Posted on 4 January 2009 with categories: Anime Reviews, Porfy no Nagai Tabi


Porfy no Nagai Tabi is the second series of the revival of the famous World Masterpiece Theatre franchise, a long-running collection of series based on popular children’s novels, made accessible for every age. The franchise is typically very slow paced, combined with genuine, true to life and realistic characters, and it’s a formula that’s proven itself over and over again; though it’s definitely not a series for everyone.

Like the title does suspect, this instalment is a travelling series. It consists out of roughly five arcs, each of them being completely different from the others in tone, mood, pacing and execution. It starts out as a gentle and calm slice of life series, then it turns into a dark tear-jerker, then it becomes a slow laid-back travelling-series, then a haunting fast-paced one, and the final arc yet again goes into a completely different path, making sure that the 52 episodes of this series don’t drag on.

One of this series’ strengths is that it’s absolutely masterful at building up. Every single episode is chockfull of cross-references to either past or future events, the amount of foreshadowing is huge, and yet in half of the cases you won’t recognize the foreshadowing until what they wanted to hint at has already happened. When you see something randomly happen, especially in the first quarter of the series, you can be sure that one of the later episodes uses or builds further on this.

The same goes with the characters. The amount of development that goes into Porfy and Mina is immense. The show may not have as huge or complex of a regular cast as Les Miserables, but in order to make up for that it does what it can to make the lead cast as true to life and realistic as possible, and they really succeed at that. Porfy and Mina aren’t exactly immediately likable, but as the series progresses they and the other characters become very easy to relate to, simply due to their different sides and many subtle quirks that shaped their characters.

Another strength of Porfy no Nagai Tabi is the travelling-part of the series. Especially the second half really managed to catch the essence of travelling: meeting many different people, and not knowing beforehand whether they have ill intentions or are cooperative. Everyone that Porfy runs into is different, and the contrast between the loneliness of travelling alone without knowing anybody, and talking to random people you meet on the way really works.

The weakest part of this series is around the middle, where the travel arcs are long and a bit too tedious to get through. Porfy meets the right people a bit too conveniently, and overall there are times when it just feels a bit unrealistic when Porfy gets involved in large dramas, and in the end manages to make people who originally hate each other make up again like nothing happened. Thankfully the later travel arcs fix this wonderfully, and provide a more realistic view to this.

And yes, this definitely isn’t a show for the impatient. Especially since hardly anything happens aside from building up in the first twelve episodes, you need to be able to enjoy slice of life moments if you want to enjoy this series, but that’s the case with nearly every other WMT-series: the characters are amazing, but there’s an amazing amount of time needed to flesh them all out.

Since the character-designs look fairly simple and childish, do not make the mistake to think that the graphics are all very dull and simple. Sure, the character-designs aren’t complex, but to make up for it this series has some of the most beautiful background art in all anime. For 52 episodes, the creators consistently deliver the most gorgeous landscapes full of life and detail, perfectly representing the area that Porfy finds himself in at the time: you can really see the changes as Porfy moves through Europe.

Overall, Porfy no Nagai Tabi isn’t as incredible as Les Miserables, yet it’s a wonderful series nonetheless. I really hope that these guys succeed in fansubbing this series, because it’s definitely been one of the most under-looked series of 2008. You obviously don’t want to watch this, expecting nothing but juicy plot twists, but for those who can appreciate a bit of slice of life here and there, it really is an excellent recommendation.

Storytelling: 9/10
Characters: 10/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Porfy no Nagai Tabi



Short Synopsis: I think we all know what’s going to happen. ^^;
Overall Enjoyment Value: 8,5/10 (Awesome)
Talk about cruel: out of all possible episodes, this one gets delayed. The BIG finish of Porfy no Nagai Tabi took bloody ages to come out on share, but I must say, that IT WAS WORTH THE WAIT! This ending did exactly what it needed to do, and even though it’s not very unpredictable, it’s just so awesome that everything went well for Porfy and Mina, after the huge amount of ordeals that they had to endure. A predictable yet wonderful ending, if I have to say so myself.

The episode starts with Porfy waking up and Rose wonders whether her eyes look funny, since she spent the previous night pretty much crying. It’s snowing outside, so Rose comments that they’re going to get a white Christmas. In the end, Porfy couldn’t find an appropriate present for her, but she’s happy enough with a bolt that he happened to have in his pocket.

Rose then figures that she needs to give Porfy his present too, and she goes out to make a certain phone call. In the meantime, the creators tease us for one final time by letting Natalie and Zaimis bump into each other. Since Natalie is carrying a heavy shopping bag, they stay together and talk for a bit. Natalie notes how she can immediately see that Zaimis is not from Paris, since he looks so bewildered at the snow (it seems to be an often-used metaphor in this series: symbolizing things you’ve never seen before). Just before he’s about to tell that he’s from Greece, Natalie’s car arrives and they say goodbye.

Tiffany meanwhile receives Rose’s phone call, where Rose says that she needs to talk about Mina. They decide to meet at the film studio. Zaimis meanwhile has immediately developed a crush for Natalie as Porfy calls out to him. Porfy then gets a bit nostalgic now that his journey is about to end, and talks about how he’s seen many places. His mother used to say that the world is big, though at the time when she said it, he didn’t really understand what she meant, but now that he’s seen so many different places and people, he understands. Zaimis also appears to have worked hard, in order to protect his mother and little sister. The two then end up arm-wrestling, which is won by Porfy.

At the studio, Rose and Tiffany meet again, and Rose is finally able to say to Tiffany that her latest film was a great one (she did watch it with Porfy, after all), and that she lost to Tiffany: even without the cheating, Tiffany simply was meant to be a star. Rose then tells Tiffany about how she met Porfy, and the two then decide to give the two of them their best Christmas presents ever.

Porfy and Zaimis then talk a bit about how big Paris is, and Porfy still rather doesn’t want to talk about what happened to Simitra anymore, compared to Zaimis who still often thinks back to the incident. This again symbolizes the difference between the two of them: they both ended up dealing with the new situation in their own way, and grew in their own ways.

That evening, Rose tells Porfy about how she’s found Mina. Tiffany’s driver then comes to pick them up, and drives them to the movie theatre where they went to see Tiffany’s movie. In there, Porfy and Mina finally meet each other again, and the episode and series ends. That was just so adorable.

This episode really showed how Porfy no Nagai Tabi may not have been as beyond awesome as Les Miserables, yet it was a wonderful series on its own. This episode lacked the aftermath that closed off Les Miserables so well: we never get to see what happens after the two meet again: it’s left up to our imagination, but nevertheless the reunion between the two was very fit for a climax of this series. I’m only bitter due to the lack of Alecia, but that’s just personal preference.

Speaking of fanboying: the trailer for Konnichiwa Anne was pasted at the end of the episode, and I have to say that Anne looks AWESOME! April 5th can’t come soon enough!

Posted on 23 December 2008 with categories: Porfy no Nagai Tabi



Short Synopsis: The final bit of build-up before the big climax!
Overall Enjoyment Value: 8,5/10 (Awesome)
Well, so it really looks like the creators planned to reunite Porfy and Mina at the very last episode from the beginning. Ooh! It’s going to be epic!

The episode starts as Porfy is very glad to meet up with his old friend again (who changed significantly, actually. In fact, Porfy’s character-designs have also very subtly changed throughout the series). As it turns out, Zaimis has managed to win an international competition that’d allow him to study music in Paris (if I understood correctly). He asks about what happened to Mina, after which Porfy answers that he might have found her, and shows him the poster. Zaimis wants to see the movie to check for sure.

After the movie is over, Porfy still doubts whether it was really Mina, but Zaimis is utterly convinced that she’s the one, and that Rose was the one who was wrong. Porfy refuses to believe that, and figures that maybe it was Amelie who made a mistake. Porfy then introduces Zaimis to Rose, taking him to her apartment. She’s been waiting for him, actually. It also seems that Porfy has written a lot about Rose to Zaimis, so he’s already heard about her. He tries to convince Rose that it was really Mina who he saw, but then she starts yelling and leaves.

Zaimis then suggests to confirm it once more. Instead of leaving it to rose, he plans to go along with Porfy to the movie studios without letting Rose know. Porfy is a bit puzzled as to why he has to keep it a secret for her, because he still doesn’t suspect that he lied to her. Mina meanwhile is in awe at the huge Christmas tree that Tiffany had planted in her back garden (that’s rather cute, ending the series at Christmas).

The next day, Porfy tries to find an excuse of getting out on his own. It almost backfires, since Rose offers to go along with him to show Zaimis the city of Paris, but luckily she realizes that the two of them haven’t met for a while. She then gives Porfy some money, and asks whether he’d like something for a Christmas present. Porfy really doesn’t have anything he wants, aside from meeting with Mina.

Because of this, Porfy is late and has to apologize to Zaimis, who avoid the question of why Rose know about their little trip. At the movie studio, they face the same problem as before: the annoying gate keeper. In the end Porfy gets in by letting Zaimis distract the guy so that he can sneak behind a large prop. In the studio, Porfy accidentally meets someone who takes him for someone who works at the place, and ends up accompanying him, carrying boxes.

The next person Porfy meets is a guy who mistakes him from yet another someone who has fallen in love with a certain actor, and managed to sneak in (apparently, the guard hasn’t been doing his job that perfectly). He doesn’t know Porfy, but he does know Amelie. Amelie then tells Porfy the same that she told Rose, and also how she told Rose about Mina. This is where Porfy realizes that Rose lied to him.

When Porfy returns, his sad look first makes Zaimis think that it was indeed a misunderstanding, but instead Porfy is wondering why Rose lied to him. Mina meanwhile is asked the same thing as Porfy was earlier: what would she like as a Christmas present. Obviously, she only wants to meet Porfy. ^^;

That evening, Rose returns and is shocked to see Porfy in a room without lights. Porfy then says that he’s met Amelie. He first believes that it was because of Tiffany, but then Rose tells him the truth, while crying. That she doesn’t want Porfy to leave. After that the episode ends.

There’s only one downside to this whole final arc: NO ALECIA! Apart from that, it’s been such a creative and solid finale for this series. I’m also really surprised. I originally believed that the creators were planning to turn the finale into an even bigger tear-jerker than the earthquake-arc, but instead they’ve chosen for a much more quiet pacing, that instead is building up to the two of them finally meeting again. After the very dark episodes of Porfy’s journey in France, I really never expected this.

And yeah; so what if the creators are recycling their old background art with different colour filters run through them! They still look freaking awesome!

Posted on 20 December 2008 with categories: Porfy no Nagai Tabi



Short Synopsis: Porfy tries to find out what happened to Mina, while the creators are having the time of their lives teasing the hell out of us viewers.
Overall Enjoyment Value: 8,5/10 (Awesome)
OMG! OMG OMG! This was such an awesome episode! Oh, the irony, this episode really showed the big strength of the World Masterpiece Theatre series: you SO want these kids to meet each other again, and time and time again, the creators find some thing that gets in their way.

Porfy is really excited as he brings Rose to the poster he found at the end of the last episode. Her hair changed, but he’s nearly sure that it’s Mina, though Rose doesn’t believe it (after all, what would she be doing in a movie?). She tells him that he’s going to be disappointed if it doesn’t turn out to be her, but in the end he manages to convince her to accompany him in order to watch the movie.

After watching the movie, Porfy’s sure: that Mina is his sister. Rose can still hardly believe it, and manages to convince him to get some sleep before trying to find her. Mina meanwhile gets complimented by Tiffany at her singing ability, and Tiffany assures her that she’ll once get the chance to sing in front of a large crowd. The manager then arrives, carrying a box of fan letters. Most of them are for Tiffany, but there also are a few for Mina among them. Unfortunately, none come from Porfy. But then again, the movie just premiered, so there’s plenty of time left.

The next morning Porfy is very early to bother Rose, who wants to sleep. So instead, she tells him to go and check out the movie studios, where she might be. When he arrives, he however is just taken as an ordinary fan by one of the guards, and even telling the guard about his sister obviously doesn’t help. Porfy tries a bit more, but eventually he gives up when the guard is distracted by other people.

Meanwhile, Natalie is happy for Mina for the amount of fan letters she received, but Mina is still feeling down because she didn’t see Porfy. Natalie then asks whether her brother was the only reason for her to start acting, and that she doesn’t seem to realize how special it is to be able to act with Tiffany. The fans might become disappointed when they learn about that.

Rose meanwhile didn’t realize that Porfy would take her seriously to go to the movie studio, and she’s really worried when he leaves. When Porfy fills her in about what happened, she offers him to contact a few former friends of her who still might know a thing or two. However, then she asks Porfy what he’s planning to do once he finds Mina. Porfy then answers that he’s going to return to Greece. This however is something that Rose didn’t anticipate, and even though Porfy doesn’t have anything he left behind there, he still wants to return, and she immediately starts acting all strange.

When Rose meets her friend Amelie, she really finds out that the child is called Mina. Instead of telling the good news to Porfy afterwards, though, she tells HIM THAT HE WAS WRONG, and the girl turned out to be SOMEONE ELSE! This was in the hope to get Porfy to stay with her, but in the end, it just means that he’s going to continue to search for her. Mina meanwhile is still thinking about how blunt Natalie was to her, and she’s beginning to take joy in acting, and is beginning to understand what Natalie told her.

The episode ends with Porfy, running into none other than ZAIMIS. Yes! Zaimis is back!

Really, I first thought that Rose would be able to get Porfy and Mina back together, but instead, she turned out to be getting in his way. This is why it was so important for her to be well developed, and for her to create a genuine bond with Porfy: her whole affair with Tiffany didn’t just make her to hate acting and Tiffany, but it also made her afraid to lose any more close friends, up to the point were she made such a foolish claim to Porfy. And also: Zaimis’ return has to have some sort of meaning. What exactly is his role in these final two episodes?

And holy crap! It only occurred just to me, but Porfy’s wishes to go back to Greece and Mina’s wishes to continue acting don’t go along together at all. The two may meet each other again, that’s for sure, but it’s a whole different question about whether the two of them are actually going to reunite, and live together. It would mean that Porfy would just follow Mina around, unable to do anything. I know this series at this point, and the creators wouldn’t have spent so much effort on Mina, accepting the acting business if there wasn’t some sort of hidden meaning.

Posted on 9 December 2008 with categories: Porfy no Nagai Tabi



Short Synopsis: Rose takes Porfy on a date while Natalie goes out shopping with Mina.
Overall Enjoyment Value: 8/10
Haha! It has begun! It has finally begun! But first: summary!

The episode starts as Porfy and Rose are sitting in a room, after Rose has just taken a shower and is drinking some wine. Porfy thinks that she shouldn’t drink so much alcohol, but Rose says that alcohol is necessary for an adult like her. When Porfy says that he’s also an adult, she notes that that’s what still makes him a child. He sneezes a bit, due to the rain of the previous episode (foreshadowing?!), and then asks again about the story between Rose and Tiffany.

When they first met, they both tried to be actresses. Tiffany first looked like a typical rich girl, but she had a surprising amount of will power. At one point, Rose successfully auditioned for a role for a certain movie, though behind the scenes, Tiffany seemed to have ordered a change at the last minute, making Rose lose her role. This had such a large impact on Rose that she quit acting, and never talked to Tiffany again.

In order to change the subject, Rose then suddenly proposes to go out on a date with Porfy. Porfy is a bit startled, but Rose assures him that she’ll explain him all about the basics of dating. Tiffany meanwhile proposes to Mina that she should go out once in a while, and she can buy whatever toy she’d like.

A bit later, we see Porfy waiting in front of a famous fountain whose name I forgot. He complements Rose on her beauty when she arrives (probably scripted by Rose beforehand), he wonders why they should go out on a date like this when they live together, but Rose convinces him that it’s a rare chance for the two of them to get together.

Porfy is obviously easily distracted by one of the cars that drives by, and Rose instructs him that during a date, your attention shouldn’t drift away from the person you’re dating. Mina meanwhile doesn’t really have anywhere to go, so they just sit on a random couch. A guy then arrives who tries to hit on Natalie, but she quickly sends him away (experience?). When the poor bugger has left, she asks Mina to simply call her by her name, instead of putting the “-san” behind everything.

Meanwhile in a cafe, Rose instructs Porfy to spoon feed her some of the treats. In a shop, she makes him buy one of the gifts, and she makes him pin on a brooch, which clearly makes Porfy uncomfortable a bit. Meanwhile, Mina doesn’t want to buy anything, although she does stop by a doll, just like the one Corrina used to have.

Later in a park, Rose reveals that she hates the winter, as it seems to reflect the coldness in her hands. They then see a young boy, being caught for stealing (but don’t do anything to help him). Rose then starts to envy him, and his eyes that always point straight forward. She herself grew up in a small village in Southern France, and left to Paris at her fifteenth, hoping to become an actress. Now that that failed, ten years later, she’s pretty much a nobody without dreams or friends.

Porfy then notes that he could have just become like that boy earlier, and then comforts Rose that she also was one of the reasons why he didn’t become like that: because he received support from various people. Natalie meanwhile tells Mina that she’s been with Tiffany for a year. Mina envies Natalie, because she’s got a certain future and knows what she wants, while she herself is without a brother and family, and doesn’t even know what’s going to happen next. Natalie then comforts her a bit, and Mina asks in her turn for Natalie to stop putting the “-sama” after Mina’s name.

Rose meanwhile runs into an old friend, who was probably an old boyfriend of her. When he enthusiastically recalls the time they spent, but she just brushes it off as something from the past. The guy then gets angry and starts insulting her, after which Porfy starts yelling at him, telling him to apologize, but he quickly gets pushed aside. Rose then urges Porfy to stop before he lashes out to the guy even more. Later Rose says that normally, she would have gotten angry at the guy as well, but she was surprisingly cal this time.

When they reach Rose’s home, Rose then says that all dates end with a kiss, so Porfy kisses her on the cheek. The two of them say goodbye, Rose closes her door, and the role play ends as Rose opens the door again.

The rest of the episode shows us what happens I guess a few days later. Tiffany actually drives into Rose while she’s without Porfy. She’s clearly never knew what she did to her, and she’s actually glad to see Rose again. She gives her her number, in an attempt to keep in touch again, though Rose throws it away, I guess.

Next up, Porfy plans to go out to buy dinner, but is surprised by Rose’s cat who decides to run off. It’s where he catches the animal when he finally notices: the poster for Tiffany’s upcoming movie.

Yes! It’s finally time. Like Anne of Green Gables, the climax of this series is really surprisingly small for a series that’s taken up 52 episodes: only three episodes left, and then everything’s freaking over! Right now, Porfy KNOWS that Mina is with Tiffany. It’s going to probably take one more episode for him to collect the actual facts of what the heck is going on, and then the question is going to be whether the creators want the final episode to be an aftermath (Alecia!!), or whether they really plan to save the big event for the final episode.

And I must say that I really like it how real Rose’s grudges to Tiffany feel. It’s probably just one huge misunderstanding, judging from Tiffany’s reactions, but yet she remains someone who puts a lot of value on her past experiences, and when these experiences are bad, they have an even bigger impact on her, up to the point where the memories of this cause her to have a very negative image of herself. But the big question is going to be whether the creators can keep it real when the two of them meet up, and realize that it was all one big misunderstanding. It would be bad for the two of them to just become best friends again, because you can’t simply forget a ten year old grudge, even with all logic against you. That’s one thing that I see in man anime: large grudges simply become forgotten a bit too quickly. What I want to see is for Porfy to heal Rose, not so that she suddenly starts making tons of friends, but instead starts trying to make new friends.

Posted on 2 December 2008 with categories: Porfy no Nagai Tabi



Short Synopsis: Mina finishes her parts of the recordings and Porfy gets into a bunch of fights.
Highlights: Finally it’s time to address the Rose vs. Tiffany subplot.
Overall Enjoyment Value: 8/10 (Excellent)
I must say that the World Masterpiece Theatre series have a unique sense of endings. While you would expect the final parts of a 52-episode series to be full of tension, where everything the series has built up for comes together, the endings I’ve seen so far do something completely different: Akage no Anne’s climax only popped up something like four episodes before the end, completely unexpected, and Les Miserables’ climax ended seven episodes before the series was supposed to end. Porfy’s the same: I really expected a continuously sad final arc, much like what happened at the earthquake arc. Instead of that, it builds up, features a big climax when Porfy runs into Alecia, and then goes into a completely different direction with a final arc that starts with a very careful and quiet build-up. It really does feel like Porfy is only going to meet Mina in episode 52 this way.

Anyway, summary: The waiter is counting the money for the day, and something is missing. He immediately blames Porfy, who obviously never took anything. He threatens with the police, but the cook comes in to the rescue by pointing out that the missing coin is in one of the beer glasses, apparently a few customers did this to re-enact a scene from a certain movie.

The waiter then looks strangely at Porfy, wondering aloud why he’s in the wrong: money was missing, he didn’t know about the beer glass, so it’s obvious that he suspected Porfy for it. He then starts randomly complaining, and eventually insults Porfy’s father. Like always, Porfy can’t take this at all, and would have attacked the waiter if the cook hadn’t stopped him. Porfy quits immediately. When he asks for his pay for the day, he gets denied again, because he dirtied his apron in his rage. When Porfy comes home, he’s obviously in a bad mood, but initially doesn’t want to talk about it. When Rose asks further, he starts crying and Rose tries to comfort him a bit.

Mina meanwhile is still in a totally different world. Mina asks whether the filming of the movie gets completed that day (I can only guess that a few weeks or months have passed since the previous episode), and Tiffany confirms that. Mina then gets excited, thinking that the movie is already ready to be broadcast, but Tiffany then explains her that it takes much more to reach the final product.

The final scene that needs to be shot is one where only Tiffany is needed, where her character gets poetic a bit inside a field of corn. Mina makes for quite a cute action by forgetting that Tiffany’s supposed to be on stage and standing right next to her like a little sheep. The production crew cal her back a bit, since her job is already finished by now. The scene gets shot, and the entire production crew celebrates that the shooting of the movie has finished, Mina and Tiffany get flowers and the whole crew goes out to have dinner that next evening.

Porfy meanwhile has been cleaning for two evenings because he doesn’t have anything left to do. Because of that, Rose offers to take him to a roller-skate park after she’s taken a shower. During that time, Porfy looks at the picture again, and manages to confirm his suspicions that the other person with Rose is Tiffany. Rose then comes out of the shower, and Porfy starts talking about that picture, though this falls really wrong with Rose, and she starts yelling at him. Porfy doesn’t know when to quit, and eventually Rose kicks him out of her house, refusing to let him back in.

The rest of the episode doesn’t really need a summary because hardly anything is said in it, though in the end Rose is finally about to tell why she hates Tiffany so much. I’ve been waiting for this: Tiffany has been portrayed as such a perfect woman, that I’m eager to see her more darker parts. She’s most definitely an ambitious woman, but how ambitious exactly that is, we have to wait for that one more week.

One of the things that I’m impressed about with this series is how the creators decided to handle the weaknesses of the characters. Usually in anime, characters only have small weaknesses, no weaknesses at all, or the weaknesses are so exaggerated that they become either annoying or stereotypes. It really takes skill to portray a character with serious weaknesses, and still maintain the characters interest as to not delve into a hopeless emo-fest. After all, flawed characters are interesting to watch when you first meet them, and they only start to shine as they develop and learn from their flaws. Porfy and Mina are really good examples of good characters with serious flaws: Porfy doesn’t know when to stop talking and completely flips when his parents get mentioned, while Mina can hardly think of her own, and always needs to be near an adult or mother-figure. Their flaws feel real, provide some nice conflicts and yet they don’t appear too often to overshadow their entire personalities.

Posted on 25 November 2008 with categories: Porfy no Nagai Tabi



Short Synopsis: Mostly an episode of build-up and foreshadowing, where Mina already starts playing in her new role.
Highlights: Mina’s finally starting to grow again.
Overall Enjoyment Value: 8/10 (Excellent)
Ah, there are five episodes left after this. At this point, the series needs indeed a bit more build-up for the finale, which is promising to be so completely different from the entire rest of the series. But first as usual a summary:

Rose arrives back home, takes a shower and in the meantime Porfy wakes up again. When she’s done, Porfy wonders where he should search for Mina next, and Rose suggests a place where lots of people from around the world come: the Louvre. Mina meanwhile wakes up, and gets invited to have breakfast with Tiffany. Tiffany asks her maid, Nathalie, to fetch some strawberries, as Mina asks when Isabella’s going to pick her up again.

Tiffany then comes with the revelation that Isabella’s gone now. She left Paris and Mina is now in the care of Tiffany. She left one of her precious jewels with Tiffany as a proof. Mina obviously resists, and wants to go back to Isabella, though Nathalie stops her. Mina thinks it’s cruel for Isabella to have left her, but Tiffany manages to convince her that Isabella abandoned Mina, because it’s best for Mina. She says that if Mina stars in a big movie, she’ll appear on big posters, and she’ll be able to reach a huge audience over the world, and with a bit of luck her brother will recognize her.

That evening, Porfy searched around the Louvre for too long, so he’s late at the job. The waiter with the difficult name obviously scolds him, but he’s much nicer than he was in the previous episode, although Porfy’s obviously getting paid less. The cook asks Porfy how the search went, though Porfy has no luck. Mina meanwhile gets really inspired when she sees Tiffany practice her lines. The movie seems to be about a poor girl called Maaya who is working hard and likes to sing songs. It’s a bit cheesy, but in any case Mina is going to play the girl in her younger years.

When Rose comes back from shopping, she has a bit of good news for Porfy, as she found someone who has seen Isabella. He obviously doesn’t remember where they went, but the two of them continue to search for a while, asking people who pass by whether they’ve seen her. Obviously, nobody really wants to cooperate. Rose is a bit disappointed, but Porfy is used to this disappointment by now, and he’s at least glad that Rose helped him this time.

Mina meanwhile has memorized both her lines and the lines of the other parts, and is getting very enthusiastic to play her part. The next day, she already is going to film her first scene. Her manager then, however, notices the scar that Mina has (from the earthquake), but this is easily covered with make-up. Everything goes well during the shooting, and Mina is done quite early because of that.

Ironically, Porfy has chosen the exact same place as the movie-shoot for his search that day, but he arrives there, just as Mina left. He does see the car they’re in, but instead of wondering who’s in it, he gawks over the brand of the car. That’s really typical of him, isn’t it. ^^; When he arrives at the set, one of the women does inform him about the movie, making him a step closer to finding her. She holds a basket of roses, and Porfy buys one of them, for Rose.

Rose meanwhile discovers that Porfy erased some of the lipstick on the photo, and scratches it out with some more. Porfy then comes in, and offers her the rose, as a means of saying thanks. Porfy’s attention then falls to the book of Romeo and Juliet, which brought the two of them together, and Rose cites one of the famous passages of the book. Porfy then notes that Rose should have become an actor (hah!), but Rose says that with talent and luck, you can’t expect to just make it as an actor, which scares Porfy off a bit. He then leaves for work as she thanks him for the flower and the episode ends.

The biggest revelation is of course that Isabella’s freaking gone! Suddenly so much pieces of the puzzle fall into place. The whole episode where the rich kid was about to take Mina away was just one big build-up for the finale. Now that she knows about Mina’s full story, she actually decided to make use of the opportunity that Tiffany gave her, in order to find Porfy as fast as possible and give her a safe home. She actually knew that keeping her with Carlos longer would never make Mina happy, and she actually prevented the bomb that I’ve been talking about for ages now from exploding completely!

I also understand the purpose of the long travel arcs now. They were there in order to make sure that the final arc wouldn’t completely come from out of nowhere: that this is a realistic series, but there often are a few coincidences that are needed in order to get the best out of the characters. Storytelling is often finding a compromise between realism and conflict, because a completely realistic series certainly isn’t a bad thing, but you can’t get a juicy story out of it, but the same way, if a series forsakes this realism the chance will be bigger that viewers will end up scratching their heads and fail to take the rest of the story seriously. It’s up to each individual story to decide where on the scale between realism and conflict it wants to be. Anne of Green Gables is a typical example of a series that goes for realism all the way, and Code Geass is the obvious example of a series that goes for conflict all the way. ^^;

In that same way, I found it a bit hard to believe that Mina would only days after being first recruited shoot her first scene, but I guess that the production was in dire need of a new actress (after all, otherwise Tiffany herself wouldn’t be looking for these people). And because of her imaginative personality and how she spent god knows how many months with a memory loss, I guess that that gives her an extra good ability to relate herself to the characters she plays. That’s of course a great merit for an actor, although I do wonder whether she perhaps lacks some technical acting skills. But ah well, this is such a minor detail, and it really is worth because Mina has finally started growing again as a character. Watching her in this episode was a delight because of that.

Posted on 18 November 2008 with categories: Porfy no Nagai Tabi





Short Synopsis: Mina runs into a certain somebody
Highlights: Some of the best art of the entire series can be found inside this episode.
Overall Enjoyment Value: 8/10 (Excellent)
Whoa, those are some very interesting developments. I must say that I really like it that the creators aren’t just going to let Porfy and Mina meet up without a big finale. The idea is absolutely wonderful and despite the sacrifices that had to be made it will form the cream of the crop for the character-development of the two. But first a summary:

The episode starts the next day after the previous episode. Porfy wakes up and Rose is just done with her job, and taking a shower. After she’s done, Porfy tells her that he’s going to work and search for Mina for the rest of the day. He finds it a bit hard to imagine that she works during the night, and sleeps in the afternoon. He feeds the cat and then goes out to search for Mina. At the bread store of the previous episode, he tries to find out what exactly Paris looks like. Obviously, he’s pretty startled when he finds out how big the city really is.

Later in the restaurant, the waiter is having the time of his life abusing Porfy, criticizing every possible thing that he does wrong, like leaving the water on for too long, pouring too little beer into one glass, and when Porfy receives a tip from a guest who is also French, he immediately confiscates the tip. It’s his shop, so Porfy should be glad that he can at least get somewhere to work. That evening, Porfy finally has the time to write a letter to Porfy, about how he reached Paris. Rose then leaves for work again.

The next morning, we switch to Mina and Isabella, who’ve reached Paris. Interestingly, Carlos and Isabella’s father aren’t together, and the latter foreshadows a bit by reminding Mina to never forget her dream. In any case, Mina starts singing while Isabella is dealing with a customer, and that happens to attract the attention of a certain person who happened to be driving by: Tiffany Auber, the actress Mina admired so much. She sends her manager to try and talk to her, but Isabella has obviously never heard of such actresses. Even when Tiffany herself appears and asks Mina to sing the song she just sang again, she still refuses.

Tiffany isn’t the type to give up so easily, though. She tries again, but a bit more subtle: she asks Isabella to tell her fortune instead. Isabella does send Mina back to their hotel. Isabella still wants to know what Tiffany wants to do with Mina, and Tiffany starts to explain, although we don’t get to see that exact scene because something much more important is happening over at Mina’s side: Carlos is ticked off because Mina isn’t working for her food, and he starts scolding her and throws all sorts of insults at her. Mina finally insults him back, since she’s got her memories back and all. Hearing that, Carlos takes Mina to her room and starts abusing her in ways that can only be left to our imagination. Mina then grabs a potato knife and stabs Carlos and escapes. Isabella arrives at that point, and sees Mina running away crying. Carlos tries to seek sympathy with her, but she slaps him.

Isabella then tries to confort Mina by asking whether she’d like to perform in a movie. Isabella turns out to have been wrong, and understands that Tiffany is a famous actress. They decide to go see her, though Mina is very nervous, even though Isabella tries to talk some courage into her. Isabella then goes to talk with Tiffany’s manager about the details, while Mina waits at a different room full of awards and posters.

When Tiffany enters the room, she asks whether Mina has any experience in acting or singing, but this obviously isn’t the case. Tiffany doesn’t find it a problem, though. Isabella then leaves, as she’s got her own job to do, and she talks some last words of confidence to Mina, about letting flowers bloom. I think that Isabella was really happy that Mina is going to be able to grow up properly. A huge parallel to the time when that rich boy tried to take Mina away.

Tiffany then shows Mina some absolutely gorgeous shots of Paris, saying how she believes that Mina will definitely be able to break through. The episode ends with so many beautiful shots of the city that it becomes almost scary. Yeah, I think I went a bit overboard with the screenshots. ^^;

In any case, ever since Apollo’s death, this isn’t a series about realism any more. There was more than enough realism and nostalgia in the first quarter of the series, the majority of the series, the middle part, was a focused on travelling, and now the final ten episodes really are the place when the plot takes over into what promises to be a very powerful finale. The great thing about this also is that this is the WMT: you know that things are going to happen, but you never know when that’ll happen. After all, Les Miserables had an aftermath of about seven episodes, so who knows how many the creators of Porfy have scheduled?

In any case, about the whole events, of Apollo dying, Porfy running into Alecia, meeting Rose and Mina just getting picked up by Tiffany: there’s no way that that would happen in real life, but this isn’t about making sense anymore, every single one of these events was meant in order to bring out the best out of the characters. Much like Tokyo Godfathers in a way: it was an awesome movie, and every single one of its coincidences was perhaps a bit strange, but meant to bring out the best in the characters. Mostly, I dislike these sorts of things, but there can always be exceptions. ^^;

I doubted for a bit after Apollo’s death, but there really is no doubt possible at this point: Porfy and Mina will meet some day. Even if Porfy doesn’t somehow get the chance to ask Rose about Tiffany, eventually Posters will be put up and people will start to recognize Mina. If Porfy stays in Paris for long enough, he has to notice at one point, but it’s the most probable that Rose and Tiffany will reunite the two. Speaking of which, I’m getting pretty interested into exactly what kind of job Rose has. It’s probably some sort of showgirl or something similar.

And Carlos! I must say that I like what Mina did to him, to actually stab him with a knife. I also like the decision of showing the abuse behind a closed door. It can hardly be called budget-saving, with this episode featuring some of the best graphics in the entire series, and I feel that if they animated what actually happened in that room, it would have looked faker than what we got instead. But really, the guy has to be really pissed by now, especially after learning that Mina might just become famous. Here too: you just know that the guy’s going to explode, but the question is: when?

One final remark: the soundtrack. I was really impressed by the tune that started playing when Tiffany first appeared in front of Mina. The synthesizers are so un-typical of France and this series, but it’s such a haunting tune and fits the scene perfectly. Talk about saving the best for last!

Posted on 11 November 2008 with categories: Porfy no Nagai Tabi



Short Synopsis: Paris is big. Mina isn’t there yet. Porfy’s out of money. So yeah, he’s still going to have to kill some time.
Highlights: Calm before the storm!!
Overall Enjoyment Value: 7,5/10
Porfy no Nagai Tabi is a very good series, but as I’ve mentioned before: overall just isn’t as good as Les Miserables, but one thing that it did do right was the OP: it fits for the entire series. In Les Miserables, people at one point were fighting and dying for what they believed in, and the OP still showed a bunch of little girls. ^^;

The episode starts as Porfy walks around one of the rich parents of Paris. Obviously, it’s not the most wanted part of the town by fortune tellers, so everyone acts annoyed at him, especially if he continues to bug them. A kind baker then directs him to the right places, and how it’s not the time for the fortune tellers to show up yet. Porfy then feeds some of the local pigeons and gets reminded of Apollo again.

That evening, Porfy sees the first cards since his arrival at Paris and idiotically mistakes the owner as Carlos. The supposed “Carlos” pushes Porfy away, who then hits one of the waiters, dropping one of his dishes. The waiter is very annoyed, although Porfy doesn’t seem to realize this because all he’s interested in is the food he just ruined: it’s Greek. Porfy says that he came from Greece, but the waiter obviously couldn’t care less. He then forces Porfy to the cook. Since Porfy doesn’t have any money and is familiar with the Greek dishes, he offers him a job. Porfy’d rather search for Mina, but the waiter, Xalupurous (Christ, what a difficult name), reckons that he can just search for Mina if he’s not working.

Alex(?), the cook, then shows him around and offers him a bit of food, since he’s a nice guy. It turns out that the restaurant desperately needed a new waiter since they recently sacked one of their old staff, and none of the French people was able to remember the right dishes. While Porfy washes the dishes, he chats a bit with Alex. It turns out that he was born in France, but his parents came from Greece. Porfy then accidentally breaks one of the dishes, making the waiter (I’ll just call him the waiter, since Xalopuro-thingy is just too complicated) gets even more angry. Later, when Porfy is peeling potatoes, he complains again because there’s too much of the potato wasted this way. The waiter then sends him to take away the dishes that are done.

One of the guests, reading a book, is getting bothered by a drunk. They struggle a bit, and she eventually pushes him onto one of the other tables. She however gets blamed for what the drunk did. The waiter tells her to leave, and even though Porfy tries to say that it wasn’t her fault, the waiter doesn’t listen and the woman leaves in anger, leaving her book. Porfy then brings it back to her.

A bit later, Porfy and Alex are finally done with the dishes. The waiter then pays Porfy with an incredibly small amount, due to the plates he broke and dishes he wasted and because of the book he brought back to the woman (he wasn’t supposed to). He then orders Porfy to be on early the job the next day as well. Porfy says that he doesn’t have a place to stay, but the waiter refuses to let him stay at the restaurant. Porfy then walks away, and runs into the woman from before again, who wants to thank him for bringing back the book. Apparently, she has been waiting for him, and overheard how he doesn’t have a place to stay. She introduces herself as Rose.

Porfy then tells her about how he’s searching for his sister, and lost just about everything, but Rose tells him to cheer up. She shows him around the house, and suggests how he should sleep on the couch in the living room, and of course take a bath, since he’s been sleeping outside all this while. When Porfy is watching outside, she takes him to the roof where they can get a better view.

They look at the stars for a bit, and then Rose says that she’s about to get to work. She puts on lipstick, and notes that it’s hard for a woman to be living alone. When she’s left, Porfy notices one of her paintings which has been flipped over. One of the faces of the painting has been crossed out with lipstick, and looks a lot like the actress Mina used to admire and the episode ends.

So yeah, it was a bit coincidental, out of all the woman Porfy could have ran into, but it’s a fascinating idea nonetheless, and the sacrifice the series has to make for it is more than worth it. I really like how, just before the finale of this show, the series decides to reserve two episodes to flesh out Mina’s love form movies a bit, by giving a bit of background for her favourite actress. After that, it’s really anything that could happen, and it all depends on how much time the creators want to spend on the series’ aftermath. There are seven episodes left, six if you count the next episode, which will conclude Rose’s story. I’m really curious to see how the final reunion will work out. The reunion with Alecia was downright awesome, and it’s now time to see whether the creators can make full use of nearly fifty episodes of building-up.

Posted on 3 November 2008 with categories: Porfy no Nagai Tabi



Short Synopsis: A certain character makes her reappearance.
Highlights: Every single scene.
Overall Enjoyment Value: 9/10 (Fantastic)
This episode doesn’t need an elaborate summary. All that you need to know in order to understand it can easily be summarized into one paragraph:

Porfy continues travelling, but due to the loss of Apollo he forgets to take care of himself and just wants to go to Paris as soon as possible. In the end, he collapses due to fatigue as he nearly gets hit by Alecia and her father’s truck. Alecia tries to get Porfy back to consciousness, but Porfy only utters that he needs to go to Paris. The rest of the night, Alecia’s father then drives to Paris, while Alecia takes care of Porfy (SO INCREDIBLY CUTE). Porfy wakes up after having a good night’s sleep, and returns back to his senses. In Paris, he says goodbye to Alecia, and even though she wants to come with him, he declines.

First of all: PORFY YOU IDIOT! CAN’T YOU SEE WHAT ALECIA REALLY WANTED?!

Second of all, this definitely was the best episode of Porfy no Nagai Tabi since the earthquake-arc. Alecia’s return was every bit as good as I could have hoped. The summary is indeed very short, but the real power of this episode lied into the visuals, not the audio. After all, at this point, the series doesn’t need any more exposition. Enough has been said at this point, and it’s now really time for the characters to just do their thing.

Alecia was downright awesome, even though she only appeared in two episodes of this series. Her crush on Porfy was so incredibly heart-warming, and the scene of the two of them together, in the back of the truck was especially memorable . I really like how this episode also decided to go for subtle drama, and deliberately kept the mood of the entire episode dark and quiet, instead of upbeat and a bit extreme, like the previous episode.

It also seems that Mina finally returned to her senses as well, and she remembers everything that happened at the earthquake and how she saw Apollo in Rome. It really looks like the finale of this series is going to play in Paris (in other words, it’s going TO START IN THE NEXT EPISODE!!), and my guess is that the series’ big climax will be in November, where December will deal with the aftermath. My big question for that aftermath is Alecia: once everything is over, and Porfy and Mina are either together, or have split up again, will Porfy go back to Alecia. It’s just too much of a shame to leave such a beautiful romance like this.

Oh, and on a side-note: I just love how, at the end of every episode, the background artists decide to whore their awesome skills. I should have known that they’d go all out once they’d reach Paris. That bird’s eye view of Paris was downright awesome.

CHANGE USERNAME
AidanAK47
@Mario, TV Diana has some charm points but I think OVA Diana provided a better dynamic. I mean sure, She was essentially female Draco Malfoy but her attitude made reveals like her being a secret Chariot fan more impactful. Plus her tsundere act torwards Akko was rather adorable.
SuperMario
about LWA again, unlike Aidan I actually enjoy this version of Diana. I know she's one note, too perfect but she's charming. Too charming haha which serves well as a contrast to Akko
SuperMario
...just pop one random film from him. His films are not without its bad side thou, in particular I find the dialogues shapeless and dragging. But well it does add to the naturalness of his films
KTravlos
on LWA I would also recommended it. It is a fluffy show, with a sense of wonder. Some episodes are better, some are more flat, and the over-arching storyline leaves me bored. But it does have that sense of childlike wonder, which I had missed among all the "grim" shows.
SuperMario
@Kaiser: I have a bit of problems with Korean movies lately as now they're heavily thriller style-over-substance films, so films that have very simple style like Hong-Sang-Soo's joints are the welcome change of air. One thing about his films thou, If you watched one of his film, you've watched them all. They're so similar in tones and concepts that I reckon if you feel like watching his films...
SuperMario
So I say it's still worth finishing. It's good but I don't feel the sparks that made it so great from the OVAs anymore
SuperMario
@Lenlo: about LWA. Plus side: Those hijinks. I mean the show is fun and magical. Negative side: I wish the show's storytelling is a bit tighter, each episode feels so loose it doesn't add up much and more like different variations of Akko + one member of the cast's hijink. Doesn't help either that the other casts just disappeared until they have an episode for 2 for themselves
SuperMario
@Anon1113829: I "enjoyed" Beyond the Boundary, but that show was a mess. The episode 10 was stand out for me, and the ending was kinda... a wreck. Certainly interesting but quality-wise I wouldn't reccommend it
Anonymous1113829
@SuperMario KyoAni fan? What did you think of Kyoukai no Kanata? I really wanted to like it, I thought it had some potential, but IMO nothing worked right.
AidanAK47
@Lenlo, It's good. Fun to watch certainly. Though sadly it falls short of being great.
Lenlo
So question: Is Little Witch Academia worth finishing atm? I started it last season, but for some reason it just fell off my radar
Kaiser-Eoghan
@Mario: Thankfully, while not entirely satisfying, day he arrives is just the Korean film I've been looking for, refreshingly more low key, quieter and I enjoyed the new wavy combined with raw style, making it all feel very natural.
Kaiser-Eoghan
@Mario: Well then, thanks for the rec on Hong-sang-so, I looked at The day he arrives. Y'know the reason I sometimes dread going into films featuring romance is because I'm conditioned from seeing the bad ones.
Kaiser-Eoghan
....I may actually read this, the last time I read a manga steeped in politics was Sanctuary: https://en.wikipedia.org/wiki/Eagle:_The_Making_of_an_Asian-American_President
Kaiser-Eoghan
@Aidan: I actually have very limited experience with Ellis as a comic book writer, only read Transmetropolitan, I know he's writing the Castlevania adaptation.
SuperMario
@Aidan: I heard the same thing; can't help being a completist though so I'll eventually get to them
AidanAK47
@Mario, From what I heard, it doesn't get better.
SuperMario
@Kaiser: that scene from the 1st episode of Phantom world lost me... but even then I'm willing to give the show another chance. That's how far I would go ^^ https://mobile.twitter.com/aaapodcast/status/687148875052892160/photo/2
AidanAK47
@Kaiser, Looks like they are putting some real effort into it. May actually turn out pretty good after all.
@K-Off, Under the Red hood is a damn fine movie. Likely one of the best of the DC animated universe. Though try Superman vs the elite out. It's pretty good.
Kaiser-Eoghan
Even phantom world Mario...even phantom world ? =)
Kaiser-Eoghan
Just the teaser trailer, not much to go on, but heres a short preview of that netflix castlevania thing that got mentioned on here a while back, up the quality to 360p:
SuperMario
At this stage, I'm pretty much KyoAni fanboy now so with every new material, I'll hype it up to the sky ^^
Kaiser-Eoghan
@Mario: I did follow it up with The spy who loved me though to cheer myself up =P Given that Rodger Moore just died =)
SuperMario
@Kaiser: just looked through what Short Men Behind the Sun is about: "human experiments carried out by Japanese army during WW2?" Already sound grim and too real. Then "a graphic depiction of the human experiments" haha no wonder you felt unsettled Kaiser
VyseLegendaire
My favorite Exploitation Flick is An Inconvenient Truth 2.0
Kaiser-Eoghan
@Mario: Long story short men behind the sun is finally the exploitation flick that defeated me and actually made me unsettled.
Kaiser-Eoghan
@Mario: I remember you talking about how Salo really affected you as an exploitation film, generally exploitation films don't shock or disturb me, but I just watched the cantonese dubbed version of Men behind the sun.
Kaiser-Eoghan
And the worst thing about beyond the boundry and phantom world, it discolours my opinion of kyoani as a whole, making me negatively reflect on older work they did .
AidanAK47
Yep, that's the new KyoAni one. Like Puran I don't have any expectations of it. The premise certainly seems like the closest they have come to breaking out of there usual format but I am sure they will find a way to shove in Moe antics. Though based on what is seen so far it looks like they are trying to emulate Key.
Puran
Is that a new KyoAni anime?.. I have lost faith in them a long time ago. Last Anime from them that I cared about was probably Hyouka
SuperMario
Bring you some news, Violet Evergarden will be aired as an anime TV. Though many sources saying it gonna air this year, it has a better possibility to air next year
SuperMario
Well, aesthetically, he's pretty much on par with Yang and Wong. It's just that his films are often emotionally distant, feel more like watching the paint dry hahaa
Kaiser-Eoghan
@Mario: I connect more emotionally with Yang and Wong.
Kaiser-Eoghan
@Mario: I went in expecting Edward Yang and Kar-wong-wai levels of quality, which may have been quite unfair standards to put him up against.
SuperMario
I myself find his films difficult to watch, but when the films end they usually hold up very very well. Both The Assassin and 3 Times in particular are my favorite of the year
SuperMario
@Kaiser: I completely understand your reaction because his films are demanding as hell. I remembered watching The Assassin in big screen, 3 people next to me fall asleep, one of them snoring and the other one fall asleep within the first 10 mins. That Hou Hsiao's movies for you
Kaiser-Eoghan
@Mario: Its such a shame because he makes gorgeous cinema and City of sadness is actually pretty informative account of the times....I just can't jive with him and I actually like "slow cinema" but watching his work is insanity inducingly boring for me.
Kaiser-Eoghan
@Mario: ....I'm really sorry, I don't mind long slow even spiritual, talky, non-narrative, old, complex,meditative , art films but I'm really really finding it hard to watch Hou Hsiao's work, I've tried time to live and the Assassin and I just bailed after 2 out of 3 hours on city of sadness.
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
SuperMario
@lenlo: in a sense you have to suffer it all alone. No worries thou as I intend to binge watch it when this season's over
Spike
Kado team crumbled under the pressure. Recap this week.
Lenlo
@SuperMario, im happy I dont have to compete with anyone to cover Berserk :P Got it all to myself to whine about, though its been ever so slowly improving.
Anonymous1100725
Ranka is ranka in any verse.
Anonymous1100725
Bahmut no spoilers. Ranka Lee. She just doesn't get it so everyone dies. As she stands around wondering.
SuperMario
In fact, Okja will play in the Sydney film festival next month, but seeing that it will stream in Netflix at the end of June I think it's best to wait until then
SuperMario
@Kaiser: great, I'm super hyped to watch Okja. Always enjoy Boon's movies. The critic's reviews from Cannes on Okja should come up soon I believe.
SuperMario
@Kaiser: I watched Lain many times over as well but I'm sure that I didn't pick up everything. That show required multiple-viewing anyways.
Kaiser-Eoghan
@Mario: Good news, netflix will stream Okja at the end of this June.
Kaiser-Eoghan
@Mario: Its not often that I rewatch things, but years ago I've seen Lain at least three times, its also one of those few anime series where I felt to look up deeper analysis into it. It had a tremendous atmosphere and was ahead of its time.
SuperMario
@Kaiser: watching Ghost Hound made me want to revisit Serial Experiment Lain and give my episodic thoughts on that. Not gonna happen soon as I have my hand full right now but I swear I'll get to that one day.
Kaiser-Eoghan
@Mario: I actually am planning to rewatch ghost hound soon, so I'll give you my new thoughts on it then.
Kaiser-Eoghan
I always avoided Altair mostly based on it being a shounen action series. Kakeguruis premise involves gambling games, which I don't find interesting.
KTravlos
Kakegurui is on my list. I thought it would be crap (terrible setting etc), but the manga won me over. Princess Principal will be given a chance, so will Shoukouko no Altair.and perhaps Reflection. We shall see. Also Twilight Axis Gundam, as I love the manga team.
AidanAK47
@Anon, Recap episodes exist because of production troubles. Sometimes shit happens when you make an anime.
You are being a bit overally argressive but I do agree with the statement that Ntr is pathetic power fantasy. It really is.
Anonymous1099236
Ntr is a pathetic power fantasy for pathetic people
Anonymous1099236
Why the hell do recap episodes exist. Do they think we're that autistic
SuperMario
I honestly don't even what NTR is so I had to look it up. Interesting
SuperMario
Just a quick remaider that Tsuki ga Kirei has a recap episode this week. And yep, after watching this week's Sakura Quest I think I'm gonna stick with it
SuperMario
Flipping through the list, I'm also pretty know what I'm interested in, most of them are original anime, which is a plus
SuperMario
@Aidan: I'm still amazed that us never have to fight over covering shows, except for that one time with Flip Flappers. Always thought that crappy tastes are the same
Kaiser-Eoghan
*Those two comments were refering to NTR trap
Kaiser-Eoghan
I would really genuinely like to see some of these smut manga actually functionally use fanservice and romantic sex scenes rather than just cheap titilattion
Kaiser-Eoghan
@Aidan: Poorly done ragey drama with bad comedy bits , I've reached a point with it where I no longer want my time wasted by it.
AidanAK47
@Mario, I admit to having passing interest in Princess Principal but not enough to fight you over it.
And Tsurezure Children is actually really really good. Really fluffy love stories with great comedy.
SuperMario
haha, even me who love slice-of-life won't fall for Tsurezure Children
SuperMario
@Aidan: Princess Principal
SuperMario
@Kaiser: The character designs on Centaur kind of weirds me out though
AidanAK47
@Kaiser, Ugh...that one. Imagine a discount scums wish and you get the general idea.
AidanAK47
Mate if you are talking about Fate then let me say there is no way in hell I am not covering that.
Kaiser-Eoghan
NTR as the title of an anime? How shameless.
AidanAK47
@Mario,....Tsurezure Children?
Kaiser-Eoghan
I was surprised by centaur no nanami's manga. Actually cares about its setting and genuinely charming characters.
SuperMario
@Aidan: and this time there is 1 show we might both want to cover ^^
AidanAK47
I will have to start writing up that preview for this. I think it's pretty obvious what I am looking forward the most to watching.
AidanAK47
Links generally work with text if you place them at the end of it. Like so:
http://anichart.net/Summer-2017
Kaiser-Eoghan
[link src="http://anichart.net/Summer-2017
I....I"] might at least try the Vatican kiseki one and centaur no nanami...
AidanAK47
@Anon, Don't believe Clickbait. This is all based on a quote from the author thanking the animation studio and hoping for an opportunity to work with them in the future. What this confirms is that there is no plans for a season 3...yet. Could very well happen in the future. What this confirms is that it ain't happening any time soon.
Puran
Natsume is killing it this season.
Anonymous1094513
RIP Konosuba. Season 3 confirmed to not happen https://www.youtube.com/watch?v=7PvOmsKjcJU.
Lenlo
Im not sure what they are even saying.
Anonymous1092432
lmao Anon 250 got rekt
AidanAK47
Normally I would delete openly offensive posts but seeing as these don't make enough sense to be offensive I will give them a free pass.
AidanAK47
No idea who this Adnan guy is but if he watches gay porn then so what?
Anonymous1092250
adnan watches gay porn
Anonymous1092250
people who watch one piece are just watching gay porn
Anonymous1092250
one piece of shit
SuperMario
Hey, do you guys know about wanna cry ransomware? how's the heck that I just aware of its existence today? Scary@@
Lenlo
Haha will do, but im not gonna compete outside a local, maybe regional level, not anymore. I mostly want to get back into my old shape after 2 years of letting it lapse.
Total users: 23

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