Posted on 19 October 2016 with categories: Anime Reviews, Orange

What would you do if you receive letters from your future-self saying that you can change your future? That’s exactly what Naho experienced as she obtains ones from herself 10 years later that urge her to look after her new friend and prevent him from committing suicide. The premise, I agree, is hardly anything groundbreaking, but it functions well as a romantic drama anime. And orange is exactly that: a romantic drama anime. We have tons of romance developing between the leads Naho and Kakeru, and even more time focusing on the depression of Kakeru and the group’s attempt to save him.

The very central theme of orange is the sense of regret. Kakeru always feels regrets over his mother suicides, blaming himself for what happened and the thought of continue to live on proved to be too much for him. Moreover, it’s the adult counterpart that hold that same sense of regrets and griefs towards what they could do in the past for Kakeru. If they were more attentive, they could’ve realized his inner struggles. If they helped him out when he needed the most, chances were, he could’ve survived. Should’ve known better. It’s that regret sense that carry the weight in Naho’s, and eventually Suwa’s and the rest of the group’s actions and make their efforts feel grounded and genuine.

But that’s not to say that their efforts were executed flawlessly. The show’s at its best when the group confronts Kakeru to say out loud his issues, to really share his troubles to his dear friends. Kakeru always puts up a mask in order to cover his troubles, mostly because he believes he could drag the group down, and partly because he fears that he’d be rejected. By making him to be honest to himself, he knows that he can rely on his friends and that’s what save him in this new timeline. But orange feels forced whenever the group tries to recreate a perfect happy time for Kakeru; be it their fireworks night, his birthday, their relay match. Although those moments come from good intention, I can’t help but feel uneasy the way the group manipulates the outcomes so that little Kakeru always feel happy. Is it fair for the guy to receive too much without give anything away? Is that selfless love that you protect your loved ones from being hurt really the best possible outcomes? Hell, NO.

Although Kakeru and Naho share some good romantic moments together, it is Suwa who become the show’s best character. He’s in a complex situation since he decides to support the leads all the way, despite his own feeling for Naho. Sound cliché I know, but what make his character works is that Suwa is an observant, sensitive and highly emotional intelligent than the rest of the group. On the other end of the spectrum, Ueda is really a bad-written character. Orange clearly doesn’t think too highly of her, so the show frames her in a biased and negative light, it’s sad because whenever she appears on screen, she becomes a sore thumb to an otherwise solid cast. The rest of the cast share a natural, lively and effortless chemistry, but they are not the deepest bunch of characters you will ever witness. In fact, in the second half, the amount of time spent on the group trying to help Kakeru overwhelms their own character’s development.

In terms of production values, orange remains a very strange shoujo adaptation. The show has an above-standard quality in terms of direction. The director Hiroshi Hamasaki (who most famous for his Steins;Gate) elevates the show by his sensitive directing, which many scenes convey smartly the emotions the show want to make. The show, on the other hand, was done on a shoestring budget, as a result in a middle part the production values took a huge downfall, the characters are often off-model and those insignificant parts are treated equally messy and off-putting to the point that it brings the whole production down. This is a shame because this is a kind of budget that orange doesn’t deserve to have.

Despite a huge leap in quality, orange at least ends in high note, as the conclusion successfully ties up loose end and gives up a satisfying emotional ride. With the main theme about trying your best in order to have none regrets, it’s more about the ride, how to get there rather than the results, yet I have a feeling that orange focuses too much on the outcomes. To say all that, the ending was executed fairly well that I’ll complain no more. Overall, despite the huge decline in terms of production values in the middle part, and some thematic issues, orange is what it is- a solid entry of shoujo romance drama anime. Anyone who expect more from it will end up being disappointed.

Posted on 28 September 2016 with categories: Currently Watching:, Orange

We come to an end of orange’s ride. After teasing us for a whole season whether or not history repeats itself, they decide to go with a happy ending route. While I’m not entirely happy with orange as a whole, this double-length final episode succeeds on closing the story in high note. At the very least I’m glad these kids turn out to be alright.

But first let me lay out some issues I have with orange. First, orange decides to jump from the new year eve events to the valentine day, and it doesn’t ring well for me. Orange has always been about progression, be it how far Naho and the group would go to save Kakeru, or about Kakeru’s fight for his inner struggles. Making that time jump kind of defeat that purpose. You could argue that it will end up being the same: Naho struggles, Kakeru ignores the rest, the group tries best to help; but I want to see those conflicts. Another problem I see is the double-length, and for that I blame the series composition staff. The story stretches out too thin in the middle part (we spend an entire episode on Naho’s hangover after Kakeru dated Ueda for example; or the sport events that eat up nearly 2 episodes), and now they have to rush things over for the final episode. I feel no time was wasted on this week’s episode, but the first half could easily be in last week, so we’d have more time for the final climax.

Ueda reappears for the last time, but the show still frames her in a very bias, negative light. It’s hard to care for a character when the creators clearly don’t give a damn about her. That is for me orange at its worst. Ueda is a throwaway role, she will always be a pretty stuck-up bitch that everyone in orange hates, and thus the creators persuade us to hate her too. For a show that relies heavily on characters and their interactions, she ultimately becomes a sore thumb in an otherwise endearing cast.

On Valentine day, Naho desperately wants to give him her chocolate, but finds herself to be consistently pushed away by Kakeru. At long last, she finally confronts him and he tells her what he truly feels. It’s good to see Naho finally cracks the wall Kakeru created all by her sincere efforts. But there’s one thing that I don’t take it very well. She thought that it was her own fault for being insensitive in New Year Eve that things become awkward between the two. When she blames herself for something she clearly isn’t responsible for, it makes me really think if this relationship is healthy. Imagine when they really being together; she’d constantly blame herself or struggles to make Kakeru happy. I’m not sure if Kakeru could make her happy, but I know for a fact that if he keeps his attitude like that he’d never make her happy. Setting up romance when he’s clearly not ready for it is not a good move by a long shot.

Which lead us to the final climax, when the group literally try to save Kakeru the day after the Valentine. This time I pretty much appreciate the sequence through Kakeru’s point of view last week, because we already know how his mom’s unsent message could potentially affect him, thus we understand what are at stake here. The main different in action between Kakeru in his previous timeline and Kakeru now is how important those friends are with him now (well, that and the broken bike). That thought “What would they feel if I die” pretty much sums up the change in Kakeru’s character arc. At least now he has something to live for.

Moreover, he receives the letters from their friends’ older self and I personally think this is the most effective payoff orange pull off narratively. This story is all about regrets, and the only people who still having regrets are their adult counterpart. In their world Kakeru had long gone and there is nothing they could do to change that. That is why their letters to the living Kakeru bring out the most emotional honest orange could ever have achieved. All those heartwarming moments of course is conveyed through a sensitive direction and on-par production values. I agree with most of this episode artistic choice (from using random passerby to highlight the distance between Kakeru and Naho in the beginning, or the only windy sounds during the ‘car crash’) and the production actually gives orange the quality it deserves to have. Everything looks just gorgeous here. If only they could deliver every episode like that.

Now to those who don’t know, there was an announcement that orange will have a theatrical film that will come out at the end of this year. It is a retelling of sort from a perspective of Suwa. While I’m not really that excited to check out the film, I think the sequel could potentially be better than the series. Both because Suwa’s role in this whole affair is more complex than others, but also he’s the most mature and the most observant out of the group. Naho and Kakeru always stuck in their own thoughts that they rarely look around and notice those around them. Suwa aware of all that, and that quality makes him a rather interesting protagonist. Well, I will save my thoughts on orange’s overall quality in the final review, but at least we have this last episode: one of the most effective ending we could ever hope for in orange.

Posted on 20 September 2016 with categories: Currently Watching:, Orange

For the first time orange manages to do something different narratively. The first half of this week’s episode tells the original timeline in Kakeru’s point of view, and with that we can understand more clearly about his emotional progress, at the same time gives us much more details about his Mom. In the original timeline, Kakeru hides those negative feelings from his friends, because he both doesn’t want them to be bothered so much about his own personal affairs, and moreover he doesn’t want to get hurt again. After all, what happen if after he tells them about his suicide thoughts, they just laugh it off? Or they just avoid being friend with him like a plague? So he decides to keep everything for himself and unbeknown to him creating a wall between him and his friends. When his emotions become unstable, others (Naho especially) just can’t break down that wall because frankly they have no clue to help him. That wall becomes too thick to break that he’s getting many conflicted ideas going on simultaneously: on the one hand he just wants to embrace Naho, talks to her and tells her that he needs her; but on the other hand; he acts obliviously, cutting off Naho and basically behaves like he has nothing to do with her. It’s getting painful (in both good and bad ways) to watch from time to time.

Prior to this episode, no matter how you think about it, it’s just plain cruel the way his Mom commits suicide to make Kakeru feel bad for ditching her. No one in her right mind would do that; well except Mother Gothel that is. This week brings her whole actions into light and it was much more poignant, consider how things would end up badly in the end. Although whatever she did (getting divorce, moving house, ditching his soccer bag and cleat) seems selfish at first, she actually did all that to protect Kakeru from getting hurt again. Her final message to Kakeru before she commits suicide indicates that she believed herself had become a burden to Kakeru, thus she ends her life so that she doesn’t get in his way ever again. Her thoughts of committing suicide are of course very flawed, but there’s no denying that those thoughts come from a relatable sentiment.

But as far as this Kakeru’s perspective has to offer, one thing that keeps bugging me is the lack of Ueda’s appearance. I know she’s never an important character but I get the feeling that orange itself doesn’t have high opinion of her. I was always curious to see how the relationship between Kakeru and Ueda would end up in the original timeline, but they just conveniently shrug that relationship off like nothing ever happened. At least now we know that Kakeru doesn’t technically commit suicide (he just ride a bike while his gaze was up the sky), but still his very thought that “living another day is a struggle” pretty much qualified that action as suicide attempt anyway.

While I really like the adult’s segment of orange, this time though when they discuss about the technicality of time travel again they completely lost me. I never really care about how these letters go back through time because it was right there in the premise. My logic had already been suspended upon reading that premise, so why bring it up again? To make it worse, the adult actually “figure out” how they going to send those letters back: by sending them to the sea (with the 16-year old address and hope that these letters will find their respective receivers at their precise time in their precise house, dry and clean. How did you guys even find the black holes anyway? This is just laughable underwritten, which makes me wonder why they bother to include it at all.

Our poor Naho after being dished by Kakeru last new year eve event, continues to take a role a normal guy would do; which mean to apologize even though she did nothing wrong, tries to talk to him again but the guy just basically plays hard to get at this time. She even expresses herself to walk home with him and he just walks away? Be a man, Kakeru. Behaving like a man. Now you really get on my nerve Kakeru. Now, she even confesses to him to wait until Valentine, so the long-awaited Valentine might happen after all. Now with only one episode left, how will Kakeru, Naho and the group end up after the Valentine Day? Can they really save Kakeru this time? I really hope orange can manage to pull a satisfied ending here.

Posted on 14 September 2016 with categories: Currently Watching:, Orange

Well, this episode is one the most emotionally wrenching orange has put up so far and for me at least this dramatic turn of event is what this show does best. Kakeru’s issue is a fundamental one. So far, the group succeeds in helping him to open up more and enjoying himself bit by bit, but they don’t actually change his very perceive that he’s responsible for his mother’s death. That and the thought that he might lose another person closed to him depresses the hell out of him and he comes full circle after the whole series of trying to get better. When he eventually gets into that self-loathing mood, everything just snap. That of course is frustrated. It doesn’t help either that Naho is incapable of sharing the feeling with him. She has known that they eventually got into arguments that day, but when it happened, his problem proves to be too big for her to handle and she just froze at that crucial moments. After that, she chose the worst possible way when dealing with someone’s outburst: chasing right after them. It’s much wiser to just give them some time alone to calm themselves (at least Kakeru would save his phone that way). But really, what would you expect from a 16-year-old girl to do? I can completely understand his outburst, but still that is not how you treat a girl, Kakeru. Ever. This guy needs a professional help and clearly he isn’t ready to have a healthy relationship with anyone anyway. Which come to a shortcoming from the group’s effort to save Kakeru: Does the group putting Kakeru and Naho together really is the best way to save Kakeru?

I know I said it before but I don’t really like the way the show’s main focus on the second half squarely on “saving Kakeru”. That aspect just overwhelms others relationship between the cast, since most of the time the topic they talk to each other is how to make Kakeru happy. This week proves to be a nice change as we see more perspective from the rest of the group towards Suwa’s feeling for Naho. Moreover, when the rest of the group calls Suwa, they all actually raise some valid points to the table. Yes, saving Kakeru doesn’t mean that Kakeru and Naho need to be together. Well, at least they like each other, but still it doesn’t mean that Suwa would just sacrifice himself for the sake of those two. At least give yourself a chance. Hagita in turns points out (accurately, but at the same time somehow inappropriately) that changing Kakeru’s future will eventually indirectly changing the future of those around him, and it might not be a good idea to change things so much in this timeline. Azusa argument is the most direct response; she wants him to express his feeling to Naho because she knows that he could make her happy; something I’m starting to doubt that Kakeru could offer Naho. Well, knowing all that, in addition that he knows how his old-self in original timeline would end up (he’s the only one out of the group who seen the pictures of his kid and the old group, talking about “overpowered”), he still decides to support Naho and Kakeru till the end. He might eventually become the awesome dude that no one deserves to have.

Last episode I predicted that the story might end on a Valentine Day, but given that this episode still wanders around Christmas and New Year (one of the saddest New Year Eve in anime I would say), we might have a Valentine that will never come. Instead, I think the story could pretty much end in another event that was hinted many times before: the day the group writes their notes to their 10-year-older self. Judging from that, things might not end as melodramatic as one would think. At least, this episode restores my hope that orange might actually pull off a satisfy ending.

Posted on 7 September 2016 with categories: Currently Watching:, Orange

Orange has a much better episode this week compare to the shipwreck last week, mainly because it has a much more solid material to dance around with this time, and the animation is actually good enough to carry the emotion abroad. I have mentioned last week that I’m no fond of the way the group forced Kakeru to feel happy. Even if those actions come from good intention, it doesn’t mean that he himself feels happy, because he doesn’t actually do any damn thing to earn it. Indeed, in this first half Kakeru is rather melancholy, because his mother just passed away and he thinks that he’s here having fun is an irresponsible act to his mother. In a sense, this is a valid thought. Kakeru is an insecure kid, he has always feel responsible for his mother’s death, blames himself for what happened and is unable to talk about his problems to his friends. Kakeru can only get better if he can be able to talk about it with his friends and let his regrets all out…

Well, if you have followed my orange’s weekly posts, you’d realize the last sentence was originally from my previous episode 7 post, which brings me to my main point: While that scene itself is satisfying, they basically repeat the same notes over again. We have already seen the group pushing Kakeru to lay bare about his inner feeling before with a greater emotional impact, in a sequence when Suwan and Naho directly confronted him about his suicide thoughts. In addition, it doesn’t help either that the metaphor they try to convey becomes as obvious as it gets. Here in the middle of the festival run, Kakeru and Naho have to do an errand by carrying the mattress. As they themselves realize that it’s a hard task for just two people, the group appear to help them carrying the burden, both literally and figuratively. This is as in your face as you can get, thus making the final result much less impactful.

Finally, the moment we had been waiting for the last few episodes arrives: the relay, which not-so-coincidently the final, decisive game in the festival. I originally worried about the relay, considering how the animation quality dropped drastically for the last few episodes. But I’m happy to say that the sequence is very solid. Kudos again to the director’s decision of focusing on the emotional impact of the group rather than the race itself. The relay is a perfect set-up for the group to explore their chemistry because they have to reach to each other, again both literally and figuratively. The metaphor again is too on-the-nose, as each member of the group tries to send their heartbeat message to Kakeru: “Don’t lose. Promise me. We’ll always be together. Even ten years from now. We’ll be waiting”. This is a whole other level of subtlety! Again, I don’t hate the relay sequence and I think it does its job, but I will put it simply: the more obvious the feeling they try to convey, the lesser the impact.

The sports event seems to be the end of this middle arc and we head off to the final chapter with its 3 remaining episodes. It is clear from those 10 episodes we have seen that the story has stretched a bit too thin for a full cour season. We spend nearly 2 episodes for the sports festival for example and I could easily cut 2-episode material to make the story tighter. Yet 3 episodes remain and we still have the Valentine day, and the day after that when Kakeru in the original timeline has committed suicide to cover. As for the theme I can see that Kakeru has gotten much better than himself of the original timeline, so I don’t know how he’s going to end up in this timeline. At the same time, I feel that the current development is too good and light-hearted to be true. Well, at least that is something I’m still looking forward to see in next couple of weeks. Surprise me orange!

Posted on 31 August 2016 with categories: Currently Watching:, Orange

Unfortunately for us, this is not a good orange episode. Hell, I could say this is one of its worst episode. orange has always relied on the regrets of the main cast, and the foreshadowing suicide of Kakeru as their main emotional impacts. When they steer away from those, this episode just loose its punch. While the character’s interactions are still there and those moments are one of the only high points of this week’s viewing, there is an issue with it as well. You see, there is no damn fun when everything goes entirely according to plan, when all the moments are just too perfect. I have no problem if this was about making Kakeru talk honestly about his suicide thoughts couple of weeks ago, but creating every moment with Kakeru too flawlessly (like the umbrella incidents this week, the “good morning” exchanges) make the whole situation feels rather forced, and to make it worse I feel Kakeru was manipulated by the group here, even if the intention comes from a good place.

But my biggest problems with this episode lie in its pacing. Last week we dedicated half of its episode for joining up team for the upcoming relay events, and this week the episode strangely drops any of the preparation phase, instead focuses on the revelation that all the cast has their own letters, worries about Azusa’s birthday, cares so much about the weather, and concerns about whether or not Naho and Kakeru should hold hands. Then they jump STRAIGHT to the events. The inconsistency of plotline occurred before in one of the episode when Naho pushed Kakeru to talk about his mother for the first time. After that Kakeru and Naho had a rather uneasy tension until it was revealed that Suwa had received the letters himself, then suddenly Naho and Kakeru again talked to each other normally like nothing happened. Well, I understand that they have to jam in many plot details to both heighten the relationship and carry the emotional weight, but I am not quite fond of letting the story just moving on its own like that.

As I mentioned in my last episode, orange is a weird shoujo production, and I will say in more details this time. For a shoujo romance-drama anime such as orange, they have an unusually high quality director and an equally unusual below-the-standard budget. So what we have here is a show that stands out in its artistic merits, as many of the director’s choices shine through this week. For example, the sequence from Asuza’s point of view is nicely displayed, as the characters are more colorful, childlike and whimsical than Naho’s point of view. In another case, the director displays Kakeru’s feeling of detachment from the rest of the events by showing him standing awkwardly among a disappearing crowd, with the wash-out color background and a slightly disorientated sound designs. Those are great moments because we really know more about these characters just by experiencing the same thing they do. The art designs of other background characters though, are just too rough and inconsistent. As a result, what we have in the end is the episode that glorious at certain important scenes, but meh and below quality in general. The sport events haven’t concluded yet, as we still have that relay to look for. Here’s hoping for a rewarding relay (and episode) ahead.

Posted on 23 August 2016 with categories: Currently Watching:, Orange

This week, Naho and Suwa face a dilemma of whether or not they should follow what written in the letters. The relay is coming and Kakeru is appointed to be an anchor. They have been followed the letters very closely, but the original reality becomes too different from this reality that the content is not really relevant anymore. Should they follow the letters because clearly the older-selves have all the answers, or should they rely on themselves to act according to Kakeru’s happiness? Naho and Suwa at first decided to ask him not to join the relay team, since the relay could affect badly to Kakeru. But Kakeru, being himself, feels insecure that he might let the team down so he’s agree to pull out, but he’s clearly not too happy about either decision. Kakeru has been afraid to make a choice. He doesn’t want to repeat the same problems and have more regrets, even to the point where he confesses his feeling towards Naho, but too afraid to date her. Naho and Suwa realize they have been way over-protective to Kakeru, because really without taking a step forward, how could Kakeru move on to his next stage? The rest of the group pick up on that as well, and they together make an awesome decision: let the group run for the relay, so that Kakeru can run and moreover they can run together. Now I understand the running part in the Opening Credit. Yes, it has its purpose and this is not some cliché opening credit where everyone runs for no reason from all over directions, right? RIGHT?

But as I mentioned in previous posts, some of the incidents can’t change and those lead directly to the sad outcomes. Because the group invited Kakeru on the first day, his mother commit suicide. Because Naho couldn’t bring herself to talk directly to Kakeru, he dated Ueda. This time they ignore the letters, but could it be the reason the letters don’t want Kakeru to join the relay is because of his health? Earlier in the episode he passes out and with the stress he’s currently building up, his physical gotten weaker and weaker. I’m not imply he’s in some kind of terminal disease and I really hope the show won’t go that way, but it’s possible that they might not be able to ‘save’ Kakeru the way they want to.

This is now confirmed that the rest of the cast also receive the letters from their 26-year-old selves. All they want is to support Naho and Suwa to save Kakeru, and all Naho and Suwa have to do is to share it with them. Now this lead to a fundamental issue of the show: all the developments emphasis on the same united purpose: saving Kakeru. For that I say they’re trying a bit too hard for the sake of Kakeru (really? 5 adult people sent letters to their younger selves so that they can do their best effort to save him?), and other aspects of friendship will be ignored. Now, every time Suwa and Naho talking to each other, it’ll be about Kakeru. They grow through their interaction with Kakeru, not wuth themselves. I kind of miss the interaction between the group in the first episode where I can see more angle about their friendships, see how they bound off each other in a natural way.

But really, the more I see orange the more I think this is a kind of weird production. The director Hiroshi Hamasaki is not well-verse in shoujo drama, the budget is tight and that hurts. The rough quality and still-frames are more prominent now than ever. It’s a shame because orange works best if the production values can express those emotions, but the level shown in orange simply couldn’t match it.

Posted on 16 August 2016 with categories: Currently Watching:, Orange

This episode is a winner. It hits all the right notes on what make orange so appealing. Upon knowing that Kakeru will attempt his first suicide after talking to his Tokyo friends over the weekend, Suwa and Naho confront him and tell him not to go. Kakeru is an insecure kid, he’s deeply troubled by the death of his mom, blames himself for what happened and is unable to talk about his problems to his friends. But as Suwa points out correctly, close friends are supposed to share pain together, and his mistake was not his fault. I once had a real friend who told me that she had thought about attempt suicide and it was nasty. The real ugliness of it is once you had it, the thought of suicide never leaves you away and there’s always an urge that push you to do it whenever you feel depressing. Kakeru can only get better if he can be able to talk about it and let his regrets all out. The last sequence is a very nice moment, and I tip my hat off to the direction of that sequence. When Suwa confronts Kakeru, there’s no music cue between those exchanges and it’s the silence that makes us feel the tension and weight behind each conversations. Talking about these things is never easy but at least all three can be able to speak out what they really want.

Suwa steps up to become a big bro for the group. I mentioned last week that I had my concern about feeling cheated if all Suwa did was just followed what were written in the letters. Well, he did follow the letters but thank god the show never sells him short. The thing is that Suwa is not a selfless kid who pull back his feeling to see Naho and Kakeru happy. He did it for the sake of them, yes, but he also did it for his sake as well. It’s a hard role for him but he can pull it off because he’s the most mature and most emotionally honest of the group. There’s still unclear if the rest of the cast also receives the letters like Suwa and Naho did, but they fulfill their supporting roles very well this week. Scenes when they asking Kakeru what he wants for his birthday, or when they stand up to protect Naho from Ueda (Ueda sadly remains the only sore thumb in this episode) are all genuine that showcase their great care towards the leads. And I love the way the two girls stand behind the door, overhearing the sincere conversations from the leads. That small moment speaks more than thousand words, and suddenly they become much more layered in that single moment than they were for the last 6 episodes. Yes, those friends might not be the ones who could change things significantly, but they will always be there whenever you need them.

You might have notice that in previous posts I didn’t discuss much about the romance between Naho and Kakeru, mostly because I found it the most ordinary aspect of orange. Although they share great chemistry together, there’s no denying that “boy gets girl” part is the most cliché part of them all. But even so, this week’s moments between them are goddamn effective. The reason why Naho and Kakeru in the original timeline couldn’t get together was because they were unable to express their feeling to each other. Kakeru always hides his feeling deep down, and Naho is too nervous to say what she really thinks. In this timeline, however, with the help of Suwa and all these friends, Kakeru has a chance to confess to her and she replies him back. Call me cheesy but I found the flowers scenes are heartfelt. They were used twice but each sequence conveys different feeling. When the adult Naho receives the flowers from Suwa, it feels deeply poignant, but when the young Naho accepts the flowers from Kakeru and his confession to her, it feels sweet and genuine. On other notes, there are many nice visual motifs in this episode: the flowers, butterfly (butterfly effect?) and the fluid-est scene transition that fit to the opening credit (go see it!). Based only from this episode, things are about to get better after Kakeru confesses his deepest regrets, but I’m not sold. The theme and the tone of orange always firmly head towards the melodrama territory, so things going to be sad. I’m for once keen to see how they pull this off but at least this episode is a solid example of what orange can do best.

Posted on 8 August 2016 with categories: Currently Watching:, Orange

What a development! It turns out that Sowa’s also receiving letters from the future as well, presumably his future self (there’s no way the future Naho would send him letters, right?). From the look of it I think the entire cast receives letters from their future self too, the way they act very supportive lately. Does this development work? I don’t know, it all depends on the direction it goes from now. Personally I would prefer that Naho asks for their help, and then tell them herself about the letters. That twist makes me questions every actions from the group back then, and if those actions are ‘genuine’ genuine (like Suwa’s selfless actions last week). If it turns out those kids behave the way they did just because of someone telling them already what would happen, then I feel a bit manipulated. But there must be some good reasons to make that twist, right? For now, I will reserve my comment to see how all this play out. I guess after all we just finished the first phase (Naho and Kokeru dating together) and proceed to the second phase now (the group try to help Kokeru out of his attempt suicide). Naho also points out in this episode that there are two things that she couldn’t follow the advice from the letters, and those lead to unchanged consequences. The first being the group asked Kokeru out on the ceremony day, which directly lead to the suicide of the mother. The second time she couldn’t talk to him how she felt face-to-face, and Kokeru decided to date Ueda. Although the letters become less and less relevant, it seems that the outcome of those important events doesn’t always change, which makes me wonder if they can really save Kokeru from committing suicide. But I have a feeling they gain too much information from the letters which give them somewhat unfair advantage, like how Naho already know the time and place of his dead. Whatever you do orange, just remember that relying too much on those letters to progress a story is a dead wrong decision. Those letters can’t solve everything; it needs to be from the characters themselves.

This episode further highlights the insecurity of Kokeru. Several times in this episode, he asks Sowa if it’s really okay for him to date Naho, not because he fears that would hurt Sowa (maybe a little), but because he fears that dating Naho would turn out to be a disaster and he will bounce for more regret. Moreover, he always feels guilty about his mother’s death. But really, he should understand that moving forward is way better than don’t do anything at all, and he shouldn’t blame himself on the death of his mother. It is really a good call from Naho to ask him about the mother, because this guy needs to share it to his friends. Keeping it to yourself and the pain will never go away. The two lead’s chemistry is engaging and intimate so far, kudos to the fireworks scene, which for me is a bit cheesy but overall effective.

This episode is also a return-to-form quality in terms of production values. As mention above, the firework sequence is animated very well, and I love the shot’s choices of many scenes. Many of the shots focus on the pair with their backs on us, either when them watching the fireworks, or later when they sitting in a park, it creates their very own atmosphere: just the two of them witnessing things together, but perhaps never really see things eye-to-eye. I also like the shot when Kokeru needs sometimes alone and sits in a different chair. The shot (included in the screenshot above) really establish the distance between them and moreover the isolation of Kokeru. To conclude, this episode marks the end of the first half and wheels forward to the latter stage in which the group attempt to save Kakeru from committing suicide. I’m overall happy with the first half and hope it continues to be a rewarding ride. But seriously Naho, get rid of that hairpin. It brings you no luck at all.

~SuperMario~

Posted on 3 August 2016 with categories: Currently Watching:, Orange

This episode sets the focus squarely on Suwa and his secret/ not-too-secret affection for Naho. Suwa is actually the one who always look after Naho, and he would do anything to make the girl safe and happy, even if it means he will eventually end up losing her. Normally I never buy that kind of love, simply because I believe if you truly love someone, you have to be a little selfish. You would want that special someone to yourself only. All that to say Suwa’s sadness is just so damn appealing that it’s hard to fault him for being too nice. Naho, on the other hand, takes his kindness for granted and she’s just too occupy about her feeling towards Kakeru to really notice everything around her. This episode gives her moment to really takes a step back and looks around, so that she could notice the efforts of everyone around her, Suwa especially, and moreover she has to acknowledge that. The two developments from Suwa and Naho come together nicely in the last scene, but I’m not entirely happy with its execution. There are 3 consecutive scenes where the show basically repeats the same message. In the first scene we have Kakeru asking Suwa if it’s alright for him to go watch fireworks alone with Naho, then the next scene the group teasing Suwa on the girl he likes, just so that the insensitive Hagita bluntly speaking out loud. The very next scene we have the girls confront Suwa again, asking him directly if he will help supporting Naho and Kakeru, in which he agrees. Those scenes are variation of the same things: Suwa has a felling for Naho and everyone but her notices that, but Suwa decides to steps down and being a supportive player. I get it but sometimes repeating the point too much and it lost its impacts. While I personally think the last scene is rewarding and effective, I also feel the story drags down too much in that middle part.

This week orange mentions time travel for the first time and honestly I don’t really care much about that. After all, the time travel element in the show is just the setup to progress the story, there’s no point to delve much into that. When the teacher goes for the technicality of time travel; about how it could produce alternative timelines, my mind wanders right back to Steins;Gates; which is very fitting because the director Hiroshi Hamasaki was the director of Stein;Gates. The topic of time travel was then explored nicely by the discussion between Suwa and Kakeru: “Would you go to the past or future if you could time travel”. It’s interesting to note that Kakeru really wants to go back to the past to fix his regrets, which is exactly what the future-self Naho has been doing. The conversation also hints at the insecurity of Kakeru, which further evident by his message towards Naho asking who she sent her chocolate for on Valentine Days. He hides his feeling well from his friends, but he is the one who always looks back to the past, feeling regrets with what he could do and refuses to look ahead to the future.

This episode still has an awful lot of still frame and the animation itself is a huge step down compare to the first three episodes. Let’s take a look at one of this week’s screenshot and you can see the quality of the animation was dropped to the point their faces are slightly deranged. While I can accept it last week as an illustration for Naho’s feeling hangover, there is no excuse this week and I start to think that this is more of a budget thing. Sadly, if it’s true then I have to come to terms with the animation quality. Overall, I think this is my least favorite of orange so far, both because the story could have been neater and more impactful, and the animation quality has decreased significantly. It’s not a disaster yet but I really hope the show can pick up itself from here.

~SuperMario~

CHANGE USERNAME
silver
Mario, are you blogging 3-gatsu this season?
Kaiser-Eoghan
*poorly forcing
Kaiser-Eoghan
@Amagi: And that is one of the biggest advantages the show has for me, after being annoyed by so many shows ending up with tonal shifts and forcing cute designs into something more serious it is nice to see that girls last tour avoids that problem.
Amagi
My texts are always too long..
Amagi
It isn't enough to just say "look there is a dark subplot somewhere or a backdrop dystopia and we will get to it whenever it seems convenient". Last Tour is the opposite, it is moe, but the girls are part and product of the world they live in, + the cute and serious parts don't feel like two different series being glued together.
Amagi
Girl's Last Tour is the good type of moe show for me. There are many that have or pretend to have some serious undertone, be it some dystopian setting or politics or whatever. But the difference between the good and the bad shows is that the former are actually connected with their serious part in everything they think or do while the bad shows only use the other topic as cheap way to alure fans.
SuperMario
@Bokusen: I'm not sugarcoating it, but Houseki tends to be the title that split the audience. Give it a try at least. If you can tolerant the first three episodes, chances that you will enjoy the rest
Kaiser-Eoghan
@Travlos: Now if only someone will translate the side story manga aswell.
KTravlos
Happiness! New chapters of Gunka no Baltazar!
Bokusen
@SuperMario Thanks! I'll give Houseki no Kuni a try then. A lot of the series I thought would be good are disappointing me, so I might be following a low number of series this season & it'd be cool if Houseki turns out to be something I like enough to watch this season.^-^
SuperMario
@Kaiser: right. The sole reason I described it as "cinematic" was just to lure you into watching it, so mission accomplished! Mind you, Girls' Last Tour is still a moe show at heart (look at their round faces and those big eyes. They're killing me)
Kaiser-Eoghan
But in all seriousness, I had had it initially written off as a crap moe show.
Kaiser-Eoghan
@Mario: You're ministry of anime propaganda tactics mentioning how cinematic it is got me to pick it up =P And you know how much of an aesthetics guy I am =P
SuperMario
I'm glad that many of you enjoying Girls' Last Tour. It's a nice little gem that I think works best when you going to it without any expectation
SuperMario
I swear this season has a lot of good anime to offer. I'm jaded
Amagi
I always considered backgrounds as pretty important. Most anime only use them as backdrops because they have to be there somehow and it's really a different thing than Girls' Last Journey for example. Also I will like everything that has exploration and world building.
Kaiser-Eoghan
And achieves taking the viewer into its world, thankfully without relying on tons of expositional dialogue.
Kaiser-Eoghan
Girls last tour, somewhat succeeds in pulling me in by using its landscape that dwarfs the characters, to create its atmosphere, I wouldn't call it all that unfunny either. Though premise could risk going stale.
AidanAK47
@Amagi, HA! Yeah I would like to believe but I am thinking that's not the case. Besides next season is looking pretty barren so far.
Amagi
Eden would be great. But speaking of it, a lot of good manga get adapted recently. Maybe they finally understood that generic isekai, harem and school stuff isn't as popular as they thought it would be.
Kaiser-Eoghan
Maybe one day I can hope for a Freesia or Eden Endless world adaptation.
Kaiser-Eoghan
Jesus christ....I never thought it would happen, Banana fish is being adapted, I didn't think they could adapt a shoujo like that in todays market.
KTravlos
I also watched Inuyashiki and Girl's Last Tour. Inuyashiki looks great. Man do I hate that young guy. Reading what he did and seeing it was a totally different experience. Cannot wait for the next episode.

Girls Last Tour is really something special. In a good way.
KTravlos
Altair's episode showed all the issues and all the good things of the show. The pace is too quick, and yet they managed to build Urado and its denizens up quick fast in it. But again, this is a show that needs the LGOH treatment.
Amagi
The manga also always uses "he/him" but I am not sure if the original had this too (like "kare" or similar words) since you can talk for a long time in Japanese without ever using pronouns.
Kaiser-Eoghan
Ah, yes I noticed Phos uses Boku in this episode which is the male way of saying I.
Kaiser-Eoghan
@Mario: Man, Zvyagintsev really, really knows how to deliver truly emotional gut punching moments and endings that are like cutting at open wounds.
Kaiser-Eoghan
@Mario: Houseki has fallen into place for me with those scenes with Dia and the snail thing and I've fully embraced the show, happy to see it just continue to do its thing.
Kaiser-Eoghan
@Mario: While Marios are girls best friend DIAmonds ahhhhre for evvvvvvahhh *Shirley Basey voice*
Masky
*bride
Masky
I can say though that if people fear the "Bastard Boyfiend" angle, its not that really. Its more of really weird apprenticeship relationship. Ainsworth is inhuman character in many ways
Masky
Oh hey, Mahoutsukai no Yome is on covered list. Nice, it is weird manga to read through since I'm kind of creeped out by the bribe thing, but its barely mentioned at all.
Anonymous1497942
After finishing Made in Abyss it stuck out, some animation shortcuts in this week's Mahoutsukai. Holding on frames a bit too long, mainly having the music giving the emotion. To be fair, it was also a slow part in the manga.
Kaiser-Eoghan
If I recall correctly, the words "wandering Jew" were used at one point in the manga in relation to the villain.
Lenlo
Mahoutsukai was very pretty this week, but there were some troubling things popping up in there.
SuperMario
@Aidan: They are trying to bring Phos back from a snail. Man, Houseki sure is... quirky
AidanAK47
@Mario, I would take a guess and say they are fighting evil by moonlight.
SuperMario
Okay, heading to Houseki now... let's see our gems doing this week
SuperMario
@Bokusen: (not because I'm blogging it but) watch it. it's a polarized one but it at least offers something original. I still haven't watched the third one though.
Anonymous1497873
The new Mahoutsukai no Yome episode was so beautiful. TwT
Bokusen
BTW, is Houseki no Kuni worth watching? I was turned off by the animation, but I've read some good reviews on it.
Bokusen
Darn, last message didn't show up for me but now it does. Sorry about that.
Bokusen
Tanya the Evil and Uchouten Kazoku 2 were the gems this year for me so far, but Abyss was definitely the best thing I watched last season.
Bokusen
Tanya the Evil & Uchouten Kazoku 2 were the gems this year for me so far, though Abyss was definitely the best thing I watched last season.
Amagi
Doesn't mean that there weren't other good series but I distinguish between good and somethin special I will instantly remember even months or years later.
Amagi
How can you not like at least one of the current series, this season is pretty good. MiA was probably my only real great thing in the last season though.
AidanAK47
@Anon, Aren't you forgetting Acca, Rakugo, Little Witch Academia and Tanya the Evil?
Anonymous1497006
Made in Abyss seems like it's the only gem this year for me tbh
AidanAK47
Whoa, I never even knew we had a PM feature.
SuperMario
@Kaiser: I've received it. Thanks Kaiser. I've never noticed the PM feature either
Kaiser-Eoghan
@Mario: I sent you a private message.
SuperMario
oh boy. Just received Mind Game Bluray Region free today. I ordered/funded it through Kickstarter a year ago and eventually forgot about it. Was a nice surprise to see it in the mail today
silver
I enjoyed this week's Kino. Leave only footprints indeed.
Kaiser-Eoghan
On the other hand I noticed some slight censoring in juuni taisen episode 3 I think.
Kaiser-Eoghan
I was also surprised with the lack of censorship during Inuyashiki's second episode.
Kaiser-Eoghan
First episode of inuyashiki covered the whole of volume 1.
Kaiser-Eoghan
*but almost never
Kaiser-Eoghan
@Mario: In general, Death of Stalin is an amusing film throughout, but never laugh out loud hilarious, Simon Beale is hilarious in it as Beria.
Kaiser-Eoghan
@Amagi: Gonzo did that mecha 7 samurai thing we must never speak of. However schmaltzly/sentimental Ikiru is, however it slumps slightly in the middle and final arc , it was still a genuinely moving film.
Kaiser-Eoghan
*than it is
Kaiser-Eoghan
To elaborate, I expected to dislike inuyashiki based on not enjoying Gantz, my reaction to the second episode was the same as Amagi's . The first episode was heavy handed a bit as Aidan mentioned, but its harder to watch that scene with the older guy get bullied/tormented that it is to watch highschool kids getting picked on by cliche anime thugs.
AidanAK47
Also why Hillary Clinton? I mean i know Trump is supposed to have a cameo in the manga but why her?
AidanAK47
@Vyse, Lets not jinx it. Plenty of series have shown great potential in their second episodes only to flop later. We can sing praises if it keeps this quality to the conclusion.
VyseLegendaire
Inuyashiki main villain should be Hillary Clinton
VyseLegendaire
Inuyashiki is suddenly like the best thing of the decade.
Amagi
I wish there were more old MC series out there. Liked that about Real Drive too. Maybe someone will have mercy and adapt Kurosawa one day. Not exactly old but at least a series about a guy with midlife crisis.
Amagi
I thought the happenings of the second Inuyashiki episode would have been too egdy but they actually gave the last few scenes a very good impact and the episode showed pretty well how sociopathes think (that whole gap between emotions for real people VS manga/fiction characters and events)
KTravlos
yup, I have no problem with Lenlo's review. Execution is what matters with me.
Kaiser-Eoghan
@Lenlo: You managed to sell me on a show that I didn't think I'd have bothered with.
silver
You did fine. It's a risk associated with reading post-viewing episodic discussions. Pretty much everyone knows that if you don't want to be spoiled don't even get online.
Lenlo
I tried to leave explicit spoilers about what happened outside the (more...) tag, but its a risk of readin a review I suppose.
silver
Hah, sorry about spoiling it. That's the problem with major shocks like that; they're most effective if you're not expecting them. Still, the show has deft execution of its executions, and that makes the experience worse than I could imagine.
Lenlo
Well im glad it convinced you. Tried something different with writing this week
KTravlos
man I should not had read the review. Now I will go and watch Inuyashiki. I had missed it.
silver
@Lenlo: It caught me off guard, too. Definitely working to earn that 'psychological' genre tag.
Lenlo
Well... Inuyashiki surprised me today. It went far darker than I was expecting. Thanks Gants author
Kaiser-Eoghan
@Mario: Such an odd art style, have you ever seen these? These are the film covers the Polish get:
Kaiser-Eoghan
*that was the most interesting character
Kaiser-Eoghan
@Mario: Z's ending was very very well played and it was Jean Tringnents was interesting, largely for that he was a right winger working with the left wingers.
Kaiser-Eoghan
And of course the British version of house of cards.
Kaiser-Eoghan
I wonder if he's seen Yes Minister and The New Statesman, also political comedies and for those of us who lived in the 80s seeing Thatcherites getting slagged off was great.
Kaiser-Eoghan
@Mario: I do think thick of it works better though as the humour serves a thirty minute episode more comfortably. Stalin's fairly short though so I don't think the joke will run out.
SuperMario
@Kaiser: the Death of stalin is the title I'm looking for as well. Will screen here in few weeks. I almost reccomend In the Loop and the Thick of It (haven't watched the latter though) for Travlos since they're a political satire, which I think he'll enjoy
Kaiser-Eoghan
@Amagi: Hope you already booked that heavens feel screening, cause its sold out.
Kaiser-Eoghan
I've heard that the anime's character development in Juuni taisen expands on the books, which only give them short lines for their backgrounds.
Kaiser-Eoghan
Ah, so perhaps in Juuni taisen they'll spin that so the Rat guy uses the ox guy to his advantage in some different way.
Kaiser-Eoghan
@Mario: There is a special atmosphere watching anime on a big screen.
Kaiser-Eoghan
@Mario: I might be seeing death of Stalin tomorrow or Saturday. The thick of it was hilarious and this has the same director as that.
SuperMario
Both Z and All the President's Men are coassic movie. Hold my attention from start to finish. Z, in particular, wowed me that I literally had my mouth wide open
SuperMario
Off tangent, watching Fireworks in the cinema the other day made me realize how I miss watching movies on the big screen. I might try to go to the cinema once a week again. Been missed out all the good movies lately.
SuperMario
In the Great Race story, Rat used a very underhanded tactic to win the race (it jumps into the Ox to pass the great river and then jump off to the finish line. This Rat guy's speciality is Killing All so there is a high chance that he survives till the end
SuperMario
@Kaiser: I have no doubt that we will have more amazing character arcs for Juuni Taisen.
Kaiser-Eoghan
But that could prove to be too predictable.
Kaiser-Eoghan
I wonder if the Rat guy is going to be the wild card in all this, after all in the old story, wasn't it the Rat who won that zodiac race thing?
Kaiser-Eoghan
Juuni Taisen is killing off its most interesting characters.... =< I wanted the bird girl to stay around a bit longer.
Kaiser-Eoghan
I'd love to see more Lem or Stugastky style/brand of scifi, I need to rewatch stalker again.
Kaiser-Eoghan
@Amagi: Going back to the cyberpunk thing, I don't want just any ol' thing getting made, I want to see something scifi related thats ACTUALLY clever and has long and DIFFICULT dialogue .
Kaiser-Eoghan
@Travlos: While not a political series Chaos;head is a good example of being annoyed at the conspiracy thing, what drives me up the wall about that show and its sequel is how every every time I think about going back to it I realize that its only interesting on a surface level and is utter hokkum.
KTravlos
@Kaiser. Yup, perhaps because I work in political science, they tend to anger me. So I avoid them. Borgen is a good political series.

In general. It still startles how much of a better character anime Tsutomu was comapred to manga Tsutomu in Bridy the Mighty. But I forgive the manga as I get more Gomez!
AidanAK47
@Amagi/Kaiser, thought as much. Strike it off the list then. And God Tsubasa was a cluster fuck by the end.
Kaiser-Eoghan
Eh simul-dub of Juuni taisen is out, I might aswell keep up with that instead.
Kaiser-Eoghan
Y'know I had this weird relationship with dragonball in general. When I was younger I never actively seeked out the show, but on a rare occasion I would watch random episodes whenever I was channel hopping and nothing else was on.
Kaiser-Eoghan
@Amagi: Clamp shared universe was a mistake.
Kaiser-Eoghan
I really really wish that that tone breaking style of comedy stops being a thing.
Kaiser-Eoghan
It doesn't happen often, but there ARE shows we all have that snap trigger us when they get mentioned.
Kaiser-Eoghan
I feel my disdain of re:zero is because I hate Akame ga kill and Higurashi so much and it prevents me because of bias from enjoying it.
Kaiser-Eoghan
@Aidan: In addition to what i posted about Pandora, you will hate the comedy.
Kaiser-Eoghan
@Mario: I will rewatch it, the first one is one of those things that improved on repeat viewings.
@Travlos: Conspiracy theories are one of those things I find myself taking interest in, then almost immediately consider immensely stupid and a waste of time.
Amagi
Aidan: If you didn't like the first parts of Pandora you won't like the rest either. Most people that loved it did this because of the characters and setting, the story isn't really getting better and I kinda disliked what they did near the end. It was overcomplicated and everyone had like three different personalities, plot twists and so on. Not nearly as bad as Tsubasa Chronicle though
AidanAK47
@Bokusenou, believe me when I say you are not few. There are plenty who Dislike Re:Zero. I can understand it and I sort of get where your coming from regarding the characters. (Though Saber sucks) There is just something about the series that I just adore.
KTravlos
@Kaiser. I have not watched most of them. But I have watched Z and All the President's Men. Both are great films. The issue with me is that while I like political thrillers I despite conspiracy theories. Far too many pol. thrillers dive into con.theory stuff. So I must be discriminating.
SuperMario
Okay, I'm off to watch Blade Runner 2049 now. Hopefully it can be as good as the original
Vonter
In contrast World's End Harem, surprisingly looks to be trying. It has one story trying to play straight, the scenario of being the last man in a world mainly habited by woman. And has had this framing of self worth, temptation and doubt I like. No work of art, but surprising for this type of manga.
Vonter
In regards to manga, I'll need to look for something good, being losing time with ecchi stuff. Which I can tell Okamoto should just make hentai, seeing as his latest work, doesn't even try to be anymore than pandering trash (at least older work, had a notion of a story).
Kaiser-Eoghan
@Travlos: Did all the presidents men and Parallax view by Pakula appeal to you?
Kaiser-Eoghan
@Travlos: Actually as your are a Greek....have you watched Z, missing, State of siege or the confession? None of them are actually in Greek but they were political thrillers directed by Costa Gravas.
Anonymous1490677
KT here: Well I am a sucker for political thrillers and "grand" politics, so the direction it took is quite fun for me. Even if it does indicate a Tomino ending.
Kaiser-Eoghan
For me Titan peaked at volume 8 and I never bothered continuing on much further.
Kaiser-Eoghan
@Aidan: I remember a commenters on here a good while ago that mentioned the ending didn't satisfy or come together well and made the investment not worth it.
Kaiser-Eoghan
@Aidan: Honestly it was only near the halfway point I vested any interest in pandora hearts, the first 4 volumes left me wondering if I'd drop it, then near the last few volumes I simply fell out of reading it.
Bokusenou
I feel like I'm one of the few people who don't understand why Re: Zero is so popular...the only characters I half liked were Puck & Crusch (the latter because she reminded me of Saber from the Fate series, minus the unnecessary perma-blush marks) My anime club screened the series and I really should have skipped those meetings...
Lenlo
Mmm Inuyashiki episode 2 tomorrow. Time to see where it goes
AidanAK47
@Anon, That reminds me. Anime limited better announce the date of the Re:Zero Blu-ray release at that panel of theirs at MCM London Comic Con. They are the only ones known to have licensed it and they have a partnership with Funimation. Even if we don't get a second season I have to get the first on Blu-ray.
Anonymous1490189
Emilia re:zero
AidanAK47
Finally Got that review up. Been sitting in my to do list for a while.
SuperMario
I remeber in Dragon ball, they state that Son Goku takes 6 years of training to become a Super Saiyan. His oldest son takes 3 years and then the youngest one... only takes 3 months of training with his mother. So yeah...
AidanAK47
While we are talking about manga, I was looking into getting some manga boxsets and I saw one for pandora hearts. However I started reading it and 15 chapters in I just can't get into it. I hear a lot of praise for it but is it really worth continuing?
AidanAK47
@Amagi, yep. Like Naruto with the nine tailed beasts and Sharingan. At first they were cool and then everyone and their mother had Sharingan or a tailed Beast.
Though If I had a problem with SNK its that I just find the thing to be poorly written overall. It has creative idea's, but the characters and dialogue is really weak in my eyes.
Amagi
You know that SuperSaiyan syndrome. At first it was special and mysterious, but once the second one gets to have the power they tend to pop up everywhere. Same with Claymore and basically almost every shounen ever.
Amagi
I overall like the SNK manga but I have to agree I really have a problem with this shounen trope of some speciality one character has that suddently turn out to be the speciality of many.
Lenlo
It turned from a horror/thriller to a sort of... shounen mystery thing for me. I wasnt a fan once EVERYONE became titans.
AidanAK47
@Lenlo, I dropped off at that point, picked it up again and read it up to date. Now I am falling out again. True be told I haven't really got into it since the beginning chapters and I am not a fan of the direction it took. If you don't like it now I say future chapters won't really change your mind.
Lenlo
Does Attack on Titan get better? I was reading it up until Season 2 came out and then just fell off the wagon.
KTravlos
oh what a cliffhanger in the Shingeki no Koyjin manga! I am happy where this is going!
Kaiser-Eoghan
I agree that the way the series addresses emotion has some interest to it.
Kaiser-Eoghan
The later chapters I read had some action in them.
Kaiser-Eoghan
Had a read of the children of the wales manga, I am glad to see a shoujo that isn't based on an otome or school life series , additionally I like it on an aesthetic level, I can see it going somewhere but the fast-forward pace makes it hakes it harder to connect with.
Kaiser-Eoghan
@Amagi: Blame! was recently adapted and thats cyberpunk, even if it didn't follow the manga.
Amagi
@Kaiser: Agree. Cyber- and steampunk are two of the few settings I really dig. Especially because I think that there are a lot of potential plots and twists for cyberpunk/VR settings anime haven't used yet. AR is great too, the only series about that is Dennou Coil and it was made ~10 years ago. Maybe the SAO movie but it was just a movie.
Amagi
@Aidan: Same here lol. I remember the toilet thingy but not the woman's backstory. That being said, I enjoyed the series as whole, though some parts were too K-ONish for my taste.
Kaiser-Eoghan
The idea of would agorophobia maintain itself and they'd stay inside or would the fear of being raped/tortured/killed and bypass the agorophobia ?
Kaiser-Eoghan
Random tangent, but I would find it fascinating to see a hikkikomori subject to a home invasion.
Kaiser-Eoghan
Although honestly, I would prefer a cyberpunk wave of anime series to get popular again.
silver
I too am starting to really enjoy the 'adventure anime' genre. The medium of animation is uniquely suited to fantastical worldbuilding.
AidanAK47
@Mario, Was that the one where the girl is desperately trying not to piss herself? Also why can I remember that and not this blonde woman's backstory?
SuperMario
@Kaiser: yep, agreed. It's at its best when it can use the settings to flesh out the characters. The episode after that one, one the other hand, was Sora no woto's dullest episode - where the main girl spends the whole episode waiting for a freaking phone call.
Kaiser-Eoghan
@Mario: The Blonde woman's backstory in the middle of sora no oto, that was the best episode of it.
Total users: 28

Featured Posts

Kino’s Journey -The Beautiful World- – 03[Bothersome Country]

One particular thing I really like about this series is that the title of the individual stories often defies expectation. For example we had a country where people were allowed to kill, only instead of a hellish country filled with murderous thugs it’s instead a safe place filled with those sick of murder who only […]

Mahoutsukai no Yome – 3 [The Balance Distinguishes Not Between Gold and Lead]

This week, Mahoutsukai moves into a slower pace. Showing off more of its world and delving a bit deeper into magic and how it connects to the world. Lets jump in. There are two main points I want to touch on for this episode of Mahoutsukai. The first being the actual main focus of the […]

Ballroom e Youkoso – 15/16 [Taking the Reins/Four-legged]

Boy, this was really a Tale of Two Ballrooms. One of these episodes was almost certainly outsourced, based on the visual inconsistencies that extended even to key poses, but handled its character moments dutifully. The other looked markedly better than most of this show’s recent offerings, but rushed through so much material that its conclusion […]

Houseki no Kuni – 03 [Metamorphose]

It just occurred to me since I watched Bakuman (the first season of it, anyways) fairly recently, but watching Bakuman made me realize how tough it is to have your manga publicize, let alone become a popular one. For those who have watched the anime or read the manga of Bakuman, remember the early Golden […]

Girls’ Last Tour – 03 [Streetlights]

Welp, I never would have thought Girls’ Last Tour can get any better, but this week’s episode is straight up phenomenal. Episode 3 manages to make some new tricks to its well-established formula: introduces another human survivor to the mix, askes a deeper philosophical question about the meaning of life in that stark world (and […]

Inuyashiki – 2 [Hiro Shishigami]

Woe be unto thee who passes further, for today we are talking about Episode 2 of Inuyashiki! A lot happened this week. New characters, dark twists and the start of what I can only imagine is the central conflict of the season. Lets jump in! First and foremost, we need to talk about Hiro Shishigami. […]

Juuni Taisen – 03 [Cutting a Chicken with a Beef Cleaver]

I’m starting to worry about Juuni Taisen. Like what we all predicted last week, this week indeed follows a reverse zodiac order. We have Chicken served as our main POV and at the end she’s the one who get sendoff (with no small help from the episode title. What a huge spoiler). Judge by the […]

Fate/Apocrypha – 15[Differing Paths]

It’s funny that only now, when we are well into the halfway point of the series that it takes some time to flesh out its cast. Sisgou has gotten some backstory, Fiore was fleshed out a little and even Gordes got some time to prove he’s not a complete caricature. The last one is something […]

Kino’s Journey -The Beautiful World- – 02[Colosseum]

In an odd turn of events, the second episode of Kino’s Journey 2017 is a retelling of a story done in the original 2003 version. Where Kino is forced to participate in deathmatches upon reaching a country. I find this choice odd as I would consider the Colosseum story in the original to be the […]

Latest Reviews

The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

There are few series which can capture the mystery and wonder of a fantasy world as well as Made in Abyss. Their world is dangerous, brutal and unforgiving but beautiful, wondrous and exciting in it’s presentation. The story is of a ordinary girl called Riko and a mysterious cyborg boy called Regu traveling down the […]

Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]