Posted on 30 May 2014 with categories: Mushishi

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did here was highlight the duality of these little critters: they have both their positives and negatives. This episode really focused on the positives, while again not ignoring the negatives.

The woman who is cursed to keep all of the moisture inside her body. It killed a few people due to unfortunate circumstances (again, nobody is at fault here), however it also brings so much joy to the people when she arrives. What made this episode work so well is how well this series characterizes just about everyone: even the minor characters feel real. I mean, have you looked at the animation for this series? EVERYTHING IS SMOOTH AND LIFELIKE. I cannot recall a TV-series that has such consistently detailed animation for characters, and this series can pull it off because it’s not an action series: budget doesn’t need to be spent on elaborate action scenes, so instead it can go into the detail.

Mushishi really is a mature series like no other. Most series when they tell a story, resort to black and whites: there are clear heroes and clear villains, and even when the villains have reasons for their actions, their reasoning is often crazy in some way to the point where you can’t really hold a nuanced conversation with them. Here, everything has multiple sides to it, and it’s done in a really cool way.

And yeah, pretty much now that I’ve seen the preview of the upcoming summer season: I’m currently 95% sure that Mushishi is going to end up as the best show of 2014. There never has been a series that stood so far above all of the others in all other years that I’ve been blogging. It’s just consistently fantastic and detailed and in seven episodes I have yet to spot a weak moment. This show is just THAT special, and it justifies a second season really well: every episode continues to build upon the lore of the mushi, and we still see new stuff.

Posted on 12 May 2014 with categories: Mushishi

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling.

I now know again why Mushishi is such a unique series. Sure, there have been similar series in the past, like Natsume Yuujinchou, telling about creatures who live alongside us with mythical powers, usually youkai or something in the like. Mushishi however, takes the concepts of Shinto, and goes further than any other show has done. In the eight years inbetween the first and second season, I have never encountered a series that did the supernatural as well as what we see here.

But even then, these four episodes were something else. Here we saw people’s arms getting eaten off, suffer from horrible frostbites, people disappearing into nothingness while still being alive, losing all their senses, chopping off heads and swapping them. It’s one thing to be brutal, but Mushishi does it without showing blood, it does it with such variety, and every single time it puts them in the middle of so many moral dilemmas. It goes in deep on the source, and shows how easily uneducated people can fall into these traps despite proper warnings. This show is nearly a medical thriller with its own set of rules.

And yet the beauty in each of these stories, is that you can’t completely blame the mushi. That also was the brilliance of the first season: the Mushi are also just living their lives, which just happens to sometimes clash with that of humans. This is driven forth even more here, with these mushi without a physical form who try desperately to escape that incredible loneliness.

And the presentation of these four episodes. It’s just perfect. Okay, perfect doesn’t exist… er… some frames showed characters with no mouths! There, critiism! Kidding aside: the animation is beautiful: the movement is slow, but you can really feel the characters. The background art is better than ever. The CG that is used is used consistently and only for the mushi, making them look stunning and out of this world, exactly what they are supposed to be.

The end of episode six: that was actually increidly beautiful how everything came together. It was never told that fire was meant to draw out the mushi in the tree, but when you saw it, everything just made sense. If there was ever an example of what I mean by storytelling, characters, animation, pacing and atmosphere all coming together in one moment, then that is a textbook example of how to do it. All stories were beautiful, but my highlight was episode 03. I cried okay! That’s the first time I cried at an anime in probably over a year!

Creators of anime! LOOK AT THIS! This is how you make an anime!

Posted on 17 April 2014 with categories: Mushishi

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode.

I still can’t believe how authentic this series is. The thing is, when I first started watching this series, I was still very young: 18, and I hadn’t even been released in the real world yet. Now that I’m much older I can appreciate the attention to detail even more. This episode was about a fishing village, probably in one of the southern parts of Japan, and what the people there generally had to do to come by. The Mushi here symbolize the tragedies that come with such a life, however I love how they’re only telling a part of the picture: they hint at other big problems, and they’re far from the only thing playing in the world: the world doesn’t revolve around them, they’re just part of it. I have seen no other show that does that better than this series.

What’s also wonderful to see is that the creators really seem to try to fit in character-development into these one-episode stories. I loved how that one guy was finally able to set his grudges aside. And it was done in such a natural way: for once there wasn’t some big life choice that he was forced to make “return or else you’ll die!”. In theory, they could have figured something out with the village, heck he just could have given them the pearl while still remaining isolated. It just was the push he needed to set his feelings aside and become part of the village again.

Another way in which anime has gone down, is how its directors have gotten much less freedom. What I mean by that is this: when in 2005, Mushishi was made, Hiroshi Nagahama was perhaps a well known episode director and storyboard artist, but he never directed a full series. Here he got the chance, and BAM, he gave it the best possible adaptation it could have hoped for. I mean, if you look at some of the other series that Artland has worked on: the animation is completely different, much more generic, their pacing is way off. A debuting director managed to do that and they gave him a lot of freedom here.

Fast-forward eight years, and you can see that the established directors can get the freedom they want: Masaaki Yuasa can just push forward his style like he wants. But really, when was the last time that we really saw a first-time director try to push his own style and stamp on a series? My guess is that as anime has matured since the digital age, it has become more consistent. Consistency is boring! Be ambitious! Take risks! Show your personal style! Be intelligent and show authentic stories!

Posted on 3 March 2014 with categories: Mushishi

Mushishi holds a really special place in my heart. Back in November 2005, when I started up this blog, Mushishi was one of the first shows I picked up to cover weekly. At first I didn’t think much behind it: it just looked interesting and I wanted to cover it, but as it went on I started to enjoy it more and more. But even then it took me a long time, even after the series had finished, to realize what a special series it was, and that we’d never get anything like it again.

Many series tried, but none got as many things right as this show did. That’s something I definitely realized after I watched this OVA, and how we’re in for something really, really special here. I mean, my big fear was that they’d compromise, and that the second season would feel underwhelming. But amazingly, this OVA kept everything that made Mushishi to be one of my favourite shows out there.

And I know that usually, I’m not one of those people who lauds shows who do just the same in their sequels, but Mushishi is one of those series that is the exception to the rule. It knew exactly what it should keep doing, and yet this OVA contained a new story that adds to the Mushishi universe, and that story was amazing. You can see some CG here, but the creators kept it within limits and bounds.

Apart from that, the soundtrack is just amazing as usual. The voice acting is still brilliant and subdued, the atmosphere is still there. It still has the single best ED ever created for an anime, It still knows how to tell a perfect short story. I mean, really. This will be big. If the TV-series is like this then it’s got the potential to be the best series in years. But no, expectations should not be too large. Something’s going to mess up. Something will go wrong.

I mean, seriously. I don’t know whether it’s because of heightened emotions of finally seeing one of my absolute favorites again, but I still cannot believe how much I enjoyed this episode. I actually got teary-eyed from watching it and it made it seem so easy. I mean hell, this is EVERYTHING I’m looking for in an anime. The story wasn’t necessarily incredibly complex or so, but it was told perfectly. The focus was on bringing all of the different characters to life, and the creators really succeeded in showing that this really is about ordinary people living their lives. It’s incredibly relatable as it dealt with simple, but relatable problems.

Now for those who are wondering: Mushishi is a collection of standalone stories. In order to understand everything about this episode, all you need to have watched are episodes 1 and 20 from season one. That’s nothing, especially because these episodes are awesome to watch anyway.

Posted on 15 October 2006 with categories: Anime Reviews, Mushishi


Mushishi is one of those rare series you can only run into once in a long while. it consists out of 26 episodes, and each of these episodes tells a story about ordinary people, living in the quiet areas of medieval Japan and their encounters with the creatures called Mushi. Only a select few can see them, they’re living beings, just like any other animal or plant, though at times, their lifestyles clash with humans, making them sick, or giving them strange abilities.

The story centres around a Mushishi: Ginko. A Mushishi is an expert about Mushi. He knows a lot about them, and how to cure people who are bothered by the Mushi. The message of this anime is that everyone, both humans and Mushi, isn’t really evil. They’re only trying to live their daily lives.

I am happy to say that each and every one of the stories, told in Mushishi turned out to be simply awesome. It’s just one huge chunk of non-stop atmosphere. Each episode takes its time to tell its unique story. The beauty of this is that not every one of the cases can be solved. At times, people are fated to die, or people have to live with a horrible burden for the rest of their lives. At other times, however, only after years and years the problem can be solved.

Another great aspect of Mushishi is that at times, it likes to make time leaps of a number of years, in order to show how characters gradually evolve, along with their problems and issues. Almost each of the stories told in the 26 episodes left me with such a satisfied feeling. And especially the better stories were just one big adventure.

The creators made an excellent use of the music and background tunes in this anime. While standalone, they’re not really special, but when they’re added in stories with such a huge atmosphere, the two only strengthen each other. The character art style used is unique, and really fits, and not to mention that the background art of each of the different landscapes presented is just absolutely gorgeous.

This anime doesn’t have a lot of bad points. Some of the episodes around the end of the anime were not as good as usual, though the final episode is one of the best again. And there are indeed more episodes which are better than others. Still, overall, this is an amazing anime. Definitely worth to be recommended.

Posted on with categories: Mushishi

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Seriously. Mushishi managed to pick an AWESOME story for the final episode. It’s sad to see this anime finally go, one year after it started airing. Hoping for a second season would be rather false hope. Still, this show has been awesome. Definitely something to recommend to anyone.

The story mostly takes place during Ginko’s youth. He’s spending his time living in a certain village, while the main character of this story lives a few mountains further. He’s the son of the owner of the mountain. his father has been protecting the mountain for his entire life, as it, accompanied by a strange, coloured living fog, is full of life. If people were to mess with it, this balance would be disturbed.

That’s what happens when the episode progresses. The boy also gets befriended with the child-version of a certain traveller, which I could swear I’ve seen before. The boy is rather arrogant, being the son of an important person, though this young traveller seems to change his mind. They travel, based on the coloured fog. It’s some kind of way for the mountain to tell how it’s feeling. Then, at one point, the boy’s father dies. Even though his will said that the boy would inherit the entire mountain, his relatives all snatched it away, and made plans to destroy the mountain, for the sake of their village.

Because of this, the fog disappears, and so the young traveller has to top visiting the mountain. His grandfather, whom he travels with, also picked up a suspicious white-haired boy. This white-haired boy also gets abandoned, along with the mountain, and he join another Mushishi as a novice. Before he leaves, he explains a few things to the boy. That the group of travellers consists out of people who were kicked out of their villages because of the Mushi.

Then, we turn to the present. The buy has grown up, and the mountain didn’t do too well after the fog disappeared. Five months after what happened, a volcano erupted, destroying the mountain. The main character has tried to restore the mountain, but things aren’t going too well due to the absence of the fog. Children also are born weakly, because of the Mushi. The episode ends with Ginko and the main character meeting each other again.

I really loved this episode of Mushishi. It definitely was one of the better ones, and that has to say something. Ginko’s role in this also was a great one. He’s really just a bystander, not related to the main story at all. It also takes a time for him to remember the main character of this story, which was a very interesting detail.

Posted on 3 September 2006 with categories: Mushishi


I’ve been looking forward to another episode of Mushishi. It seems that it doesn’t know how to deliver a bad episode. Each of the stories presented works so incredibly well, dealing with a different problem every single time.

This time, we have a little girl, who’s blind. She encounters a mushi, Ganpuku. This mushi gives her sight. At first she’s incredibly happy, but then the mushi starts showing her things that she shouldn’t be able to see. She’d be able to see right through walls, she could see things which happened miles away from her, nothing was a secret for her anymore. But it didn’t end there. Ganpuku then gave her the ability of foresight. The girl grew up, and many people came to her, in order to get their futures told. Obviously, the girl didn’t have any friends at all. When her father died, she moved away from her village and started living as a shamisen-player (which C1 seems to have turned into a lute).

Of course, while it may seem like joy and goodness in the beginning, if you have to live with this for more than fifteen years, you begin to see the disadvantages. Every good thing has a bad thing, and every bad thing comes along with a good thing, and this is no different. The girl may have had the ability of foresight, she had this 24/7. She had no way to turn this off, and she lived her entire life, seeing things in the future. In the end, she became dizzy and unhappy because of it. Around the end of the episode, it seems that Ganpuku has completely taken over her eyes. They then detach from her body, and turn into their real form.

It’s indeed a dilemma for the woman. She has to choose to either see the future continuously or see nothing at all. It’s a choice between two extremes, with not middle way at all. In the end, the woman didn’t care for herself anymore, and was content with living with Ganpuku. But she didn’t want anyone else to suffer the same fate she did. Therefore, she asks Ginko to bury her eyes, somewhere in the forest.

Posted on 3 August 2006 with categories: Mushishi



Mushishi returns with the same outstanding quality of its stories once more. This time has yet another happy ending. I really loved it. The case is like this: we have this village which has its own Mushishi. On one day, they run into a yet to be identified Mushi. It came from a vulcanic rock, and has taken the form of a plant, which can rapidly increase in number. These plants also release a poisonous gas, which appears to kill off the trees.

The Mushishi has tried all sorts of things, but nothing works. Eventually, her last resolve was to burn the entire forest, along with the Mushi. After all, if the plants were to reach the crops of the village, they’d have a very hard time surviving the winter. Ginko’s against this, as not only it burns a lot of innocent trees, but the fact also remains that the Mushi came from a volcanic rock. It would be wrong to give it fire.

In the end, the Mushi appeared to be the premature form of a bunch of Kagebi. It takes refuge in cold places, and survive by sucking the heat out of people who are lured by their warmth. The Mushishi then tells everyone to be extra careful with fire, though you know how humans tend to behave. Most villagers do not immediately see the danger of the Kagebi, and they don’t pay attention to their actions. Only when seven people die and even more suffer from frostbites due to eating food, cooked under Kagebi, the message begins to sink in, and they start to be extra careful.

The Mushishi, however, has another problem. She swallowed one of the Kagebi, and now it’s grown inside of her. Very slowly, it’s sucking away her heat, and makes her cough up leaves, as a means for the Kagebi to reproduce itself. She has already given up hope when Ginko helps her. He lets her drink food, cooked by another Kagebi. This food then causes a frostbite in her stomach, where the Kagebi resides. This makes it unable to suck up heat, so it dies off. At least, that’s what I think that happens.

The way the episode ended was great. We turn to the beginning of the spring, we see a lone Kagebi heading out of the village. I’s looking for colder places, in which to spend the summer. I just loved the symbolism of this scene.

You can wonder, was it right to burn the trees? The fact remains that the plants were the dangerous ones, not the Kagebi. While the Kagebi just took seven lives, just imagine how many people would have died if the plants managed to reach the crops of the village. But still, a lot of animals, plants and trees were killed off during the burning. However, at the end of the episode, you can see the first traces of life appearing again. It’s also part of the symbolism used at the end of the episode. Life goes on. No matter what.

Memorable Moment: The ending.

Posted on 15 July 2006 with categories: Mushishi



The series had normal episodes, and it had awesome episodes. It’s the same with the OVA. Episode 21 was perfect in every
single way. Episode 22 was amazing, despite its flaws. Episode 23 shows us a standard Mushishi-story again. It’s about a disease, which causes limbs and body-parts to become stiff and unmovable. It’s being spread through the voice of one girl. Ever since the girl found out that her voice spread the disease, she’s stopped talking. Though the disease remained. The girl has stopped talking for ten years now. It’s also one of the stories with a more happy end.

Still, that doesn’t mean that I didn’t love the episode. It’s still as calm as always, and the situation gets explained very quietly. It seems that the woman had been screaming at the top of her lungs inside a deserted cave, in order to ruin her voice. By the time this episode plays, she hasn’t quite lost it, though her voice does sound very creepy and sad. It’s probably one of the first times in anime that such a voice was added.

The great thing about this episode was the ending, though it does leave a few bugs. The girl had been isolated, as everyone thought of her as the culprit. There was one man, from another village who didn’t treat her that way. This man then fall off a cliff in the mountains, and she had no other choice than to cry for help, with her already distorted voice. That sounded too sad. It seems that to cure the disease, the woman had to scream towards the village, with the see straight behind her. She’ll probably have to scream for years in order to fully remove the disease, and her voice will most likely die before the disease does. It’s so awesome to see someone willing to give up her own voice in order to save others. Still, the way Ginko came to this conclusion bugs me. We get no clues to his plans until he reveals them. And the things that made him realize the solution don’t make any sense at all. And how come, in fourteen years, nobody has even bothered to go to the see and check what happens?!

Overall, another great Mushishi-episode. Not the best, but definitely enjoyable.

Posted on 6 July 2006 with categories: Mushishi



I’ve got one fundamental problem with the Mushishi OVA. The budget has been increased, in order to be able to display some nifty action-scenes in which Ginko also plays a big role.

NOT. A. GOOD. IDEA. Mushishi’s strength lies in its atmosphere and the heavy drama it introduces. Action doesn’t belong in it, as it also introduces one nasty little bugger: the Deus ex Machina. Why the heck did the storm clear up just in time to save Ginko?! The series at least understood how to put Ginko in at least a bit of a struggle, like letting him drown in quicksand in order to come out of it on his own strength a couple of hours later. Or letting him fall asleep for an entire winter. Ginko’s brilliance lies in the fact that he’s the medium between the Mushi and the real main characters of each story.

That aside, the theme of this episode was once again magnificent. We have this island. Right next to this island, there’s a strange rock formation. Inside that rock lives a Mushi who feeds on the time, lived by creatures. So, let’s say that a dying person gets dumped near that Mushi, the Mushi catches it, and turns it back into the embryo. This way, that person can live his or her life once again.

The people on the island know this. It’s very common to see a person being reborn and people often let family members who are about to die be dumped near the Mushi. Same story with the main character, Mio. She’s given birth of her own mother. She’s probably one of the few people who has troubles with the system on the island. She already said goodbye to her mother, and now she refuses to raise someone who’s already dead. She therefore decided not to see this girl as her mother, but as her daughter.

Still, she’s struggling with this. As she grew up, her daughter began to look more and more as her mother, which really make her think about who she had been raising all this time. Her daughter (she’s too cute, by the way), however, talks about this like it’s nothing at all. When she explains about other cases which happened on the island, you really start to think about what it means to live. After all, you won’t have to be afraid of dying, as you return any time.

But then again, the only thing that remains the same is the embryo. People do get raised differently. People have different memories. The fact that the child looked so much like the mother was just Mio overreacting. She begin to look at every tiny little detail, and then she noticed similarities. So, what if you do get sick, and what if you do decide to go to the Mushi before you die. Can you with 100% certainty say that you will be the one who’s reborn? This is a thing that most of the islanders seem to forget. We even have a guy, who lost his wife in the sea. He then waited for ten years in order to remarry her, and now they’ve been living together for quite a long time. It’s just like Disgaea, in a certain way.

I liked the relationship that the Mio had with her daughter. The daughter was very bright and cheerful. At times, she would be able to talk with her mother on equal level. She was raised very well, as she did seem to understand that she wasn’t the same as her grandmother. The reaction of Mio’s mother when she was about to die also was quite interesting. It seems that she had decided to be reborn again. That she didn’t want to disappear. I wonder, if Mio’s daughter is put in the same situation when she gets old. Would she also react the same way? It totally depends on the things she experienced in her life.

Overall, the theme in this episode was exceptionally well done. Mushishi surely delivers in that aspect. Mio was awesome, her daughter was even more awesome. The only speck on the window was the climax.

Memorable moment: When the daughter jumped recklessly after Mio. It only showed more of her awesomeness. :)

CHANGE USERNAME
Anonymous1198985
No, Im said if you dont like nisekoi dont read it
AidanAK47
@Anon, How do you know you don't like it if you don't read it?
Anonymous1196967
Don't like it don't read it.
AidanAK47
I went and read Double Arts. This really was a great manga with tons of potentail and truly didn't deserve the axe. It's so depressing that this was cut off so soon and the author went on to make the most generic Harem ever Nisekoi, and that got over 200 chapters.
Lenlo
All of the important dance scenes for Yuri were fantastic, its just some minor one off characters and some reused ones that were an issue, so no they are better than the CGI
Anonymous1190387
Is it worse than those CGI dance scenes in some anime?
AidanAK47
@Puran, It is pretty surprising how well that story turns out. I say IG might do the job even if there animation isn't the most consistent. The one thing I am worried about is those necks though. In the PV those things were ridiculously long.
Puran
Fair enough, recycling the animation was bad, agreed. But the animation itself was really good.
Lenlo
See, I found the repeated dances in Yuri one of the worse parts. Alot of it was recycled animation and certain characters were obviously rushed/not done. Some were amazing, cause they took their time, but others looked terrible.
Puran
I kinda wish Mappa was doing the anime though. Yuri on Ice had really nicely animated dances (and was more or less the only actually good quality of that show :P )
Puran
Reading the Ballroom e Youkoso manga has made me really excited about the Anime.
Kaiser_Eoghan
@Aidan: I'm particularly turned off by bully/bullying cliches these days. I've only read the first two volumes to see how awful she was but I ended up simply losing track of the series and stopped reading.
Kaiser_Eoghan
@Mario: Actually that has changed, I had to pick a different day to see it given changes in schedule, I've booked it for NEXT Wednesday now. I've watched Akira about four times.
AidanAK47
Oh, Rising of the Shield Hero is getting an anime adaption. Hmmm...honestly after finishing the series and looking over it as a whole I am not sure I even want that. Plus seeing Bitch Animated...would fill me with rage.
SuperMario
I intend to re-watch Akira soon, probably this weekend. It has been almost 10 years since my first watch and now I don't remember much about that one. Thought it was intriguing and complex but not as acclaimed as people hyped it to be (I'll pick Ghost in the Shell anytime). Wonder how I'd feel now after re-watching it.
SuperMario
@Kaiser: I remember you mentioned that you were going to watch In this Corner of the World today right? How was the movie Kaiser?
Lenlo
Oh cool, food wars is getting a 3rd season
Kaiser-Eoghan
Ballroom youkoso appears to be leading the polls.
Kaiser-Eoghan
@Mario: Fumiko is a female mangaka yes. Also I found bokura no hentai worth reading.
SuperMario
yep, I finished that manga too and I have conflicted feeling about it. Yuri(!) part and fanservice are to blatant but they have a purpose. This mangaka (not sure but I think she's a girl) has some unique voice.
AidanAK47
....well I skimmed that manga. And it was weird
SuperMario
By all appearances,Sakura is normal,albeit sheltered junior high school girl who enjoy talking about love and walking home from school together.However,they also happen to inhabit a strange and supernatural world populated by mysterious,gigantic beings and unusual plant and animal life.Amid their peaceful lives,Sakura becomes very interested in something only alluded to exist in old books: dicks
SuperMario
Here's a synopsis of other manga from the same author, I think you'll have a better idea of his theme -
Sakura no Sono
AidanAK47
Pretty much what Masky said. I am not really praising it. Anyway I plan to read one or two more chapters to see where it's going. But if it's going in the direction I think it's going then I am dropping this one fast.
Kaiser_Eoghan
There is of course the underlying concern that it will go a very ugly route with that development or it could become edgy/horribly minipulative, but for now it is as mario said, a hook.
SuperMario
Well. overall I don't dislike what I read there. It has good hook and I'm intrigued to know more what the hell will happen. Good set-up for me. I'm in
SuperMario
@Masky: it's fine Masky, since I will chec itk out any way and see it for myself ^^
Masky
So since you guys started being interested, I checked it out and uh.. Yeah, not reading. I think ye guys misunderstood Aidans warnings since that was just fucked up and not in the interesting way.
Lenlo
@Aidan: Berserk will never again go more than 3-4 months without a hiatus.
SuperMario
Hmmm, that manga Cutie Mutie sounds good to me. I might check it out later today
Kaiser-Eoghan
@Aidan: But had you not alluded to that scene, I may have seen the cover of that manga and skipped over it.
Kaiser-Eoghan
@Aidan: I had a feeling, sort of, sad, I am intrigued to read more.
AidanAK47
Hyping and warning are not the same thing.
Kaiser-Eoghan
Well with Aidan hyping up the horrors of cutie mutie I may as well glance at it to see what he' on about.
Kaiser-Eoghan
There are three manga with the name rec.
Kaiser-Eoghan
I am familiar with the artist for cutie mutie, she did that manga about the three kids dealing with gender/orientation issues.
AidanAK47
Oh look Berserk is on Haitus again....
.....the sad thing is that it comes as expected now.
AidanAK47
For reference the two I read were Cutie Mutie and Rec. Be warned, the first one goes to a rather uncomfortable level.
AidanAK47
@Masky, Read two manga. One started lighthearted and then went to really dark territory. The other one looks like it's about a really dark subject but turned out to be something more lighthearted.
AidanAK47
@Mario, Alright. Tested it now so it such be fixed. Try again.
Masky
@Aidan: Huh? What you read that turned dark/didn't turn dark? .-.
SuperMario
"too many answers selected for question 1! only 3 answers allowed!"
SuperMario
@Aidan: I still have the same issues. Weird
AidanAK47
@Mario, Wasn't my intent. Try it now and you should be able to pick as many as you want.
SuperMario
@Aidan: I'm not allowed to vote more than 3 votes. Is it your intention Aidan?
AidanAK47
Well that was weird. I read something that looked innocent but turned out to be really dark. Then something that looked really dark only to become innocent.
Masky
Yeah, nothing that interests me I see :D Like my strongest reaction to season preview was "Someone made isekai with smartphone? Really? REALLY? Thats best idea you had"
Masky
Ah Knighs and Magic, found that manga. It was boring enough for me to forget its name. Also besides being boring, I kinda find MC unlikeable since their only personality is that they like mechas and were a programmer before renicarnating as short bishie kid
Masky
Woo, time to vote stuff
SuperMario
@Kaiser: that movie In this Corner just getting more and more acclaimed huh? Thou I think it'a a type of movie that if you have high expectation for it you will likely be disappointed. It works best as a sleeper hit
SuperMario
As for cute monster girls, most of the time I don't find them cute at all. I know I'm being racist, but...
SuperMario
@Lenlo: I'm guilty with that cute girls genre, as i enjoyed K-On tremedously for example. Or If I have more time I'd follow Hinako Note this season ^^
Kaiser-Eoghan
They don't always adapt all that well or work as well outside of manga format, especially 4-komas.
Kaiser-Eoghan
*three
Kaiser-Eoghan
The only two of any interest were hidamari sketch, azumanga daioh and yuru yuri and that was largely down to being in the mood for them a few years ago.
Lenlo
@Mario: Personally, I have 0 interest in this Monster girls doing cute things subgenre, just like I have very little interest in the cute girls doing cute things major genre.
Kaiser-Eoghan
@Mario: As it turns out I DID read in this corner of the world. I'll also be seeing it next thursday.
SuperMario
@Kaiser: at this moment I'm very skeptical with the whole Monster girls doing cute girl subgenre, so I'm approachig Centaur with a caution. Of course, it all depends on how I feel after the first episode
SuperMario
@Kaiser: Happy End isn't as bleak aa his other works. But it's certainly Hanake's films, as it explores many of his favorite themes: the voyeurist of camera in his Benny's video, the detachment to the world and the underlying violence. Not his best thou but it's still very good
Kaiser-Eoghan
I think I'd be up for watching jigoku shojo, its been a long time since I watched the original two seasons and this one won't be as long, so it won't get as repetitive.
Kaiser-Eoghan
I voted centaur no nanami on the poll, think Mario could cover it.
Kaiser-Eoghan
@Mario: How did did you get on with Happy end? I heard its like a mix of his best works. Is it as dark and depressing?
Kaiser-Eoghan
I have vague memories of in the corner of the worlds manga, unless I'm mixing it up with something else.
SuperMario
Some news, Lu Over the Wall won the best prize at this year's Annecy (the 1st anime won the award since 1995's Pom Poko), with In the Corner of the World took the Jury Prize. Quite a good showing for anime this year.
AidanAK47
@Anon, Hello.
SuperMario
Really, still no vote for Kakegurui?? I thought it would take the top poll for sure
SuperMario
That 18if, even the poster doesn't make much sense, but it looks dazzling ^^
Lenlo
go-go licensed products!
SuperMario
@Lenlo: and Madhouse is the studio behind that Marvel rip-off. Are they really going that low for profits?
Lenlo
Lookin forward to Kakeguri next season, but thats the only thing thats really caught my eye
Lenlo
Well, you have to watch Marvel next season right?
AidanAK47
And done. I swear these previews take a lot out of me.
AidanAK47
Almost done....almost done...
KT
Attack of Titan, ended ok. But man the production values had gone down.

Virgin Soul had a okish episde

Re:Creators continues to rock for me.
Kaiser-Eoghan
@Mario: I liked the 70s version ending, it was mean spirited =P
Kaiser-Eoghan
@Mario: The original used its one room location quite well and dim lighting in parts, very closed in/claustrophobic.
SuperMario
@Kaiser: just finished the Beguiled and it was much better than I expected. Like, I didn't expect it to be that well shot. The guy was put in a passive role than active here, which help the theme imo. Also, the ending admitedly isn't for everyone but I liked it just fine
SuperMario
@Kaiser: using a black girl? The girls in this one are all white :(
AidanAK47
Sato in Re:Creators isn't doing himself any favors is he? Honestly the more I learn about him, the less likable he becomes.
Kaiser-Eoghan
It was a good film though, one of scarjos better moments.
Kaiser-Eoghan
@Mario: As for Sofia, I'm only familiar with lost in translation, which I haven't seen since it originally came out.
Kaiser-Eoghan
@Mario: Everyone goes on about Francis' for the Godfather, the conversation is massively underated and apocalypse now is better, but it has to be the theatrical cut.
Kaiser-Eoghan
@Mario: I guess it was probably seen as progressive in its day by way of using the black girl.
Kaiser-Eoghan
@Mario: Very very cynically 70s of course.
Kaiser-Eoghan
@Mario: Actually just happened to finish it there, I felt it stood out for its somewhat successful gothic feel and aesthetic and Eastwood's performance which shows how well he can command the audiences attention even when he isn't shooting people. Kind of liked how it got slightly grisly later on. It makes a small effort in giving one line backstories .
SuperMario
@Kaiser: the original movie isn't that well-received. It's more like an exotica film where the main guy (Clint Eastwood) hooks up girls of all ages. This one I heard has a good spin on feminist angle. I'm sure is intrigued but Sofia Coppola's filmography has been mixed for me
Kaiser-Eoghan
....I doubt any one has ever heard of this....I know I didn't, I haven't read it either but I came across some weird old Blacksploitation manga, probably from the 90s, Blast knuckle or something...
Kaiser-Eoghan
@Mario: Still remaking the beguiled might be good, we need more modern westerns.
Kaiser-Eoghan
@Mario: I suppose I can busy myself with the original 70s version of beguiled. At the moment I've been focusing on old Japanese films, they had such a good film industry, it makes it hurt so much more now knowing that all they do now is shit live action adaptations.
SuperMario
@Kaiser: gonna be a long day for me with the screenings of The Beguiled, Wind River, The Other Side of Hope and Happy End
Kaiser-Eoghan
Now I need to re-watch 08th ms team.
Kaiser-Eoghan
I watched 4 hours straight of Gundam the origin, hit me with a hard punch of nostalgia, actually seeing his backstory rather than hearing about it is a good thing, I enjoyed the action scenes, it was high-melodrama but well used and more Char is always a good thing.
Kaiser-Eoghan
I think I'll just put Kado on hold for now and see whats being said about future episodes of it, I'm too unsure of it being worth it or not at the moment.
Vonter
I want to comment on a humble indie game called Sakuna of Rice and Ruin. Is a simple hack and slash similar to Muramasa and Dust: Elysian Trail. The game has a scarf mechanic that is very fun to use to evade attacks and throwing stuff. It kind of reminded me of those Mickey games from the Snes and the visuals reminded me of Pocky and Rocky. Its a game to play on a sunday, simple, fun and relaxing.
Vonter
From the stuff I played Dragon Ball FigtherZ seems legit at capturing the speed of the battle and feel of the action.
Vonter
Back from E3. Nintendo is still my main jam. The Rabbids game seems better than I think anyone could imagine. Odyssey seems like a good time. Xenoblade and Metroid 2 remake look like hype.
KT
On Gundam OG, the new Origin Manga, and the movies based on it are very good. Recommended.
Kaiser-Eoghan
I remember reading the first chapter of that manga, but it was a long time ago and the updates were slow.
AidanAK47
A manga about Ballroom dancing? Yeah there's no way I am into this.
(Starts reading)
(Reads ten chapters)
Crap...I am into this.
Anonymous1166615
Feel I need to re-visit gundam again through 08th MS team, unicorn and Origin as I'd enjoyed the 70s series, its sequel and chars counterattack. Seed turned me off the franchise for ridiculously long and 00s movie and second season wern't as good as the first .
Anonymous1166615
Looks like I have another Yuasa work to look forward to, he's doing his own take off on Nagai's devilman , hopefully he can reign in Valvraves writer though.
Masky
*first manga in couple last weeks I've seen
Masky
Da fuq. Found manga called Kemono Jihen, but it somehow already has tv tropes page(I tend to check randomly whether works have tv tropes page to see how notable they are) O_o I mean this is first manga with 1-3 chapters that has that, so I guess author is really popular or something in some circles?
Lenlo
Huh. Guess they figured out rewriting a story for Re:Creators.
Masky
Ya know, even if i hadn't heard that Suka Suka is based on one of more tragic light novels, the death flags, all of the death flags :D
HelghastKillzone
I'm a patron of someone who is writing mass effect fanfiction at 2 million+ words. It combines games, writing and fan creativity. So there is that....
Kaiser-Eoghan
Ah, while I listened to some Lovecraft audiobooked, I felt as if I was copping out by listening instead of reading.
Kaiser-Eoghan
A horror manga often works well episodically in a short story format.
Kaiser-Eoghan
@Aidan: Had a flick through Shibito, of what I read I liked how ridiculously camp and gleefully, proudfully nutso it was combined with the silliness of the violence. While not my favourite chapter, the one about the actress stood out for me because she was clearly a reference to Setsuko Hara, one of Japans most famous actresses lol
AidanAK47
I try out a number of things from time to time. Books, movies, music, comics and the like. But I always come back to anime.
AidanAK47
I have dabbled in quite a few mediums myself. My recent experiment is audiobooks which I am currently using to get through Moby Dick. And Jesus H Christ is this book padded to hell and back. It may be well written but it is an awful story.
Kaiser-Eoghan
But what this film venture has shown me is that while I've gotten much out of it, it shows just how STRONGER the connection I have to anime/manga is.
Kaiser-Eoghan
@Mario: And definately, I don't get the "people focus on only one media thing". One of the reasons I started branching out was because I felt "Fuck, I'm in my 30s and I've neglected a whole medium by being too focused on cartoons"
Kaiser-Eoghan
The sign you're at something too long is when the suspense of waiting for the next part to come out isn't there or when you find yourself not picking up on whats going on!
Kaiser-Eoghan
Manga/visual novels/anime I've noticed especially now are much much easier to stay awake during when you're wrecked tired.
Kaiser-Eoghan
@Mario: And to be honest, I've gotten busier and more tired lately, getting home on a weekday later after a new job, I'm not alert enough to watch art films, just started leaving them till the weekend.
SuperMario
@Kaiser: I know exactly what you mean. That is one of the reason why I like to mix up what I watch: sometimes books, other time manga and even music to get me away from burning out from 1 medium
Kaiser-Eoghan
*eventually get back
Kaiser-Eoghan
The short of that is, I think a good scale back with ANY hobby is a good thing because it can feel special all over again when you get back on it more mainly.
Kaiser-Eoghan
But now that after three years of mainly focusing on films moreso than anime/manga as much, because I'm now incredibly burnt out from watching films 4 times a day, I feel now I can watch ANY anime or read any manga and get that fresh feeling/some of that old passion back.
Kaiser-Eoghan
Remember that feeling you got when you first really got into anime/manga and pretty much excitedly/panic watched EVERYTHING and almost everything felt great? I've been thinking how a few years back now, I sort of re-lived that feeling again...however for films.
AidanAK47
(Finished watching SukaSuka 10)
Awwww...that was a sweet episode end....
.....
.....They are all gonna die.
Kaiser-Eoghan
@Aidan: Kids off school pressumably in Japan with more time to watch stuff and more shows.
AidanAK47
God why is there so many anime during the summer season.
AidanAK47
Of course there are the really obvious recommendations of Grand Blue and Kaguya wants to be confessed to.
AidanAK47
I say the only other recommendations I got are Jagaaaaaan, Maou no Hisho, Ore wo Suki Nano wa Omae Dake ka yo and Yuuutsu-kun to Succubus-san. Though I still think Shibito no Koe o Kiku ga Yoi would be up your alley.
Kaiser-Eoghan
By all means keep posting random manga you've all come across, I will read them.
Kaiser-Eoghan
I thought route end did a good job on the protagonist's feelings regarding his mothers death.
Kaiser-Eoghan
Though my interest in Route is largely due to it was the most lurid of the selection.
Kaiser-Eoghan
I felt route end holds the most interest of that selection of recommendations, although before reading it I thought it would be an episodic manga, similar to a series called death sweeper.
Lenlo
@K-Off, well I think both the manga got handed down to the assistant, and the anime got handed down as well. The original author/director for both arnt working on Boruto
K-Off
@Lenlo Probably, haven't checked. But the manga and anime are completely different so I don't know.
AidanAK47
The Streisand effect in full force.
SuperMario
*Now the media...
SuperMario
No the media storms over it and eventually want to check out this film. It has gain more publicity after this shameless incident
SuperMario
oh god, really? Chinese government tried their best to force Annecy (Animation film Fest) to remove a Chinese animated film name Have A Nice Day from screening there because of its "sensitive content"
AidanAK47
Still think Sawano needs to lay off the vocals. It can get really distracting in Re:Creators.
KT
oh my the RE:Creators OST is all I wanted.
Lenlo
Well, Boruto isnt being run by the original manga author is it? I thought he handed the series off after Naruto to his chief assistant.
K-Off
The contrast between wanting to do something different yet using the same character traits is just too jarring.
K-Off
Gave Boruto a shot, and while it isn't bad, it's so detached from the original series that it might as well have been unrelated. I appreciate that the plot is different, but the modern setting, and lack of any clear character motivations (for now) makes it such a chore to watch. If they were going for something different, why did they use the same character designs and archetypes?
SuperMario
Sorry guys for the delay of Eccentric Family post, just can't bring myself to finish the post. Not that many of you following the show but Yeah, I will plget it done later today. Also, hell yeah for Pluto. Urasawa is my God
SuperMario
@Aidan: I kinda imagine Isekai Shokudou would be like Time of Eve upon reading the synopsis. Like each week about some peculiar customers. Well, if they focus more on food, then... *heartbroken*
AidanAK47
Two Metroid Game announcements and an anime of Pluto.
Today was a good day.
Anonymous1161527
KT here:YES!
Kaiser-Eoghan
@Anon: One of his better works, despite reading it twice I've forgotten too much as its been too long since reading it, good though as when I watch the anime the manga won't be as fresh in my mind.
Total users: 31

Featured Posts

ID-0 – 11 [Innocent Orbit]

I must say, despite my current worry from the direction ID-0 is heading towards the climax, we have another solid episode in our hands. Here’s one of the thing ID-0 continues to prove itself to be quite adept of: their pacing never drags. All the events progress gradually, and there aren’t many unnecessary scenes, if […]

Sakura Quest – 12 [The Dawn Guild]

Sakura Quest offers a pretty much Sakura Quest-esque this week, and I come to believe that this is a strong mini-arc to close-up the first half of its run. For the Tourism Board, the Manoyama Founding Festival will become their most ambitious project in term of scope they have encountered so far. Moreover, documenting the […]

Seikaisuru Kado – 10[Towanosakiwa]

So despite my aggravation with how the last episode ended, this episode starts of strong with how the universe was created and the anisotropic beings watching over it. The whole sequence was great and beautifully alien. That half of the episode explaining how Saraka ended up on end was actually very strong and despite the […]

Uchoten Kazoku 2 – 11 [The Blood of the Tengu, the Blood of the Fool]

The Eccentric Family again takes some solid steps to its final showdown. But let me address this first because I’m sure no one really see it coming. Soun comes back to life. A fake-out death? Seriously? Using fake-out death ALWAYS comes with a price, which is all the emotional investment we had for the death […]

Re:Creators – 11 [The Monster Under the Eaves]

Not surprising that this was a more subdued episode since the events of last week landed two and a half creations in the hospital. Given their bed-ridden state, Re:Creators takes it time in developing some new deep and profound ideas about creating works and resolves the quagmire that Sōta finds himself in the last few […]

Little Witch Academia – 24[The Road to Arcturus]

Hmmm….mixed feelings. There are parts I like about this episode but then there is this underwhelming feeling over how things have turned out. In general I like that the epicly named world reconstruction magic turned out to be just a stick that performs party tricks. Thinking about it it’s likely the decline of magic is […]

Shingeki no Kyojin(Attack on Titan) – 37[Scream]

I was all geared up to write up a post that this season of attack on Titan was mere lip service for a third season that may never come when I seen that there is indeed a third season of Attack on Titan on the way next year. So I could voice those same complaints […]

Tsuki ga Kirei – 10 [The Setting Sun]

Kotarou and Akane have reached a stage where they need to think hard about the long term of their relationship. Akane is about to move town, so how they going to keep up their relationship? Usually for a teenager’s romance it means the end. Full stop. LINE and texting can keep them for a while […]

Sakura Quest – 11 [The Forgotten Requiem]

Well, apart from Ririko suddenly can sing confidently, and sings really well on top of that, this episode ends in high note. In fact, that statement really sum up this week of Sakura Quest as a whole. Messy, a bit all over the place with too many elements, but they have very strong ending that […]

Latest Reviews

Window Horses (2016) Movie Review – 87/100

In Window Horses, or its full name Window Horses – The Poetic Persian Epiphany of Rosie Ming, many characters keep asking the main protagonist, a Stick Girl in an otherwise fully formed character designs, why is she wearing a chador, in which she’s unable to reply. It’s her first trip to go overseas, so she […]

Kobayashi-san chi no Maid Dragon (Winter 2017) Review – 74/100

I remember back in the first impression of last Winter season, I regarded Demi-chan as a better Monster Girls slice of life subgenre over this one. But as the season progressed, while Demi-chan run out of its steam quickly, this one picked up its pace after an underwhelming first episode to become a much more […]

Scum’s Wish (Winter 2017) Review – 80/100

I remember after watched a movie called “Requiem for a Dream” a few years back, I felt devastated for an entire week. The ending hit me so hard that after finished that movie I had to walk around my area for 2 hours in the middle of night to settle my feeling and I thought […]

Shouwa Genroku Rakugo Shinjuu Review – 90/100

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo […]

Youjo Senki Saga of Tanya the Evil Review – 80/100

Isekai stories have become somewhat of a tiresome genre as of late. There have been many stories of people being transported/reincarnated into other worlds where they shed their once pitiful exterior and become some legendary figure in another world. In most cases it’s trit, balant childish wish fulfilment and the stories often become tiresome when […]

ACCA: 13-Territory Inspection Dept. (Winter 2017) Review – 83/100

Imagine my utmost amazement when a show that I wasn’t that confident on taking in the beginning turned out to be one of the most solid offering this season had to offer. ACCA is the most recent anime adaptation from mangaka Natsume Omo, which despite isn’t a household name, many of her works (6 titles […]

Demi-chan wa Kataritai (Winter 2017) Review – 62/100

Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls […]

Seiren (Winter 2017) Review – 51/100

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m […]

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]