ash is thinking to himself, looking over Eiji.
Kaiser-Eoghan
Nah, I pretty much gave up on jojo midway through part 2.
Anonymous3070771
Also, anybody notice Blanca's VA is Kira (from Diamond is Unbreakable)? What a wonderful duwang!
Kaiser-Eoghan
@Niello: The producer guy Miyano is voicing, much like the show is irritating because the show has this "look at me look at me" feel to it, it just comes off as desperate to me and this is just going by the one episode I watched and hated.
Anonymous3070771
What's that damn piano song that plays when Ash and Eiji are talking about Japan. It's too good. For some reason, it's really magical
Kaiser-Eoghan
@Anon: I was the one who said that.
@Niello: You don't need to see steins; gate zero, myself and lenlo discussed it to death as it was airing, its all over the place. I like the original too but after a while of the first half being fun, I just wanted it to start.
Anonymous3070771
Phew, great episode of BF; whoever said the gang war stuff was the weakest point was right. this stuff is getting fantastic again.
Niello
Also I agree, Zombieland first episode was amazing, second episode is still rather great, and then the other episodes have just been meh.
Niello
In Zombieland it doesn't help that the character he's voicing with that tone is an asshole, which isn't a good combination because it's making him more annoying by the episode.
Niello
Steins;Gate is pretty good, but I don't think I like it nearly as much as most people do (I gave it a 7/10). I also haven't bothered with Steins;Gate 0. And although I didn't mind Myano in Steins;Gate, I didn't particularly like his voice there either.
Kaiser-Eoghan
I love the sombreness of Blanca's character. Poor Ash, so broken in this episode.
AidanAK47
Yeah after episode 2 it's been a downgrade. Zombieland is still alright to watch but it really has become what it parodied.
Vonter
Zombieland sadly has winded down. I mean it was expected but still I was hoping some more creative attempts to use in the typical genre. It'll have been better if they had waken up more slowly in order to flesh the archetypes a bit more. It still has charismatic moments though.
Lenlo
Really Niello? See, I like it because it's the voice we never got in Steins;Gate 0. Its Okabe's Kyouma voice, and I have a nostalgic love for it
Masky
Wasn't gyary isekai another one that existed?
Niello
I hate Miyano voice in Zombieland Saga and find him annoying tbh.
Kaiser-Eoghan
I am getting sick of self aware humour though. I see this show as something that was fun to make (such as Miyano seems to be feeling based on performances) but not fun for me to watch and that kind of extends to the manager who while I agree would be the best part of the show, I stopped finding funny after the joke was done.
Lenlo
For me, the main selling point of Zombieland Saga was always Miyano. I love this mans crazy voice.

And in regards to Isekai, discounting this most recent one, SAO actually is pretty good this season so far. Kirito is still bland, but its taking things a lot slower and actually building the world. Its taking its time with 52 episodes
Kaiser-Eoghan
By the sound of it, if some who liked the first episodes don't care for the ones beyond those two episode, then I'm glad I stopped watching.
Kaiser-Eoghan
I did flick through episode 2 but the rap battle thing was particularly awful.
Kaiser-Eoghan
@Anon: I couldn't stand the humour and have up on the show after the first half of episode 1.
Anonymous3065780
What Zombieland does have that Ore doesn't is better animation and Miyano hamming it up. But that's all it has going for it at the moment.
Anonymous3065780
You have a few "ha ha look at this" moments scattered here and there like how Ore episode 5 was basically one big middle finger to the nature of anime production, or Zombieland's Tae Yamada. But the parody value from the first two episodes is all but gone.
Kaiser-Eoghan
@Anon: Its in part my own fault , I jumped the gun in the first half of episode one then all goodwill I had for it died after the first couple of minutes.
Anonymous3065780
@Kaiser Same here. Very disappointed that Zombieland is going down the same route that Mahou Shoujo Ore went down: basically becoming what it purported to parody.
Kaiser-Eoghan
Every isekai that pops up in recent seasons, I simply just ignore it.
Kaiser-Eoghan
On another note, surely I'm not the only one who dropped zombieland saga? I'm not alone am I?
Kaiser-Eoghan
I mean, I've never seen an episode of konosuba or rezero and refuse to , no game no life is a series of two halves, I barely watched any of gate .
Kaiser-Eoghan
I think the only one I can say I care about is Tanya.
Kaiser-Eoghan
Y'know I think I've done a fairly good job at avoiding the modern isekai thing, I've never actually cared enough to sit through one fully beyond the first season of log horizon, 4 seasons of zero no tsukaima. Other than that I've seen maybe 7 episodes of sword art . Never seen a single episode of overlord and won't.
Kaiser-Eoghan
@Anon: I'm also glad their mentioning stuff like the peoples will, the historical assassination of the Russian emperor. I enjoy the tidbits of historical reference for the most part.
Kaiser-Eoghan
@Anon: But I don't think the animation is as good as it should be in the anime adaptation and its not as violent as the manga.
Kaiser-Eoghan
@Anon: I am up to date on the manga, the post first scene chapters that have caught my attention most have been Edogai, the big scenes in the prison and that bonnie and clyde duo.
Anonymous3065196
@SuperMario Are you watching GK s2? Any thoughts on it since you aren't covering this weekly?
Anonymous3065196
I think I laughed more from this than most of the comedies airing right now thanks to these bizarre situations and characters they're introducing.
Anonymous3065196
The anime is now covering the parts in the manga where things get a lot more dramatic, and a lot more weird and oddly hilarious.
Anonymous3065196
Wonder if anyone is still watching Golden Kamuy? We're way past the embarrassing CG bear.
Kaiser-Eoghan
A polar bear isekai exists.
AidanAK47
@Anon, it will be after in another world but a polar bear but before the gyarus in another world Isekai.
MaskyAtPublicComputer
Nobody could care about world building not really making sense or being inconsistent if it didn't have the grimderp parts that cause internet flame wars
MaskyAtPublicComputer
So it goes back to what I said: GS at its core is about (at least seemingly) about cool gorey tactical action with some character study of what its like to be broken person like GS is, but rape stuff just kinda ruins it for most people and it doesn't handle subject well
MaskyAtPublicComputer
gear doesn't rust and break down
MaskyAtPublicComputer
Anyhoo, I might remember wrong, but didn't GS purposedly use lower quality gear that has danger of breaking down in middle of combat? Thats kinda what I meant with "apparently using average quality gear is too dangerous", especially since its kinda hard to believe goblins could repurpose armor used by humans for themselves. I'm completely okay with him not using magical gear since D&D wise magical
MaskyAtPublicComputer
Like, you can't be like "Aha, characters think they are in JRPG, but its actually tabletop rpg oh wait no, it still follows realistic logic instead of tabletop rpg rules"
MaskyAtPublicComputer
See, barbarians in D&D don't wear armor because they are stronger without it, sure they have lower AC, but they have lot of health so they can tank a hit. So showing barbarian adventure dying in one hit because they were stupid enough to not wear armor just comes across as "So wait, is this supposed to be realistic, tabletop rpg or JRPG or what?"
MaskyAtPublicComputer
@AidanAK47: That IS actually part of reason why I said GS' author isn't thinking it through with world building. See, I actually think world being gods' D&D campaign does actually explain lot of details about how things don't make sense and it does fit with GS being D&D inspired, but that is another example of how GS is inconsistent.
Kaiser-Eoghan
Perhaps not the strongest episode of honda-san, but the golden kamuy and Brazilian guy bit made up for it.
Lenlo
I might give it a watch after Kaze Fui finishes and write that up, just for you then.
Kaiser-Eoghan
The anime kind of feels a bit live actiony, which I know sounds confusing to hear, what I mean is the character designs.
Anonymous3060338
I'm very interested in doing a comparison between the anime adaptation and the live-action adaptation of Kaze ga once the series concludes next year just because these are two different mediums adapting the same novel. I would really like to know what they had to change or cut to get it down to 2 hours, compared to this two-cour series.
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