Posted on 30 May 2014 with categories: Mushishi

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did here was highlight the duality of these little critters: they have both their positives and negatives. This episode really focused on the positives, while again not ignoring the negatives.

The woman who is cursed to keep all of the moisture inside her body. It killed a few people due to unfortunate circumstances (again, nobody is at fault here), however it also brings so much joy to the people when she arrives. What made this episode work so well is how well this series characterizes just about everyone: even the minor characters feel real. I mean, have you looked at the animation for this series? EVERYTHING IS SMOOTH AND LIFELIKE. I cannot recall a TV-series that has such consistently detailed animation for characters, and this series can pull it off because it’s not an action series: budget doesn’t need to be spent on elaborate action scenes, so instead it can go into the detail.

Mushishi really is a mature series like no other. Most series when they tell a story, resort to black and whites: there are clear heroes and clear villains, and even when the villains have reasons for their actions, their reasoning is often crazy in some way to the point where you can’t really hold a nuanced conversation with them. Here, everything has multiple sides to it, and it’s done in a really cool way.

And yeah, pretty much now that I’ve seen the preview of the upcoming summer season: I’m currently 95% sure that Mushishi is going to end up as the best show of 2014. There never has been a series that stood so far above all of the others in all other years that I’ve been blogging. It’s just consistently fantastic and detailed and in seven episodes I have yet to spot a weak moment. This show is just THAT special, and it justifies a second season really well: every episode continues to build upon the lore of the mushi, and we still see new stuff.

Posted on 12 May 2014 with categories: Mushishi

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling.

I now know again why Mushishi is such a unique series. Sure, there have been similar series in the past, like Natsume Yuujinchou, telling about creatures who live alongside us with mythical powers, usually youkai or something in the like. Mushishi however, takes the concepts of Shinto, and goes further than any other show has done. In the eight years inbetween the first and second season, I have never encountered a series that did the supernatural as well as what we see here.

But even then, these four episodes were something else. Here we saw people’s arms getting eaten off, suffer from horrible frostbites, people disappearing into nothingness while still being alive, losing all their senses, chopping off heads and swapping them. It’s one thing to be brutal, but Mushishi does it without showing blood, it does it with such variety, and every single time it puts them in the middle of so many moral dilemmas. It goes in deep on the source, and shows how easily uneducated people can fall into these traps despite proper warnings. This show is nearly a medical thriller with its own set of rules.

And yet the beauty in each of these stories, is that you can’t completely blame the mushi. That also was the brilliance of the first season: the Mushi are also just living their lives, which just happens to sometimes clash with that of humans. This is driven forth even more here, with these mushi without a physical form who try desperately to escape that incredible loneliness.

And the presentation of these four episodes. It’s just perfect. Okay, perfect doesn’t exist… er… some frames showed characters with no mouths! There, critiism! Kidding aside: the animation is beautiful: the movement is slow, but you can really feel the characters. The background art is better than ever. The CG that is used is used consistently and only for the mushi, making them look stunning and out of this world, exactly what they are supposed to be.

The end of episode six: that was actually increidly beautiful how everything came together. It was never told that fire was meant to draw out the mushi in the tree, but when you saw it, everything just made sense. If there was ever an example of what I mean by storytelling, characters, animation, pacing and atmosphere all coming together in one moment, then that is a textbook example of how to do it. All stories were beautiful, but my highlight was episode 03. I cried okay! That’s the first time I cried at an anime in probably over a year!

Creators of anime! LOOK AT THIS! This is how you make an anime!

Posted on 17 April 2014 with categories: Mushishi

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode.

I still can’t believe how authentic this series is. The thing is, when I first started watching this series, I was still very young: 18, and I hadn’t even been released in the real world yet. Now that I’m much older I can appreciate the attention to detail even more. This episode was about a fishing village, probably in one of the southern parts of Japan, and what the people there generally had to do to come by. The Mushi here symbolize the tragedies that come with such a life, however I love how they’re only telling a part of the picture: they hint at other big problems, and they’re far from the only thing playing in the world: the world doesn’t revolve around them, they’re just part of it. I have seen no other show that does that better than this series.

What’s also wonderful to see is that the creators really seem to try to fit in character-development into these one-episode stories. I loved how that one guy was finally able to set his grudges aside. And it was done in such a natural way: for once there wasn’t some big life choice that he was forced to make “return or else you’ll die!”. In theory, they could have figured something out with the village, heck he just could have given them the pearl while still remaining isolated. It just was the push he needed to set his feelings aside and become part of the village again.

Another way in which anime has gone down, is how its directors have gotten much less freedom. What I mean by that is this: when in 2005, Mushishi was made, Hiroshi Nagahama was perhaps a well known episode director and storyboard artist, but he never directed a full series. Here he got the chance, and BAM, he gave it the best possible adaptation it could have hoped for. I mean, if you look at some of the other series that Artland has worked on: the animation is completely different, much more generic, their pacing is way off. A debuting director managed to do that and they gave him a lot of freedom here.

Fast-forward eight years, and you can see that the established directors can get the freedom they want: Masaaki Yuasa can just push forward his style like he wants. But really, when was the last time that we really saw a first-time director try to push his own style and stamp on a series? My guess is that as anime has matured since the digital age, it has become more consistent. Consistency is boring! Be ambitious! Take risks! Show your personal style! Be intelligent and show authentic stories!

Posted on 3 March 2014 with categories: Mushishi

Mushishi holds a really special place in my heart. Back in November 2005, when I started up this blog, Mushishi was one of the first shows I picked up to cover weekly. At first I didn’t think much behind it: it just looked interesting and I wanted to cover it, but as it went on I started to enjoy it more and more. But even then it took me a long time, even after the series had finished, to realize what a special series it was, and that we’d never get anything like it again.

Many series tried, but none got as many things right as this show did. That’s something I definitely realized after I watched this OVA, and how we’re in for something really, really special here. I mean, my big fear was that they’d compromise, and that the second season would feel underwhelming. But amazingly, this OVA kept everything that made Mushishi to be one of my favourite shows out there.

And I know that usually, I’m not one of those people who lauds shows who do just the same in their sequels, but Mushishi is one of those series that is the exception to the rule. It knew exactly what it should keep doing, and yet this OVA contained a new story that adds to the Mushishi universe, and that story was amazing. You can see some CG here, but the creators kept it within limits and bounds.

Apart from that, the soundtrack is just amazing as usual. The voice acting is still brilliant and subdued, the atmosphere is still there. It still has the single best ED ever created for an anime, It still knows how to tell a perfect short story. I mean, really. This will be big. If the TV-series is like this then it’s got the potential to be the best series in years. But no, expectations should not be too large. Something’s going to mess up. Something will go wrong.

I mean, seriously. I don’t know whether it’s because of heightened emotions of finally seeing one of my absolute favorites again, but I still cannot believe how much I enjoyed this episode. I actually got teary-eyed from watching it and it made it seem so easy. I mean hell, this is EVERYTHING I’m looking for in an anime. The story wasn’t necessarily incredibly complex or so, but it was told perfectly. The focus was on bringing all of the different characters to life, and the creators really succeeded in showing that this really is about ordinary people living their lives. It’s incredibly relatable as it dealt with simple, but relatable problems.

Now for those who are wondering: Mushishi is a collection of standalone stories. In order to understand everything about this episode, all you need to have watched are episodes 1 and 20 from season one. That’s nothing, especially because these episodes are awesome to watch anyway.

Posted on 15 October 2006 with categories: Anime Reviews, Mushishi


Mushishi is one of those rare series you can only run into once in a long while. it consists out of 26 episodes, and each of these episodes tells a story about ordinary people, living in the quiet areas of medieval Japan and their encounters with the creatures called Mushi. Only a select few can see them, they’re living beings, just like any other animal or plant, though at times, their lifestyles clash with humans, making them sick, or giving them strange abilities.

The story centres around a Mushishi: Ginko. A Mushishi is an expert about Mushi. He knows a lot about them, and how to cure people who are bothered by the Mushi. The message of this anime is that everyone, both humans and Mushi, isn’t really evil. They’re only trying to live their daily lives.

I am happy to say that each and every one of the stories, told in Mushishi turned out to be simply awesome. It’s just one huge chunk of non-stop atmosphere. Each episode takes its time to tell its unique story. The beauty of this is that not every one of the cases can be solved. At times, people are fated to die, or people have to live with a horrible burden for the rest of their lives. At other times, however, only after years and years the problem can be solved.

Another great aspect of Mushishi is that at times, it likes to make time leaps of a number of years, in order to show how characters gradually evolve, along with their problems and issues. Almost each of the stories told in the 26 episodes left me with such a satisfied feeling. And especially the better stories were just one big adventure.

The creators made an excellent use of the music and background tunes in this anime. While standalone, they’re not really special, but when they’re added in stories with such a huge atmosphere, the two only strengthen each other. The character art style used is unique, and really fits, and not to mention that the background art of each of the different landscapes presented is just absolutely gorgeous.

This anime doesn’t have a lot of bad points. Some of the episodes around the end of the anime were not as good as usual, though the final episode is one of the best again. And there are indeed more episodes which are better than others. Still, overall, this is an amazing anime. Definitely worth to be recommended.

Posted on with categories: Mushishi

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Seriously. Mushishi managed to pick an AWESOME story for the final episode. It’s sad to see this anime finally go, one year after it started airing. Hoping for a second season would be rather false hope. Still, this show has been awesome. Definitely something to recommend to anyone.

The story mostly takes place during Ginko’s youth. He’s spending his time living in a certain village, while the main character of this story lives a few mountains further. He’s the son of the owner of the mountain. his father has been protecting the mountain for his entire life, as it, accompanied by a strange, coloured living fog, is full of life. If people were to mess with it, this balance would be disturbed.

That’s what happens when the episode progresses. The boy also gets befriended with the child-version of a certain traveller, which I could swear I’ve seen before. The boy is rather arrogant, being the son of an important person, though this young traveller seems to change his mind. They travel, based on the coloured fog. It’s some kind of way for the mountain to tell how it’s feeling. Then, at one point, the boy’s father dies. Even though his will said that the boy would inherit the entire mountain, his relatives all snatched it away, and made plans to destroy the mountain, for the sake of their village.

Because of this, the fog disappears, and so the young traveller has to top visiting the mountain. His grandfather, whom he travels with, also picked up a suspicious white-haired boy. This white-haired boy also gets abandoned, along with the mountain, and he join another Mushishi as a novice. Before he leaves, he explains a few things to the boy. That the group of travellers consists out of people who were kicked out of their villages because of the Mushi.

Then, we turn to the present. The buy has grown up, and the mountain didn’t do too well after the fog disappeared. Five months after what happened, a volcano erupted, destroying the mountain. The main character has tried to restore the mountain, but things aren’t going too well due to the absence of the fog. Children also are born weakly, because of the Mushi. The episode ends with Ginko and the main character meeting each other again.

I really loved this episode of Mushishi. It definitely was one of the better ones, and that has to say something. Ginko’s role in this also was a great one. He’s really just a bystander, not related to the main story at all. It also takes a time for him to remember the main character of this story, which was a very interesting detail.

Posted on 3 September 2006 with categories: Mushishi


I’ve been looking forward to another episode of Mushishi. It seems that it doesn’t know how to deliver a bad episode. Each of the stories presented works so incredibly well, dealing with a different problem every single time.

This time, we have a little girl, who’s blind. She encounters a mushi, Ganpuku. This mushi gives her sight. At first she’s incredibly happy, but then the mushi starts showing her things that she shouldn’t be able to see. She’d be able to see right through walls, she could see things which happened miles away from her, nothing was a secret for her anymore. But it didn’t end there. Ganpuku then gave her the ability of foresight. The girl grew up, and many people came to her, in order to get their futures told. Obviously, the girl didn’t have any friends at all. When her father died, she moved away from her village and started living as a shamisen-player (which C1 seems to have turned into a lute).

Of course, while it may seem like joy and goodness in the beginning, if you have to live with this for more than fifteen years, you begin to see the disadvantages. Every good thing has a bad thing, and every bad thing comes along with a good thing, and this is no different. The girl may have had the ability of foresight, she had this 24/7. She had no way to turn this off, and she lived her entire life, seeing things in the future. In the end, she became dizzy and unhappy because of it. Around the end of the episode, it seems that Ganpuku has completely taken over her eyes. They then detach from her body, and turn into their real form.

It’s indeed a dilemma for the woman. She has to choose to either see the future continuously or see nothing at all. It’s a choice between two extremes, with not middle way at all. In the end, the woman didn’t care for herself anymore, and was content with living with Ganpuku. But she didn’t want anyone else to suffer the same fate she did. Therefore, she asks Ginko to bury her eyes, somewhere in the forest.

Posted on 3 August 2006 with categories: Mushishi



Mushishi returns with the same outstanding quality of its stories once more. This time has yet another happy ending. I really loved it. The case is like this: we have this village which has its own Mushishi. On one day, they run into a yet to be identified Mushi. It came from a vulcanic rock, and has taken the form of a plant, which can rapidly increase in number. These plants also release a poisonous gas, which appears to kill off the trees.

The Mushishi has tried all sorts of things, but nothing works. Eventually, her last resolve was to burn the entire forest, along with the Mushi. After all, if the plants were to reach the crops of the village, they’d have a very hard time surviving the winter. Ginko’s against this, as not only it burns a lot of innocent trees, but the fact also remains that the Mushi came from a volcanic rock. It would be wrong to give it fire.

In the end, the Mushi appeared to be the premature form of a bunch of Kagebi. It takes refuge in cold places, and survive by sucking the heat out of people who are lured by their warmth. The Mushishi then tells everyone to be extra careful with fire, though you know how humans tend to behave. Most villagers do not immediately see the danger of the Kagebi, and they don’t pay attention to their actions. Only when seven people die and even more suffer from frostbites due to eating food, cooked under Kagebi, the message begins to sink in, and they start to be extra careful.

The Mushishi, however, has another problem. She swallowed one of the Kagebi, and now it’s grown inside of her. Very slowly, it’s sucking away her heat, and makes her cough up leaves, as a means for the Kagebi to reproduce itself. She has already given up hope when Ginko helps her. He lets her drink food, cooked by another Kagebi. This food then causes a frostbite in her stomach, where the Kagebi resides. This makes it unable to suck up heat, so it dies off. At least, that’s what I think that happens.

The way the episode ended was great. We turn to the beginning of the spring, we see a lone Kagebi heading out of the village. I’s looking for colder places, in which to spend the summer. I just loved the symbolism of this scene.

You can wonder, was it right to burn the trees? The fact remains that the plants were the dangerous ones, not the Kagebi. While the Kagebi just took seven lives, just imagine how many people would have died if the plants managed to reach the crops of the village. But still, a lot of animals, plants and trees were killed off during the burning. However, at the end of the episode, you can see the first traces of life appearing again. It’s also part of the symbolism used at the end of the episode. Life goes on. No matter what.

Memorable Moment: The ending.

Posted on 15 July 2006 with categories: Mushishi



The series had normal episodes, and it had awesome episodes. It’s the same with the OVA. Episode 21 was perfect in every
single way. Episode 22 was amazing, despite its flaws. Episode 23 shows us a standard Mushishi-story again. It’s about a disease, which causes limbs and body-parts to become stiff and unmovable. It’s being spread through the voice of one girl. Ever since the girl found out that her voice spread the disease, she’s stopped talking. Though the disease remained. The girl has stopped talking for ten years now. It’s also one of the stories with a more happy end.

Still, that doesn’t mean that I didn’t love the episode. It’s still as calm as always, and the situation gets explained very quietly. It seems that the woman had been screaming at the top of her lungs inside a deserted cave, in order to ruin her voice. By the time this episode plays, she hasn’t quite lost it, though her voice does sound very creepy and sad. It’s probably one of the first times in anime that such a voice was added.

The great thing about this episode was the ending, though it does leave a few bugs. The girl had been isolated, as everyone thought of her as the culprit. There was one man, from another village who didn’t treat her that way. This man then fall off a cliff in the mountains, and she had no other choice than to cry for help, with her already distorted voice. That sounded too sad. It seems that to cure the disease, the woman had to scream towards the village, with the see straight behind her. She’ll probably have to scream for years in order to fully remove the disease, and her voice will most likely die before the disease does. It’s so awesome to see someone willing to give up her own voice in order to save others. Still, the way Ginko came to this conclusion bugs me. We get no clues to his plans until he reveals them. And the things that made him realize the solution don’t make any sense at all. And how come, in fourteen years, nobody has even bothered to go to the see and check what happens?!

Overall, another great Mushishi-episode. Not the best, but definitely enjoyable.

Posted on 6 July 2006 with categories: Mushishi



I’ve got one fundamental problem with the Mushishi OVA. The budget has been increased, in order to be able to display some nifty action-scenes in which Ginko also plays a big role.

NOT. A. GOOD. IDEA. Mushishi’s strength lies in its atmosphere and the heavy drama it introduces. Action doesn’t belong in it, as it also introduces one nasty little bugger: the Deus ex Machina. Why the heck did the storm clear up just in time to save Ginko?! The series at least understood how to put Ginko in at least a bit of a struggle, like letting him drown in quicksand in order to come out of it on his own strength a couple of hours later. Or letting him fall asleep for an entire winter. Ginko’s brilliance lies in the fact that he’s the medium between the Mushi and the real main characters of each story.

That aside, the theme of this episode was once again magnificent. We have this island. Right next to this island, there’s a strange rock formation. Inside that rock lives a Mushi who feeds on the time, lived by creatures. So, let’s say that a dying person gets dumped near that Mushi, the Mushi catches it, and turns it back into the embryo. This way, that person can live his or her life once again.

The people on the island know this. It’s very common to see a person being reborn and people often let family members who are about to die be dumped near the Mushi. Same story with the main character, Mio. She’s given birth of her own mother. She’s probably one of the few people who has troubles with the system on the island. She already said goodbye to her mother, and now she refuses to raise someone who’s already dead. She therefore decided not to see this girl as her mother, but as her daughter.

Still, she’s struggling with this. As she grew up, her daughter began to look more and more as her mother, which really make her think about who she had been raising all this time. Her daughter (she’s too cute, by the way), however, talks about this like it’s nothing at all. When she explains about other cases which happened on the island, you really start to think about what it means to live. After all, you won’t have to be afraid of dying, as you return any time.

But then again, the only thing that remains the same is the embryo. People do get raised differently. People have different memories. The fact that the child looked so much like the mother was just Mio overreacting. She begin to look at every tiny little detail, and then she noticed similarities. So, what if you do get sick, and what if you do decide to go to the Mushi before you die. Can you with 100% certainty say that you will be the one who’s reborn? This is a thing that most of the islanders seem to forget. We even have a guy, who lost his wife in the sea. He then waited for ten years in order to remarry her, and now they’ve been living together for quite a long time. It’s just like Disgaea, in a certain way.

I liked the relationship that the Mio had with her daughter. The daughter was very bright and cheerful. At times, she would be able to talk with her mother on equal level. She was raised very well, as she did seem to understand that she wasn’t the same as her grandmother. The reaction of Mio’s mother when she was about to die also was quite interesting. It seems that she had decided to be reborn again. That she didn’t want to disappear. I wonder, if Mio’s daughter is put in the same situation when she gets old. Would she also react the same way? It totally depends on the things she experienced in her life.

Overall, the theme in this episode was exceptionally well done. Mushishi surely delivers in that aspect. Mio was awesome, her daughter was even more awesome. The only speck on the window was the climax.

Memorable moment: When the daughter jumped recklessly after Mio. It only showed more of her awesomeness. :)

CHANGE USERNAME
Kaiser-Eoghan
But that could prove to be too predictable.
Kaiser-Eoghan
I wonder if the Rat guy is going to be the wild card in all this, after all in the old story, wasn't it the Rat who won that zodiac race thing?
Kaiser-Eoghan
Juuni Taisen is killing off its most interesting characters.... =< I wanted the bird girl to stay around a bit longer.
Kaiser-Eoghan
I'd love to see more Lem or Stugastky style/brand of scifi, I need to rewatch stalker again.
Kaiser-Eoghan
@Amagi: Going back to the cyberpunk thing, I don't want just any ol' thing getting made, I want to see something scifi related thats ACTUALLY clever and has long and DIFFICULT dialogue .
Kaiser-Eoghan
@Travlos: While not a political series Chaos;head is a good example of being annoyed at the conspiracy thing, what drives me up the wall about that show and its sequel is how every every time I think about going back to it I realize that its only interesting on a surface level and is utter hokkum.
KTravlos
@Kaiser. Yup, perhaps because I work in political science, they tend to anger me. So I avoid them. Borgen is a good political series.

In general. It still startles how much of a better character anime Tsutomu was comapred to manga Tsutomu in Bridy the Mighty. But I forgive the manga as I get more Gomez!
AidanAK47
@Amagi/Kaiser, thought as much. Strike it off the list then. And God Tsubasa was a cluster fuck by the end.
Kaiser-Eoghan
Eh simul-dub of Juuni taisen is out, I might aswell keep up with that instead.
Kaiser-Eoghan
Y'know I had this weird relationship with dragonball in general. When I was younger I never actively seeked out the show, but on a rare occasion I would watch random episodes whenever I was channel hopping and nothing else was on.
Kaiser-Eoghan
@Amagi: Clamp shared universe was a mistake.
Kaiser-Eoghan
I really really wish that that tone breaking style of comedy stops being a thing.
Kaiser-Eoghan
It doesn't happen often, but there ARE shows we all have that snap trigger us when they get mentioned.
Kaiser-Eoghan
I feel my disdain of re:zero is because I hate Akame ga kill and Higurashi so much and it prevents me because of bias from enjoying it.
Kaiser-Eoghan
@Aidan: In addition to what i posted about Pandora, you will hate the comedy.
Kaiser-Eoghan
@Mario: I will rewatch it, the first one is one of those things that improved on repeat viewings.
@Travlos: Conspiracy theories are one of those things I find myself taking interest in, then almost immediately consider immensely stupid and a waste of time.
Amagi
Aidan: If you didn't like the first parts of Pandora you won't like the rest either. Most people that loved it did this because of the characters and setting, the story isn't really getting better and I kinda disliked what they did near the end. It was overcomplicated and everyone had like three different personalities, plot twists and so on. Not nearly as bad as Tsubasa Chronicle though
AidanAK47
@Bokusenou, believe me when I say you are not few. There are plenty who Dislike Re:Zero. I can understand it and I sort of get where your coming from regarding the characters. (Though Saber sucks) There is just something about the series that I just adore.
KTravlos
@Kaiser. I have not watched most of them. But I have watched Z and All the President's Men. Both are great films. The issue with me is that while I like political thrillers I despite conspiracy theories. Far too many pol. thrillers dive into con.theory stuff. So I must be discriminating.
SuperMario
Okay, I'm off to watch Blade Runner 2049 now. Hopefully it can be as good as the original
Vonter
In contrast World's End Harem, surprisingly looks to be trying. It has one story trying to play straight, the scenario of being the last man in a world mainly habited by woman. And has had this framing of self worth, temptation and doubt I like. No work of art, but surprising for this type of manga.
Vonter
In regards to manga, I'll need to look for something good, being losing time with ecchi stuff. Which I can tell Okamoto should just make hentai, seeing as his latest work, doesn't even try to be anymore than pandering trash (at least older work, had a notion of a story).
Kaiser-Eoghan
@Travlos: Did all the presidents men and Parallax view by Pakula appeal to you?
Kaiser-Eoghan
@Travlos: Actually as your are a Greek....have you watched Z, missing, State of siege or the confession? None of them are actually in Greek but they were political thrillers directed by Costa Gravas.
Anonymous1490677
KT here: Well I am a sucker for political thrillers and "grand" politics, so the direction it took is quite fun for me. Even if it does indicate a Tomino ending.
Kaiser-Eoghan
For me Titan peaked at volume 8 and I never bothered continuing on much further.
Kaiser-Eoghan
@Aidan: I remember a commenters on here a good while ago that mentioned the ending didn't satisfy or come together well and made the investment not worth it.
Kaiser-Eoghan
@Aidan: Honestly it was only near the halfway point I vested any interest in pandora hearts, the first 4 volumes left me wondering if I'd drop it, then near the last few volumes I simply fell out of reading it.
Bokusenou
I feel like I'm one of the few people who don't understand why Re: Zero is so popular...the only characters I half liked were Puck & Crusch (the latter because she reminded me of Saber from the Fate series, minus the unnecessary perma-blush marks) My anime club screened the series and I really should have skipped those meetings...
Lenlo
Mmm Inuyashiki episode 2 tomorrow. Time to see where it goes
AidanAK47
@Anon, That reminds me. Anime limited better announce the date of the Re:Zero Blu-ray release at that panel of theirs at MCM London Comic Con. They are the only ones known to have licensed it and they have a partnership with Funimation. Even if we don't get a second season I have to get the first on Blu-ray.
Anonymous1490189
Emilia re:zero
AidanAK47
Finally Got that review up. Been sitting in my to do list for a while.
SuperMario
I remeber in Dragon ball, they state that Son Goku takes 6 years of training to become a Super Saiyan. His oldest son takes 3 years and then the youngest one... only takes 3 months of training with his mother. So yeah...
AidanAK47
While we are talking about manga, I was looking into getting some manga boxsets and I saw one for pandora hearts. However I started reading it and 15 chapters in I just can't get into it. I hear a lot of praise for it but is it really worth continuing?
AidanAK47
@Amagi, yep. Like Naruto with the nine tailed beasts and Sharingan. At first they were cool and then everyone and their mother had Sharingan or a tailed Beast.
Though If I had a problem with SNK its that I just find the thing to be poorly written overall. It has creative idea's, but the characters and dialogue is really weak in my eyes.
Amagi
You know that SuperSaiyan syndrome. At first it was special and mysterious, but once the second one gets to have the power they tend to pop up everywhere. Same with Claymore and basically almost every shounen ever.
Amagi
I overall like the SNK manga but I have to agree I really have a problem with this shounen trope of some speciality one character has that suddently turn out to be the speciality of many.
Lenlo
It turned from a horror/thriller to a sort of... shounen mystery thing for me. I wasnt a fan once EVERYONE became titans.
AidanAK47
@Lenlo, I dropped off at that point, picked it up again and read it up to date. Now I am falling out again. True be told I haven't really got into it since the beginning chapters and I am not a fan of the direction it took. If you don't like it now I say future chapters won't really change your mind.
Lenlo
Does Attack on Titan get better? I was reading it up until Season 2 came out and then just fell off the wagon.
KTravlos
oh what a cliffhanger in the Shingeki no Koyjin manga! I am happy where this is going!
Kaiser-Eoghan
I agree that the way the series addresses emotion has some interest to it.
Kaiser-Eoghan
The later chapters I read had some action in them.
Kaiser-Eoghan
Had a read of the children of the wales manga, I am glad to see a shoujo that isn't based on an otome or school life series , additionally I like it on an aesthetic level, I can see it going somewhere but the fast-forward pace makes it hakes it harder to connect with.
Kaiser-Eoghan
@Amagi: Blame! was recently adapted and thats cyberpunk, even if it didn't follow the manga.
Amagi
@Kaiser: Agree. Cyber- and steampunk are two of the few settings I really dig. Especially because I think that there are a lot of potential plots and twists for cyberpunk/VR settings anime haven't used yet. AR is great too, the only series about that is Dennou Coil and it was made ~10 years ago. Maybe the SAO movie but it was just a movie.
Amagi
@Aidan: Same here lol. I remember the toilet thingy but not the woman's backstory. That being said, I enjoyed the series as whole, though some parts were too K-ONish for my taste.
Kaiser-Eoghan
The idea of would agorophobia maintain itself and they'd stay inside or would the fear of being raped/tortured/killed and bypass the agorophobia ?
Kaiser-Eoghan
Random tangent, but I would find it fascinating to see a hikkikomori subject to a home invasion.
Kaiser-Eoghan
Although honestly, I would prefer a cyberpunk wave of anime series to get popular again.
silver
I too am starting to really enjoy the 'adventure anime' genre. The medium of animation is uniquely suited to fantastical worldbuilding.
AidanAK47
@Mario, Was that the one where the girl is desperately trying not to piss herself? Also why can I remember that and not this blonde woman's backstory?
SuperMario
@Kaiser: yep, agreed. It's at its best when it can use the settings to flesh out the characters. The episode after that one, one the other hand, was Sora no woto's dullest episode - where the main girl spends the whole episode waiting for a freaking phone call.
Kaiser-Eoghan
@Mario: The Blonde woman's backstory in the middle of sora no oto, that was the best episode of it.
SuperMario
@Amagi: for reccomendation, if you don't mind another cute girls in a post-apocalyptic world show, you can try Sora no Woto (Sound of the sky). I love that show to bits
SuperMario
But I'm not entirely sold on the show yet. I feel the relationships are a tad too heavy-handed. The light hearted tones don't work well for me but I really feel a From the New world's vibe from the show
SuperMario
@Amagi: I will talk about Children of the Whales here in the chatbox since we don't cover it. Damnit the cliffhanger. That series really focuses on the theme of repress their own feelings. From the children in the Mud Whales with their custom of not to cry in the funeral or their lacing their hands to express their gratitude. Episode 2 has that monster who basically eats others emotions
Kaiser-Eoghan
And by extension, I would hope that it would encourage adaptations of older fantasy manga aswell.
Amagi
I really hope this type of fantasy will become a new trend instead of the classical world of warcraft type of isekai
Amagi
There is just something really atmospherical about a few characters exploring an unknown world alone that is either almost or entirely devoid of humans or just weird like in Kino's Journey.
Amagi
Shuumatsu Shoujou, Houseki, Kino 2017 and Children of the Whales are shaping up to become my favorites this season. It's funny that they have so much in common, same with Made in Abyss, which also was my favorite of the last season.
AidanAK47
@Kaiser, well there were fellows down in cork that decided to go Kite Surfing. They had to send out a boat to rescue the dumb bastards.
Kaiser-Eoghan
@Aidan: I saw that there were some profoundly stupid people ignoring the warnings, some guy even decided to go out swimming despite it.
AidanAK47
I am in some ways both relieved and disappointed.
AidanAK47
Well I got the day off work and the only thing that happened was that it was a bit windy. Wasn't really a big deal to be honest.
Kaiser-Eoghan
Whats the word on your end Aidan with regards to the Hurricane?
Kaiser-Eoghan
And of course raging bull, a rare case where I watched a film twice.
Kaiser-Eoghan
Y'know I've always, apart from Creed, ignored the Rocky sequels despite enjoying the first one, not really into watching a billion followups to a film. Films about fighters seem to connect with me, I got alot out of warrior, southpaw and Rocky.
KTravlos
I was surprised by how well Ancient Magus Bride was able to sell to me the naturalness of Elia's skull head, and the falseness of his conjured human head. Well done.
Lenlo
I do love a good boxing anime. Both Ashita no Joe and Hajime no Ippo are great, though for different reasons.
Vonter
Simply put, unlike Hajime no Ippo. Ashita no Joe, also was mainly about Joe, living in a poor rural town, struggling to make a living, and boxing came out as something that gave him meaning. Instead of the typical shounen of "becoming the best".
Vonter
I think it's bold when someone announced they want to make something like "the next Rocky". Since that's apparently what I get from this announcement. https://manga.tokyo/news/original-anime-megalo-box-inspired-by-ashita-no-joe-announced-for-spring-2018/
CJayTiii
Just watched Heaven's Feel Part 1 at the movie theater last night. DEAR LORD the animation was flawless. I honestly thought they nailed the calmer scenes a lot better than UBW as well. The wait for part 2 is gonna be brutal...
Amagi
Isekai isn't even bad, it's just that it became the worst case of formularic wish fulfillment masturbation nowadays. I actually wish we would get more proper isekai anime again, especially if it's some scifi or time travel stuff for once
AidanAK47
You know thinking about it, Muv Luv Alternative could be considered a deconstruction of Isekai before Isekai was even a thing. After all it actually has the elements of of Isekai.
AidanAK47
Gonna do up a review of the trilogy. Though first I need to post that Subahibi review I have had sitting in my Google docs. Twas waiting till we got the impressions done with.
AidanAK47
@Amagi, I remember checking out Muv Luv and not being too impressed about it. When i cheeked out Alternative years ago I was blown away by how good it was. Usually VNs have moments of downtime where it can get boring no matter how good they are. But Alternative just had you from start to finish.
Amagi
@Aidan: Muv Luv Alt is one of the best VNs I've read. I am happy I always avoided spoilers before. The only thing I knew was that it gets heavy around chapter 6 or 7.
Kaiser-Eoghan
@Mario: Thanks for letting me know before I bothered booking for it.
SuperMario
@Kaiser: the plot doesn't make sense. As the story progresses, it gets weirder, the visual goes wilder and the ending doesn't wrap up much. I might need to watch the live-action version
Kaiser-Eoghan
@Mario: See you rated fireworks 3 1/2, what did you think of it?
Kaiser-Eoghan
@Aidan: I suppose, same to you, hopefully you'll be alright.
Kaiser-Eoghan
@Anon: It was designed by Marta Akermann : https://friendist.deviantart.com/
Anonymous1482176
Can I get where the banner is from?
Kaiser-Eoghan
I know there were 18 deaths back in the mid eighties when a storm struck here back then.
Kaiser-Eoghan
Seems that it will be at its worst in the west, that said I'm living in Dublin in the east so I'll probably get away with a power cut for a while. Thankfully I'm not back in work until Thursday and I won't be going anywhere tomorrow.
AidanAK47
Also Careful Kaiser, I hear we got a hurricane heading our way tomorrow.
AidanAK47
@Kaiser, Can't say I do. I got into anime around the time it was getting put on the internet. And I only started buying anime when I got a job. Now I got a whole bookcase of Blu-rays.
Kaiser-Eoghan
@Aidan: Remember back in the 90s when we didn't have all region dvd players and everything got released on region 1?
AidanAK47
@Kaiser, I checked though. Seems the screenings are strictly US for Heavens Feel. Sort of like how Grand Order isn't released for Europe either. Also took goddamn ages to get the Blu-Rays of UBW too. Aniplex just seems to hate us for some reason.
Kaiser-Eoghan
Dublin city university has/had an anime club.
Kaiser-Eoghan
These are all one time only things though.
Kaiser-Eoghan
@Aidan: Eh....on rare occasions the Eye cinema in Galway and the Lighthouse in Dublin do screenings . Eiretakon has re-formed as J-con in Dublin and they do screenings.
AidanAK47
Playing Muv Luv Alternative and I just made it pass a certain infamous scene. Honestly...I thought seeing as I knew it was coming that it wouldn't hit that hard. But even after all these years...it still gives me chills.
AidanAK47
@Amagi, Could be worse. There are no screenings in Ireland so the wait is a hell of a lot longer for me.
Kaiser-Eoghan
I'll likely be checking out Lu over the wall in early December.
Amagi
I am really looking forward to that new movie from the Tekkonkinkreet guy and Heaven's Feel but both screenings only happen in February so this will sadly still take a while.
SuperMario
Aah, I just missed the only screening of In the Corner of the World at my local cinema (it comes as part of a film festival, guess I will watch the pirated version then). Thankfully they screened Firework anime so I'm going to watch it. Now
SuperMario
I intend to still give Dies Irea another chance. don't know if it's worth it thou
SuperMario
Maybe those kidscheated half of the way because no one can WALK faster than me :)
Kaiser-Eoghan
The animation continues to be quite poor and its only getting 15 episodes.
Kaiser-Eoghan
Though I could definitely have seen my German Ex offended by it.
Kaiser-Eoghan
Y'know I never even cared enough to think that people would be this offended by Dies Irae, it would be like being offended by the Naziploitation elements in hellsing . I find both far too silly to be in anyway offensive.
Kaiser-Eoghan
But in all seriousness, good that you keep up the exercise. I walk pretty much everywhere.
Kaiser-Eoghan
@Mario: Little fiends likely taking performance enhancing drugs, know to poison them next beforehand =P
SuperMario
Still finished in a first half but 35 minutes for 5km is something I wasn't to proud of. Damnit.
SuperMario
Well, just finished a running event. The race was just 5 kilometer so I was aiming to run all the way. Ended up walking 1/3 of the way and lose to some 12 year old kids... I'm getting old, really!
AidanAK47
@Anon, That was a stupid move on their part. Still I prefer to judge a game based on the quality of the product and not outside circumstances.
Anonymous1479322
yooka laylee is okay but i hate it because they removed jontrons voice
KTravlos
new Altair OP is better than old Altair OP. But old ED is better than new. Man I really am sad Altair cannot have the 100_ episodes of LOGH. Because of that they really have to rush the story to make the politics work, but at same time rushing it undermines the story integrity. Which is a pity. I really think if Altair had the LOGH treatment, it would be a stupendous tale of politics.
AidanAK47
I got that with Yooka Laylee which I thought was a decent fun game. However the internet has determined it to be a flaming trash pile of a game. I even have a friend who never played the game but bashes it purely because it's so hated.
KTravlos
While I understand the point, and have indeed watched stuff both psgel and the current writers have not given a high score too, generally speaking our tastes are complimentary. In a world of scarce time and quite a lot of stress over things like work or relationships, I will take the cognitive short-cuts I can for my hobbies, and FOMO be damned! :)
AidanAK47
That may actually be quite the common occurrence as internet opinion tends to veer to extremely positive or extremely negative. Something can't simply be good, it most be amazing. Somehting can't be passable either, it has to be garbage.
AidanAK47
@Anon, I agree with that. In truth you can only really judge something when you have seen it yourself. I will even admit that mine and likely the others reviews of Imouto are a bit of Hyperbole. It's really not the most terrible thing I have ever seen. Actually I would say Dynamic cord was worse.
Anonymous1478520
(i already found some nice things i would have neglected otherwise or deemed worthless based on reviews/seasonal previews etc)
Anonymous1478520
So i concluded that even if those people were writing good reviews and had somewhat compatible tastes with me, were nice and intelligent people overall in the end it did not mattered that much. while others' opinions are helpful, my own taste is the only thing i can really trust. so watching everything it is
Anonymous1478520
I used to chose my shows based on reviews from people i trust, this site included, but then i just started trying out everything and - shocking, i know - suddenly i liked things others did not. or vice versa, which were a possibility even before.
Lenlo
Thats why I only really watch/checked out things that piqued my interest. Was gonna do it anyways, so why not write about i
SuperWooper
Comprehensive sampling does have its benefits, though. Animegataris is a show I wouldn't have touched on my own, but it was quite watchable.
SuperWooper
@Kaiser, I agree that only the better-looking shows need to be previewed, but being a new recruit, I can't exactly influence the long-standing Star Crossed policy of giving everything a shot.
SuperMario
@anon1477190: that moment you mentioned about Kino losing her cool was good, but then they followed up on the obvious exposition about the couple which I felt was heavy-handed.
Kaiser-Eoghan
I bring that up mainly because I don't want to see any of the writers getting burned out/demotivated/having their time wasted.
Kaiser-Eoghan
Guys it must be incredibly time consuming to watch some of these obviously from the outset bottom of the barrel shows you know will be awful and you'll never cover, I doubt anyone would have complained if you didn't mention Imouto Ireba.
Lenlo
The ending was good, but leading up to it was sort of dull
Lenlo
Agreed on how Kino felt this week. What really got me though was how she held the gun. That bugged me in those pov shots
Kaiser-Eoghan
Eh, I'm not keen to go over old material, I'll just watch the new Kino stories.
Kaiser-Eoghan
@Mario: I get claustrophobic sometimes, so Haze by Tsukamoto Shinya was fucking un-comfortable =P
Kaiser-Eoghan
@Mario: Ganja and hess, Die Farbe, Texas chainsaw 2, shop of horrors and AM 1200 stood out best.
Anonymous1477190
*I will admit that I enjoyed the ending bit a little more though. Something about Kino throwing that big rock was moving somehow, especially with how stoic she normally is, haha.
Anonymous1477190
I was a bit disappointed by Kino this week. I actually enjoyed the original Colosseum, but more for some of the individual fights rather than the conflict with the main antagonist. So the speed with which they went through them wasn't my favorite thing.
SuperMario
@Kaiser: haha, sounds fun. Any good horror worth reccomending?
Kaiser-Eoghan
Tried doing that horror 30 horror movies in Autumn challenge thing, fun times but bloody exhausting.
Kaiser-Eoghan
I will finally be getting on to magus bride SOON.
Kaiser-Eoghan
Just try not to compare any of his works to yi yi and you'll be fine. Pity we lost him too soon.
SuperMario
I'm meaning to watch Terrorizers for quite a while now. You beat me to it again. So it's that good huh??
Kaiser-Eoghan
@Mario: I did end up re-watching terrorizers and finishing it this time, never ever have I bee so wrong to initially under-estimate a director or film, the second half massively improves the film and comes together perfectly.
Kaiser-Eoghan
@Mario: ...conditions are very hard to get right on screen, it almost ends up being horribly sappy. This is why when I saw Moon-so-ri's performance in Oasis I was so surprised by how excellent she depicted her characters disability, to where if I didn't know better I'd have sworn it was for real.
SuperMario
@Kaiser: and sometimes they take an "artistic liberty" to change the real stories to make it more dramatic. Case in point, I was so moved by A Beautiful Mind until I read it that the main guy doesn't have those issues in real life. Felt deeply manipulated
Kaiser-Eoghan
@Mario: Largely due to and not helped by the fact most biopics are over two hours long.
SuperMario
@Kaiser: glad you enjoyed Loving Vincent. I'm a bit worried about its story to be honest since it's a biopic and sometimes biopic can be so dry like a powerpoint presentation about someone's life
SuperMario
WE DEMAND THE 20 MINUTES BACK
Kaiser-Eoghan
Stupid imouto anime....bullying Aidan and Mario.
Kaiser-Eoghan
*their
Kaiser-Eoghan
Why must all artistic/creative be so out of there minds =<
Kaiser-Eoghan
@Mario: I saw Loving Vincent, I knew very little about the man himself before seeing, but this did an alright job of introducing the viewer to who he was, the voice acting/script is slightly stilted but in the end it works as a vehicle to get from one nicely rendered/animated scene to the next and its worth looking at for 90 minutes .
SuperMario
@Puran: that story from Kino was one of my least favorite from 2003 version. This week they changed quite a bit of details, most notably they speed through the gladiator fights. The result... well... average for me
Total users: 34

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