Posted on 30 May 2014 with categories: Mushishi

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did here was highlight the duality of these little critters: they have both their positives and negatives. This episode really focused on the positives, while again not ignoring the negatives.

The woman who is cursed to keep all of the moisture inside her body. It killed a few people due to unfortunate circumstances (again, nobody is at fault here), however it also brings so much joy to the people when she arrives. What made this episode work so well is how well this series characterizes just about everyone: even the minor characters feel real. I mean, have you looked at the animation for this series? EVERYTHING IS SMOOTH AND LIFELIKE. I cannot recall a TV-series that has such consistently detailed animation for characters, and this series can pull it off because it’s not an action series: budget doesn’t need to be spent on elaborate action scenes, so instead it can go into the detail.

Mushishi really is a mature series like no other. Most series when they tell a story, resort to black and whites: there are clear heroes and clear villains, and even when the villains have reasons for their actions, their reasoning is often crazy in some way to the point where you can’t really hold a nuanced conversation with them. Here, everything has multiple sides to it, and it’s done in a really cool way.

And yeah, pretty much now that I’ve seen the preview of the upcoming summer season: I’m currently 95% sure that Mushishi is going to end up as the best show of 2014. There never has been a series that stood so far above all of the others in all other years that I’ve been blogging. It’s just consistently fantastic and detailed and in seven episodes I have yet to spot a weak moment. This show is just THAT special, and it justifies a second season really well: every episode continues to build upon the lore of the mushi, and we still see new stuff.

Posted on 12 May 2014 with categories: Mushishi

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling.

I now know again why Mushishi is such a unique series. Sure, there have been similar series in the past, like Natsume Yuujinchou, telling about creatures who live alongside us with mythical powers, usually youkai or something in the like. Mushishi however, takes the concepts of Shinto, and goes further than any other show has done. In the eight years inbetween the first and second season, I have never encountered a series that did the supernatural as well as what we see here.

But even then, these four episodes were something else. Here we saw people’s arms getting eaten off, suffer from horrible frostbites, people disappearing into nothingness while still being alive, losing all their senses, chopping off heads and swapping them. It’s one thing to be brutal, but Mushishi does it without showing blood, it does it with such variety, and every single time it puts them in the middle of so many moral dilemmas. It goes in deep on the source, and shows how easily uneducated people can fall into these traps despite proper warnings. This show is nearly a medical thriller with its own set of rules.

And yet the beauty in each of these stories, is that you can’t completely blame the mushi. That also was the brilliance of the first season: the Mushi are also just living their lives, which just happens to sometimes clash with that of humans. This is driven forth even more here, with these mushi without a physical form who try desperately to escape that incredible loneliness.

And the presentation of these four episodes. It’s just perfect. Okay, perfect doesn’t exist… er… some frames showed characters with no mouths! There, critiism! Kidding aside: the animation is beautiful: the movement is slow, but you can really feel the characters. The background art is better than ever. The CG that is used is used consistently and only for the mushi, making them look stunning and out of this world, exactly what they are supposed to be.

The end of episode six: that was actually increidly beautiful how everything came together. It was never told that fire was meant to draw out the mushi in the tree, but when you saw it, everything just made sense. If there was ever an example of what I mean by storytelling, characters, animation, pacing and atmosphere all coming together in one moment, then that is a textbook example of how to do it. All stories were beautiful, but my highlight was episode 03. I cried okay! That’s the first time I cried at an anime in probably over a year!

Creators of anime! LOOK AT THIS! This is how you make an anime!

Posted on 17 April 2014 with categories: Mushishi

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode.

I still can’t believe how authentic this series is. The thing is, when I first started watching this series, I was still very young: 18, and I hadn’t even been released in the real world yet. Now that I’m much older I can appreciate the attention to detail even more. This episode was about a fishing village, probably in one of the southern parts of Japan, and what the people there generally had to do to come by. The Mushi here symbolize the tragedies that come with such a life, however I love how they’re only telling a part of the picture: they hint at other big problems, and they’re far from the only thing playing in the world: the world doesn’t revolve around them, they’re just part of it. I have seen no other show that does that better than this series.

What’s also wonderful to see is that the creators really seem to try to fit in character-development into these one-episode stories. I loved how that one guy was finally able to set his grudges aside. And it was done in such a natural way: for once there wasn’t some big life choice that he was forced to make “return or else you’ll die!”. In theory, they could have figured something out with the village, heck he just could have given them the pearl while still remaining isolated. It just was the push he needed to set his feelings aside and become part of the village again.

Another way in which anime has gone down, is how its directors have gotten much less freedom. What I mean by that is this: when in 2005, Mushishi was made, Hiroshi Nagahama was perhaps a well known episode director and storyboard artist, but he never directed a full series. Here he got the chance, and BAM, he gave it the best possible adaptation it could have hoped for. I mean, if you look at some of the other series that Artland has worked on: the animation is completely different, much more generic, their pacing is way off. A debuting director managed to do that and they gave him a lot of freedom here.

Fast-forward eight years, and you can see that the established directors can get the freedom they want: Masaaki Yuasa can just push forward his style like he wants. But really, when was the last time that we really saw a first-time director try to push his own style and stamp on a series? My guess is that as anime has matured since the digital age, it has become more consistent. Consistency is boring! Be ambitious! Take risks! Show your personal style! Be intelligent and show authentic stories!

Posted on 3 March 2014 with categories: Mushishi

Mushishi holds a really special place in my heart. Back in November 2005, when I started up this blog, Mushishi was one of the first shows I picked up to cover weekly. At first I didn’t think much behind it: it just looked interesting and I wanted to cover it, but as it went on I started to enjoy it more and more. But even then it took me a long time, even after the series had finished, to realize what a special series it was, and that we’d never get anything like it again.

Many series tried, but none got as many things right as this show did. That’s something I definitely realized after I watched this OVA, and how we’re in for something really, really special here. I mean, my big fear was that they’d compromise, and that the second season would feel underwhelming. But amazingly, this OVA kept everything that made Mushishi to be one of my favourite shows out there.

And I know that usually, I’m not one of those people who lauds shows who do just the same in their sequels, but Mushishi is one of those series that is the exception to the rule. It knew exactly what it should keep doing, and yet this OVA contained a new story that adds to the Mushishi universe, and that story was amazing. You can see some CG here, but the creators kept it within limits and bounds.

Apart from that, the soundtrack is just amazing as usual. The voice acting is still brilliant and subdued, the atmosphere is still there. It still has the single best ED ever created for an anime, It still knows how to tell a perfect short story. I mean, really. This will be big. If the TV-series is like this then it’s got the potential to be the best series in years. But no, expectations should not be too large. Something’s going to mess up. Something will go wrong.

I mean, seriously. I don’t know whether it’s because of heightened emotions of finally seeing one of my absolute favorites again, but I still cannot believe how much I enjoyed this episode. I actually got teary-eyed from watching it and it made it seem so easy. I mean hell, this is EVERYTHING I’m looking for in an anime. The story wasn’t necessarily incredibly complex or so, but it was told perfectly. The focus was on bringing all of the different characters to life, and the creators really succeeded in showing that this really is about ordinary people living their lives. It’s incredibly relatable as it dealt with simple, but relatable problems.

Now for those who are wondering: Mushishi is a collection of standalone stories. In order to understand everything about this episode, all you need to have watched are episodes 1 and 20 from season one. That’s nothing, especially because these episodes are awesome to watch anyway.

Posted on 15 October 2006 with categories: Anime Reviews, Mushishi


Mushishi is one of those rare series you can only run into once in a long while. it consists out of 26 episodes, and each of these episodes tells a story about ordinary people, living in the quiet areas of medieval Japan and their encounters with the creatures called Mushi. Only a select few can see them, they’re living beings, just like any other animal or plant, though at times, their lifestyles clash with humans, making them sick, or giving them strange abilities.

The story centres around a Mushishi: Ginko. A Mushishi is an expert about Mushi. He knows a lot about them, and how to cure people who are bothered by the Mushi. The message of this anime is that everyone, both humans and Mushi, isn’t really evil. They’re only trying to live their daily lives.

I am happy to say that each and every one of the stories, told in Mushishi turned out to be simply awesome. It’s just one huge chunk of non-stop atmosphere. Each episode takes its time to tell its unique story. The beauty of this is that not every one of the cases can be solved. At times, people are fated to die, or people have to live with a horrible burden for the rest of their lives. At other times, however, only after years and years the problem can be solved.

Another great aspect of Mushishi is that at times, it likes to make time leaps of a number of years, in order to show how characters gradually evolve, along with their problems and issues. Almost each of the stories told in the 26 episodes left me with such a satisfied feeling. And especially the better stories were just one big adventure.

The creators made an excellent use of the music and background tunes in this anime. While standalone, they’re not really special, but when they’re added in stories with such a huge atmosphere, the two only strengthen each other. The character art style used is unique, and really fits, and not to mention that the background art of each of the different landscapes presented is just absolutely gorgeous.

This anime doesn’t have a lot of bad points. Some of the episodes around the end of the anime were not as good as usual, though the final episode is one of the best again. And there are indeed more episodes which are better than others. Still, overall, this is an amazing anime. Definitely worth to be recommended.

Posted on with categories: Mushishi

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Seriously. Mushishi managed to pick an AWESOME story for the final episode. It’s sad to see this anime finally go, one year after it started airing. Hoping for a second season would be rather false hope. Still, this show has been awesome. Definitely something to recommend to anyone.

The story mostly takes place during Ginko’s youth. He’s spending his time living in a certain village, while the main character of this story lives a few mountains further. He’s the son of the owner of the mountain. his father has been protecting the mountain for his entire life, as it, accompanied by a strange, coloured living fog, is full of life. If people were to mess with it, this balance would be disturbed.

That’s what happens when the episode progresses. The boy also gets befriended with the child-version of a certain traveller, which I could swear I’ve seen before. The boy is rather arrogant, being the son of an important person, though this young traveller seems to change his mind. They travel, based on the coloured fog. It’s some kind of way for the mountain to tell how it’s feeling. Then, at one point, the boy’s father dies. Even though his will said that the boy would inherit the entire mountain, his relatives all snatched it away, and made plans to destroy the mountain, for the sake of their village.

Because of this, the fog disappears, and so the young traveller has to top visiting the mountain. His grandfather, whom he travels with, also picked up a suspicious white-haired boy. This white-haired boy also gets abandoned, along with the mountain, and he join another Mushishi as a novice. Before he leaves, he explains a few things to the boy. That the group of travellers consists out of people who were kicked out of their villages because of the Mushi.

Then, we turn to the present. The buy has grown up, and the mountain didn’t do too well after the fog disappeared. Five months after what happened, a volcano erupted, destroying the mountain. The main character has tried to restore the mountain, but things aren’t going too well due to the absence of the fog. Children also are born weakly, because of the Mushi. The episode ends with Ginko and the main character meeting each other again.

I really loved this episode of Mushishi. It definitely was one of the better ones, and that has to say something. Ginko’s role in this also was a great one. He’s really just a bystander, not related to the main story at all. It also takes a time for him to remember the main character of this story, which was a very interesting detail.

Posted on 3 September 2006 with categories: Mushishi


I’ve been looking forward to another episode of Mushishi. It seems that it doesn’t know how to deliver a bad episode. Each of the stories presented works so incredibly well, dealing with a different problem every single time.

This time, we have a little girl, who’s blind. She encounters a mushi, Ganpuku. This mushi gives her sight. At first she’s incredibly happy, but then the mushi starts showing her things that she shouldn’t be able to see. She’d be able to see right through walls, she could see things which happened miles away from her, nothing was a secret for her anymore. But it didn’t end there. Ganpuku then gave her the ability of foresight. The girl grew up, and many people came to her, in order to get their futures told. Obviously, the girl didn’t have any friends at all. When her father died, she moved away from her village and started living as a shamisen-player (which C1 seems to have turned into a lute).

Of course, while it may seem like joy and goodness in the beginning, if you have to live with this for more than fifteen years, you begin to see the disadvantages. Every good thing has a bad thing, and every bad thing comes along with a good thing, and this is no different. The girl may have had the ability of foresight, she had this 24/7. She had no way to turn this off, and she lived her entire life, seeing things in the future. In the end, she became dizzy and unhappy because of it. Around the end of the episode, it seems that Ganpuku has completely taken over her eyes. They then detach from her body, and turn into their real form.

It’s indeed a dilemma for the woman. She has to choose to either see the future continuously or see nothing at all. It’s a choice between two extremes, with not middle way at all. In the end, the woman didn’t care for herself anymore, and was content with living with Ganpuku. But she didn’t want anyone else to suffer the same fate she did. Therefore, she asks Ginko to bury her eyes, somewhere in the forest.

Posted on 3 August 2006 with categories: Mushishi



Mushishi returns with the same outstanding quality of its stories once more. This time has yet another happy ending. I really loved it. The case is like this: we have this village which has its own Mushishi. On one day, they run into a yet to be identified Mushi. It came from a vulcanic rock, and has taken the form of a plant, which can rapidly increase in number. These plants also release a poisonous gas, which appears to kill off the trees.

The Mushishi has tried all sorts of things, but nothing works. Eventually, her last resolve was to burn the entire forest, along with the Mushi. After all, if the plants were to reach the crops of the village, they’d have a very hard time surviving the winter. Ginko’s against this, as not only it burns a lot of innocent trees, but the fact also remains that the Mushi came from a volcanic rock. It would be wrong to give it fire.

In the end, the Mushi appeared to be the premature form of a bunch of Kagebi. It takes refuge in cold places, and survive by sucking the heat out of people who are lured by their warmth. The Mushishi then tells everyone to be extra careful with fire, though you know how humans tend to behave. Most villagers do not immediately see the danger of the Kagebi, and they don’t pay attention to their actions. Only when seven people die and even more suffer from frostbites due to eating food, cooked under Kagebi, the message begins to sink in, and they start to be extra careful.

The Mushishi, however, has another problem. She swallowed one of the Kagebi, and now it’s grown inside of her. Very slowly, it’s sucking away her heat, and makes her cough up leaves, as a means for the Kagebi to reproduce itself. She has already given up hope when Ginko helps her. He lets her drink food, cooked by another Kagebi. This food then causes a frostbite in her stomach, where the Kagebi resides. This makes it unable to suck up heat, so it dies off. At least, that’s what I think that happens.

The way the episode ended was great. We turn to the beginning of the spring, we see a lone Kagebi heading out of the village. I’s looking for colder places, in which to spend the summer. I just loved the symbolism of this scene.

You can wonder, was it right to burn the trees? The fact remains that the plants were the dangerous ones, not the Kagebi. While the Kagebi just took seven lives, just imagine how many people would have died if the plants managed to reach the crops of the village. But still, a lot of animals, plants and trees were killed off during the burning. However, at the end of the episode, you can see the first traces of life appearing again. It’s also part of the symbolism used at the end of the episode. Life goes on. No matter what.

Memorable Moment: The ending.

Posted on 15 July 2006 with categories: Mushishi



The series had normal episodes, and it had awesome episodes. It’s the same with the OVA. Episode 21 was perfect in every
single way. Episode 22 was amazing, despite its flaws. Episode 23 shows us a standard Mushishi-story again. It’s about a disease, which causes limbs and body-parts to become stiff and unmovable. It’s being spread through the voice of one girl. Ever since the girl found out that her voice spread the disease, she’s stopped talking. Though the disease remained. The girl has stopped talking for ten years now. It’s also one of the stories with a more happy end.

Still, that doesn’t mean that I didn’t love the episode. It’s still as calm as always, and the situation gets explained very quietly. It seems that the woman had been screaming at the top of her lungs inside a deserted cave, in order to ruin her voice. By the time this episode plays, she hasn’t quite lost it, though her voice does sound very creepy and sad. It’s probably one of the first times in anime that such a voice was added.

The great thing about this episode was the ending, though it does leave a few bugs. The girl had been isolated, as everyone thought of her as the culprit. There was one man, from another village who didn’t treat her that way. This man then fall off a cliff in the mountains, and she had no other choice than to cry for help, with her already distorted voice. That sounded too sad. It seems that to cure the disease, the woman had to scream towards the village, with the see straight behind her. She’ll probably have to scream for years in order to fully remove the disease, and her voice will most likely die before the disease does. It’s so awesome to see someone willing to give up her own voice in order to save others. Still, the way Ginko came to this conclusion bugs me. We get no clues to his plans until he reveals them. And the things that made him realize the solution don’t make any sense at all. And how come, in fourteen years, nobody has even bothered to go to the see and check what happens?!

Overall, another great Mushishi-episode. Not the best, but definitely enjoyable.

Posted on 6 July 2006 with categories: Mushishi



I’ve got one fundamental problem with the Mushishi OVA. The budget has been increased, in order to be able to display some nifty action-scenes in which Ginko also plays a big role.

NOT. A. GOOD. IDEA. Mushishi’s strength lies in its atmosphere and the heavy drama it introduces. Action doesn’t belong in it, as it also introduces one nasty little bugger: the Deus ex Machina. Why the heck did the storm clear up just in time to save Ginko?! The series at least understood how to put Ginko in at least a bit of a struggle, like letting him drown in quicksand in order to come out of it on his own strength a couple of hours later. Or letting him fall asleep for an entire winter. Ginko’s brilliance lies in the fact that he’s the medium between the Mushi and the real main characters of each story.

That aside, the theme of this episode was once again magnificent. We have this island. Right next to this island, there’s a strange rock formation. Inside that rock lives a Mushi who feeds on the time, lived by creatures. So, let’s say that a dying person gets dumped near that Mushi, the Mushi catches it, and turns it back into the embryo. This way, that person can live his or her life once again.

The people on the island know this. It’s very common to see a person being reborn and people often let family members who are about to die be dumped near the Mushi. Same story with the main character, Mio. She’s given birth of her own mother. She’s probably one of the few people who has troubles with the system on the island. She already said goodbye to her mother, and now she refuses to raise someone who’s already dead. She therefore decided not to see this girl as her mother, but as her daughter.

Still, she’s struggling with this. As she grew up, her daughter began to look more and more as her mother, which really make her think about who she had been raising all this time. Her daughter (she’s too cute, by the way), however, talks about this like it’s nothing at all. When she explains about other cases which happened on the island, you really start to think about what it means to live. After all, you won’t have to be afraid of dying, as you return any time.

But then again, the only thing that remains the same is the embryo. People do get raised differently. People have different memories. The fact that the child looked so much like the mother was just Mio overreacting. She begin to look at every tiny little detail, and then she noticed similarities. So, what if you do get sick, and what if you do decide to go to the Mushi before you die. Can you with 100% certainty say that you will be the one who’s reborn? This is a thing that most of the islanders seem to forget. We even have a guy, who lost his wife in the sea. He then waited for ten years in order to remarry her, and now they’ve been living together for quite a long time. It’s just like Disgaea, in a certain way.

I liked the relationship that the Mio had with her daughter. The daughter was very bright and cheerful. At times, she would be able to talk with her mother on equal level. She was raised very well, as she did seem to understand that she wasn’t the same as her grandmother. The reaction of Mio’s mother when she was about to die also was quite interesting. It seems that she had decided to be reborn again. That she didn’t want to disappear. I wonder, if Mio’s daughter is put in the same situation when she gets old. Would she also react the same way? It totally depends on the things she experienced in her life.

Overall, the theme in this episode was exceptionally well done. Mushishi surely delivers in that aspect. Mio was awesome, her daughter was even more awesome. The only speck on the window was the climax.

Memorable moment: When the daughter jumped recklessly after Mio. It only showed more of her awesomeness. :)

CHANGE USERNAME
Kaiser-Eoghan
I also like how much Nagai overstylizes, overdesigns his characters.
Kaiser-Eoghan
Not that its abandoned its comedic elements.
Kaiser-Eoghan
@Sash: The twin tailed girl got impaled and its gone in a somewhat darker direction yes.
Sash
apparently cutie honey is getting devilman vibes.. haven't watched it though so take this with a grain of salt
Kaiser-Eoghan
@Lenlo: Somewhere in my head is an image of Baraka from mortal combat in the same picture as Himiko Toga.
Lenlo
Hero Aca, still my favorite Shounen.
AidanAK47
Just got the Re:zero Blu-ray a whole ten days before it's officially released. Gotta be the first to see the dub.
Lenlo
Yeah. Her whole scene was terrible. As much as I loved Maho in a pando costume, it should have stopped there. We didnt need the groping.
Kaiser-Eoghan
FERRIS NYAN-NYAN OmO kill it, kill it with muh-fire, kill it with muh-fire.
Lenlo
Also, Megalobox, hot damn. I love it. I love it all. Mmmm I cant wait.
Lenlo
Partly, yeah. Im mid writeup for it. Suffice to say the fan-service was... alittle awkward to me
Kaiser-Eoghan
Filler episode of Steins; gate this week.
Lenlo
I cant wait to see it, ive heard good things
Amagi
Damn I love Megalobox so much it's my favorite series this season.
AidanAK47
I can't wear a suit to work everyday
Kaiser-Eoghan
*wotaku's
Kaiser-Eoghan
You are now aware that you un-intentionally stealth cosplay as watoki's protagonist each time you go to work.
AidanAK47
Pretty sure Psgels is paying to keep the site up but it's not a sum that one would consider significant. Site is dirt cheap.
Kaiser-Eoghan
I've thought about using MPC as an extra player, while mainly using vlc, but vlc can be buggy for me sometimes in that it lags and pixelates the video often , I've used MPC on videos that vlc bugs-out on and they work better.
Kaiser-Eoghan
Out of curiosity, what videoplayer (example media player, realplayer, winamp, vlc, mediaplayer classic)do all of you use for watching anime?
Lenlo
You silly old people
Kaiser-Eoghan
lol how do you think I feel, I've been at this for 20 years =P
SuperMario
All these "confessions" just underline how old we all are; and still keep on that stupid hobby after all those years :))
SuperMario
I first visited the site around 2009, 2010 but was pretty much a lurker until I started writing for the site.
SuperMario
As far as I know, psgels gave the admin privilege for K-Off and Aidan, and it's K-Off who pays for the site now (other admins pls confirm)
Kaiser-Eoghan
Of course I have no idea how much it costs to keep the blog up, he could always end up stopping paying for it if he needed to cut costs.
Kaiser-Eoghan
I'm actually curious in estimating how much longer the blog has left. Obviously psgels must be still paying to keep the site up, but he is, of course only mortal.
Kaiser-Eoghan
The blog began in 2005, but I started reading it in 2009, began posting on the chatbox in 2010.
Amagi
I wonder which weekly review was the first one I've read on psgels. I remember .hack//roots but not sure if it was the first one. Could very well be the case, though.
Amagi
Nevermind, despite being an old as shit reader I never actually read the whole text of the about-part.
Amagi
How old is this blog anyway? I am a regular reader since 2006 or something although it was only recently that I started talking here.
Lenlo
Oh I know all about that Kaiser. It was amazing to read about
Raggers
Wow, this is still going? Good on you guys
Kaiser-Eoghan
*wiki article
Kaiser-Eoghan
@Lenlo: Read the cultural impact of the original ashita no Joe on the youtube article, Japanese actually mass mourned him
Kaiser-Eoghan
Some writers just know how to get an un-explainably effective rhythm going.
Kaiser-Eoghan
I always struggle with commenting/reviewing mood pieces and slice of life mood pieces especially, even when I finish something in the genre sometimes I'll go "I don't understand why this worked so well for me, why wasn't it boring?"
Anonymous2194677
Microsot E3 Press Conference was nuts, they showed too many games.
Anonymous2189608
Hey guys, I made/edited my very first video about a show I greatly love, hope you'll give it a watch too:

https://youtu.be/PdjwePOIbQA
Anonymous2187735
Yeah, and an NES prequel to Bloodstained Ritual of the Night launched a couple of weeks ago. And while easier than NES castlevanias it's quite fun. Also very cheap only $10.
Kaiser-Eoghan
Alas, I've not kept up much with the videogame scene in a number of years. I know there's a spiritual successor to castlevania being made though.
Anonymous2187735
Sorry Nightmare Creatures its what it's called.
Kaiser-Eoghan
Actually come to think of it, the 64 games probably had more vampires than the others I played.
Anonymous2187735
Have you played the game that inspired this Castlevania? Deadly Creatures?
Kaiser-Eoghan
Never did get round to playing as Henry though.
Kaiser-Eoghan
I remember the garden stage being especially frustrating as Schneider because of how slow he moved.
Anonymous2187735
Also that game demands you to play on normal or higher to play beyond that nitro stage.
Kaiser-Eoghan
I remember having to finish the game in a day because I was saddled with constantly rubbish memory cards for my N64.
Kaiser-Eoghan
Sorry, I post fast and long so some of what I say probably might get missed/skimmed over.
Kaiser-Eoghan
Actually I did mention it, called it the nitro stage.
Anonymous2187735
Still I think despite the flaws it's has become fun for me because I surprisingly get better each time I play it. and last time I make the game chug because of how fast I was progressing.
Anonymous2187735
Yeah. But I'm surprised you don't mention the worst part. The Nitro and Mandragora level. In which you have to go across several rooms without jumping.
Kaiser-Eoghan
@Anon: I remember the game punishes you for using the item seller guy too much aswell.
Kaiser-Eoghan
I remember the mansion level being creepy back then.
Kaiser-Eoghan
But the werewolf thing was pretty rad.
Kaiser-Eoghan
And then there was that crumbling labyrinth stage. I remember on hard mode you have to fight the chainsaw gardener too.
Kaiser-Eoghan
The art tower stage is also annoying if you run out of day/night cards.
Kaiser-Eoghan
Also it wouldn't let you finish it properly if you took too long.
Kaiser-Eoghan
@Anon: The N64 castlevanias have so many flaws, weird controls , bad camera , the day and night feature is kind of cool but it also puts a timer on things and certain parts become a pain because of it. They had frustrating bits too like the ice castle part with the weird jump sections and the nitro carrying stage.
Anonymous2187417
Lords of Shadow was another IP the developer had to accomodate into a known IP kinda like Star Fox Adventures.
Anonymous2187417
The other Castlevanias I haven't played are Lament of Innocence and Curse of Darkness. LoS was ok but very long. and it's interquel Mirror of Fate put me off playing LoS2.
Anonymous2187417
I haven't played that one. Seems like a mixed bag. Like Zelda 2 or Metroid 2.
Kaiser-Eoghan
I've seen playthroughs of simon's quest, but we all know why thats a notorious mess.
Anonymous2187417
Castlevania 64 and Legacy of Darkness are also my guilty pleasures. I think if Konami still made Castlevanias it would have tried aping the Souls type of gameplay.
Kaiser-Eoghan
I remember some very very silly voice acting and dialogue in symphony of the night.
Kaiser-Eoghan
I preferred when they were just platform games. Later ones incoperated level up elements if I recall.
Anonymous2187417
After SOTN I think the game coming closer to that greatness is Order of Ecclesia if anything it keeps the difficulty of the classic Castlevanias and puts it in the Metroidvania formula. It has a platforming challenge level that's very satisfying to play.
Anonymous2187417
I've played most of them. Castlevania 3 is a very tough game, but that also makes the journey feel long and rewarding. Rondo of Blood feels like the cornerstone of the series since it's the Castlevania that got most of it's sprite reused in later games.
Kaiser-Eoghan
Reminds me, the game, clocktower is vaguely inspired by an old Italian horror film.
Kaiser-Eoghan
And symphony of the night.
Kaiser-Eoghan
I actually feel I should have played more castlevania back in the day, I've played bloodlines, castlevania 4, Dracula X, legacy of darkness, admittedly the last one isn't a good game and is more of a guilty pleasure.
Anonymous2186526
They could still meet Grant in the Clocktower.
Anonymous2186526
I wonder if the second season will be the journey to the castle like in the game. And the third season is entirely in the castle.
Kaiser-Eoghan
Already a season 3 announced.
Lenlo
Oh god yes. I cant wait
Kaiser-Eoghan
New netflix castlevania episodes out next month.
Kaiser-Eoghan
Was going to mention that. Wish more shows would do o.
Lenlo
Yeah, a lot of plot threads are converging and I like it. My favorite part though was Iglesias and their commitment to non-japanese languages. They were good!
Kaiser-Eoghan
*his bit
Kaiser-Eoghan
@Lenlo: Glad that sachio gets hit bit of backstory and that its well connected to the rest of the overall plot.
Lenlo
Alright Megalo Box was pretty good this week. So much to say
KTravlos
Indeed the Alliance system is atypical of mass democracy. There seem to be no organised parties and lists. Instead administrations seem to be formed on a personalist basis(me and my chums). And the Assembly seems to have very weak powers of oversight. A very flawed institutionally system. But I digress . It is still anime and even from Tanaka I do not expect deep discussion of democratic politics
KTravlos
I mean if two of 9 ministers in an administration resigned in any current representative/competitive election system it would be a big news and embarrassment to the goverment. My guess is that they were blackmailed to stay on, or were too afraid of the war party.
KTravlos
busy weeks (finals and deadlines). Watched the latest LOGH:NT episode. It was ok. A bit dry, but so are many of the episodes of NT or the Original on their own. One think it led me to think is that neither the books , nor the OVA, nor NT explain why Rebelo/Lebello and Huang Rui (the two politicians opposed to the Invasion of the Empire) did not resign in opposition. (Turnhit also opposed but..)
Lenlo
I think its cause of Daru's voice. Hes so overt about it and his voice makes it so clear hes not really being serious about any of that, cause it completely changes when hes talking serious subjects
Amagi
@Kaiser: Yeah I am watching CCS but funny enough I fell behind too, so it might be someone else you're thinking of
Kaiser-Eoghan
Always felt that Daru strikes a hit when it comes to pervy/otaku characters. Most of them tend to be incredibly annoying.
Lenlo
This episode was nice and chill while still moving stuff forward. I enjoyed it. It does seem like we are hitting the main conflict though, with Amadeus and Maho
Kaiser-Eoghan
@Lenlo: I feel with this episode the plot is really moving along now.
Lenlo
@Kaiser, Thats the question aint it? How to savem both? We know he does, cause of the original, but alot happens along the way. Its a great ride
Kaiser-Eoghan
Bad light novels would make for good fire and burning material =)
Kaiser-Eoghan
@Amagi: I think it was you who was keeping up with the new cardcaptor sakura? or may that was bokusenou? I fell behind in it.
Kaiser-Eoghan
Given Japan is often thought to be a racist society.
Kaiser-Eoghan
I suppose though its saying something though, about them dropping that LN author for racism , its probably, considering its Japan, progressive that they called him out for his racisim.
Kaiser-Eoghan
Angel cop's Japanese version I think had some rant about Judaisim in its last episode too I think.
Kaiser-Eoghan
Honestly I try not to seek out stories about how awful certain creators are if I can.
Kaiser-Eoghan
Viz decided not to run Kenshin's followup/side story manga. But oddly they decided to keep going with toriko even though toriko's author also got in trouble for pedophilic charges.
AidanAK47
Looking at that Isekai anime I say we we saved from something truly terrible. Though I find it odd that it was dropped because the author was a racist not because of it well...being goddamn terrible.
Kaiser-Eoghan
@Amagi: I watched a random episode, laughed more than I should have.
Amagi
btw Is anyone besides me watching Tiramisu? Am I the only one that finds this shit funny?
Kaiser-Eoghan
@Amagi: I'd only read the ANN article title and decided I wouldn't entertain the comments by reading on.
Kaiser-Eoghan
@Lenlo: How do I save them both @steins;gate, how do I save both Kurisu AND mayuri, this is hurting me ;o;
Amagi
I am just reading what he liked on twitter and said (seems to be the director), what the hell
Amagi
@Kaiser-Eoghan: Man, I never heard of this. The anime was just harmless comedy, didn't expect that to be honest.
Kaiser-Eoghan
Apparently the guy who did Net-juu was in trouble for making anti-Semitic remarks, not anti-Netanyahu remarks, actual anti-Jewish remarks.
Amagi
@Kaiser-Eoghan: But yeah it's not that we lost anything or so. I am rather interested in what kind of series the studio will do now instead (inb4 some different LN isekai)
Amagi
Chinese manga fans were protesting for a while already, then one of the VAs quit and now they're cancelling the whole thing. The author also made racist posts against Chinese ppl don't know what though.
Amagi
Seems like it was hinting the MC to be a Nanking "hero" that seems to be the problem, there seem to be a lot of dog whistles in there and God rewards this guy when he died at 94, literally saying he's "ideologically sound" (just saying what I see in the threads).
Kaiser-Eoghan
*isekai light novels
Kaiser-Eoghan
A minor victory against the anti-art/anti-intellectual movement, may more light novels fall =)
Amagi
edit: LN seems to be cancelled too
Kaiser-Eoghan
*might result*
Amagi
seems like they cancelled that isekai anime LN adaption because of racism of the author and the story
Kaiser-Eoghan
@Aidan: Dropping the no porn rule result however in only releasing games where they felt safer about uncensoring the content.
AidanAK47
So Steam is just going to let everything on the site now. I mena I suppose it would be good to just drop that stupid no porn rule but well opens the floodgates to some rather bad consequences.
Vonter
Man, talking about Ranma also reminded me of Ghost Sweeper Mikami, that one imo had a similar type of format in humor. It had action, suspense and wackiness. That show asked the weird implications. Like the one time a side character ate a cake that make him regress back in time being aware of the curse. Or a ghost that could control your dreams and psyche. Or a demon that make you steadily shrink
Lenlo
Well thats one Isekai down, as "Nidome no Jinsei wo Isekai de" gets cancelled. Yay?
Lenlo
Yeah. Once you remember its from 1970, it becomes even more impressive. And you can see where Megalo Box is trying to get some of the grainieness back into its own style.
Kaiser-Eoghan
I love how they dramatically used stills in these really old shows, Dezaki also did that very well. From what I'm gathering from these clips is that this is melodrama earned/deserved and well executed.
Kaiser-Eoghan
Reading coments on this video: https://www.youtube.com/watch?v=0SRF0S3ni2g that the mangaka was originally going to have him survive.
Kaiser-Eoghan
@Lenlo: Very bleak artstyle and despite the age of the drawings/animation the show look like its strong enough to carry an impact.
Kaiser-Eoghan
@Lenlo: @4:40 or so, the sudden realization.
Kaiser-Eoghan
@Lenlo: No bother, managed to get the link working regardless.
Lenlo
*Sigh*
Lenlo
Ah dangit. Textbox messed up my link somehow.

[link src="https://www.youtube.com/watch?v=CXYbpnONnzw

That"] should work
Lenlo
[link src="https://www.youtube.com/watch?v=CXYbpnONnzw&t=353s

You"] can see how alot of the characters repeat themselves from Ashita no Joe
Lenlo
If its done anywhere near as well as Ashita no Joe, which Megalo Box is based off of, then it will be great. Joe's death is still one of the best endings ever for me.
Kaiser-Eoghan
@Lenlo: I can see it getting me if done right.
Lenlo
Just sayin
Lenlo
90% chance Joe dies in Megalo Box
Kaiser-Eoghan
The idea of shampoo actually having kittens and then owning them in her human form.
Kaiser-Eoghan
This is weirding me out OmO
Kaiser-Eoghan
I actually went further thinking about it, if the switches kept flipping back constantly during sex.
Kaiser-Eoghan
And theres the realization, I've actually overthought this to such a point, its sunk in.
Kaiser-Eoghan
But I also remember discussing this with a friend when I was young and we came up with that the female forms could potentially be infertile.
Kaiser-Eoghan
The ridiculous shit I thought of as a kid.
Kaiser-Eoghan
I mean I actually literally imagined the baby sticking out of him and looking like it got fused with him.
Kaiser-Eoghan
Imagination has gone in a dark, perverse direction =<
Kaiser-Eoghan
I actually meant as in when the baby is halfway out , then transformation occurs.
AidanAK47
Oh wait Ranma requires hot water to change back.
AidanAK47
In the case of Ranma and childbirth, that's impossible. Basically it would require Ranma to not get cold water on him for nine months as if he turned back into a guy his organs would switch and the child would die. Same with any other gender bender, they would need to remain female for nine months till birth. Switch once, and kids a dead clump of cells.
Kaiser-Eoghan
I'd sometimes love to be like he is now, in his case re-discovering anime all over again.
Kaiser-Eoghan
Showed him clips of utena and his reaction was "whoah this weird lookin' I have to watch this show "
Kaiser-Eoghan
We are in disagreement on Eva, with him preferring the series and I the rebuilds.
Kaiser-Eoghan
I tried to get a friend of mine to watch log horizon because he was really into online games....but he went off and watched sword art instead =<
Kaiser-Eoghan
I though he hated re zero, but it was only beetlguse and the first few episodes, he hates Emilia and presumably prefers Rem. He was the one who actually kind of pushed me to watch made in abyss, though he thought it was semi-exploitative.
Kaiser-Eoghan
No game no life kind of disgusted him though.
Kaiser-Eoghan
Working on convincing him to watch girls last tour and houseki. He seems to love boku no hero academia.
Kaiser-Eoghan
I even got him to play doki doki literature club, he wanted to punch the screen for the first hour, then was pleasently disturbed when shit got real.
Kaiser-Eoghan
I also believe he may be planning to watch steins gate. He finished Kabaneri of the iron fortress although I dropped it hard.
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Featured Posts

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